LISTEN HERE AND WATCH THE MUSIC VIDEO HERE
TORONTO, ON – December 14, 2023 – In the wake of landing nominations in all three major rap categories (album, song and performance) of the GRAMMY Awards for his acclaimed 2023 album, MICHAEL, Killer Mike has collaborated with the iconic Damian “Jr. Gong” Marley to reimagine his anthem of perseverance, RUN. Originally released on July 4, 2022 as the lead single from MICHAEL, RUN is a statement record about Black excellence in the face of systemic adversity and the intrinsic role Black people have had in shaping American culture and economy. The new RUN (Damian "Jr. Gong" Marley version), available on all DSPs now, provides a lens through which to understand the global resonance of the original’s theme. The version arrives alongside a new music video, starring both musicians, which they recently shot in Miami. Stream RUN (Damian "Jr. Gong" Marley version) here and watch the video here.
“Hip Hop and Reggae are both People’s Music. People's Music speaks for the salt of the earth, the worker class that toils and constitutes the masses,” states Mike. “I am proud that Bob's son and Denise's son united the music, the vibes, and the diaspora to make this song for THE PEOPLE. Run To Glory Together! Love and Respect.”
MICHAEL was executive produced by No ID and released via Loma Vista Recordings, with a roster of features spanning multiple eras of rap, including Andre 3000, Future, Young Thug, Ty Dolla $ign, Curren$y, 6LACK, EL-P, Blxst, Eryn Allen Kane, and more. The album has been heralded as “a complex portrait of Southern Black masculinity” for its holistic portrayal of Michael’s come up in Atlanta, an enriching and relatable working class story of perseverance, responsibility, and community. Even before the GRAMMY nods (and Charlamagne Tha God’s assessment on Brilliant Idiots this past week that it should win Rap Album of the Year) Mike and the album have been a cultural fixture throughout the year, with previous accolades including two BET Awards nominations for SCIENTISTS & ENGINEERS (in the IMPACT TRACK and SWEET 16 FEATURED VERSE categories) as well as year-end accolades from New York Times, Billboard, Esquire and more, amid appearances on Kelly Clarkson, The Breakfast Club, Sway in the Morning, Idea Generation, and many, many more. Stream / Purchase MICHAEL DELUXE here.
DOWNLOAD - Killer Mike + Damian Marley photo
DOWNLOAD – MICHAEL album artwork | DOWNLOAD – hi-res photo
LISTEN HERE AND WATCH THE MUSIC VIDEO HERE
WINTERSONGS & HOLIDAY CLASSICS TOUR
UNDERWAY NOW
DATES IN VICTORIA AND OTTAWA
TO FEATURE PERFORMANCES FROM LOCAL YOUTH CHOIRS
TORONTO, ON – December 11, 2023 – After unveiling two brand new original holiday songs - Belle nuit de Noël and Four Sundays to Christmas - award-winning musician, Laila Biali, welcomes one more song in her seasonal trifecta: Joy To The World. Featuring members of the Toronto Mass Choir, Biali's jubilant rendition of the holiday classic shines with its goosebump-inducing orchestral arrangements and stunning vocal performances. Listen to Biali's Joy To The World here and watch the accompanying performance video here.
"For me, Joy to the World is the sound of Christmas – hope awakened and hope answered," Biali reflects. "That's why it was so special to incorporate members of the Toronto Mass Choir. They bring the sound of a host of voices joined together in joyful exultation. The more understated ending to this arrangement is meant to signify the complexity we might feel in a broken world where we still dare to hope. But, to quote Leonard Cohen, 'ring the bells that still can ring'."
Biali has been dazzling audiences across Canada while on her Wintersongs & Holiday Classics tour, which kicked off November 30 and has saw sold out shows in Chester, NS, Hamilton, ON and Lakefield, ON. The tour now heads west, starting with tomorrow's sold out show in Saskatoon, SK and followed by stops in Manitoba and BC, before wrapping on December 20 at Ottawa's National Arts Centre. Biali's Wintersongs suite and familiar holiday fare will all be brought to life by a virtuosic band, as well as children's choirs in Victoria, BC (Victoria Children's Choir) and Ottawa (Nepean High School's music students). See below for full details on all upcoming performances.
WINTERSONGS & HOLIDAY CLASSICS TOUR:
December 12 – Saskatoon, SK – The Bassment (SOLD OUT)
December 13 – Winnipeg, MB – Crescent Fort Rouge United Church
December 15 – Victoria, BC – McPherson Playhouse
December 16 – Port Moody, BC – Inlet Theatre
December 20 – Ottawa, ON – National Arts Centre, Azrieli Studio
DOWNLOAD – single artwork | DOWNLOAD – hi-res photo
ABOUT LAILA BIALI
Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host, Laila Biali, has headlined festivals and venues spanning five continents from New York City's Carnegie Hall to Beijing's National Centre for the Performing Arts, and supported international icon Sting. Her latest full album release, Out of Dust, received rave reviews and was nominated for a 2021 JUNO Award. In 2020, Laila was honoured by SOCAN Music with the Hagood Hardy Award for Excellence in Songwriting. In 2019, Laila’s eponymous release won her a JUNO Award for Vocal Jazz Album of the Year. The year prior, she was awarded top prize at the Canadian Songwriting Competition in the Jazz category. Laila was also the youngest-ever double winner at Canada’s National Jazz Awards when she was named SOCAN Composer of the Year and Keyboardist of the Year. She received her first JUNO nomination for Tracing Light (2011), and a spot on DownBeat Magazine's Best Albums of the Year for both Live in Concert (2013) and Out of Dust (2020). In September of 2017, Laila was brought on as the host for CBC Music's national radio show, Saturday Night Jazz, a weekly show broadcast to millions of listeners across Canada. While Laila continues to earn high honours in the jazz world, her signature sound transcends genre as she "masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy" (Washington Post). Her latest release – 2023's, Your Requests, Vol. 1 – showcases personal arrangements of jazz classics requested by her followers and features guest vocalists Kurt Elling, Emilie-Claire Barlow, and Caity Gyorgy plus instrumentalists Anat Cohen, Grégoire Maret, tenor saxophonist Kelly Jefferson, bassist George Koller, and drummers Larnell Lewis and Ben Wittman.
"Biali's voice – spanning registers – is pure and warm. She's also fearless on piano and, above else, in her imagination” – DownBeat Magazine
“Masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy” – The Washington Post
"There's no boxing Laila Biali in ... Capable of making you laugh and cry
all at once” – All About Jazz
“A keyboard virtuoso with a distinctive sultry voice - intimate
and emotional” – Toronto Star
“Accomplished and brave ... a gifted player and natural risk taker” – Exclaim!
LISTEN HERE
TORONTO, ON – December 8, 2023 – Continuing to make waves worldwide, platinum-certified critically acclaimed rising R&B phenom, Ant Saunders, releases a new track entitled Gravitron, out now via Arista Records. Listen here and watch the visualizer here.
The rising R&B star wanted to focus on the storytelling aspect of this single. Growing up in South Jersey, his town always had its annual church carnival fair. One ride that held true to Ant’s emotions was the famous Gravitron ride. Relating to the artist's ups and downs, Ant shares, "Gravitron is a ride. It’s quite literally a ride at many amusement parks and local carnivals, but this song is also very much a ride. It’s a story inspired by my younger days, when I was very naive, and often insecure and selfish. I’ve been writing a lot about growth, reflecting on some of my best and worst moments throughout life. Writing about some of the bad ones felt important to me since it’s always good to acknowledge and accept your own faults, and learn from them."
Last year, Ant dropped the fan favourite, Camaro, and lent his instantly recognizable croon to Paige’s Miles Away. The latter piled up 1.9 million Spotify streams in addition to notching critical acclaim. Women In Pop hailed it as “a gorgeously gentle pop ballad that leans heavily into soul and R&B and explores the concept of intimacy without touch.” In 2023, Ant arrived back in action with the track White Noise and now Gravitron. Watch for more exciting things to come from Ant Saunders in 2024.
DOWNLOAD - single artwork
LISTEN HERE
DAN AUERBACH-PRODUCED DEBUT ALBUM HELLO, I'M BRITTI ARRIVING FEBRUARY 2 VIA EASY EYE SOUND
TORONTO, ON – December 7, 2023 – Today, Britti – the new Easy Eye Sound voice channeling her singular and effervescent spirit through the rich musical traditions of her New Orleans community – releases the latest preview of Hello, I’m Britti (out February 2), her forthcoming debut album produced and co-written by Dan Auerbach.
Pairing bright trills a la childhood favourite, Dolly Parton, and shimmering lead guitar, today’s track, Keep Running, is a moment of clarity and a recognition that one can’t keep running from their problems forever. The accompanying video is simply magnetic: Britti, surrounded by a collection of dancers, breaks through bodies and limbs, setting herself free and moving endlessly forward. Listen to Keep Running and watch the video here.
“Britti's song, Keep Running, resonates so much with me. Her lyrics awoke the feeling of loving what you do so much, that you can't stop running — eventually the pains go away, you learn to keep going, and you become unstoppable,” shares director, Vanessa Pla (French Cassettes, Taylor Swift). “The lines ‘If you take my picture, and you go back later, well there won't be nothing’ gave me early Bob Dylan vibes — a soul dancing miles ahead in endless creation, and the moment we think we've figured them out, they're on to something bigger and greater.
Britti is an evolving muse, which is so cool to watch and experience. That woman has a heart of gold. I'm so thrilled to have collaborated with Britti, Easy Eye Sound and my incredible team.”
After years spent working in a music store – selling instruments to people pursuing their dreams, while deferring her own – Keep Running is a nod to the day Britti finally decided to change her stride. In the wake of both a life altering breakup and a pandemic furlough, Britti realized she had been standing in her own way and vowed to change her course. “What if I actually try believing in myself?” she remembers thinking. “I had this whole dialogue with my ancestors, my spirit guide, and the divine like ‘What if I try?’” Soon after, Britti began posting covers online — and was subsequently discovered by Auerbach himself, who was instantly captivated by her unique voice.
All the songs on Hello, I’m Britti. (available for pre-order now) are co-written by Britti and Auerbach, with a truly top-shelf collection of musicians backing her: Nick Movshon (Amy Winehouse, Wu Tang Clan), Jay Bellerose (Robert Plant & Alison Krauss, Sharon Van Etten), Tom Bukovac (Sheryl Crow, Stevie Nicks), and Mike Rojas (Yola, Miranda Lambert), among others.
Check out the lead single, Nothing Compares To You, the stunning Sade-meets-second-line groover that KCRW deemed “hypnotic, sultry, spare, and perfectly punctuated by the horn section” in their best songs of the week column, and her recent release, So Tired, a heavy lidded bit of 90's R&B that offers a fresh start in the face of heartbreak.
DOWNLOAD - single artwork | DOWNLOAD - album artwork
DOWNLOAD - hi-res photo
LISTEN HERE
WATCH NEW RAT WARS MINI DOCUMENTARY HERE
INDUSTRIAL EPIC LANDS ON REVOLVER, VULTURE AND EXCLAIM!’S BEST ALBUMS OF 2023 LISTS
HEADLINING 2024 U.S. TOUR INCLUDES
STOPS IN TORONTO AND VANCOUVER
“LA industrial geniuses HEALTH exude menacing melancholy and evident greatness on glowering fifth album.” - Kerrang! (4/5 stars)
"HEALTH have become a full-blown, industrial metal powerhouse"
- Metal Hammer (8/10 stars)
"...dark thoughts mesh with enticing melodies, and harsh, distorted noise is draped in soft sheets of reverb. The purview is bleak... but the sound design and production are almost playfully ambitious" - New York Magazine/Vulture (Other Best Albums of 2023)
“They've been calling their aggressive, forward-leaning sound 'noise rock' since forming in 2005, but there are vibrant elements of industrial, electronic, post-punk, metal and avant-garde... They may have started as a band toiling in underground obscurity, but the guys have seen their music travel not only far, but deeply into the lives of fans reacting to the songs of pain, frustration and understated rage." - Revolver
TORONTO, ON – December 7, 2023 – HEALTH’s anticipated new album, RAT WARS (Loma Vista Recordings) – plus its final single, DSM-V – is out today worldwide on all streaming services and on limited edition vinyl, cassette, and more. Listen here.
Already named one of the Best Albums of 2023 by Revolver, New York Magazine/Vulture, and Exclaim!, the most violent yet vulnerable LP of their career is earning the LA-based trio critical acclaim, including cover stories at Revolver, Kerrang!, and Fuze, and rave reviews and features at GRAMMY.com (5 Songs to Get Into HEALTH), Metal Hammer, Brooklyn Vegan, The Line of Best Fit, FLOOD Magazine, MXDWN, UPROXX, and more.
HEALTH today also shared a new mini documentary – HEALTH CHRONICLES 2.0.2.3 – about the making of RAT WARS. Watch it here.
Produced by Stint (Oliver Tree, Demi Lovato) and mixed by Lars Stalfors (SALEM, The Neighbourhood), RAT WARS joins the lineage of ground-breaking heavy acts like Nine Inch Nails and Ministry, which re-drew the borders between metal, electronic and pop music. It might be The Downward Spiral for people with at least two monitors and a vitamin D deficiency. RAT WARS’ six pre-release singles – ASHAMED, CHILDREN OF SORROW, SICKO, UNLOVED, DEMIGODS, and HATEFUL, earned praise and support from Revolver (Best Songs of the Week), Guitar World (Essential Guitar Tracks), Uproxx (Best New Indie), Loudwire, Stereogum, The PRP, Lambgoat, Consequence, Brooklyn Vegan, and more.
HEALTH’s headlining RAT-BASED WARFARE TOUR begins on March 2 and includes shows in Toronto and Vancouver (Pixel Grip and King Yosef support on all dates). See below for a full itinerary.
UPCOMING TOUR DATES:
December 7 - Hamburg, Germany - Edel-optics.de Arena ^
December 8 - Berlin, Germany - 8mm Bar (DJ set) ^
December 10 - Leipzig, Germany - Haus Auensee ^
December 11 - Cologne, Germany - Palladium ^
December 14 - Rough Trade outstore - Downstairs At The Dome - SOLD OUT
December 16 - London, UK - OVO Arena ^
March 2 - Ventura, CA - Ventura Music Hall *
March 4 - Mesa, AZ - Nile Theatre *
March 5 - Albuquerque, NM - Sunshine *
March 7 - Austin, TX - Empire Garage *
March 8 - Dallas, TX - Studio at the Factory *
March 9 - Houston, TX - RISE Rooftop *
March 11 - Atlanta, GA - The Masquerade - Heaven Stage *
March 12 - Charlotte, NC - The Underground *
March 13 - Richmond, VA - The National *
March 15 - Brooklyn, NY - Brooklyn Steel *
March 16 - Philadelphia, PA - Union Transfer *
March 17 - Boston, MA - Royale *
March 19 - Toronto, ON - The Opera House *
March 20 - Detroit, MI - The Majestic *
March 22 - Chicago, IL - Concord Music Hall *
March 23 - Saint Louis, MO - Red Flag *
March 25 - Englewood, CO - Gothic Theatre *
March 26 - Salt Lake City, UT - Metro Music Hall *
March 28 - Seattle, WA - The Showbox *
March 29 - Vancouver, BC - The Commodore *
March 30 - Portland, OR - Revolution Hall *
April 1 - Roseville, CA - Goldfield Trading Post *
April 2 - San Francisco, CA - August Hall *
April 4 - Los Angeles, CA - Belasco Theater *
^ = with Sleep Token
* with support from Pixel Grip and King Yosef
DOWNLOAD - press photo | DOWNLOAD - album art
“RAT WARS remains as danceable as any of their synth-y goth offerings to date. Pay whatever they're asking for a ticket to HEALTH's upcoming tour — stank face and headbanging come free.” - Exclaim! (Best Albums of 2023)
“[RAT WARS] anoints the Los Angeles trio as leaders of the subgenre’s latest wave. With an ear for immersive sonics, mechanistic grit, and heavy-hitting breakdowns, HEALTH know exactly what they’re doing." - UPROXX
“‘It’s a stunningly wrought album, exploring some of their most personal themes and some of the best music to bear their name” - Distorted Sound (9/10 stars)
"The group’s fifth album continues to solidify their goth-industrial aesthetic while remaining first and foremost a pop album—albeit one wrapped in leather and spikes... some of the strongest standout songs of any HEALTH album to date"
- FLOOD Magazine
“...a sonically sound, exhilarating roller-coaster ride that shrewdly assesses the last four years of recorded material and makes a concerted effort to deliver the most punishingly heavy album of their career.”- Sputnik Reviews (4.9/5 stars, Classic)
“… bloody hell, is RAT WARS powerful.” - The Soundboard
“[‘CHILDREN OF SORROW’ & ‘SICKO’] showcase the multi-faceted sound that’s allowed HEALTH to expand their fanbase and crossover conventional genre barriers." - Heavy Consequence
“No other band does it like HEALTH — and that’s a big fucking FACT!... RAT WARS is a perfect balance between Industrial Power and Ethereal Soundscapes.”
- CVLT Nation
“RAT WARS is this band’s most creative collection yet” - Soundsphere
"The new record is inherently HEALTH, but with something new, something fresh." - Mixdown Magazine
“[‘UNLOVED’ is] catchy, creepy and psychedelic in the best way possible." – MXDWN
DATES IN TORONTO AND VANCOUVER
TICKETS ON PRE-SALE TODAY
GENERAL ON-SALE TOMORROW (FRIDAY, DECEMBER 7)
HEAR AN APOCALYPSE OF VANITIES ON EMPHATIC,
BRET EASTON ELLIS-ESQUE SINGLE GLOOMTOWN BRATS HERE
PRE-ORDER/SAVE SOPHOMORE LP GLOOM DIVISION
OUT FEBRUARY 23 HERE
"Spaced-out, swaggering synth-rock" – Billboard
"A throwback to Hot Hot Heat and early Killers — dance beat, bright neon synths, funky guitar, impassioned vocals slinging big hooks" – Stereogum
“Energetic” – NME
“Bright, vintage-pop-indebted tracks” – DORK
“Weekes is crossing old-school glitz and glamour with contemporary futurism to create a “Channels the spirits of David Bowie and Prince” - Alt Press
“Captivating” - Guitar World
“Glam-fused soundscape” - American Songwriter
“Playful, retro, biting” – FLOOD
TORONTO, ON – December 7, 2023 – Today, I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW), the musical project of Salt Lake City-based singer, songwriter and multi-instrumentalist, Dallon Weekes, releases GLOOMTOWN BRATS, the second single off his forthcoming sophomore album, GLOOM DIVISION, out February 23 on Concord Records. For Weekes, the Joe DiMaggio quote "rich boys don't make it to the majors” became his guiding light growing up poor while trying to find his footing as a musician. The mantra shines through in the theatrical, bass-heavy new anthemic single that centres an apocalypse of vanities – the nepotistic lifestyles that are rarely earned and always flaunted. Listen to GLOOMTOWN BRATS here.
The track is accompanied by the announcement of the 2024 GLOOMTOWN TOUR, with 27 dates across North America kicking off March 15, including stops in Toronto and Vancouver in April. Tickets are available for pre-sale today at 11:00 a.m. ET with code GLOOMTOWN and general on-sale is tomorrow (Friday, December 7) at 10:00 a.m. local time. Additionally, iDKHOW has confirmed a hometown New Year’s celebration that will take place on December 30 at The Depot in Salt Lake City. Tickets are on sale now.
Produced by Dave Fridmann (Tame Impala, MGMT, Weezer), GLOOM DIVISION showcases a boundary-pushing fusion of R&B, post-punk and art-pop, exploring themes ranging from love and obsession to satanic panic and neurodivergence. Recorded at Fridmann's Tarbox Road Studios and Weekes' own basement studio, GLOOM DIVISION is a testament to the power of collaboration and fearless artistic expression.
iDKHOW has garnered nearly one billion streams worldwide to date, with two million monthly listeners on Spotify. The new album follows iDKHOW's critically acclaimed debut, Razzmatazz, which included the #1 Alternative radio hit Leave Me Alone, and the previous EP, 1981 Extended Play, that included RIAA certified GOLD-certified single, Choke. They have performed on Jimmy Kimmel Live!, Ellen and CBS This Morning: Saturday, and shared stages with Post Malone, The Killers and more.
UPCOMING TOUR DATES:
December 30 - Salt Lake City, UT - The Depot
March 15 - Nashville, TN - Eastside Bowl
March 17 - Atlanta, GA - Hell as Masquerade
March 19 - Orlando, FL - Plaza Live
March 20 - Fort Lauderdale, FL - Culture Room
March 21 - Tampa, FL - Crowbar
March 23 - Raleigh, NC - Motorco
March 24 - Richmond, VA - The National
March 25 - Washington, DC - Atlantis
March 26 - Philadelphia, PA - Brooklyn Bowl Philly
March 28 - New York, NY - Irving Plaza
March 29 - Boston, MA - Brighton Music Hall
March 30 - Rochester, NY - Montage Music Hall
April 1 - Buffalo, NY - Buffalo Iron Works
April 2 - Toronto, ON - The Axis Club
April 5 - Detroit, MI - Shelter
April 6 - Columbus, OH - Newport
April 8 - Chicago, IL - Bottom Lounge
April 9 - Milwaukee, WI - Rave II
April 11 - Minneapolis, MN - Fineline
April 12 - Madison, WI - Majestic Theatre
April 13 - St. Louis, MO - Delmar Hall
April 15 - Colorado Springs, CO - Black Sheep
April 16 - Denver, CO - Ogden
April 19 - Seattle, WA - Crocodile
April 20 - Vancouver, BC - Fortune Sound Club
April 21 - Portland, OR - Hawthorne Theatre
April 24 - San Francisco, CA - August Hall
April 26 - Los Angeles, CA - Regent
April 28 - San Diego, CA - Music Box
CANADIAN STOPS IN EDMONTON AND CALGARY
NEW ALBUM 152 OUT NOW VIA FANTASY RECORDS
“This is an album that successfully reconciles the distance between what was and what is, keeping the past well and truly alive within the present…it might just be the best album of their career.” – Kerrang! 4 out of 5
“152 pays homage to their early days while simultaneously honoring the men they are today.” – US Weekly
“While there's plenty of the old finger-jabbing drama, emo anthems and stage-ready energy that long-time fans cherish, there’s a more slow-burning, elegant, grown-up classic rock approach to much here that could easily see Taking Back Sunday finding a whole new audience after all this time.” – Classic Rock
“The album sees the band continuing to expand musically as they incorporate elements from classic rock and pop into their unique sound. They explore their relationship with the past and what it means to grow with heartfelt lyrics, a healthy dose of optimism, and infectious melodies.” – PunkNews
“Taking Back Sunday has returned with not only their first new music in seven years but also their most unique and most outstanding record to date." – The Aquarian
“It’s an extraordinary album, an unexpected turn and shows Taking Back Sunday have plenty of life in them yet.” – Dork ***
TORONTO, ON – December 5, 2023 – Beloved rock band, Taking Back Sunday, has announced dates for their spring/summer 2024 North American headline tour celebrating their latest record, 152. The two-part run, featuring support from Citizen, is set to take place May 19 through August 17 with stops in Dallas, Portland, Edmonton, Calgary, Cleveland, Orlando, Boston, New York, and more. Pre-sale and VIP tickets will be available tomorrow (Wednesday, December 6) at 10:00 a.m. local time, with general on sale to follow this Friday (December 8) at 10:00 a.m. local time. For more information, please visit www.takingbacksunday.com.
The band shares: “Man, just taking it all in. We’ve been on a whirlwind on finishing the record, getting everything ready to put it out, making all the plans. Now comes our other favourite part, getting to visit so many cities in North America and playing live. The set will be a good mixture of albums and the reception for 152 has been so positive that we can’t wait to get out there and play some of those songs for the first time in these cities and make magic all summer. Citizen also put out a great new record so we’re going to have a good time together. Can’t wait.”
Produced by Tushar Apte (whom the band met through noted DJ Steve Aoki), and mixed by Neal Avron (Twenty One Pilots, Bleachers), 152 features 10 intensely vulnerable and absorbing new tracks delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world these past few years, it stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday’s illustrious career.
In addition to the headline tour, NY/NJ fans can look forward to the band’s annual holiday spectacular on December 13 and 14 at Mulcahy’s, and December 15 and 16 at Starland Ballroom. On December 16, Taking Back Sunday will also be holding their annual Holiday Pop-Up Shop and fundraiser at Starland Ballroom in support of Tamerlaine Sanctuary & Preserve in honour of the band’s long-time attorney, Dave Stein.
UK fans can catch Taking Back Sunday this March in Manchester, London, and Cardiff. For a full list of upcoming shows, see below and visit www.takingbacksunday.com.
UPCOMING TOUR DATES:
December 5 - Woolloongabba, AUS - The Princess Theatre
December 6 - Marrickville, AUS - Factory Theatre
December 13 & 14 - Wantagh, NY - Mulcahy’s Pub and Concert Hall *SOLD OUT
December 15 & 16 - Sayreville, NJ - Starland Ballroom *SOLD OUT
December 16 - Sayreville, NJ - Starland Ballroom (Holiday Pop-Up Shop)
March 26 - Manchester, UK - O2 Ritz
March 27 - London, UK - O2 Forum Kentish Town
March 28 - Cardiff, UK - Cardiff University Great Hall
May 19 - New Orleans, LA - The Fillmore New Orleans
May 21 - Fayetteville, AR - JJ's Live
May 23 - San Antonio, TX - Aztec Theatre
May 24 - Dallas, TX - South Side Ballroom
May 25 - Austin, TX - Stubb's
May 26 - Houston, TX - White Oak Music Hall
May 27 - Ft. Worth, TX - Tannahill’s Tavern & Music Hall
May 29 - Phoenix, AZ - The Van Buren
June 4 - Portland, OR - The Crystal Ballroom
June 5 - Seattle, WA - Showbox SoDo
June 6 - Spokane, WA - Knitting Factory
June 8 - Edmonton, AB - Union Hall
June 9 - Calgary, AB - MacEwan Hall
June 11 - Salt Lake City, UT - The Union Event Center
June 12 - Denver, CO - Mission Ballroom
June 14 - Council Bluffs, IA - Harrah's Stir Cove
June 15 - St. Louis, MO - The Pageant
June 18 - Cleveland, OH - House of Blues Cleveland
June 19 - Indianapolis, IN - Egyptian Room at Old National Centre
June 21 - Minneapolis, MN - The Fillmore Minneapolis
July 24 - Pittsburgh, PA - Stage AE
July 25 - Columbus, OH - KEMBA Live!
July 26 - Detroit, MI - Royal Oak Music Theatre
July 27 - Buffalo, NY - Buffalo RiverWorks
July 30 - Newport, KY - MegaCorp Pavilion
August 1 - Orlando, FL - House of Blues Orlando
August 2 - Ft. Lauderdale, FL - Revolution Live at the Backyard
August 3 - St. Petersburg, FL - Jannus Live
August 4 - Atlanta, GA - Tabernacle
August 6 - Myrtle Beach, SC - House of Blues Myrtle Beach
August 8 - Charlotte, NC - Fillmore Charlotte
August 9 - Raleigh, NC - The Ritz
August 11 - Dewey Beach, DE - Bottle & Cork
August 13 - Wallingford, CT - The Dome at Toyota Oakdale Theatre
August 14 - Boston, MA - MGM Music Hall at Fenway
August 16 - Philadelphia, PA - The Fillmore Philadelphia
August 17 - New York, NY - The Rooftop at Pier 17
DOWNLOAD - tour poster
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res photo
ABOUT TAKING BACK SUNDAY:
They’ve been making music together as a band for more than 20 years, have sold millions of albums, and along the way, and amassed a devoted, international fan base. But ask the members of Taking Back Sunday if they still feel a burning desire to make a powerful impact and connect in a big way, and there’s not a moment of hesitation in the response. “I’m gonna try and conquer the world every time,” says lead singer, Adam Lazzara, with a smile. Adds drummer, Mark O’Connell, “When we’re writing songs, the one thing we ask ourselves is, ‘Will it make people feel something?’ You try to make people feel emotion. That’s the one goal we went in with, and I think we did it.”
This unrelenting pursuit of greatness lies at the heart of 152, Taking Back Sunday’s long-awaited, thrilling eighth studio album (and Fantasy Records debut) out now. Written and refined over the course of several years, the group’s first full-length offering since 2016’s Tidal Wave is a passionate, melody-infused confessional from a band forever known for its honesty and vulnerability.
When Taking Back Sunday first sat down together in late 2019 to begin working in earnest on what became 152, the band laid out some ground rules from the outset. They weren’t out to simply add more songs to their already-storied catalog, but rather make a piece of art they could be proud of.
To that end, so many of the songs that comprise 152 were workshopped like never before. As the band members explain, over the years they’ve learned to love letting a piece of music develop from its initial idea all the way to its sometimes drastically different finished form. It’s a journey they’ve undoubtedly been on many times before when making previous albums, but as they found out when making 152, it’s one that continues to thrill them and keep things fresh.
Lazzara gets animated as he describes how so many songs on 152 morphed over the multi-year writing and recording process. Whether it was S’old transforming from a punky, Green Day-style rocker into a slow-building, emotion-dripping plea for acceptance, or I Am The Only One Who Knows You, which evolved from a galloping rock song into a beatific ballad, so many of the songs that comprise 152 found Taking Back Sunday continually surprising one another with musical ideas in new and exciting ways.
Offers bassist, Shaun Cooper, “If you can predict what each other is going to do, then it just becomes a job. It’s not an artistic expression. You’re not trying to grow.”
A major part of that growth is heard explicitly in 152’s unguarded lyrics: 20-plus years into Taking Back Sunday, Lazzara and Nolan are peeling back the curtain like never before. From the heartfelt recollections of the album’s epic opener, Amphetamine Smiles, to the expressive yearning in lead single, The One, listeners are invited into the songwriters’ collective heart.
Revitalized and unusually optimistic, Taking Back Sunday is ready to embrace what lies ahead. “Normally it’s like, this is working right now, let’s just go with it and see what happens,” admits Lazzara. “But the process of making this record has helped get me to a point where I’m looking ahead. I’m so excited about the possibilities. You’ve got to keep moving forward. We need to continue building onto this wonderful world.”
OFF NEW ALBUM
SHE REACHES OUT TO SHE REACHES OUT TO SHE
OUT FEBRUARY 9 ON LOMA VISTA
NORTH AMERICAN TOUR RUNS THROUGH
FEBRUARY AND MARCH WITH STOPS IN MONTREAL, TORONTO AND VANCOUVER
TORONTO, ON – November 29, 2023 – Today, Chelsea Wolfe presents her new single, Tunnel Lights, off her upcoming album, She Reaches Out To She Reaches Out To She, arriving February 9 on Loma Vista. Tunnel Lights conjures up a late-night Twin Peaks feel until it cracks open into a swirl of analog and electric waves. As Wolfe explains, “Tunnel Lights is about actually living instead of just ‘getting by.’ It’s about waking up to the fact that you’ve been languishing in the dark and it’s time to start taking steps towards the lights that’ll guide you out of the tunnel-cave.” Listen to Tunnel Lights here and watch the video here.
“I’m sanctified in my lover’s eyes,” Wolfe leads with on Tunnel Lights. “No way around it/No way to fight/A pull too strong/Don’t try to forfeit/The way is through/On tunnel lights.” Dense and minimal, raw and opulent, intimate and expansive, the production of the song, and throughout the album, breaks apart then rebuilds – samples of the band are cut and pasted back together, heavy guitars dissolve into trip-hop breaks; the vocal delivery feels sculptural and is both hushed and soaring.
Following Whispers in the Echo Chamber, the Tunnel Lights video presents Wolfe collaborating once again with director, George Gallardo Kattah, and was also filmed in Colombia. Wolfe comments: “The Tunnel Lights video is a contemplative wander through possibility, grief, and wonder, represented by the carrying of a mysterious egg through the mystical landscapes of the Colombian páramo, inspired by the energy and flora of the mountains themselves. Starling murmurations act as both guide and coven as emotions become unfrozen.”
Gallardo Kattah adds, “Tunnel Lights is a love letter to my country and my team. Being able to pull off something like this in this ecosystem required for many things to line up, both by chance and by hard work. In very simple terms, the video is a portrait of Chelsea looking and reaching out to herself.”
She Reaches Out To She Reaches Out To She is a powerfully cathartic statement about cutting ties and an important reminder that healing is cyclical, not a simple linear process. The liminal, the in-between, and the unseen are recurring characters on She Reaches Out. As Wolfe puts it, “like the dark moon, that void space can feel unpredictable and looming, but it also holds so much potential, mystery, and excitement.”
Produced by David Andrew Sitek of TV On The Radio and mixed by Shawn Everett (Slowdive, SZA, The War On Drugs), She Reaches Out was recorded by Derek Coburn at Federal Prism Studios and mastered by Heba Kadry. Supporting Wolfe throughout is the core band of multi-instrumentalist, Ben Chisholm; drummer, Jess Gowrie; and guitarist, Bryan Tulao. There’s an intimate, ASMR-like quality to Wolfe’s vocals on the album – nothing feels straightforward, left to chance, or as expected. As Wolfe says, “This album demanded to be lived.”
Praise for Dusk and Whispers in the Echo Chamber:
“The goth crooner Chelsea Wolfe conjures a thick atmosphere on ‘Dusk,’ ...‘Dusk' is centered around a slow, methodical beat, murky guitar chords and Wolfe’s breathy, eerie voice. 'I will go through fire to get to you,' she sings with a haunting determination.”
— The New York Times
“[‘Whispers in the Echo Chamber’] thumps and seethes with the industrial rage of latter-day Nine Inch Nails, though Wolfe's vocals are more lighter and ominous like they were written with a crow's feather.” — The FADER
“Above a throbbing bassline, [Chelsea Wolfe] intones about phenomena ‘beyond reality’ in between pecks of earth-rattling drum detonations. By the end, a chugging guitar riff is raining hellfire while Wolfe chants ‘more, more, more’ like a shrieking worshipper offering everything to some dark deity.” — Revolver on Whispers in the Echo Chamber
“The genre-defying ‘Dusk’ is one of her more elaborate recordings to date, a culmination of her career thus far.” — Consequence, Heavy Song of the Week
“On ‘Dusk,’ Chelsea Wolfe pushes Portishead’s gothic trip-hop to new doom-laden extremes.” — Stereogum, Best Songs Of The Week
“Chelsea Wolfe comes out swinging with the dark psychedelic single ‘Dusk.’ A moody, sensual song about unrelenting love, Wolfe’s chilling tone and searing guitar breakdown create a swirling, gruesome melody.” — Paste, Best New Songs
"[‘Whispers in the Echo Chamber’] underscores Chelsea Wolfe's rank among the most provocative in heavy music.” — Knotfest
UPCOMING TOUR DATES:
February 27 - San Diego, CA @ The Observatory North Park
February 28 - Phoenix, AZ @ Crescent Ballroom
March 1 - Austin, TX @ Scoot Inn
March 2 - Dallas, TX @ The Studio at The Factory
March 3 - Houston, TX @ White Oak Music Hall
March 5 - Nashville, TN @ Basement East
March 6 - Asheville, NC @ The Orange Peel
March 8 - Atlanta, GA @ The Masquerade
March 9 - Charlotte, NC @ The Underground
March 10 - Silver Spring, MD @ The Fillmore
March 12 - Brooklyn, NY @ Warsaw
March 13 - New York, NY @ Bowery Ballroom
March 15 - Boston, MA @ Royale
March 16 - Montreal, QC @ Club Soda
March 17 - Toronto, ON @ The Danforth Music Hall
March 19 - Chicago, IL @ The Vic Theatre
March 20 - Minneapolis, MN @ The Varsity Theatre
March 22 - Denver, CO @ The Gothic Theatre
March 23 - Salt Lake City, UT @ The Depot
March 25 - Seattle, WA @ The Neptune Theater
March 26 - Vancouver, BC @ The Vogue Theater
March 27 - Portland, OR @ The Roseland Ballroom
March 29 - San Francisco, CA @ The Fillmore
March 30 - Los Angeles, CA @ The Novo
April 18 - Tilburg, NL @ Roadburn Festival
April 21 - London, UK @ Heaven
May 29 – June 2 - Barcelona, ES @ Primavera Sound
June 27 – June 30 - Clisson, FR @ Hellfest
ANNOUNCES HEADLINING 2024 NORTH AMERICAN TOUR
WITH STOPS IN MONTREAL, OTTAWA, TORONTO
AND VANCOUVER
LISTEN TO NEVER FUCKED UP TWICE FEATURING BULLY HERE
LISTEN TO VERY HIGH (UNDER THE SUN) HERE
TORONTO, ON – November 29, 2023 – To cap off a breakout year that saw the release of their critically-acclaimed debut album and near-nonstop touring around the globe, Los Angeles' Militarie Gun releases two new songs. Both songs are completely new approaches to highlights from their aforementioned debut album, Life Under The Gun. Listen to Never Fucked Up Twice featuring Bully vocalist, Alicia Bognanno, here and listen to Very High (Under The Sun) here.
In addition to the new songs, Militarie Gun announces their 2024 North American tour, which marks the band's first full headlining tour since the release of the album. The tour will kick off on January 31 and will see the band play 31 dates including Montreal, Ottawa, Toronto and Vancouver. Support for the 2024 tour will be Pool Kids and Spiritual Cramp with Death Lens, Spaced, and Roman Candle on select dates. Pre-sale tickets are on sale this Friday, December 1, at 10:00 a.m. local time here. Additionally, Militarie Gun will be performing at Primavera Sound 2024 in Barcelona this upcoming May and June. The band is currently on tour in Europe with GUMM before they begin the UK leg of tour alongside Spiritual Cramp. See details for all upcoming Militarie Gun shows and ticket information at militariegun.com.
Life Under The Gun has proven to be one of the year's most celebrated albums, released to praise from the likes of Rolling Stone, Pitchfork, NME, Revolver, Stereogum, SPIN, Paste, The FADER, and more. The album has landed on multiple best-albums-of-the-year-so-far lists including Alternative Press, Stereogum and Rolling Stone, who stated Life Under The Gun has "taken everything that’s uniquely cathartic about the hardcore and lacquered it with insanely catchy melodies." This fall, they brought a taste of the new album to North American on a hugely celebrated tour with Scowl.
Listen to Never Fucked Up Twice featuring Bully and Very High (Under The Sun) above now. See below for 2024 tour dates and stay tuned for more from Militarie Gun coming soon.
UPCOMING TOUR DATES:
2023
11/29 - Cologne, Germany @ Gebäude 9
11/30 - Hamburg, Germany @ Headcrash
12/1 - Lille, France @ L'Aéronef
12/3 - Bristol, United Kingdom @ Thekla
12/4 - Manchester, United Kingdom @ Yes Manchester
12/5 - London, United Kingdom @ The Dome
12/8 - Leeds, United Kingdom @ Brudenell Social Club
12/9 - Glasgow, United Kingdom @ Mono
12/10 - Dublin, Ireland @ The Workman's Club
2024
1/31 - Phoenix, AZ @ The Rebel Lounge*
2/2 - Dallas, TX @ Rubber Gloves*
2/3 - Austin, TX @ Mohawk*
2/4 - Houston, TX @ House of Blues Bronze Peacock*
2/6 - Nashville, TN @ Basement East*
2/7 - Atlanta, GA @ The Masquerade (Purgatory)*
2/8 - Tampa, FL @ The Crowbar*
2/9 - Miami, FL @ Gramps*
2/10 - Tallahassee, FL @ 926 Bar*
2/12 - Raleigh, NC @ Kings^
2/13 - Washington, DC @ The Atlantis^
2/14 - Philadelphia, PA @ First Unitarian Church^
2/15 - New York, NY @ Bowery Ballroom^
2/16 - Boston, MA @ The Sinclair^
2/17 - Montreal, QC @ Les Foufounes Electriques^
2/18 - Ottawa, ON @ The Brass Monkey^
2/20 - Toronto, ON @ Velvet Underground^
2/21 - New Kensington, PA @ Preserving Underground^
2/22 - Detroit, MI @ Edgemen Printing^
2/23 - Chicago, IL @ Bottom Lounge^
2/24 - Minneapolis, MN @ 7th Street Entry^
2/25 - Kansas City, MO @ recordBar^
2/26 - Denver, CO @ Marquis Theatre+
2/28 - Salt Lake City, UT @ Kilby Court+
2/29 - Las Vegas, NV @ Eagle Aerie Hall+
3/2 - Santa Cruz, CA @ The Atrium at The Catalyst+
3/3 - San Francisco, CA @ Noise Pop @ Rickshaw Stop+
3/5 - Sacramento, CA @ The Starlet Room+
3/7 - Portland, OR @ Polaris Hall+
3/8 - Vancouver, BC @ Rickshaw Theatre+
3/9 - Seattle, WA @ Neumos+
5/29 - 6/2 - Barcelona, ES @ Primavera Sound
w/ Pool Kids and Spiritual Cramp
* = w/ Death Lens
^ = w/ Spaced
+ = w/ Roman Candle
DOWNLOAD - Press Photo | DOWNLOAD - Album Art
DOWNLOAD - Tour Poster
TORONTO, ON – November 28, 2023 – Paquin Artists Agency (PAA), a division of Paquin Entertainment Group and Canada’s largest booking agency, announces a strategic partnership with Preste Founder & President, Louis Carrière, unifying two influential forces within Quebec's entertainment scene.
Rooted in a shared mission to cultivate artists’ careers and foster cultural exchange, this union signifies a transformative era of growth and global recognition for artists hailing from the province.
“I’m thrilled to partner with Preste, whose passion and commitment to talent development align with our values at Paquin Artists Agency,” says PAA Co-President, Julien Paquin. “This partnership emphasizes Paquin’s dedication to the Quebec market, allowing us to better support talent across the province and showcase Quebecois artists on an international stage.”
This marks a significant milestone in PAA's commitment to deepening its footprint in Quebec, while simultaneously providing key resources to Carrière and his team for exporting the province’s talent.
PAA Vice President, André Guérette adds: “I’ve known and have collaborated with Louis and his team at Preste for over a decade. His experience and knowledge of the Quebec market is unparalleled. Louis has proven to be an invaluable resource and ally over the years, and I’m excited to have him join our growing team at Paquin.”
This expansion will mark the opening of PAA’s first office in Montreal, adding to locations in Toronto, Winnipeg, Vancouver and Nashville, TN.
“I am excited to announce this partnership today after several years of fruitful exchanges between our companies through different projects,” says Preste Founder & President, Louis Carrière. “During these years, I have been able to appreciate the passion and expertise that drives the Paquin Artists Agency team in the field of entertainment. This will constitute an incredible vector of development for our artists not only in Quebec, but also throughout Canada.”
This partnership coincides with a period of remarkable growth for Paquin Artists Agency and Paquin Entertainment Group, marked by the acquisition of APA Canada, partnerships with Loft Entertainment, Blue Crane Agency, Action Entertainment Collaborative, and continued expansion in its Exhibition & Theatrical and Brand Partnerships divisions.
ABOUT PAQUIN ARTISTS AGENCY:
Paquin Artists Agency, a division of Paquin Entertainment Group, has emerged as a premier full-service agency in North America. Fueled by an unwavering passion for music, the experienced team at Paquin Artists Agency is deeply committed to fostering the growth and success of each individual artist, from GRAMMY-winning icons to emerging talents, throughout their careers. Established in 1985, Paquin Entertainment Group has evolved into a multi-faceted powerhouse of world-renowned artists, brands, and experiences. Paquin Entertainment Group’s diverse portfolio includes Paquin Artists Agency, Exhibitions & Theatrical and Strategic Partnerships and continues to expand globally, serving as a catalyst for connection, innovation and inspiration through music, arts, and culture.
DOWNLOAD – Paquin logo
ABOUT PRESTE:
Since 1999 and its founding by Louis Carrière, Preste Spectacles & Tournées has developed a unique concept of broadcasting and show production in Quebec and internationally. The company demonstrates an innovative and ambitious state of mind for the benefit of artists, show presenters and the public. Preste Spectacles & Tournées continues to evolve and adapt to fluctuations in the entertainment markets, without forgetting its "raison d’être" and its founding principles. After establishing itself as the most renowned Quebec entertainment agency in terms of alternative rock, over the last 25 years, Preste Spectacles & Tournées has diversified its musical horizons with the same success.
DOWNLOAD – Preste logo
PAQUIN ENTERTAINMENT GROUP
CÉLÈBRE UN NOUVEAU PARTENARIAT AVEC
LOUIS CARRIÈRE ET PRESTE SPECTACLES & TOURNÉES
TORONTO, ON – 28 novembre 2023 – Paquin Artists Agency (PAA), une division de Paquin Entertainment Group et la plus grande agence de spectacle au Canada, annonce un partenariat stratégique avec le président fondateur de Preste Spectacles & Tournées, Louis Carrière, unissant ainsi les forces de ces deux acteurs influents au sein de l’industrie culturelle au Québec.
Scellé dans une mission commune visant à développer les carrières d’artistes et à stimuler les échanges culturels, ce partenariat stratégique ouvre une ère de croissance et de reconnaissance à l’international pour les artistes de la province.
« Je suis ravi de m’associer à Preste, dont la passion et l’engagement au profit du développement des artistes correspondent en tout point à nos valeurs chez Paquin Artists Agency. » déclare Julien Paquin, co-président de PAA. « Ce partenariat souligne l’engagement de Paquin envers le marché québécois, nous permettant de mieux soutenir les talents à travers la province et de faire rayonner les artistes québécois sur la scène internationale. »
Il s’agit d’une étape importante dans l’engagement de PAA à approfondir sa présence au Québec, tout en fournissant simultanément des ressources clés à Louis Carrière et à son équipe pour exporter les talents de la province.
André Guérette, vice-président de PAA, ajoute : « Je connais et je collabore avec Louis Carrière et l’équipe de Preste depuis plus d’une décennie. Sa connaissance du marché québécois et son expérience sont sans égal. Louis a été une ressource importante pour moi au fil des années et je suis ravi de le voir se joindre à notre équipe en pleine croissance chez Paquin. »
Ce partenariat stratégique marquera l’ouverture du premier bureau de PAA à Montréal, qui s’ajoutera aux bureaux de Toronto, Winnipeg, Vancouver et Nashville.
« Je suis enthousiaste que nous annoncions aujourd’hui ce partenariat après plusieurs années d’échanges fructueux entre nos entreprises à travers différents projets. » dit Louis Carrière, président fondateur de Preste Spectacles & Tournées. « Au cours de ces années, j’ai pu prendre la mesure de la passion et de l’expertise qui animent l’équipe de Paquin Artists Agency dans le domaine du spectacle. Ce partenariat constituera un vecteur incroyable de développement pour nos artistes non seulement au Québec, mais également dans tout le Canada. »
Ce partenariat s’inscrit dans une période de croissance remarquable pour Paquin Artists Agency et Paquin Entertainment Group, marquée par l’acquisition d’APA Canada, des partenariats avec Loft Entertainment, Blue Crane Agency, Action Entertainment Collaborative, ainsi qu’une expansion continue de ses divisions Exhibitions & Theatrical et Brand Partnerships.
ABOUT PAQUIN ARTISTS AGENCY:
Paquin Artists Agency, une division de Paquin Entertainment Group, s’est imposée comme l’une des plus grandes agences de spectacle en Amérique du Nord. Nourrie par une passion inébranlable pour la musique, l’équipe expérimentée de Paquin Artists Agency est profondément investie dans le développement et le succès de chacun de ses artistes, des icônes lauréates de Prix GRAMMY aux talents émergents, et ce tout au long de leurs carrières. Fondé en 1985, Paquin Entertainment Group est maintenant devenu une force incontournable dans le développement des carrières d’artistes, de marques et d’exhibitions immersives de renommée mondiale. Paquin Entertainment Group comprend ainsi Paquin Artists Agency, Exhibitions & Theatrical et Strategic Partnerships, poursuivant son expansion internationale en servant de catalyseur de connexions, d’innovations et d’inspirations à travers les arts, la musique et la culture.
TÉLÉCHARGEMENT - Paquin logo
ABOUT PRESTE:
Depuis 1999 et sa fondation par Louis Carrière, Preste Spectacles & Tournées développe une conception unique de la diffusion et de la production de spectacle au Québec, au Canada et sur la scène internationale. L’entreprise fait preuve d’un esprit novateur et ambitieux au bénéfice des artistes, des diffuseurs de spectacle et du public. Preste Spectacles & Tournées ne cesse ainsi d’évoluer et de s’adapter aux fluctuations des marchés du spectacle, sans oublier sa raison d’être et ses principes fondateurs. Après s’être affirmée comme l’agence québécoise la plus réputée au niveau du rock alternatif, elle a su au cours des 25 dernières années diversifier ses horizons musicaux avec le même succès.
TÉLÉCHARGEMENT - Preste logo
LISTEN HERE AND WATCH THE MUSIC VIDEO HERE
CROSS-CANADA WINTERSONGS & HOLIDAY CLASSICS
TOUR KICKS OFF NEXT WEEK
"Biali's voice – spanning registers – is pure and warm. She's also fearless on piano and, above else, in her imagination” – DownBeat Magazine
“Masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy” – The Washington Post
"There's no boxing Laila Biali in ... Capable of making you laugh and cry
all at once” – All About Jazz
“A keyboard virtuoso with a distinctive sultry voice - intimate
and emotional” – Toronto Star
“Accomplished and brave ... a gifted player and natural risk taker” – Exclaim!
TORONTO, ON – November 20, 2023 – After the release of last month’s holiday single, Belle nuit de Noël, acclaimed musician, Laila Biali, is thrilled to share another seasonal selection – the aptly titled, Four Sundays to Christmas.
Another brand new original tune, the sparkling song bubbles over with holiday spirit. From special guest, Natalie McMaster, to the 20-piece string orchestra arranged and conducted by Rob Mathew, and the children’s choir, this heartwarming anthem brings together an array of musical styles, drawing listeners in as it builds, stirring up feelings of joy, love, anticipation, hope, good will and togetherness. Listen to Four Sundays to Christmas here and watch the accompanying music video here.
“I've always felt the holiday season is all about community – a time of year when the things that divide us are transcended by a spirit of togetherness,” Biali reflects. “Four Sundays to Christmas captures a musical vision of this, combining the varied talents and styles of acclaimed Cape Breton born-and-bred fiddler, Natalie MacMaster, world-class string orchestrator, Rob Mathes, and a youth choir featuring students from my son's local arts school, with my own band – bassist George Koller and drummer/husband/co-producer, Ben Wittman. It's a genre-blending, intergenerational celebration of joy, love, and hope.”
Biali will bring her seasonal offerings and more to audiences across Canada with her Wintersongs & Holiday Classics tour, which kicks off next Thursday (November 30). Biali's Wintersongs suite and familiar holiday fare will all be brought to life by a virtuosic band including the award-winning multi-instrumentalist, Jane Bunnett, a string ensemble, and the addition of local youth choirs in select cities. See below for full details on all upcoming performances.
WINTERSONGS & HOLIDAY CLASSICS TOUR:
November 30 – Annapolis Royal, NS – King’s Theatre
December 1 – Summerside, PE – Harbourfront Theatre
December 2 – Chester, NS – Chester Playhouse
December 8 – Hamilton, ON – LIVELab, McMaster University
December 10 – Lakefield, ON – Performing Arts Lakefield
December 12 – Saskatoon, SK – The Bassment
December 13 – Winnipeg, MB – Crescent Fort Rouge United Church
December 15 – Victoria, BC – McPherson Playhouse
December 16 – Port Moody, BC – Inlet Theatre
December 20 – Ottawa, ON – National Arts Centre, Azrieli Studio
DOWNLOAD – single artwork | DOWNLOAD – hi-res photo
ABOUT LAILA BIALI
Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host, Laila Biali, has headlined festivals and venues spanning five continents from New York City's Carnegie Hall to Beijing's National Centre for the Performing Arts, and supported international icon Sting. Her latest full album release, Out of Dust, received rave reviews and was nominated for a 2021 JUNO Award. In 2020, Laila was honoured by SOCAN Music with the Hagood Hardy Award for Excellence in Songwriting. In 2019, Laila’s eponymous release won her a JUNO Award for Vocal Jazz Album of the Year. The year prior, she was awarded top prize at the Canadian Songwriting Competition in the Jazz category. Laila was also the youngest-ever double winner at Canada’s National Jazz Awards when she was named SOCAN Composer of the Year and Keyboardist of the Year. She received her first JUNO nomination for Tracing Light (2011), and a spot on DownBeat Magazine's Best Albums of the Year for both Live in Concert (2013) and Out of Dust (2020). In September of 2017, Laila was brought on as the host for CBC Music's national radio show, Saturday Night Jazz, a weekly show broadcast to millions of listeners across Canada. While Laila continues to earn high honours in the jazz world, her signature sound transcends genre as she "masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy" (Washington Post). Her latest release – 2023's, Your Requests, Vol. 1 – showcases personal arrangements of jazz classics requested by her followers and features guest vocalists Kurt Elling, Emilie-Claire Barlow, and Caity Gyorgy plus instrumentalists Anat Cohen, Grégoire Maret, tenor saxophonist Kelly Jefferson, bassist George Koller, and drummers Larnell Lewis and Ben Wittman.
CD AND DIGITAL VERSIONS INCLUDE HITS HANDS, DOWN SO LONG AND JUPITER (SWALLOW THE MOON) PLUS 24 BONUS TRACKS INCLUDING RARE LIVE PERFORMANCES, ALTERNATE TAKES AND EIGHT PREVIOUSLY UNRELEASED DEMOS AND OUTTAKES
ORIGINAL 13-TRACK ALBUM RETURNS TO VINYL FOR THE FIRST TIME SINCE 1998
STREAM/BUY THE ANNIVERSARY ALBUM HERE
JEWEL APPEARS ON TODAY AND KELLY CLARKSON
TORONTO, ON – November 17, 2023 – Today, singer-songwriter and mental health pioneer, Jewel, releases the 25th anniversary edition of her multi-platinum sophomore album, Spirit, which includes expanded and remastered reissues of the 1998 release, via Craft Recordings.
Today marks the 25th anniversary to the day of Spirit’s original release. The deluxe album is now available on two-CD and digital platforms, and features the GRAMMY-nominated singer-songwriter’s Top 10 U.S. hit, Hands, fan favourites Down So Long and Jupiter (Swallow the Moon), plus 24 bonus tracks, including eight previously unreleased demos and outtakes, rare live performances from the era, alternate takes, remixes and much more. Additionally, the original 13-track album will be reissued as a two-LP set, marking Spirit’s first availability on vinyl since 1998. In addition to the black pressing, the two-LP set will also be available on blue swirl vinyl exclusively via Jewel’s store.
Jewel appeared on The TODAY Show and The Kelly Clarkson Show this week to discuss the 25th anniversary of Spirit as well as her second annual #NotAloneChallenge, presented by Foundation Reserve and in partnership with iHeartRadio. The mission of the #NotAloneChallenge is to remind people they are not alone during the holiday season and offer free mental health tools. For more information, please visit notalonechallenge.org.
Fans can stream/buy Spirit here and enjoy a special lyric video of Jewel’s powerful hit, Hands, here, as an important reminder during World Kindness Week that “in the end, only kindness matters”.
SPIRIT (25th ANNIVERSARY EDITION) TRACKLIST (2-CD):
Disc 1:
1. Deep Water
2. What’s Simple Is True
3. Hands
4. Kiss The Flame
5. Down So Long
6. Innocence Maintained
7. Jupiter
8. Fat Boy
9. Enter From The East
10. Barcelona
11. Life Uncommon
12. Do You
13. Absence Of Fear
14. This Little Bird
15. Hands (Single Remix)
16. Down So Long (Single Remix)
17. Jupiter (Swallow The Moon) (Single - Alternate Version)
18. What’s Simple Is True (Soundtrack Version)
19. You Were Meant For Me (Live 2 Meter Sessions At VARA Studio, Netherlands – October16, 1996)
20. Who Will Save Your Soul (Live 2 Meter Sessions At VARA Studio, Netherlands – October 16, 1996)
Disc 2:
1. Down So Long (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
2. What’s Simple Is True (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
3. Foolish Games (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
4. Do You (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
5. Who Will Save Your Soul (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
6. Innocence Maintained (Live At Wheeler Opera House, Aspen, CO – January 22, 1999)
7. Fat Boy (Live At Shepherd’s Bush Empire, London, UK – November 14, 1997)
8. Deep Water (Live At Fox FM Studios, Melbourne, Australia – February 25, 1999)
9. Enter From The East (Solo Acoustic Outtake)
10. The Sue Lee Song (Demo)*
11. Hands (Studio Outtake)*
12. Songs Of Freedom (Studio Outtake)*
13. Last Dance Rodeo (Home Boombox Demo)*
14. Wandering (Demo)*
15. Gloria (Demo)*
16. Barcelona (Live At Reunion Arena, Dallas, TX – July 9, 1999)*
17. Down (Live At Woodstock ’99, Rome, NY, July 25, 1999)
18. Beeswax Operetta (Studio Outtake)*
*previously unreleased
SPIRIT (25th ANNIVERSARY EDITION) TRACKLIST (DIGITAL):
1. Deep Water
2. What’s Simple Is True
3. Hands
4. Kiss The Flame
5. Down So Long
6. Innocence Maintained
7. Jupiter
8. Fat Boy
9. Enter From The East
10. Barcelona
11. Life Uncommon
12. Do You
13. Absence Of Fear
14. This Little Bird
15. Hands (Single Remix)
16. Down So Long (Single Remix)
17. Jupiter (Swallow The Moon) (Single - Alternate Version)
18. What’s Simple Is True (Soundtrack Version)
19. You Were Meant For Me (Live 2 Meter Sessions At VARA Studio, Netherlands – October 16, 1996)
20. Who Will Save Your Soul (Live 2 Meter Sessions At VARA Studio, Netherlands – October 16, 1996)
21. Down So Long (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
22. What’s Simple Is True (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
23. Foolish Games (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
24. Do You (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
25. Who Will Save Your Soul (Live At Colegio Oficial de Medicos de Madrid, Spain – February 11th 1999)
26. Innocence Maintained (Live At Wheeler Opera House, Aspen, CO – January 22, 1999)
27. Fat Boy (Live At Shepherd’s Bush Empire, London, UK – November 14, 1997)
28. Deep Water (Live At Fox FM Studios, Melbourne, Australia – February 25, 1999)
29. Enter From The East (Solo Acoustic Outtake)
30. The Sue Lee Song (Demo)*
31. Hands (Studio Outtake)*
32. Songs Of Freedom (Studio Outtake)*
33. Last Dance Rodeo (Home Boombox Demo)*
34. Wandering (Demo)*
35. Gloria (Demo)*
36. Barcelona (Live At Reunion Arena, Dallas, TX – July 9, 1999)*
37. Down (Live At Woodstock ’99, Rome, NY, July 25, 1999)
38. Beeswax Operetta (Studio Outtake)*
*previously unreleased
SPIRIT (2-LP VINYL) TRACKLIST:
A1: Deep Water
A2: What’s Simple Is True
A3: Hands
B4: Kiss the Flame
B5: Down So Long
B6: Innocence Maintained
B7: Jupiter
C8: Fat Boy
C9: Enter From the East
C10: Barcelona
D11: Life Uncommon
D12: Do You
D13: Absence Of Fear
DOWNLOAD - album artwork
MORE ABOUT JEWEL AND SPIRIT:
In the mid-to-late ’90s, singer-songwriter, Jewel, captured the hearts and souls of a generation with her engaging vocals, folk-pop melodies and introspective lyrics. Raised in Homer, AK, the mononymous artist (born Jewel Kilcher) moved to San Diego to pursue her musical dreams. Living out of her van as she struggled to make ends meet, Jewel built a loyal following in local coffee shops and clubs and soon attracted the attention of industry tastemakers, including legendary songsmiths like Bob Dylan (who brought the young artist on tour as a supporting act) and Neil Young, as well as executives at Atlantic Records, who released her debut, Pieces of You, in 1995. Over the next two years, the album – which featured such era-defining hits as Who Will Save Your Soul, Foolish Games and You Were Meant For Me – gained momentum, eventually selling over 12 million copies and becoming one of the highest-selling debuts of all time.
Jewel began recording her eagerly anticipated follow-up in 1998 (a year which found the artist performing the National Anthem at Super Bowl XXXII and publishing a New York Times bestselling book of poetry, among other accomplishments). Setting the tone for the album is opener, Deep Water, which offers a hopeful message that love conquers all, even when life gets tough. Similarly, lead single Hands is based upon a desperate moment in Jewel’s youth when she considered shoplifting. Instead, she decided to put her hands to better use and start writing songs. Life Uncommon, meanwhile, reminds listeners to be brave and stand up to the forces that tie them down. Spirit also features several love songs, including the playful Jupiter and the sweet What’s Simple Is True. Other highlights include the single Down So Long, written when Jewel was 18, as well as the haunting Barcelona, which features the Red Hot Chili Peppers’ Flea on bass guitar.
Upon its release in November 1998, Spirit was an instant bestseller, debuting at #3 in the U.S., where it was certified 4x Platinum. The album also peaked at #2 in Canada and #5 in Australia. The hit single Hands, landed at #6 on the Billboard Hot 100 and topped the Canadian pop charts.
Spirit was also acclaimed by critics, including Rolling Stone, which declared it “musical comfort food.” Entertainment Weekly praised, “The way Jewel’s voice dips from a mountain-stream soprano to a vulnerable lower octave in the chorus demonstrates what a stronger, more confident singer she’s become,” while Music Week hailed Hands as “a delicious, softly-sung number, showcasing this talented Alaskan’s songwriting skills.”
25 years later, this special reissue of Spirit offers a deeper look into Jewel’s creative process through a trove of bonus material. Among the eight previously unreleased tracks are demos for Last Dance Rodeo (which later appeared on 2006’s Goodbye Alice in Wonderland), Gloria (off 1999’s Joy) and The Sue Lee Song; outtakes and alternate versions of Hands, Songs of Freedom and Jupiter; plus live recordings like Down, captured at Woodstock ’99. The album’s expanded content also offers highlights from a 1999 concert at Spain’s Colegio Oficial de Medicos de Madrid, plus rare live performances of Pieces of You B-sides, including You Were Meant for Me and Who Will Save Your Soul (both culled from the Dutch program 2 Meter Sessions in 1996).
Speaking to the 25th anniversary of Spirit, Jewel says: “My sophomore album, Spirit, is 25! I still cherish this album and sing many of these songs during my shows, so I’m glad my fans can pick up new copies and hear some unreleased tracks, outtakes, and live recordings. I also get to share this with my son now - it's incredibly special to tell him stories about what was happening in my life and the world during this time. Whether you heard Spirit back then or are just discovering it now, I appreciate you listening.”
In the years since releasing Spirit, Jewel has continued to inspire through her music, words and voice. During her nearly three-decade-long career, she has released 13 studio albums (six of which were in the Billboard 200 Top 10), published five books (including her 2015 New York Times best-selling memoir, Never Broken – Songs Are Only Half the Story), and earned 26 nominations for such awards as the GRAMMYs, American Music Awards, MTV Awards, VH1 Awards, Billboard Music Awards, and Country Music Awards, winning eight times. Jewel has also dedicated herself to pioneering change in the mental health space, offering mental health tools and resources to those who need it through her Inspiring Children Foundation and Inner.world, a new virtual mental health platform.
LISTEN HERE
TORONTO, ON – November 17, 2023 – Before embarking on their previously announced hiatus, critically-acclaimed band, WALK THE MOON, release their new album, The Liftaway via RCA Records. Featuring alternate/remixed versions of their catalog tracks along with three new songs, The Liftaway, Mono No Aware, and Smoke Signals, the band worked with some of their friends on these versions including Bear Hands, St. Lucia and Lucky West. Listen here.
TRACKLIST:
1. The Liftaway
2. Mono No Aware
3. Smoke Signals
4. i want! i want! < i want! i want! >
5. Blue Dress < i want! i want! >
6. Me + All My Friends < i want! i want! >
7. Next In Line (Lucky West Remix)
8. Anna Sun (St. Lucia Remix)
9. Iscariot (WALK THE MOON and Bear Hands)
DOWNLOAD - album artwork
ABOUT WALK THE MOON:
WALK THE MOON first made a name for themselves by touring relentlessly in support of their self-titled debut, which featured the indie classic Anna Sun. The alt-rock-pop group were then catapulted into the spotlight when Shut Up and Dance became a multi-platinum global smash, crossing sonic barriers to top three different Billboard charts before the end of 2015. It’s featured on their RIAA Certified Platinum album, TALKING IS HARD. WALK THE MOON’s third album, 2017’s What If Nothing, included hits such as Kamikaze and the #1 Alternative Radio hit, One Foot. Their fourth album, HEIGHTS, offers up a vibrant array of self-love anthems, bold gestures, and songs of perseverance. After years of countless sold-out shows around the world, four studio albums, and billions of streams, WALK THE MOON continues to be known for their ecstatic live shows and welcoming, colourful community of fans.
WITH SPECIAL GUESTS VALLEY, NEW WEST AND DIZZY
TICKETS ON SALE NEXT FRIDAY, NOVEMBER 24
AT 10:00 A.M. ET
SOPHOMORE LP BLAME MY EX OUT NOW
SMASH HIT SINGLE BLAME BRETT GOES GOLD
45 DATE 2023/2024 NORTH AMERICAN+ EUROPEAN TOUR ALMOST ENTIRELY SOLD OUT
TORONTO, ON – November 17, 2023 – To say that 2023 has been the year of The Beaches would be an understatement. After trickling out earworm upon earworm through the summer - including the smash hit single, Blame Brett - the indie-rockers unleashed their sophomore record, Blame My Ex, to widespread critical and fan acclaim. They followed the release with a sold-out, 23-date North American tour, including two hometown Toronto shows at the iconic Massey Hall.
Now, The Beaches are thrilled to announce their biggest show yet - headlining Toronto's Budweiser Stage on August 22, 2024, with special guests Valley, New West and Dizzy. Tickets go on sale next Friday (November 24) at 10:00 a.m. ET. Sign up for pre-sale on August 21 here.
"We are beyond excited to be headlining Budweiser Stage in the summer," exclaims guitarist, Kylie Miller. "Having grown up in Toronto, we’ve had so many incredible nights at Bud. Chugging guitar wines on the lawn, laughing, crying and dancing with friends - it is a venue that is so incredibly close to our hearts and is an absolute staple for Torontonians to visit. We’re thrilled to be playing alongside our friends, Valley, who we’ve grown up playing with. This feels like a legendary hometown show for us and we really can’t wait to experience it with you all."
Showing no signs of slowing down, the band kicked off the European leg of their Blame My Ex tour last night, with dates in Antwerp, Berlin and London having sold out within a matter of hours. Last week, it was announced that they will be performing at the 2024 JUNO Awards in Halifax, NS, and just days ago, The Beaches made a surprise guest appearance on stage with none-other but the Jonas Brothers, performing Blame Brett during the Bros' Vancouver stop at Rogers Arena.
With over 25 million streams and counting, Blame Brett is a certified smash hit, with the song quickly taking over the internet and radiowaves this year. The breakup anthem went viral, spending 15 weeks on TikToks Weekly Top Tracks and landing on Spotify's Daily Viral 100, while fellow musicians including Nelly Furtado and blink-182's Mark Hoppus were spotted jamming out to the song. Blame Brett was the longest running #1 single at Alternative radio in Canada for 2023, spending 16 weeks in the top spot, and has now officially been certified Gold in Canada. The Beaches also became full-blown cover stars, with Blame My Ex landing the band on numerous playlist covers, and gracing the front of RANGE, NEXT Magazine and BeatRoute's fall issues.
UPCOMING TOUR DATES:
November 16 - Antwerp, Belgium - Kavka Zappa (SOLD OUT)
November 19 - Copenhagen, Denmark - Ideal Bar (SOLD OUT)
November 20 - Berlin, Germany - Privatclub (SOLD OUT)
November 22 - Paris, France - Point Ephemere (SOLD OUT)
November 23 - London, UK - Outernet (SOLD OUT)
November 25 - Amsterdam, Netherlands - Bitterzoet (SOLD OUT)
December 2 & 3 - Fort Lauderdale, FL - Riptide Music Festival
December 7 - Milwaukee, WI - Big Snow Show
December 9 - Inglewood, CA - KROQ's Almost Acoustic Christmas (SOLD OUT)
December 10 - Tulsa, OK - Cain's Ballroom
December 16 - Colorado Springs, CO - X103.9 Holiday Bash
December 17 - Portland, OR - A December to Remember
2024:
February 15 & 16 - Seattle, WA - Neumos (SOLD OUT)
February 17 - Portland, OR - Polaris Hall (SOLD OUT)
February 19 - San Francisco, CA - The Fillmore (SOLD OUT)
February 20 & 21 - West Hollywood, CA - Troubadour (SOLD OUT)
February 24 - Santa FE, NM - Meow Wolf (SOLD OUT)
February 25 - Denver, CO - The Summit (SOLD OUT)
February 28 - Madison, WI - Majestic Theatre (SOLD OUT)
March 2 - Detroit, MI - El Club (SOLD OUT)
March 3 - Columbus, OH - The Bluestone
March 4 - Washington, DC - The Howard (SOLD OUT)
March 6 & 7 - Brooklyn, NY - Music Hall of Williamsburg (SOLD OUT)
March 8 - Boston, MA - Royale (SOLD OUT)
March 24 - Halifax, NS - Scotiabank Centre, 2024 JUNO Awards
August 22 - Toronto, ON - Budweiser Stage
DOWNLOAD - Budweiser Stage event poster
DOWNLOAD – hi-res photo | DOWNLOAD – Blame My Ex album artwork
ABOUT THE BEACHES:
Captivating the indie-rock scene with rich 80s-tinted melodies and quick-witted lyrics, The Beaches have unleashed their neighbourhood namesake group onto the music world with Eliza Enman-McDaniel (on drums), Leandra Earl (on keys and guitar) and sisters Jordan and Kylie Miller (on lead vocals/bass and guitar, respectively). They’ve been named one of Canada’s greatest acts by Exclaim! Magazine, and the proof is in the plays with seven #1 singles on Canadian Alt Radio, including their latest hit, Blame Brett.
Known for their rousing live performances that summon their audience into a realm of intoxicating energy and an undeniable connection, The Beaches have opened for Avril Lavigne, The Rolling Stones, Foo Fighters, Alanis Morissette, The Aces, Passion Pit, and the Eagles of Death Metal. There is no denying their lure on the stage and in everyone’s playlists, including the great Elton John, who called their debut full-length album, Late Show, the “best album of last year.”
Following their JUNO award-winning project, Sisters Not Twins (TheProfessional Lovers Album), The Beaches returned with their sophomore studio album, Blame My Ex, cracking their upbeat, brazen shell to reveal a more vulnerable inside.
ON COVER OF REVOLVER’S WINTER ISSUE
ANTICIPATED NEW ALBUM RAT WARS OUT DECEMBER 7
VIA LOMA VISTA RECORDINGS
HEADLINING 2024 NORTH AMERICAN TOUR
INCLUDES STOPS IN TORONTO AND VANCOUVER
TORONTO, ON – November 16, 2023 – Revolver’s latest cover stars, HEALTH, today released their new single, UNLOVED. The gloomy dance track – out now alongside a fittingly goth video directed by Mynxii White – is the latest preview of the LA-based industrial rock band’s highly anticipated new album, RAT WARS, due out December 7 via Loma Vista Recordings.
White explains the visual (featuring archival footage research courtesy of Krystie Jackson): “Inspired by the many faces of goth culture across the globe, we celebrate decades of nightlife in the scene with an homage to black leather and heavy eyeliner that defined so many years of the ultimate underground movement. We loved the idea of many generations of goths in one video from multiple countries to bring the visuals together into one epic tribute.”
UNLOVED follows album singles ASHAMED, CHILDREN OF SORROW, SICKO, and HATEFUL, which earned praise and support from Revolver (Best Songs of the Week), Guitar World (Essential Guitar Tracks), Uproxx (Best New Indie), Loudwire, Stereogum, The PRP, Lambgoat, Consequence, Brooklyn Vegan, and more (Bloody Disgusting debuted the gory video for SICKO). HEALTH’s headlining RAT-BASED WARFARE TOUR begins on March 2, and includes shows in Toronto at The Opera House on March 19 and in Vancouver at The Commodore on March 29; a full itinerary is listed below.
The follow-up to 2019’s VOL. 4 :: SLAVES OF FEAR, HEALTH’s fifth album is the most violent yet vulnerable of their career. It is somehow fitting that such a brutal collection of songs is at the same time their most comprehensive artistic statement.
Meticulously aggressive production detail collides with painfully personal confessions and a strange savage grace is paired with icy gallows humor… surprisingly it’s still fun as hell. Produced by Stint (Oliver Tree, Demi Lovato) and mixed by Lars Stalfors (SALEM, The Neighbourhood), RAT WARS joins the lineage of groundbreaking heavy acts like Nine Inch Nails and Ministry, which re-drew the borders between metal, electronic and pop music. It might be The Downward Spiral for people with at least two monitors and a vitamin D deficiency. RAT WARS is available for pre-order on limited edition vinyl, cassette, and more here.
HEALTH 2024 TOUR DATES:
March 2 - Ventura, CA - Ventura Music Hall *
March 4 - Mesa, AZ - Nile Theatre *
March 5 - Albuquerque, NM - Sunshine *
March 7- Austin, TX - Empire Garage *
March 8 - Dallas, TX - Studio at the Factory *
March 9 - Houston, TX - Warehouse Live Midtown *
March 11 - Atlanta, GA - The Masquerade - Heaven Stage *
March 12 - Charlotte, NC - The Underground *
March 13 - Richmond, VA - The National *
March 15 - Brooklyn, NY - Brooklyn Steel *
March 16 - Philadelphia, PA - Union Transfer *
March 17 - Boston, MA - Royale *
March 19 - Toronto, ON - The Opera House *
March 20 - Detroit, MI - The Majestic *
March 22 - Chicago, IL - Concord Music Hall *
March 23 - Saint Louis, MO - Red Flag *
March 25 - Englewood, CO - Gothic Theatre *
March 26 - Salt Lake City, UT - Metro Music Hall *
March 28 - Seattle, WA - The Showbox *
March 29 - Vancouver, BC - The Commodore *
March 30 - Portland, OR - Revolution Hall *
April 1 - Roseville, CA - Goldfield Trading Post *
April 2 - San Francisco, CA - August Hall *
April 4 - Los Angeles, CA - Belasco Theater *
* with support from Pixel Grip and King Yosef
DOWNLOAD - single art | DOWNLOAD - Revolver Cover
DOWNLOAD - press photo | DOWNLOAD - album art
ACCLAIMED INDIE-POP BAND SIGNS TO FANTASY RECORDS
LISTEN TO STRANGER DANGER HERE
TORONTO, ON – November 15, 2023 – Today, acclaimed indie-pop band, Lucius, share a brand-new original track, Stranger Danger – the group’s first new music since the release of their most recent album, Second Nature, in April 2022. The sparkling, irresistible Stranger Danger, is quintessential Lucius: probing, futuristic dream-pop centred around the luminescent harmonies of founders, Jess Wolfe and Holly Laessig. Listen to Stranger Danger here and watch the track’s lyric video here.
The band says, “Humans have imagined a backup plan – a ‘saviour’ to forgive us, to save us, to lean on...for ourselves, if and when things go wrong but who/what/where is the backup plan for Mother Earth?”
Written by Wolfe, Laessig, and the band’s Dan Molad, Stranger Danger marks the group’s inaugural release for new label partner, Fantasy Records. Molad also produced the song — his first Lucius production since the band’s 2013 debut album, Wildewoman.
The track’s musical line-up includes Wolfe (vocals, keyboards), Laessig (vocals, keyboards), Molad (drums, percussion, programming), Lucius’ Peter Lalish (electric guitar), Solomon Dorsey (bass), Dawes’ Taylor Goldsmith (electric guitar and piano), and Josh Mease (bass, guitar).
Lucius recently announced a special seven-date tour celebrating the 10th anniversary of their breakthrough album. Wildewoman: The Anniversary Tour includes stops in Minneapolis, Chicago, Philadelphia, Burlington, Portland (ME), Boston and New York.
UPCOMING TOUR DATES:
November 18 – Miami Beach, FL – Miami Beach Bandshell^
2024:
January 18-21 – Riviera Maya, Mexico – Girls Just Wanna Weekend
January 25 – Minneapolis, MN, First Avenue*
January 26 – Minneapolis, MN – First Avenue (The Current 19th Anniversary Show) – SOLD OUT
January 27 – Chicago, IL , The Vic Theatre – SOLD OUT*
January 29 – Philadelphia, PA, Brooklyn Bowl*
January 30 – Burlington, VT, Higher Ground – SOLD OUT*
February 1 – Portland, ME, The State Theatre*
February 2 – Boston, MA – House of Blues*
February 3 – Brooklyn, NY – Brooklyn Steel – SOLD OUT*
March 1-8 – Miami, FL – Cayamo Cruise – SOLD OUT
^ performing with the Nu-Deco Ensemble
* with special guest Jeff Taylor
ON THE HEELS OF EARNING THREE GRAMMY NOMINATIONS FOR ACCLAIMED SOLO ALBUM MICHAEL
NOMINATED FOR BEST RAP ALBUM, BEST RAP SONG
AND BEST RAP PERFORMANCE
WATCH THE DOWN BY LAW VIDEO HERE
LISTEN TO MICHAEL HERE
TORONTO, ON – November 10, 2023 – Killer Mike has just been recognized with three GRAMMY Award nominations for his acclaimed 2023 album, MICHAEL (executive produced by No ID), including Best Rap Album and nods for SCIENTISTS & ENGINEERS (ft. Future, Andre3000, and Eryn Allen Kane) in both the Best Rap Song and Best Rap Performance categories.
In honour of the milestone, Mike has shared a brand new video for the album’s lead track and mission statement, DOWN BY LAW (feat. CeeLo Green). The Shane Smith directed visual is especially fitting for the occasion – an ebullient tribute to the city of Atlanta that portrays Mike meeting and celebrating among fans while delivering an unyielding barrage of bars about how the city shaped the person he’s grown to become, with a guest appearance from fellow Dungeon Family alum CeeLo Green who delivers the song’s powerful refrain. Watch the DOWN BY LAW video here.
MICHAEL was executive produced by No ID and released via Loma Vista Recordings, with a roster of features spanning multiple eras of rap, including Andre 3000, Future, Young Thug, Ty Dolla $ign, Curren$y, 6LACK, EL-P, Blxst, Eryn Allen Kane, and more. The album has been heralded as “a complex portrait of Southern Black masculinity” for its holistic portrayal of Michael’s come up in Atlanta. Since its release and subsequent touring Mike has interfaced with countless fans, from Nashville’s Ryman Auditorium to New York’s Apollo Theatre to Chicago’s Pitchfork Festival, to the Clive Davis Theater in the GRAMMY Museum in Los Angeles, who have been deeply moved and enriched by his relatable working-class story of perseverance, responsibility, and community. Mike and the album have been a cultural fixture throughout the year, with previous accolades including two BET Awards nominations for SCIENTISTS & ENGINEERS (in the IMPACT TRACK and SWEET 16 FEATURED VERSE categories) as well as nods from New York Times, Billboard, Esquire, BET, The Breakfast Club, Sway in the Morning, Vulture, SPIN, Idea Generation, and many, many more. Stream / purchase MICHAEL DELUXE here.
FEATURES EARLY, RAW VERSIONS OF THEIR
ACCLAIMED DEBUT ALBUM PAST LIVES
L.S. DUNES JOINS PIERCE THE VEIL ON THE JAWS OF LIFE TOUR THROUGH DECEMBER 8
NEWLY ADDED DECEMBER 11 HEADLINE SHOW
AT THE PARAMOUNT IN HUNTINGTON, NY
TORONTO, ON - November 10, 2023 - Today, L.S. Dunes – vocalist Anthony Green, guitarist Frank Iero, bassist Tim Payne, guitarist Travis Stever, and drummer Tucker Rule – have released Lost Songs: Lines and Shapes, a radically raw and revealing version of their acclaimed debut album, 2022’s Past Lives. Get Lost Songs: Lines and Shapes here.
Lost Songs: Lines and Shapes features early, stripped-down versions of all Past Lives’ 11 tracks. Listening to these songs in their hyper-intense, original form offers fans an entirely fresh perspective into Past Lives, while the uninitiated will appreciate it for what it is, a sterling artistic statement in its own right. Fans can also pre-order the Past Lives Deluxe Edition: a limited, two-LP vinyl special package which includes both the original album and Lost Songs: Lines And Shapes, exclusively via the band’s online store here.
Recently, the band teased the new collection with Old Wounds DEMO, a stripped-back version of the fan-favourite released this past summer. While not included in the Lost Songs collection, the track – featuring Anthony Green’s beautifully exposed vocals and the haunting, intricate guitar work of Travis Stever – is another vivid look into the group’s creative process. Listen to Old Wounds DEMO here and watch the official video here.
L.S. Dunes is currently in the midst of the Jaws of Life Tour with Piece The Veil, with 18-dates remaining across the U.S. The band also recently added a special headline show December 11 at The Paramount in Huntington, NY. For ticket information, visit here. A full tour itinerary can be found below.
JAWS OF LIFE TOUR WITH PIERCE THE VEIL:
November 10 – San Antonio, TX – The Espee
November 11 – Edinburg, TX – Bert Ogden Arena
November 12 – Houston, TX – 713 Music Hall
November 14 – Orlando, FL – House of Blues
November 15 – Orlando, FL – House of Blues
November 17 – Myrtle Beach, SC – House of Blues
November 18 – Corbin, KY – The Corbin Arena
November 19 – Macon, GA – Macon City Auditorium
November 21 – Boston, MA – MGM Music Hall at Fenway
November 25 – Reading, PA – Santander Arena
November 26 – Columbus, OH – KEMBA Live!
November 28 – Chesterfield, MO – The Factory
November 30 – Chicago, IL – Byline Bank Aragon Ballroom
December 2 – Des Moines, IA – Vibrant Music Hall
December 3 – Minneapolis, MN – The Armory
December 5 – Oklahoma City, OK – The Criterion
December 7 – Las Vegas, NV – Brooklyn Bowl
December 8 – San Diego, CA – Viejas Arena
December 11 – Huntington, NY – The Paramount (headline show)
LEGENDARY ALT-ROCKERS’ BESTSELLING ALBUM INCLUDES THE U.K. TOP 10 HIT DAYSLEEPER PLUS FAVOURITES LOTUS, SUSPICION AND AT MY MOST BEAUTIFUL
NEWLY REMASTERED AND EXPANDED THE REISSUE FEATURES A NEVER-BEFORE-HEARD 11-SONG SET FROM R.E.M.’S 1999 PARTY OF FIVE TAPING
DELUXE EDITION FEATURES EXPANSIVE LINER NOTES INCLUDING NEW INTERVIEWS WITH THE BAND, HD-RESTORED MUSIC VIDEOS, PERFORMANCE FOOTAGE AND MORE
TORONTO, ON – November 10, 2023 – Craft Recordings is celebrating the 25th anniversary of R.E.M.’s bestselling 11th studio album, Up, with a series of expanded and remastered reissues, all of which are available to purchase/stream now.
Created in partnership with the band, the deluxe two-CD/one Blu-Ray edition offers a wealth of material for fans, including the band’s previously unreleased set from their guest appearance on the hit TV series, Party of Five. Captured in 1999, the performance includes an 11-song setlist – including enduring hits like Man on the Moon, Losing My Religion, and It’s the End of the World as We Know It (and I Feel Fine) – plus a spoken-word introduction. The accompanying Blu-Ray features HD music videos from the 1998 album (Daysleeper, Lotus and At My Most Beautiful), a six-song performance from the era (titled Uptake) recorded in a London studio, the album’s original EPK film, This Way Up, by filmmakers, Emer Patten and Nick Wickham, plus stunning hi-resolution and 5.1 surround sound audio. Housed in a 32-page hardcover book, the collection also includes new liner notes from journalist and Talkhouse Executive Editor Josh Modell (A.V. Club, SPIN, Rolling Stone, Vulture) featuring new interviews with the band members.
Bassist, Mike Mills, recently discussed the band’s work on the record and reissue with Rolling Stone – read the story here – while UPROXX notes that the reissue casts “a new spotlight on R.E.M.’s most underrated LP” and hails Up as a “truly great LP…perhaps the best and truest rock album ever about processing the trauma of your friend leaving the band you started together.” The Associated Press goes on to call Up “a curious and challenging collection that…reveals more interesting things with each listen,” and American Songwriter raves that Up is a “strange and beautiful album…an exquisite piece of experimentalism from a band reinventing in front of an audience—loyal and loving—and may be the peak of their journey from Athens, Georgia.”
The expanded reissue, which features the album plus the Party of Five performance in its entirety, is also available in two-CD, digital and hi-res configurations, while the 14-track, two-LP album will be reissued on 180-gram vinyl. Commemorative Up merchandise is also available exclusively at R.E.M.’s official store. All reissue formats feature newly remastered audio by Bob Ludwig at Gateway Mastering.
R.E.M.’s appearance on Party of Five (which launched the careers of Matthew Fox and Neve Campbell, among others) remains a fond memory. “The intersection of visual and musical art is always interesting, so it was cool to be a part of TV,” recalls Mills.
The intimate concert, recorded at Los Angeles’ Palace Theatre, was populated by R.E.M. fan club members and served as an opportunity for the band to rehearse their latest material – plus beloved hits – ahead of touring. “There are dozens of great R.E.M. live sets out there, but nothing quite like this up-close oddity,” writes Josh Modell. “Loose and happy, the band runs through a good chunk of Up in front of a small crowd…Stipe is chatty, telling stories about accidentally ripping off Billy Corgan (and telling Corgan about it), playing with the Human League on a funny stage at that very venue, and more.”
DOWNLOAD – hi-res photo | DOWNLOAD – Up album artwork
ABOUT R.E.M.:
Having established a powerful legacy as one of the most enduring and essential rock bands in popular music history, R.E.M. pioneered the alt-rock movement of the ’90s, influencing the likes of Radiohead, Nirvana, Pavement, and Pearl Jam. Formed in 1980, the group enjoyed an extraordinary three-decade-long run of creative vitality and multi-platinum sales before amicably disbanding in 2011. Despite great success, the band members never lost track of their core values—remaining outspoken in their views about political, social, and environmental issues, and never wavering when it came to artistic integrity. Throughout the course of their career together, R.E.M. released a total of 15 studio albums, won three GRAMMY® Awards, and were inducted into the Rock and Roll Hall of Fame in 2007.
WATCH / LISTEN HERE
TITLE TRACK FROM NEW ALBUM FOREVERLAND
OUT JANUARY 19 ON CONCORD JAZZ
ANNOUNCES ALBUM RELEASE SHOWS AT
BLUE NOTE NEW YORK JANUARY 22-24
AND THE SUN ROSE LOS ANGELES JANUARY 19-20
TORONTO, ON – November 9, 2023 – Trumpeter/composer, Keyon Harrold, has released Foreverland, a new single and the title track of his forthcoming third studio album, out January 19 on Concord Jazz. The song features British singer, Laura Mvula, and drummer, Chris Dave.
Harrold, long celebrated for his ability to transcend genres, crafts lush R&B over a mid-tempo groove, fitting for a song that’s a musical discussion between star-crossed lovers. Over five minutes in length, the track creates plenty of space for Harrold to improvise on muted trumpet. He also sings, and long-time friend, Robert Glasper, plays keyboard and synthesizer.
Today, Harrold has also announced a run of Foreverland album release shows, including at the Blue Note in New York City from January 22-24. The Blue Note is a home away from home for Harrold, but has never hosted an extended run of sets to celebrate a new album release there. The shows will celebrate Foreverland with special guests and unfiltered, uncut performances of all of the songs on the new record, many of which Harrold will play live for the first time. Harrold will celebrate the new album in Los Angeles as well, with two nights of concerts and special guests at The Sun Rose on January 19 and 20. Tickets for Blue Note NYC are on sale now here.
“A certified legend in the game,” says Okay Player, Harrold has performed on a host of GRAMMY-winning projects and is a go-to performer for a who’s-who of stars, including Jay-Z, Beyoncé, Rihanna, Eminem, Maxwell, Mac Miller, and Snoop Dogg to name a few.
Foreverland features 10 timely and timeless original compositions that explore themes of empowerment, positivity, love, loss, and vulnerability. Proudly emotional and dramatic, the album represents a triumphant journey that takes the listener through the good, the bad, the ugly and the beautiful experiences that lead to wisdom. Says Harrold: “What I can offer as a musician who plays an instrument with no words is an honest conveyance of emotion. Some of these notes, I play them because there’s not a better word.”
In addition to the aforementioned Laura Mvula, Chris Dave and Robert Glasper, the album also features Common, PJ Morton, Jean Baylor, Mayala and legendary musician Greg Phillinganes, known for his keyboard work on Thriller and many other classic recordings. The album was recorded with a dream team of Harrold’s long-time friends and collaborators, including Marcus Gilmore on drums, Nil Felder, Randy Runyon and Justus West on guitar, Burniss Travis and Brandon Owens on bass, BIGYUKI, Shedrick Mitchell and Jahari Stampley on piano/keyboards, and Jahi Sundance on turntables.
Harrold has shared two additional songs from the album: Don’t Lie featuring Malaya, and “Find Your Peace featuring Robert Glasper and Common. Find Your Peace, which was released along with the announcement of his new album, is Harrold’s musical response to the racially motivated attack on his son in a hotel lobby in 2020, which made national headlines. The song is about striving to be the greatest version of himself and of his pride in being a Black father.
Harrold was born and raised in Ferguson, MO to a musical family – the son of pastors and one of 16 children, and moved to New York to study at The New School. While there he landed his first major gig with Common, an experience which he says broadened his musical horizons beyond jazz to include funk, Afrobeat, R&B, and hip hop. He released his solo album, Introducing Keyon Harrold, in 2009, and then won wide acclaim for his trumpet performances in Don Cheadle’s Miles Davis biopic Miles Ahead. 2017’s The Mugician featured Pharoahe Monch, Gary Clark, Jr., Big K.R.I.T., Guy Torry, Georgia Anne Muldrow and Robert Glasper. It was praised by NY Times as "a stirring piece that consolidates elegy and exhortation" and AllMusic celebrated the album’s “alchemical swagger.” Hailed as “the future of the trumpet” by Wynton Marsalis, Harrold has toured the globe, playing the world’s top venues and festival stages, and will be touring extensively over the next year.
Pre-save/ pre-order Foreverland here.
UPCOMING PERFORMANES:
December 7-December 10: Jazz Showcase – Chicago, IL
January 12-January 14: Getting Funky in Havana Festival – Havana, Cuba
January 19: The Sun Rose – Los Angeles, CA
January 20: The Sun Rose – Los Angeles, CA
January 22: Blue Note New York – New York, NY
January 23: Blue Note New York – New York, NY
January 24: Blue Note New York – New York, NY
January 26: Jazz St. Louis – St. Louis, MO
January 27: Jazz St. Louis – St. Louis, MO
February 16-February 24: Capital Jazz Cruise – Ft Lauderdale, FL
February 25: Portland Jazz Festival – Portland, OR
March 2: Ronnie Scott’s– London, UK
March 5: Blue Note Milano – Milan, Italy
March 6: New Morning – Paris, France
March 9: Transition Festival – Utrecht, Netherlands
March 10: Bird – Rotterdam, Holland
March 11: Jazzclub Q4 – Rheinfelden, Switzerland
March 12: Jassmine – Warsaw, Poland
March 13: Cabaret des Péchés - Brno, Czechia
March 14: Jazz Dock – Prague, Czechia
March 16: Fasching – Stockholm, Sweden
March 29: Blue Llama – Ann Arbor, MI
March 30: Blue Llama – Ann Arbor, MI
July 1-July 3: Montreal Jazz Festival – Montreal, QC
NORTH AMERICAN TOUR ON-SALE NOW
WITH TORONTO DATE ON APRIL 28
POLAROID LOVERS OUT JANUARY 26
TORONTO, ON – November 9, 2023 – Nashville-based Texas native and four-time GRAMMY winning musician, Sarah Jarosz, will release her new Daniel Tashian-produced album, Polaroid Lovers on January 26 via Rounder Records. Jarosz has already previewed the album with Jealous Moon and Columbus & 89th, and today she shares When The Lights Go Out.
On this track, written with renowned songwriters, Jon Randall (Miranda Lambert, Reba McEntire, Marren Morris) and Gordie Sampson (Willie Nelson, Carrie Underwood, Keith Urban), Jarosz shares the sweetly lilting reverie that gave the album its title (from the first verse: “In a dream we were Polaroid lovers/In the deep where the edges don’t lie”). Listen to When The Lights Go Out and watch the music video now here.
“I knew I wanted to write a song about the exciting time before a relationship has started when you’re curious to discover everything there is to know about the other person. Dreaming about them… intrigued by the unknown of it all,” Jarosz explains. “The album title, Polaroid Lovers, is found in this chorus. Each song is a snapshot of different love stories. Polaroid pictures are a forever document of a fleeting moment."
Sarah Jarosz recently announced a run of North American shows to celebrate the upcoming release of Polaroid Lovers, and many of the dates are either sold-out or have issued low ticket warnings. The nearly 50-date tour will kick off on February 1 in Washington, DC and run through the beginning of June. See below to find a show near you and get tickets here.
Polaroid Lovers, the seventh album from Jarosz, finds the highly decorated songwriter at the apex of change. The geographic shake-up of leaving her long-time home led to a sonic shake-up as well for Polaroid Lovers. For the first time in her career she opened herself up to collaborators, leading to writing sessions with Daniel Tashian, Ruston Kelly, and Natalie Hemby. The creative reorganization of her writing process evolved to include a much richer and more electric sound in the studio, and being in Nashville meant access to a world of hotshot players. She tapped guitarist Rob McNelley (Miranda Lambert, Carrie Underwood), Tom Bukovac (Tom Petty, Vince Gill) on guitar and organ, her husband- bassist Jeff Picker (Nickel Creek), and drummer Fred Eltringham (Sheryl Crow, Lucinda Williams) for the album recording. Tashian took the helm as producer and the whole album was laid down at the legendary Sound Emporium.
As it goes with all change, Jarosz’s major life events had her feeling contemplative. While sitting on the precipice of adulthood, Polaroid Lovers finds her reflecting on past loves, childhood dreams, the places she lived, and all the versions of herself that she’s been. Although the listener experiences the sonic shift forward, the album’s subject matter is a photo album of the past. Jarosz has never sounded more assured. Polaroid Lovers is filled with the kind of confidence that comes from hard-won life experiences and the conviction of someone who truly knows herself.
Jarosz released her debut album at the age of 18 and was immediately nominated for her first GRAMMY. Raised in Texas, she began playing mandolin at age 10 and soon after guitar and banjo. To date, she has released six studio albums and has netted 10 GRAMMY nominations and four wins. In 2018, she joined Sara Watkins of Nickel Creek and Aoife O’Donovan to form the supergroup, I’m With Her. The group released their debut album, See You Around, and won duo/group of the year at the Americana Awards. Their song, Call My Name won the GRAMMY for Best American Roots song.
Polaroid Lovers is available for pre-order now digitally and on vinyl with gray, lavender, orange and green splatter variants. Indie retailers will also have a special blue and green splatter vinyl. For more information visit store.sarahjarosz.com.
UPCOMING TOUR DATES:
February 1 - Sixth & I - Washington, DC* (LOW TICKETS)
February 2 - World Cafe Live - Philadelphia, PA* (LOW TICKETS)
February 3 - McCarter Theater - Princeton, NJ* (SOLD OUT)
February 5 - Maryland Hall - Annapolis, MD*
February 7 - Bowery Ballroom - New York, NY* (LOW TICKETS)
February 8 - Appell Center - York, PA*
February 9 - The Kate - Old Saybrook, CT* (LOW TICKETS)
February 11 - Peoples Bank Theatre - Marietta, OH*
February 13 - Thalia Hall - Chicago, IL*
February 14 - Fine Line - Minneapolis, MN* (LOW TICKETS)
February 16 - Gothic Theatre - Englewood, CO*
February 17 - Boulder Theater - Boulder, CO*
February 18 - Strings Music Pavilion - Steamboat Springs, CO*
February 20 - The Depot - Salt Lake City, UT*
February 22 - Knitting Factory - Boise, ID*
February 23 - Knitting Factory - Spokane, WA*
February 24 - The Crocodile - Seattle, WA* (LOW TICKETS)
February 25 - Revolution Hall - Portland, OR* (LOW TICKETS)
February 27 - The Chapel - San Francisco, CA* (LOW TICKETS)
February 28 - Troubadour - West Hollywood, CA* (LOW TICKETS)
February 29 - Lobero Theatre - Santa Barbara, CA* (LOW TICKETS)
March 8 - Bijou Theatre - Knoxville, TN (LOW TICKETS)
March 9 - Harvester Performance Center - Rocky Mount, VA
April 23 - The Sheldon - St. Louis, MO+
April 24 - Hi-Fi - Indianapolis, IN+
April 26 - Memorial Hall - Cincinnati, OH+ (LOW TICKETS)
April 27 - The Ark - Ann Arbor, MI+ (SOLD OUT)
April 28 - Horseshoe Tavern - Toronto, ON+
April 30 - Center For The Arts - Homer, NY+
May 2 - State Theatre - Portland, ME+
May 3 - The Sinclair - Cambridge, MA+ (LOW TICKETS)
May 4 - The Shea Theatre - Turners Falls, MA+ (LOW TICKETS)
May 6 - Jefferson Theater - Charlottesville, VA+
May 7 - Cat’s Cradle - Carrboro, NC+
May 8 - Neighborhood Theatre - Charlotte, NC+
May 10 - The Grey Eagle - Asheville, NC+ (LOW TICKETS)
May 11 - Terminal West - Atlanta, GA+
May 12 - Brooklyn Bowl - Nashville, TN+
May 23 - The Heights Theater - Houston, TX^
May 24 - The Kessler Theater - Dallas, TX^
May 25 - TBD - San Antonio, TX^
May 26 - Scoot Inn - Austin, TX^
May 28 - The Lensic - Santa Fe, NM^
May 30 - Center For The Arts - Jackson, WY^
June 2 - Arts Campus at Willits - Basalt, CO^
June 4 - Knuckleheads - Kansas City, MO^
*The Ballroom Thieves
+Le Ren
^Liv Greene
DOWNLOAD - album artwork | DOWNLOAD - press photo
DOWNLOAD - tour poster
HEAVY-LIDDED 90’S R&B FOR EVERYONE
WHO IS JUST SO TIRED - WATCH HERE
DAN AUERBACH-PRODUCED DEBUT
ARRIVING FEBRUARY 2 VIA EASY EYE SOUND
TORONTO, ON – November 9, 2023 – Today, Britti releases So Tired, the latest preview of her debut album, Hello, I’m Britti. (out February 2 on Easy Eye Sound - pre-order now). Produced and co-written by Dan Auerbach — lead singer of The Black Keys, founder of Easy Eye Sound, and the GRAMMY-winning producer behind celebrated releases from Yola, Marcus King, Lana Del Rey, Valerie June, Dr. John and many more — So Tired is an ode to fresh starts in the face of heartbreak.
The new video for the track finds Britti hazily moving through her everyday, swaying to the track’s heavy-lidded 90’s R&B, until the bridge when she claims centre stage — and her own narrative. Watch the So Tired video here, directed by Ford Fairchild (Yola, Maggie Rose), and listen to the track here.
Pairing shimmering country pop (much like childhood favourite Dolly Parton) and breathy purrs (a la the legendary Sade) with full-on bellows alongside sumptuous horns paying homage to her New Orleans home, Hello, I’m Britti. is the perfect introduction to the incredibly dynamic and previously undiscovered new artist.
In addition to Auerbach himself, a remarkable group of first-call players uplift Britti’s formidable voice, including percussionist Nick Movshon (Amy Winehouse, Wu Tang Clan), Jay Bellerose (Robert Plant & Alison Krauss, Sharon Van Etten), guitarist Tom Bukovac (Sheryl Crow, Stevie Nicks), and keyboard wizard Mike Rojas (Yola, Miranda Lambert), among others.
Check out lead single, Nothing Compares To You, the stunning Sade-meets-second-line groover that KCRW deemed “hypnotic, sultry, spare, and perfectly punctuated by the horn section” in their best songs of the week column.
DOWNLOAD - Single Art | DOWNLOAD - Album Art
DOWNLOAD - Press Photo
VIDEO DIRECTED BY CARRIE BROWNSTEIN
AND STARRING SUCCESSION’S J. SMITH-CAMERON
WATCH HERE
TOUR DATES ANNOUNCED WITH VANCOUVER SHOW ON APRIL 4 AT THE VOGUE THEATRE
NEW ALBUM LITTLE ROPE OUT JANUARY 19
VIA LOMA VISTA
TORONTO, ON – November 8, 2023 – Today, Sleater-Kinney share new single, Say It Like You Mean It, with a video directed by Carrie Brownstein and starring Succession’s J. Smith-Cameron. The track is an unforgettable, unadorned riff backing a raw examination of a relationship coming apart. It’s an exposed nerve ending of a song, and Smith-Cameron exudes unbridled truth when Corin Tucker sings, “Say it like you mean it / I need to hear it before you go / Say it like you mean it / This goodbye hurts when you go.” Watch the video here and listen here.
“The video tells the story of a woman who's lost all sense of what's appropriate,” Brownstein explains. “Sick with the alienation that stems from existing in a disparate emotional state from the person or people closest to her, she grapples with debilitating loss, desires to be seen, and dares you to leave.”
For the video, the band worked with Desert Island Studios, a minority-owned production company, studio facility, and membership collective working to remove barriers in the media industry for historically marginalized communities.
Last month, the band announced their 11th studio album, Little Rope, out January 19 via Loma Vista, with the a powerfully intimate, Hell. The track was called “big, bold, ferocious and plainspoken,” by Paste Magazine, with the New York Times saying it “breaks wide open with anguish and inconsolable fury, as tolling, elegiac verses erupt into bitter power-chorded choruses. Corin Tucker unleashes her scream on the word ‘why.’” Watch Hell here.
Recorded at Flora Recording and Playback in Portland, Oregon with GRAMMY-winning producer John Congleton, Little Rope is one of the most honest and soul-baring albums by one of modern rock’s most vital bands.
Sleater-Kinney is hitting the road in 2024 in support of Little Rope, beginning on February 28 in San Diego and including multiple nights in New York, San Francisco and Los Angeles, as well as hitting Vancouver. Beforehand, the group will perform at Pitchfork Festival London on November 10 and Corona Capital in Mexico City on November 19. All dates below. Visit sleater-kinney.com for more information.
To call Little Rope flawless feels like an insult to its intent – it careens headfirst into flaw and brokenness – a meditation on what living in a world of perpetual crisis has done to us, and what we do to the world in return. On the surface, the album’s 10 songs veer from spare to anthemic, catchy to deliberately hard-turning. But beneath that are perhaps the most complex and subtle arrangements of any Sleater-Kinney record, and a lyrical and emotional compass pointed firmly in the direction of something both liberating and terrifying: the sense that the only way to gain control is to let it go.
In the autumn of 2022, Carrie Brownstein received a call from Corin Tucker, who herself had just received a call from the American embassy in Italy. Years earlier, Brownstein listed Tucker as her emergency contact on a passport form, and while she had since changed her phone number, Tucker had not. The embassy staff were desperately trying to reach Brownstein. When they finally did, they told her what happened: While vacationing in Italy, Brownstein’s mother and stepfather had been in a car accident. Both were killed.
Although some of the album had already been written, aspects of each song—a guitar solo, the singing style, the sonic approach—were pulled into a changed emotional landscape. As Brownstein and Tucker moved through the early aftermath of the tragedy, elements of what was to become the emotional backbone of Little Rope began to form – how we navigate grief, who we navigate it with, and the ways it transforms us.
TOUR DATES:
2023
November 10 - London, UK @ Pitchfork London Roundhouse *SOLD OUT*
November 19- Mexico City, MX @ Corona Capital
2024
February 28 - San Diego, CA @ The Observatory North Park
February 29 - Las Vegas, NV @ Brooklyn Bowl
March 1 - Tempe, AZ @ Marquee Theatre
March 2 - Albuquerque, NM @ El Rey Theater
March 4 - Tulsa, OK @ Cain's Ballroom
March 5 - Dallas, TX @ Studio at the Factory
March 6 - Austin, TX @ ACL Live at the Moody Theater
March 8 - New Orleans, LA @ Joy Theater
March 9 - Atlanta, GA @ The Eastern
March 11 - Norfolk, VA @ The NorVa
March 12 - Washington, DC @ The Anthem
March 13 - Brooklyn, NY @ Brooklyn Steel
March 14 - Brooklyn, NY @ Brooklyn Steel
March 16 - New York, NY @ Racket *SOLD OUT*
March 17 - Boston, MA @ Paradise Rock Club *SOLD OUT*
March 18 - Philadelphia, PA @ Theatre of Living Arts *SOLD OUT*
March 20 - Columbus, OH @ Newport Music Hall
March 21 - Chicago, IL @ Riviera Theatre
March 22 - Madison, WI @ The Sylvee
March 23 - St. Paul, MN @ Palace Theatre
March 25 - Kansas City, MO @ The Truman
March 26 - Denver, CO @ Mission Ballroom
March 28 - Los Angeles, CA @ The Wiltern
March 29 - Los Angeles, CA @ The Belasco
March 30 - San Francisco, CA @ The Warfield
March 31 - San Francisco, CA @ The Warfield
April 2 - Seattle, WA @ The Showbox
April 3 - Seattle, WA @ The Showbox
April 4 - Vancouver, BC @ The Vogue
April 5 - Portland, OR @ Crystal Ballroom
MONTREAL, QC – November 8, 2023 – Secret City Records is thrilled to announce the appointment of Magali Ould as General Manager.
Secret City has seen exponential growth over the past few years, expanding their team and expertly evolving alongside the ever-changing music market. With these factors in mind, the newly created General Manager role at Secret City will serve as a catalyst for the continued development of the company, by placing dedicated focus on driving and managing the label’s day-to-day operations. Ould excitedly steps into this position after serving 12+ years with the company in Marketing, Communications and Project Management roles. Within this new position, she will report directly to President & CEO, Justin West.
“Magali has been a key member of the Secret City team for more than a decade,” remarks West. “She understands the label's DNA, is passionate about music and art, and, alongside her extraordinary dedication, cares deeply about the company, the team, and the artists we work with. Combine that with her unique expertise, broad skillset, and hard work, I am thrilled to see her take this step to General Manager.”
Ould is one of Québec’s key music-industry leaders for over 16 years. Born and raised in Montreal, she has been involved at every level of the local music scene, from handling guest-lists and packing vinyl to tracking radio and discovering new artists. Ould joined Secret City in 2011, becoming the company’s second employee. Hired as a Publicist, she went on to be named their first Director of Marketing, supervising a team and leading international campaigns for the likes of Patrick Watson, Basia Bulat, Alexandra Stréliski, and collaborating to orchestrate the U.S. late-night TV debuts of The Barr Brothers and Leif Vollebekk. Fully bilingual, Ould has played a key role in Secret City’s expansion into Francophone music, helping to sign artists such as Antoine Corriveau, Rosie Valland, Klô Pelgag and the legendary songwriter Daniel Bélanger.
“I’m incredibly thrilled and privileged to take on this position for the next Secret City chapter,” says Ould. “I’m proud of what we’ve accomplished thus far and excited about broadening our reach to new heights. I will continue to provide a passionate and respectful work environment for our staff members and will always keep at center stage the fostering of our artist’s relationships.”
West adds, “Secret City’s tremendous growth, as well as the accelerated pace of the changing market, both bring new challenges and opportunities, and drive the need for additional management infrastructure to ensure the relevant parts of the organization continue to function at the highest level. The General Manager role addresses that need, and will help to unlock our potential for future growth and expansion.”
DOWNLOAD PHOTO
ABOUT SECRET CITY RECORDS:
Secret City Records is a Montreal-based Canadian independent label founded in 2006, initially to provide a home for Patrick Watson’s first album, Close to Paradise. Over the years, Secret City’s artists have won multiple awards across many nominations for the Polaris Music Prize, JUNO Awards, ADISQ Awards, and more. The company has certified five gold albums, one platinum album, one double-platinum album, and numerous gold and platinum singles. Secret City also has a single that recently hit gold or platinum-level thresholds in multiple countries, including in the USA, UK, France, Australia, and more. With a full-time staff of fourteen, Secret City’s mission is to be a bridge between art and commerce, with unqualified respect and support for the artist’s vision. It is also passionate about the intersection of music and technology, constantly pushing itself to go beyond its comfort zone. The company values community, fairness, and transparency, and is viscerally independent. It has a worldwide network of indie distributors and promotion teams, in addition to fully managing and controlling its global digital business on its own. Secret City has been, and continues to be, a proud long-standing member of Merlin.
ROSTER:
Alexandra Stréliski - Antoine Corriveau - Basia Bulat - The Barr Brothers - Bibi Club – Braids - Daniel Bélanger - Emilie Kahn - Fernie - Gus Englehorn - Jeremy Dutcher - Jesse Mac Cormack - Klô Pelgag - La Force - Leif Vollebekk - Owen Pallett - Patrick Watson - Plants and Animals - Plastikman & Chilly Gonzales - Richard Reed Parry - Rosie Valland - Shad - Suuns - Unessential Oils - Wilsen
***
SECRET CITY RECORDS
NOMME MAGALI OULD COMME DIRECTRICE GÉNÉRALE
MONTRÉAL, QC – 8 novembre 2023 – Secret City Records a le plaisir d’annoncer la nomination de Magali Ould comme directrice générale.
Secret City a connu une croissance exponentielle au cours des dernières années, ajoutant des membres à son équipe et évoluant adroitement au rythme des changements constants du marché musical. Avec ces facteurs en tête, le nouveau poste de directrice générale chez Secret City servira de catalyseur pour le développement continu de l’entreprise, en se concentrant sur l’orientation et la gestion des opérations quotidiennes de la maison de disques. Ould est ravie d’accéder à ce poste après plus de 12 ans de service au sein de l’entreprise dans des postes liés au marketing, aux communications et à la gestion de projets. Dans ce nouveau poste, elle rendra compte directement au président et PDG, Justin West.
« Magali est une membre clé de l’équipe de Secret City depuis plus d’une décennie », souligne West. « Elle comprend l’ADN de la maison de disques, elle est passionnée par la musique et les arts, et elle est profondément dévouée à l’entreprise, à l’équipe et aux artistes avec qui nous travaillons. Considérant également son expertise unique, son vaste éventail de compétences et son assiduité, je suis enchanté qu’elle accède au poste de directrice générale. »
Ould est une leader importante de l’industrie musicale québécoise depuis plus de 16 ans. Née et ayant grandi à Montréal, elle s’est impliquée à tous les niveaux de la scène musicale locale, de la gestion des listes d’invités à l’emballage de vinyles, en passant par le suivi radio et le repérage de nouveaux talents. Ould a rejoint les rangs de Secret City en 2011, devenant la deuxième employée de l’entreprise. D’abord engagée en tant que relationniste, elle a ensuite été la toute première directrice du marketing, supervisant une équipe et menant des campagnes internationales pour des artistes tels que Patrick Watson, Basia Bulat et Alexandra Stréliski, en plus de collaborer à orchestrer les premières apparitions dans des talk-shows de fin de soirée américains de The Barr Brothers et Leif Vollebekk. Parfaitement bilingue, Ould a joué un rôle clé dans l’expansion de Secret City dans le monde de la musique francophone, facilitant la signature d’ententes avec des artistes comme Antoine Corriveau, Rosie Valland, Klô Pelgag et le légendaire auteur-compositeur-interprète Daniel Bélanger.
« C’est un incroyable honneur et privilège d’accéder à ce poste et d’entamer un nouveau chapitre chez Secret City », confie Ould. « Je suis fière de ce que nous avons accompli jusqu’à maintenant et je suis enthousiaste à l’idée d’étendre notre portée et d’atteindre de nouveaux sommets. Je continuerai de maintenir un environnement de travail où règnent la passion et le respect pour les membres de notre personnel, et prendre soin des relations avec nos artistes sera toujours au cœur de mes priorités. »
West ajoute : « La croissance extraordinaire de Secret City ainsi que la vitesse à laquelle le marché se transforme amènent de nouveaux défis et de nouvelles opportunités, ce qui crée le besoin d’une infrastructure de gestion supplémentaire pour nous assurer que tous les éléments pertinents de l’organisation continuent de fonctionner de façon optimale. Le poste de directrice générale répond à ce besoin et nous aidera à libérer notre potentiel futur de croissance et d’expansion. »
TÉLÉCHARGEMENT PORTRAIT
À PROPOS DE SECRET CITY RECORDS :
Secret City Records est une maison de disques basée à Montréal qui a été fondée en 2006 pour lancer l’album « Close to Paradise » de Patrick Watson. Au fil des ans, les artistes de Secret City ont remporté de multiples prix et obtenu de nombreuses nominations pour le Prix de musique Polaris, les prix JUNOS, le Gala de l’ADISQ, et plus encore. La compagnie a lancé cinq albums certifiés or, un album certifié platine, un album certifié double platine, et de nombreuses chansons certifiées or et platine. Secret City a également un extrait qui a récemment été certifié or ou platine dans plusieurs pays, incluant aux États-Unis, au Royaume-Uni, en France, en Australie et ailleurs. Avec 14 employé·e·s à temps plein, Secret City a pour mission de créer un pont entre l’art et le commerce, en soutenant et en respectant la vision de ses artistes sans jamais la compromettre. Ses valeurs incluent la communauté, l’équitabilité et la transparence, ainsi que l’innovation, la créativité et la technologie. Secret City gère un réseau mondial d’équipes de distribution et de promotion, en plus de contrôler sa propre distribution numérique. Secret City est fièrement membre de Merlin.
ARTISTES :
Alexandra Stréliski - Antoine Corriveau - Basia Bulat - The Barr Brothers - Bibi Club – Braids - Daniel Bélanger - Emilie Kahn - Fernie - Gus Englehorn - Jeremy Dutcher - Jesse Mac Cormack - Klô Pelgag - La Force - Leif Vollebekk - Owen Pallett - Patrick Watson - Plants and Animals - Plastikman & Chilly Gonzales - Richard Reed Parry - Rosie Valland - Shad - Suuns - Unessential Oils - Wilsen
CONFIRMS NEW BODY OF WORK IS ON THE WAY
WATCH HERE AND LISTEN HERE
TORONTO, ON – November 6, 2023 – Fresh off of a 20-city North American tour with Ashnikko, AUDREY NUNA continues to blaze a trail with her latest single, Cellulite. One of the first tracks written for her forthcoming body of work; Cellulite finds AUDREY NUNA turning inwards while tapping into a whole new genre that she coins, “Rage n B,” marrying “the sentiment of RnB” to “the harsh edge of rage type beats.” Listen to Cellulite here.
The song is paired with an official music video, directed by Zac Dov. Shot on location in Canoga Park, CA and in a Burbank studio, the cinematic video takes inspiration from Audrey’s heroes, including Pharcyde, Beastie Boys, Busta Rhymes and Missy Elliott. Watch the official video for Cellulite here.
Speaking about the new song, Audrey reveals: “This is a song about cutting the fat out of your life and rejecting the toxic shit that could weigh you down. It's the soundtrack of me taking a butter knife & performing spiritual liposuction on myself. A painful and liberating process,” she explains. “I wrote this because I felt tired of the saturated butter and energy clogging around my heart and felt the need to release that. There's an over emphasis of cool sculpting and plastic surgery ads in the world - but we ignore the fact that we're all spiritually clogged up as a society - there's so much excess everywhere. I wanted to illustrate a return to innocence - driving around in the red Jetta of my adolescence, surfing the waves instead of drowning in them. I want people to listen and feel lighter, but w the rage / sentiment mosh.”
Cellulite is the follow up to her latest single, Locket, which V Magazine hailed as “mesmerizingly addictive,” and “cementing NUNA's status as one to watch in the music industry.” The track came with an official music video, praised by HypeBeast as an “artistic, concept-driven visual,” and was directed by the late Valentin Petit, who tragically passed in an aircraft accident earlier this year. Locket was the last music video he directed. Watch the official music video for Locket here.
With the release of Cellulite and Locket, comes exciting news that AUDREY NUNA is working on a new body of work from which Locket is part of, thus marking a new and captivating chapter for 24-year-old NUNA, who is undeniably poised for stardom.
Having laid the foundations with her a liquid breakfast release in 2021, she soon attracted attention from the likes of The New York Times, NPR, High Snobiety, VOGUE, BILLBOARD, COMPLEX, PAPER, FADER, and V Mag. AUDREY NUNA continues to push the boundaries and lead with a commitment to creativity, setting precedent as one of the first female Korean-American R&B acts breaking into mainstream culture.
More exciting AUDREY NUNA news to be revealed very soon.
FIRST INSTALLMENT OF NEW PROJECT
THE ROAD TO HALLUCI MANIA
LISTEN HERE
TORONTO, ON – November 3, 2023 – Bah gawd! In the most electrifying move in sports entertainment, The Halluci Nation have dropped their brand new EP, Path of the Heel - the first installment of their new project, The Road to Halluci Mania.
The Halluci Nation's Bear Witness and 2oolman have always had a deep interest in Professional Wrestling ever since they were kids – loving the complex story lines that play out week after week, and seeing the underdog overcome adversity and have their chance to shine. Now, they are at a point of their career where they have never been happier with their partnership, and the music they are creating together, and wanted to take the opportunity to tell a story that is inspired by their long-shared interest in Pro Wrestling, paired with some brand new sounds.
Themed around one of the main character archetypes in professional wrestling – "The Heel" (a.k.a. the bad guy) – Path of the Heel follows a faction of this group, called the ALie Nation. The creator of the ALie Nation has gone from being curious about The Halluci Nation – the champion "Baby Face" tag team wrestlers – to becoming obsessed with taking them down at Halluci Mania, aiming to do so by recruiting two wrestlers into the ALie Nation.
The story unfolds through the album openers, Tree of Woe and ALie Nation (Interlude), both of which feature powerful vocals written and performed by Damian Abraham. The theme then expands with Eater of Worlds and Atomic Drop, featuring long-time collaborators, Northern Cree, and fulled by fast paced beats with complex basslines, all brining the Halluci Nation’s classic sound into the present and beyond.
"Damian was an incredible talent to work with in the studio and we are lucky that our friendship has developed into such a strong bond over the years," The Halluci Nation share. "This collaboration plays such an important part in the story of this project and we feel the final result pushes the limits beyond what anyone has ever heard from us."
They continue, "Being able to work with Northern Cree is always a special experience. The tones they are able to create add so much depth to Eater of Worlds and Atomic Drop. The frequencies a drum creates can’t be duplicated by any machine and they take the basslines to a whole different level."
Path of the Heel further explores the idea of cross-genre music collaborations, and sees Bear and 2oolman creating songs that push the bounds of their signature sound, touching on classic Drum & Bass sounds that are on the brink of trending in dance music again. The heartbeat of their inspiration continues to be John Trudell and his work. This new project takes The Halluci Nation on the next part of the path that John laid out for them through his poems and personal messages to the group. Their connection has allowed Bear and 2oolman to push the boundaries of their creative abilities and continue to be their authentic selves, producing sounds that show an evolution of the group into the future. This evolution has become possible because of the trust Bear and 2oolman share with each other on a personal, and professional level.
The Path of the Heel is unlike anything fans have ever heard from The Halluci Nation, and it’s just the small look into what is coming for the future! Listen here today.
PATH OF THE HEEL TRACKLIST:
1. Tree of Woe ft Damian Abraham
2. ALie Nation (Interlude) ft Damian Abraham
3. Eater of Worlds ft Northern Cree
4. Atomic Drop ft Northern Cree
SONG MARKS LEX'S EVOLUTIONARY RETURN TO MUSIC
AND LIVE PERFORMANCE AFTER HIATUS EARLIER THIS YEAR
LISTEN | WATCH
HOMETOWN TORONTO SHOW ANNOUNCED FOR DECEMBER 9 WITH PROCEEDS BENEFITTING PARKDALE ORGANIZE
"Since I got hurt, I vaulted this song, and I found myself in a setback and needing to restart," Lex reflects. "This song felt like the perfect release to kick off that journey."
Soulful and vulnerable, Minor Setback shines with Lex's reflective lyrics, backed by melodic piano-fronted instrumentals and smooth beats provided by Richmond, VA producer, Tee-WaTT (Aminé, YG) – who connected with Lex after gravitating towards her freestyles on TikTok in 2020/2021.
Though the timing of Minor Setback's release and life of the song may have taken on new meaning following Lex's accident, the track's origins were provoked by Lex's community at her past residence of 55 Triller Avenue in Toronto's Parkdale neighbourhood. Faced with a slew of issues brought on by the building's landlord and property management company, the residents banded together to collectively fight against wrongful evictions after the pandemic. Though it felt like a hopeless situation at times, the community didn't back down and were successfully able to defend their homes.
Minor Setback reflects on the forward motion brought on by these times, with Lex meditating on perseverance after countless road blocks, let downs and the hopeless feeling of wanting to give up.
And eviction notice sitting in on my living room floor
And I feel like giving up some days
And others feel like I gotta give way more"
As part of the Minor Setback release, Lex is excited to begin sharing her new (as well as some upcoming unreleased) music live, and announces her first hometown Toronto show of 2023, on December 9 at Laylow. With a goal of supporting her community through her music, proceeds from the show will benefit Parkdale Organize, a group that directly supports the 55 Triller building tenants. Find tickets and more info here, and get ready for Lex Leosis' major comeback, starting with Minor Setback today.
Known for her dynamic flows, high energy stage presence and elaborate story telling, Lex Leosis is a name you don’t forget. With a unique gravely vocal delivery, acrobatic flows, and lyrical prowess, Lex breathes life into contemporary Hip-Hop and mesmerizes with her rapping abilities. Setting herself uniquely apart by holding space for various causes and using her platform to support other women and non-binary artists and creatives, Lex is not afraid to give props where it’s due. She’s got an attack in her flow, juxtaposed with a finesse in her lyricism and a hunger in her vocal tone. Her family gave her traditions, Toronto shaped her, and California helped form her sound.
Lex spent 2017 -2019 devoting herself to Canadian rap group powerhouse, The Sorority, touring extensively, sharing stages with artists like Miguel, Joey Badass & Snoop Dogg. After the group disbanded in 2019, Lex lead 2020 with her debut full length, Mythologies; a trap heavy project that allowed her to explore her Greek roots and family history. Despite a derailed album release plan due to COVID-19, she followed the project with summer bop, Pull Up, and the Rap-House collaboration, Swerve, with DJ Cazztek, released under Armin Van Buuren’s label, Armada.
Lex found opportunity and inspiration during COVID lockdown establishing a new sound; taking control of her artistry by learning keys, bass and taking vocal lessons. She formed a team of creatives around her and using her tools, experience and community, developed her quintessential Lex Leosis sound with smooth west coast vibey instrumentation under melodious hooks and biting hip hop verses. All this culminated with her 2021 EP, Terracotta, follow-up duo project, 2WINS, with Keysha Freshh, and a string of 2023 singles including standout track, Dangerous. Searching for an outlet to continue to rap bars, Lex began daily duets on TikTok and has amassed millions of views on her videos, drawing the attention of TikTok Canada and numerous artists from Arkells to Fred Durst. Lex's next chapter included signing recently with Vancouver-based media company, The District, and is now ushering in her next project, set to make her return to music and live performance after a hiatus through 2023.
LISTEN HERE
WATCH NEW MUSIC VIDEO CHANGES HERE
WATCH HELLO MUSIC VIDEO HERE
TORONTO, ON – November 3, 2023 – Shortly after dropping the Hello video, co-directed by Q himself, the singer/songwriter is returning with a new EP titled, Hello, Everyday Changes. The three song EP consists of the previously released Hello, along with new additions Everyday and Changes. Listen here. Today's release is accompanied by the official music video for Changes, produced, shot and directed by Q. Watch here.
Earlier this year, Q went on his co-headlining tour with Baby Rose shortly after releasing his critically acclaimed debut album Soul,PRESENT, which he wrote and produced on his own. Listen to the album here.
The critically-acclaimed outlier, singer, songwriter, and producer has notably tallied tens of millions of streams, in addition to gaining support from his peers Omar Apollo, 6LACK, James Blake and more.
DOWNLOAD - EP artwork
LISTEN TO COMBACK KID (REDUX) HERE
WATCH THE VISUALIZER HERE
ONTARIO TOUR DATES THIS MONTH
TORONTO, ON – November 2, 2023 – Today, Toronto five-piece indie-rock outfit, Long Range Hustle, team up with Chicago-based alt-pop artist, Tedious & Brief, to release a beautifully melancholic rendition of the band's heavy-duty head-banger, Comeback Kid. Originally appearing on their 2022 album, I am alive, but only if you say I am, the remix - Comeback Kid (Redux) - sees Long Range Hustle take on a more electronic-influenced approach to the song. Listen to Comeback Kid (Redux) here - out now via Sans Shoes (Canada) / AntiFragile Music (International). Watch the accompanying visualizer, directed by the band's AJ Fisico (drums, vocals), here.
"Comeback Kid was originally written as a slow, contemplative tune reflecting on being caught in absentia during someone's most tragic time of need," shares Paul Brogee (co-lead vocals, guitar, violin). "But when we took it to the studio it turned into a heavy-duty head-banger, so it was a particular pleasure to bring some melancholic yearning back to this song, helped in no small part by Jamie's dark and soulful voice. Typically a very 'live' sounding band, this was our deepest foray yet into more electronic-influenced production, pulling on our love of bands like Sylvan Esso, Purity Ring, and Big Red Machine. We learned a lot working with Tedious & Brief, and I can't wait to see how this project affects our trajectory from here."
Jamie Jacobsen (a.k.a. Tedious & Brief) offers: "Comeback Kid is one of those songs that I heard and immediately thought 'damn, I wish I wrote that song.' So to be asked to feature on it and have some creative liberty as to where the song went dynamically was really special for me. It’s an emotional tune with nostalgic undertones that builds into this beautiful, organized chaos by the end. Through months of long distance collaboration this song morphed into something even cooler than I could have anticipated and I'm really stoked to have been a part of it."
"Even for a track that is supposed to be a return to the songs slower melancholic roots, we couldn't help build it into something with a little grandeur at the end," the band adds.
Read more about Long Range Hustle here and catch them on tour in Ontario this month, with dates supporting The Honest Heart Collective, and Joe McLeod.
LONG RANGE HUSTLE TOUR DATES:
* supporting The Honest Heart Collective
LISTEN HERE
PREMIERE DAYS OF HATE DOCUMENTARY TONIGHT
AT BRAIN DEAD STUDIOS IN LOS ANGELES
TORONTO, ON – October 27, 2023 – NYC trio, Show Me The Body, releases their live album, Live & Loose In The USA, today via Loma Vista Recordings. Arriving one year after the release of Trouble The Water, the 15-track album features live recordings from various stops on their now infamous World War Tour from earlier this year and features guest appearances from tour mates, Aaron Heard (Jesus Piece), Christine Cadette (Zulu), and more. Live & Loose In The USA is available for purchase on 2 x LP vinyl plus a 208-page World War Tour photo zine here. Listen to the album here.
Tonight, Show Me The Body premieres their mini-documentary titled Days of Hate, created by filmmaker, Oliver Shahery, and filmed during the recording of Trouble The Water, at Los Angeles' Brain Dead Studios. The event kicks off at 7:00 p.m. local time, and will feature a screening of the documentary plus drinks and DJs on the Slammers patio. More details below.
On the heels of their West Coast run of shows with The Garden, Show Me The Body will head to Mexico for two shows this November and December. The trio will perform at Foro Indepencia with Flores y Fuego and Niña Perro on November 29 and at Foro Indie Rocks! on December 2 with Flores y Fuego and Dismorfia.
Live & Loose In The USA lands just after the release of Show Me The Body's remix EP, Trouble The Water - Remixes, which includes reimagined versions of select tracks from their 2022 full-length from Detroit ghettotech trio HiTech, Pink Siifu, Michael "5000" Watts of Swishahouse fame, Slauson Malone 1, and Psymun featuring RXKNephew.
The trio's epic aforementioned World War Tour saw sold out shows across America, including Brooklyn Steel. Additionally, Show Me The Body recently hosted a free show at New York City's Tompkins Square Park in partnership with their label CORPUS, drawing hundreds of enthusiastic fans on a Friday afternoon. Show Me The Body made a stir with their cover of the Beastie Boys' classic, Sabotage, and a captivating performance of their fan-favourite, Trash, from their 2017 Corpus I mixtape.
Released at the end of last year, Trouble The Water is Show Me The Body's fourth full-length and includes the anthemic tracks WW4, Loose Talk - which came paired with a video directed by front man Julian Cashwan Pratt - and We Came To Play. The 12-track album was recorded entirely at CORPUS studios in Long Island City and produced with Arthur Rizk (Power Trip, Turnstile, Municipal Waste). Trouble The Water is the culmination of nearly a decade's time barreling against New York City’s structural ambivalence and indifference. The tracks of Trouble The Water both reference and pay homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate its true foundation.
Check out Live & Loose In The USA above and see full tour routing and more album details below.
November 29 - Guadalajara, MX @ Foro Independencia*
December 2 - Mexico City, MX @ Foro Indie Rocks!^
* = w/ Flores y Fuego, Niña Perro
^ = w/ Flores y Fuego, Dismorfia
BELOVED ROCK BAND SHARES KEEP GOING
FINAL PREVIEW TRACK FROM THEIR HIGHLY-ANTICIPATED
NEW ALBUM 152 DUE THIS FRIDAY, OCTOBER 27 VIA FANTASY
LISTEN TO KEEP GOING HERE
BAND TO HOST EARLY ALBUM LISTENING PARTY TODAY
AT 4:00 P.M. PT / 7:00 P.M. ET / 12:00 A.M. UK FOLLOWED BY LIVE VIDEO CHAT
TORONTO, ON – October 25, 2023 - Today, Taking Back Sunday – John Nolan (lead guitar, piano, vocals), Adam Lazzara (lead vocals), Shaun Cooper (bass) and Mark O’Connell (drums) – share Keep Going, the fourth and final preview track from their upcoming new album, 152, due this Friday (October 27) via Fantasy. Reflecting the darkness in betrayal and the light of forgiveness, the percussive, quick-hitting rocker arrives just days ahead of the band’s long-awaited LP, 152, Taking Back Sunday’s first full-length album in seven years. Listen to Keep Going, here, watch the visualizer here, and pre-order 152, here.
O’Connell on Keep Going: “Keep Going is a song about struggling through relationships with the people you love. When it rains it pours, but you’ve got to get up and keep going. It’s a heavy song with an important message that fits the inclusive positivity of 152.”
Tonight at 4:00 p.m. PT / 7:00 p.m. ET / 12:00 a.m. UK, fans around the world can get a sneak peek of 152 as Taking Back Sunday hosts an album listening party followed by a live video chat with the band immediately following the playback. Find it here.
In addition, Taking Back Sunday will celebrate the release of 152, with series of intimate album release shows, promotional events, and in-store appearances, all of which sold-out in a matter of minutes, including: Fingerprints in-Store (Long Beach, CA) November 4, Lodge Room album release show (Los Angeles) November 6, Grimey’s in-Store (Nashville) November 8, Eastside Bowl album release show (Nashville) November 9, Looney Tunes in-store (New York) November 12, and Bowery Ballroom album release show (NYC) November 13.
The band also recently announced the 9th Annual Taking Back Sunday Holiday Spectacular at Mulcahy’s Pub and Concert Hall in Wantagh, NY, December 13 and 14, and Starland Ballroom in Sayreville, NJ on December 15 and 16. Tickets are on sale now. For more information, visit www.takingbacksunday.com. Look for exciting 2024 tour news to be announced soon.
Produced by Tushar Apte (whom the band met through a mutual collaboration with noted DJ Steve Aoki) and mixed by Neal Avron (Twenty One Pilots, Bleachers), 152 features 10 intensely vulnerable and absorbing new tracks all delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world (and music industry) these past few years, 152 stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday’s illustrious career.
Anticipation among fans for the new album continues to build. Previously released tracks, (along with Keep Going) include The One, S'old, and Amphetamine Smiles. All through 152, the consistent thread is one of generosity, gratitude and ultimately, hope.
152 TRACK LISTING:
1. Amphetamine Smiles
2. S'old
3. The One
4. Keep Going
5. I Am the Only One Who Knows You
6. Quit Trying
7. Lightbringer
8. New Music Friday
9. Juice 2 Me
10. The Stranger
TAKING BACK SUNDAY LIVE:
November 6 — Los Angeles, CA – Lodge Room (Album Release Show)
November 9 — Nashville, TN – Eastside Bowl (Album Release Show)
November 13 – New York, NY – Bowery Ballroom (Album Release Show)
November 29 – Melbourne, Australia – 170 Russell
December 1 — Melbourne, Australia — Good Things Festival 2023
December 2 — Sydney, Australia — Good Things Festival 2023
December 3 — Brisbane, Australia — Good Things Festival 2023
December 5 – Woolloongabba, Australia – The Princess Theatre
December 6 – Marrickville, Australia – Factory Theatre
December 13 & 14 – Wantagh, NY – Mulcahy’s Pub and Concert Hall (Holiday Spectacular)
December 15 & 16 – Sayreville, NJ – Starland Ballroom (Holiday Spectacular)
JURY MEMBER APPLICATIONS NOW OPEN
RECIPIENTS TO BE ANNOUNCED AT RECEPTION DINNER
AND SHOWCASE ON MARCH 5, 2024
TORONTO, ON – October 25, 2023 – Following a celebratory inaugural year for the Women In Music Canada Honours, which took place this past March, WIM Canada is thrilled to open nominee submissions for the 2024 Honours.
“Canada is brimming with incredible women and gender diverse music innovators,” says WIM Canada Executive Director, Robyn Stewart. “The 2024 WIM Canada Honours program will elevate incredible leaders, their projects and their successes, all wrapped up in an incredible night of networking, comradery and great music.”
Nominees can be submitted through WIM Canada’s application form by the deadline (Monday, December 11, 2023 at 11:59 p.m. ET). Submissions may be made by the prospective honouree or another Canadian colleague. Only one submission is required to be considered. If multiple submissions are received for the same person, they will be combined to one submission for the jury review. Visit here for further eligibility guidelines.
Submissions will be curated into a long list of nominees, selected by an appointed jury of music industry creators and professionals. The final honourees will be determined from the long list by a finalist jury. Individuals are invited to share their expertise as a juror for this year’s Honours program – applications can be found here.
The WIM Canada Honours program was designed to celebrate and support women and gender diverse Canadian innovators and creators who have outstanding success in their field in the eligibility year (December 2022 through December 2023 for annual based categories). Categories include: Artist of the Year, Change Maker of the Year (formerly Distinguished Leader), Entrepreneur of the Year, Excellence in Live Music, International Leader of the Year, Organization of the Year, the Career Achievement Honour (formerly the Trailblazer Award), and the Women in Music Canada Rising Leader (formerly the Honour Roll), which will honour up to five women and gender diverse industry members or artists who are on the rise. Two new categories will also be added for 2024 – Change Maker of the Year and Artist of the Year – which will be selected by the shared results of open voting for WIM Canada Premium Members and the jury.
Reflecting on her 2023 Distinguished Leader Award (presented by Tunecore), ADVANCE Music Canada Executive Director, Keziah Myers says, “Admittedly, I was totally surprised to receive the award, as there are just so many women in leadership, across the music industry, that I look up to daily. It is an immense honour to stand among those remarkable leaders and I am humbled by this recognition. Canada has incredible women in leadership, and I hope to continue in the path that they have forged before me. Let us continue to support and celebrate women in the music business, so that their brilliance and leadership may continue to inspire generations to come. This honour reminds me that collective force, and collaboration yield immeasurable impact. Thank you to Tunecore and WIM Canada for seeing the potential that exists when barriers are broken, and opportunities are given to all.”
Envison Management + Production Founder and President, Ryhna Thompson adds, “While recognition has never been the motivation for my work, receiving the Trailblazer Award (in 2023) has certainly made me feel seen. Being seen has encouraged me to continue believing in and building new ways forward. It has added fuel to my desire to lend my voice in support of a next generation of innovators, creators and change makers.”
Read about all of 2023’s honourees here.
The recipients of the 2024 Honours will be revealed on Tuesday, March 5, 2024 during a reception dinner and showcase held in Toronto, ON. Stay tuned for more details and ticket information.
The WIM Canada Honours program is generously supported by Ontario Creates.
About Women in Music Canada
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
WATCH VIDEO FOR NEW SINGLE
WHISPERS IN THE ECHO CHAMBER
TICKETS FOR FEBRUARY/MARCH 2024
NORTH AMERICAN ON SALE NOW
CANADIAN DATES IN MONTREAL, TORONTO
AND VANCOUVER
“The goth crooner Chelsea Wolfe conjures a thick atmosphere on ‘Dusk,’ ...‘Dusk' is centered around a slow, methodical beat, murky guitar chords and Wolfe’s breathy, eerie voice. 'I will go through fire to get to you,' she sings with a haunting determination.” — The New York Times
“The genre-defying ‘Dusk’ is one of her more elaborate recordings to date, a culmination of her career thus far.”— Consequence, Heavy Song of the Week
“On ‘Dusk,’ Chelsea Wolfe pushes Portishead’s gothic trip-hop to new doom-laden extremes.” — Stereogum, Best Songs Of The Week
“Chelsea Wolfe comes out swinging with the dark psychedelic single ‘Dusk.’ A moody, sensual song about unrelenting love, Wolfe’s chilling tone and searing guitar breakdown create a swirling, gruesome melody.” — Paste, Best New Songs
TORONTO, ON – October 24, 2023 – Chelsea Wolfe is “back, and masterful as ever” (Revolver). Today, Wolfe announces her new album, She Reaches Out To She Reaches Out To She, out February 9 on Loma Vista, and presents its new single/video, Whispers in the Echo Chamber. Pre-order the album here.
Wolfe’s seventh studio album is a rebirth in process. It’s a powerfully cathartic statement about cutting ties and an important reminder that healing is cyclical, not a simple linear process. As Wolfe explains, “It’s a record about the past self-reaching out to the present self-reaching out to the future self to summon change, growth, and guidance. It’s a story of freeing yourself from situations and patterns that are holding you back in order to become self-empowered. It’s an invitation to step into your authenticity.”
Hailed by Guitar World as “the queen of gothic industrial guitar,” Wolfe has never been afraid to traverse genre or invent her own hybrids. She wrote and workshopped She Reaches Out To She Reaches Out To She with her longtime collaborators – multi-instrumentalist, Ben Chisholm, drummer, Jess Gowrie, and guitarist, Bryan Tulao – before bringing them to producer, Dave Andrew Sitek, in early 2022. Together, they deconstructed the compositions, pushing the songs into uncharted waters where they were then transformed and reborn. The pieces found their final focus with Shawn Everett (The War On Drugs, SZA, Yeah Yeah Yeahs) who mixed the album, extracting the fine details from the vocals and blending them into the lush sonic production world where heavy guitars dissolve into trip-hop breaks and hushed vocals soar before final mastering by renowned engineer, Heba Kadry.
Following lead single, Dusk, Whispers in the Echo Chamber ties together a number of elements Wolfe has explored in the past, rolling in dynamic waves between minimal synth and heavy, full-band moments. The swirling vocal textures of the song — run through Sitek’s modular wall — are meant to reflect those persistent intuitive voices that start rising up within you when it’s time to step out of the old and into the new. As Wolfe sings in the blistering track, she’s “twisting the old self into poetry” and “bathing in the blood of who [she] used to be.”
The Whispers in the Echo Chamber accompanying video was directed by Geoge Gallardo Kattah and filmed in Colombia. Wolfe explains, “This video feels like a love story between myself and my sleep paralysis entity, who, for the sake of this video, represents a calm inner voice cutting through mental chatter and anxiety to help guide me towards a more authentic path. From the inward to the outward, this entity shows me the expansiveness of new possibilities, if only I’ll take the first difficult steps.” Watch the video here.
At its core, She Reaches Out To She Reaches Out To She is realizing the way forward is through, contemplating what must be left behind, while also figuring out what lies ahead and what there is to discover once you get there. Wolfe guides us on that quest, asking us these questions as she asks herself the same. As the album title hints, She Reaches Out to She Reaches Out to She is a reminder to look within, to remember that all the power you need resides there. Reach out to the selves, reach out to one another. Reach to the ancient and to the end of all things, to remember that the only time we truly have is now.
Next year, Wolfe will embark on a lengthy 2024 North American tour, bringing her acclaimed live performance to a slew of cities including New York, Los Angeles, Montreal, Toronto, Vancouver and beyond. Divide and Dissolve will support the entire tour. A full list of dates are below and tickets are on sale now here.
SHE REACHES OUT TO SHE REACHES OUT TO SHE TRACKLIST:
1. Whispers in the Echo Chamber
2. House of Self-Undoing
3. Everything Turns Blue
4. Tunnel Lights
5. The Liminal
6. Eyes Like Nightshade
7. Salt
8. Unseen World
9. Place in the Sun
10. Dusk
UPCOMING TOUR DATES:
February 27 - San Diego, CA @ The Observatory North Park
February 28 - Phoenix, AZ @ Crescent Ballroom
March 1 - Austin, TX @ Scoot Inn
March 2 - Dallas, TX @ The Studio at The Factory
March 3 - Houston, TX @ White Oak Music Hall
March 5 - Nashville, TN @ Basement East
March 6 - Asheville, NC @ The Orange Peel
March 8 - Atlanta, GA @ The Masquerade
March 9 - Charlotte, NC @ The Underground
March 10 - Silver Spring, MD @ The Fillmore
March 12 - Brooklyn, NY @ Warsaw
March 13 - New York, NY @ Bowery Ballroom
March 15 - Boston, MA @ Royale
March 16 - Montreal, QC @ Club Soda
March 17 - Toronto, ON @ The Danforth Music Hall
March 19 - Chicago, IL @ The Vic Theatre
March 20 - Minneapolis, MN @ The Varsity Theatre
March 22 - Denver, CO @ The Gothic Theatre
March 23 - Salt Lake City, UT @ The Depot
March 25 - Seattle, WA @ The Neptune Theater
March 26 - Vancouver, BC @ The Vogue Theater
March 27 - Portland, OR @ The Roseland Ballroom
March 29 - San Francisco, CA @ The Fillmore
March 30 - Los Angeles, CA @ The Novo
April 18 - Tilburg, NL @ Roadburn Festival
April 21 - London, UK @ Heaven
INTERVIEW AND TRACK DEBUT ON APPLE RADIO’S
THE ZANE LOWE SHOW
APPEAR ON APPLE MUSIC’S NEW MUSIC DAILY COVER
NEW ALBUM RAT WARS OUT DECEMBER 7
VIA LOMA VISTA RECORDINGS
HEADLINING 2024 NORTH AMERICAN TOUR
INCLUDES STOPS IN TORONTO AND VANCOUVER
TORONTO, ON – October 23, 2023 – Following an interview on Apple Radio’s The Zane Lowe Show, and a cover feature on Apple Music’s New Music Daily playlist, HEALTH today released their latest single, ASHAMED. The corrupted R&B pop banger – a raw and emotional gut punch – is the latest preview of the LA-based industrial-rock band’s highly anticipated new album, RAT WARS, due out December 7 via Loma Vista Recordings. The track is out now alongside a video directed by HEALTH’s bassist/producer, John Famiglietti, and James Kid, and capturing Famiglietti’s recent visits to the Anime Expo in Los Angeles, CA and DragonCon in Atlanta, GA. Watch it here and listen to ASHAMED here.
ASHAMED follows the album’s two lead singles, CHILDREN OF SORROW and SICKO, which earned praise and support from Revolver (Best Songs of the Week), Guitar World (Essential Guitar Tracks), Uproxx (Best New Indie), Loudwire, Stereogum, The PRP, Lambgoat, Consequence, Brooklyn Vegan, and more (Bloody Disgusting debuted the gory video for SICKO). HEALTH’s headlining RAT-BASED WARFARE TOUR begins on March 2, and includes shows in Toronto at The Opera House on March 19 and in Vancouver at The Commodore on March 29; a full itinerary is listed below.
The follow-up to 2019’s VOL. 4 :: SLAVES OF FEAR, HEALTH’s fifth album is the most violent yet vulnerable of their career. It is somehow fitting that such a brutal collection of songs is at the same time their most comprehensive artistic statement.
Meticulously aggressive production detail collides with painfully personal confessions and a strange savage grace is paired with icy gallows humour… surprisingly it’s still fun as hell. Produced by Stint (Oliver Tree, Demi Lovato) and mixed by Lars Stalfors (SALEM, The Neighbourhood), the 12-track LP joins the lineage of groundbreaking heavy acts like Nine Inch Nails and Ministry, which re-drew the borders between metal, electronic and pop music. It might be The Downward Spiral for people with at least two monitors and a vitamin D deficiency. RAT WARS is available for pre-order on limited edition vinyl, cassette, and more here.
HEALTH 2024 TOUR DATES:
March 2 - Ventura, CA - Ventura Music Hall *
March 4 - Mesa, AZ - Nile Theatre *
March 5 - Albuquerque, NM - Sunshine *
March 7- Austin, TX - Empire Garage *
March 8 - Dallas, TX - Studio at the Factory *
March 9 - Houston, TX - Warehouse Live Midtown *
March 11 - Atlanta, GA - The Masquerade - Heaven Stage *
March 12 - Charlotte, NC - The Underground *
March 13 - Richmond, VA - The National *
March 15 - Brooklyn, NY - Brooklyn Steel *
March 16 - Philadelphia, PA - Union Transfer *
March 17 - Boston, MA - Royale *
March 19 - Toronto, ON - The Opera House *
March 20 - Detroit, MI - The Majestic *
March 22 - Chicago, IL - Concord Music Hall *
March 23 - Saint Louis, MO - Red Flag *
March 25 - Englewood, CO - Gothic Theatre *
March 26 - Salt Lake City, UT - Metro Music Hall *
March 28 - Seattle, WA - The Showbox *
March 29 - Vancouver, BC - The Commodore *
March 30 - Portland, OR - Revolution Hall *
April 1 - Roseville, CA - Goldfield Trading Post *
April 2 - San Francisco, CA - August Hall *
April 4 - Los Angeles, CA - Belasco Theater *
* with support from Pixel Grip and King Yosef
DOWNLOAD - single art | DOWNLOAD - press photo
DOWNLOAD - album art
TORONTO, ON – October 20, 2023 – After releasing his debut album, Soul,PRESENT, late last Spring, Q is back with his newest single, Hello. Shot in NYC and co-directed by Q himself, the music video also features an appearance from SideTalkNYC. Watch here. In an Instagram post, Q teased the upcoming music and newest single simply putting, "1 of 3 out tonight. first is Hello." Listen to Hello here.
DOWNLOAD - single artwork
LISTEN HERE
A RE-IMAGINED DAVID FOSTER CLASSIC CAROL OF THE BELLS TRANSPORTS FANS TO A WINTER WONDERLAND WITH INSPIRED NEW ANIMATED HOLIDAY VIDEO - WATCH HERE
TORONTO, ON – October 20, 2023 – Today, the Christmas album that David Foster and Katharine McPhee embarked on over a year ago is joyfully complete and being released in time to warm hearts and homes this holiday season. Christmas Songs pairs seven new timeless Christmas wonders with the seven beautiful classics they shared last holiday season, to create the Fosters’ 14-song, definitive Christmas album. A welcomed addition to any family's holiday traditions. Listen here.
Foster says of the new songs, “We had a lot of fun recording seven songs last year. This year we wanted to really dig in deep and add seven more songs to make a larger album and to explore all the musical tools that were available to us from rock guitar on We Three Kings to the Tabernacle Choir on Amazing Grace to the simplicity of Kat’s spectacular vocal and piano only song It’s Beginning To Look A Lot Like Christmas. We also had a lot of fun redoing an old song that I did called Carol Of The Bells and adding vocals to it. We put out heart and soul into it and we hope it shows. Christmas is the absolute favourite time of year for so many. We want to celebrate that joy with all of you.”
One of the highlights is Foster’s holiday masterpiece, Carol of the Bells, reimagined with McPhee's vocals, to create a version of this timeless classic that will surely soundtrack our holiday seasons for years to come. Inspired by this fresh rendition of this holiday hit, Foster and McPhee created a beautiful, animated video that will transport any listener to a winter wonderland of our dreams. Watch here.
Says Foster about the new sound on Carol of the Bells, “I had some pretty good success with this song over the years and on a suggestion from Tom Whalley at the label, we re-worked it and, among other things, added some vocals giving it a fresh new sound. People over the years have always been so kind about how much they enjoy this version, so this hopefully is the 2.0 version that will attract a new generation.”
One of the more stunning moments on Christmas Songs is when Foster and McPhee are joined by the renowned Tabernacle Choir at Temple Square for a powerful rendition of the religious hymn, Amazing Grace, laying bare what is divine in our storied Christmas traditions.
Says Foster of Amazing Grace and working with the Tabernacle Choir, “I have had the opportunity to work with the tabernacle choir on a few occasions. To say they are spectacular is an understatement. We brought together all the fire power that we could muster between us and this magnificent chorus. Amazing grace is one of those songs that evokes so much emotion. From the first note of the bagpipes to the last note, this song seems to mean something different to every person from sad to happy and everything in between. We hope we did this song the honour that it deserves.”
Five other new songs on the album are: Santa Baby, Its Beginning to Look a Lot Like Christmas, We Three Kings, Snow and Away in the Manger.
The 16 time legendary GRAMMY winning producer has produced some of the greatest Christmas music of all time with artists such as Michael Buble, Celine Dion, Josh Groban, Andrea Bocelli, Rod Stewart and Mary J Blige. It’s only fitting he now produces one with his wife, one of the greatest vocalists of today.
Look for the Fosters to do plenty of promotion again this year for the album, beginning with a segment on Entertainment Tonight where they break out in an impromptu performance.
The Fosters also plan a small nine city east coast tour and will incorporate the new songs into the show. The tour starts November 1 in Warren, MI and ends in Westbury, NY on December 10. Look for the duo to be on HSN end of October to begin promoting. Foster is also gearing up to take on Broadway, writing the music for the new musical about the iconic animated character Betty Boop. McPhee is continuing with her jewelry line, KMF Jewelry.
LISTEN HERE
TORONTO, ON – October 20, 2023 – Continuing to make waves worldwide, platinum-certified critically acclaimed rising R&B phenom, Ant Saunders, returns with a brand-new single entitled, White Noise, out now via Arista Records. It notably marks his first release of 2023. Listen here and watch the visualizer here.
Produced by Medasin, the track’s sparse piano allows space for his stirring and showstopping vocals to shine. Regarding White Noise, Saunders commented: “It was the day before my session with Medasin. I was so pumped to get to work with one of my favorite producers whose work I had been listening to for years, even though I had absolutely no idea what to write about. Out of the blue, I got a text from my girlfriend. She had broken up with me…and over text .... at least I finally knew what to write about!”
Saunders goes on, “White Noise to me was very necessary. There couldn’t have been a better way to start my healing journey than making this song where I’m letting it all out, and being as raw and vulnerable as I can. I hope for this song to be like a shoulder to cry on and serve as a reminder that there’s no shame in letting your emotions out and feeling so upset about something, as many of us feel the urge to bottle our feelings up.”
Last year, Saunders dropped the fan favourite, Camaro, and lent his instantly recognizable croon to Paige’s, Miles Away. The latter piled up 1.9 million Spotify streams in addition to notching critical acclaim. Women In Pop hailed it as “a gorgeously gentle pop ballad that leans heavily into soul and R&B and explores the concept of intimacy without touch.”
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WATCH AND LISTEN
SINGLE ARRIVES ON THE HEELS OF RECENT COLLABORATIONS WITH ZACH BRYAN, DIPLO, MARGO PRICE AND MANY MORE PREVIEWING SO MUCH MUSIC TO COME IN 2024
UPCOMING SHOWS INCLUDE STADIUM RUN SUPPORTING ZACH BRYAN FOLLOWING HER COMPLETELY SOLD-OUT HEADLINE TOUR THIS YEAR
TORONTO, ON – October 19, 2023 – Today, as 2023 approaches its end, Sierra Ferrell reminds listeners that she is still just getting started. Following a streak of collaborations with Zach Bryan, Diplo, Margo Price and more in recent months, as well as singular covers of songs by Dolly Parton and Willie Nelson, the inimitable and untamable star of Nashville has shared her first new, original song of the year. Out now on Rounder Records, Fox Hunt offers an early glimpse into Ferrell’s forthcoming, unannounced follow-up to her debut album, 2021’s Long Time Coming.
Through her enchanted and enthralling vocal performance, scorching string arrangement, spectral chants and hard-stomping rhythm, the single blazes a deeper trail into the wild and fantastical world of her creation. As the music conjures mystical visions of lush forests, flowing rivers and fertile land, the accompanying Fox Hunt video – animated by Rob Fidel – combines illustrations reminiscent of familiar children’s books with a far-out, free-spirited style that can only be described as Sierra Ferrell. “Ferrell’s singing has clear antecedents—Loretta Lynn’s holler-raised twang, Dolly Parton’s effortless melodiousness, Bessie Smith’s confident rasp,” praises Pitchfork. “But her nods to those legends always feel heartfelt, never academic. Already, she’s learned to sound only like herself.”
Since the release of Long Time Coming, Ferrell won Emerging Artist of The Year at the 2022 Americana Honors & Awards, and was nominated for Artist of The Year last month. She sold out every one of her headline shows in 2023, in addition to playing festivals such as Bonnaroo, Newport Folk and Stagecoach, and has earned 50 million album streams on Spotify alone. While she has recently collaborated with Zach Bryan, Diplo and Margo Price, contributed to new records from The Black Keys, Ray LaMontagne and Shakey Graves, shared stages with Lana Del Rey, The Avett Brothers and Nathaniel Rateliff, and been covered by Kelly Clarkson, the themes of survival and train car imagery in the Fox Hunt video and lyrics harken back to her formative, nomadic roots.
“Ferrell built her act not from the comfort of a bedroom but in freight-train boxcars, and by playing on the streets as a romantic musical vagabond,” says The New Yorker. From growing up in small-town West Virginia to singing Shania Twain covers at seven years old in a dead-end bar, to joining a traveling pack of homeless musicians and busking on the streets of New Orleans and Seattle, Ferrell brings her signature sense of eclecticism to every stage, truckstop or alleyway she plays, driven by the constant desire to expand her audience’s capacity for wonder.
Ferrell’s upcoming performances include a run of arenas, baseball stadiums and football fields with Zach Bryan, with more to be announced soon. Find dates, tickets and additional information at sierraferrellmusic.com/tour.
UPCOMING TOUR DATES:
November 10 - Nashville, TN - Grand Ole Opry
December 30 - San Diego, CA - Petco Park*
March 3 - Steamboat Springs, CO - WinterWonderGrass Colorado
April 6 - Olympic Valley, CA - WinterWonderGrass Tahoe
April 9-13 - Puerto Aventuras, QR - The Avett Brothers’ At The Beach
June 4 - Los Angeles, CA - Crypto.com Arena*
June 7 - Las Vegas, NV - T-Mobile Arena*
June 8 - Las Vegas, NV - T-Mobile Arena*
June 14 - Denver, CO - Empower Field at Mile High*
June 15 - Denver, CO - Empower Field at Mile High*
*w/ Zach Bryan
DESIGNED TO BETTER MEET THE NEEDS OF WOMEN IN ARTISTIC AND MUSIC INDUSTRY CAREERS IN CANADA
REGISTRATION OPEN NOW
TORONTO, ON – October 17, 2023 – Since its inception in 2014, Women in Music Canada has seen exponential growth in its membership and offerings, helping to foster gender equality in the music industry through the support and advancement of professionals and creatives at every stage of their career. Today, the organization is thrilled to announce their new expanded membership program, designed to provide greater engagement and a robust benefit package, created to better meet the needs of women in artistic and industry careers in Canada. Registration is now available here.
The new membership level offers exclusive access to discounts for WIMC and industry partner programs, as well as a mentorship platform, invitation to exclusive networking events, access to a group health care plan, and more. Thanks to support from WIMC’s generous membership partners, including Paquin Entertainment Group and Sony Music Canada, fees are offered at a subsidized rate, as well as company packages and student pricing, aiming to provide increased accessibility to all registrants.
“Women in Music Canada has seen incredible growth in recent years,” says Executive Director, Robyn Stewart. “Membership in the past has been simply signing up for WIM Canada communications. In March 2022 we launched the WIM Canada Directory, as a new way to engage and connect our community, and to date, the Directory has 1200+ members. We are excited to now release this new membership platform, which will allow us to provide more value for members and have a better understanding of what our community wants. I am also so excited to welcome our first two membership partners, Paquin Entertainment and Sony Music Canada, who make it possible for us to keep membership fees as low as possible as they commit to supporting equity in the Canadian music industry.”
“I think it is essential to have a strong female presence in all aspects of the music industry; on stage, behind the scenes, on boards and at executive levels. We are thrilled to partner with Women in Music Canada to continue to change the dichotomy of the music industry by adding dynamic thinkers and leaders who have incredible stories to share,” says Julien Paquin, Co-President, Paquin Artists Agency
Visit here for full details on membership offers and pricing. If you are have any questions about individual or corporate membership, please reach out to Tasha Schumann at tasha@womeninmusic.ca or to discuss partnership with WIM Canada please contact Robyn Stewart at robyn@womeninmusic.ca.
The current complimentary membership level will continue to provide access to the WIMC directory and newsletter mailing list, to keep members and allies connected and informed on WIMC’s offerings and programs.
About Women in Music Canada
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
DOWNLOAD – WIMC Logo
OVER 550 REGISTRANTS & 1,200+ FESTIVAL ATTENDEES
WELCOMED FOR THIS PAST WEEK’S EVENTS
74 CANADIAN SPEAKERS, PRESENTERS & MENTORS,
45 INTERNATIONAL DELEGATES, 26 CONFERENCE SESSIONS & OVER 1,100 ONE-ON-ONE MEETINGS
59 WESTERN CANADIAN + INTERNATIONAL ARTISTS
GAVE OVER 110 PERFORMANCES DURING THE
THREE-NIGHT MUSIC FESTIVAL
WINNERS OF THE 2023 WESTERN CANADIAN MUSIC
INDUSTRY AWARDS REVEALED
SASKATOON, SK ANNOUNCED AS HOST CITY
OF BREAKOUT WEST 2024
KELOWNA, BC – October 16, 2023 – BreakOut West has officially wrapped its 21st year! Now celebrating more than two decades of immersive music industry and artist career development, plus highlight performances by some of the best acts coming out of western Canada and beyond, BreakOut West is thrilled to see another standout year come to a close.
“Thanks to everyone who helped make Breakout West a tremendous success,” says BreakOut West Executive Director, Michael Dawson. “We’re proud to have had a record number of submissions from artists and to have been able to present a sold out event in Kelowna. Every artist that graced a stage was exemplary and it’s our distinctive honour to present them as part of Breakout West.”
For five days, over 550 conference registrants and 1,200+ festivalgoers descended upon Kelowna, BC, which celebrated its third time hosting the event (previously held in 2010 and 2018). The 2023 event season wrapped yesterday after an exciting week filled with countless opportunities to connect and engage with professionals from across the music industry, while experiencing captivating live performances from the incredible talent coming out of the western provinces. Delegates joined from 12 different countries, with 119 speakers engaged across 26 conference sessions and over 1,100 one-on-one meetings, while attendees were able to take part in numerous meet up events and establish countless business opportunities. Music discovery was celebrated with 59 showcasing artists giving over 110 performances across Kelowna’s downtown core and cultural district.
Important topics of discussion were highlighted including the Breaking Down Racial Barriers panel, which brought together influential stakeholders and key decision makers from the Black music community and the broader music industry, service providing organizations, funders and government bodies that play pivotal roles in our industry. The speakers discussed the consolidated findings of the Western Canadian BDRB roundtables on anti-Black racism held by Alberta Music, SaskMusic, Manitoba Music and Music BC, with a resolute focus on solutions, as well as addressing the pressing racial barriers facing Black music artists and professionals in the region, toward a music scene that is truly inclusive and equitable for all.
BOW 2023 saw exciting new international additions, including its first-ever musical performer from Ireland – katie phelan – and a deep dive into the Hong Kong market. In partnership with Ear Up Music Global, BOW welcomed four industry delegates and two musical acts – Charming Way and The Hertz – from Hong Kong, to share their stellar performances and insight into the market’s growing and vibrant musical community.
Along with the conference and festival programming, the winners of the 2023 Western Canadian Music Artistic Awards were revealed during the Wednesday night Opening Reception, while the Industry Awards Brunch celebrated the recipients of those categories on Saturday, October 14. The Industry Awards Brunch also formally honoured the recipients of this year’s Specialty Awards – Razcalz (Western Canadian Music Hall of Fame inductees), Mint Records (Kevin Walters Industry Builder Award) and Willie Thrasher (Heritage Award). See below for the 2023 Industry Award winners, and find a full list of all the 2023 Western Canadian Music Award recipients and nominees here.
BreakOut West 2023 saw incredible support from Creative BC, the province of British Columbia, the City of Kelowna, Tourism Kelowna, and Creative Okanagan, as well as generous partnership from local and national sponsors, all of which generously invested in the week’s events, enthusiastically bringing BOW back to Kelowna.
Looking ahead to the next year, BOW is thrilled to be heading to Saskatoon for the very first time.
“As the CEO of Discover Saskatoon, our announcement to host BreakOut West 2024 fills me with immense pride and anticipation,” says Discover Saskatoon CEO, Steph Clovechok. “Our city is a nexus of bridges and harmonious connections, and our commitment to music is strengthened through our invaluable partnerships with the Indigenous Music Association of Saskatchewan and the City of Saskatoon. Together, we strive to present a confluence of traditions and innovations, celebrating both our rich musical lineage and the contemporary beats that pulse through our streets. The world is warmly invited to experience the symphony of cultures, sounds, and flavors that Saskatoon has to offer. In 2024, let’s come together and make resonant memories that will last a lifetime.”
2023 WESTERN CANADIAN MUSIC AWARDS INDUSTRY WINNERS:
Audio Engineering Award – Sheldon Zaharko (BC)
Community Excellence Award – National Music Centre (AB)
Excellence in Visual Design – Lyle Bell (AB)
Impact in Artist Development – Chris Wynters (AB)
Impact in Live Music (Sponsored by Canadian Live Music Association) – West End
Cultural Centre (MB)
Impact in Music Marketing – Birthday Cake Media (MB)
Producer of the Year – Boogey The Beat (MB)
2023 Western Canadian Music Hall of Fam inductee – Rascalz
2023 Kevin Walters Industry Builder Award – Mint Records
2023 Heritage Award – Willie Thrasher
All winners and nominees can be found here
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIA’s) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, WCMA annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2023 will be held October 11 – 15 in Kelowna, BC, and includes a five-day music conference, three-night multi-genre music festival and special events. The 2023 Western Canadian Music Artistic Awards and Industry Awards will be announced in October 2023.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
Use #BREAKOUTWEST and join in the conversation!
DOWNLOAD – WCMA / BreakOut West 2023 logos
DEBUT ALBUM OUT TODAY
FINAL INSTALMENT OF ROAD TRIP-INSPIRED, INTERCONNECTED MUSIC VIDEOS DROPS WITH LOST CAUSE
WATCH HERE
"Lost Cause is fit to burst, a tightly-wound slice of Energizer Bunny-tempo pop with distorted guitars adding a newfound grittiness to Laur Elle's sound." - Exclaim!
TORONTO, ON – October 13, 2023 – If she’s not on your playlists already, be prepared to be obsessed with Laur Elle! Today, the rising indie-pop singer-songwriter unveils her highly-anticipated debut album, Delayed Reaction, along with the music video for album highlight, Lost Cause, which serves as the final instalment of the album's interconnected series of videos.
Delayed Reaction is Laur Elle's musical embodiment of a road trip, with each song representing a different step, and stop, along the way. “This album was born out of a state of chaos,” she reflects. “It’s a combination of heartaches, reflections, and making mistakes.”
From the title track lead single, through the nine songs that follow, there’s a consistent current of honesty and relatability through the wide-ranging indie pop project. Backseat Driving and Coach’s Daughter feature grounded folk-pop elements (with the latter also nodding to Laur Elle's athletic background), while the upbeat, Burning Out explodes in a hyperpop bridge hand-crafted for a contagiously cathartic live show environment. “Even when experimenting with other genres, the record still feels cohesive – it still feels like me,” Laur Elle confirms.
Recorded in Laur Elle's hometown of Edmonton with longtime producer, Father Bobby Townsend, there’s an intimate and friendly feel to Delayed Reaction that was born of the atmosphere where it was recorded: a living room strewn with instruments. “The album started at the beginning of the end,” she explains, aiming to create art that she herself wishes to see in the world. “It helped me get out of my own way.” Listeners will have the chance to hear Laur Elle dive more into Delayed Reaction through upcoming interviews on CBC's Q with Tom Power and Provincial Playlist (CBC Radio One Edmonton AM) - stay tuned!
In the months leading up to the album's release, Laur Elle took her listeners, and viewers, on a ride through the unveiling of singles, Burning Out, The Man, Easy Way Out and The Morning Song, all of which were accompanied by cinematic, interconnected music videos. The final stop on the visual road trip now arrives today with Lost Cause - a bright and energetic pop hit in the making, with an equally fun and sprightly video. Watch here.
This is just the beginning for Laur Elle, always aiming to offer solace to listeners with her not-so-secret weapon — her pen. With more musical surprises on the horizon, and her first headlining tour slated for early 2024, Laur Elle ready to keep taking on the world!
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res photo
MORE ABOUT LAUR ELLE:
As a singer-songwriter who has always been enamoured by the power of words, Laur Elle is a true, multi-talented self-starter through and through. After time spent as an internationally competitive gymnast representing her country abroad, and now splitting time between her hometown in Edmonton and Los Angeles, Laur Elle immersed herself in the creative community and has quickly proven that while poetry was her artistic starting point, music is truly her calling. Laur Elle’s music starts with her pen and her guitar. Her airy vocals, grounded lyrics, and lush sound create the perfect vehicle for escapism — a sound she calls perfect for running (or, more appropriately, driving) away from problems.
OUT NOW VIA LISBON LUX RECORDS
LISTEN HERE
WATCH THE VISUALIZER FOR ALBUM STANDOUT TRACK NOSHAME HERE
MONTREAL ALBUM RELEASE SHOW NOVEMBER 16
AT NEWSPEAK
TORONTO, ON – October 13, 2023 – Today, Canadian synthwave reference-artist, Das Mörtal, unveils his highly anticipated new album, BURY THE SORROW, via Lisbon Lux Records. BURY THE SORROW marks a new direction in Das Mörtal’s music making process that focused more on the artist’s manner of dealing with themes of mental struggles, pressure, and other troubles brought up by the pandemic, and ultimately about how hard the album itself was to make. From techno to trap music with hints of dark trip hop, you can hear the unstable mindset in which the album was created while still retaining the occult electro & techno brand that Das Mörtal is known for. Listen to BURY THE SORROW on all platforms here.
Visualizers for the album (watch here) were created by artist, Guillaume Vallée, and the album artwork comes courtesy of artist, Marie Bergeron. The wavy lines in the background of the cover channel Joy Division’s UNKNOWN PLEASURES, in both visual aesthetic and the sorrowful output of music. The central orb resembles the moment Neo-Tokyo exploded in Katsuhiro Otomo’s masterpiece, AKIRA, and just like its main antagonist, Tetsuo, who struggles with mental instability, Das Mörtal’s mind was about to E.X.P.L.O.D.E.
“It goes in so many stylistic places because that’s how my brain was working,” Das Mörtal explains on making the album. “Being stressed, lazy, anxious and etc... while working on just one track, can make them feel a bit erratic. It makes them sound less over produced and more genuine to the creative struggle I was in.
In the past, my music was based on imaginary narratives, almost being soundtracks to non-existent films,” Das Mörtal adds. “This new album is more personal and about the struggle of actually making it.”
The standout single, NOSHAME, accompanies the release today. The song starts with a feeling of shame about not being able to make meaningful music during the confinement of the pandemic. Eventually though, Das Mörtal realized that this mental block was normal and nothing to be ashamed of. With the memory of his childhood and being an outcast, NOSHAME's message acts as a warm, comforting shelter. Drawing inspiration from the bands he loved when he was young, such as Depeche Mode, he tried to fuse his brand of electro, techno and dark wave with the new wave tones he grew up with. Listen to NOSHAME and watch the visualizer, here.
"That it just exists... I’ve never been the kind of person that constantly produces and ends up with 50 demos per year,” Das Mörtal says. “I’ve always worked at home because it’s the only environment I really enjoy. I’ve recorded more vocals than ever on this album though. Nothing too deep, because I like when vocals are more of a layer or an instrument rather than a narrative for the listener to pay attention to.”
To celebrate the release of the new record, Das Mörtal will play his album release show in Montreal on November 16 at Newspeak, as a part of M pour Montréal. More details here.
Stay tuned as Das Mörtal’s story unfolds with BURY THE SORROW grows in the months ahead.
UPCOMING PERFORMANCES:
November 16 – Montreal – Newspeak (M pour Montréal)
FEATURES EARLY, RAW VERSIONS OF THEIR ACCLAIMED
DEBUT ALBUM PAST LIVES DUE NOVEMBER 10 VIA FANTASY
LISTEN TO PERMANENT REBELLION (DEMO) HERE
L.S. DUNES SET TO JOIN PIERCE THE VEIL ON THE 18-DATE
JAWS OF LIFE TOUR NOVEMBER 4 TO DECEMBER 8
TORONTO, ON – October 13, 2023 – Last year, L.S. Dunes (vocalist Anthony Green, guitarist Frank Iero, bassist Tim Payne, guitarist Travis Stever, and drummer Tucker Rule) released their debut album, Past Lives – a boundary pushing synthesis of post-hardcore and punk that became one of 2022’s most acclaimed hard rock albums.
To celebrate Past Lives’ first anniversary, L.S. Dunes will release Lost Songs: Lines and Shapes, on November 10 via Fantasy Records. Raw and radically revealing, Lost Songs: Lines and Shapes features early, stripped-down versions of all Past Lives’ 11 tracks. Listening to these songs in their hyper-intense, original form provides a new, completely fresh view into Past Lives, while the uninitiated will appreciate it for what it is, a sterling artistic statement in its own right. Pre-order Lost Songs: Lines and Shapes here. Fans can also pre-order the Past Lives Deluxe Edition, a limited, 2-LP vinyl special package which includes both the original album and Lost Songs: Lines And Shapes, exclusively via the band’s online store here.
Today, L.S. Dunes also shared the new album’s first single, Permanent Rebellion (Demo). Anthony Green’s beautifully understated vocal reshapes track almost entirely, transforming it into something darker, but equally thrilling. Listen to and watch the visualizer for Permanent Rebellion (Demo) here.
Frank Iero on Lost Songs: Lines and Shapes: "Lines and Shapes, the newest L.S. Dunes release is the best way we know how to celebrate the one-year anniversary of our band’s debut full-length, Past Lives. This is the blueprint to how the album came to be. The spark of each song as we started this journey to each triumphant end. Lines and Shapes will take the listener down the same path we traveled as a band. Listen in on how we created together from afar. Sending digital breadcrumbs back and forth, building foundations for what was to come in the cloud, and then finally to those structures built in their definitive form. Lines and Shapes not only celebrates the anniversary of Past Lives, but also the craft of songwriting and the many dynamics of what it means to be in a band. It is something I wish I was able to experience for every record I ever loved and wondered how it came to be."
Lost Songs: Lines and Shapes was produced by L.S. Dunes and recorded separately across various bedrooms and garages during the pandemic. The arrangements, musical flourishes, and vocals have a looser feel and often contrast wildly from its successor, giving many of these tracks a different outlook and meaning altogether. Three of the tracks are pure instrumentals including the psyche-rock workout, Blender, the grandiose and explosive, Bombsquad, and the dramatic, prog-rocker, Grifter. Similarly, the initial construction of Grey Veins, 2022, Past Lives, and Antibodies, highlight the band’s ultra-musicianship as the unvarnished sonics jump out and grab the listener by the throat.
Fresh from their recent return to Chicago’s RIOT FEST in mid-September and a summer headline tour that featured sold-out shows in New York and Los Angeles, L.S. Dunes will join Pierce The Veil on the 18-date Jaws of Life Tour, November 4 through December 8. Full itinerary below.
LOST SONGS: LINES AND SHAPES TRACK LIST:
1. 2022 (Demo)
2. Antibodies (Demo)
3. Grey Veins (Demo)
4. Like Forever (Demo)
5. Blender (Demo)
6. Past Lives (Demo)
7. It Takes Time (Demo)
8. Bombsquad (Demo)
9. Grifter (Demo)
10. Permanent Rebellion (Demo)
11. Sleep Cult (Demo)
JAWS OF LIFE TOUR WITH PIERCE THE VEIL:
November 4 – Sacramento, CA – Hard Rock Live
November 5 – Fresno, CA – Fresno Convention Center
November 7 – Phoenix, AZ – Arizona Financial Theatre
November 8 – El Paso, TX – UTEP Don Haskins Center
November 10 – San Antonio, TX – The Espee
November 11 – Edinburg, TX – Bert Ogden Arena
November 12 – Houston, TX – 713 Music Hall
November 14 – Orlando, FL – House of Blues
November 15 – Orlando, FL – House of Blues
November 17 – Myrtle Beach, SC – House of Blues
November 18 – Corbin, KY – The Corbin Arena
November 19 – Macon, GA – Macon City Auditorium
November 21 – Boston, MA – MGM Music Hall at Fenway
November 25 – Reading, PA – Santander Arena
November 26 – Columbus, OH – KEMBA Live!
November 28 – Chesterfield, MO – The Factory
November 30 – Chicago, IL – Byline Bank Aragon Ballroom
December 2 – Des Moines, IA – Vibrant Music Hall
December 3 – Minneapolis, MN – The Armory
December 5 – Oklahoma City, OK – The Criterion
December 7 – Las Vegas, NV – Brooklyn Bowl
December 8 – San Diego, CA – Viejas Arena
ALBUM PRODUCED BY DAN AUERBACH
ARRIVES FEBRUARY 2 VIA EASY EYE SOUND
LISTEN TO THE SADE-MEETS-DOLLY LEAD SINGLE
NOTHING COMPARES TO YOU + VIDEO HERE
The album (available for pre-order now here) shows the many sides of a singular voice: pairing shimmering country-pop with bright trills (much like childhood favourite Dolly Parton) on Back Where We Belong; breathy purrs atop the hazy reverie of 90’s R&B on Silly Boy; and full-on bellows alongside sumptuous horns paying homage to her New Orleans home on Save Me. Ever the savvy producer, Auerbach enlisted a remarkable group of first-call players to uplift Britti’s formidable instrument, including percussionist, Nick Movshon (Amy Winehouse, Wu Tang Clan), Jay Bellerose (Robert Plant & Alison Krauss, Sharon Van Etten), guitarist Tom Bukovac (Sheryl Crow, Stevie Nicks), and keyboard wizard, Mike Rojas (Yola, Miranda Lambert), among others.
Listen to the album’s lead single, the stunning Sade-meets-second-line groover, Nothing Compares To You, which blends slinky guitar and synth interplay with Britti’s featherlight vocals, here. And watch the video for the track, which highlights Britti’s beloved hometown of New Orleans alongside her mesmerizing movement, here.
Britti “grew up in the most musical environment in the world,” Auerbach observes. “It’s in her DNA.” Raised by her mother and grandmother — whom she dubs Brown Sugar and Cayenne Pepper, respectively — Britti was surrounded by music in the family home: classic soul and R&B, blues, zydeco, and more. Her uncle, the eminent jazz bassist Roland Guerin, invited her to attend his gigs with Allen Toussaint, Dr. John and others. Britti soaked it all in while nurturing her own talent at every turn: school chorus, church choir, harmonizing with the radio on long car rides. “Singing is my passion,” she says, “but it’s also my purpose.”
After earning a degree in music performance from Loyola University, Britti fantasized about being “discovered” and pursuing a life in music. Yet for the better part of a decade that life revolved around working in a music store, selling instruments to people pursuing their dreams, while deferring her own. The devastating end of a long-term relationship combined with a pandemic furlough prompted a moment of clarity. “I remember saying this out loud in prayer,” she recalls. “‘What if I actually try believing in myself?’ I had this whole dialogue with my ancestors, my spirit guide, and the divine like ‘What if I try?’”
She began posting videos covering songs by some of her favourite artists, including Auerbach’s own, Whispered Words (Pretty Lies), from his debut solo LP, Keep It Hid. Auerbach found the video online and within days the two were meeting in Nashville, discussing a collaboration. “I’m sure he’s great with everybody,” says Britti, “but we definitely vibe.”
Their shared interests and influences are on display throughout the album as each track tells its own compact story. The tunes span a range of sounds and emotions, with Britt’s unique vocal style the thread that runs through all of them. It’s a voice you won’t soon forget, and Hello, I’m Britti. is the perfect introduction.
HELLO, I'M BRITTI. TRACKLIST:
1. So Tired
2. Still Gone
3. Nothing Compares To You Back Where We Belong Keep Running
4. Silly Boy
5. Lullaby
6. There Ain’t Nothing Reach Out
7. Save Me
8. Once Upon A Time
WATCH THE VIDEO AND STREAM HERE
TRIO DEBUTED THE STRIPPED-DOWN PIANO AND VOCAL VERSION IN AN EMOTIONALLY-GRIPPING AND TEARFUL FALLON PERFORMANCE LAST FRIDAY – WATCH HERE
KILLER MIKE’S NEW ALBUM MICHAEL HIT #1 ON RAP CHARTS
ON ITS PHYSICAL RELEASE WEEK – LISTEN HERE
MICHAEL NOMINATED IN TWO CATEGORIES AT TONIGHT’S
BET AWARDS
"It's a Classic” - Charlamagne Tha God
"This is your time" - Elliott Wilson
"A representation of greatness in many ways" - Ebro
“Such a personal collection of work” - Zane Lowe
"One of the best emcees on the planet" - Joe Budden
"The voice of power...he transcends generations" - Sway
"Everybody's favorite rapper's, favorite rapper" - DJ Envy
TORONTO, ON – October 10, 2023 – Killer Mike has teamed with acclaimed GRAMMY-winning musician, Robert Glasper, for a bold, soul-baring piano and vocal version of MOTHERLESS, the emotional core of Mike’s most recent solo album, MICHAEL, as a living tribute to their departed mothers, Druzella Denise Clonts (aka OG Mama Niecy) and Kim Yvette Glasper.
MOTHERLESS, Mike’s most vulnerable work to date, was written as an homage to the foundational impact Mama Niecy and Mike’s grandmother had on his character and perspective and as a somber reflection on how deeply their loss impacted his life. Glasper, who lost his mother 20 years ago, was so moved by the album version that he teamed with Mike in Los Angeles over the summer to help craft a new version that strips away No I.D.’s production, baring its emotional resonance in an intimate arrangement of just Mike’s voice, Glasper’s piano, and Eryn Allen Kane’s stirring vocals. The song is now available on all streaming services, as well as in the video, which documents the trio’s cathartic performance in the studio. The new version of the song made its debut this past Friday, when the trio delivered an unyieldingly raw and tearful performance on The Tonight Show With Jimmy Fallon in the show’s first week on air since the end of its five month hiatus – watch it here. Watch the video for the album version of MOTHERLESS (ft. Eryn Allen Kane) here.
“Two years ago I was asked to get on Black Superhero by Robert Glasper,” states Mike. “The song was incredible, and he'd go on to win a GRAMMY for the album. My only regret was that we weren't in the same room together when we made it. So when talks of him remixing MOTHERLESS came up it was a no brainer only this time we wanted to be in the studio together along with Eryn Allen Kane. Someone was smart enough to have cameras there capturing us making this tribute to my mother, Druzella Denise Clonts aka OG Mama Niecy and Rob's mother, Kim Yvette Glasper. Performing this song is never easy – I wept every night on tour. The outpouring of emotions has been part of healing. To all those who belong to the Motherless club I pray this helps and to all those who are lucky enough to have their mothers – call them!”
MOTHERLESS (Robert Glasper Rendition Ft. Eryn Allen Kane) arrives in the wake of MICHAEL’s first physical release and the digital release of MICHAEL DELUXE. On physical release week the album went to #1 on the rap sales charts, propelled in part by videos for the new songs YES and Maynard Vignette, the latter of which is a huge multi-generational Atlanta anthem with features from T.I., JID, and Jacquees. Meanwhile Mike has been traversing the US on Run The Jewels’ 10 year anniversary tour, hosting Record Store Revival album singing events at independently-owned record shops along the route, including an event at Chicago’s Shuga Records whose line wrapped around the block and an event at Rough Trade NYC that featured an in-conversation event moderated by Carrie Colliton (Co-President of Record Store Day). He also has Record Store Revivals planned at Fingerprints Music in Long Beach on October 16 and a huge blowout at DBS Sounds in Atlanta on October 20.
Mike is up for two BET Awards tonight for the MICHAEL track, SCIENTISTS & ENGINEERS (in the IMPACT TRACK and SWEET 16 FEATURED VERSE categories), joining a long list of accolades that includes nods and features from New York Times, Billboard, Esquire, BET, The Breakfast Club, Sway in the Morning, Vulture, SPIN, Idea Generation, and many, many more.
DOWNLOAD - single artwork
DOWNLOAD – MICHAEL album artwork | DOWNLOAD – hi-res photo
ANNOUNCES TROUBLE THE WATER DOCUMENTARY
CAMP ORCHESTRA / METALLIC TASTE
(LIVE IN SANTA ANA) OUT NOW
LISTEN HERE AND WATCH HERE
PRE-ORDER HERE
TORONTO, ON – October 10, 2023 – To celebrate the one year anniversary of Trouble The Water, NYC trio, Show Me The Body, will drop the live album Live & Loose In The USA on October 27 via Loma Vista Recordings. The 15-track album will feature live recordings from various stops on their now infamous World War Tour from earlier this year and features guest appearances from tour mates Aaron Heard (Jesus Piece), Christine Cadette (Zulu), and more. Today, Show Me The Body provide a taste of the live album with, Camp Orchestra / Metallic Taste (Live in Santa Ana). Live & Loose In The USA is available to pre-save and pre-order now on 2 x LP vinyl plus a 208-page World War Tour photo zine. Listen to Camp Orchestra / Metallic Taste (Live in Santa Ana) here and watch the video here. Pre-order the album here.
Additionally, Show Me The Body announces their Trouble The Water mini-documentary, which was created by filmmaker, Oliver Shahery, and will premiere with a screening at Brain Dead Studios in Los Angeles on October 27.
Kicking off this Saturday, Show Me The Body is set to perform a string of West Coast dates with The Garden beginning in Oakland on October 14 with stops in Portland, Seattle, Boise, Reno and Phoenix, before wrapping up in San Diego on October 26. Tickets available here.
Live & Loose In The USA will arrive on the heels of Show Me The Body's recently released remix EP Trouble The Water - Remixes, which includes reimagined versions of select tracks from their 2022 full-length from Detroit ghettotech trio HiTech, Pink Siifu, Michael "5000" Watts of Swishahouse fame, Slauson Malone 1, and Psymun featuring RXKNephew.
The trio recently wrapped up their epic aforementioned World War Tour, which saw sold out shows across America, including Brooklyn Steel, and hosted a free show at New York City's Tompkins Square Park in partnership with their label CORPUS, drawing hundreds of enthusiastic fans on a Friday afternoon. Show Me The Body made a stir with their cover of the Beastie Boys' classic Sabotage, and a captivating performance of their fan-favourite, Trash, from their 2017 Corpus I mixtape.
Released at the end of last year, Trouble The Water is Show Me The Body's fourth full-length and includes the anthemic tracks WW4, Loose Talk, which came paired with a video directed by front man Julian Cashwan Pratt, and We Came To Play. The 12-track album was recorded entirely at CORPUS studios in Long Island City and produced with Arthur Rizk (Power Trip, Turnstile, Municipal Waste). Trouble The Water is the culmination of nearly a decade's time barreling against New York City’s structural ambivalence and indifference. The tracks of Trouble The Water both reference and pay homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate its true foundation.
Pre-order / save Live & Loose In The USA and check out Camp Orchestra / Metallic Taste (Live in Santa Ana) above and see full tour routing and more album details below.
LIVE & LOOSE IN THE USA TRACKLISTING:
1. Out Of Place (Live in Detroit)
2. Boils Up (Live in Detroit)
3. Food From Plate (Live in Santa Cruz)
4. We Came to Play (feat. Wifigawd & Alex Cejas) (Live in Baltimore)
5. Radiator (Live in El Paso)
6. Loose Talk (Live in Santa Cruz)
7. War Not Beef (feat. Noble Spell) (Live in Baton Rouge)
8. K9 (Live in Baton Rouge)
9. Arcanum (Live in Santa Cruz)
10. Camp Orchestra / Metallic Taste (Live in Santa Ana)
11. Not For Love (feat. Aaron Heard) (Live in New York City)
12. Badge Grabber (feat. Christine Cadette) (Live in Baltimore)
13. Trouble The Water (Live in Santa Cruz)
14. WW4 (Live in New York City)
15. USA Lullaby / Body War (Live In Santa Ana)
UPCOMING TOUR DATES:
October 14 - Oakland, CA @ Fox Theater^
October 16 - Portland, OR @ Crystal Ballroom^
October 17 - Portland, OR @ Crystal Ballroom^
October 18 - Seattle, WA @ Showbox at the Market^
October 19 - Seattle, WA @ Showbox at the Market^
October 21 - Boise, ID @ Knitting Factory Concert House^
October 22 - Reno, NV @ Cargo Concert Hall^
October 25 - Phoenix, AZ @ The Van Buren^
October 26 - San Diego, CA @ SOMA Side Stage^
November 29 - Guadalajara, MX @ Foro Independencia
December 2 - Mexico City, MX @ Foro Indie Rocks!
^ = with The Garden
FORESTER TEAMS UP
WITH ESTONIAN PRODUCER SYN COLE
ON NEW CHILLED DANCE TRACK HOLDING BACK
OUT NOW VIA KYGO’S PALM TREE RECORDS
LISTEN HERE
TORONTO, ON – October 6, 2023 - Today, indie-electronic duo, Forester, teams up with Estonian producer, Syn Cole, on new single Holding Back. Lead singer Xander’s soft vocals blend seamlessly with the upbeat production, making a perfect chilled dance hit. Forester continues to tease their new music live at festivals across the US this Summer and Fall, their next performance at Palm Tree Festival India.
ABOUT FORESTER:
The systems of nature are at once deeply complex and gracefully simple. Given that Forester’s music functions similarly, it makes sense that they named themselves after the woods. The Los Angeles-based indie electronic duo, David Parris and Xander Carlson, make lush soundscapes both inspired by and evocative of views from a mountain, deep pink sunsets and stars on a clear night. The nourishing effect these things have on a human soul? That’s how they want their music to make you feel. The cool thing is that it does. Based in Los Angeles, the longtime friends launched the Forester project in 2019, working nine-to-five gigs and making music at night. They achieved immediate success with their debut single Spark – a deep exhale of a track that was picked up by YouTube tastemaker Trap Nation, signed to its label Lowly Palace and which has since collected more than 5.7 million streams on Spotify. The song also caught the ear of an A&R at Kygo’s Palm Tree Records, where Forester signed in 2020. The Forester catalog now encompasses three albums: 2019’s Kerosene, 2020’s A Range Of Light and 2022’s Watercolor. Recording at locations including a cabin high in California’s Sierra Nevada Mountains, the guys have honed a sound that fuses the indie folk of Bon Iver with the melody-focused electronic output of giants like Avicii. Forester has played this music for tens of thousands of fans at festivals like Outsidelands and as the opener for Kygo at massive stadium shows in Oslo and Mexico City.
A pillar of the project is the preservation of the nature that’s inspired Forester, with the guys donating a portion of the revenue from their debut album to The Nature Conservancy. “The Forester project is ultimately a conservation project,” says Carlson. “We want to spread the word that our planet is pretty awesome.”
ABOUT PALM TREE RECORDS:
Palm Tree Records, co-founded by global superstar Kygo and music manager Myles Shear, is a worldwide joint venture with Sony Music Entertainment aimed at identifying and cultivating emerging artistry. The formation of the imprint is part of a broader strategy by Kygo and Shear to develop a full-service system forbreaking new artists, which also includes an artist management company that the two have created in partnership together. To date, Palm Tree Records has accrued over half a billion streams across 100+ track releases headlined by Sam Feldt, Forester, Frank Walker, and more.
LISTEN HERE
NEW VERSION OF THE LONGTIME FAN FAVOURITE ARRIVES
JUST AHEAD OF LAKE STREET DIVE’S GATHER ROUND SOUNDS 2023 FALL TOUR
WATCH THE OFFICIAL VIDEO FOR LAKE STREET DIVE’S
NEIGHBOR SONG FEATURING MADISON CUNNINGHAM HERE
TORONTO, ON – October 6, 2023 – Today, just ahead of their Gather Round Sounds fall tour, acclaimed pop/soul group, Lake Street Dive, shared a brand-new version of longtime fan favourite, Neighbor Song, featuring their friend and frequent touring mate, Madison Cunningham. On this special treatment of Neighbor Song, one of the band’s most beloved tunes and an undeniable live show highlight, Lake Street Dive’s lead vocalist Rachael Price and GRAMMY-winning singer-songwriter Cunningham trade verses and share gorgeous harmonies in sublime musical conversation. Listen here. The intimate, one-take studio performance was captured in the track’s official video, watch here.
Lake Street Dive on Neighbor Song and collaborating with Madison Cunningham: “Madison Cunningham is an extremely special musician, the kind who can make a single note sound like music and who breathes life into every song that she comes into contact with. We feel so honored to have had her join us on one of our songs. We first recorded Neighbor Song in 2010, shortly after a few of us had moved to Brooklyn. The song narrates an experience, all too familiar to many New York City apartment dwellers, of overhearing your neighbors making love. Involuntarily bearing witness to such intimacy inspires a potent mix of emotions from annoyance to despair to compassion. It's a fun song to play live because we get to walk the audience through this emotional journey. Some audiences laugh a lot when we play it. Some cry a lot. In preparing to do this song on tour with Madison we came up with a new musical treatment for the song to bring out some different sides of those emotions. We recorded it with Madison in Brooklyn, live in one room in a single take. We hope it makes you laugh and/or cry!”
Set to hit cities across the South and Midwest, Lake Street Dive’s semi-acoustic, 2023 Gather Round Sounds Tour (with special guest Monica Martin), begins October 24 in Wilkes-Barre, PA. The 18-date run will feature fan favourites, deep cuts, and new material all presented in a relaxed, easy going, living room style setting. The full tour routing is below. Find ticket information here. (Earlier this summer, Lake Street Dive collaborated with Martin on a lovely cover of the Elvis Presley classic, Can’t Help Falling In Love. Listen to it here.
Last year, Lake Street Dive, vocalist Rachael Price; bassist/background vocalist, Bridget Kearney; drummer/background vocalist, Mike Calabrese and keyboardist/vocalist, Akie Bermiss released their second collection of much-admired covers, Fun Machine: The Sequel. The six-track EP ranged from R&B and pop favourites such as Dionne Warwick’s (Burt Bacharach/Hal David penned) classic Anyone Who Had A Heart, and The Pointer Sisters’ funky Automatic, to works by introspective singer-songwriters like The Cranberries’ gorgeous Linger, Carole King’s timeless, So Far Away, Bonnie Raitt’s era-defining Nick Of Time, and Shania Twain’s resurgent pop-country anthem, You’re Still The One. The nine-track vinyl edition builds on the digital EP’s original tracks, adding three Beatles covers including the Lennon/McCartney classics, Dig A Pony, Two Of Us, and Don’t Let Me Down. Purchase Fun Machine: The Sequel vinyl edition here.
Lake Street Dive – Gather Round Sounds Tour (with special guest Monica Martin):
October 24 - F.M. Kirby Center – Wilkes-Barre, PA
October 25 - Sandler Center For The Performing Arts - Virginia Beach, VA
October 27 - Peace Center - Greenville, SC
October 28 - Durham Performing Arts Center - Durham, NC
October 29 - Gaillard Center - Charleston, SC
October 31 – Dr. Phillips Center - Orlando, FL
November 1 - Ruth Eckerd Hall - Clearwater, FL
November 3 - MSU Riley Center - Meridian, MS
November 4 - Soldiers and Sailors Memorial Auditorium - Chattanooga, TN
November 5 - Alabama Theatre - Birmingham, AL
November 7 - Tennessee Theatre - Knoxville, TN
November 8 - The Louisville Palace Theatre - Louisville, KY
November 10 - Masonic Temple Cathedral Theatre - Detroit, MI – SOLD OUT
November 11 - Riverside Theater - Milwaukee, WI
November 12 - Hoyt Sherman Place - Des Moines, IA – SOLD OUT
November 14 - Orpheum Theater - Omaha, NE
November 15 - The Midland Theatre - Kansas City, MO
November 17 - Winspear Opera House - Dallas, TX
2024
March 1, 2024 – Mar 8, 2024 – Cayamo – Miami/Dominican Republic/Aruba
April 18, 2024 – Moon Crush “Pink Moon” – Miramar Beach, FL
DOWNLOAD - Single Art | DOWNLOAD - Press Photo
DOWNLOAD - Tour Poster
TORONTO, ON – October 6, 2023 – One of Australia’s most beloved duos, Cosmo’s Midnight, return today with their latest offering, Gimme Some More, featuring Shungudzo. Listen here and watch the music video here.
Gimme Some More reflects Cosmo’s Midnight at their finest, combining funk fuelled basslines, shimmery synths and a beloved 80s disco sample discovered by the pair 10 years ago in their car on the way to school. Linking up with Shungudzo on vocals, Gimme Some More is effortlessly immersive, subconsciously drawing you into the track’s sun-drenched palette. Combining their distinct production and skilfully drawing upon decades of dance music, Gimme Some More showcases the Pat and Cosmo’s process of wholeheartedly leaning into the artists they fell in love with as young music fans.
Cosmo’s Midnight on the single: “Put simply, Gimme Some More is about seeking a deeper connection with a lover or friend. About offering someone the best and the realest love you've got - so long as they can offer the same to you.
We actually met [Shungudzo] in Sydney when we wrote Have It All. We instantly hit it off, sharing very aligned taste and inspiration in music and artistry. Having a personal connection to artists is so important when it comes to collaboration. She flows so effortlessly and naturally, has a beautifully unique voice and is also an incredible lyricist and poet.”
Shungudzo on the single: “I wrote Gimme Some More about offering someone the best and the realest love you've got - so long as they can offer the same to you. No pain, no games, no waiting three days to call back to just maintain some sorta sicko power dynamic. We all have so much real and beautiful stuff to offer to each other, and we should do just that in opposition to a world that teaches us to water ourselves up and down - to play hide and seek with ourselves and others - for likes and love.”
Gimme Some More arrives as the first taste of new music since their 2022 singles, Bang My Line featuring Tkay Maidza, and Can’t Do Without My Baby. Prior to this, the pair released their ARIA-nominated sophomore album Yesteryear, following on from their critically acclaimed debut album, What Comes Next. Additionally, the duo have collaborated with artists such as KUČKA, BAYNK, Yung Bae and many more, culminating in a whopping half a billion streams across their entire catalogue. Beyond their own music, the pair have worked with an incredible line-up of talent, having produced for global superstars BTS on Fly To My Room as well as remixes for the likes of Flume, HONNE, Goldlink and more.
The transformative feeling that has permeated Cosmo’s Midnight’s music over the years has been reflected in the growth of the duo as a performance unit; dominating sold out stages in Australia and overseas, as well as staking their claim as Australian festival favourites with numerous appearances at the likes of Splendour In The Grass, Laneway Festival and more.
As the first taste of much more to come, tune into Gimme Some More today.
DOWNLOAD - single art
LISTEN HERE
HIROMI’S NEW BAND SONICWONDER FEATURES
HADRIEN FERAUD (BASS), GENE COYE (DRUMS),
AND ADAM O’FARRILL (TRUMPET)
WATCH NPR TINY DESK DEBUT HERE
NORTH AMERICAN TOUR OCTOBER 7 – 20
WITH VANCOUVER AND TORONTO STOPS
TORONTO, ON – October 6, 2023 – Today, Hiromi releases her 12th studio album, Sonicwonderland (Telarc), a new musical adventure for the GRAMMY-winning pianist and composer. Recorded with a new quartet, called Hiromi’s Sonicwonder, the album features nine new tracks that burst with synthesizer and deep-in-the-pocket grooves. The record stands as Hiromi’s heaviest, funkiest work yet, marking a significant evolution in her musical journey into genre-defying territory. Listen to Sonicwonderland here.
Hiromi offers: “Whenever I play shows or make an album, I feel like it's a journey to find the people who can feel a deep connection to what I'm doing right now. Hopefully, with Sonicwonderland, I can connect to fans that listened to my music before and to new listeners, too.”
Hiromi shared two pieces from the record in advance of today’s release: the title track Sonicwonderland (watch the video here) and the second single, Reminiscence, featuring UK singer/songwriter/keyboardist, Oli Rockberger (watch the video here) along with an album trailer here. She's also released a one-minute Collab Dance Video, featuring hip-hop dancer Salah the Entertainer, for the Sonicwonderland single here.
Hiromi’s North American tour begins tomorrow night in Vancouver and includes two performances at Sony Hall in NYC on October 13 and 14. She also just made her NPR Tiny Desk debut, performing two pieces featured on the new album. NPR said “She plays with great command but yet she is also at ease, as her notes ripple from her fingertips like streams of water.” The Tiny Desk has 784,000 views and even rapper Action Bronson weighed in, calling it “the best Tiny Desk ever.” Watch it here.
Hiromi’s Sonicwonder is a quartet featuring blossoming young talents Hadrien Feraud (bass), Gene Coye (drums), and Adam O'Farrill (trumpet) and began performing live together earlier this spring. Sonicwonderland was recorded May 25-28 at Skywalker Sound Stage in Nicasio, California, where Hiromi also recorded her 2019 solo piano album, Spectrum. In addition to new works written for this project, the album includes songs that were released on her One Minute Portrait YouTube initiative during the pandemic and rearranged for this band.
Sonicwonderland, the album’s title track, kicks off with a thumping sequenced synthesizer groove that’s more dance club than jazz club. It’s fast-paced, fun, and unfurls into an eight-minute adventure of open space and improvisation. While other songs feature quick tempos, funk grooves and synth work (Trial and Error, Go Go), Hiromi works gracefully on acoustic piano extensively throughout, her elegant playing and composition work shines on pieces such as Polaris and Utopia. The closing track, Bonus Stage, is a lively, modern take on traditional jazz.
Hiromi is a prolific artist who has explored a number of musical spheres over the course of her career. Earlier this year she recorded the soundtrack to Blue Giant, a motion picture film based on the manga series of the same name. 2021's Silver Lining Suite features her with a string quartet and 2019's Spectrum a solo piano recording. Her work has been celebrated by the New York Times, NPR and NPR Music, the Washington Post and beyond, and she was a featured performer at the Tokyo Olympics opening ceremony in 2021. She has worked with Stanley Clark, Chick Corea, Ahmad Jamal (who produced her first album and was her mentor), and many other jazz luminaries throughout her career, is a perennial favourite on DownBeat’s Annual Critics Poll, and has performed at the world’s finest jazz festivals.
The Sonicwonderland cover was created by Lou Beach, famous for his Weather Report album covers, not to mention Blink 182's Dude Ranch and albums by Flying Burrito Brothers, Madonna and Weird Al.
Sonicwonderland is available on CD, as a 2-LP set (180 grams at 45 RPM) and digitally here. Signed CDs, vinyl and exclusive merchandise available here. Vinyl is set for release on November 10.
October 10 - Kuumbwa Jazz Center (Hiromi’s Sonicwonder) Santa Cruz, CA
October 11 - Bing Concert Hall (Hiromi’s Sonicwonder) Stanford, CA
October 13 - Sony Hall (Hiromi’s Sonicwonder) New York, NY
October 14 - Sony Hall (Hiromi’s Sonicwonder) New York, NY
October 18 - Flato Markham Theatre (Hiromi’s Sonicwonder) Toronto, ON
October 19 - Strathmore (Hiromi’s Sonicwonder) Bethesda, MD
October 20 - Stewart Theater, NC State University (Hiromi’s Sonicwonder) Raleigh, NC
DUO PERFORM WITH TABERNACLE CHOIR
ON SPECTACULAR VERSION OF AMAZING GRACE
CHRISTMAS SONGS OUT OCTOBER 20 ON LOMA VISTA RECORDINGS
LISTEN TO FIRST SINGLE AMAZING GRACE HERE
PRE-ORDER ALBUM HERE
TORONTO, ON - October 6, 2023 – Today, David Foster and Katharine McPhee want to share, once again, Christmas joy with the world. The duo have recorded seven new Christmas classics that will be added to last years’ successful, Christmas Songs, holiday release, including a performance with the famed Tabernacle Choir. Christmas Songs was David and Kat’s first ever Christmas release. It was also the first time in 17 years that the two recorded songs together. They had such a great time recording and promoting the album that they decided to get back in the studio and record more songs for the Holiday season. Pre-order Christmas Songs here.
The seven classics are: Santa Baby, It's Beginning to Look a Lot Like Christmas, We Three Kings, Snow, Amazing Grace featuring Tabernacle choir, Carol of the Bells and Away in the Manger.
The first single off the holiday album is a stunning version of Amazing Grace, featuring the famed Tabernacle choir, that was recorded and filmed at Temple square. Says David of Amazing Grace and working with the tabernacle choir, “I have had the opportunity to work with the tabernacle choir on a few occasions. To say they are spectacular is an understatement. We brought together all the fire power that we could muster between us and this magnificent chorus. Amazing grace is one of those songs that evokes so much emotion. From the first note of the bagpipes to the last note, this song seems to mean something different to every person from sad to happy and everything in between. We hope we did this song the honor that it deserves.”
Listen to Amazing Grace here.
The 16-time legendary GRAMMY-winning producer has produced some of the greatest Christmas music of all time with artists such as Michael Buble, Celine Dion, Josh Groban, Andrea Bocelli, Rod Stewart and Mary J Blige. It’s only fitting he now produces one with his wife, one of the greatest vocalists of today.
David says of the new songs, “We had a lot of fun recording 7 songs last year. This year we wanted to really dig in deep and add 7 more songs to make a larger album and to explore all the musical tools that were available to us from rock guitar on WE THREE KINGS to the tabernacle choir on AMAZING GRACE to the simplicity of Kats spectacular vocal and piano only song ITS BEGINNING TO LOOK A LOT LIKE CHRISTMAS. We also had a lot of fun redoing an old song that I did called CAROL OF THE BELLS and adding vocals to it. We put out heart and soul into it and we hope it shows. Christmas is the absolute favorite time of year for so many. We want to celebrate that joy with all of you.”
Look for the Fosters to do plenty of promotion again this year for the album, beginning with a segment on Entertainment Tonight where they break out in an impromptu performance.
The Fosters also plan a small nine city east coast tour and will incorporate the new songs into the show. The tour starts November 1 in Warren, MI and ends in Westbury, NY on December 10. Look for the duo to be on HSN end of October to begin promoting. David is also gearing up to take on Broadway, writing the music for the new musical about the iconic animated character Betty Boop. Kat is continuing with her jewelry line, KMF Jewelry.
CHRISTMAS SONGS TRACKLIST:
1. Santa Baby
2. I'll Be Home For Christmas (featuring Chris Botti)
3. Jingle Bell Rock
4. It's Beginning To Look A Lot Like Christmas
5. We Three Kings
6. Snow
7. My Grown-Up Christmas List
8. Blue Christmas
9. Amazing Grace Featuring The Tabernacle Choir at Temple Square
10.Rudolph the Red-Nosed Reindeer
11. Carol Of The Bells
12. Away in a Manger
13. Santa Claus is Coming to Town
14. The Christmas Song
DOWNLOAD - Album Cover
STREAM HERE NOW
SHARES SINGLE MOVE (RIDE) FEATURING JAY PRINCE
WATCH HERE AND LISTEN HERE
"A spirit of generous communion runs through 'Solar Music'"
The New York Times
"... a leather-smooth guided tour through a rip in spacetime"
The FADER
TORONTO, ON – October 6, 2023 – Today, Butcher Brown, Richmond, Virginia’s forward-thinking collective of jazz and hip-hop aficionados, release their highly anticipated new album, Solar Music, via Concord Jazz. Today they also share, MOVE(RIDE), the standout single from the album. The lively new track features East London artist and producer Jay Prince, who breathes London's lifestyle and spirit of jazz into the party-driven song. MOVE (RIDE) widens the aperture for what fans can expect from Butcher Brown's latest effort, combining elements of funk, house and hip-hop into a feel-good earworm. Watch the music video for MOVE (RIDE) here and listen here. Listen to Solar Music here.
“MOVE (RIDE) was inspired by the house music community in cities such as Baltimore, Chicago, Detroit and London. Our goal was to capture the essence of a nightclub with everyone dancing,” says drummer Corey Fonville.
Over the years, Butcher Brown’s musicality-driven sound has garnered praise from fans and critics alike, from Pitchfork to NPR’s Tiny Desk (Home). The New York Times included Solar Music in its Fall Music Preview, highlighting the cohesion of the accomplished musicians that Butcher Brown have brought into the fold on this album. Each collaborator embodies the bending of genres all in their own ways, including Pink Siifu and Keyon Harrold who feature on the band's previous single, Eye Never Knew, which was highlighted as a Song You Need by The FADER and was spotlighted on Spotify's BUTTER playlist.
Described by Butcher Brown bandmates as “having something for just about everybody under the sun,” Solar Music collectively demonstrates the band's dynamic approach to the jazz format, and incorporates their own rich lineage of musical influences from their diverse musical upbringings – fusing elements of jazz, funk, rock, gogo and hip-hop, into a universal sound. Prior to MOVE (RIDE), Butcher Brown teased Solar Music with additional single releases, including DYKWYD featuring Braxton Cook, This Side Of Sunshine and I Can Say To You featuring Vanisha Gould, which saw support across BBC Radio from the likes of Benji B, Gilles Peterson and Huey Morgan.
Releasing digitally (including Atmos), on CD and double LP at 45 RPM, the new album incorporates longtime friends and new unexpected guests into their approach, with additional appearances including Charlie Hunter, Nappy Nina and Michael Millions throughout the album’s 17 tracks. Exclusive Solar Music limited edition 'Solar Red' vinyl, signed CDs/vinyl and merchandise are all available here.
Butcher Brown will perform an extensive 2023 Solar Music Global Tour, with fall dates across the U.S. and Europe October-December in support of the new album. The tour brings Butcher Brown’s explosive live show to 13 states from California to Washington, D.C. Standout performances include New York City October 18 at Le Poisson Rouge (LPR), Philadelphia October 21 at World Cafe Live and a hometown show in Richmond, Virginia November 24 at the Broadberry. In between their North American runs, Butcher Brown heads over the pond to six European countries with anticipated performances in London, England November 6 at the Forge; in Berlin, Germany alongside B. Cool-Aid November 8 at Zenner; and in Paris, France November 15 at Le Trabendo.
Listen to MOVE (RIDE) featuring Jay Prince today, and listen to Solar Music in its entirety now. For more information, visit butcherbrown.com, and to learn more about Butcher Brown, read their full bio here.
BUTCHER BROWN 2023 SOLAR MUSIC GLOBAL TOUR DATES:
10/12 - Reno, NV - University of Nevada, Reno - Nightingale Concert Hall
10/17 - Boston, MA - Brighton Music Hall
10/18 - New York, NY - (Le) Poisson Rouge
10/20 - Charlottesville, VA - The Southern Café and Music Hall
10/21 - Philadelphia, PA - World Cafe Live (upstairs)
10/22 - Pittsburgh, PA - Club Cafe
10/24 - Minneapolis, MN - Dakota
10/25 - Chicago, IL - Sleeping Village
10/26 - Detroit, MI - El Club
10/27 - Indianapolis, IN - Jazz Kitchen
11/4 - Eindhoven, NL - So What’s Next?
11/6 - London, UK - The Forge
11/7 - Antwerp, BE - De Roma
11/8 - Berlin, DE - J.A.W. (Zenner)
11/9 - Mannheim, DE - Alte Feuerwache
11/10 - Técou, FR - Coco Jazz
11/11 - Groningen, NL - Rockit
11/12 - Rotterdam, NL - Rooterdam / Bird
11/13 - Amsterdam, NL - Bimhuis
11/14 - Charloeroi, BE - Palais des Beaux Arts
11/15 - Paris, FR - Le Trabendo
11/18 - Eilat, IL - Red Sea Jazz Festival
11/24 - Richmond, VA - The Broadberry
11/25 - Washington, DC - Atlantis
12/5 - Seattle, WA - Madame Lou’s
12/6 - Portland, OR - The Get Down
12/7 - San Francisco, CA - The Independent
12/8 - Santa Cruz, CA - Kuumbwa Jazz
12/9 - Los Angeles, CA - Lodge Room
12/10 - San Diego, CA - House of Blues, Voodoo Room
MILLER BREAKS FREE IN ALBUM STAND OUT SINGLE PRESS ON
WATCH MUSIC VIDEO HERE
MILLER IS CURRENTLY ON A TWO-MONTH NORTH AMERICAN HEADLINE TOUR
WRAPS WITH A LIGHTNING 100 “NASHVILLE SUNDAY NIGHT” SHOW NOVEMBER 19
OPENS ALL 11 DATES ON EUROPE/UK LEG OF TYLER CHILDER’S
MULE PULL 2024 TOUR
MILLER’S SIRIUSXM OUTLAW COUNTRY “INSIDE OUTLAW”
MINI-CONCERT AIRS
ON CHANNEL 62 THROUGHOUT THIS WEEKEND
FRIDAY AT 7:00 P.M. CT/8:00 P.M. ET
SATURDAY AT 8:00 A.M. CT/9:00 A.M. ET AND 4:00 P.M. CT/5:00 P.M. ET
SUNDAY AT 11:00 A.M. CT/NOON ET AND 8:00 P.M. CT/9:00 P.M. ET
“Vibrant and vulnerable”
-Holler
“Some songwriters write short stories. Some write anthems. Some write life itself…a record that reveals its facets with time”
-No Depression
TORONTO, ON – October 6, 2023 – Laid up in the hospital in a full body cast. That’s where viewers greet John R. Miller at the start of the music video for, Press On, a standout from his new album, Heat Comes Down, out today via Rounder Records. As the video rolls along, the incapacitated Miller grows increasingly frustrated by his predicament, his inability to move and communicate clearly fraying his nerves. A seemingly incompetent nurse doesn’t help matters. Eventually Miller breaks free, heading the songs advice to press on, and ends the video standing on his hospital bed, stripped to his boxers, sending pillow feathers and pieces of his casts flying around the room. A jaunty, piano led ode to soldiering on, Press On still manages to allow Miller’s sardonic wit to shine through (“Find your thing/ Let it take you away/ Don’t let it kill you/ press on”). Watch here and listen to the new album here.
Miller belongs to the rare breed of songwriters whose expansive introspection uncovers many truths about the state of the human condition. On Heat Comes Down, the West Virginia-raised, Nashville-based artist intimately narrates his sleepless nights and nostalgic daydreams, existential dread, and nuanced observations of the troubled world around him. But while a number of its songs convey a certain unease, Miller endlessly imparts the kind of lovely reassurance that can only come from shared catharsis.
The follow-up to his 2021 Rounder Records debut, Depreciated, Heat Comes Down finds Miller teaming up with producers Andrija Tokic and John James Tourville (both known for their work with artists like Sunny War and The Deslondes). Over a three-day session at The Bomb Shelter (Tokic’s Nashville studio), Miller joined forces with several members of his longtime live band (drummer John Clay Burchett, guitarist J. Tom Hnatow, fiddle player Chloe Edmonstone) as well as bassist Craig Burletic, and Jeff Taylor (a multi-instrumentalist whose credits include Willie Nelson and Elvis Costello).
Miller is currently in the midst of a two-month headlining fall tour, which wraps up in Nashville, TN for a Lightning 100 “Nashville Sunday Night” show at 3rd & Lindsley on November 19. Next year, Miller will spend a month on the road opening the Europe and UK portion of Tyler Childers’s Mule Pull ’24 tour.
JOHN R. MILLER 2023 TOUR DATES
October 6 – Spokane, WA – Lucky You Lounge
October 7 – Walla Walla, WA – Billsville West
October 8 – Bellingham, WA – The Shakedown
October 10 – Seattle, WA – Tractor Tavern
October 12 – Portland, OR – Show Bar
October 13 – Talent, OR – The Talent Club
October 14 – Albany, CA – Ivy Room
October 15 – Mariposa, CA – The Grove House
October 16 – Pioneertown, CA – Pappy + Harriet’s
October 18 – Costa Mesa, CA – The Wayfarer
October 20 – Los Angeles, CA – Gold-Diggers
October 21 – Phoenix, AZ – Last Exit Live
October 24 – San Antonio, TX – The Lonesome Rose
October 25 – Houston, TX – White Oak Music Hall (Upstairs)
October 26 – Austin, TX – The White Horse
October 27 – Fort Worth, TX – Tulips
October 29 – Little Rock, AR – White Water Tavern
October 30 – Oxford, MS – Proud Larry’s
November 2 – Chattanooga, TN – Songbird South
November 3 – Macon, GA – Grant’s Lounge
November 4 – Atlanta, GA – Vinyl
November 5 – Charlotte, NC – Visulite Theatre
November 7 – Charleston, SC – The Charleston Pour House
November 8 – Durham, NC – Motorco Music Hall
November 9 – Richmond, VA – The Camel
November 10 – Thomas, WV – Purple Fiddle
November 11 – Morgantown, WV – 123 Pleasant Street
November 12 – Pittsburgh, PA – Club Café
November 14 – Washington, DC – Pearl Street Warehouse
November 15 – Columbus, OH – Rumba Café
November 16 – Newport, KY – The Southgate House Revival
November 18 – Lexington, KY – The Burl
November 19 – Nashville, TN – 3rd & Lindsley
JOHN R. MILLER 2024 EUROPE/UK TOUR DATES WITH TYLER CHILDERS:
February 15 - Dublin, IE - 3Olympia Theatre
February 17 - Glasgow, UK - Barrowland Ballroom
February 19 - Manchester, UK – 02 Apollo Manchester
February 21 - London, UK - Eventim Apollo
February 22 - London, UK - Eventim Apollo
February 26 - Hamburg, DE - Docks
February 27 - Copenhagen, DK - VEGA
March 2 - Amsterdam, NL - Paradiso
March 3 - Amsterdam, NL - Paradiso
March 5 - Stockholm, SE - Münchenbryggeriet
March 6 - Oslo, NO - Sentrum Scene
21st ANNUAL FESTIVAL, CONFERENCE AND
WESTERN CANADIAN MUSIC AWARDS TAKING PLACE OCTOBER 11 – 15 IN KELOWNA, BC
KELOWNA, BC – October 5, 2023 – BreakOut West 2023 kicks off next Wednesday (October 11) in Kelowna, BC! Now in its 21st year, the annual event will once again celebrate and showcase the exciting talent coming out of the western Canadian music industry, through its outstanding lineup of festival performers, top-tier international industry speakers, and the reveal of this year’s Western Canadian Music Award winners.
Events officially get underway on October 11th, with the BOW Opening Reception taking place at Metro Hub in the heart of the Cultural District in Downtown Kelowna. The Reception will also play host to the reveal of the Western Canadian Music Artistic Award winners. The winners of the 2023 WCMA Industry Awards will be revealed at the Industry Awards Brunch on Saturday, October 14 at the BOW host hotel – Delta Grand Okanagan – at 10:00 a.m. PT. A full list of 2023 WCMA nominees, in both the artistic and industry categories, can be found here.
BreakOut West’s five-day career development conference will run from October 11-15. The conference is a landmark event for both artists and industry alike, looking to gain insight into the everchanging musical landscape and make invaluable connections, offering immersive content, workshops, international market deep dives, networking opportunities, one-on-one mentor meetings, and more. This year, BOW is thrilled to welcome international delegates from across Europe, the U.S.A., Mexico, and Hong Kong, who will be speaking on panels including global strategies for press, live music, syncs and more, as well as market deep dives for Hong Kong, Mexico and the Pacific Northwest. Find a full conference schedule here.
The three-night music festival kicks off on Thursday, October 12th and will see artists take to stages in venues throughout Kelowna’s downtown core. Over 60 acts are set to perform, including artists from across western Canada, as well as two eastern Canadian friends and nine guests from overseas. International performers are Black Belt Eagle Scout (U.S.A.), Aasma (Sweden), katie phelan (Ireland), COSMIC DOG FOG, Gillie and Skunkadelic from Wales, and Charming Way, Clage and The Hertz from Hong Kong. BOW’s annual mini festival – Kinderfest – will also place on Saturday, October 14 Blackbox, giving the youngest of concertgoers (and their parents!) a taste of the outstanding children’s music coming out of western Canada.
The full lineup of BOW festival performers can be found here and the three-night schedule can be viewed here. Festival wristbands are available for $20 each and can be purchased here while supplies last.
“It’s hard to believe Breakout West is already next week,” remarks BreakOut West Executive Director, Michael Dawson. “We cannot wait for the event to return to Kelowna. Our festival and our conference schedules are both live on the app with an incredible roster of artists and industry delegates so be sure to plan ahead. You’re not going to want to miss a thing.”
The health and safety of all BreakOut West’s audiences, artists, members, delegates, speakers, volunteers, fans, staff, and their families is of top priority. BOW is committed to following public health recommendations, for the safety of all who will be attending in 2023, the continuity of the event’s planning, and the long-term sustainability of the music industry.
Kelowna is situated on the traditional, ancestral, and unceded tm̓xʷúlaʔxʷ (land) of the syilx/Okanagan people who have resided here since time immemorial.
BREAKOUT WEST 2023 AT A GLANCE:
Dates: Wednesday, October 11 – Sunday, October 15
Host City: Kelowna, British Columbia
Host Hotel: Delta Grand Okanagan
Access: Conference REGISTRATION | Festival WRISTBANDS
Conference: Wednesday, October 11 – Sunday, October 15 | SPEAKERS |SCHEDULE
Festival: Thursday, September 29 – Saturday, October 1 | LINEUP | SCHEDULE
Kinderfest: Saturday, October 14 | REGISTRATION
For more information: breakoutwest.ca
2023 Western Canadian Music Awards
Artistic Awards: revealing Wednesday, October 11 at 7:00 p.m. PT
*Follow BreakOut West’s socials for the announcement
Industry Awards: revealing Saturday, October 14 at the Industry Awards Brunch
Location: Delta Grand Okanagan
Doors: 10:00 a.m.
Awards Presentation: 10:30 a.m.
*Ticketed event for registered attendees only
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIA’s) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, WCMA annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2023 will be held October 11 – 15 in Kelowna, BC, and includes a five-day music conference, three-night multi-genre music festival and special events. The 2023 Western Canadian Music Artistic Awards and Industry Awards will be announced in October 2023.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
LISTEN TO iDKHOW’s ENCHANTING NEW SINGLE WHAT LOVE?
AN HOMAGE TO THE SUGGESTIVE AND SEXUALLY CHARGED R&B HITS OF THE 90s HERE
WATCH DECADENT NEW VIDEO FOR WHAT LOVE? HERE
HOMETOWN NEW YEAR’S CELEBRATION CONFIRMED
FOR DECEMBER 30 AT THE DEPOT IN SALT LAKE CITY
PRE-ORDER GLOOM DIVISION HERE
"Spaced-out, swaggering synth-rock" – Billboard
"A throwback to Hot Hot Heat and early Killers — dance beat, bright neon synths, funky guitar, impassioned vocals slinging big hooks" – Stereogum
“Energetic” – NME
“Bright, vintage-pop-indebted tracks” – DORK
“Weekes is crossing old-school glitz and glamour with contemporary futurism to create a “Channels the spirits of David Bowie and Prince” - Alt Press
“Captivating” - Guitar World
“Glam-fused soundscape” - American Songwriter
TORONTO, ON – October 5, 2023 – I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW), the musical project of Salt Lake City-based singer/ songwriter/ multi-instrumentalist, Dallon Weekes, unveils highly anticipated sophomore album, GLOOM DIVISION. Along with the announcement comes new single WHAT LOVE?, an homage to the sexually suggestive R&B hits that ruled the 90s airwaves, amplifying the track’s seductive ambiance with slinky guitar riffs, potent basslines and lyrics channeling an aching desperation. Pre-order GLOOM DIVISON here.
The single comes with a visually captivating video directed by iDKHOW’s longtime collaborator, Raúl Gonzo. Dallon takes viewers on a bewitching journey through a vivid set, reminiscent of a scene straight out of a John Waters film, seamlessly transitioning between various eccentric characters. Watch the video for WHAT LOVE? here.
Produced by Dave Fridmann (Tame Impala, MGMT, Weezer), the album showcases a boundary-pushing fusion of R&B, post-punk and art-pop, exploring themes ranging from love and obsession to satanic panic and neurodivergence. Recorded at Fridmann's Tarbox Road Studios and Weekes' own basement studio, GLOOM DIVISION is a testament to the power of collaboration and fearless artistic expression.
“Writing has always been an outlet to exorcize your demons or difficult emotions, but with GLOOM DIVISION I made a conscious effort to stop censoring myself when it comes to the subject material, or what I wanted to say," reflects Weekes on GLOOM DIVISION.
iDKHOW has confirmed a hometown New Year’s celebration that will take place on December 30 at The Depot in Salt Lake City. Presale tickets can be accessed today with the passcode WHATLOVE starting at 10:00 a.m. MDT with general onsale starting Friday October, 6 at 10:00 a.m. MDT. Ticket link here. More tour dates will be announced soon.
iDKHOW has garnered nearly 1 billion million streams worldwide to date, with 2 million monthly listeners on Spotify. The new album follows iDKHOW's critically acclaimed debut, Razzmatazz, which included the #1 Alternative radio hit, Leave Me Alone, and the previous EP 1981 Extended Play that included RIAA certified GOLD-certified single, Choke. They have performed on Jimmy Kimmel Live!, Ellen and CBS This Morning: Saturday, and shared stages with Post Malone, The Killers and more.
GLOOM DIVISION TRACKLIST:
1. DOWNSIDE
2. GLOOMTOWN BRATS
3. INFATUATION
4. KISS & TELL
5. A LETTER
6. SATANIC PANIC
7. SUNNYSIDE
8. iDIOTS OF Oz
RELEASE TWO NEW SINGLES
CHILDREN OF SORROW AND SICKO
LISTEN HERE
ANNOUNCE HEADLINING 2024 U.S. TOUR
INCLUDES NYC’S BROOKLYN STEEL
AND LA’S BELASCO THEATER
SHOWS IN TORONTO AND VANCOUVER
HOSTING FULL ALBUM LISTENING PARTY
AT LA’S DAS BUNKER FIRDAY OCTOBER 6
TORONTO, ON – October 5, 2023 – HEALTH – the LA-based industrial-rock band of Jake Duzsik (vocals/guitar), John Famiglietti (bass/producer), and BJ Miller (drums) – today announced their new album, RAT WARS will be released December 7 via Loma Vista Recordings. The album’s first two singles are also out now at all DSPs and via a seamless YouTube trailer: the menacing CHILDREN OF SORROW, featuring Lamb of God’s Willie Adler on guitar, arrives with a video directed by James Markidis, while the half-time hellscape, SICKO, samples Godflesh’s, Like Rats, and arrives with video directed by Mynxii White. RAT WARS is now available for pre-order on limited edition vinyl, cassette, and more here.
HEALTH today also announced a 2024 headlining U.S. tour beginning March 2 in Ventura, CA and including shows at NYC’s Brooklyn Steel on March 15 and LA’s Belasco Theater on April 4, with stops in Toronto and Vancouver in March 2024. Pixel Grip and King Yosef support on all dates; a full itinerary is listed below, and tickets go on-sale Friday, October 6, at 10 a.m. local time. The trio will host a full album listening party of RAT WARS at LA’s Das Bunker tomorrow (Friday, October 6), where they’ll party with fans afterwards (21+, free with RSVP).
The follow-up to 2019’s VOL. 4 :: SLAVES OF FEAR, HEALTH’s fifth album is the most violent yet vulnerable of their career. It is somehow fitting that such a brutal collection of songs is at the same time their most comprehensive artistic statement.
Meticulously aggressive production detail collides with painfully personal confessions and a strange savage grace is paired with icy gallows humour… surprisingly it’s still fun as hell.
Produced by Stint (Oliver Tree, Demi Lovato) and mixed by Lars Stalfors (SALEM, The Neighbourhood), the 12-track LP joins the lineage of groundbreaking heavy acts like Nine Inch Nails and Ministry, which re-drew the borders between metal, electronic and pop music. It also speaks directly to the band’s young, fervent online subculture.
It’s The Downward Spiral for people with at least two monitors and a vitamin D deficiency.
Written during the most emotionally trying period of the band’s life, the album builds on their chaotic yet re-invigorating pandemic years. RAT WARS captures all the fury and ambition their LP’s have until now aspired to. It’s their boldest statement on the insanity and the insipidness of contemporary life.
VOL.4 :: SLAVES OF FEAR won over heavy music fans with its thrash riffs dissolving into ambient melancholy and hip hop beats, while the lockdown era, two-part DISCO4 fully explored collaborative songwriting with peers from across metal, rap, electronic, and indie rock.
This long and willfully unconventional career arc has coalesced in RAT WARS. They are, at last, a band that is comfortable with their own uncomfortableness.
RAT WARS LP TRACKLIST:
1. DEMIGODS
2. FUTURE OF HELL
3. HATEFUL
4. (OF ALL ELSE)
5. CRACK METAL
6. UNLOVED
7. CHILDREN OF SORROW
8. SICKO
9. ASHAMED
10. (OF BEING BORN)
11. DSM-V
12. DON’T TRY
HEALTH TOUR DATES:
2023
October 6 - Los Angeles, CA - Das Bunker (Full Album Listening Party)
2024
March 2 - Ventura, CA - Ventura Music Hall *
March 4 - Mesa, AZ - Nile Theatre *
March 5 - Albuquerque, NM - Sunshine *
March 7- Austin, TX - Empire Garage *
March 8 - Dallas, TX - Studio at the Factory *
March 9 - Houston, TX - Warehouse Live Midtown *
March 11 - Atlanta, GA - The Masquerade - Heaven Stage *
March 12 - Charlotte, NC - The Underground *
March 13 - Richmond, VA - The National *
March 15 - Brooklyn, NY - Brooklyn Steel *
March 16 - Philadelphia, PA - Union Transfer *
March 17 - Boston, MA - Royale *
March 19 - Toronto, ON - The Opera House *
March 20 - Detroit, MI - The Majestic *
March 22 - Chicago, IL - Concord Music Hall *
March 23 - Saint Louis, MO - Red Flag *
March 25 - Englewood, CO - Gothic Theatre *
March 26 - Salt Lake City, UT - Metro Music Hall *
March 28 - Seattle, WA - The Showbox *
March 29 - Vancouver, BC - The Commodore *
March 30 - Portland, OR - Revolution Hall *
April 1 - Roseville, CA - Goldfield Trading Post *
April 2 - San Francisco, CA - August Hall *
April 4 - Los Angeles, CA - Belasco Theater *
* with support from Pixel Grip and King Yosef
PRESENTED IN PARTNERSHIP WITH ADVANCE AND
THE INTERNATIONAL INDIGENOUS MUSIC SUMMIT
APPLICATIONS NOW OPEN
DEADLINE TO APPLY IS NOVEMBER 30, 2023
TORONTO, ON – October 4, 2023 – Women In Music Canada is thrilled to announce the launch of their Leadership Accelerator Program presented in partnership with ADVANCE Canada’s Black Music Business Collective and the International Indigenous Music Summit. Applications for the program are now open here – deadline to apply is November 30, 2023.
Designed for mid-level industry professionals, in existing music companies, this national program aims to prepare women and gender diverse music professionals for advancement to senior management and director-level opportunities. A recent study by Women in the Workforce Canada cited that women represent only 31.5% of senior management occupations, and that in 2019, women held only 27.6% of board seats. Further to this, only 0.3% of leadership board positions are held by Black women in Canada. The WIMC Leadership Accelerator Program will serve as a catalyst toward fixing the issues identified in this study, catering especially to intersectional women and gender-diverse people, who have the least representation in organizational leadership roles, and as leaders in the music industry nationally.
Participants in the program will learn key leadership skills and fundamentals, using a hands-on, case study-based approach, including strategic negotiations, board governance, employee development and engagement, career mapping, and much more. Components of the program will include leadership education facilitated by top educators, one-on-one coaching, peer support and community building, and performance reviews.
“This vital program is centred-around connecting women and building a pipeline of success,” says ADVANCE Executive Director, Keziah Myers. “By partnering with Women In Music Canada, we are addressing one key pillar of ours that supports job readiness and exposure for Black music industry professionals. Together we will empower and elevate Black women, and prepare them for decision making roles by offering tools and training which assist them as they excel in their careers. ADVANCE looks forward to supporting this program by participating in the jury and by advising around planning and execution. ADVANCE is excited to see this leadership offering reflect cultural diversity and propel women leaders forward.”
“We are excited to be part of the building and inaugural launch of this program alongside ADVANCE and Women in Music Canada focusing on the advancement of equity-deserving and sovereignty-affirming groups across the music sector,” remarks Nicole Auger, Manager of Programming and Community Engagement for the Indigenous Music Alliance/International Indigenous Music Summit. “Providing more skills-building and mentorship opportunities for future women leaders within the Indigenous music community will strengthen capacity within the Indigenous music industry and support moving toward a more equitable industry for all.”
The program will be offered online, allowing folks from across Canada to participate from their spaces, while giving options for access times where needed. Sessions will run on Tuesdays and Thursdays from January 25 to February 29, 2024, from 6:00 – 8:00 p.m. CT (7:00 – 9:00 p.m. ET). As an integral part of the program, the cohort will gather together for an in-person portion, hosted at ArtHaus, partner in supporting this initiative. Two thirds of the spots available in the program will be offered to companies, at a subsidized rate, for their aspiring leaders to take part, while the remaining one third will be offered, fully subsidized, to applicants not currently working in companies with the capacity to support tuition.
“This Leadership Accelerator Program is integral to making changes in company leadership, and mentors to create sustainable change toward increased equity in the music industry,” adds WIMC Executive Director, Robyn Stewart. “It is with the support of partners wanting to lead the way in changing the face of leadership in the Canadian music industry, that we will be able to create and carry out this executive training programming, aimed at long-term industry-wide success.”
Women in Music Canada is continuing to seek corporate champions to help support this important program. For any organizations interested, please contact Robyn Stewart at robyn@womeninmusic.ca.
About Women in Music Canada
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
SHARE FIRST SINGLE HELL
WITH VIDEO DIRECTED BY ASHLEY CONNOR
AND STARRING MIRANDA JULY
ANNOUNCE 2024 TOUR DATES
TICKETS ON SALE THIS FRIDAY, OCTOBER 6
AT 10:00 A.M. LOCAL TIME
TO PLAY VANCOUVER’S VOGUE THEATRE IN APRIL
Little Rope is one of the finest, most delicately layered records in Sleater-Kinney’s nearly 30-year career. To call the album flawless feels like an insult to its intent – it careens headfirst into flaw and brokenness – a meditation on what living in a world of perpetual crisis has done to us, and what we do to the world in return. On the surface, the album’s 10 songs veer from spare to anthemic, catchy to deliberately hard-turning. But beneath that are perhaps the most complex and subtle arrangements of any Sleater-Kinney record, and a lyrical and emotional compass pointed firmly in the direction of something both liberating and terrifying: the sense that the only way to gain control is to let it go.
In the autumn of 2022, Carrie Brownstein received a call from Corin Tucker, who herself had just received a call from the American embassy in Italy. Years earlier, Brownstein listed Tucker as her emergency contact on a passport form, and while she had since changed her phone number, Tucker had not. The embassy staff were desperately trying to reach Brownstein. When they finally did, they told her what happened: While vacationing in Italy, Brownstein’s mother and stepfather had been in a car accident. Both were killed.
Although some of the album had already been written, aspects of each song—a guitar solo, the singing style, the sonic approach—were pulled into a changed emotional landscape. As Brownstein and Tucker moved through the early aftermath of the tragedy, elements of what was to become the emotional backbone of Little Rope began to form – how we navigate grief, who we navigate it with, and the ways it transforms us. The result is a collision of certainty and uncertainty evident from the first few spare seconds of the record’s opening track and first single, Hell. Over an agoraphobic expanse of tone and a trickle of chords, Little Rope’s emotional thesis statement begins to take form:
Hell don’t have no past
Hell is just a signpost when you take a certain path
It’s a restrained, controlled prologue, but control is fleeting. A few seconds later, well, all hell breaks loose.
Sleater-Kinney have also announced a 2024 North American tour, beginning on February 28 in San Diego and including multiple nights in New York, Los Angeles and San Francisco, with a stop in Vancouver on April 4. Beforehand, the group will perform at Pitchfork Festival London on November 10 and Corona Capital in Mexico City on November 19. See all tour dates below. Tickets for all 2024 dates will be available on Friday, October 6 at 10:00 a.m. local time. Visit sleater-kinney.com for more information.
Read more about Sleater-Kinney in their bio here.
TRACK LIST:
1. Hell
2. Needlessly Wild
3. Say It Like You Mean It
4. Hunt You Down
5. Small Finds
6. Don’t Feel Right
7. Six Mistakes
8. Crusader
9. Dress Yourself
10. Untidy Creature
TOUR DATES:
2023
November 10 - London, UK @ Pitchfork London Roundhouse
November 19 - Mexico City, MX @ Corona Capital
2024
February 28 - San Diego, CA @ The Observatory North Park
February 29 - Las Vegas, NV @ Brooklyn Bowl
March 1 - Tempe, AZ @ Marquee Theatre
March 2 - Albuquerque, NM @ El Rey Theater
March 4 - Tulsa, OK @ Cain's Ballroom
March 5 - Dallas, TX @ Studio at the Factory
March 6 - Austin, TX @ ACL Live at the Moody Theater
March 8 - New Orleans, LA @ Joy Theater
March 9 - Atlanta, GA @ The Eastern
March 11- Norfolk, VA @ The NorVa
March 12 - Washington, DC @ The Anthem
March 13 - Brooklyn, NY @ Brooklyn Steel
March 14 - Brooklyn, NY @ Brooklyn Steel
March 16 - New York, NY @ Racket
March 17 - Boston, MA @ Paradise Rock Club
March 18 - Philadelphia, PA @ Theatre of Living Arts
March 20 - Columbus, OH @ Newport Music Hall
March 21 - Chicago, IL @ Riviera Theatre
March 22 - Madison, WI @ The Sylvee
March 23 - St. Paul, MN @ Palace Theatre
March 25 - Kansas City, MO @ The Truman
March 26 - Denver, CO @ Mission Ballroom
March 28 - Los Angeles, CA @ The Wiltern
March 29 - Los Angeles, CA @ The Belasco
March 30 - San Francisco, CA @ The Warfield
March 31 - San Francisco, CA @ The Warfield
April 2 - Seattle, WA @ The Showbox
April 3 - Seattle, WA @ The Showbox
April 4 - Vancouver, BC @ The Vogue
April 5 - Portland, OR @ Crystal Ballroom
LISTEN HERE
TOUR DATES IN ONTARIO
KICK OFF THIS THURSDAY IN TORONTO
WATCH THE NEW VIDEO
FOR ALBUM TRACK ONTARIO HERE
TORONTO, ON – October 2, 2023 – “I think I'm gonna make a Dad album,” Canadian-American songwriter, Rachael Kilgour, heard herself blurt out one afternoon in an Asheville recording studio. She was in the final days of tracking her EP, Game Changer (2019), and in the final months, as it would turn out, of her father's life. She had just written a new song, Dad Worked Hard.
“I hadn't written any other songs about him at that point - I certainly hadn't considered making an entire album in his honour," Kilgour reflects. "I had no way of knowing how little time he had left or how much his death would transform me. But when the producer suggested recording Dad Worked Hard for the new EP, I just knew I needed to hold onto it. So I said it: no, I think I’m gonna make a dad album.”
And she did. Kilgour's exquisite fourth full-length collection, My Father Loved Me, is a tribute to her late father, produced by JUNO Award-winning songwriter, Rose Cousins, and recorded in the senior Kilgour's native Canada. Released on September 22, on the eve of the autumn equinox - a time of year that also happens to mark the anniversary of Kilgour's father's passing - the heartfelt collection of songs beautifully paints a portrait of a man as seen through his daughter's eyes.
In the spare, often gutting language for which she is known, Kilgour poses questions about identity, inheritance, and grief, and affirms the value of one ordinary working man's life to an often indifferent world. Created during the period of time spanning her father's dementia diagnosis, his death, and its immediate aftermath, the songs that would become My Father Loved Me were a way for Kilgour to keep pace with her shapeshifting grief.
Kilgour decided to record the album in he father's home country, Canada, and found producer Rose Cousins acted as both a valuable guide to the Canadian music scene and a worthy co-creator in this labour of love. Recorded with an icy Toronto February as their backdrop, the two gathered at Union Sound Company in 2022 to begin tracking with engineer Chris Stringer, along with Canadian musicians Dean Drouillard (electric guitar), Joshua Van Tassel (percussion/synth), and Devon Henderson (bass).
Like her father, Kilgour is a hard worker. She comes by her considerable skills honestly, honing her craft over the past decade in listening rooms, festivals, concert halls, and recording studios, and picking up accolades along the way. Kilgour first attained notoriety outside her native Duluth, MN as the grand prize winner of the 2015 international NewSong Music Performance & Songwriting Competition and winner of the 2017 Kerrville New Folk Contest. She has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and at the Sundance Film Festival. Her oft-noted “unapologetic lyrics” (Rolling Stone) and “master crafted indie folk” sensibilities (Billboard) are on full display in this latest collection of songs. Read more about the heartfelt details of My Father Loved Me here.
To mark the release of My Father Loved Me, Kilgour will be playing a string of shows across her father's home province of Ontario, kicking off this Thursday (October 5) in Toronto. See below for full details, and watch the new video for the aptly-titled album highlight, Ontario, here.
UPCOMING CANADIAN TOUR DATES:
October 5 - Toronto, ON - Burdock Music Hall
October 19 - London, ON - Aeolian Hall
October 20 - Russell, ON - Few Acres Farms
October 21 - Trenton, ON - Old Church Theatre
FEATURING COVERS OF SONGS BY TAYLOR SWIFT, R.E.M., PAVEMENT, SLOWDIVE AND SHERYL CROW
PLUS KARAOKE VERSIONS OF CATALOGUE-SPANNING SINGLES, VISUALIZERS AND MORE
TORONTO, ON – September 22, 2023 – Soccer Mommy – Nashville-based artist Sophie Allison – releases her Karaoke Night EP today, a collection of genre-spanning covers of songs from some of her favourite artists. Out now via Loma Vista, Karaoke Night features covers of songs by Sheryl Crow, Taylor Swift, R.E.M., Pavement, and Slowdive.
Allison has cited both Crow and Swift as early influences, is a long-time fan of R.E.M., and has toured with both Pavement and Slowdive. Soccer Mommy opened for Stephen Malkmus on tour in 2018, and appeared at the Pavement Museum in 2022, where she performed alongside Snail Mail, Bully and Speedy Ortiz. Following her opening slot for Slowdive in 2017, Soccer Mommy’s acoustic cover of Dagger has been a staple of the band’s live performance.
“All the covers on Karaoke Night are from artists that have inspired me throughout my life,” says Allison. “I find that each of these songs has a different reason for appealing to me - and that’s what made it so fun getting to record them. I wanted to make these songs my own while also staying true to what originally drew me to them.”
Download, stream or purchase the EP here, watch visualizers out for all five of the covers here and listen to Dagger here.
To accompany the EP, Soccer Mommy is also releasing karaoke versions of some of her greatest hits. The Soccer Mommy Super Hits Party Pack features singles from all three of her full-length records, including Your Dog and Scorpio Rising from Clean, Circle The Drain and Yellow Is The Color Of Her Eyes from color theory, Shotgun and Feel It All The Time from Sometimes, Forever, and more. Grab your friends – and your pink limited edition Soccer Mommy karaoke mic – and get ready to sing “I’M JUST A VICTIM OF CHANGING PLANETS / MY SCORPIO RISING AND MY PARENTS” at the top of your lungs.
Soccer Mommy’s touring continues this fall and winter – see below to find a show near you, and get your tickets here. For a taste of what to expect, watch the band’s career-spanning NPR Tiny Desk performance from earlier this year here, or watch Soccer Mommy perform Shotgun and Feel It All The Time on Jimmy Kimmel Live! here.
KARAOKE NIGHT TRACKLIST:
1. Here (Pavement Cover)
2. Soak Up The Sun (Sheryl Crow Cover)
3. Dagger (Slowdive Cover)
4. I'm Only Me When I'm With You (Taylor Swift Cover)
5. Losing My Religion (R.E.M. Cover)
UPCOMING TOUR DATES:
9/23 Leeds, UK @ First Direct Arena #
9/24 Glasgow, UK @ Ovo Hydro Arena #
9/26 London, UK @ Alexandra Palace #
9/27 London, UK @ Alexandra Palace #
10/28 Nashville, TN @ Halloween Bash at Eastside Bowl^
11/4 Pensacola, FL @ Night Moves Fest
11/17 Mexico City, MX @ Corona Capital
12/3 São Paulo, BR @ Primavera Sound
12/7 Asunción, PY @ Primavera Sound
12/9 Bogotá, CO @ Primavera Sound
# = with The National
^ with support from Avey Tare and Total Wife
DOWNLOAD – press photo | DOWNLOAD – Karaoke Night cover artwork
ABOUT SOCCER MOMMY AND SOMETIMES, FOREVER:
Sometimes, Forever was named one of the best albums of 2023 but the likes of The New York Times, Pitchfork, Rolling Stone, NPR, Vulture, Associated Press, Billboard, Stereogum, The A.V. Club, FLOOD, Paste, Uproxx, and more, with, Shotgun named one of the top songs of 2023 by The Los Angeles Times, Buzzfeed, NPR, Gorilla vs. Bear, Pitchfork, Consequence, Vulture, NYLON, Billboard and more. Sometimes, Forever debuted on the Billboard charts, taking the #1 slot for Heatseakers, Top New Artist and Alternative New Artist, debuting in the Top 200, and many more. She performed on both The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! In 2022, completed a largely sold-out international headline tour, and performed an intimate show at the GRAMMY Museum alongside a Q&A hosted by The Los Angeles Times’ Mikael Wood. Following the album release, Soccer Mommy has since hosted Roblox’s most successful Listening Party to date with 10.8 million unique visitors, and she has also shared incredible alt-versions of Shotgun by Magdalena Bay, a slowed and reverbed edit, as well as a Simlish version, available now within The Sims 4 High School Years expansion pack. Soccer Mommy also collaborated with Brain Dead on a limited edition t-shirt, which can be purchased here.
Sometimes, Forever is Soccer Mommy’s boldest and most aesthetically adventurous work yet, and it cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever.
Praise for Soccer Mommy & Sometimes, Forever:
"Sophie Allison finds new sonic frontiers...Throughout the album, Soccer Mommy staves off despair with musical craftsmanship" - The New York Times (Critic's Pick)
"Throughout Sometimes, Forever, [Allison] and Lopatin expand on the ’90s palette that has characterized previous Soccer Mommy releases. Bolstering the lingering imprints of Liz Phair, Sheryl Crow, and Sleater-Kinney is a healthy dose of Loveless worship: glide guitars and tendrils of haze." - Pitchfork (8/10)
“[Sometimes, Forever] is Soccer Mommy’s gnarliest and most resplendent, fashioning poppy melodies, disarming lyrics, and twisted sounds into dismayed songs of young adulthood.” - The New Yorker
"The singer/songwriter's vulnerability resulted in two critically acclaimed releases — 2018's Clean and 2020's Color Theory — though Allison's latest may be her most exciting yet." - GRAMMY.com
“You get some Pixies, you get some Nirvana, you get a little bit of Nine Inch Nails, and Portishead here and there. It’s just interesting how much music is reflected on this record while still sounding very current…she is just really good at mining those influences and making it sound extremely of the moment.” - NPR Music
“Sophie Allison’s emotive rock acquires new dynamism” - Wall Street Journal
"Soccer Mommy deepens her indie-rock brilliance on ‘Sometimes, Forever’...[and] proves herself to be one of the sharpest songwriters around" - Rolling Stone
"Allison has made a bold move that paid off better than we’d ever have expected."
- Variety
"Sometimes, Forever’s marriage of Allison’s lyrical prowess and OPN’s stark, synth-driven sonics makes it by far the darkest and most compelling offering from Soccer Mommy yet." - Billboard
""by far the band’s most sophisticated and adventurous body of work to date. Allison’s inner turmoil has never sounded so spectacular — or so well-rounded."
- Stereogum (Album of the Week)
"sharp indie rock" - Vulture
"one of Gen Z’s brightest voices" - Associated Press
LONG INSPIRED BY YOUNG, WHITE RELEASES
HER REIMAGINED VERSION OF THE SINGLE TODAY
LISTEN HERE
WHITE CONTINUES HER RUN OF DIRECT SUPPORT SLOTS
OPENING FOR BAND OF HORSES, JOHN CRAIGIE, AND ASHLEY MCBRYDE IN SUPPORT OF HER
RECENTLY RELEASED ALBUM AMONG OTHER THINGS
CANADIAN DATES IN VANCOUVER AND TORONTO
TORONTO, ON – September 21, 2023 – Today, breakout singer/songwriter, Bella White, releases a reimagined version of Neil Young’s Unknown Legend from his classic 1992 album, Harvest Moon, available via all DSPs. Listen to the track here.
Long inspired by the legendary artist, White and producer, Jonathan Wilson, collaborated closely on the arrangement, combining White’s unique vocals with fiddle, piano, organ, and guitars to transform the song into her own. In addition to producing the track, Wilson contributed drums, percussion, resophonic guitar, electric guitar, and B-Bender. White was also joined for the session by Drew Erickson (piano, Hammond organ, and string arrangements), Buck Meek (electric guitar, nylon guitar), Patrick M’Gonigle (fiddle, violin, tenor guitar), Gabe Noel (acoustic bass, Ampeg baby bass, and baritone guitar), and Omar Velasco (nylon acoustic guitar).
White shared the process of creating the record, which she notes was initially recorded “on a whim,” and added, “Throughout the process of making Among Other Things, we listened to so much Neil Young and Emmylou Harris. It was one of the last days in the studio, and we were sitting around hanging out, and I was strumming that classic guitar line. Jonathan Wilson had the idea to cut the song, and I was overjoyed. Unknown Legend has always been an all-time favourite of mine. The imagery and mood that it creates is so melancholy and wistful. Plus, I’ve had the pleasure of knowing a few unknown legends myself.”
White’s sophomore album, Among Other Things, was warmly received by critics upon its release in April of this year. Writing in AllMusic, Stephen Thomas Erlewine noted, “As she opens her heart and chases her thoughts, White writes and performs with a guileless empathy, a quality that gives Among Other Things a raw intimacy even in its quietest moments.” Holler’s Jof Owen observed that White is “capable of wringing meaning from the tiniest of details and magnifying them until you can see yourself reflected within,” while Jezebel’s Sarah Rense marveled, “Her lyrics are wise beyond her years—she’s 22, good lord—as is the warble in her voice.”
In October, White will embark on the next leg of tour, which includes support slots for Band of Horses, John Craigie, and Ashley McBryde. A full list of confirmed shows is below, including Canadian dates in Vancouver and Toronto.
UPCOMING TOUR DATES:
9/23 Boats & Bluegrass, Winona, MN
10/1 Avondale Brewing Company, Birmingham, AL*
10/3 The Ritz Ybor, Tampa, FL*
10/4 Revolution Live, Fort Lauderdale, FL*
10/6 House of Blues, Orlando, FL*
10/9 The Fillmore, Silver Spring, MD*
10/10 Roxian Theatre, Pittsburgh, PA*
10/11 Royal Oak Music Theatre, Royal Oak, MI*
10/13 The Salt Shed. Chicago, IL*
10/15 The Ritz, Raleigh, NC*
10/17 The Fillmore Charlotte, Charlotte, NC*
10/19 The Mill & Mine, Knoxville, TN*
10/20 Rabbit Rabbit, Asheville, NC*
11/4 Moab Folk Festival, Moab, UT#
11/6 Pappy & Harriet's, Pioneertown, CA#
11/8 Belly Up, Solana Beach, CA#
11/9 El Rey Theatre, Los Angeles, CA#
11/10 Harold J. Miossi Cultural and Performing Arts Center at Cuesta College, San Luis Obispo, CA#
11/13 Ashland Armory, Ashland, OR#
11/15 Hollywood Theatre, Vancouver, BC#
11/16 Neptune Theatre, Seattle, WA#
11/17 Revolution Hall, Portland, OR#
12/1 Danforth Music Hall, Toronto, Ontario**
12/2 The Andrew J Brady Music Center, Cincinnati, OH**
12/8 Webster Hall, New York, NY**
12/9 Orpheum Theatre, Boston, MA**
12/10 Bella Whitem Keswick Theater, Glenside, PA**
* supporting Band of Horses
# supporting John Craigie
**supporting Ashley McBryde
DOWNLOAD - single artwork
DOWNLOAD – hi-res photo | DOWNLOAD – album artwork
LISTEN HERE
FROM UPCOMING ALBUM HIGHWAY RESTAURANT
SET FOR RELEASE ON OCTOBER 27
VIA LISBON LUX RECORDS
TORONTO, ON – September 20, 2023 – Today, Montreal indie-pop singer, songwriter and producer, Ormiston, reveals Cherry Picker, the new single from his forthcoming new album, Highway Restaurant, which is set for release on October 27 via Lisbon Lux Records. A deeply moody track for fans of Men I Trust and Munya, Cherry Picker perfectly embodies the feeling of cruising around a strange city at night, while knowing there are going to be some eventful twists and turns. Listen here and pre-save Highway Restaurant here.
Cherry Picker serves as the third offering from Ormiston's new album, following the previously released singles Lose Yourself - a sunny and relaxed track highlighted by 80s synth and guitar - and the pristine, emotional indie song, Distortion of Reality. Inspired by an old acquaintance that always left Ormiston “starry-eyed”, Cherry Picker sees the artist flowing through traffic on a moody night in a strange city. Being guided through the unknown, during an eventful night, with only his engaging beats and the city lights.
With +400k streams, Ormiston - the solo project of Nicola Ormiston - creates sunny and relaxed music, full of light and engaging indie pop rhythms. Falling somewhere indie pop, chillwave and yacht rock, listeners will hear influences of Toro Y Moi, MGMT as well as an electro-disco touch.
In 2020, Ormiston signed with Canadian label, Lisbon Lux Records, and released his debut album, Hammer Down (2021). Cinematic and full of groove, the album explores love stories and failed relationships on optimistic indie-pop. The opus was well received by the public and the song, Time Fades, was also featured in Pete Davidson's latest film, Meet Cute.
DOWNLOAD - hi-res photo | DOWNLOAD - Highway Restaurant artwork
MORE ABOUT ORMISTON:
Born into a bilingual Montreal family, Ormiston was raised around female musicians and grew up with a strong sense of melody. After mixing and producing some tracks for Milk & Bone, Heartstreets, Misage and Freida Mari, he released in 2013 the song Typically Her (under the name Beverlay) that ended up being remixed by Kaytranada, helping it reach more than three million streams worldwide. In 2020, he signed with Canadian label Lisbon Lux Records. On stage, his piercing voice is supported by his three outstanding musicians. He offers a lively and touching show that irresistibly invites you to dance.
CO-HEADLINING TOUR WITH KEN YATES
KICKS OFF OCTOBER 15 IN WINNIPEG
NEW ALBUM ROSES OUT NOW
“With folk tunes that will squeeze your heart, Kelly is bound to become an artist that will have you falling in love with her songs.” – eTalk
TORONTO, ON – September 20, 2023 – After a month-long residency at Toronto's Cameron House in July, acclaimed singer-songwriter, Jadea Kelly, is thrilled to be coming back home to Canada this fall for a run of tour dates across the western provinces next month! Kicking off on October 15 in Winnipeg, the co-headline tour with award-winning musician, Ken Yates, will see the pair hit stages in Saskatoon, Regina, Calgary, Medicine Hat, and Edmonton, before wrapping in Calgary on October 22. See below for full details and find tickets here.
"I'm looking forward to finally re visiting Western Canada alongside Ken Yates, after a long pandemic pause," says Jadea. "Some of my favourite touring memories occurred in AB, SK and MB. Some of my favourite songwriters live here as well. It's time to reunite and rock!"
Described by CBC as “one of the shining jewels in the crown of Canadian songwriters” (Tom Power, CBC) Jadea Kelly spends her time writing and living between rural Ontario Canada and Los Angeles CA. She has co-written and toured (as opener and backing vocalist) with the likes of Justin Rutledge, Whitehorse, Judy Collins, Catherine MacLellan, Royal Wood, Kelly Prescott, Sweet Alibi, Peter Katz, The Digging Roots, Leela Gilday and Joey Landreth. She has also performed and showcased her music across Canada, The United States and Europe, performing at the likes of Americana Fest (Nashville TN), Winnipeg Folk Festival, Calgary Folk Festival, Edmonton’s Interstellar Rodeo, Metal Toronto and Peterborough Folk Festival. Despite her Americana influence, she is also the featured vocalist with JUNO award winning metal group Protest the Hero (Kezia, Scurrilous and Volition).
Jadea's fourth studio album, Roses, was released in March 2022 and has been warmly embraced by fans, with over two million streams across all platforms. The record made its way on to the cover of Spotify’s Renegade Folk playlist, and the heartwarming single, Any Old Boat, has seen over one million streams to-date.
UPCOMING CANADIAN TOUR DATES:
October 15 - Winnipeg, MB - West End Cultural Centre
October 17 - Saskatoon, SK - The Bassment
October 18 - Regina, SK - The Artesian
October 19 - Calgary, AB - Private House Concert
October 20 - Medicine Hat, AB - Medicine Hat Folk Club
October 21 - Edmonton, AB - The Aviary (w/ The Good Lovelies, matinee + evening)
October 22 - Calgary, AB - The Ironwood (matinee)
DOWNLOAD – hi-res photo | DOWNLOAD – tour poster
MORE ABOUT JADEA KELLY
In 2016 Jadea was awarded Contemporary Singer of the Year at the Canadian Folk Music Awards for her 2016 release Love & Lust. Its featured single Beauty was placed on the Lifetime Network feature No One Would Tell and the 2017 CBC Rio Paralympics, a viral opening montage portraying the life and struggle of Terry Fox. Her most recent EP (MWI / 2019) received Best Score & Music accolades from the Hollywood Independent Documentary Awards. MWI is the official soundtrack for Met While Incarcerated the Film, which aired on the Documentary Channel and CBC in March 2019.
She spearheaded the 2018 collective, Canada Covers Tom Petty, featuring an impressive collection of tributes from Matt Mays, Terra Lightfoot, Dwayne Gretsky, Molly Brown and the Redhill Valleys. She also hosts a semi-annual Canadian songwriter showcase in Los Angeles through the celebrated Hotel Café, Monday Monday, concert series.
Following a pandemic pause, Jadea returned triumphantly in 2022 with her long-awaited fourth studio album – Roses (released March 4 on Darth Jadea Music / Tonetree). The album was produced by a collection of artists, including Aaron Goldstein (Matt Mays / Daniel Romano), Joel Schwartz (Dionne Taylor), Rich Jacques (Lisa Loeb), Joe Moralez (Skyler Day) and Tim Abraham (Royal Wood).
“I ended up tracking a majority of the album in Toronto with my Canadian friends and bandmates, in person and virtually. It felt full circle to record in Canada after 4 exploratory years in the US. I love California with all my heart. It is my new found home and has provided a playground to rediscover my confidence, my freedom, my voice and a collection of songs that truly reflects my journey to health.
I composed these songs between Ontario Canada, Nashville TN and Los Angeles CA over the past four years. A massive musical delay and musical pause but a necessary one. Life, happiness and health came first. Including the pandemic. Feeding money and time into artistic pursuits can often feel like feeding coins into a broken parking metre. I hold so many incredible musical memories in my heart but it also took its toll. I therefore took my time with these songs, the production and processing of the emotions. Roses was a complete joy to compose and truly reflects my journey to a conscious and balanced state. To me, Los Angeles is a gift I gave myself. It was a blank slate to finally confront my emotional, physical and financial health. The result is Roses. The result is abundance and joy. I’m holding the light up now, and roses are falling all around.”
ABOUT KEN YATES
Ken Yates is originally from London, Ontario and studied at the Berklee College of Music. He released The Backseat EP in 2011, and followed up with his full-length debut, twenty-three, in 2013. He won the Colleen Peterson Songwriting Award in 2014 for his song The One That Got Away. Since then he has released two more award-winning albums, including his most recent, Cerulean (2023), which features guest appearances from Kathleen Edwards and Katie Pruitt. He won two Canadian Folk Music Awards in 2017, and supported Passenger on both the European and North American legs of his 2019 tour.
LISTEN HERE AND WATCH HERE
ACCLAIMED JAZZ AND HIP-HOP COLLECTIVE SET TO RELEASE NEW ALBUM SOLAR MUSIC OCTOBER 6 VIA CONCORD JAZZ
PRE-ORDER HERE
"A spirit of generous communion runs through 'Solar Music'"
- The New York Times
TORONTO, ON – September 19, 2023 – Today, critically acclaimed jazz and hip-hop fusionists, Butcher Brown, share Eye Never Knew, featuring genre-agnostic artist, Pink Siifu, and world-class trumpeter, Keyon Harrold, the latest single from the group’s forthcoming album, Solar Music, out October 6 via Concord Jazz. The album includes previously released singles, DYKWYD featuring Braxton Cook, This Side Of Sunshine, and I Can Say To You, which has seen support across BBC Radio from the likes of Benji B, Gilles Peterson and Huey Morgan. Listen here and watch here. Pre-order Solar Music here.
Eye Never Knew, collides two of the musical pedigrees that have been central to the band's core since its inception. The song brings the forward-thinking and inventive delivery of hip-hop/soul/punk polymath, Pink Siifu, and pairs it with Butcher Brown's masterclass of jazz instrumentation. With accents from accomplished trumpeter Keyon Harrold, the result is a sonic collage that creates one of Butcher Brown's most memorable and experimental collaborations to date.
The song enlists Keyon Harrold, who contributed all trumpet playing in the Miles Davis biopic Miles Ahead, and has worked with the likes of Diana Ross, Nas, D'Angelo, and many more. Additionally with Pink Siifu, whose 2021 Gumbo! album was praised by Pitchfork, they collectively curate an other-worldly ambiance while maintaining their own signature sounds. Separate from Eye Never Knew, Butcher Brown and Pink Siifu also share a number of critically acclaimed collaborations, one of which being Siifu's B.Cool-Aid Album with Ahwlee, Leather Blvd., which was released earlier this year.
Described by Butcher Brown bandmates as “having something for just about everybody under the sun,” Solar Music collectively demonstrates the band's dynamic approach to the jazz format and incorporates their own rich lineage of musical influences from their upbringing in Richmond – fusing elements of soul, funk, rock, and hip-hop, into a universal sound. Releasing digitally, on CD and double LP at 45 RPM, the new album incorporates longtime friends and new unexpected guests into their approach, with additional appearances by Charlie Hunter, Jay Prince, Nappy Nina, Braxton Cook and Michael Millions throughout its 17 tracks. Exclusive Solar Music limited edition Solar Red vinyl, signed CDs/vinyl and merchandise are all available here.
Butcher Brown will perform an extensive 2023 Solar Music Global Tour, with dates across the U.S. and Europe throughout the Fall in support of the new album. The tour heads to 13 states and seven countries and will feature domestic appearances from California to Washington, D.C., including performances at Le Poisson Rouge in New York City October 18, NPR’s World Cafe Live October 21, and a hometown show November 24 at the Broadberry in Richmond, Virginia. In between their North American runs, Butcher Brown will bring their infectious live performances to six countries across Europe including shows at The Forge in London November 6, Zenner in Berlin alongside B. Cool-Aid November 8, and Le Trabendo in Paris November 15.
To learn more about Butcher Brown, read the full bio here, or watch their 2021 NPR Tiny Desk (Home) performance. Listen to Eye Never Knew featuring Pink Siifu and Keyon Harrold and pre-order/ pre-save Solar Music above, and stay tuned for more new music from Butcher Brown coming soon.
BUTCHER BROWN 2023 SOLAR MUSIC GLOBAL TOUR DATES:
September 22 - Harrisonburg, VA @ James Madison University
October 12 - Reno, NV @ University of Nevada
October 17 - Boston, MA @ Brighton Music Hall
October 18 - New York, NY @ (Le) Poisson Rouge
October 20 - Charlottesville, VA @ The Southern Café and Music Hall
October 21 - Philadelphia, PA @ World Cafe Live (upstairs)
October 22 - Pittsburgh, PA @ Club Cafe
October 24 - Minneapolis, MN @ Dakota
October 25 - Chicago, IL @ Sleeping Village
October 26 - Detroit, MI @ El Club
October 27 - Indianapolis, IN @ Jazz Kitchen
November 4 - Eindhoven, NL @ So What’s Next?
November 6 - London, UK @ The Forge
November 7 - Antwerp, BE @ De Roma
November 8 - Berlin, DE @ J.A.W. (Zenner)
November 9 - Mannheim, DE @ Alte Feuerwache
November 10 - Técou, FR @ Coco Jazz
November 11 - Groningen, NL @ Rockit
November 12 - Rotterdam, NL @ Rooterdam / Bird
November 13 - Amsterdam, NL @ Bimhuis
November 14 - Charloeroi, BE @ Palais des Beaux Arts
November 15 - Paris, FR @ Le Trabendo
November 18 - Eilat, IL @ Red Sea Jazz Festival
November 24 - Richmond, VA @ The Broadberry
November 25 - Washington, DC @ Atlantis
December 5 - Seattle, WA @ Madame Lou’s
December 6 - Portland, OR @ The Get Down
December 7 - San Francisco, CA @ The Independent
December 8 - Santa Cruz, CA @ Kuumbwa
December 9 - Los Angeles, CA @ Lodge Room
December 10 - San Diego, CA @ House of Blues - Voodoo Room
THE LEGENDARY ALT-ROCKERS’ BESTSELLING ALBUM INCLUDES
THE UK TOP 10 HIT DAYSLEEPER PLUS FAVOURITES LOTUS, SUSPICION AND AT MY MOST BEAUTIFUL
NEWLY REMASTERED AND EXPANDED, THE REISSUE FEATURES
A NEVER-BEFORE-HEARD 11-SONG SET FROM R.E.M.’S 1999
PARTY OF FIVE TAPING
A DELUXE 2-CD/1 BLU-RAY OFFERS EXPANSIVE LINER NOTES
INCLUDING NEW INTERVIEWS WITH THE BAND,
HD-RESTORED MUSIC VIDEOS, PERFORMANCE FOOTAGE
FROM THE ERA, AND MORE
ALSO AVAILABLE ON 2-CD, 2-LP AND DIGITAL FORMATS
LISTEN TO THE PREVIOUSLY-UNRELEASED
DAYSLEEPER (PARTY OF FIVE RECORDING) HERE
TORONTO, ON – September 19, 2023 – Craft Recordings celebrates the 25th anniversary of R.E.M.’s bestselling 11th studio album, Up, with a series of expanded and remastered reissues, all of which are available for pre-order today and set for release on November 10.
Created in partnership with the band, the Deluxe two-CD/one Blu-Ray edition offers a wealth of material for fans, including the band’s previously unreleased set from their guest appearance on the hit TV series, Party of Five. Captured in 1999, the performance includes an 11-song setlist (including enduring hits like Man on the Moon, Losing My Religion, and It’s the End of the World as We Know It (and I Feel Fine)), plus a spoken-word introduction. The accompanying Blu-ray features HD music videos from the 1998 album (Daysleeper, Lotus, At My Most Beautiful), a six-song performance from the era (titled Uptake), recorded in a London studio, the album’s original EPK, plus stunning hi-resolution and 5.1 surround sound audio. Housed in a 32-page hardcover book, the collection also includes new liner notes from journalist and Talkhouse Executive Editor, Josh Modell (A.V. Club, SPIN, Rolling Stone, Vulture), featuring new interviews with the band members.
The expanded reissue, which features the album, plus the Party of Five performance in its entirety, can also be found on two-CD, digital, and hi-res configurations, while the 14-track, two-LP album will be reissued on 180-gram vinyl. A limited-edition pressing on Green Marble vinyl is also available exclusively at R.E.M.’s official store along with special Up merchandise. All reissue formats feature newly remastered audio by Bob Ludwig at Gateway Mastering.
Available to stream today is the remastered version of Daysleeper, as well as the band’s never-before-released performance of the song from the Party of Five taping. Listen here. R.E.M.’s appearance on the teen drama (which launched the careers of Matthew Fox and Neve Campbell, among others) remains a fond memory. “The intersection of visual and musical art is always interesting, so it was cool to be a part of TV,” recalls bassist, Mike Mills.
The intimate concert, recorded at Los Angeles’ Palace Theatre, was populated by R.E.M. fan club members and served as an opportunity for the band to rehearse their latest material – plus beloved hits – ahead of touring. “There are dozens of great R.E.M. live sets out there, but nothing quite like this up-close oddity,” writes Josh Modell. “Loose and happy, the band runs through a good chunk of Up in front of a small crowd… Stipe is chatty, telling stories about accidentally ripping off Billy Corgan (and telling Corgan about it), playing with the Human League on a funny stage at that very venue, and more.”
Read the full Up bio here.
UP 25TH ANNIVERSARY TRACKLISTS:
Deluxe Edition (2-CD/1-Blu-Ray):
Disc 1 – Up (remastered audio)
Airportman
Lotus
Suspicion
Hope
At My Most Beautiful
The Apologist
Sad Professor
You’re In The Air
Walk Unafraid
Why Not Smile
Daysleeper
Diminished
Parakeet
Falls To Climb
Disc 2 – Party of Five Recording
Introduction
What’s The Frequency, Kenneth?
Lotus
Daysleeper
Country Feedback
Walk Unafraid
Losing My Religion
Parakeet
The Apologist
Its The End Of The World As We Know It (And I Feel Fine)
I’m Not Over You
Man On The Moon
Disc 3 - Blu-ray
Up – 5.1 Surround Sound
Up – Hi-Resolution Audio
This Way Up (press kit)
Uptake (six-song performance)
Daysleeper (music video)
Lotus (music video)
At My Most Beautiful (music video)
Expanded Edition (2-CD/Digital):
Disc 1 – Up (remastered audio)
Airportman
Lotus
Suspicion
Hope
At My Most Beautiful
The Apologist
Sad Professor
You’re In The Air
Walk Unafraid
Why Not Smile
Daysleeper
Diminished
Parakeet
Falls To Climb
Disc 2 – Party of Five Recording
Introduction
What’s The Frequency, Kenneth?
Lotus
Daysleeper
Country Feedback
Walk Unafraid
Losing My Religion
Parakeet
The Apologist
Its The End Of The World As We Know It (And I Feel Fine)
I’m Not Over You
Man On The Moon
Up (2-LP Remastered Vinyl)
Side A
Airportman
Lotus
Suspicion
Side B
Hope
At My Most Beautiful
The Apologist
Sad Professor
Side C
You’re In The Air
Walk Unafraid
Why Not Smile
Daysleeper
Side D
Diminished
Parakeet
Falls To Climb
DOWNLOAD – hi-res photo | DOWNLOAD – Up album artwork
ABOUT R.E.M.:
Having established a powerful legacy as one of the most enduring and essential rock bands in popular music history, R.E.M. pioneered the alt-rock movement of the ’90s, influencing the likes of Radiohead, Nirvana, Pavement, and Pearl Jam. Formed in 1980, the group enjoyed an extraordinary three-decade-long run of creative vitality and multi-platinum sales before amicably disbanding in 2011. Despite great success, the band members never lost track of their core values—remaining outspoken in their views about political, social, and environmental issues, and never wavering when it came to artistic integrity. Throughout the course of their career together, R.E.M. released a total of 15 studio albums, won three GRAMMY® Awards, and were inducted into the Rock and Roll Hall of Fame in 2007.
DATES IN MONTREAL AND TORONTO NEXT WEEK
WATCH THE DREAMS VIDEO HERE
NEW EP THE HALF WE STILL HAVE OUT NOW
ON FANTASY RECORDS
"Striking... Poignant" - NPR
“Rachel Bobbitt is back with another stomach-jilting piece of
bedroom alt-pop perfection.” - Paste
"Rachel Bobbitt’s tender, shimmering voice has the capacity to carry a massive weight of emotion — a weapon she wields very carefully." - Consequence
"'The Ceiling Demos' offers fans of Bobbitt and newcomers to her music alike an intimate view into her process" - The FADER
"She wrote one of my favourite songs of 2022 with 'More from her last EP, The Ceiling Could Collapse, and her latest four-track collection is somehow an even more cohesive, pristine distillation of her sun-bleached syntax."
- Exclaim
TORONTO, ON - September 15, 2023 - Emerging Toronto-based artist, Rachel Bobbitt, released her remarkable new EP, The Half We Still Have, via Fantasy Records last month. Tonight, she kicks off her tour with Jesse Jo Stark in support of the release, and to mark the occasion she shares a gorgeous cover of The Cranberries’ classic, Dreams.
Of the cover, Bobbitt says: “I’ve wanted to cover Dreams for quite some time now. When I first made the demo, it was 2020 and I was staying at my parent’s place in Nova Scotia. The feeling of that slow summer surrounded by the rural landscapes of the valley worked its way into the track- I wanted it to feel like laying out in the sun with friends or a book. Stacks of vocal harmonies and a Twin Peaks inspired lead guitar remained for the final version, and I’m so excited to have been able to interpret such a beautiful song.” Listen to Dreams here and watch the video here.
The Half We Still Have is a series of sharp and incisive character studies, told with unflinching honesty, piercing intuition, and fearless self-reflection. “I wanted these songs to reflect the intense dynamics that take shape in relationships,” Bobbitt explains. “I’ve found in some relationships, you give and give, only to eventually lose yourself in the process. In those moments where we feel abandoned and hollow, a small sliver remains intact, preserved, and personal.”
The EP’s singles Two Bit, which Paste called “another stomach-jilting piece of bedroom alt-pop perfection,” and Clay Feet, which saw support from Stereogum, Brooklyn Vegan and more, perfectly encapsulates Rachel’s remarkable gift for expressing universal truths in the tiniest of details. Listen and/or purchase The Half We Still Have here.
Produced and mixed by Jorge Elbrecht (Sky Ferreira, Japanese Breakfast) at 80A Studios in Toronto, The Half We Still Have is a searing, empathetic work of musical non-fiction, and just the beginning of an immensely bright future to come.
UPCOMING TOUR DATES:
September 15 - Somerville, MA @ Crystal Ballroom *
September 16 - Burlington, VT @ Higher Ground *
September 23 - Montreal, QC @ Bar Le Ritz *
September 24 - Toronto, ON @ Velvet Underground *
September 25 - Detroit, MI @ Loving Touch *
September 26 - Cleveland, OH @ Grog Shop *
September 28 - Chicago, IL @ Empty Bottle *
September 29 - St Paul, MN @ Turf Club *
September 30 - Milwaukee, MN @ Back Room at Colectivo *
October 1 - St Louis, MI @ Blueberry Hill *
October 3 - Kansas City, MO @ recordBar *
October 5 - Denver, CO @ Meow Wolf *
October 6 - Salt Lake City, UT @ Urban Lounge *
* supporting Jesse Jo Stark
MORE ABOUT RACHEL BOBBITT AND THE HALF WE STILL HAVE:
Rachel Bobbitt (vocals/guitar) is joined on The Half We Still Have by close musical partner, Justice Der (guitar/e-bow), Stephen Bennett (drums/percussion), Isaac Teague (bass), Sam Laramee (synth) along with Alex George (strings). The band’s tight-knit cohesion, combined with Elbrecht’s visionary production, helps give Rachel’s expansive bedroom, art-pop compositions their shimmering toughness.
Previous EP, The Ceiling Could Collapse, and now The Half We Still Have showcase strong songwriting prowess, a skill that Bobbitt has been honing for a long time. She made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired. “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” She soon found herself at a jazz program, before leaving it during the pandemic to focus on her own music.
“Most of the moments I have had in my life that felt right, like they made sense, have been a result of human connection,” Rachel concludes. “It can be so beautiful, and it can also be desperate and damaging. I have had connections in my life that made me question the fundamentals of my character, and unfortunately, I don’t think that is uncommon. But throughout every complicated, demoralizing, or harmful relationship, there has always been that slice of myself that remained mine, even when I didn’t feel it. The Half We Still Have centres around that small piece, and the connections that threaten it.”
SHARES VIDEO FOR NEW SONG YES – WATCH HERE
DEFINITIVE EDITION OF THE ACCLAIMED ALBUM INCLUDES FOUR ADDITIONAL SONGS ON DIGITAL
+ THREE ADDITIONAL SONGS ON CD AND VINYL
STREAM / PURCHASE MICHAEL DELUXE HERE
“A complex portrait of Southern Black masculinity” - NEW YORK TIMES
"If Killer Mike is an undefeated superhero, Michael Render
is an unshakable man." – EXCLAIM!
“Killer Mike’s position as one of the great and yet underrated rappers and lyricists of his time is affirmed.” - SPIN
“MICHAEL is worth the wait: a soul-baring collection of deeply personal songwriting that nevertheless contains the kind of bars-on-bars rapping that RTJ fans have come to love.” - CONSEQUENCE
“One of the most heartfelt and serious albums in his discography” - FLOOD
“One of the year’s best albums” - BET
“The influence of the South’s church-steeped culture undergirds Mike’s tearful reflections and assertive remonstrations as he recounts his evolution from nihilistic drug dealer to community leader and unofficial poet laureate of Atlanta.” - UPROXX
“Michael reminds us that, Jewels or no Jewels, Killer Mike is a bona fide star, a man who spent years tirelessly making music on his own terms until the world was finally ready to come to him.” - SLATE
“Michael is a standout release in Killer Mike’s already impressive oeuvre.”
- HOT NEW HIP HOP
“Michael is an admirable body of work that serves as a reminder that Killer Mike is a preternatural mic controller that’s fully in tune with where he’s come from and the man he’s become after being molded by the fires of life.” - VIBE
TORONTO, ON – September 15, 2023 – Killer Mike has just released the definitive version of his acclaimed 2023 album, MICHAEL DELUXE, on 2xLP vinyl, CD, and digital. The album – now expanded to 17 tracks on the physical editions and 18 tracks digitally – arrives alongside a video for the new song, YES. The album details were announced last week with the release of Maynard Vignette, a huge multi-generational Atlanta anthem with features from T.I., JID, and Jacquees, with Mike explaining that “MICHAEL was originally longer and now we’re starting to release the rest of it. These songs are some of my favourites from the album sessions, but we needed more time to get them the way we imagined them. We finished three of them in time to make the vinyl and one more for the digital.”
Killer Mike hosted a global album celebration party for his fans on his YouTube channel last night on the eve of the release, where he premiered WHAT MADE MICHAEL (A Conversation with Elliott Wilson), a mini-doc where he breaks down his album and gives fans a guided tour of his upbringing in Atlanta, followed by the premiere of the music video for his new single, YES. Mike also joined Anthony Valadez and KCRW for a special evening at Apogee Studio in Los Angeles that aired as a Morning Becomes Eclectic session yesterday to celebrate the release. This Sunday, Mike will host a Record Store Revival at Rough Trade NYC at 4:00 p.m. ET, an in-conversation event moderated by Carrie Colliton (Co-President of Record Store Day), followed by an album signing event for fans in attendance. The conversation from the event will also livestream via his and Rough Trade's YouTube + META platforms, so that his fans around the world can join – tune in here.
MICHAEL was executive produced by No ID and released via Loma Vista Recordings, with a roster of features spanning multiple eras of rap, including Andre 3000, Future, Young Thug, Ty Dolla $ign, Curren$y, 6LACK, EL-P, Blxst, Eryn Allen Kane, and more (full tracklist below). The album has been heralded as “a complex portrait of Southern Black masculinity” for its holistic portrayal of Michael’s come up in Atlanta – from his inauspicious start being raised by his Grandmother, to his plainspoken and empathetic detailing of his teenage girlfriend’s unwanted pregnancy, to his years selling drugs to folks with whom he felt a deep human connection, to aspiring to and achieving rap stardom in the face of his own self-doubts. Since its release and subsequent touring Mike has interfaced with countless fans, from Nashville’s Ryman Auditorium to New York’s Apollo Theatre to Chicago’s Pitchfork Festival, to the Clive Davis Theater in the GRAMMY Museum in Los Angeles, who have been deeply moved and enriched by his relatable working-class story of perseverance, responsibility, and community.
Mike and the album have been a media fixture throughout the year, from a brand-new in-depth feature in Complex this week, to New York Times, Billboard, Esquire, BET, The Breakfast Club, Sway in the Morning, Vulture, SPIN, Idea Generation, and many, many more.
MICHAEL DELUXE TRACK LIST:
1. Down By Law (ft. CeeLo Green)
2. Shed Tears (ft. Mozzy & Lena Byrd Miles)
3. RUN (ft. Young Thug)
4. N Rich (ft. 6LACK & Eryn Allen Kane)
5. Talk’n That Shit!
6. Slummer (ft. Jagged Edge)
7. Scientists & Engineers (ft. Andre 3000, Future, & Eryn Allen Kane)
8. Two Days (ft. Ty Dolla $ign)
9. Spaceship Views (Curren$y, 2 Chainz, Kaash Paige)
10. Exit 9 (ft. Blxst)
11. Something For Junkies (ft. Fabo)
12. Motherless (ft. Eryn Allen Kane)
13. Don’t Let The Devil (ft. EL-P & thankugoodsir)
14. High And Holy (ft. Ty Dolla $ign)
New Tracks:
15. Yes
16. Maynard Vignette (ft. T.I., JID, & Jacquees)
17. Get Some Money
18 Act Up (ft. Young Nudy) *digital only
WATCH AND LISTEN HERE
WATCH HIROMI’S JUST-RELEASED NPR TINY DESK HERE
ELECTRIFYING NEW BAND HIROMI’S SONICWONDER FEATURES HADRIEN FERAUD (BASS), GENE COY (DRUMS)
AND ADAM O’FARRILL (TRUMPET)
NORTH AMERICAN TOUR OCTOBER 7 TO 20
WITH VANCOUVER AND TORONTO STOPS
TORONTO, ON – September 15, 2023 – Internationally celebrated and GRAMMY-winning pianist and composer, Hiromi, has shared a new song. Reminiscence, featuring UK singer/songwriter/keyboardist, Oli Rockberger, is from her forthcoming album Sonicwonderland, out October 6 (via Telarc). Sonicwonderland represents a new musical adventure for the constantly evolving pianist and composer, who is a star in her native Japan, and burst onto the music scene 20 years ago with her debut album. Recorded with a new quartet, called Hiromi’s Sonicwonder, the album features nine new works bursting with synthesizer and deep-in-the pocket grooves. Watch the video for Reminiscence here and pre-order Sonicwonderland here.
Featured vocalist, Oli Rockberger, was a classmate from Hiromi’s days at Berklee College of Music. Hiromi says, “We’ve been great friends for many years. So even though he didn’t know at the time, he was there from the song’s inception. I called Oli and said, ‘I’ve written this song and I'm hearing your voice in my head. Would you like to co-write the lyrics?’” The finished composition was initially set aside but came to fruition once Hiromi realized how well Adam O’Farrill’s trumpet could complement Rockberger’s singing.
Hiromi also just made her NPR Tiny Desk debut, which has over 400,000 views in just seven days. Together with the Sonicwonder band that made the new album, they performed two songs from it (the title track and Wanted). Says NPR Music, “[Hiromi’s] whole body generates an observable power that's also playful and virtuosic. She plays with great command but yet she is also at ease, as her notes ripple from her fingertips like streams of water.” Watch here.
Hiromi has also announced a select run of shows performing this new album in North America in October, with stops in Vancouver on October 7 and Toronto on October 18. See below for the full itinerary.
Hiromi’s Sonicwonder is a quartet featuring blossoming young talents Hadrien Feraud (bass), Gene Coye (drums), and Adam O'Farrill (trumpet) and began performing live together earlier this spring. Sonicwonderland was recorded May 25-28 at Skywalker Sound Stage in Nicasio, California, where Hiromi also recorded her 2019 solo piano album, Spectrum. In addition to new works written for this project, the album includes songs that were released on her One Minute Portrait YouTube initiative during the pandemic and rearranged for this band. "The word 'wonder' has a lot of meaning. It fits the musical view that I have for this project…it is definitely a new adventure for me," says Hiromi.
Hiromi previously released the title track, Sonicwonderland, with a music video, inspired by classic videos games (watch here). And watch the album trailer here.
Sonicwonderland is Hiromi’s 12th studio album, a prolific artist who has explored a number of musical spheres over the course of her career. Earlier this year she recorded the soundtrack to, Blue Giant, a motion picture film based on the manga series of the same name. 2021's Silver Lining Suite features her with a string quartet and 2019's Spectrum a solo piano recording. Her work has been celebrated by the New York Times, NPR and NPR Music, the Washington Post and beyond, and she was a featured performer at the Tokyo Olympics opening ceremony in 2021. She has worked with Stanley Clark, Chick Corea, Ahmad Jamal (who produced her first album and was her mentor), and many other jazz luminaries throughout her career, is a perennial favorite on DownBeat’s Annual Critics Poll, and has performed at the world’s finest jazz festivals.
The Sonicwonderland cover was created by Lou Beach, famous for his Weather Report album covers, not to mention Blink 182's Dude Ranch and albums by Flying Burrito Brothers, Madonna and Weird Al.
October 10 - Kuumbwa Jazz Center (Hiromi’s Sonicwonder) Santa Cruz, CA
October 11 - Bing Concert Hall (Hiromi’s Sonicwonder) Stanford, CA
October 13 - Sony Hall (Hiromi’s Sonicwonder) New York, NY
October 14 - Sony Hall (Hiromi’s Sonicwonder) New York, NY
October 18 - Flato Markham Theatre (Hiromi’s Sonicwonder) Toronto, ON
October 19 - Strathmore (Hiromi’s Sonicwonder) Bethesda, MD
October 20 - Stewart Theater, NC State University (Hiromi’s Sonicwonder) Raleigh, NC
WATCH HERE
PLAYING LOS ANGELES, SAN DIEGO, PHOENIX
AND OKLAHOMA CITY NEXT WEEK
FRONT DOOR CONFRONTATIONS
EP OUT NOW ON FANTASY RECORDS
TORONTO, ON – September 14, 2023 – Rising Nashville-based indie rock band, The Criticals (Parker Forbes and Cole Shugart), who released their new EP, Front Door Confrontations via Fantasy Records earlier this summer, will begin a swing of shows in California, Arizona and Oklahoma beginning next week. Front Door Confrontations features the singles, Clever Girl and Belmont, along with the epic opener, All The Way. Listen here.
Known for their electric shows, the band has also released a new, live performance video of fan favourite, High Life Clinic, from their record release show at the Basement East in their hometown of Nashville last month. Watch High Life Clinic (Live at Basement East) here.
The Criticals' run of western U.S. tour dates kicks off on Monday, September 18 at The Echo in Los Angeles, followed by House of Blues (Voodoo Room) in San Diego on September 20, the Valley Bar in Phoenix on September 21 and Oklahoma City’s Uptown After Dark on September 23.
"There is nothing better in the world than getting to play our music in a sweaty little packed club for our people,” says Forbes and Shugart. “Especially when we have so much new music to play. We have dreamed of playing all of these clubs since we were teenagers, especially The Echo. It's going to be a dream come true.”
Friends for more than a decade, Forbes and Shugart forged a unique musical bond logging time together in Nashville’s wild DIY rock scene. Building on the foundation laid by their heroes Bowie, The Stones, and The Kinks, the pair’s taut, revved up tunes also evoke post-modern touchstones such as The Strokes, The 1975, and Fontaines DC. That close friendship and shared vision has spawned a symbiotic musical partnership that fuses tuneful classicism and indie-rock thrash into a seductive, unforgettable mix. Following a pair of highly-regarded EPs — 2019’s Mimosa Hygiene and the following year’s Sour Grapes — not to mention a steady diet of raucous live shows, the band released their most accomplished work yet with Front Door Confrontations.
Since officially forming in 2018, The Criticals have proven themselves with their sharp songwriting and a whiplash live show that has drawn sell-out crowds in major US markets including New York, Los Angeles, and Chicago. The Criticals will begin recording their debut full-length album for Fantasy later this year.
TOUR DATES:
September 18 - The Echo - Los Angeles, CA
September 20 - House of Blues Voodoo Room - San Diego, CA
September 21 - Valley Bar - Phoenix, AZ
September 23 - Uptown After Dark - Oklahoma City, OK
LISTEN HERE
DOUBLE ALBUM EXPANDS HER 2023 OPUS WITH
NINE PREVIOUSLY-UNRELEASED TRACKS OUT OCTOBER 13
ON LOMA VISTA RECORDINGS
WATCH THE FINAL INSTALLMENT OF ACCOMPANYING
SHORT FILM LIGHT ME UP EXPLORING HER LATEST COLLABORATION WITH MIKE CAMPBELL: UNORIGINAL SIN
FALL TOUR ROLLS ON WITH AMERICANA AWARDS, FARM AID,
HEADLINE DATES & MORE, PLUS THE PREMIERE OF NEW
AUSTIN CITY LIMITS EPISODE
TORONTO, ON – September 14, 2023 – Today, with the release of Act II: Mind Travel, Margo Price shares three more songs that widen the time-bending world of Strays II. Out in full on October 13, the nine-track expansion to 2023’s acclaimed Strays LP is a triptych of musical exploration, each part telling its own unique story of love, grief and acceptance. With contributions from Strays and Strays II producer, Jonathan Wilson, as well as Buck Meek and Ny Oh, Act I: Topanga Canyon reflected on the pain and sacrifice it takes to find freedom. Act II: Mind Travel enters the parts of a psychedelic journey where one learns to both ponder the past, and embraces the present with open arms. Inspired by beat poetry, out-of-body experiences and the loss of Price’s family farm, Strays II’s second of three acts includes the previously unheard Black Wolf Blues, Mind Travel and Unoriginal Sin (feat. Mike Campbell), all available now via Loma Vista Recordings. Listen to Act II: Mind Travel here and pre-order Strays II here.
Since announcing Strays II last month, Margo Price has further expounded upon the double album with Light Me Up, a three-part short film directed by Chris Phelps. Each vignette brings viewers into the Topanga studio and life-changing sessions where the music was recorded: Part I: Light Me Up sees Price discussing the role that mushrooms and sex played in her writing process, and Part II: County Road reminisces on the passing of a beloved friend, whose life is honoured in one of the Strays’ stirring centrepieces. The final installment, Part III: Unoriginal Sin, debuts today and illustrates the surreal feeling of co-writing with Mike Campbell. Watch it here, and read more from Margo Price on the collaboration and the rest of Act II: Mind Travel:
“The psychedelic journey continues down the blurry rabbit hole of time and space. We were lucky to have Mike Campbell co-write a dark rocker called Unoriginal Sin. Working with him on some of these songs was like having a master class in songwriting. Sometimes there are dark corners you haven’t explored for some time, but it does some good to clean them out.
Mind Travel is one of the more lyrically strange songs I’ve written. Jeremy and I wrote it in South Carolina. It’s pretty much beat poetry on drugs with a back beat – it was influenced by having an out of body experience on psilocybin. We both had some pretty incredible breakthroughs about accepting death and just reckoning with how fast it’s all going. It’s okay to be reflective and remember the past as long as you don’t get stuck back there. This part of the trip is where you learn to be satisfied with the present.
I love how these songs came together. Black Wolf Blues in particular, Jeremy started writing the words from my exact point of view – he found myself reflecting on my ancestors, my grandparents (Paul & Mary Price) and their love and how it grew despite the drought and the loss of their farm. I wrote the chords and the melody and helped finish the verses and chorus. Even though it has a sweetness and a nostalgic way about it, there is a looming darkness – the wolf who’s been watching and weaving his way like a stray throughout the entire album. Look for him. It’s like an invisible plague hanging in the air, it’s the man in the suit and tie who’s lying to you through his straight, white teeth. He hides in shadows.”
Following the digital, double album release of Strays II on October 13, all nine of the new Strays II songs will be available on vinyl on November 10. Before then, Margo Price will return to the Americana Honors & Awards next week, where she is up for Artist of The Year, Album of The Year and Song of The Year. Tied for the most nominations of any single artist in 2023, the accolades have cemented Strays as “her strongest solo work yet” (The New Yorker).
In recent weeks, Margo Price performed at the Grand Ole Opry with Tyler Childers, detailed the new Jessi Colter album that she produced, hosted a star-studded tribute to John Prine for Newport Folk Festival and more. Her latest episode of Austin City Limits premieres on October 28 as part of Season 49 of the PBS program, and her tireless year of touring rolls on with a fall leg of Til The Wheels Fall Off, including numerous headline shows, dates with Chris Stapleton and Jason Isbell, Orville Peck’s Rodeo, and festivals such as XPoNential, Pilgrimage and Farm Aid, where Price is the first female artist to sit on the board of directors. Find the full list below and tickets at margoprice.net/tour.
STRAYS TRACKLIST:
1. Been To The Mountain
2. Light Me Up (feat. Mike Campbell)
3. Radio (feat. Sharon Van Etten)
4. Change of Heart
5. County Road
6. Time Machine
7. Hell In The Heartland
8. Anytime You Call (feat. Lucius)
9. Lydia
10. Landfill
STRAYS II TRACKLIST:
Act I:
1. Topanga Canyon
2. Strays
3. Closer I Get (feat. Ny Oh)
4. Malibu (feat. Jonathan Wilson, Buck Meek)
Act II:
1. Mind Travel
2. Black Wolf Blues
3. Mind Travel
4. Unoriginal Sin (feat. Mike Campbell)
Act III:
1. Burn Whatever’s Left
2. Homesick (feat. Jonathan Wilson)
3. Where Did We Go Wrong
4. Burn Whatever's Left
UPCOMING TOUR DATES:
September 14 - Bloomington, IN - The Castle Theatre #
September 15 - Madison, WI - Live On King Street #
September 16 - Bayfield, WI - Lake Superior Big Top Chautauqua #
September 17 - Des Moines, IA - Wooly's #
September 22 - Camden, NJ - XPoNential Music Festival
September 23 - Noblesville, IN - Farm Aid
September 24 - Franklin, TN - Pilgrimage Music & Cultural Festival
September 28 - Harrisburg, PA - Harrisburg University (XL Live)^
September 29 - Northampton, MA - Academy of Music^
September 30 - North Truro, MA - Payomet Performing Arts Center^
October 1 - Bridgeport, CT - Sound on Sound
October 3 - Cleveland, OH - Beachland Ballroom^
October 5 - Charlottesville, VA - John Paul Jones Arena*
October 6 - University Park, PA - Bryce Jordan Center*
October 7 - Belmont Park, NY - UBS Arena*
October 27 - Huntsville, AL - Orion Amphitheater !
November 3 - Scottsdale, AZ - Dreamy Draw
November 12 - Pioneertown, CA - Orville Peck’s Rodeo
December 12-15 - Cancun, MX - Dead Ahead Fest 2024
* supporting Chris Stapleton
# w/ S.G. Goodman
^ w/ Brit Taylor
! supporting Jason Isbell and The 400 Unit
DOWNLOAD – Strays II cover artwork
DOWNLOAD – Act II: Mind Travel cover artwork
DOWNLOAD – hi-res photo
TORONTO, ON – September 14, 2023 - Today, Denzel Curry releases new single, SKED, featuring rising Atlanta artist, Kenny Mason. The new single arrives on the heels of Curry performing four sold out shows at the iconic Blue Note Jazz Club in New York City (at which Kenny Mason made a surprise appearance at one of the shows to perform SKED) and his July single, BLOOD ON MY NIKEZ, with Juicy J and its companion, ICE COLD ZEL FREESTYLE with ICECOLDBISHOP.
These songs mark the beginning of a new chapter in Denzel Curry's musical journey, one in which he is embracing spontaneity by sharing his music as it is being created, rather than holding onto songs until they are released later as part of a larger conceptual body of work, as he has done throughout the bulk of his career to date.
Listen to SKED above now and stay tuned for more from Denzel soon.
A DAZZLING MEDITATION ON THE HUMAN CONDITION FILTERED THROUGH THE LENS OF THE CALIFORNIA MYTH
PRODUCED BY THREE-TIME GRAMMY WINNER
SHOOTER JENNINGS
LISTEN TO NEW SINGLE SOME MISTY MORNING
FEATURING ERIN RAE
UPCOMING APPEARANCES INCLUDE GRAND OLE OPRY DEBUT, AMERICANAFEST, AND OCTOBER RUN
WITH VINCENT NEIL EMERSON
“Like its predecessor, Golden State distills a variety of roots influences with some echoes of pop — fitting for an artist who also loves the 1960s Los Angeles sounds of Phil Spector, The Wrecking Crew, The Beach Boys — to create a style and sensibility that are familiar yet fresh. Golden State, however, is more suffused with an elegant melancholy that reflects the bruised romanticism and existential angst at the heart of Ledger’s exquisitely crafted compositions.” - Nick Cristiano, No Depression
“These effortlessly melodic tunes and Ledger’s rich performance sound familiar. It’s the mark of quality songwriting, near-perfect production, and an artist comfortable in his own unique talents.” - Hal Horowitz, American Songwriter
“For many, Logan Ledger is on the short list of the greatest modern singers in the country and roots space. Though that might sound like hyperbole to some, it’s not to those who’ve heard him sing.” - Kyle “Trigger” Corneos, Saving Country Music
TORONTO, ON – September 8, 2023 - Today, Logan Ledger, releases his sophomore album, Golden State, a ruminative and graceful 10-song collection steeped in many of the ineffable qualities embodied by California: wild-eyed idealism, uneasy predictability, and the infinite promise of rebirth and renewal. Listen here.
Produced by three-time GRAMMY winner, Shooter Jennings (Brandi Carlile, Turnpike Troubadours, Tanya Tucker), Golden State marks a stylistic departure from the timeless country noir of Ledger’s critically lauded, self-titled 2020 debut. The album features performances by Cage the Elephant guitarist Nick Bockrath, pedal-steel player Russ Pahl (Tyler Childers, Sturgill Simpson), Jennings’ longtime bassist, Ted Russell Kamp, and drummer Jamie Douglass, and Jennings himself (on piano, Wurlitzer, organ, and celeste), dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late 60s and early 70s. Mainly recorded live at the famed Sunset Sound in Los Angeles, the result is a sublime setting for Ledger’s meditation on loss and despair and the search for transcendence.
One of Golden State’s most mesmerizing moments, Some Misty Morning, a luminous duet between Ledger and singer/songwriter Erin Rae, is available today as a single. Ledger reflects, “I tend to write songs that can be interpreted either spiritually or secularly, so that song could be either about looking forward to the afterlife or about waiting for a reunion with someone you love.” Listen to it here.
“Making this record really reinforced that I don’t ever want to do the same thing twice,” Ledger said. “In the future, I might make a crazy Western swing record or an ‘80s country-pop record, but no matter what I do, I always want to combine different eras and styles and come up with these strange hybrids. I’m not much of a purist and I don’t have any interest in just repeating the past,” he laughs. “I guess we’ll see what the future has in store.”
Later this month, Ledger will make his debut on the Grand Ole Opry stage, closely followed by appearances at the Americana Music Festival in Nashville and the BeachLife Ranch Festival in Redondo Beach, CA. In October, he will join Vincent Neil Emerson for a series of dates in the western United States. Further tour plans will be announced next week.
TOUR DATES:
September 10 - The Groove (In Store), Nashville, TN
September 16 - The Grand Ole Opry, Nashville, TN
September 22 - 3rd & Lindsley/AmericanaFest 2023, Nashville, TN
September 24 - Beachlife Ranch Festival, Redondo Beach, CA
October 4 - Cypress, Reno, NV*
October 5 - Temblor Brewing Company, Bakersfield, CA*
October 11 - Mississippi Studios, Portland, OR*
October 12 - Volcanic Theatre Pub, Bend, OR*
October 13 - Trout Lake Hall, Trout Lake, WA*
October 14 - Tractor Tavern, Seattle, WA*
October 16 - District Bar, Spokane, WA*
October 18 - Top Hat Lounge, Missoula, MT*
October 19 - The Coop, Columbia Falls, MT*
October 20 - The Rialto, Bozeman, MT*
10/21 Mangy Moose, Teton Village, WY*
*support for Vincent Neil Emerson
LISTEN HERE
TORONTO, ON – September 8, 2023 – Up-and-coming 22-year-old, Tommy Richman, releases his latest EP, THE RUSH, today via PULSE Records x ISO Supremacy. The five-track EP traces the emotional turmoil of a relationship in distress, encompassing emotions ranging from frustration, desire, to rage and lust. This release follows the announcement earlier this month that Richman has become the first signee to launch the joint venture between PULSE Records and ISO Supremacy, the newly founded label and creative agency by artist Brent Faiyaz. Listen to THE RUSH here.
“Putting out THE RUSH feels like an emotional release to me. It’s a lot of pent up energy that I’ve been ready to show the world. – I made a lot of these songs at the lowest point in my life, no money, no stability, no support, I stayed on my friend Jonah’s couch for six months working on this project. I still listen back excited every time I hear these songs,” says Richman.
THE RUSH begins with MESSY, a brooding yet boppy number that channels classic R&B vocal harmonies and melodies intricately layered over contemporary beats, creating a slick, smooth musical landscape. As the EP progresses, GLOCK 25 ft. Zachary Moon brings in a slower tempo, contrasting sharply against the velvety vocal production that viscerally illustrates the tension between love and frustration. The EP concludes on an upbeat note with DEMONS and PRAY 2 U, with the latter combining all the elements of a potential viral TikTok sensation. Driven by a solid disco groove, the danceable beat leads into a sweeping chorus that fills the sonic space, creating a catchy, glimmering, slick atmosphere.
Hailing from Woodbridge, Virginia, Richman demonstrates a genius ability to blend and bend various genres into a signature sound, creating expansive and moody tracks that encompass influences from disco and indie pop to R&B and hip-hop. His sound, while deeply rooted in alt hip-hop foundations, seamlessly incorporates elements of alt rap and house/bounce influences. Richman channels the emotive depths of R&B into his songs, crafting tracks that invite listeners to dance while simultaneously tapping into an underlying world of emotions.
Faiyaz first debuted Richman to his world via the release of the visually stunning Jackie Brown music video earlier this month, where Richman is seen clinking glasses at a table with Faiyaz and his crew as they dine with beautiful women. This initial feature marked Richman's introduction as the inaugural artist for Faiyaz’s newly created label ISO Supremacy (an acronym for 'In Search Of Supremacy') as they join forces with legendary PULSE Music Group to establish a new paradigm in the music industry.
“In launching my new label ISO Supremacy and partnering with PULSE Records, we’ve created this platform to give artists like Tommy Richman a creative home with the ability to scale global impact and a team that is accessible who keeps creativity at the forefront. We’re going to continue to make history,” comments Faiyaz.
Richman is currently opening for Faiyaz on the sold out F*ck The World, It’s A Wasteland! Tour, which continues through November 2023 and was reviewed by Miami New Times as having a “genuine and lighthearted approach to live performances.” The synergy of this tour, combined with the release of the EP and Richman's landmark inauguration of ISO Supremacy, underscore a powerful launch into a new phase of Richman’s creative journey. Undoubtedly, these converging events set the stage for Richman to solidify his dominance in the music world. Follow Tommy Richman via Instagram for more news.
THE RUSH TRACK LIST:
1. MESSY
2. LAST NITE
3. GLOCK 25 ft Zachary Moon
4. FEVER
5. PRAY 2 U
DOWNLOAD – press photo | DOWNLOAD – album cover artwork
ABOUT TOMMY RICHMAN:
Musician, Tommy Richman, blends music genres based on feeling and impulse; his vocals come from the heart, not pen and paper. As a DIY artist, several of Richman’s songs have streamed into the millions, including the warm and lush melody of ELECTRIFY TONIGHT, the punchy Games, and the frantic glitchiness of Chrono Trigger. His diverse catalog reflects a broad scope of abilities and moods. “I feel like I switch up my style every four months,” Richman notes. The artist does not overthink his direction or classification. Instead, he creates from the heart with intention and care. That authenticity attracted multi-platinum artist, Brent Faiyaz, whose new imprint, ISO Supremacy, now backs Richman along with PULSE Records.
Named after the famed Mötley Crüe drummer, Richman seemed destined for music. He grew up just 30 minutes outside Washington, D.C., in Woodbridge, Virginia. Deeply rooted in his local music community, Richman took a risk. In early 2022, he relocated to Los Angeles. The move changed his life. There, he recorded Games and mynameisntjmack collaboration, BUNKER/PREROLL, songs garnering millions of listens. Faiyaz’s team heard and presented this music, leading to Tommy's signing. THE RUSH shows range, depth, and emotion. “I mix genres of music, but I make it make sense with a great curated experience.”
The dynamic collaboration showcases a twist on Purple Disco Machine’s signature style, leaning into electronic indie pop with shimmering synth textures, a bubbling electro bassline, and Nothing But Thieves’ unmistakable sound. The unique blend of genres is further enhanced by Dom Craik and chart-topping producer, Duke Dumont, whose friendship with Purple Disco Machine was born out of playing shows together over the years.
The track is accompanied with a super slick visual directed by Denisha Anderson at Caviar. Featuring cameo appearances as hijacked hostages from Nothing But Thieves and Purple Disco Machine, the video takes viewers from high-speed joyrides to robbing restaurants as fiery, romantic sparks take centre stage.
Purple Disco Machine has been at the forefront of a disco revival, earning accolades and chart success with his infectious grooves. His recent collaboration with Kungs on Substitution, so far achieved over 110 millions streams worldwide, becoming another massive European airplay hit (#2 in Europe), and Gold status in Italy, The Netherlands, France, Belgium and Hungary. With an impressive track record that includes GRAMMY wins and remixes for a multitude of acclaimed artists, Purple Disco Machine has solidified his position as a trailblazer in electronic music. Having recently received a GRAMMY for Best Remix Performance on Lizzo's About Damn Time, Purple Disco Machine continues to ride a wave of incredible success. The electronic virtuoso has established himself as a chart-topping artist through his collaborations with Sophie and the Giants on tracks including Hypnotized, In The Dark and Paradise as well as achieving numerous multi-platinum singles with the likes of Eyelar and Moss Kena. Alongside these achievements, Purple Disco Machine has consistently delivered a series of dancefloor favourites including Body Funk, Dished (Male Stripper), Rise, Playbox and recent single Bad Company.
Nothing But Thieves are known for their distinctive sound and powerful lyricism. The band bring their alt-rock sensibilities to the table, adding a dynamic edge to the collaboration. The Southend five-piece recently released their UK #1 album Dead Club City and have an adept ability to progress their sound and experiment between the diverse genres that shape them, which make Something On My Mind a particularly powerful collaboration.
While Duke Dumont’s focus is purely on artistry and building a world-beating live show, he’s still in the habit of making outrageously successful music commercially in the process. His worldwide streaming numbers literally stretch into the billions, over 4 billion to be precise, making him one of the most successful producers of electronic music on the planet. Monster tracks such as The Chant, Ocean Drive, The Power, Red Light Green Light, I Got U and Need U (100%) have been detonating clubs and parties, and continue to do so, for the last decade. Upon release, I Got U and Need U (100%) went to #1 in the UK single charts.
The concept for a collaboration blossomed from a mutual respect shared between Purple Disco Machine, Duke Dumont and Nothing But Thieves. Purple Disco Machine has long been an admirer of the indietronica sound, which is evidenced by his remixes for artists like Foals, Two Door Cinema Club, Balthazar, New Order and Royal Blood. When Nothing But Thieves approached Purple Disco Machine with a request to remix a track from their latest album, Purple Disco Machine had a different proposition in mind – instead, proposing the idea of creating something entirely original together. With this, the band eagerly joined forces, resulting in the birth of Something On My Mind.
After already playing a run of multiple headline DJ sets across the globe earlier this year Purple Disco Machine will play his first ever headline show in his home city of Dresden on September 15. The sold out 5 thousand capacity show will feature guest appearances by many of the collaborating artists from his hit records. With more than 80 shows to play in 2023 he will then travel to the USA, Canada, Europe and Mexico to spread some more disco love across the planet.
Something On My Mind is out now and is set to be one of the biggest anthems of 2023.
UPCOMING TOUR DATES:
September 15 - Purple Disco Machine & Guests @ Junge Garde, Dresden, DE
September 22 - Echostage, Washington DC
September 23 - Life Is Beautiful Festival, Las Vegas, NV
September 24 - Brooklyn Mirage (Day + Night Show), Brooklyn, NY
September 29 - Midway Pre-Party, San Francisco, CA
September 30 - Portola at Pier 80, San Francisco, CA
October 1 - Shrine Outdoors w/ Chromeo, Los Angeles, CA
October 13 - Tomorrowland, Sao Paolo, BR
October 14 - Madero Broadwalk, Buenos Aires, AR
October 21 - AMF @ ADE, Amsterdam, NL
October 28 - Elrow @ Fabrik, Madrid, ES
November 2 - Travel With Pride @ Belmond VSEO Train
November 3 - Duplex Club, Prague, CZ
November 10 - Gasometer, Vienna, AT
November 11 - Dogana, Innsbruck, AT
November 19 - Dreamfields, Guadalajara, MX
DOWNLOAD - Single Art
ABOUT PURPLE DISCO MACHINE:
So ingrained in his identity, Tino Piontek’s artist name, Purple Disco Machine, is a deliberate homage to his funk hero, Prince, and the dance flair of Gloria Estefan’s, Miami Sound Machine. While the sonic identity of Purple Disco Machine grew up in the clubs of East Germany, where his passion for disco and house flourished, he has since evolved to become an all-encompassing radio and streaming king. A suitable title for an artist with over 1 billion streams and multiple European Airplay Chart toppers across his catalogue with hits such as Hypnotized, Fireworks, Dopamine, In The Dark and Substitution. Beyond the radio, he has proven to be a club favourite among DJs across the world as the #2 best-selling Beatport Artist of all time with dance floor heaters such as Body Funk, Dished (Male Stripper), Playbox, and Devil In Me feat Duane Harden & Joe Killing-ton. A GRAMMY Award winner with a remix of Lizzo’s About Damn Time, Purple Disco Machine has had huge success with multiple high- profile remixes for the likes of Dua Lipa, Mark Ronson, Foals, Calvin Harris, Sir Elton John & Britney Spears, Fatboy Slim, Lady Gaga & Ariana Grande, Diplo & SIDEPIECE and many more. Proving his passion for the intimacy of the dancefloor the acclaimed producer played more than 160 shows in 2022/23 across Europe, the United States, and South America, with festival appearances at Coachella, Tomorrowland, Lollapalooza, Ushuaia Ibiza and Dreamland Pride in Central Park New York. A dedicated performer and a hit-maker extraordinaire, his influence on the global dance scene will be felt for generations to come.
CONCORD JAZZ DEBUT OUT JANUARY 19, 2024
LISTEN TO FIND YOUR PEACE FEATURING COMMON, ROBERT GLASPER AND JEAN BAYLOR
WATCH THE MUSIC VIDEO HERE
FOREVERLAND ALSO FEATURES PJ MORTON, LAURA MVULA, MALAYA
TORONTO, ON – September 7, 2023 – Keyon Harrold has announced his new album, Foreverland, out January 19, 2024 on Concord Jazz. A “world class trumpeter” (Essence) and composer, Harrold has performed on a host of GRAMMY-winning projects, and has been widely celebrated for his ability to transcend jazz, R&B, hip-hop and pop with his singular sound, positioning him as go-to performer for a who’s-who of stars: Jay-Z, Beyonce, Rihanna, Eminem, Maxwell, Mac Miller, and Snoop Dogg to name a few.
Foreverland features 10 timely and timeless original compositions that explore themes of empowerment, positivity, love, loss, and vulnerability. The album’s guests include Laura Mvula and Malaya, along with GRAMMY-winning artists, Common, Robert Glasper, PJ Morton, Jean Baylor, Chris Dave, and legendary musician, Greg Phillinganes. The vinyl version of Foreverland will be released March 1, 2024. Pre-order Foreverland here.
Today, Harrold has released Find Your Peace (Single Edit), featuring longtime collaborators, Common, Robert Glasper and vocalist Jean Baylor. Harrold sings on the track as well. Watch the animated video here and listen here.
“Find Your Peace is my ode to finding everlasting happiness in the most aggressive, intentional, thoughtful ways,” says Harrold. “For some it’s found in religion. Others seek peace in rituals, rest, reflection, meditations; love and loved ones; getting lost in books; or lost and found in nature. It’s all part of the lifelong search to find that internal stillness, that eternal peace. Finding that stillness in the troubled waters of life is both the challenge and the goal.”
Foreverland is proudly emotional and dramatic, a triumphant journey that takes the listener through the good, the bad, the ugly and the beautiful experiences that lead to wisdom. Says Harrold: “What I can offer as a musician who plays an instrument with no words is an honest conveyance of emotion. Some of these notes, I play them because there’s not a better word.”
Before he set out to make the album, Harrold found himself stuck in the doldrums of the pandemic lockdown, and a birthday that found him adrift. Personal challenges left him exhausted, including the passing of his mother, and the racially charged assault of his 14-year-old son that became part of the national news cycle.
He broke through the creative block in a most surprising way: a trip to Vegas. But Harrold passed up the slots for the studio, and was invigorated from playing with his musical family after months of isolation. The sessions enabled him to tap into a deeper space of creativity, turning his pain into power that brought his music to a new level. A profound awakening with each note he played, he emerged with a renewed creative spirit not felt in years. Harrold then brought the raw emotion of the Vegas sessions into focus by creating a vivid tapestry of melody, harmony, and instrumental improvisations. Harrold’s most provocative work to date is laced with sultry tempos, sensual vocals, and rich tones that maximize the album’s expressive intentions. He cites a wide-ranging list of inspirations, from Radiohead and Fela Kuti to Coltrane and Fleet Foxes, and the album’s collaborators helped Foreverland coalesce into some of the most exciting work of his career.
Find Your Peace – a mashup of jazz, hip-hop and R&B – sets the tone for the album, with the opening lyrics, “Gotta find that peace of mind / can’t control things outside,” serving as a mantra. Beautiful Day, featuring PJ Morton, radiates joy over a quick-paced samba with a touch of distortion fuzz. Instrumentals include The Intellectual, Harrold dazzling on trumpet over a slow burning groove, and the hard-charging Gotta Go (Outer Space). In August, Harrold released the R&B-heavy Don’t Lie featuring the lush vocals of Malaya.
Foreverland is a family affair — nearly every musician is a longtime friend, and Harrold accounts the record’s warmness to this dynamic. “It’s like the ingredients of a great meal: you don’t need just any pepper, you need a certain kind. Every musician on this record is a rare and essential element.” The lineup includes Chris Dave and Marcus Gilmore on drums, Nir Felder, Randy Runyon and Justus West on guitar, Burniss “Boom” Travis and Brandon Owens on bass, Greg Phillinganes, BIGYUKI, Shedrick Mitchell and Jahari Stampley on piano/keyboards, and Jahi Sundance on turntables. In addition to singing on Find Your Peace, Harrold also sings or speaks on four other tracks.
Harrold was born and raised in Ferguson, MO to a musical family – the son of pastors and one of 16 children – and moved to New York to study at The Mannes Conservatory of Music at The New School. While there he landed his first major gig with Common, an experience which he says broadened his musical horizons beyond jazz to include funk, Afrobeat, R&B, and hip hop. He released his solo album, Introducing Keyon Harrold (2009), and then won wide acclaim for his trumpet performances in Don Cheadle’s Miles Davis biopic, Miles Ahead, which featured him on the GRAMMY-winning soundtrack for the film. 2017’s The Mugician featured Pharoahe Monch, Gary Clark, Jr., Big K.R.I.T., Guy Torry, Georgia Anne Muldrow and Robert Glasper. It was praised by the NY Times as "a stirring piece that consolidates elegy and exhortation" and AllMusic celebrated the album’s “alchemical swagger.” Hailed as “the future of the trumpet” by Wynton Marsalis, Harrold has toured the globe, playing the world’s top venues and festival stages, and will be touring extensively over the next year.
TRACKLIST:
1. Find Your Peace featuring Common, Robert Glasper, Jean Baylor
2. Beautiful Day featuring PJ Morton
3. The Intellectual
4. Foreverland featuring Laura Mvula
5. Well Walk Now (Perseverance)
6. Don’t Lie featuring Malaya
7. Paranoid
8. Gotta Go (Outer Space)
9. Pictures
10. Peace Beyond
NEW SINGLE JEALOUS MOON OUT NOW
LISTEN | WATCH
TORONTO, ON – September 7, 2023 - Four-time GRAMMY winner, Sarah Jarosz, has announced her new album, Polaroid Lovers. The record is set for release on January 26 via Rounder Records. To mark the occasion, she has shared the album opener, Jealous Moon, and its companion video. Watch here. The song finds Jarosz backed by a decidedly more electric band, with her Texas lilt as clear and evocative as ever. Polaroid Lovers is available for pre-order today digitally and on vinyl with gray, lavender, orange and green splatter variants. Indie retailers will also have a special blue and green splatter vinyl. More information here.
Sarah Jarosz on Jealous Moon: “I wrote this song with Daniel Tashian in Monteagle, TN on a screened in porch with birds chirping all around. It was a warm summer afternoon. It started as a quiet melody on ukulele and nylon string guitar, but when we got to the studio it became something much more powerful. It’s a song about the times when the parts of ourselves that we try to keep hidden rise to the surface and we have no choice but to ride the wave. Sometimes that means doing your own thing to figure it out so you can emerge stronger on the other side. It’s not about the end of a relationship, but rather a moment of self reflection and a promise to keep showing up even when things get tough. Once Daniel played the opening riff on piano I knew it had to open the album. I’m always seeking to push myself into new sonic territory, and this song gave me permission to not hold back.”
The seventh album from Sarah Jarosz finds the highly decorated songwriter at the apex of change. A Texas native, she’s spent most of her adult life living in New York City, but shortly before writing the album Jarosz left her adopted home to join her soon-to-be husband in Nashville, TN. The geographic shake-up led to a sonic one as well for Polaroid Lovers. For the first time in her career, she opened herself up to collaborators, leading to writing sessions with Daniel Tashian, Ruston Kelly, and Natalie Hemby. The creative reorganization of her writing process evolved to include a much richer and more electric sound in the studio and being in Nashville meant access to a world of hot shot players. She tapped guitarist Rob McNelley (Miranda Lambert, Carrie Underwood), Tom Bukovac (Tom Petty, Vince Gill) on guitar and organ, her husband-bassist, Jeff Picker (Nickel Creek), and drummer Fred Eltringham (Sheryl Crow, Lucinda Williams) for the album recording. Tashian took the helm as producer and the whole album was laid down at the legendary Sound Emporium.
As it goes with all change, Jarosz’s major life events had her feeling contemplative. While sitting on the precipice of adulthood, Polaroid Lovers finds her reflecting on past loves, childhood dreams, the places she lived in and all the versions of herself that she’s been. Although the listener experiences the sonic shift forward, the album’s subject matter is a photo album of the past. Jarosz has never sounded more assured. Polaroid Lovers is filled with the kind of confidence that comes from hard won life experiences and the conviction of someone who truly knows herself.
Sarah Jarosz released her debut album at the age of 18 and was immediately nominated for her first GRAMMY. Raised in Texas, she began playing mandolin at age 10 and soon after guitar and banjo. To date, she has released six studio albums, has netted 10 GRAMMY Nominations and four wins. In 2018, she joined Sara Watkins of Nickel Creek and Aoife O’Donovan to form the supergroup, I’m With Her. The group released their debut album, See You Around, and won duo/group of the year at the Americana Awards. Their song, Call My Name, won the GRAMMY for Best American Roots song.
Read more about Sarah Jarosz and Polaroid Lovers here.
TOUR DATES:
September 23 - Americanafest Showcase @ The Basement East - Nashville, TN
ROBERT FINLEY RELEASES YOU GOT IT (AND I NEED IT)
LATEST SINGLE FROM NEW ALBUM BLACK BAYOU
OUT OCTOBER 27 VIA EASY EYE SOUND
LISTEN HERE
69-YEARS-YOUNG SINGER-SONGWRITER STAR RETURNS WITH DAN AUERBACH PRODUCED ALBUM: A SWAGGERING TOUR DE FORCE OF BLUES, SOUL, AND FUNK, SHARING STORIES
FROM THE SWAMPS OF LOUISIANA
FINLEY TO PERFORM AT THE NEWLY REVAMPED
KNITTING FACTORY NYC
ON OCTOBER 26 AHEAD OF EUROPEAN FALL TOUR
You Got It (And I Need It) is a swaggering soul number that showcases Finley’s sleek falsetto and growly vocals over laid-back grooves and killer solos.
Finley recorded Black Bayou at Dan Auerbach’s Easy Eye Sound Studio in Nashville. It’s the fourth time the duo have worked together, although for this record they did things a little differently. Rather than write songs beforehand—as they did on 2017’s Goin’ Platinum and 2021’s Sharecropper’s Son—they devised everything in the studio, with Auerbach leading a band of some of the finest players around: drummers Patrick Carney (The Black Keys - performs on What Goes Around (Comes Around) and Livin’ Out A Suitcase) and Jeffrey Clemens (G. Love & Special Sauce), bassist Eric Deaton, and legendary Hill Country blues guitarist, Kenny Brown, along with vocalists Christy Johnson and LaQuindrelyn McMahon — who just happen to be Finley’s daughter and granddaughter. They worked quickly, devising their parts spontaneously and getting everything in one take.
Black Bayou is a portrait of North Louisiana from an insider who’s lived there all his life. It coalesces all of the vibrant genres bubbling in the bayou from southern soul, jazz, folk, blues, rock and roll and more. A vivid collection of songs that depict life in North Louisiana, with Finley playing the role of charismatic and knowledgeable tour guide. Tales include surviving the jaws of an alligator on Alligator Bait, a true story of his grandfather using him as bait to catch an alligator when he was a child. Nobody Wants To Be Lonely is a poignant track spotlighting the generation forgotten in nursing homes across the nation. Songs like Miss Kitty, a tale of lust and love are an instant induction into the canon of the blues tradition. In all, a collection set to establish Finley as perhaps one of the last true bluesmen of our time and a truly original Louisiana storyteller who evokes the place and its unique culture for the rest of the world.
“It’s amazing to realize how much of an impact Louisiana has had on the world’s music,” says Dan Auerbach, “and Robert embodies all of that. He can play a blues song. He can play early rock and roll. He can play gospel. He can do anything, and a lot of that has to do with where he’s from.”
If Finley’s previous albums established him as a formidable blues and soul artist - overcoming losing his sight in his 60s to become a music star - Black Bayou, Finley hopes, will help put North Louisiana on the musical map and launch the next generation of stars. Finley still plays small clubs around the region—even the occasional nursing home. Rather than move to where the music industry is, Finley is bringing the industry down to Bernice and working to boost regional acts and has plans for a new local recording studio in the works. “We got a lot of good talent down here in North Louisiana, but nobody’s really done much with it.” Finley stated, adding, “A lot of people just haven’t had the opportunity to record—or even just be heard. It worked for me, so I might as well try to help someone else get discovered, too.”
UPCOMING TOUR DATES:
October 26 - New York, NY - Knitting Factory
November 3 - Kaiserslautern, Germany - Kammgarn with Kai Strauss
November 4 - Groningen, NL - Take Root Festival
November 5 - Brussels, BE - Rotonde @ Botanique
November 8 - London, UK - Jazz Café
November 9 - Manchester, UK - Blues Kitchen
November 10 - Pandrup, DK - Blues Heaven Festival
November 14 - Toulouse, FR - Salle Nougaro
November 15 - Saint-Nazaire, FR - VIP
November 16 - Amiens, FR - La Lune des Pirates
November 18 - Šumperk, CZ - Blues Alive Festival
November 20 - Tourcoing, FR - Le Grand Mix
November 21 - Paris, FR - Maroquinerie
November 23 - La Roche-Sur-Yon, FR - Quai M
November 24 - La Rochelle, FR - La Sirène
November 25 - Castres, FR - Lo Boegason
November 26 - Saint-Etienne, FR - Le Fil
ABOUT ROBERT FINLEY:
Robert is an army veteran and was a skilled carpenter before losing his sight in his 60s, which led him to finally pursue his musical dream. Finley has overcome divorce, house fires, an automobile accident and is now legally blind following losing his sight due to the medical condition, glaucoma, which forced him to retire from carpentry and finally pursue his long delayed music career. Finley believes his sight was improved by the power of prayer, and Finley’s faith has also helped him focus on launching his music career in his 60’s. According to Finley, “losing my sight gave me the perspective to see my true destiny.”
His ascent has been swift. His previous Auerbach-produced album, Goin’ Platinum, received widespread critical acclaim including Associated Press who praised Finley’s ability to lend “instant credibility to any song.” Finley also toured more than 10 countries, and his live show drew praise from publications including The New York Times. Finley was profiled on PBS NewsHour, which led to him becoming a contestant on the 2019 season of the TV competition, America’s Got Talent, reaching the semi-finals.
He was born in Winnsboro in 1953, but has spent most of his life in Bernice, a small town of about 1,600 souls just 30 miles from the Arkansas border. After serving in the Army, he played blues in juke joints and sang gospel in churches around the region, often mixing those two styles with southern soul, heavy rock, swamp pop, jazz, and anything else that crossed his mind. His second album, Sharecropper’s Son, was inspired by Finley's childhood: his family were sharecroppers, and he was unable to regularly attend school and often worked with his family in the field picking cotton. This was a landmark release, landing him the cover of SPIN Magazine, NPR Morning amongst other critical acclaim.
He’s since headlined shows with The Black Keys, Greta Van Fleet, Nathaniel Rateliff and many more.
CONFIRMS NEW BODY OF WORK IS ON THE WAY
WATCH HERE AND LISTEN HERE
TORONTO, ON – August 25, 2023 – Rising artist and rapper, AUDREY NUNA, continues to blaze a trail, this time with her latest single, locket, out everywhere today. The mesmerizing track comes with an ingenious official music video directed by the late Valentin Petit, who tragically passed in an aircraft accident earlier this year: locket was the last music video he directed. Watch here and listen here.
On discovering Petit’s work, AUDREY NUNA shares: "The first work I saw of Valentin Petit's was the video he did for A$AP Ferg (Floor Seats). This was a few years before ever meeting him or knowing who he was. I noticed a few things: first, the attention to detail... every moment, micro and macro, came with intention and specific energy. Clearly this person was a genuine lover of the craft. Second: the casting of characters and storytelling - he was a lover of people, fascinated by fellow humans. The third thing, though, was what really pushed me to reach out when the opportunity came. It was this defiance - a fuck-you to the rules of gravity that I saw in his visuals. There was an air of freedom and playfulness and pure instinct that so few can translate to cinema gracefully.”
On meeting and collaborating on locket with Petit, and his legacy: “When it came time to build out the visual universe for my new project, I came across Valentin's name through my friend and reached out online. After two months of preparing over the phone, we shot locket in Paris in April of 2023... it was a surreal week. Every person on set was lively and focused for every shot under his leadership. There were cranes and flying actors. There was dessert with every catered meal on set. There was a lot of laughing and a lot of magic. It's funny how much you can learn about a person through their work and how they choose to work. Even though I only knew Valentin for a sum of three months, I found in this short time that everything that drew me to his videos clearly stemmed from the blueprint of his soul and who he was at his core. I'm honored to have worked with him and been inspired by him as a fellow artist. I'm just as honored to have gotten to know him as a person; his honesty, the undying and selfless passion he had for the craft, his free spirit and anti-gravity, his love and respect of people and adventure. He was gifted in all the ways his work vividly illustrated, and with such a sense of refreshing humility towards his collaborators and crew that can often times feel rare to find in this industry. This is his final music video of this lifetime - I'm sure he's already getting started, some place, somewhere, gathering ideas and crafting wildest and freest visions to life.”
With the release of locket comes exciting news that AUDREY NUNA is working on a new body of work from which the track is part of, thus marking a new and captivating chapter for 24-year-old NUNA, who is undeniably poised for stardom.
Having laid the foundations with her a liquid breakfast release in 2021, she soon attracted attention from the likes of The New York Times, NPR, High Snobiety, VOGUE, BILLBOARD, COMPLEX, PAPER, FADER and V Mag. AUDREY NUNA continues to push the boundaries and lead with a commitment to creativity, setting precedent as one of the first female Korean-American R&B acts breaking into mainstream culture.
More exciting AUDREY NUNA news to be revealed very soon.
DOWNLOAD - Single Artwork
FEATURING COVERS OF SONGS BY TAYLOR SWIFT, R.E.M., PAVEMENT, SLOWDIVE AND SHERYL CROW
I’M ONLY ME WHEN I’M WITH YOU (TAYLOR SWIFT COVER)
OUT NOW
TORONTO, ON – August 23, 2023 – Soccer Mommy – Nashville-based artist Sophie Allison – recently shared her version of Sheryl Crow’s Soak Up The Sun to critical acclaim, and today she reveals that the cover is part of an EP entitled Karaoke Night. Karaoke Night, out September 22 via Loma Vista, will feature covers of songs by Crow, Taylor Swift, R.E.M., Pavement, and Slowdive. Out today is Allison’s take on Taylor Swift’s I’m Only Me When I’m With You. “I really wanted to cover this song because it’s one of my favorites from Taylor’s first album,” she says. “I listened to that record so much when I was a kid and I think it had a lot of influence on me then.” Listen to the track now here.
Karaoke Night is available to pre-save and pre-order on a limited-edition cassette with a Soccer Mommy karaoke microphone here.
Soccer Mommy’s touring continues this fall and winter – see below for full details and get tickets here. For a taste of what to expect, watch the band’s career-spanning NPR Tiny Desk performance from earlier this year here, or watch Soccer Mommy perform Shotgun and Feel It All The Time on Jimmy Kimmel Live! here.
KARAOKE NIGHT TRACKLIST:
1. Here (Pavement Cover)
2. Soak Up The Sun (Sheryl Crow Cover)
3. Dagger (Slowdive Cover)
4. I'm Only Me When I'm With You (Taylor Swift Cover)
5. Losing My Religion (R.E.M. Cover)
UPCOMING TOUR DATES:
9/9 Raleigh, NC @ Hopscotch Music Festival
9/21 Dublin, Ireland @ 3 Arena #
9/23 Leeds, UK @ First Direct Arena #
9/24 Glasgow, UK @ Ovo Hydro Arena #
9/26 London, UK @ Alexandra Palace #
9/27 London, UK @ Alexandra Palace #
11/17 Mexico City, MX @ Corona Capital
12/3 São Paulo, BR @ Primavera Sound
12/7 Asunción, PY @ Primavera Sound
12/9 Bogotá, CO @ Primavera Sound
# = with The National
DOWNLOAD – press photo | DOWNLOAD – Karaoke Night cover artwork
Sometimes, Forever was named one of the best albums of 2023 but the likes of The New York Times, Pitchfork, Rolling Stone, NPR, Vulture, Associated Press, Billboard, Stereogum, The A.V. Club, FLOOD, Paste, Uproxx, and more, with, Shotgun named one of the top songs of 2023 by The Los Angeles Times, Buzzfeed, NPR, Gorilla vs. Bear, Pitchfork, Consequence, Vulture, NYLON, Billboard and more. Sometimes, Forever debuted on the Billboard charts, taking the #1 slot for Heatseakers, Top New Artist and Alternative New Artist, debuting in the Top 200, and many more. She performed on both The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! In 2022, completed a largely sold-out international headline tour, and performed an intimate show at the GRAMMY Museum alongside a Q&A hosted by The Los Angeles Times’ Mikael Wood. Following the album release, Soccer Mommy has since hosted Roblox’s most successful Listening Party to date with 10.8 million unique visitors, and she has also shared incredible alt-versions of Shotgun by Magdalena Bay, a slowed and reverbed edit, as well as a Simlish version, available now within The Sims 4 High School Years expansion pack. Soccer Mommy also collaborated with Brain Dead on a limited edition t-shirt, which can be purchased here.
Sometimes, Forever is Soccer Mommy’s boldest and most aesthetically adventurous work yet, and it cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever.
Praise for Soccer Mommy & Sometimes, Forever:
"Sophie Allison finds new sonic frontiers...Throughout the album, Soccer Mommy staves off despair with musical craftsmanship" - The New York Times (Critic's Pick)
"Throughout Sometimes, Forever, [Allison] and Lopatin expand on the ’90s palette that has characterized previous Soccer Mommy releases. Bolstering the lingering imprints of Liz Phair, Sheryl Crow, and Sleater-Kinney is a healthy dose of Loveless worship: glide guitars and tendrils of haze." - Pitchfork (8/10)
“[Sometimes, Forever] is Soccer Mommy’s gnarliest and most resplendent, fashioning poppy melodies, disarming lyrics, and twisted sounds into dismayed songs of young adulthood.” - The New Yorker
"The singer/songwriter's vulnerability resulted in two critically acclaimed releases — 2018's Clean and 2020's Color Theory — though Allison's latest may be her most exciting yet." - GRAMMY.com
“You get some Pixies, you get some Nirvana, you get a little bit of Nine Inch Nails, and Portishead here and there. It’s just interesting how much music is reflected on this record while still sounding very current…she is just really good at mining those influences and making it sound extremely of the moment.” - NPR Music
“Sophie Allison’s emotive rock acquires new dynamism” - Wall Street Journal
"Soccer Mommy deepens her indie-rock brilliance on ‘Sometimes, Forever’...[and] proves herself to be one of the sharpest songwriters around" - Rolling Stone
"Allison has made a bold move that paid off better than we’d ever have expected."
- Variety
"Sometimes, Forever’s marriage of Allison’s lyrical prowess and OPN’s stark, synth-driven sonics makes it by far the darkest and most compelling offering from Soccer Mommy yet." - Billboard
""by far the band’s most sophisticated and adventurous body of work to date. Allison’s inner turmoil has never sounded so spectacular — or so well-rounded."
- Stereogum (Album of the Week)
"sharp indie rock" - Vulture
"one of Gen Z’s brightest voices" - Associated Press
DOUBLE ALBUM DELIVERS NINE NEW SONGS
PRESENTED AS THREE DISTINCT ACTS
LISTEN TO ACT I: TOPANGA CANYON HERE
FEATURING BUCK MEEK, JONATHAN WILSON AND NY OH
FALL TOUR INCLUDES HEADLINE DATES, FARM AID AND MORE
TORONTO, ON – August 22, 2023 – Today, Margo Price brings listeners deeper down the psychedelic rabbit hole of an album that The New Yorker and more have hailed as her strongest work yet: Strays. Out in full on October 13, Strays II expands the original 2023 opus with nine new songs that will arrive in the form of three distinct acts, each telling its own unique story of love, grief and acceptance. On Act I: Topanga Canyon, available now via Loma Vista Recordings, Price is joined by Strays producer, Jonathan Wilson, as well as new collaborators including Buck Meek of Big Thief, plus singer-songwriter and multi-instrumentalist, Ny Oh. Together they dive deeper into the sacrifices it takes to find freedom, the grit it takes to make it, and the consequences that come with all of it.
Recorded at Wilson’s Topanga studio during the same life-changing sessions as the rest of Strays – and partially written amidst the formative, six-day psilocybin trip that Margo Price and Jeremy Ivey took the summer prior – all three acts of Strays II further complement and intensify the resilient, resounding and hard-rocking proclamation that Price delivered across the initial LP earlier this year.
Listen to Act I: Topanga Canyon, including Strays, Closer I Get (feat. Ny Oh) and Malibu (feat. Jonathan Wilson, Buck Meek) here.
Accompanied by a three-part short film directed by Chris Phelps and recently previewed at the GRAMMY Museum in Los Angeles, Strays II will continue to unfold throughout the coming weeks with the release of Act II: Mind Travel and Act III: Burn Whatever’s Left. All 19 tracks will then combine into the double album’s digital release on October 13, followed by a vinyl LP release of the nine new Strays II songs on November 10 – pre-order it here. Of the three new additions out today, Price says:
“The title track is the story of how my husband Jeremy and I met and fell in love in Nashville two decades ago. I wrote most of the words and Jeremy wrote the chords and melody. It also reflects how we have always tried to stay true to who we are as people: ‘Love and pain it comes in waves but it was quite enough in those early days, we were wild as wolves my darlin’, we were strays.’
Closer I Get (co-written with Jeremy Ivey) was originally meant to open this double album with the line, ‘Being alive costs a lot of money but so does dying.’ I’ve always thought it was unfair that the moment we are born, we immediately start racking up debt just for existing. This song was conjured from the ashes of our initial psychedelic trip – sometimes your perception and depth of field changes depending on where you’re at in life.
Malibu was written with Mike Campbell in his Malibu home after Jeremy and I had driven through the canyon fleeing a forest fire to get my guitar from our Airbnb. I had the start of the song and brought it to him looking to finish it out. I wanted to write something with a country funk/Bobbie Gentry feel, a good long rambling story about the minutiae of the day, like Ode to Billy Joe. Mike added the long ‘California yodel’ and the bridge and was exactly what the song needed. My favourite line is ‘love and grief are a package deal, the more you have, the more you feel’.”
Like Strays and its many “stoic pearls of wisdom” (Pitchfork), Strays II reveals more of what makes Price so “unstoppable, unsinkable, uninhibited” (The New York Times). Surmounting loss, trauma, substance abuse, demons of self-worth and more, the songs of Strays have cemented her place as a singular storyteller, with so much to say but nothing to prove. Since the album’s release, Price has earned nominations for Artist of The Year, Album of The Year and Song of The Year (Change of Heart) at the upcoming Americana Honors & Awards, tying for the most nominations of any single artist in 2023.
Recently, Price revealed details of the new Jessi Colter album that she produced (Edge of Forever), hosted a star-studded tribute to John Prine for Newport Folk Festival, performed with My Morning Jacket and Angel Olsen, celebrated Willie Nelson at his 90th birthday, played shows with Chris Stapleton and Tyler Childers, published a powerful, personal essay about gun control at Rolling Stone, met with Tennessean lawmakers and sang alongside Dr. Jill Biden at Nashville’s vigil for the Covenant shooting victims. She has brought Strays songs and stories to CBS Mornings and The Late Late Show with Radio collaborator, Sharon Van Etten, discussed her memoir, Maybe We’ll Make It, during the closing keynote of SXSW, taped an episode of Austin City Limits, reigned for 14 weeks at #1 on the Americana radio charts with Change of Heart, and released a new version of that song with Sierra Ferrell.
Following a long-awaited return to the UK this week, Price and her band will hit the road for a fall leg of her ‘Til The Wheels Fall Off Tour. In addition to headline dates across the country, Price will play festivals including Hopscotch, XPoNential, Pilgrimage and Farm Aid, where she is the first female artist to sit on the board of directors. Find the full list below and tickets at margoprice.net/tour.
STRAYS TRACKLIST:
1. Been To The Mountain
2. Light Me Up (feat. Mike Campbell)
3. Radio (feat. Sharon Van Etten)
4. Change of Heart
5. County Road
6. Time Machine
7. Hell In The Heartland
8. Anytime You Call (feat. Lucius)
9. Lydia
10. Landfill
STRAYS II TRACKLIST:
Act I:
1. Topanga Canyon
2. Strays
3. Closer I Get (feat. Ny Oh)
4. Malibu (feat. Jonathan Wilson, Buck Meek)
Act II:
1. Mind Travel
2. Black Wolf Blues
3. Mind Travel
4. Unoriginal Sin (feat. Mike Campbell)
Act III:
1. Burn Whatever’s Left
2. Homesick (feat. Jonathan Wilson)
3. Where Did We Go Wrong
4. Burn Whatever's Left
UPCOMING TOUR DATES:
August 24 - London, UK - Rough Trade East
August 25 - London, UK - Lafayette
August 26 - Leicestershire, UK - The Long Road
September 8 - Raleigh, NC - Hopscotch Music Festival
September 9 - Bristol, TN - Bristol Rhythm & Roots Reunion
September 10 - Lexington, KY - The Burl County Fair
September 11 - St. Louis, MO - Delmar Hall #
September 12 - Tulsa, OK - Cain's Ballroom #
September 14 - Bloomington, IN - The Castle Theatre #
September 15 - Madison, WI - Live On King Street #
September 16 - Bayfield, WI - Lake Superior Big Top Chautauqua #
September 17 - Des Moines, IA - Wooly's #
September 22 - Camden, NJ - XPoNential Music Festival
September 23 - Noblesville, IN - Farm Aid
September 24 - Franklin, TN - Pilgrimage Music & Cultural Festival
September 28 - Harrisburg, PA - Harrisburg University (XL Live)^
September 29 - Northampton, MA - Academy of Music^
September 30 - North Truro, MA - Payomet Performing Arts Center^
October 1 - Bridgeport, CT - Sound on Sound
October 3 - Cleveland, OH - Beachland Ballroom^
October 5 - Charlottesville, VA - John Paul Jones Arena*
October 6 - University Park, PA - Bryce Jordan Center*
October 7 - Belmont Park, NY - UBS Arena*
October 27 - Huntsville, AL - Orion Amphitheater !
November 3 - Scottsdale, AZ - Dreamy Draw
* supporting Chris Stapleton
# w/ S.G. Goodman
^ w/ Brit Taylor
! supporting Jason Isbell and The 400 Unit
DOWNLOAD – Strays II cover artwork
DOWNLOAD – Act I: Topanga Canyon cover artwork
DOWNLOAD – hi-res photo
PRAISE FOR STRAYS:
"Her strongest solo work yet" - The New Yorker
"Strays struts through big-hearted indie country, honky-tonk stomp and ’70s guitar-explosion psychedelia" - New York Times
"Another impressive showcase for Price’s skills as author and troubadour, featuring volcanic vocal performances and sharp character studies" - Vulture
"With scorching riffs, heartfelt folk, and appearances by the Heartbreakers' Mike Campbell, it's her strongest, most cohesive record yet" - Rolling Stone
"Strays bursts with easy confidence and kind, stoic pearls of wisdom" - Pitchfork
"A potent, genre-spanning opus that's rooted in Americana, but stretches into glittery pop, squelching rock and psychedelia" - NPR Music
"Strays brilliantly rattles through country, psych and Patti Smith-style poetic rock’n’roll...powerful lyrical gut-punches" - The Guardian, ★★★★
"A winding, deeply felt, at times rollicking trip” - ELLE
"A Career-Best" - Variety
MOTHER ROAD TOUR KICKS OFF SEPTEMBER 7
INCLUDES STOPS IN NYC, ATLANTA, CHICAGO,
VERMONT, AND MORE
POTTER TO APPEAR ON CBS SATURDAY MORNING ON AUGUST 26
FIND MOTHER ROAD HERE
TORONTO, ON - August 18, 2023 - Today, 3X GRAMMY-nominated singer-songwriter and “one of the greatest living voices in rock today” (SPIN), Grace Potter, releases Mother Road via Fantasy Records. Across 10 dynamic tracks, Potter deconstructs her deepest fears and darkest regrets, charting the fallout with brutal honesty and emotional daring. Find Mother Road here.
“While writing Mother Road, I spent two years driving back and forth across America, exploring the backroads & byways of Route 66, favoring alternate routes whenever possible. I spent the time reflecting on my roles as a woman, a mother, and a dreamer,” Potter shares. “As Mother Road unfolds, my central narrative begins to fragment into multiple paths. Each path becomes a character, and each character weaves in and out of my present-day consciousness at important milestones along the way. The album is my take on what it means to be alive and how to live life to the fullest.”
Produced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA, Mother Road - the “dynamite” (Guitar Player) follow up to Potter’s 2019 acclaimed, 2X GRAMMY-nominated album, Daylight - commands an expansive soundscape of soulful rock, roots, funk, country, and R&B.
Potter is set to appear on CBS Saturday Morning next Saturday, August 26. The appearance will include three electric performances of tracks off the new album. Earlier this week, she was featured on Billboard’s Behind the Setlist Podcast and today, she can be heard on SiriusXM’s Howard 101 for a Songs I Want to Hear segment.
Tickets are currently on sale for Potter’s Mother Road Tour, which kicks off at Collin Center for the Arts in Orono, ME on Saturday, September 7. The 26-date fall tour includes newly announced shows in Pittsburgh, Cleveland, Columbus, Chattanooga, and more. The tour will also feature two sold-out performances at Shelburne Museum in her native Vermont, as well as shows at New York City’s Pier 17, Milwaukee’s Pabst Theatre, Chicago’s Riviera Theater and Atlanta’s Tabernacle, among other great venues, before concluding at The Fillmore in Charlotte, NC on November 18. See below for the full itinerary. For tickets and information please visit gracepotter.com.
GRACE POTTER TOUR DATES:
September 1 - Snowmass Village, CO - JAS Aspen Snowmass
September 7- Orono, ME - Collins Center for the Arts
September 8 - Providence, RI - Veterans Memorial Auditorium
September 9 - Lewiston, NY - Artpark
September 10 - Hammondsport, NY - Pavilion at Point of the Bluff Vineyard
September 14 - Concord, NH - Capitol Center for the Arts
September 15 & 16 - Shelburne, VT - Shelburne Museum, Ben & Jerry's Concerts on The Green - BOTH DATES SOLD OUT
September 17 - Albany, NY - The Egg
September 22 - Branford, CT - Stony Creek Brewery
September 23 - New York, NY - Pier 17
September 24 - Jim Thorpe, PA - Penn's Peak
September 27 - Wilmington, NC - Greenfield Lake Amphitheater
September 29 - Richmond, VA - Maymont
September 30 - Harrisburg, PA - Southside Stage
October 1 - Ocean City, MD - Oceans Calling Festival
October 4 - Kalamazoo, MI - State Theatre
October 5 - Milwaukee, WI - Pabst Theater
October 6 - Des Moines, IA - Hoyt Sherman Place
October 7- Chicago, IL - Riviera Theater
October 8 - Columbia, MO - Rose Park
November 1 - Pittsburgh, PA - Stage AE
November 4 - Cleveland, OH - Agora Theatre
November 8 - Columbus, OH - KEMBA Live!
November 9 - Fort Wayne, IN - The Clyde Theatre
November 10 - Cincinnati, OH - Andrew J Brady Music Center
November 11 - Highlands, NC - Highlands Food & Wine Festival
November 15 - Asheville, NC - The Orange Peel
November 16 - Chattanooga, TN - Walker Theatre
November 17 - Atlanta, GA - Tabernacle
November 18 - Charlotte, NC - The Fillmore
March 18-22, 2024 - Miami, FL to Cozumel, MX - Keeping the Blues Alive at Sea
DOWNLOAD - album cover artwork | DOWNLOAD - hi-res photo
ELECTRIFYING NEW BAND SONICWONDER
FEATURES HADRIEN FERAUD (BASS), GENE COYE (DRUMS) AND ADAM O’FARRILL (TRUMPET)
LISTEN TO TITLE TRACK SONICWONDERLAND HERE
AND WATCH THE MUSIC VIDEO HERE
VIEW ALBUM TRAILER HERE
CONFIRMS OCTOBER NORTH AMERICAN TOUR
TORONTO, ON – August 18, 2023 – Hiromi has announced Sonicwonderland, the internationally celebrated and GRAMMY-winning pianist and composer’s new album to be released on October 6 (Telarc). Sonicwonderland represents a new musical adventure for the constantly evolving pianist and composer, who is a star in her native Japan, and burst onto the music scene 20 years ago with her debut album. Recorded with a new quartet, called Hiromi’s Sonicwonder, the album features nine new works bursting with synthesizer and deep-in-the pocket grooves. Hiromi dazzles at the keyboard, striking a balance of playing that is powerful, aggressive and delicate. She has also announced a select run of shows performing this new album in North America in October.
Hiromi’s Sonicwonder is a quartet featuring blossoming young talents, Hadrien Feraud (bass), Gene Coye (drums), and Adam O'Farrill (trumpet), and began performing live together earlier this spring. Sonicwonderland was recorded May 25-28 at Skywalker Sound Stage in Nicasio, California, where Hiromi also recorded her 2019 solo piano album, Spectrum. In addition to new works written for this project, the album includes songs that were released on herOne Minute Portrait YouTube initiative during the pandemic and rearranged for this band. UK singer/songwriter/keyboardist, Oli Rockberger, also contributes vocals to Reminiscence (lyrics co-written by Hiromi and Rockberger).
Today Hiromi has shared the album’s title track, listen to Sonicwonderland here. Watch the music video, inspired by old school video games, here, and learn more about the project in this album trailer here. Pre-order the album here.
Sonicwonderland is a preview of the album’s many delights: it kicks off with a thumping sequenced synthesizer groove that’s more dance club than jazz club. It’s fast-paced, fun, and unfurls into an eight-minute adventure of open space and improvisation. While other songs feature quick tempos, funk grooves and synth work (Trial and Error, Go Go), Hiromi works gracefully on acoustic piano extensively throughout, her elegant playing and composition work shines on pieces such as Polaris and Utopia. The closing track, Bonus Stage, is a lively, modern take on traditional jazz, with a short intro that could be mistaken for a video game soundtrack.
"The word 'wonder' has a lot of meaning. It fits the musical view that I have for this project…it is definitely a new adventure for me," says Hiromi.
Sonicwonderland is Hiromi’s 12th studio album, a prolific artist who has explored a number of musical spheres over the course of her career. Earlier this year she recorded the soundtrack to Blue Giant, a motion picture film based on the manga series of the same name. 2021's Silver Lining Suite features her with a string quartet and 2019's Spectrum a solo piano recording. Her work has been celebrated by the New York Times, NPR and NPR Music, the Washington Post and beyond, and she was a featured performer at the Tokyo Olympics opening ceremony in 2021. She has worked with Stanley Clark, Chick Corea, Ahmad Jamal (who produced her first album and was her mentor), and many other jazz luminaries throughout her career, is a perennial favourite on DownBeat’s Annual Critics Poll, and has performed at the world’s finest jazz festivals.
The Sonicwonderland cover was created by Lou Beach, famous for his Weather Report album covers, not to mention Blink 182's Dude Ranch and albums by Flying Burrito Brothers, Madonna and Weird Al.
1. Wanted
2. Sonicwonderland
3. Polaris
4. Go Go
5. Up
6. Reminiscence (feat. Oli Rockberger)
7. Trial and error
8. Utopia
9. Bonus stage
TOUR DATES:
October 10 - Kuumbwa Jazz Center (Hiromi’s Sonicwonder) Santa Cruz, CA
October 11 - Bing Concert Hall (Hiromi’s Sonicwonder) Stanford, CA
October 13 - Sony Hall (Hiromi’s Sonicwonder) New York, NY
October 14 - Sony Hall (Hiromi’s Sonicwonder) New York, NY
October 18 - Flato Markham Theater (Hiromi’s Sonicwonder) Toronto, Canada
October 19 - Strathmore (Hiromi’s Sonicwonder) Bethesda, MD
October 20 - Stewart Theater, NC State University (Hiromi’s Sonicwonder) Raleigh, NC
LISTEN AND WATCH THE LYRIC VIDEO FOR
THE SLIGHTLY UNHINGED CONSPIRACIES, CULTS & UFOS HERE
NEW ALBUM HEAT COMES DOWN OUT OCTOBER 6
VIA ROUNDER RECORDS
MILLER PLAYS CATBIRD FESTIVAL THIS WEEKEND, HEALING APPALACHIA BENEFIT WITH TYLER CHILDERS, JASON ISBELL & THE 400 UNIT, MARCUS KING AND MORE IN SEPTEMBER
TORONTO, ON – August 18, 2023 – John R. Miller, who will release his latest album, Heat Comes Down, via Rounder Records on October 6, picks up the pace on his frenetic new single, Conspiracies, Cults & UFOs, out today. As Miller frantically sings about sleep-deprived all-night drives, the music attempts to keep up the raucous pace. You can almost picture Miller behind the wheel of a van, late at night, mimicking the song’s chorus – just ranting “conspiracies, cults and UFOs” over and over and over again. Listen and watch here, and pre-order Heat Comes Down here.
Miller belongs to the rare breed of songwriters whose expansive introspection uncovers many truths about the state of the human condition. On Heat Comes Down, the West Virginia-raised, Nashville-based artist intimately narrates his sleepless nights and nostalgic daydreams, existential dread, and nuanced observations of the troubled world around him. But while a number of its songs convey a certain unease, Miller endlessly imparts the kind of lovely reassurance that can only come from shared catharsis.
The follow-up to his 2021 Rounder Records debut Depreciated—an album No Depressions says “casually saunters towards a full existential breakdown that’ll leave you gasping for air”— Heat Comes Down finds Miller teaming up with producers, Andrija Tokic and John James Tourville (both known for their work with artists like Sunny War and The Deslondes). Over a three-day session at The Bomb Shelter (Tokic’s Nashville studio), Miller joined forces with several members of his longtime live band, (drummer John Clay Burchett, guitarist J. Tom Hnatow, fiddle player Chloe Edmonstone), as well as bassist, Craig Burletic and Jeff Taylor (a multi-instrumentalist whose credits include Willie Nelson and Elvis Costello).
Miller will head out on a two-month fall tour, wrapping up in Nashville, TN for a Lightning 100 Nashville Sunday Night show at 3rd & Lindsley. This weekend, Miller plays at Catbird Festival in Bethel, NY, and next month the West Virginia-raised Miller takes part in the Healing Appalachia benefit show in Lewisburg, WV alongside other acts including Tyler Childers, Jason Isbell & the 400 Unit, Marcus King and more. The show raises funds for Hope in the Hills, which helps support recovery efforts around central Appalachia.
JOHN R. MILLER 2023 TOUR DATES
August 19 - 20 - Bethel, NY - Catbird Music Festival
September 21 – 23 – Lewisburg, WV – Healing Appalachia
September 22 - 23 - Whispering Beard Folk Festival - North Bend, OH
September 27 – St Louis, MO – Off Broadway
September 29 – Denver, CO – Cervantes’ Other Side
September 30 – Boulder, CO – eTown Hall
October 4 – Bozeman, MT – Rialto Bozeman
October 5 – Columbia Falls, MT – The Coop
October 6 – Spokane, WA – Lucky You Lounge
October 7 – Walla Walla, WA – Billsville West
October 8 – Bellingham, WA – The Shakedown
October 10 – Seattle, WA – Tractor Tavern
October 12 – Portland, OR – Show Bar
October 13 – Talent, OR – The Talent Club
October 14 – Albany, CA – Ivy Room
October 15 – Mariposa, CA – The Grove House
October 16 – Pioneertown, CA – Pappy + Harriet’s
October 18 – Costa Mesa, CA – The Wayfarer
October 20 – Los Angeles, CA – Gold-Diggers
October 21 – Phoenix, AZ – Last Exit Live
October 24 – San Antonio, TX – The Lonesome Rose
October 25 – Houston, TX – White Oak Music Hall (Upstairs)
October 26 – Austin, TX – The White Horse
October 27 – Fort Worth, TX – Tulips
October 29 – Little Rock, AR – White Water Tavern
October 30 – Oxford, MS – Proud Larry’s
November 2 – Chattanooga, TN – Songbird South
November 3 – Macon, GA – Grant’s Lounge
November 4 – Atlanta, GA – Vinyl
November 5 – Charlotte, NC – Visulite Theatre
November 7 – Charleston, SC – The Charleston Pour House
November 8 – Durham, NC – Motorco Music Hall
November 9 – Richmond, VA – The Camel
November 10 – Thomas, WV – Purple Fiddle
November 11 – Morgantown, WV – 123 Pleasant Street
November 12 – Pittsburgh, PA – Club Café
November 14 – Washington, DC – Pearl Street Warehouse
November 15 – Columbus, OH – Rumba Café
November 16 – Newport, KY – The Southgate House Revival
November 18 – Lexington, KY – The Burl
November 19 – Nashville, TN – 3rd & Lindsley
LISTEN HERE & WATCH HERE
FINAL SINGLE BEFORE RELEASE OF NEW ALBUM
COMME DANS UN PENTHOUSE
ARRIVES ON SEPTEMBER 22
PRE-ORDER THE ALBUM DIGITALLY
AND ON VINYL HERE
TORONTO, ON – August 18, 2023 – After unveiling pieces of their new album, Comme dans un penthouse, which will see its release on September 22 (via Lisbon Lux Records), acclaimed Montreal trio, Le Couleur today share the final single, À la rencontre de Barbara. Featuring Standard Emmanuel - lead singer of Montreal band, Choses Sauvages - the track is a shimmery, disco-pop earworm, sure to heat up these last weeks of summer!
With over 20M streams, 150 concerts, and syncs with HBO, Netflix and Apple TV, Le Couleur is back with Comme dans un penthouse - their sixth album. Featuring an electronic, nu-disco sound à la Todd Terje and reminiscent of Fujiya & Miyagi’s early 2000’s Krautrock, this new album is irresistibly suspenseful. Using Barbara, a character from 2016’s P.O.P., as a symbol of our collective thirst for excitement, this eight track speed train of an album will transport you to a realm of icy desire.
À la rencontre de Barbara, is a danceable, enigmatic track reminiscent of 80s TV theme songs.The race against time begins - it's Barbara's turn (La rencontre de Barbara); will she be unmasked? Like a guru, she attracts glances - lost under the play of lights, what image do the mirrors of her penthouse reflect back to her? Barbara lets herself be tracked. Addicted to the chase, she runs to her doom.
The accompanying video continues to depict Barbara's tale. In the heart of a glittering metropolis, a pair of shoes triggers an enigmatic quest for an elusive figure. Guided by urban lights, a traveler explores a nocturnal stroll, awakening lost memories and forgotten dreams. As secrets converge, Barbara's mysterious story unfolds, captivating the viewer between reality and illusion.
Listen to À la rencontre de Barbara (ft. Standard Emmanuel) here and watch the cinematic video here.
UPCOMING PERFORMANCES:
September 1 – Saint Adolphe d’Howard, QC – Festival Focus
October 19 - Montreal, QC - Le Studio TD (album release show)
October 20 - Quebec City, QC - Le Pantoum (album release show)
DOWNLOAD – À la rencontre de Barbara single artwork
DOWNLOAD – album artwork | DOWNLOAD – hi-res press photo
MORE ABOUT LE COULEUR:
Created by Laurence Giroux-Do, Patrick Gosselin and Steeven Chouinard, Le Couleur first rose to prominence with an electro-pop sound as bright as the lights of the now-defunct Studio 54, with the EPs Voyage Love (2013) and Dolce Désir (2015), followed by their acclaimed full-length albums, P.O.P. (2016) and Concorde (2020).
With rich and irresistibly danceable performances, Le Couleur delivers decadent and dynamic shows - full of exhilarating energy. In addition to their four European tours (UK, FR, IT), the trio, which has over 100 dates under its belt, has made notable appearances at SXSW (US), Sound City (UK), Fimpro (MX), and more.
LISTEN HERE
NEW MIXTAPE FEATURING:
TINCHY STRYDER, MASTER PEACE, FROZEMODE + MORE OUT SEPTEMBER 8
MIXTAPE LAUNCH PARTY AT SIGNATURE BREWERY
BREW HALL TICKETS ON SALE HERE
TORONTO, ON – August 17, 2023 – Alternative trio, NOISY, today release new single, DANCEFLOOR, featuring, Charlotte Plank, taken from their upcoming mixtape, FAST FWD: to friday [Vol 1], out September 8 via Concord Records. Pre-save the EP here.
DANCEFLOOR is a euphoric track that details the hedonistic heights of the dance floor, the feeling of losing yourself in the music. Featuring the hotly tipped musician, Charlotte Plank, the track perfectly encapsulates the band’s dynamic sound as well as their ethos of creative freedom.
To celebrate the mixtape release, NOISY are set to host a launch party at the almighty Signature Brewery Brew Hall on September 8. Partygoers will be treated to an all-dayer of energy in the form of a live NOISY show that’ll feature a few special guests. Tickets on sale now here.
The band says about the single: “DANCEFLOOR is about being in a knot at a party when you feel like you can’t move from the sofa and trying to pull it together to continue the sesh. Sometimes all you need is for the perfect song to come on and you’re right back in it. Charlotte absolutely smashed it on this. We had made some music together previously for her project which was really exciting and then we played her this and knew she’d sound amazing on the chorus”.
Charlotte Plank says about the single: “I’m so gassed to be linking up with Noisy on this track, I’m a big fan of theirs as we share a lot of the same musical influences/DNA so it only made sense for us to work together! This came about earlier this year when the boys asked me to hop on the hook of this track they already had in the works. I loved the energy and excitement of the track and the way Cody’s verses about being disoriented/taking a bad turn on a night out contrast with the euphoric togetherness/feeling of the hook. That is almost like a warm hug bringing you back from the dodgy turn- giving you the power to soldier on and live the rest of the night to the full! We’re dropping it just in time to be able to perform it together at Reading and Leeds fest, so we’re gassed to have it out in the world and for everyone to get it round their ears before then!!”
NOISY have always fostered a sense of community and strived to bring people together. This led them to curate their Brighton club night, Fast FWD to Friday. A fusion of DJ sets and live performance, the FAST FWD mission statement is to spotlight and celebrate emerging artists within the alternative scene. FAST FWD: to friday [Vol 1] mixtape is an extension of this - a body of authentic collaborations, many of which stemmed from simple DM exchanges and showing appreciation for one another's work.
Alongside a jam-packed summer of festivals, NOISY will be returning to the BBC Radio 1 Dance Stage at this year’s Reading & Leeds Festival (Friday Reading, Saturday Leeds) for what is set to be an unforgettable set. The band have already played knock-out shows this summer at Prague’s Metronome, The Great Escape and 2000 Trees and NASS Festival.
This self-sufficient, DIY mindset is one of the driving forces of NOISY (comprised of singer Cody, guitarist Connor and producer Spencer), who pride themselves on owning creative control, writing, recording and producing all of their music, designing their own merch and often shooting their own music videos.
It’s been all gas no breaks for as long as the band can remember. The past few years alone, they’ve had D&B legend High Contrast remix their single 24/7, opened for Mike Skinner, enjoyed a UK headline tour which came to London for a sold-out XOYO show and previous collaborations with the likes of The Prototypes, 1991 and Zero.
If NOISY’s ambitions are no-holds-barred, then they perfectly match up to the euphoric maximalist blend of dance, drum’n’bass, jungle and electro sounds they’ve celebrated for creating.
DOWNLOAD - Press Photo | DOWNLOAD - NOISY and Charlotte Plank photo
JOHN VINCENT III SPINS A DAYDREAM
ON THE SWEETLY PHILOSOPHICAL
THAT’S JUST THE WAY IT IS, BABE OUT TODAY
SOPHOMORE ALBUM SONGS FOR THE CANYON
SET TO ARRIVE NOVEMBER 17
PRE-ORDER HERE
TORONTO, ON – August 17, 2023 – When singer-songwriter, John Vincent III, set out on a journey from his southern California home with his partner and a guitar in tow in early 2021, he had no real plan, and no idea that the eight-month long odyssey –which saw the couple make their way to more than a dozen states across the US – would eventually lead to the creation of his sophomore album, Songs For the Canyon, due out on November 17.
Today, Vincent releases That’s Just the Way It Is, Babe, the album’s second single. Listen to it here. Songs For the Canyon is available for pre-order here.
The young artist – whose self-released 2019 debut amassed nearly two million monthly listeners on Spotify – wasn’t even sure that he wanted to continue to pursue a career in music. Nonetheless, he was determined to keep up with his daily practice of writing songs, which helped to keep him grounded and kept his mind sharp during the many long months of the pandemic.
As he recalls, “During my time away, I was still writing very simply structured and easy to play songs, just as I did when I first started making music – not allowing myself to stress over the details of the song, but writing about what I was thinking or feeling in the moment. Ultimately, it was never about me being done playing and writing: it was about me figuring out who I am outside of music, finding joy in other areas of life, working on my relationships and myself. I wasn’t sure it was for me anymore, and the only thing I knew to do was leave LA and start driving.”
He eventually made his way back to his home in California, and after a lengthy period of self-reflection, was persuaded to give music another go. The bulk of the recording on Songs For the Canyon was done with co-producer, Tom Elmhirst (Adele, David Bowie), with additional production by Tony Berg (Phoebe Bridgers, boygenius, Blake Mills), Jonathan Gilbert (Mt. Joy, The Kills), and Ryan Hadlock (Brandi Carlile, Vance Joy, Lumineers).
“That’s Just the Way It Is, Babe is one of two songs that made its way onto the album at the last minute,” says Vincent. “After sitting with the version of the album prior to this song being made, I felt like there was still something more that could be done to bring it all back to the canyon. I wanted something that had lots of acoustics moving around – that you can play alone, or make a jam session with your friends: something about leaving the bullshit behind and stepping into the light.”
LISTEN HERE AND WATCH HERE
ACCLAIMED JAZZ AND HIP-HOP COLLECTIVE SET TO RELEASE NEW ALBUM SOLAR MUSIC OCTOBER 6 VIA CONCORD JAZZ
PRE-ORDER HERE
TORONTO, ON – August 15, 2023 – Critically acclaimed jazz and hip-hop fusionists, Butcher Brown, today celebrate the release of, DYKWYD, the third single from the group’s forthcoming album, Solar Music, out October 6 via Concord Jazz. Listen here and watch the lyric video here. Pre-order Solar Music here.
The song – an acronym for Do You Know What You’re Doing – features EMMY Award-winning saxophonist, Braxton Cook, a rising voice in the urban jazz scene whose talents have been called upon by Rihanna, Mac Miller and Jon Batiste. DYWYD puts technical and creative musicality on display as it glides between classic R&B sounds and funk-laden bass and guitar, demonstrating the many sonic influences that have formed Butcher Brown's identity. MC Marcus Tennishu's raps carry the song's smooth momentum into Cook’s standout sax solo halfway through the song. The end result is four minutes of sonic clarity that beautifully holds the space between jazz, hip-hop and neo-soul.
Described by Butcher Brown bandmates as “having something for just about everybody under the sun,” the Solar Music collectively demonstrates the band's dynamic approach to the jazz format, and incorporating their own rich lineage of musical influences from their upbringing in Richmond – fusing elements of soul, funk, rock, and hip-hop, into a universal sound. Releasing digitally, on CD and double LP, the new album incorporates longtime friends and new unexpected guests into their approach, with additional appearances by Pink Siifu, Charlie Hunter, Jay Prince, Nappy Nina, Keyon Harrold and Michael Millions throughout its 17 tracks.
Following a lauded performance at Newport Jazz Festival earlier this month, Butcher Brown will embark on an extensive global tour with dates across the U.S. and Europe this fall in support of the new album. The global tour – which heads to 13 states and 7 countries – will feature domestic appearances from California to Washington DC, including a performance at NPR’s World Cafe Live October 21 and a hometown show November 24 at the Broadberry in Richmond, Virginia.
To learn more about Butcher Brown, read the full bio below or watch their 2021 NPR Tiny Desk (Home) performance. Listen to DYKWYD and pre-order Solar Music above, and stay tuned for more new music from Butcher Brown coming soon.
TOUR DATES:
8/24 - Virginia Beach, VA @ Elevation 27
8/25 - Charleston, SC @ Charleston Pour House
8/26 - Asheville, NC @ Salvage Station
9/2 - Stuart, VA @ Front Porch Fest
9/22 - Harrisonburg, VA @ James Madison University
10/12 - Reno, NV @ University of Nevada
10/17 - Boston, MA @ Brighton Music Hall
10/18 - New York, NY @ Le Poisson Rouge
10/20 - Charlottesville, VA @ The Southern
10/21 - Philadelphia, PA @ World Cafe Live (upstairs)
10/22 - Pittsburgh, PA @ Club Cafe
10/24 - Minneapolis, MN @ Dakota
10/25 - Chicago, IL @ Sleeping Village
10/26 - Detroit, MI @ El Club
10/27 - Indianapolis, IN @ Jazz Kitchen\
11/4 - Eindhoven, NL @ So What’s Next?
11/6 - London, UK @ The Forge
11/7 - Antwerp, BE @ De Roma
11/8 - Berlin, DE @ J.A.W. (Zenner)
11/9 - Mannheim, DE @ Alte Feuerwache
11/10 - Técou, FR @ Coco Jazz
11/11 - Groningen, NL @ Rockit
11/12 - Rotterdam, NL @ Rooterdam / Bird
11/13 - Amsterdam, NL @ Bimhuis
11/14 - Charloeroi, BE @ Palais des Beaux Arts
11/16 - Geneva, CH @ TBA
11/24 - Richmond, VA @ The Broadberry
11/25 - Washington, DC @ Atlantis
12/5 - Seattle, WA @ Madame Lou’s
12/6 - Portland, OR @ The Get Down
12/7 - San Francisco, CA @ The Independent
12/8 - Santa Cruz, CA @ Kuumbwa
12/9 - Los Angeles, CA @ Lodge Room
12/10 - San Diego, CA @ Voodoo Room
DOWNLOAD – album artwork | DOWNLOAD – hi-res photo
MORE ABOUT BUTCHER BROWN:
"So, what kind of music do you make?” This question is the bane of every musician’s existence because it requires that they shrink down the wide expanse of their creativity to an easily (mis)understood genre description.
No matter how vivid or elaborate the description, “show” will always be more powerful than “tell.” The words we use to describe music don’t encapsulate what the listener’s experiences as much as give context clues.
That’s why Butcher Brown – the multifaceted band from Richmond, Virginia – call their sound and their follow up to 2020’s #KingButch and their second release on Concord Jazz, Solar Music.
Solar music is not simply a description; it’s an invitation to listen and an invitation to feel.
Friends and bandmates Corey Fonville (drums), Andrew Randazzo, (bass), Morgan Burrs (guitar), Marcus “Tennishu” Tenney, (trumpet, saxophone, vocals) and Devonne “DJ Harrison” Harris (multi-instrumentalist) make music that is as diverse as their own varied tastes and backgrounds. It’s a seamlessly blended amalgam of sounds including jazz, hip-hop, rock, funk, R&B, alternative, soul, country, house, bossa nova, pop, and more. “We are the melting pot. We are the mix,” says Devonne. “I feel like that's what we represent and that's what this album represents.”
But Butcher Brown’s eclecticism isn’t for the sake of musical masturbation or to impress chin-stroking critics. Theirs is music of, and for, the people. “It’s music for everybody," says Tennishu reflecting on how well-received they’ve been on stages across the globe. “You can see it on all kinds of different faces, young, old, big, small, short, tall, they all start dancing eventually. It’s literally music for the whole solar system.”
So how did this band of brothers make the sun come out on this new album? They challenged themselves to break from routine and old formulas. “[In the past] we'd make a record, like [2014’s] All Purpose Music and put constraints on what we do in the studio with the thought of the live show, thinking ‘let's make this something that we can recreate at the show,’” explains Andrew. “We did that for a few records but then #KingButch was the one where we kind of departed from that idea and took more of a Sgt. Pepper … approach of, let's just explore what we can present in the studio, even if it's not something that we can pull off live.”
Realizing that listening to their albums and their live show are two distinct experiences unlocked a new level of creativity for the band. Now Butcher Brown could allow themselves to explore new sounds and approaches to songwriting and production. This new unbridled creativity informed their approach to making Solar Music over the course of many sessions in 2021 and 2022 at go-to studios Montrose Recording, Minimum Wage Studios, and their homebase Jellowstone.
Of course, the sun is at the centre of the solar system, giving us warmth, lighting our days and keeping the planet revolving around it. Similarly, when it came time to create Solar Music, the band saw themselves at the centre of their sound drawing in other like-minded musicians with gravitational pull.
What could have been an insular musical conversation between the five became a collaboration with some of their friends and faves including Oakland-bred wordsmith Nappy Nina (Half of It), hip-hop iconoclast Pink Siifu (Eye Never Know, Run It Up), East London rapper Jay Prince (Move), real-life guitar hero Charlie Hunter (Espionage) and more.
On the new album, Butcher Brown flexes their musicianship not only as players but also songwriters, producers, and composers collaborating with guests. “We can do everything on our own, sure, and we have done that for forever, but it's also cool to have other people come in and get their perspectives,” explains Morgan. “Butcher Brown is evolving, maturing, and we’re growing as people,” adds Corey, reflecting on the making of Solar Music.
The results of these collabs are extraordinary. Take the album’s first single, I Can’t Say To You, for instance. “You’ll find your way/ tomorrow or today/ there’s nothing else I can say to you …,” sings guest Vanisha Gould, in a voice that sounds both angelic and ancestral. “She has a voice that almost sounds like a sample, almost like Billie Holiday or something," says Corey who sought her out to feature on the song. “It’s got that warmth, like somebody’s mama singing to you.”
Warmth, light, and connection through a sound that like the sun itself is for everyone. Welcome to Solar Music.
WATCH MASTERPIECE VISUALIZER HERE
MOTHER ROAD TOUR KICKS OFF SEPTEMBER 7
INCLUDES STOPS IN NYC, ATLANTA, CHICAGO, VERMONT
AND MORE
TORONTO, ON - August 14, 2023 - Today, 3X GRAMMY-nominated singer-songwriter, Grace Potter, shares Masterpiece, the finale track from Mother Road, her “dynamite new album” (Guitar Player) out this Friday, August 18, via Fantasy Records. A coming-of-age autobiography in cabaret-pop form, Masterpiece envisions Potter’s libertine young adulthood𑁋and the lust for life that propelled her out into the world in whimsical detail. Watch the Masterpiece visualizer here. Pre-order Mother Road here.
“Masterpiece came from going back home, driving by my high school every day, and feeling childhood memories rushing back, one of the silver linings of going back home,” Potter shares. “The kids I’d grown up with were there with a million stories about me, every story got weirder and wilder than the last. But I love that that’s how they remembered me and that I’m living those stories out through Mother Road.”
Produced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA, Mother Road - the follow-up to Potter’s 2019 acclaimed, 2X GRAMMY-nominated album, Daylight - finds the rock and soul artist deconstructing her deepest fears and darkest regrets and charting the fallout with brutal honesty and emotional daring.
Throughout the album’s 10 original tracks, Potter, along with contributions from top-flight musicians, commands an expansive soundscape of soulful rock, roots, funk, country, and R&B. Watch the Mother Road album trailer here.
Tickets are currently on sale for Potter’s Mother Road Tour, which kicks off at Collin Centers for the Arts in Orono, ME on Saturday, September 7. The 18-date fall tour also includes two performances at Shelburne Museum in her native Vermont, as well as shows at New York City’s Pier 17, Milwaukee’s Pabst Theatre, Chicago’s Riviera Theater and Atlanta’s Tabernacle, among other great venues, before concluding at The Fillmore in Charlotte, NC on November 18. See below for the full itinerary. For tickets information please visit gracepotter.com.
GRACE POTTER TOUR DATES:
September 1 - Snowmass Village, CO - JAS Aspen Snowmass
September 7- Orono, ME - Collins Center for the Arts *
September 8 - Providence, RI - Veterans Memorial Auditorium *
September 9 - Lewiston, NY - Artpark *
September 10 - Hammondsport, NY - Pavilion at Point of the Bluff Vineyard *
September 14 - Concord, NH - Capitol Center for the Arts *
September 15 & 16 - Shelburne, VT - Shelburne Museum, Ben & Jerry's Concerts on The Green - BOTH DATES SOLD OUT
September 17 - Albany, NY - The Egg *
September 22 - Branford, CT - Stony Creek Brewery *
September 23 - New York, NY - Pier 17 *
September 24 - Jim Thorpe, PA - Penn's Peak *
September 27 - Wilmington, NC - Greenfield Lake Amphitheater *
September 29 - Richmond, VA - Maymont *
September 30 - Harrisburg, PA - Southside Stage *
October 1 - Ocean City, MD - Oceans Calling Festival
October 4 - Kalamazoo, MI - State Theatre *
October 5 - Milwaukee, WI - Pabst Theater *
October 6 - Des Moines, IA - Hoyt Sherman Place *
October 7- Chicago, IL - Riviera Theater *
November 11- Highlands, NC - Highlands Food & Wine Festival
November 17- Atlanta, GA - Tabernacle *
November 18 - Charlotte, NC - The Fillmore *
March 18-22, 2024 - Miami, FL to Cozumel, MX - Keeping the Blues Alive at Sea
*official Mother Road Tour dates
LISTEN HERE
TORONTO, ON – August 14, 2023 – Rising artist, August Royals, has released his latest single, Every Time I Go, via RCA Records.
The pop-punk influenced single follows a run of recent releases from August Royals, including, Love You Til I Die and Angel Arms, each serving as the next chapter of his continued sonic evolution. Awash in upbeat percussion and melodic vocals, the song serves as an ode to August’s partner, proclaiming that no matter where he is, he keeps her with him.
Garnering praise from V Magazine, Rollacoaster, Lyrical Lemonade, and more, August Royals has quickly started making a name for himself in just a few short months, establishing himself as an artist to watch. Selected as part of Pigeons & Planes’ highly coveted Best New Artists, he was heralded as “the rare kind of talent who’s positioned to strike the difficult balance between artistry and accessibility.” The Georgia-born and Los Angeles-based singer and songwriter first caught listeners’ attention in 2019 when he posted a clip of his song, Restless, and went viral on Instagram with hundreds of thousands of views.
After a chance meeting with Kevin Abstract at a show in Los Angeles, the two became fast friends and collaborators. Championed by Abstract, August signed with RCA Records and released his debut single, Blue Football, to praise and critical acclaim. Clash called the release “exhilarating,” praising it as a “carefully finessed song, one that balances the micro with the macro in its search for meaning.” Following suit with, Crash, less than a month later, the single was featured as one of Billboard’s 10 Cool New Pop Songs. In 2022, he released his debut project, Inhaler, a nine-track EP that served as a multi-genre reflection of his own experiences and struggles.
A STUNNING GENRE SNAPSHOT ACROSS GENERATIONS PRODUCED AND COMPILED BY DAN AUERBACH
12-SONG SET UNITES LEGENDARY BLUES MASTERS
(ROBERT FINLEY, RL BOYCE, JIMMY "DUCK” HOLMES,
LEO BUD WELCH, GLENN SCHWARTZ) AND BREAKTHROUGH NEWCOMERS (NAT MYERS, GABE CARTER, MOONRISERS) PLUS NEVER-BEFORE-HEARD SONGS FROM AUERBACH AND THE BLACK KEYS
THE BLACK KEYS HEADLINED ALL-STAR JUKE JOINT JAM
ALBUM RELEASE PARTY AT NASHVILLE'S BROOKLYN BOWL THIS WEEK + LISTEN TO PREVIOUSLY-UNRELEASED NO LOVIN' FROM THE GROUP HERE
"With the way the production is built around the artists, no one should be surprised that in Music City, Easy Eye Sound is recording and releasing blues material every bit as splendid, gritty — and yes, authentic — as anything coming out of Chicago or Mississippi." — Nashville Scene
"This is a powerful, insistent collection of artists laying down a murky groove that few contemporary artists get right. Credit producer/auteur Auerbach, who understands, appreciates, and is inspired by the music these non-commercial artists make and uses his capacity as a high-profile star to share it with the world.” — American Songwriter
"Tell Everybody! anthologizes some of the most important and undersung blues work of the last century...ranging near and far across the works of bluesmen who have greatly informed the landscape." — Paste Magazine
"Glenn Schwartz is one of America's great unsung guitar heroes – as evidenced by Tell Everybody!" — Guitar World (on Daughter of Zion)
"Paying homage to the muddy roots that inspired him, Auerbach keeps the heart and spirit of the blues alive for future generations to enjoy.” — No Depression
TORONTO, ON – August 11, 2023 – Easy Eye Sound, the Nashville based label headed by Dan Auerbach and named Billboard’s 2022 Blues Label Of The Year, has shared Tell Everybody! (21st Century Juke Joint Blues From Easy Eye Sound) today; a gripping anthology surveying the current state of the blues. Listen here.
Featuring exclusive recordings, including a new The Black Keys song, cut at Easy Eye Sounds’ Nashville studio, this snapshot of 21st century juke joint music captures a wide-ranging collection of artists brought together by a label that's earned 16 GRAMMY nominations, four Billboard #1 Blues Albums, and widespread acclaim since its founding in 2017. But beyond any of these accolades, Easy Eye Sound works to preserve the blues; uplift unsung voices in the genre and, in the process, build a thriving, multigenerational community. Across its 12 tracks, Tell Everybody! serves as a living embodiment of that core mission. Listen to The Black Keys' never-heard track, No Lovin', from Tell Everybody! here.
Throughout its tracklist, Tell Everybody! features masters like North Mississippi’s RL Boyce, Betonia’s Jimmy “Duck” Holmes, Louisiana powerhouse, Robert Finley, and the Delta gospel sounds of Leo Bud Welch; alongside brilliant youngbloods like Detroit duo, Moonrisers, Chicago-based Gabe Carter, and Korean-American Kentucky native, Nat Myers. Auerbach shares a pair of never-before-heard tracks from both The Black Keys and his solo work, and can be heard with members of The Arcs alongside Joe Walsh backing the late Ohio blues hero Glenn Schwartz – a seminal if unsung guitar mentor for both Auerbach and Walsh alike.
To celebrate the release, Easy Eye Sound threw a Juke Joint Jam album release party earlier this week at Nashville's Brooklyn Bowl. The event was headlined by The Black Keys, with the band that created the GRAMMY-nominated Delta Kream album — including Hill Country blues legends, Kenny Brown (guitar) and Eric Deaton (bass) — and a special guest appearance from Robert Finley. Additional sets were performed by Tell Everybody! contributors, Jimmy “Duck” Holmes and Gabe Carter.
TELL EVERYBODY! (21ST CENTURY JUKE JOINT BLUES FROM EASY EYE SOUND) TRACK LIST:
RL Boyce - Coal Black Mattie
Robert Finley - Tell Everybody
Moonrisers - Tall Shadow
Dan Auerbach - Every Chance I Get (I Want You In The Flesh)
Jimmy “Duck” Holmes - Catfish Blues (Mono)
Gabe Carter - Anything You Need
Nat Myers - Willow Witchin’
Leo Bud Welch - Don't Let The Devil Ride (Mono)
The Black Keys - No Lovin’
Glenn Schwartz - Daughter Of Zion (Featuring Joe Walsh)
Gabe Carter - Buffalo Road
Glenn Schwartz - Collinwood Fire
DOWNLOAD – album cover artwork
SHARES NEW TRACK LIVE ANOTHER LIFE
FOLLOWING LAST MONTH'S RELEASE OF
LEAD SINGLE COCOON
ON TOUR ACROSS WESTERN CANADA
THROUGH THE FALL
TORONTO, ON – August 11, 2023 – Following last month's launch of the groove-laden lead single, Cocoon, acclaimed BC-based singer-songwriter and producer, Jordan Klassen, is thrilled to now announce the forthcoming release of his new album, Marginalia. Arriving October 20, the album serves as a companion piece to his 2022 release, Glossolalia. Pre-save Marginalia here and pre-order the album on vinyl here. Klassen will bring the record to life as he takes to stages across western Canada this fall, co-headlining with David Vertesi (Hey Ocean!) - see below for full details.
When Klassen set out to write Glossolalia, he tapped into a new creative well. In the midst of recording the record, he found himself continuing to write, coming away from the process with two distinct yet complementary bodies of work. Marginalia now rounds out the collection from this period. Composing Glossolalia mostly with guitar, Klassen created a subtly blossoming record that perhaps nailed his “fairy folk for troubled times” approach better than ever before. The arrangements on Glossolalia were reduced to the bare essentials to support his voice with minimal production. While troubles are not a thing of the past, times are now different, and thus, Marginalia is the other side of the musical coin: smoother, fuller, and more elegant than its predecessor.
While not “folky”, Marginalia is poetic like its sister record, but more melodic and less stripped down than what Klassen has produced before. From the contemplative opener, You, Yourself, which pulls lines from an orthodox prayer, to the emotional closer, Vanya, a song written as a gift to his sister during a season of hardship, Klassen once again has impressively demonstrated his ability to evoke an incredibly deep poetic auditory experience.
Songs primarily are led from piano with sweeping orchestral arrangements. Diverse keyboard tones are used to move songs forward while also setting an emotional atmosphere, perhaps best expressed in Old Flame. Klassen writes about his sobering awareness that he has spent “Half my existence pushed out on a ledge,” as he acknowledges the persistence of his own mental battles. One can easily visualize the songwriter recognizing the emotional power of memories, like a bad relationship that still has power over him even as he tries to break free. The newly released track, Live Another Life, continues the expression of emotional struggle with intrusive thoughts that haunt the songwriter and tell a different narrative where "All the conversations (are) never true)."
"This song is about my own struggle with mental illness," reflects Klassen. "With intrusive thoughts often one can start to believe a completely different narrative about who they are and what they value, it’s like living another life in your head.”
Arriving today, the next taste of the new music from Marginalia, Live Another Life features stirring additional vocals from fellow BC artist, Alexandria Maillot - an atmospheric track highlighted by evocative storytelling lyrics and warm, muted piano. Listen here.
With this new body of work, Klassen’s ultimate message is that what feels intangible can be revealed by peering into the marginalia. The sacred is manifested all around us, “in touch and taste and smell,” there for us to discover if we look for it. Look for more to be revealed of Marginalia soon, and tune in to Live Another Life today.
MARGINALIA TRACK LIST:
1. You Yourself
2. Casey
3. Greener Hills
4. Cocoon
5. King of the Empire
6. Overstep
7. Life Another Life (feat. Alexandria Maillot)
8. Old Flame
9. Where Else Would I Go?
10. Vanya
UPCOMING TOUR DATES:
September 15 - Delta, BC - Barnside Harvest Festival
October 4 - Kelowna, BC - Benvoulin Church
October 5 - Rossland, BC - Flying Steamshovel
October 7 - Calgary, AB - King Eddy
October 8 - Red Deer, AB - Red Hart Brewing
October 11 - Winnipeg, MB - WECC
October 12 - Saskatoon, SK - The Capitol
October 13 - Regina, SK - Artesian
October 14 - Edmonton, AB - The Aviary
October 15 - Kamloops, BC - Effie Arts Collective
October 19 - Vancouver, BC - Hollywood Theatre
*more to be announced soon*
EMMYLOU HARRIS HONOURS THE MEMORY
OF HER FRIEND NANCI GRIFFITH WITH SUBLIME RENDITION OF LOVE WORE A HALO (BACK BEFORE THE WAR)
MORE THAN A WHISPER: CELEBRATING THE MUSIC OF NANCI GRIFFITH
PAYS TRIBUTE TO GRIFFITH’S VAST MUSICAL LEGACY
OUT SEPTEMBER 22
PRE-ORDER AVAILABLE HERE
TORONTO, ON – August 11, 2023 – Trailblazing singer and songwriter, Nanci Griffith, whose life was suddenly cut short in 2021, was a pivotal figure in the development of what is now known as Americana music. She left behind an extraordinary and keenly influential body of work that will likely inspire future generations of songwriters for years to come. On September 22, Griffith’s artistic legacy will be memorialized through the all-star tribute, More Than a Whisper: Celebrating the Music of Nanci Griffith.
Today, Griffith’s longtime friend, Emmylou Harris, releases a joyful and buoyant rendition of Love Wore a Halo (Back Before the War). Listen to it here.
Harris and producer, Buddy Miller, enlisted a stellar group of musicians for the recording, including multi-instrumentalists Sam Bush and Michael Webb, bassist Dennis Crouch, drummer Fred Eltringham, and guitarist, Jedd Hughes.
More Than a Whisper: Celebrating the Music of Nanci Griffith features Griffith’s friends, collaborators, and fans interpreting her most beloved songs, including Shawn Colvin, Steve Earle, Emmylou Harris, Sarah Jarosz, Lyle Lovett and Kathy Mattea, John Prine and Kelsey Waldon, and Mary Gauthier, who also shares her admiration for Griffith in heartfelt liner notes. Recorded over several years in studios across America, More Than a Whisper also includes stirring contributions from Brandy Clark, Billy Strings and Molly Tuttle, Iris DeMent, Todd Snider, and Aaron Lee Tasjan with Patty Griffin, while Ida Mae and The War and Treaty both appear exclusively on the expanded CD, digital, and HD versions of the album. All proceeds from More Than a Whisper will benefit Nashville’s Cumberland Heights, a non-profit treatment facility offering hope and healing to those affected by drug and alcohol addiction. Click here to pre-order More Than a Whisper: Celebrating The Music of Nanci Griffith.
LISTEN HERE AND WATCH THE VISUALIZER HERE
BURY THE SORROW LP OUT OCTOBER 13
VIA LISBON LUX RECORDS
PRE-ORDER HERE
TORONTO, ON – August 9, 2023 – Today, Canadian synthwave reference-artist, Das Mörtal, shares the third single, PIECES, from his new and upcoming album, BURY THE SORROW, out October 13 via Lisbon Lux Records. Featuring Tony Kim (Dance With The Dead), PIECES is a sad boy song for techno dancefloors and dark rooms, and sees Das Mörtal further exploring genres, while always remaining true to an emo foundation. Listen to PIECES here and watch the visualizer, here. Pre-order BURY THE SORROW here.
PIECES, a self-proclaimed witch house song, is about the pain of daily routine, a concept Das Mörtal applied in the repetition of the lyrics, which contain just three phrases: "It's all just pain, Every morning is the same, When your brain is in pieces."
On working with Dance With The Dead, Das Mörtal offers: “[It was] awesome, since other than my family, they’re the people I hanged the most within the last three years or so… Dance with the Dead were the last people I saw before the world went into slumber. PIECES is the result of mind's inability to move forward during that moment in time.”
WASTED, the first single from Das Mörtal’s third and upcoming album, was released in February and showed how much the Chilean born producer had grown as an artist, as the track related to the fear and mental block he experienced during the pandemic, when the impression of doing nothing was omnipresent. IDÖL, the second track from BURY THE SORROW, further gave listeners a look into how Das Mörtal had pushed his sound and tapped into new influences he hadn’t explored previously.
BURY THE SORROW was mostly recorded at Das Mörtal’s home – one of the few environments he enjoys. He recorded more vocals than his previous works, and in turn, got more personal with the project. Themes of struggle abound on the album: the struggle of making an album, getting through each day, and of sometimes just being yourself.
“It goes in so many stylistic places because that’s how my brain was working,” Das Mörtal explains. “Being stressed, lazy, anxious and etc... while working on just one track, can make them feel a bit erratic. It makes them sound less over produced and more genuine to the creative struggle I was in.”
Keep up to date with Das Mörtal below, as BURY THE SORROW nears existence, come this October.
DOWNLOAD - Single Art | DOWNLOAD - Press Photo
ABOUT DAS MÖRTAL:
Das Mörtal began his journey in Berlin, inspired by artists such as Steve Moore and Aphex Twin. The producer forges a dark and nostalgic sound, skillfully mixing influences that range from German techno to horror and sci-fi film soundtracks. With several EPs and albums released, he has performed in several major festivals such as Osheaga, Transmusicales de Rennes, FME and Meg Festival while opening on tours for Vitalic, Perturbator, Carpenter Brut, etc. Now part of the world's leading synthwave producers, the enigmatic artist offers a more personal sound, a unique musical signature charming a growing audience worldwide. With over 20 million streams on Spotify alone, Das Mörtal receives media and radio support in a dozen countries, as well as on several influential pages on YouTube. On stage, he has racked up nearly 100 shows since 2015, including more than 70 dates in the U.S. and Europe (UK, France, Scandinavia).
HOMETOWN TORONTO RELEASE SHOW
ON AUGUST 17 AT THE DRAKE
FALL TOUR DATES ANNOUNCED
INCLUDING STOPS IN MONTREAL AND TORONTO
"Striking... Poignant" - NPR
“Rachel Bobbitt is back with another stomach-jilting piece of
bedroom alt-pop perfection.” - Paste
"Rachel Bobbitt’s tender, shimmering voice has the capacity to carry a massive weight of emotion — a weapon she wields very carefully." - Consequence
"'The Ceiling Demos' offers fans of Bobbitt and newcomers to her music alike an intimate view into her process" - The FADER
"A distillation of the enormous and unutterable, Rachel Bobbitt's ‘More’ is an unflinching rumination on the uterus-bearing experience." - Exclaim
TORONTO, ON – August 4, 2023 – Today, emerging Toronto-based artist, Rachel Bobbitt, releases her remarkable new EP, The Half We Still Have via Fantasy Records. The Half We Still Have is a series of sharp and incisive character studies, told with unflinching honesty, piercing intuition, and fearless self-reflection. “I wanted these songs to reflect the intense dynamics that take shape in relationships,” Bobbitt explains. “I’ve found in some relationships, you give and give, only to eventually lose yourself in the process. In those moments where we feel abandoned and hollow, a small sliver remains intact, preserved, and personal.”
The EP’s singles, Two Bit – which Paste called “another stomach-jilting piece of bedroom alt-pop perfection” – and Clay Feet – which saw support from Stereogum, Brooklyn Vegan and more – perfectly encapsulates Bobbitt’s remarkable gift for expressing universal truths in the tiniest of details. Stream and/or purchase The Half We Still Have here.
Produced and mixed by Jorge Elbrecht (Sky Ferreira, Japanese Breakfast) at 80A Studios in Toronto, The Half We Still Have is a searing, empathetic work of musical non-fiction, and just the beginning of an immensely bright future to come.
Bobbitt will give a hometown Toronto performance on August 17 at The Drake in celebration of the album’s release. Additionally, she has announced a fall tour supporting Jesse Jo Stark. See below for all dates, including stops in Montreal and Toronto.
Bobbitt (vocals/guitar) is joined on The Half We Still Have by close musical partner, Justice Der (guitar/e-bow), Stephen Bennett (drums/percussion), Isaac Teague (bass), Sam Laramee (synth), and Alex George (strings). The band’s tight-knit cohesion, combined with Elbrecht’s visionary production, helps give Bobbitt’s expansive art-pop compositions their shimmering toughness.
Previous EP, The Ceiling Could Collapse, and now The Half We Still Have, showcase strong songwriting prowess, a skill that Bobbitt has been honing for a long time. She made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired. “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” She soon found herself at a jazz program, before leaving it during the pandemic to focus on her own music.
“Most of the moments I have had in my life that felt right, like they made sense, have been a result of human connection,” Bobbitt concludes. “It can be so beautiful, and it can also be desperate and damaging. I have had connections in my life that made me question the fundamentals of my character, and unfortunately, I don’t think that is uncommon. But throughout every complicated, demoralizing, or harmful relationship, there has always been that slice of myself that remained mine, even when I didn’t feel it. The Half We Still Have centres around that small piece, and the connections that threaten it.”
UPCOMING TOUR DATES:
August 17 - Toronto, ON @ The Drake (Record Release Show)
September 15 - Somerville, MA @ Crystal Ballroom *
September 16 - Burlington, VT @ Higher Ground *
September 23 - Montreal, QC @ Bar Le Ritz *
September 24 - Toronto, ON @ Velvet Underground *
September 25 - Detroit, MI @ Loving Touch *
September 26 - Cleveland, OH @ Grog Shop *
September 28 - Chicago, IL @ Empty Bottle *
September 29 - St Paul, MN @ Turf Club *
September 30 - Milwaukee, MN @ Back Room at Colectivo *
October 1 - St Louis, MI @ Blueberry Hill *
October 3 - Kansas City, MO @ recordBar *
October 5 - Denver, CO @ Meow Wolf *
October 6 - Salt Lake City, UT @ Urban Lounge *
* supporting Jesse Jo Stark
LISTEN TO NYE FEATURING SUKI WATERHOUSE HERE
FIFTH STUDIO LP TIME WILL WAIT FOR NO ONE
OUT NOW VIA LOMA VISTA
NORTH AMERICAN HEADLINE TOUR UNDERWAY NOW WITH VANCOUVER SHOW SEPTEMBER 25 AT VOGUE THEATRE
STREAM/BUY TIME WILL WAIT FOR NO ONE HERE
- Billboard
"Breezy SoCal pop-rock" - FLOOD
"Sunny, upbeat" - Consequence
"A record that is expansive and multivalent, a tribute to the group itself and the ties that bind them. The music possesses a distinct intentionality; there’s a devotion woven through and protruding out of it; a funneling of gratitude into the band’s internal mechanics." - Paste
“Energetic anthem led by acid-washed guitars and a rollicking,
hooky chorus." - BrooklynVegan
"What is this “Paradise"...it is merely the hope and kindness one embraces in spite of everything. And the veteran Los Angeles quintet gives it melody, harmony and words on their song “Paradise,” the closer — or grand finale, considering how it builds from a tremulous beginning to a certain majesty — on their new album" - Buzzbands LA
“Draped in dreamy synths and fretless bass grooves” - AllMusic on TWWFNO
TORONTO, ON – August 4, 2023 – Today, Local Natives release a reimagining of the single, NYE, featuring singer-songwriter, Suki Waterhouse. The original version of the song premiered on BBC Radio 6 Music and comes off their fifth studio LP, Time Will Wait For No One, that arrived last month via Loma Vista. The latest version of NYE is dreamy, romantic and stripped-down, with Suki’s vocals adding a contemplative bend - turning a song fit for a house party in the hills into a sunset drive to the beach. Listen here and watch here.
Time Will Wait For No One showcases the band’s seminal SoCal harmonies and was recorded across historic LA recording studios with GRAMMY award winning producer, John Congleton (Angel Olsen, Death Cab For Cutie, St. Vincent, Sharon Van Etten), Michael Harris (Lana Del Rey, Feist), and Danny Reisch (Sun June, Other Lives).
Following two hometown nights at the Ford Theater in LA to celebrate the 10th anniversary of the band’s sophomore LP, Hummingbird, the band will embark on the Time Will Wait For No One Tour. The 25-city nationwide tour kicks off in Minneapolis on August 18 and criss-crosses the US all summer, including performances at NYC’s Pier 17 on August 29, two nights at DC’s 9:30 Club on August 24 and 25, Austin's Stubbs on September 16, and the Vogue Theatre in Vancouver on September 25.
TIME WILL WAIT FOR NO ONE TOUR DATES:
August 18 - Minneapolis, MN - First Avenue^
August 19 - Milwaukee, WI - The Pabst Theater^
August 20 - Detroit, MI - Majestic Theatre^
August 22 - Boston, MA - House of Blues^
August 24 - Washington, DC - 9:30 Club^
August 25 - Washington, DC - 9:30 Club^
August 26 - Pittsburgh, PA - Stage AE^
August 27 - Philadelphia, PA - Franklin Music Hall^
August 29 - New York, NY - Pier 17^
September 8 - Chicago, IL - Riviera Theatre*
September 9 - Cleveland, OH - House of Blues*
September 11 - Columbus, OH - Newport Music Hall*
September 12 - Nashville, TN - Marathon Music Works*
September 13 - Atlanta, GA - The Eastern*
September 15 - Dallas, TX - House of Blues*
September 16 - Austin, TX - Stubb’s Waller Creek Amphitheater*
September 17 - Tulsa, OK - Cain's Ballroom*
September 19 - Phoenix, AZ - The Van Buren*
September 21 - Denver, CO - Mission Ballroom*
September 22 - Salt Lake City, UT - The Depot*
September 23 - Bozeman, MT - The Elm*
September 25 - Vancouver, BC - Vogue Theatre*
September 26 - Seattle, WA - Paramount Theatre*
September 27 - Portland, OR - McMenamins Grand Lodge*
September 28 - Oakland, CA - Fox Theater*
September 30 - Del Mar, CA - The Sound*
^ w/ Annika Bennett
* w/ Halfnoise
DOWNLOAD - Single Art | DOWNLOAD - Local Natives Press Photo
DOWNLOAD - Suki Waterhouse Press Photo
ROBERT FINLEY RELEASES SNEAKIN’ AROUND
SOULFUL SINGLE FROM NEW ALBUM BLACK BAYOU
OUT OCTOBER 27 VIA EASY EYE SOUND
FINLEY IS THE EPITOME OF SMOLDERING COOLNESS
IN NEW MUSIC VIDEO
WATCH HERE AND LISTEN HERE
69 YEAR’S YOUNG SINGER-SONGWRITER STAR RETURNS
WITH DAN AUERBACH-PRODUCED ALBUM - A SWAGGERING TOUR DE FORCE OF BLUES, SOUL, AND FUNK SHARING STORIES FROM THE SWAMPS OF LOUISIANA
EASY EYE SOUND JUKE JOINT JAM SHOW WITH THE BLACK KEYS, JIMMY “DUCK” HOLMES, AND MORE ON AUGUST 9 AT NASHVILLE'S BROOKLYN BOWL
Sneakin’ Around dazzles with Finley swagger, his formidable vocals musing on stories of deception and deceit, soundtracked by a laid back groove, funky guitar chops and a R&B horn line straight out of Hitsville USA. Finley shares, “Whatever is in the dark is gonna come to the light, so don’t play around.”
On Sneakin’ Around, Brooklyn Vegan praised, “It's a funky, bluesy song fueled by Robert's soulful Southern grit."
Finley recorded Black Bayou at Dan Auerbach’s Easy Eye Sound Studio in Nashville. It’s the fourth time the duo have worked together, although for this record they did things a little differently. Rather than write songs beforehand—as they did on 2017’s Goin’ Platinum and 2021’s Sharecropper’s Son—they devised everything in the studio, with Auerbach leading a band of some of the finest players around: drummers Patrick Carney (The Black Keys) and Jeffrey Clemens (G. Love & Special Sauce), bassist Eric Deaton, and legendary Hill Country blues guitarist Kenny Brown along with vocalists Christy Johnson and LaQuindrelyn McMahon—who just happen to be Finley’s daughter and granddaughter. They worked quickly, devising their parts spontaneously and getting everything in one take.
Black Bayou, is a portrait of North Louisiana from an insider who’s lived there all his life. It coalesces all of the vibrant genres bubbling in the bayou from southern soul, jazz, folk, blues, rock and roll and more. A vivid collection of songs that depict life in North Louisiana, with Finley playing the role of charismatic and knowledgeable tour guide. Tales include surviving the jaws of an alligator on Alligator Bait, a true story of his grandfather using him as bait to catch an alligator when he was a child. Nobody Wants To Be Lonely is a poignant track spotlighting the generation forgotten in nursing homes across the nation. Songs like Miss Kitty, a tale of lust and love are an instant induction into the canon of the blues tradition. In all, a collection set to establish Finley as perhaps one of the last true bluesmen of our time and a truly original Louisiana storyteller who evokes the place and its unique culture for the rest of the world.
“It’s amazing to realize how much of an impact Louisiana has had on the world’s music,” says Dan Auerbach, “And Robert embodies all of that. He can play a blues song. He can play early rock and roll. He can play gospel. He can do anything, and a lot of that has to do with where he’s from.”
If Finley’s previous albums established him as a formidable blues and soul artist - overcoming losing his sight in his 60s to become a music star - Black Bayou Finley hopes will help put North Louisiana on the musical map and launch the next generation of stars. Finley still plays small clubs around the region—even the occasional nursing home. Rather than move to where the music industry is, Finley is bringing the industry down to Bernice and working to boost regional acts and has plans for a new local recording studio in the works. “We got a lot of good talent down here in North Louisiana, but nobody’s really done much with it.” Finley stated, adding, “A lot of people just haven’t had the opportunity to record—or even just be heard. It worked for me, so I might as well try to help someone else get discovered, too.”
TOUR DATES:
November 4 - Groningen, NL - Take Root Festival
November 5 - Brussels, BE - Rotonde @ Botanique
November 8 - London, UK - Jazz Café
November 9 - Manchester, UK - Blues Kitchen
November 10 - Pandrup, DK - Blues Heaven Festival
November 14 - Toulouse, FR - Salle Nougaro
November 15 - Saint-Nazaire, FR - VIP
November 16 - Amiens, FR - La Lune des Pirates
November 18 - Šumperk, CZ - Blues Alive Festival
November 20 - Tourcoing, FR - Le Grand Mix
November 21 - Paris, FR - Maroquinerie
November 23 - La Roche-Sur-Yon, FR - Quai M
November 24 - La Rochelle, FR - La Sirène
November 25 - Castres, FR - Lo Boegason
November 26 - Saint-Etienne, FR - Le Fil
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
About Robert Finley:
Robert is an army veteran and was a skilled carpenter before losing his sight in his 60s, which led him to finally pursue his musical dream. Finley has overcome divorce, house fires, an automobile accident and is now legally blind following losing his sight due to the medical condition, glaucoma, which forced him to retire from carpentry and finally pursue his long delayed music career. Finley believes his sight was improved by the power of prayer, and Finley’s faith has also helped him focus on launching his music career in his 60’s. According to Finley, “losing my sight gave me the perspective to see my true destiny.”
His ascent has been swift. His previous Auerbach-produced album, Goin’ Platinum, received widespread critical acclaim including Associated Press who praised Finley’s ability to lend “instant credibility to any song.” Finley also toured more than 10 countries, and his live show drew praise from publications including The New York Times. Finley was profiled on PBS NewsHour, which led to him becoming a contestant on the 2019 season of the TV competition, America’s Got Talent, reaching the semi-finals.
He was born in Winnsboro in 1953, but has spent most of his life in Bernice, a small town of about 1,600 souls just 30 miles from the Arkansas border. After serving in the Army, he played blues in juke joints and sang gospel in churches around the region, often mixing those two styles with southern soul, heavy rock, swamp pop, jazz, and anything else that crossed his mind. His second album, Sharecropper’s Son, was inspired by Finley's childhood: his family were sharecroppers, and he was unable to regularly attend school and often worked with his family in the field picking cotton. This was a landmark release, landing him the cover of SPIN Magazine, NPR Morning amongst other critical acclaim.
He’s since headlined shows with The Black Keys, Greta Van Fleet, Nathaniel Rateliff and many more.
ACCLAIMED SINGER-SONGWRITER AND GUITARIST SHARES A BLISTERING, UNRELEASED VERSION OF KOKO TAYLOR’S VOODOO WOMAN HERE
16-TRACK SPECIAL EDITION INCLUDES PREVIOUSLY UNRELEASED BONUS MATERIAL AND LIVE VERSIONS
TORONTO, ON – July 28, 2023 – Susan Tedeschi is one of the most celebrated blues and American roots musicians of her generation, and her unyielding commitment to her craft – both as a solo artist and in Tedeschi Trucks Band – has earned her multiple GRAMMY nominations and the adoration of audiences around the world. It all began humbly at blues jams in her native Boston back in the early ‘90s and led to significant regional acclaim, but with the 1998 release of her solo debut, Just Won’t Burn, Tedeschi put the wider music world on notice that she was a true force to be reckoned with.
In celebration of the album’s 25th anniversary, Fantasy Records will release Just Won’t Burn (25th Anniversary Edition) on September 22. This special, 16-track expanded edition features the original album plus five previously unreleased bonus tracks: an alternate take of Looking For Answers, two new album outtakes, and two live versions of Just Won’t Burn album tracks recorded with Tedeschi Trucks Band at NYC’s Beacon Theatre.
Pre-order various formats of Just Won’t Burn (25th Anniversary Edition) here. Watch the visualizer for Tedeschi’s blistering version of Koko Taylor’s Voodoo Woman here.
“Making Just Won’t Burn was a pivot,” Tedeschi says of the album, which was co-produced by Tom Hambridge and Tedeschi and recorded by Sean Carberry at Rear Window Studio, Brookline, MA. The album features musicians such as guitarists Adrienne Hayes and Sean Costello, and harmonica player, Annie Raines, tackling Tedeschi’s original songs in tandem with material popularized by Ruth Brown, Junior Wells, and John Prine. “All of a sudden, I was working with different groups of people, new musicians, new songwriting collaborators. We had no idea how it was going to turn out. I think the thing that held it all together was the blues. Blues is a language that I love. You can take it anywhere in the world and communicate with people, which isn’t necessarily true about other forms of music. And being a white artist in a black milieu, you just have to let the music speak.”
Speak it did, as Just Won’t Burn went Platinum (a rare achievement for a blues-based album at that time) and earned Tedeschi a GRAMMY nomination for Best New Artist in 2000 (alongside the of-the-moment cast of Britney Spears, Macy Gray, Kid Rock, and Christina Aguilera). It would be the first of five GRAMMY nominations for Tedeschi as a solo artist, with each of her next three solo releases earning nods for Best Contemporary Blues Album.
Even after 25 years, the past-decade plus of which have seen Tedeschi rise to even greater heights with her husband Derek Trucks in Tedeschi Trucks Band, Just Won’t Burn remains a touchstone of blues-based rock’n’roll. “The way people react to Just Won’t Burn has always been heartwarming and surprising,” she admits. “I used to get letters from a prisoner who identified with the songs and found hope in them, and then I started getting letters from the rest of the prisoners on the cell block because it was the only cassette they had.”
“Sometimes when I look back on the 25 years since the release, I think about the places I’ve been and the adventures I’ve had, and I feel like Forrest Gump,” Tedeschi continues. “I say, ‘No! You’re a baseball mom. You didn’t do all that!’ But I must have. The blues has its demands. You have to be honest — musically, emotionally, and personally — above everything else, and that can lead to some uncomfortable truths. But the blues hasn’t burned me. It hasn’t hurt me. It’s my main resource. I can express myself and get stuff out about my life – or, like B.B. always said, ‘whatever ails you.’ The blues got me here.”
Just Won’t Burn (25th Anniversary Edition) Track List:
1. Rock Me Right
2. You Need to Be With Me
3. Little By Little
4. It Hurt So Bad
5. Found Someone New
6. Looking For Answers
7. Can’t Leave You Alone
8. Just Won’t Burn
9. Mama, He Treats Your Daughter Mean
10. Angel From Montgomery
11. Friar’s Point
BONUS TRACKS
12. Looking For Answers (Alternate Take)
13. Voodoo Woman (Album Outtake)
14. Waste Of Time (Album Outtake)
15. Looking For Answers (Tedeschi Trucks Band - Live at the Beacon Theatre, 10/06/2022)
16. Just Won’t Burn (Tedeschi Trucks Band - Live at the Beacon Theatre, 10/07/2022)
NEW ALBUM MOTHER ROAD OUT AUGUST 18 VIA FANTASY
MOTHER ROAD TOUR KICKS OFF SEPTEMBER 7
INCLUDES STOPS IN NYC, ATLANTA, CHICAGO,
VERMONT, AND MORE
TORONTO, ON – July 28, 2023 – Today, 3X GRAMMY-nominated singer-songwriter, Grace Potter, shares Ready Set Go and Lady Vagabond, the newest tracks off her highly anticipated album, Mother Road, out August 18, via Fantasy Records. Each track reveals one of the many wild characters Potter manifests in Mother Road’s twisted odyssey. Ready Set Go finds Potter as a 20-year-old, happy-go-lucky, wayward hitchhiker locked in an alternate reality, while the dramatic Lady Vagabond, wrapped in spaghetti-western bravado, illuminates the lawless, superhero within. Watch track visualizers for Ready Set Go here and Lady Vagabond here. Pre-order Mother Road here.
“Ready Set Go is one of the very first songs I wrote for Mother Road. I’d been driving solo for about a week, and I must’ve been desperate for some company because any time I stopped, I got this bizarre urge to jump in every car, truck, train, or bus I saw drive by! While I didn’t indulge that highly questionable and risky idea in reality, I did explore it through song...and my imaginary co-pilots took me down some very unexpected roads,” Potter shares. “On the other hand, along the many stops on Mother Road, Lady Vagabond is, without a doubt, the steepest exit ramp to another dimension from which you cannot return.”
Tickets are currently on sale for Potter’s Mother Road Tour, which kicks off at Collin Centers for the Arts in Orono, ME on Saturday, September 7. The 18-date fall tour also includes two performances at Shelburne Museum in her native Vermont, as well as shows at New York City’s Pier 17, Milwaukee’s Pabst Theatre, Chicago’s Riviera Theater and Atlanta’s Tabernacle, among other great venues, before concluding at The Fillmore in Charlotte, NC on November 18. See below for the full itinerary. For tickets information please visit gracepotter.com.
Produced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA, Mother Road - the follow-up to Potter’s 2019 acclaimed, 2x GRAMMY-nominated album, Daylight - finds the rock and soul artist deconstructing her deepest fears and darkest regrets and charting the fallout with brutal honesty and emotional daring. Throughout the album’s 10 original tracks, Potter, along with contributions from top-flight musicians, commands an expansive soundscape of soulful rock, roots, funk, country, and R&B. Watch the Mother Road album trailer here.
GRACE POTTER TOUR DATES:
(OFFICIAL MOTHER ROAD TOUR DATES IN BOLD)
August 12 - Beech Mountain, NC - Beech Mountain Resort Summer Concert Series
September 1 - Snowmass Village, CO - JAS Aspen Snowmass
September 7- Orono, ME - Collins Center for the Arts
September 8 - Providence, RI - Veterans Memorial Auditorium
September 9 - Lewiston, NY - Artpark
September 10 - Hammondsport, NY - Pavilion at Point of the Bluff Vineyard
September 14 - Concord, NH - Capitol Center for the Arts
September 15 - Shelburne, VT - Shelburne Museum - Ben & Jerry's Concerts on The Green - SOLD OUT
September 16 - Shelburne, VT - Shelburne Museum - Ben & Jerry's Concerts on The Green - SOLD OUT
September 17 - Albany, NY - The Egg
September 22 - Branford, CT - Stony Creek Brewery
September 23 - New York, NY - Pier 17
September 24 - Jim Thorpe, PA - Penn's Peak
September 27 - Wilmington, NC - Greenfield Lake Amphitheater
September 29 - Richmond, VA - Maymont
September 30 - Harrisburg, PA - Southside Stage
October 1 - Ocean City, MD - Oceans Calling Festival
October 4 - Kalamazoo, MI - State Theatre
October 5 - Milwaukee, WI - Pabst Theater
October 6 - Des Moines, IA - Hoyt Sherman Place
October 7- Chicago, IL - Riviera Theater
November 11- Highlands, NC - Highlands Food & Wine Festival
November 17- Atlanta, GA - Tabernacle
November 18 - Charlotte, NC - The Fillmore
March 18-22 (2024) Miami, FL to Cozumel, MX - Keeping the Blues Alive at Sea
“THIS IS THE HOTTEST SUMMER I CAN EVER REMEMBER
‘CAUSE THE WORLD IS ON FIRE”
OUT TODAY VIA CONCORD RECORDS
LISTEN TO TITLE TRACK AND FULL ALBUM HERE
“...a dappled, jangly, and unabashedly sincere amalgam of ’70s AM-radio rock and peak-era Sheryl Crow filtered through a lens of lo-fi California cool.”
- Vulture
“The debut single, the light and lilting ‘It’s Fine,’ has the gentle twang of midcareer Sheryl Crow and the bright gloss of Liz Phair’s pop era.”
- The New York Times
“In Natural Disaster, she's crafted an artifact that will feel at once familiar to those who followed her work with Best Coast and also distinctly her own, merging vulnerability with a dry sense of humour, and deploying to full effect her well-honed skill for blending sincere nostalgia with her own brand of millennial irony.” - Exclaim!
"A fearless, fragile debut" – ★★★★ NME
“…Bethany Cosentino has struck out on her own with ‘It’s Fine,’ a self-assured song that exchanges the sun-kissed surf-pop with which she made her name for an engaging country-rock strut made all the more irresistible by tasty, twangy, Southern-fried funk leads that complement the song perfectly.” - Guitar World
“Natural Disaster is a breath of fresh air for Cosentino”
- Northern Transmissions
TORONTO, ON – July 28, 2023 – Today, Bethany Cosentino unveils her highly-anticipated debut solo album, Natural Disaster, via Concord Records. Merging 90s power-pop staples with a modern folk-pop edge, the title and opening track is the perfect introduction to the record, lyrically exploring themes of global warming and solidarity when it feels we’re staring the end of the world right in the face – “And hey, if we’re all dying then what does it matter? We’re a natural disaster.” Listen to Natural Disaster here.
“Natural Disaster was absolutely the easiest song on the album to write,” said Cosentino of the single. “Producer and songwriter, Suzy Shinn, sent me an instrumental track, and the moment I heard it, I ran to my music room and wrote this. It was one of those songs that felt like it was just waiting to come out of me. The message is very clear: I had been thinking a lot about the energy of the summer of 2020 in particular. Political upheaval, protests against police brutality, wildfires throughout the state of California, and other Natural Disasters around the globe. That chaotic energy was palpable on planet earth. The song is meant to serve as a commentary on the way we as humans go about our business as the world around us crumbles and literally burns. Thinking about the way our planet is changing is wildly anxiety-producing, but it’s very real, so I hope this song can call attention to it while also giving people something to sing along to.”
On the newly released video, Cosentino explains, “I wanted to create a visual for Natural Disaster that drew attention to the way in which our planet is suffering, but also reminding people of the beauty of this earth and why we should be fighting to save it. None of us are perfect, but even if we do one or two small things in an attempt to elicit change, we are doing the right thing. With some of the hottest temperatures on record happening this summer, I hope this song and video can serve as a call to action. I chose to highlight Evergreen Action, a non-profit organization working towards combating climate change. This is the only planet we’ve got, let’s all do our best to treat her right.”
Previously released songs, It’s Fine – which earned Cosentino her solo debut on Triple A radio chart – as well as Easy and For A Moment give listeners a full spectrum of what they can expect from the album – signature luminosity and reflection without mincing words – in other words, what Cosentino does best and has been doing since she burst on the scene in 2009. Intensely intimate yet rooted in universal truth, Natural Disaster reminds us that Cosentino has a rare capacity to transform the way we navigate the fast-changing world around us. It is the first offering from this next chapter of her already-incredible career, and a stunning reflection of a woman in her mid-30s embracing all of the change that life has to offer, even when it’s downright terrifying.
Cosentino hopes that the album might help others find their own way toward transformation and renewal. “When I look at all the artists I find most influential, the common thread is that they take risks and continue exploring different versions of themselves,” she says. “My goal is to keep growing and challenging myself and living outside any kind of box, to keep on evolving as an artist and a person. And if anyone’s feeling stagnant, I hope this record inspires them to see what else life has to offer. It’s really scary to take those risks and make big changes in your life, but what you find on the other side can be so magical.”
UPCOMING PERFORMANCES:
August 3 - Amoeba Records - Hollywood, CA
September 18 - Troubadour - Los Angeles, CA
September 23 - Breckenridge Brewery - Littleton, CO
DOWNLOAD - hi-res photo | DOWNLOAD - album artwork
BLOOD ON MY NIKEZ OUT NOW VIA LOMA VISTA RECORDINGS
LISTEN HERE AND WATCH HERE
TORONTO, ON – July 27, 2023 - Denzel Curry releases new single, BLOOD ON MY NIKEZ, a new collaboration with the legendary Juicy J, for which Denzel teased his verse last week when he released the Omar Jones-directed music video for the song ahead of today's official single. The song arrives in the midst of what has proven to be a busy summer for Denzel and is anticipated by fans after he previewed the song on his Australian tour dates earlier this year, his headlining sets at Outbreak Festival in the UK, Capitol Hill Block Party in the US, and his performance at Germany's SPLASH! Festival. Listen here and watch the video here.
BLOOD ON MY NIKEZ marks Denzel's first original single of 2023 following his Live At Electric Lady EP that was released in May, in partnership with Spotify, and found him reuniting with Cold Blooded Soul Band (with whom he performed his Tiny Desk Concert for NPR and The Tonight Show With Jimmy Fallon appearance) to perform four standouts from his 2022 album, Melt My Eyez See Your Future, in addition to covers of Erykah Badu's, Didn't Cha Know (the original version of which was also recorded at Electric Lady) that enlists the legendary Bilal, and Shogun’s Lonely Man (from Japanese TV Series Detective Story), as well as the previously-unreleased, Endtroduction.
After a series of concept-driven, critically-acclaimed albums, BLOOD ON MY NIKEZ serves as a return to Denzel's roots that nods to his early fan-favourite projects Nostalgic 64 and Imperial, but wizened by the pop sensibilities he has steadily developed over the course of his career.
Listen to BLOOD ON MY NIKEZ above now and stay tuned for more from Denzel soon.
UPCOMING LIVE DATES:
7/28 - Niigata, Japan @ Fuji Rock Festival
8/3 - Honolulu, HI @ The Republik
9/8 - Raleigh, NC @ Hopscotch Music Festival
9/9 - Avondale, AZ @ IYKYK Music Festival
9/12-13 New York, NY @ Blue Note
THIRD RELEASE FROM FORTHCOMING
DEBUT ALBUM SET TO ARRIVE THIS FALL
LISTEN HERE AND WATCH THE MUSIC VIDEO HERE
TORONTO, ON – July 27, 2023 – Laur Elle has been trickling out new music from her forthcoming debut album over the past few months and has now shared the latest sneak peek with Easy Way Out. Listen here and watch the accompanying music video here.
Following previously released singles, Burning Out, and The Man, Easy Way Out perfectly showcases Laur Elle's unabashed pop prowess, heartstring-tugging vocals and earworm melodies, all tinged with a dreamy indie-rock style.
Of the song's inspiration, Laur Elle says, “Easy Way Out is heartbreak wrapped up in hope. I was in a very mentally abusive relationship and even afterwards, I found it so hard to talk about or write about. The first two lines of the song hit me while I was driving through the mountains when I realized for the first time the amount of relief I felt from being finally free. It’s a reminder to anyone struggling that you deserve better.”
As a singer-songwriter who has always been enamoured by the power of words, Laur Elle is a true multi-talented self-starter through and through. The breakthrough LA-based (by way of Alberta, Canada) indie pop artist uses her music to process her own emotions, with a musical vision that is intrinsically tied to her own voice. After time as an internationally competitive gymnast for the Canadian national team, she immersed herself in the creative community and has quickly proven that while poetry was her artistic starting point, music is truly her calling. With music that starts with her pen and her guitar, Laur Elle’s airy vocals, grounded lyrics and lush sound, create the perfect vehicle for escapism — a sound she calls perfect for running (or, more appropriately, driving) away from problems. Writing is her escape, and she’s ready to offer the same kind of solace for her listeners.
Cruise along with Laur Elle's Easy Way Out, and watch for more to come this summer as she gears up for her full album's release!
DOWNLOAD – Easy Way Out single artwork | DOWNLOAD – hi-res photo
MUSIC VIDEO FOR FIRST SINGLE IN YOUR LOVE
OUT TODAY
SOLD-OUT TOUR CURRENTLY UNDERWAY
TWO NEW YEAR’S EVE SHOWS AT LEXINGTON’S RUPP ARENA CONFIRMED
TORONTO, ON – July 27, 2023 – Rustin’ In The Rain, the new album from renowned singer, songwriter and musician, Tyler Childers, will be released September 8 on Hickman Holler Records/RCA Records (pre-order/pre-save).
Of the album, Childers shares, “This is a collection of songs I playfully pieced together as if I was pitching a group of songs to Elvis. Some covers, one co-write, and some I even wrote in my best (terrible) Elvis impersonation, as I worked around the farm and kicked around the house. I hope you enjoy listening to this album as much as I enjoyed creating it. Thank you. Thank you very much.”
In advance of the release, the first single, In Your Love, is out today—watch the song’s official music video here. Written and creative directed by Silas House (with a story idea by House and Jason Kyle Howard), the video was directed by Bryan Schlam and stars Colton Haynes and James Scully and depicts a timeless love story of two men set in rural Appalachia in the 1950s.
House is a New York Times bestselling author, current Poet Laureate of Kentucky and recipient of the 2022 Duggins Prize—the largest award for an LGBTQ writer in the nation. Of the video, he shares, “As a gay teenager who loved country music, I could have never imagined seeing myself in a video. That visibility matters. There have always been LGBTQ people in rural places and finally we’re seeing that portrayed in a country music video. Tyler and I both felt the attention to detail about rural life was very important, so we made sure that the house and the people looked realistic for the time period instead of the stereotypes of country people that have become so ingrained in the public consciousness. We used our own family pictures as references. We wanted to tell as complex a story as we could in four minutes, not only about a gay couple, but also about rural people. We wanted to show their joy and their sorrow—all the things that make up a complex life. Too often simplistic notions are pushed about both rural and LGBTQ people, so we did everything we could to make this story as rich and layered as possible.”
Childers and his longtime band, The Food Stamps—James Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle)—are currently in the midst of a 30-date sold-out nationwide tour. Upcoming stops include two nights at Radio City Music Hall, Boston’s Leader Bank Pavilion, DC’s Merriweather Post Pavilion, two nights at Colorado’s Red Rocks Amphitheatre as well as two newly announced New Year’s Eve shows at Lexington’s Rupp Arena.
Tickets for the Rupp Arena shows will be available through a registration process hosted by Ticketmaster. Registration for pre-sale tickets is open now through Sunday, July 30 at 11:59pm ET (details here). Following registration, randomly selected fans will receive an access code for the pre-sale, starting Wednesday, August 2 at 10:00am ET. General on-sale will follow Thursday, August 3 at 10:00am ET. Full details can be found here.
The new album follows last year’s triple album, Can I Take My Hounds to Heaven?, which featured eight songs presented in three distinct sonic perspectives—Hallelujah, Jubilee and Joyful Noise. Released to widespread acclaim, Esquire praised, “Who’s doing it better than Childers in roots music these days? No one,” while the Associated Press declared, “fearless exuberance…one of country music’s most compelling and unpredictable artists” and NPR Music asserted, “eight songs so good he had to record them thrice.” Before Hounds, Childers released 2020’s GRAMMY-nominated surprise album, Long Violent History, which NPR Music called an “explicit and remarkable stand in solidarity.” His two previous releases, 2019’s #1 Country Squire as well 2017’s RIAA Platinum debut, Purgatory, were released to overwhelming critical and commercial acclaim. In the years since his debut, Childers has earned two GRAMMY nominations and has been featured on CBS This Morning, The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, Late Night with Seth Meyers, NPR Music’s Tiny Desk Concert series and Anthony Bourdain: Parts Unknown.
TYLER CHILDERS CONFIRMED TOUR DATES:
August 3—New York, NY—Radio City Music Hall* (SOLD OUT)
August 5—Boston, MA—Leader Bank Pavilion (SOLD OUT)
August 6—Portland, ME—Thompson’s Point† (SOLD OUT)
August 10—Philadelphia, PA—The Met† (SOLD OUT)
August 11—Columbia, MD—Merriweather Post Pavilion‡ (SOLD OUT)
August 13—Raleigh, NC—The Red Hat Amphitheater+ (SOLD OUT)
August 15—Charlotte, NC—Charlotte Metro Credit Union Amphitheatre# (SOLD OUT)
August 16—Charlotte, NC—Charlotte Metro Credit Union Amphitheatre# (SOLD OUT)
August 18—Wilmington, NC—Live Oak Bank Pavilion at Riverfront Park+ (SOLD OUT)
August 19—Charleston, SC—Credit One Stadium+ (SOLD OUT)
August 20—Bethel, NY—Catbird Music Festival
September 21-23—Lewisburg, WV—Healing Appalachia
September 27—Morrison, CO—Red Rocks Amphitheatre+ (SOLD OUT)
September 28—Morrison, CO—Red Rocks Amphitheatre^ (SOLD OUT)
September 30—Greenwood Village, CO—Fiddler’s Green Amphitheatre§ (SOLD OUT)
December 30—Lexington, KY—Rupp Arena**
December 31—Lexington, KY—Rupp Arena**
BOLD on-sale August 3 at 10:00am local time
*with special guest Elle King
†with special guest Margo Price
‡with special guests Drive-By Truckers and Abby Hamilton
#with special guest S.G. Goodman
+with special guests S.G. Goodman and Abby Hamilton
^with special guests S.G. Goodman and Wayne Graham
§with special guests Wynonna Judd and The Travelin’ McCourys
**with special guest Shovels & Rope
LISTEN HERE AND WATCH THE VISUALZIER HERE
KICKS OFF MAGGIE ROGERS TOUR
PLAYING NYC’S FOREST HILLS STADIUM TONIGHT
PLAYING TORONTO’S BUDWEISER STAGE AUGUST 3
AND OSHEAGA AUGUST 4 IN MONTREAL
TORONTO, ON – July 27, 2023 – Soccer Mommy continues to tour in support of 2022’s critically acclaimed album, Sometimes, Forever, and is opening for Maggie Rogers on her current run. Ahead of tonight’s show at NYC’s Forest Hills Stadium, Soccer Mommy is sharing a cover of Sheryl Crow’s, Soak Up The Sun. Crow is a formative artist for Soccer Mommy’s Sophie Allison, who was interviewed by The New York Times last year about Crow’s influence. “She has so many songs that are these massive hits that, at least for someone my age, you can’t have grown up and not heard those songs,” she told NYT. “She has a knack for saying something hard, but making it feel like she’s ready to acknowledge it and be cool with this hard acceptance.” Listen to her cover of the 2002 classic here and watch its accompanying visualizer video here.
See below to find a Soccer Mommy show near you, and get your tickets here. For a taste of what to expect, watch the band’s career-spanning NPR Tiny Desk performance from earlier this year here, or watch Soccer Mommy perform Shotgun and Feel It All The Time on Jimmy Kimmel Live! here.
Sometimes, Forever was named one of the best albums of 2023 but the likes of The New York Times, Pitchfork, Rolling Stone, NPR, Vulture, Associated Press, Billboard, Stereogum, The A.V. Club, FLOOD, Paste, Uproxx, and more, with, Shotgun named one of the top songs of 2023 by The Los Angeles Times, Buzzfeed, NPR, Gorilla vs. Bear, Pitchfork, Consequence, Vulture, NYLON, Billboard and more. Sometimes, Forever debuted on the Billboard charts, taking the #1 slot for Heatseakers, Top New Artist and Alternative New Artist, debuting in the Top 200, and many more. She performed on both The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! In 2022, completed a largely sold-out international headline tour, and performed an intimate show at the GRAMMY Museum alongside a Q&A hosted by The Los Angeles Times’ Mikael Wood. Following the album release, Soccer Mommy has since hosted Roblox’s most successful Listening Party to date with 10.8 million unique visitors, and she has also shared incredible alt-versions of Shotgun by Magdalena Bay, a slowed and reverbed edit, as well as a Simlish version, available now within The Sims 4 High School Years expansion pack. Soccer Mommy also collaborated with Brain Dead on a limited edition t-shirt, which can be purchased here.
Sometimes, Forever is Soccer Mommy’s boldest and most aesthetically adventurous work yet, and it cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever.
TOUR DATES (TICKETS HERE):
7/27 Queens, NY @ Forest Hills Stadium *
7/29 Philadelphia, PA @ Mann Center *
7/30 Portsmouth, NH @ Prescott Park Arts Festival %
7/31 Portland, ME @ Thompson's Point *
8/1 Portland, ME @ Thompson's Point *
8/3 Toronto, ON @ Budweiser Stage *
8/4 Montreal, QC @ Osheaga Festival
8/6 Pittsburgh, PA @ Allegheny County Summer Concert Series+
8/7 Grand Rapids, MI @ The Listening Lawn - Outdoor Stage^
8/8 Omaha, NE @ The Waiting Room Lounge ^
8/9 Fort Collins, CO @ Aggie Theatre &
8/10 Salt Lake City, UT @ Gallivan Center - Twilight Concert Series $
8/12 San Francisco, CA @ The Independent !
8/13 San Francisco, CA @ Outside Lands
9/9 Raleigh, NC @ Hopscotch Music Festival
9/21 Dublin, Ireland @ 3 Arena #
9/23 Leeds, UK @ First Direct Arena #
9/24 Glasgow, UK @ OVO Hydro Arena #
9/26 London, UK @ Alexandra Palace #
9/27 London, UK @ Alexandra Palace #
11/17 Mexico City, MX @ Corona Capital
12/2-12/3 São Paulo, BR @ Primavera Sound São Paulo
12/7 Asunción, PY @ Primavera Sound Asunción
12/9 Bogotá, COL @ Primavera Sound Bogotá
* = with Maggie Rogers
% = with Purr
+ = with Disq
^ = with Pool Kids
& = with Pool Kids and Slow Caves
$ = with Bratty and Blue Rain Boots
! = with SASAMI
# = with The National
DOWNLOAD - press photo
Sometimes, Forever is out now via Loma Vista - Listen here
LISTEN TO / WATCH:
Shotgun | Feel It All The Time | Unholy Affliction | Bones | newdemo
Praise for Soccer Mommy & Sometimes, Forever:
"Sophie Allison finds new sonic frontiers...Throughout the album, Soccer Mommy staves off despair with musical craftsmanship." - The New York Times (Critic's Pick)
"Throughout Sometimes, Forever, [Allison] and Lopatin expand on the ’90s palette that has characterized previous Soccer Mommy releases. Bolstering the lingering imprints of Liz Phair, Sheryl Crow, and Sleater-Kinney is a healthy dose of Loveless worship: glide guitars and tendrils of haze." - Pitchfork (8/10)
“[Sometimes, Forever] is Soccer Mommy’s gnarliest and most resplendent, fashioning poppy melodies, disarming lyrics, and twisted sounds into dismayed songs of young adulthood.” - The New Yorker
"The singer/songwriter's vulnerability resulted in two critically acclaimed releases — 2018's Clean and 2020's Color Theory —
though Allison's latest may be her most exciting yet." - GRAMMY.com
“You get some Pixies, you get some Nirvana, you get a little bit of Nine Inch Nails, and Portishead here and there. It’s just interesting how much music is reflected on this record while still sounding very current…she is just really good at mining those influences and making it sound extremely of the moment.” - NPR Music
“Sophie Allison’s emotive rock acquires new dynamism.” - Wall Street Journal
"Soccer Mommy deepens her indie-rock brilliance on ‘Sometimes, Forever’...[and] proves herself to be one of the sharpest songwriters around." - Rolling Stone
"Allison has made a bold move that paid off better than we’d ever have expected."
- Variety
"Sometimes, Forever’s marriage of Allison’s lyrical prowess and OPN’s stark, synth-driven sonics makes it by far the darkest and most compelling offering from Soccer Mommy yet." - Billboard
""by far the band’s most sophisticated and adventurous body of work to date. Allison’s inner turmoil has never sounded so spectacular — or so well-rounded."
- Stereogum (Album of the Week)
"sharp indie rock." - Vulture
"one of Gen Z’s brightest voices." - Associated Press
ALBUM ARRIVING THIS FALL
TORONTO, ON – July 21, 2023 – Following the release of her lead single, Dad Worked Hard, acclaimed Canadian-American singer-songwriter, Rachael Kilgour, returns today with Heart on Fire, the second offering from her forthcoming album, My Father Loved Me. Intimate and vulnerable to the core, the gorgeously heart-shattering song reflects on the grief and loss of a loved one’s physical form after they pass away.
“There are so many layers to our grief, particularly when it comes to the loss of a parent. A couple years after my father’s death, I felt like someone new,” Kilgour shares. “I had grown in his absence, working through so many pieces of the letting go while making room for the parts of him I wanted to carry with me. The one thing that continued to haunt me was the loss of my dad’s physical form. This body I had known and loved - his rough hands, his tightly wound biceps, the smell of his hair, the way his collar bones laid in his chest - had been rolled into a cremation oven that burst his flesh into flames. The thought of it can still keep me up at night. And yet, all bodies must return to earth one way or another. Would we want it any other way? Surely, anything worth loving is temporary. Every being, every home we call our own is only ours for a time and then becomes something entirely new. And the love remains.”
One of the first tracks that Kilgour and producer, Rose Cousins, began building in the studio, Heart on Fire continues to reveal the heartfelt stories that Kilgour crafted in honour of her late father for the new album. Soft and reflective, her stunning vocals shine through on the song, alongside warm acoustics and expansive, building string arrangement.
“Like every song on the record, we started with my solo acoustic performance and then wove together a soundscape layer by tender layer. Joshua Van Tassel (synth/percussion) and Dean Drouillard (electric guitar) reinforced the heartbeat of the song with deep, resonant bass tones and delicate swells,” Kilgour adds. “With loose plans for some post production work, I drove home from Toronto with the track unfinished. A couple months later Rose surprised me with a gorgeous string arrangement she had secretly crafted and a first listen to the mix which made me weep. It still does.”
Listen to Heart on Fire here today as Rachael Kilgour continues to reveal more of My Father Loved Me.
DOWNLOAD – single artwork | DOWNLOAD – hi-res photo
MORE ABOUT RACHAEL KILGOUR:
Rachael Kilgour is a Canadian-American songwriter and performing artist whose plain-spoken, lyric-driven work and intimate performances have endeared her to listeners and fellow artists alike. She comes by her considerable skills honestly, honing her craft over the past decade in listening rooms, festivals, concert halls, and recording studios, and picking up accolades along the way. Kilgour first attained notoriety outside her native Duluth, MN as the grand prize winner of the 2015 international NewSong Music Performance & Songwriting Competition and winner of the 2017 Kerrville New Folk Contest. She has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and at the Sundance Film Festival. Her oft-noted “unapologetic lyrics” (Rolling Stone) and “master crafted indie folk” sensibilities (Billboard) are on full display in her latest collection of songs.
SOPHOMORE ALBUM BLAME MY EX
OUT SEPTEMBER 15
HEADLINING NORTH AMERICAN TOUR THIS FALL
TORONTO, ON – July 21, 2023 – Today, The Beaches share their latest single Me & Me in anticipation of their upcoming sophomore LP, Blame My Ex, to be released on September 15. Serving as the third single from their highly-anticipated album, Me & Me is a spirited, infectious anthem for anyone overcoming the perils of being single. Listen here.
The track swiftly captures listeners’ attention with its escalating tempo, eventually culminating in a beachy, soft rock jam perfectly suited for the summer. Throughout the song, an infectious guitar riff rolls smoothly in the background while the distinctive alto of lead singer Jordan Miller asserts the group’s determination to conquer heartache and loneliness with moxie: “save your pity, bitch / it’s kind of fun, just me and me / won’t waste my life self-loathing.” High-spirited and addictive, Me & Me is yet another perfect example of the charismatic spunk that distinguishes The Beaches as one of contemporary rock’s rising stars.
Me & Me serves as a follow-up to The Beaches’ previous single, Blame Brett, released in late spring. The hit track was accompanied by a music video that encapsulates the group’s playfully irreverent, free-spirited brand of cool-girl rock. In a bold warning to all future lovers, frontwoman Jordan Miller sings, “I’m sorry in advance / I’m only gonna treat you bad / I’m probably gonna let you down / I’m probably gonna sleep around […] but don’t blame me, blame Brett”. Blame Brett serves as a compelling, angsty anthem for all members of the broken hearts club and to date has over five million Spotify streams, reached #1 on Canadian Alternative Radio, #1 on the CBC Music Top 20, and peaked at #21 on Spotify's Daily Viral 100.
The Beaches will be performing at Lollapalooza before embarking on their Blame My Ex headlining tour, with shows throughout the U.S. and Canada this fall. See below for full details.
UPCOMING TOUR DATES:
August 3 – Chicago, IL @ Lollapalooza
August 5 – Saint John, NB @ Area 506 Festival
September 8-9 – Sarnia, ON @ Sarnia Block Party
October 8 – Milwaukee, WI @ The Cooperage
October 11 – Nashville, TN @ The East Room
October 12 – Atlanta, GA @ Aisle 5
October 13 – Charleston, SC @ The Charleston Pour House
October 15 – Washington, DC @ Pearl Street Warehouse
October 16 – Philadelphia, PA @ Kung Fu Necktie
October 17 – New York, NY @ Mercury Lounge
October 18 – Boston, MA @ Crystal Ballroom
October 20 – Halifax, NS @ Light House Arts Centre October
October 21 – Moncton, NB @ Tide and Boar
October 26 – Kitchener, ON @ Centre in The Square
October 27 – Hamilton, ON @ FirstOntario Concert Hall
October 28 – Montreal, QC @ M Telus
October 30 – Kingston, ON @ Ale House
November 1 & 2 – Toronto, ON @ Massey Hall
November 5 – Winnipeg, MB @ Burton Cummings Theatre
November 8 – Edmonton, AB @ Midway Music Hall
November 9 – Calgary, AB @ MacEwan Hall
November 10 – Kelowna, BC @ Kelowna Community Theatre
November 12 – Vancouver, BC @ Orpheum
November 13 – Victoria, BC @ Royal Theatre
DOWNLOAD – hi-res photo | DOWNLOAD – Blame My Ex album artwork
DOWNLOAD - Me & Me single artwork
ABOUT THE BEACHES:
Named after the neighborhood they lived in, The Beaches is composed of lead vocalist/bassist, Jordan Miller, guitarist, Kylie Miller, keyboardist/guitarist, Leandra Earl, and drummer, Eliza Enman-McDaniel. As self-proclaimed lifers, The Beaches forfeited a typical university experience to pursue their careers in music - a topic that is often addressed in their lyrics.
Taking inspiration from artists like Muna, Dayglow, Coin, Olivia Rodrigo, Girl in Red, Wet Leg, Wolf Alice, and The Strokes, The Beaches believe their upcoming releases will be a new direction for them: “We’re not abandoning our rock ‘n ’roll roots, but for this next chapter of our career we wanted to take ourselves less seriously, have fun, and be less precious with the musical ideas we pursue.”
After releasing their self-titled EP in 2013, the group landed a major label deal with Island Records in 2016. Under Island Records they released their debut album, Late Show – which was described by Elton John as “The best rock album of last year” – as well as their next two EP’s, The Professional (2019) and Future Lovers (2021), which were later combined for a full-length release called Sisters Not Twins (The Professional Lovers Albums) in 2022.
The Beaches have garnered over 60 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with six #1 singles on Canadian Alternative Radio.
The Beaches have opened for iconic acts such as The Rolling Stones and Foo Fighters, as well as many other critically acclaimed artists (Avril Lavigne, Alanis Morisette, The Aces, Passion Pit, and Eagles of Death Metal). Their last album was described by Elton John as “The best rock album of last year,” and they’ve been recognized with two JUNO Awards: Rock Album of the Year (2022) and Breakthrough Group of the Year (2018). In 2022 the band embarked on a successful North American tour with sold out shows across Canada, including HISTORY in Toronto, Corona Theatre (Montreal, QC) and London Music Hall (London, ON).
ON TOUR NOW
TORONTO, ON – July 21, 2023 – Nashville-based indie rock band, The Criticals (Parker Forbes and Cole Shugart), have released their new EP, Front Door Confrontations today. The EP is the first for their new label home, Fantasy Records. Front Door Confrontations features two of their recently released singles, Clever Girl and Belmont, along with the epic opener, All The Way. Listen and purchase here.
The Criticals on Front Door Confrontations: “We recorded this EP in the dead of winter, where it was so cold we stuffed hand warmers in our socks. Choosing to be off grid, just the two of us, with no cell phone service, in a shed in rural West Tennessee where we've recorded most of our music. It is the finale of our EPs, before we start working on our full-length debut. Front Door Confrontations is a tribute to our youth. It is meant to be played loud and to embody what is the new Nashville Rock and Roll.”
Friends for more than a decade, Forbes and Shugart forged a unique musical bond logging time together in Nashville’s wild DIY rock scene. Building on the foundation laid by Bowie, The Stones, and The Kinks, their taut, revved up tunes also evoke post-modern heroes like The Strokes, The 1975, and Fontaines DC as well. The two musicians quite simply feed off one another’s energy and not only has it made for a close friendship, but an incomparable musical partnership that fuses tuneful classicism and indie-rock thrash into a seductive, unforgettable mix. Now, following a pair of highly-regarded EPs — 2019’s Mimosa Hygiene and the following year’s Sour Grapes — not to mention a steady diet of raucous live shows, the band is set to release their most accomplished work yet with Front Door Confrontations.
Since officially forming in 2018, The Criticals have proven themselves a powerful duo — one with both a diverse musical appetite in their songwriting and a whiplash live show that’s drawn sellout crowds in major US markets including New York, Los Angeles, and Chicago. The band will be on tour throughout the summer and fall. Highlights include a hometown show at The Basement East in Nashville on August 2, Barboza in Seattle on September 12, Brick & Mortar in San Francisco on September 15, and The Echo in Los Angeles on September 18. Full tour dates are listed below.
UPCOMNING TOUR DATES:Tour Dates:
August 2 - The Basement East - Nashville, TN
September 5 - Uptown Theatre Encore Room - Kansas City, MO
September 7 - Vultures - Colorado Springs, CO
September 8 - Lost Lake - Denver, CO
September 10 - Kilby Court - Salt Lake City, UT
September 12 - Barboza - Seattle, WA
September 13 - Polaris Hall - Portland, OR
September 15 - Brick & Mortar - San Francisco, CA
September 17 - Goldfield Trading Post - Sacramento, CA
September 18 - The Echo - Los Angeles, CA
September 20 - House of Blues Voodoo Room - San Diego, CA
September 21 - Valley Bar - Phoenix, AZ
LISTEN HERE
WATCH A FULL-BAND LIVE PERFORMANCE OF DITCHER FROM THE SOUND EMPORIUM IN NASHVILLE HERE
NEW ALBUM HEAT COMES DOWN OUT OCTOBER 6
VIA ROUNDER RECORDS
PLAYING NELSONVILLE MUSIC FESTIVAL THIS WEEKEND, CATBIRD FESTIVAL IN AUGUST, HEALING APPALACHIA IN SEPTEMBER – FALL HEADLINE TOUR BEGINS SEPTEMBER 27
TORONTO, ON – July 21, 2023 – John R. Miller leans into the avoidant side of his personality on his latest single, Ditcher, a slow-rolling standout from his upcoming album Heat Comes Down (out October 6 via Rounder Records). Ditcher is a kind of ode to the part in all of us that would rather stay at home or just not deal with much of anything. In addition to the album version, available today, Miller and his band recorded a languid, dream-like version at the Sound Emporium in Nashville, TN – watch that here. The song itself came to Miller during a particularly sleep-deprived part of the Heat Comes Down recording sessions. Pre-order/pre-save Heat comes Down here and listen to Ditcher here.
“Ditcher wrote itself after I’d been awake for about 36 hours,” Miller explains to BrooklynVegan. “I had been in a fever, recording and working on songs for several days in the basement of the house I used to live in in Madison, TN, and I started playing a melody that knocked me in the head. The words came out in about ten minutes, and I made a fully-formed demo of it right away, which has maybe only happened to me a handful of times. I don’t know where it came from, but I liked it enough that it became one of my favorites on the record, as well as the source of the album’s title.”
Miller belongs to the rare breed of songwriters whose expansive introspection uncovers many truths about the state of the human condition. On Heat Comes Down, the West Virginia-raised, Nashville-based artist intimately narrates his sleepless nights and nostalgic daydreams, existential dread, and nuanced observations of the troubled world around him. But while a number of its songs convey a certain unease, Miller endlessly imparts the kind of lovely reassurance that can only come from shared catharsis.
The follow-up to his 2021 Rounder Records debut, Depreciated—an album No Depressions says “casually saunters towards a full existential breakdown that’ll leave you gasping for air”— Heat Comes Down finds Miller teaming up with producers Andrija Tokic and John James Tourville (both known for their work with artists like Sunny War and The Deslondes). Over a three-day session at The Bomb Shelter (Tokic’s Nashville studio), Miller joined forces with several members of his longtime live band (drummer John Clay Burchett, guitarist J. Tom Hnatow, fiddle player Chloe Edmonstone) as well as bassist, Craig Burletic, and Jeff Taylor (a multi-instrumentalist whose credits include Willie Nelson and Elvis Costello).
Miller has extensive headline tour dates into the fall, and will hit a number of summer festivals, including Nelsonville and Catbird. He’ll also take part in the Healing Appalachia benefit show in Lewisburg, WV in September. The show raises funds for Hope in the Hills, which helps support recovery efforts around central Appalachia.
John R. Miller 2023 Tour Dates:
July 21 - Cleveland, OH - Beachland Tavern
July 22 - Nelsonville, OH - Nelsonville Music Festival
July 26 - Thomas, WV - Purple Fiddle
July 27 - Winchester, VA - Bright Box Theater
July 28 - Charlottesville, VA - The Southern
July 29 - Galax, VA - The Blue Ridge Music Center
August 19 - Aug 20 - Bethel, NY - Catbird Music Festival
September 21 – 23 – Lewisburg, WV – Healing Appalachia
September 22 - 23 - Whispering Beard Folk Festival - North Bend, OH
September 27 – St Louis, MO – Off Broadway
September 29 – Denver, CO – Cervantes’ Other Side
September 30 – Boulder, CO – eTown Hall
October 4 – Bozeman, MT – Rialto Bozeman
October 5 – Columbia Falls, MT – The Coop
October 6 – Spokane, WA – Lucky You Lounge
October 7 – Walla Walla, WA – Billsville West
October 8 – Bellingham, WA – The Shakedown
October 10 – Seattle, WA – Tractor Tavern
October 12 – Portland, OR – Show Bar
October 13 – Talent, OR – The Talent Club
October 14 – Albany, CA – Ivy Room
October 15 – Mariposa, CA – The Grove House
October 16 – Pioneertown, CA – Pappy + Harriet’s
October 18 – Costa Mesa, CA – The Wayfarer
October 20 – Los Angeles, CA – Gold-Diggers
October 21 – Phoenix, AZ – Last Exit Live
October 24 – San Antonio, TX – The Lonesome Rose
October 25 – Houston, TX – White Oak Music Hall (Upstairs)
October 26 – Austin, TX – The White Horse
October 27 – Fort Worth, TX – Tulips
October 29 – Little Rock, AR – White Water Tavern
October 30 – Oxford, MS – Proud Larry’s
November 2 – Chattanooga, TN – Songbird South
November 3 – Macon, GA – Grant’s Lounge
November 4 – Atlanta, GA – Vinyl
November 5 – Charlotte, NC – Visulite Theatre
November 7 – Charleston, SC – The Charleston Pour House
November 8 – Durham, NC – Motorco Music Hall
November 9 – Richmond, VA – The Camel
November 10 – Thomas, WV – Purple Fiddle
November 11 – Morgantown, WV – 123 Pleasant Street
November 12 – Pittsburgh, PA – Club Café
November 14 – Washington, DC – Pearl Street Warehouse
November 15 – Columbus, OH – Rumba Café
November 16 – Newport, KY – The Southgate House Revival
November 18 – Lexington, KY – The Burl
November 19 – Nashville, TN – 3rd & Lindsley
LISTEN HERE AND WATCH HERE
NEW ALBUM SOLAR MUSIC OUT OCTOBER 6 VIA CONCORD JAZZ
PRE-ORDER HERE
2023 SOLAR MUSIC WORLD TOUR BEGINS AUGUST 4
TORONTO, ON – July 18, 2023 – Acclaimed jazz and hip-hop fusionists, Butcher Brown, announce their latest single, This Side Of Sunshine, an imaginative reinvention of Roy Ayers' masterful but lesser-known cut. The single is the band’s latest offering from their forthcoming album, Solar Music, which is set to release digitally, on CD and double-sided LP October 6 via Concord Jazz. In support of the new music, Butcher Brown will embark on an extensive global tour with dates across the U.S. and Europe this fall.
In keeping with the slow pace of the new song, Butcher Brown’s rendition highlights the role that funk and soul play in the band's musical foundation. With half of the song dominated by the wistful sounds of the drums, guitar and bass, the band demonstrates a thorough understanding of soul without tampering with the original version's ingenuity. The single is also accompanied by an animated visual by Chris Acosta. Check it out here.
Speaking on the decision to rework This Side Of Sunshine, Butcher Brown drummer, Corey Fonville, says: "It’s important to give masters their flowers. Roy Ayers created a new wave that impacted so many of the younger artists, and with his originality he made timeless classics. This song is everything we love about his music and casually is a sleeper you don't hear people discuss."
Solar Music follows the group’s critically acclaimed 2022 album, Butcher Brown Presents Triple Trey, which NPR said “sizzles from the first note” and Pitchfork described as “finding a natural home within the comfortable confines of hip-hop and big-band jazz.” In kind, the new record demonstrates the essence of Butcher Brown down to its core – incorporating a rich lineage of musical influences from its band members’ upbringing in Richmond, Virginia to fuse soul, funk, rock, and hip-hop into a universal sound.
In support of the new music, Butcher Brown’s 2023 global tour will bring the group’s explosive live show to cities across the U.S. and Europe. The tour – which heads to 13 states and seven countries – kicks off August 4 at Newport Jazz Festival in Rhode Island. Other standout stateside performances include Telluride Jazz Festival August 11-12, an appearance at NPR’s World Cafe Live October 21, and a hometown show November 24 at the Broadberry in Richmond, Virginia.
To learn more about Butcher Brown, read the full bio below or watch their 2021 NPR Tiny Desk performance. Listen to This Side Of Sunshine and pre-order Solar Music above, and stay tuned for more new music from Butcher Brown coming soon.
Butcher Brown 2023 Solar Music World Tour Dates:
August 4 – Newport, RI – Newport Jazz Festival
August 5-6 – Happy Valley, OR – Pickathon
August 11-12 – Telluride, CO – Telluride Jazz Festival
August 24 – Virginia Beach, VA – Elevation 27
August 25 – Charleston, SC – Charleston Pour House
August 26 – Asheville, NC – Salvage Station
September 2 – Stuart, VA – Front Porch Fest
September 22 – Harrisonburg, VA – James Madison University
October 12 – Reno, NV – University of Nevada
October 17 – Boston, MA – Brighton Music Hall
October 18 – New York, NY – Le Poisson Rouge
October 20 - Charlottesville, VA – The Southern Cafe and Music Hall
October 21 – Philadelphia, PA – World Cafe Live (Upstairs)
October 22 – Pittsburgh, PA – Club Cafe
October 24 – Minneapolis, MN – Dakota
October 25 – Chicago, IL – Sleeping Village
October 26 – Detroit, MI – El Club
October 27 – Indianapolis, IN – Jazz Kitchen
November 4 – Eindhoven, NL – So What’s Next?
November 6 – London, UK – The Forge
November 7 – Antwerp, BE – De Roma
November 8 – Berlin, DE – Zenner
November 9 – Mannheim, DE – Alte Feuerwache
November 10 – Técou, FR – Coco Jazz
November 11 – Groningen, NL – Rockit
November 12 – Rotterdam, NL – BIRD
November 13 – Amsterdam, NL – Bimhuis
November 14 – Charloeroi, BE – Palais des Beaux Arts
November 15 – Paris, FR – Trabendo
November 16 - Geneva, CH – TBA
November 24 – Richmond, VA – The Broadberry
November 25 – Washington, DC – Atlantis
December 5 – Seattle, WA – Madame Lou’s
December 6 – Portland, OR – The Get Down
December 7 – San Francisco, CA – The Independent
December 8 – Santa Cruz, CA – Kuumbwa
December 9 – Los Angeles, CA – Lodge Room
December 10 – San Diego, CA – Voodoo Room
DOWNLOAD – album artwork | DOWNLOAD – hi-res photo
MORE ABOUT BUTCHER BROWN:
"So, what kind of music do you make?” This question is the bane of every musician’s existence because it requires that they shrink down the wide expanse of their creativity to an easily (mis)understood genre description.
No matter how vivid or elaborate the description, “show” will always be more powerful than “tell.” The words we use to describe music don’t encapsulate what the listener’s experiences as much as give context clues.
That’s why Butcher Brown – the multifaceted band from Richmond, Virginia – call their sound and their follow up to 2020’s #KingButch and their second release on Concord Jazz, Solar Music.
Solar music is not simply a description; it’s an invitation to listen and an invitation to feel.
Friends and bandmates Corey Fonville (drums), Andrew Randazzo, (bass), Morgan Burrs (guitar), Marcus “Tennishu” Tenney, (trumpet, saxophone, vocals) and Devonne “DJ Harrison” Harris (multi-instrumentalist) make music that is as diverse as their own varied tastes and backgrounds. It’s a seamlessly blended amalgam of sounds including jazz, hip-hop, rock, funk, R&B, alternative, soul, country, house, bossa nova, pop, and more. “We are the melting pot. We are the mix,” says Devonne. “I feel like that's what we represent and that's what this album represents.”
But Butcher Brown’s eclecticism isn’t for the sake of musical masturbation or to impress chin-stroking critics. Theirs is music of, and for, the people. “It’s music for everybody," says Tennishu reflecting on how well-received they’ve been on stages across the globe. “You can see it on all kinds of different faces, young, old, big, small, short, tall, they all start dancing eventually. It’s literally music for the whole solar system.”
So how did this band of brothers make the sun come out on this new album? They challenged themselves to break from routine and old formulas. “[In the past] we'd make a record, like [2014’s] All Purpose Music and put constraints on what we do in the studio with the thought of the live show, thinking ‘let's make this something that we can recreate at the show,’” explains Andrew. “We did that for a few records but then #KingButch was the one where we kind of departed from that idea and took more of a Sgt. Pepper … approach of, let's just explore what we can present in the studio, even if it's not something that we can pull off live.”
Realizing that listening to their albums and their live show are two distinct experiences unlocked a new level of creativity for the band. Now Butcher Brown could allow themselves to explore new sounds and approaches to songwriting and production. This new unbridled creativity informed their approach to making Solar Music over the course of many sessions in 2021 and 2022 at go-to studios Montrose Recording, Minimum Wage Studios, and their homebase Jellowstone.
Of course, the sun is at the centre of the solar system, giving us warmth, lighting our days and keeping the planet revolving around it. Similarly, when it came time to create Solar Music, the band saw themselves at the centre of their sound drawing in other like-minded musicians with gravitational pull.
What could have been an insular musical conversation between the five became a collaboration with some of their friends and faves including Oakland-bred wordsmith Nappy Nina (Half of It), hip-hop iconoclast Pink Siifu (Eye Never Know, Run It Up), East London rapper Jay Prince (Move), real-life guitar hero Charlie Hunter (Espionage) and more.
On the new album, Butcher Brown flexes their musicianship not only as players but also songwriters, producers, and composers collaborating with guests. “We can do everything on our own, sure, and we have done that for forever, but it's also cool to have other people come in and get their perspectives,” explains Morgan. “Butcher Brown is evolving, maturing, and we’re growing as people,” adds Corey, reflecting on the making of Solar Music.
The results of these collabs are extraordinary. Take the album’s first single, I Can’t Say To You, for instance. “You’ll find your way/ tomorrow or today/ there’s nothing else I can say to you …,” sings guest Vanisha Gould, in a voice that sounds both angelic and ancestral. “She has a voice that almost sounds like a sample, almost like Billie Holiday or something," says Corey who sought her out to feature on the song. “It’s got that warmth, like somebody’s mama singing to you.”
Warmth, light, and connection through a sound that like the sun itself is for everyone. Welcome to Solar Music.
ACCLAIMED TROUBADOUR UNVEILS LONG AWAITED CONCORD RECORDS DEBUT ARRIVING NOVEMBER 17
PRE-ORDER HERE
FIRST SINGLE HIGHWAY WOMAN PREMIERES TODAY LISTEN HERE
WATCH THE MUSIC VIDEO HERE
“A true craftsman, John Vincent III’s approach echoes those early Bon Iver cuts, while also supplying a pop edge, a clear willingness to communicate.”
– CLASH
TORONTO, ON – July 17, 2023 – Acclaimed singer-songwriter, John Vincent III, has announced the release of his long-awaited sophomore album, Songs For The Canyon, arriving via Concord Records on Friday, November 17. Pre-orders are available now here.
Executive produced by Vincent, with Tom Elmhirst (Adele, David Bowie), and featuring production from Tony Berg (boygenius, Phoebe Bridgers, Taylor Swift), Ryan Hadlock (The Lumineers, Brandi Carlile), and Jonathan Gilbert (Mt. Joy, Pete Yorn), Songs For The Canyon is heralded by today’s premiere of the deeply moving first single, Highway Woman, available now at all DSPs and streaming services here.
“Highway Woman is one of those songs that came out of a stream of consciousness,” says John Vincent III. “Both the piano and the lyrics were written in about an hour, and the first demo was cut immediately after. This is a pretty rare way of getting there for me as most of my songs are worked out for days or weeks before they’re ready to demo. It is still a love song, a travel song, a song about the one you love to travel with… but with the stain of life’s hardships smeared on it. Sometimes life can really beat you down, and it's important to recognize the person or people you get through those times with as the gifts that they are.”
Currently boasting over 1.8M monthly listeners on Spotify alone, John Vincent III earned immediate attention and critical applause with a series of self-released singles and EPs, followed by his breakthrough 2019 debut album, Songs From The Valley. The Houston, TX-raised, Los Angeles, CA-based singer-songwriter celebrated the LP’s success with nearly non-stop touring, returning home just as the pandemic struck the world over. Rather than sit still, Vincent and his partner, photographer/filmmaker Kaitlyn Renee, packed up their Ford Transit van and hit the road, spending eight months together (along with a new puppy) exploring America in their home-on-wheels. Though Vincent tried his best to tune out the world around him, he found himself writing songs for the sheer joy of writing songs, not thinking about structure or intricate chords, but simply relating the extraordinary experience he was living.
Vincent returned to Los Angeles and pushed his songcraft even further, tightening and adapting and refining until his songs revealed their true identities. The resulting Songs For The Canyon proves a massive leap forward for Vincent, his evocative lyricism and wistful melodic gifts now even more detailed and emotionally rich than ever before. Recorded with top producers in studios on both coasts (including New York City’s famed Electric Lady Studios), songs such as Bluebird Singing, the incandescently orchestrated Dandelion, and the foot-stomping, solo acoustic, That’s Just The Way It Is, Babe, see the talented troubadour driving his heartfelt, stripped-down sound towards new sonic vistas inspired by the classic folk-rock of Laurel Canyon. Marked by its open-armed storytelling and timeless musical approach, Songs For The Canyon serves as an undeniable milestone for John Vincent III, standing tall as both a warts-and-all chronicle of his recent adventures and confident signpost towards future musical journeys.
“This album feels like waking up at 2 am to someone knocking on the van window and telling us we can’t be parked there to sleep, and our dog chewing up our clothes,” John Vincent III says. “There were times I felt like I was on top of the world, and others when I was crying about how the album just wasn’t coming together.
“To the people who have supported my career, even during my time away, I want them to know that this album was therapeutic. It was just me trying to figure out what the hell I was going through. Maybe I still don’t even have the answers, but I tried my best to create something that was as honest as possible and hopefully worth the wait.”
SONGS FOR THE CANYON TRACKLIST:
1. Highway Woman
2. Lincoln, NB
3. Dandelion
4. Bluebird Singing
5. When She Leaves
6. Juniper and Yellow
7. I Lit A Fire
8. That’s Just The Way It Is, Babe
9. More Than Alive
10. On and On
11. Rolling Stone
12. Money and My Pride
DOWNLOAD - Album Art
DELIVERS HAUNTING GHOST IN MY GUITAR COLLABORATION FEATURING CHRIS STAPLETON
FEATURED BY NPR + THE TENNESSEAN
APPLE MUSIC’S COUNTRY RISER OF THE MONTH FOR JULY
“One of the highlights of Figuring It Out is my collaboration with Chris Stapleton. The guitar feature was crucial to this song. This guitar represents the lingering presence of something (in my case, someone) who’s gone but also very much not. Every time I think I’ve written my way past the hurt, I’m reminded that I have a long way to go,” shares Springsteen. “The guitar had to be just as emotionally charged as a vocal would have been, and Chris’ signature guitar tone was the only one I ever heard on it in my head. I still don’t think I’ve fully accepted that he agreed to be a part of it.”
“The best of her material moving past an era defined by a breakup converging with her growth in self-awareness is the Stapleton duet ghost in my guitar,” praises The Tennessean. Co-written by Springsteen, Ido Zmishlany (Shawn Mendes, Jonas Brothers), Delacey (Halsey, Dove Cameron), and Sarah Solovay (Bebe Rexha, Nessa Barrett), the release offers up a haunting portrait of the way repressed emotions can mess with our minds and even interfere with the pure catharsis of creativity. In a shining example of her strength as a vocalist, Springsteen channels pain, heartache, and raw frustration, as she speaks to her inability to stop writing songs on her guitar about a particularly devastating breakup: “Yeah I wanna smash it like a rockstar in a hotel room / Before I tell it all the things that I can’t tell you.” After opening on a stark arrangement of gritty guitar tones, the slow-burning track co-produced by Zmishlany and Springsteen builds a powerful momentum with its propulsive hand percussion and potent 808s, then reaches its peak with a sparse but smoldering guitar solo from Stapleton. Directed by David Bradley and Springsteen, the adjoining music video perfectly echoes the tone of moody isolation, focusing in on Springsteen as she delivers an aching performance in an empty house awash in ethereal light.
“Few artists dissect and make sense of life in your 20s quite like Alana Springsteen,” applauds NPR. Figuring It Out follows the release of, Messing It Up, the widely acclaimed first instalment to TWENTY SOMETHING, on which the 22-year-old Virginia Beach, VA, native opened up about all the mistakes and misadventures of early adulthood (listen to TWENTY SOMETHING: Messing It Up here). Co-produced by Springsteen, Figuring It Out consists of six songs all co-penned by her that detail the journey toward the life-changing empowerment of true self-discovery beginning with her tell-all title track, twenty something. With equal parts unflinching honesty and soulful sensitivity, she confronts her biggest obstacles to self-realization, bravely exploring her greatest insecurities and most deeply ingrained defense mechanisms (chameleon). As she opens up about everything from fractured friendships (when we were friends) to her self-sabotaging tendencies, Springsteen ultimately reveals the undeniable power of learning to embrace your imperfections on the way to becoming your best self.
“The songs on Figuring It Out are where some of the hardest work happened as this album came together. The late nights, ugly crying, therapy sessions in the form of writes, and epiphanies. They represent some of the hardest lessons I’ve learned over the past few years. In listening to these stories, you’re experiencing real-time moments of realization and growth. Years down the line, I’ll look back at these songs as a reminder of how far I’ve come,” adds Springsteen. “From calling myself out on my tendency to shape-shift in search of external validation, to admitting the ways that I contradict myself in how I live my life, to grieving the slow fade of friendship, and my inability to let go of things that are bad for me, Figuring It Out covers a lot of ground. It’s heavy, but also includes a song called, here's to all my exes, that’s become a love letter to my fans. If it wasn’t for the heartbreak that led to these songs, I never would’ve found them. And the relationships I’ve built with them are worth every bit of the pain it took to get here. Here’s to figuring it out, fam.”
Named Apple Music’s Country Riser of the Month for July, Springsteen continues touring the U.S. this summer in support of Luke Bryan – go to AlanaSpringsteen.com for a full list of tour dates and ticketing information.
ALANA SPRINGSTEEN’S TWENTY SOMETHING: Figuring It Out TRACK LIST:
2. chameleon (Alana Springsteen, Sasha Alex Sloan, King Henry)+
3. here's to all my exes (Alana Springsteen, Will Weatherly, Rodney Clawson, Chris Tompkins)^
4. hypocrite (Alana Springsteen, Mitchell Tenpenny, Will Weatherly, Ryan Beaver)*
5. when we were friends (Alana Springsteen, Sasha Alex Sloan, Pete Good)#
6. ghost in my guitar (feat. Chris Stapleton) (Alana Springsteen, Ido Zmishlany, Delacey, Sarah Solovay)**
* Produced by Chris LaCorte and Alana Springsteen
+ Produced by Paul DiGiovanni and Alana Springsteen
^ Produced by Will Weatherly and Alana Springsteen
# Produced by Pete Good and Alana Springsteen
** Produced by Ido Zmishlany and Alana Springsteen
LISTEN HERE
WATCH VISUALIZER FOR ALBUM CLOSER
MANIFEST IT FT. JEAN DEAUX
TORONTO, ON – July 14, 2023 – Today, multi award-winning artist, DJ and producer, Haviah Mighty, drops her highly-anticipated new LP, Crying Crystals. Listen here.
The LP follows Haviah's history-making 2021 mixtape, Stock Exchange, which earned her a 2022 JUNO Award for Rap Album/EP of the Year - the first time a woman had ever won in a Rap Album category. Co-executive produced by Haviah and Amir Jamm, Crying Crystals sees Haviah turn inward, thematically exploring the emotional journey one takes during a tumultuous relationship, with each song representing a different emotional stage throughout that journey.
"A lot of my previous works, like 13th Floor and Stock Exchange, have been observational in nature; me finding my perspective on what I perceive within society, and reflecting on that," Haviah shares. "Because of this, I've created a lot of politically-charged music, tackling concepts larger than, and outside of myself. With this project, I went inward - leading to a huge amount of personal and internal growth over the past year. This project documents the emotional journey experienced through a long-winded and tumultuous relationship - the toxic thoughts, the moments and realities of a failing relationship - from the beginning of the end, to the end.
Each song speaks to an emotional stage of that journey, starting with confusion, denial, sadness...to flawed confidence, the need to relapse, the need to bargain again for this failing love...all the way through to acceptance, understanding, and the ability to truly, and healthily, move on. This range of emotion inspired a lot of experimentation within different genres, as new ways of storytelling – floating between hip-hop, dance, pop, and even playing with afro and amapiano energies. Of all of my projects, this is by far, the most refined and fully-realized. I’m no longer simply a mirror of what’s going on around us. I’ve become a much more self-aware human being, whose experiences have become a part of the stories that I share. Still, like all of my artistic endeavours, the takeaway is to influence strength within self, especially with how easy it is to lose yourself in others. To be able to navigate through this confusing world with a sense of internal clarity – that’s the level up. That, is the endless tears, solidifying into gems. That, is Crying Crystals.'"
See the expanded tracklist below – detailing each of the feelings that are represented by the songs on Crying Crystals, and check out the visualizer for album closer, Manifest It (ft. Jean Deaux), concluding the LP's emotional journey with real confidence.
CRYING CRYSTALS TRACKLIST:
1. Snowfall Ft. Zach Zoya (Confusion)
2. Lil Baby Ft. Zach Zoya (Denial)
3. Stress Free (Sadness)
4. Huh (Disappointment)
5. Sensational Ft. Jess B (Frustration)
6. Boundaries (Guilt)
7. Main Character (Anger)
8. Honey Bun (Flawed Confidence)
9. Zoom Zoom Ft. Omega Mighty (Relapse)
10. Room Service (Bargaining)
11. All The Time (Acceptance)
12. Manifest It Ft. Jean Deaux (Real Confidence)
13. Outro
UPCOMING PERFORMANCES:
July 22 - Vitkovice, Ostrava - Colours of Ostrava
DOWNLOAD - Crying Crystals album artwork | DOWNLOAD - hi-res photo
ABOUT HAVIAH MIGHTY:
Haviah Mighty didn’t need to change her birth name when she decided to dedicate her career to music. Mighty could not better describe Haviah’s craft of provocative challenges and uncompromising truths.
Haviah has spent a lifetime developing her skills as a songwriter, vocalist, producer, and performer, culminating in a style of profound introspection and incisive socio-political critique. Her dynamic combinations of rap, song, and instrumental transition seamlessly from hip-hop to soul to afrobeats with a meticulous flow and cadence that transcends any traditional expectation of genre.
2019 saw Haviah earn break-out success with her album, 13th Floor, making her the first hip-hop artist and the first Black woman to win the Polaris Music Prize, celebrating the Best Canadian Album of the Year - but Mighty didn’t stop there. With her JUNO Award-winning mixtape, Stock Exchange (November 2021), Haviah made history once again as the first woman to ever win within the Rap Album of the Year category. Most recently, Haviah was the only Canadian nominee at the 2022 BET Hip-Hop Awards within the Best International Flow category. Recognition has spread internationally, garnering praise from the likes of Rolling Stone, Billboard, Pitchfork, GRM Daily, FADER, Hot New Hip Hop, and so many more.
From performance invitations by massive European tastemaker, COLORSxSTUDIOS, to BBC 1’s Jack Saunders proclaiming “I just cannot find anything as good as Haviah Mighty," to crushing the 5 Fingers of Death on the legendary show, Sway in the Morning, Haviah Mighty is unstoppable.
Mighty pushes forward continuing to carve out spaces that boldly defy gendered expectations for women in hip-hop. Unyielding and irresistible – Haviah Mighty will be heard.
A NOD TO THE UK’S GARAGE SCENE OF THE LATE 1990S
LISTEN HERE
TORONTO, ON – July 14, 2023 – Today, rising saxophone star and composer, Nubya Garcia, has shared her newest single, Lean In. Listen to it here. On the track, Garcia pays affectionate tribute to the Garage scene that dominated the UK club scene throughout the late 1990s. Garcia’s freewheeling and supple melody lines are buoyed by syncopated rhythms and bright countermelodies provided by her band, consisting of bassist Daniel Casimir, keyboardist Deschanel Gordon, and drummer Sam Jones.
Garcia notes, “Inspired by the sounds of Garage that I grew up around, this track is about the combination of leaning into the frenzy of life and going with the flow, letting the universe keep things moving, and trusting it’s all gonna’ bop along.”
She hopes listeners will give themselves the grace to, in her words, “Lean in and both trust yourself and ask for what you need. Lean in to your community. Lean in to your spirit. Lean in to the unknown with as much courage as you can. Lean in and let go.”
Garcia will appear at a number of music festivals throughout the UK and Europe this summer and will announce further tour plans in the coming weeks. A list of confirmed dates is below.
UPCOMING TOUR DATES:
July 21 - Bluedot Festival 2023 - Macclesfield, UK
July 23 - San Sebastian Jazz Festival - San Sebastian, Spain
July 26 - Marseille Jazz Festival - Marseille, France
July 28 - Project House Launch Series - Leeds, UK
August 12 - We Out Here 2023 - Huntingdon, UK
September 8 - Bozcaada Jazz Festival - Turkey
September 15 - Southbank Centre: Nu Civilisation Orchestra with Nubya Garcia: ‘Focus’ - London UK
September 16 - Bozar Centre for Fine Arts - Brussels, Belgium
September 17 - Düsseldorf Festival - Germany
DOWNLOAD – single artwork | DOWNLOAD – hi-res photo
ABOUT NUBYA GARCIA:
Nubya Garcia is a multi-award-winning saxophonist and composer and a fixture in London’s burgeoning jazz community. Her debut album Source, described by the New York Times as funneling “a life’s worth of experiences into an hour long listen,” entered the UK charts in the top 30 and was shortlisted for the prestigious Mercury Prize.
The NME’s Dhruva Balram observed, “Source is a reflection of Nubya Garcia’s hometown; a mirror spotlighting London’s skilled musicians and a reminder of how thrilling this scene can be….While nodding to jazz greats of the past, Garcia has created a sound that, for many years to come, will reverberate as her own.”
In 2022, Garcia toured the US in support of Khruangbin, performing at sold-out venues including New York City’s Radio City Music Hall, Nashville’s Ryman Auditorium, and Philadelphia’s The Met.
Her subsequent headline tour saw her play to capacity crowds at venues such as The Salt Shed, Le Poisson Rouge, and The Ford, and at festivals including Glastonbury, Love Supreme, Pickathon, and Newport Jazz.
In March of this year, London Brew – a group featuring Garcia and other leading lights of London’s jazz scene – released their self-titled album, which has met with global acclaim.
Last month, a brand-new live concert recording, Khruangbin and Nubya Garcia Present: Live at Radio City Music Hall, New York, was released by Dead Oceans.
AVAILABLE FOR PRE-ORDER NOW HERE
JOHN PRINE AND KELSEY WALDON’S STIRRING RENDITION OF LOVE AT THE FIVE & DIME IS RELEASED TODAY
TORONTO, ON – July 14, 2023 – Nanci Griffith’s music left an indelible mark on the American roots music community. The trailblazing singer and songwriter, who would have celebrated her 70th birthday this month, left behind a remarkable and enduring body of work that will likely inspire future generations of songwriters for years to come. On September 22, her artistic legacy will be honoured through the all-star tribute, More Than a Whisper: Celebrating the Music of Nanci Griffith.
Today, John Prine and Kelsey Waldon’s deeply moving rendition of, Love at the Five & Dime, is released. Listen to it here.
The poignant and heartfelt duet, recorded shortly before Prine’s untimely passing in 2020, perfectly encapsulates Griffith’s abundant gifts as a storyteller of grace and economy.
“John and Nanci were friends and musical collaborators from way back in the late 1980’s,” recalls Fiona Prine. “I am especially proud that Oh Boy Records recording artist Kelsey Waldon sings with John on this beautiful tribute to Nanci.”
More Than a Whisper: Celebrating the Music of Nanci Griffith features Griffith’s friends, collaborators, and fans interpreting her most beloved songs, including Shawn Colvin, Steve Earle, Emmylou Harris, Sarah Jarosz, Lyle Lovett and Kathy Mattea, John Prine and Kelsey Waldon, and Mary Gauthier, who also shares her admiration for Griffith in heartfelt liner notes. Recorded over several years in studios across America, More Than a Whisper also includes stirring contributions from Brandy Clark, Billy Strings and Molly Tuttle, Iris DeMent, Todd Snider, and Aaron Lee Tasjan with Patty Griffin, while Ida Mae and The War and Treaty both appear exclusively on the expanded CD, digital, and HD versions of the album. All proceeds from More Than a Whisper will benefit Nashville’s Cumberland Heights, a non-profit treatment facility offering hope and healing to those affected by drug and alcohol addiction. Click here to pre-order More Than a Whisper: Celebrating The Music of Nanci Griffith.
More Than a Whisper: Celebrating the Music of Nanci Griffith Tracklist (CD/Digital):
1. You Can’t Go Home Again (Sarah Jarosz)
2. Love at the Five & Dime (John Prine, Kelsey Waldon)
3. Listen to the Radio (Billy Strings, Molly Tuttle)
4. Love Wore a Halo (Back Before the War) (Emmylou Harris)
5. Trouble in the Fields (Lyle Lovett, Kathy Mattea)
6. Gulf Coast Highway (Brandy Clark)
7. Outbound Plane (Shawn Colvin)
8. Radio Fragile (Ida Mae)*
9. It’s a Hard Life Wherever You Go (Steve Earle)
10. Late Night Grande Hotel (Aaron Lee Tasjan)
11. Ford Econoline (Todd Snider)
12. Banks of the Pontchartrain (Iris DeMent)
13. More Than a Whisper (Mary Gauthier)
14. From a Distance (The War and Treaty)*
*CD/Digital exclusive
SET TO TOUR THIS FALL
INCLUDING TORONTO DATE ON SEPTEMBER 23
TORONTO, ON - July 13, 2023 - Today, rising soul artist, Devon Gilfillian, releases the live performance video for Right Kind of Crazy from his critically acclaimed album, Love You Anyway. Gilfillian’s elegant, stripped back, black and white performance flawlessly evokes the song’s message of love and acceptance. Watch Right Kind of Crazy (LIVE) here.
Love You Anyway, which was released in April via Fantasy Records, recently surpassed one million streams on Spotify and hit #1 on the College Radio Soul/R&B chart. All I Really Wanna Do, a Top 5 hit at Triple A radio, was named one of Rolling Stone’s Best Songs of 2023 So Far and was included in The New York Times’ Morning Spring 2023 official playlist and on CBS Morning Morning’s official playlist Mixtape. Watch Gilfillian perform the track on CBS Saturday Morning here.
Gilfillian is set to embark on a headlining tour across the country this fall, kicking off on September 18 in Columbus, Ohio. The tour will include a Toronto stop on September 23, a hometown performance at Brooklyn Bowl in Philadelphia on September 28 and an evening at the Los Angeles’ legendary venue, The Troubadour, on October 27. The tour will wrap on September 29 in Santa Fe, NM. For more information and tickets, please visit devongilfillian.com.
Gilfillian has recently appeared on The Kelly Clarkson Show, CBS Saturday Morning, the GRAMMYS’ Positive Vibes Only series, and has received acclaim from Rolling Stone, People Magazine, Relix, No Depression, Rated R&B, Paste, and American Songwriter, among others.
UPCOMING TOUR DATES:
August 18 - Peoria, IL - Lakeview Park
August 19 - Madison, WI - High Noon Saloon
August 20 - St. Paul, MN - Turf Club
August 26-27 - Richmond, VA - Iron Blossom Music Festival
September 3 - Portsmouth, NH - Prescott Parks Arts Festival
September 7-9 - Park City, UT - Park City Song Summit
September 15 - Shelburne, VT - Shelburne Museum *Supporting Grace Potter
September 16 - Shelburne, VT - Shelburne Museum
September 18 - Columbus, OH - The Basement
September 20 - Chicago, IL - Lincoln Hall
September 21 - Pittsburgh, PA - Thunderbird
September 22 - Ann Arbor, MI - The Ark
September 23 - Toronto, ON - The Drake, Underground
September 25 - New York, NY - Racket
September 27 - Cambridge, MA - The Sinclair
September 28 - Philadelphia, PA - Brooklyn Bowl
September 29 - Ocean City, MD - Oceans Calling Festival
September 29-OCT 1 - Memphis, TN - Mempho Music Festival
September 30 - Columbia, MO - Treeline Music Fest
October 6-8 - Austin, TX - Austin City Limits Music Festival
October 13-15 - Austin, TX - Austin City Limits Music Festival
October 16 - Denver, CO - Cervantes' Other Side
October 18 - Boise, ID - 9th St. Paralle
October 19 - Portland, OR - Polaris Hall
October 21 - Seattle, WA - Tractor Tavern
October 24 - Healdsburg, CA - Little Saint
October 25 - San Francisco, CA - Cafe du Nord
October 27 - Los Angeles, CA - Troubadour
October 28 - Phoenix, AZ - Valley Bar
October 29 - Santa Fe, NM - Meow Wolf
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
FROM EASY EYE SOUND’S UPCOMING COMPILATION
TELL EVERYBODY! (21ST CENTURY JUKE JOINT BLUES) OUT AUGUST 11
WATCH THE VIDEO DIRECTED AND ANIMATED BY
ROBERT "ROBOSHOBO" SCHOBER HERE
TORONTO, ON – July 13, 2023 – Easy Eye Sound – The Nashville based label headed by Dan Auerbach and named Billboard’s 2022 Blues Label Of The Year – has spent the past six years not only preserving the blues, but uplifting unsung voices in the genre and, in the process, building a thriving, multigenerational community that has earned 16 GRAMMY® nods, four Billboard #1 Blues Albums, and widespread acclaim.
Today, Easy Eye Sound releases an all-new solo track from Dan Auerbach — the label head, The Black Keys frontman, and 2023 GRAMMY-nominated Producer of the Year himself. Titled Every Chance I Get (I Want You In The Flesh), the insistent instrumental drone on Auerbach’s solo track will remind some listeners of Canned Heat’s 1967 recording On the Road Again. “I loved that song as a kid,” says Auerbach — which itself borrowed from Chicago bluesman, Floyd Jones’ Dark Road (1953), and its inspiration, Mississippi Delta deity, Tommy Johnson’s Big Road Blues (1928). Listen to Every Chance I Get (I Want You In The Flesh) here.
Every Chance I Get (I Want You In The Flesh) is the latest preview of Easy Eye Sound’s upcoming blues anthology, Tell Everybody! (out August 11), which surveys the modern blues scene and is composed of exclusive, Auerbach-produced recordings from Easy Eye Sound Studios. Featuring blues legends like Bentonia’s, Jimmy “Duck” Holmes, and the Delta gospel sounds of Leo “Bud” Welch; alongside brilliant youngbloods like Detroit duo, Moonrisers, and Korean-American Kentucky native, Nat Myers, Tell Everybody! is the latest iteration of Easy Eye Sound’s mission to uplift unsung voices in the blues genre.
TRACKLIST:
1. RL Boyce - Coal Black Mattie
2. Robert Finley - Tell Everybody
3. Moonrisers - Tall Shadow
4. Dan Auerbach - Every Chance I Get (I Want You In The Flesh)
5. Jimmy “Duck” Holmes - Catfish Blues (Mono)
6. Gabe Carter - Anything You Need
7. Nat Myers - Willow Witchin’
8. Leo Bud Welch - Don't Let The Devil Ride (Mono)
9. The Black Keys - No Lovin’
10. Glenn Schwartz - Daughter Of Zion (Featuring Joe Walsh)
11. Gabe Carter - Buffalo Road
12. Glenn Schwartz - Collinwood Fire
NEW EP THE HALF WE STILL HAVE
OUT AUGUST 4 ON FANTASY RECORDS
"Striking... Poignant" - NPR
“Rachel Bobbitt is back with another stomach-jilting piece of bedroom alt-pop perfection.” - Paste
"Rachel Bobbitt’s tender, shimmering voice has the capacity to carry a massive weight of emotion — a weapon she wields very carefully." - Consequence
"'The Ceiling Demos' offers fans of Bobbitt and newcomers to her music alike an intimate view into her process" - The FADER
"evocative indie rock" - Brooklyn Vegan
"The demo, released this week, is even more haunting, bereft of the slick guitar lines that lend the final version a polish. All that’s left is the ache. But through Bobbitt’s beautiful recitation, the song still takes flight." - MTV
"A distillation of the enormous and unutterable, Rachel Bobbitt's ‘More’ is an unflinching rumination on the uterus-bearing experience." - Exclaim
TORONTO, ON - July 11, 2023 - Emerging Toronto-based artist, Rachel Bobbitt, has shared a new single entitled Clay Feet, the second track from her recently announced new EP, The Half We Still Have, out August 4 on Fantasy Records. An obsessive tale of power dynamics and disenchantment, Clay Feet perfectly encapsulates Rachel’s remarkable gift for expressing universal truths in the tiniest of details. Listen here.
“Clay Feet describes a love that is all consuming and desperate,” Bobbitt explains. “While the song details the gentle and delicate moments within a relationship, it also alludes to a darker undercurrent of manipulation and control. Love can take you outside of yourself and make you do things you’d never expect- both good and bad.”
The track’s accompanying video was shot in the foothills of Malibu, CA by director Lauren Wade, watch here.
Produced and mixed by Jorge Elbrecht (Sky Ferreira, Japanese Breakfast) at 80A Studios in Toronto, The Half We Still Have is a series of sharp and incisive character studies, told with unflinching honesty, piercing intuition, and fearless self-reflection. “I wanted these songs to reflect the intense dynamics that take shape in relationships,” Bobbitt says. “I’ve found in some relationships, you give and give, only to eventually lose yourself in the process. In those moments where we feel abandoned and hollow, a small sliver remains intact, preserved, and personal.” The Half We Still Have is a searing, empathetic work of musical non-fiction, and just the beginning of an immensely bright future to come.
Rachel Bobbitt (vocals/guitar) is joined on The Half We Still Have by close musical partner, Justice Der (guitar/e-bow), Stephen Bennett (drums/percussion), Isaac Teague (bass), Sam Laramee (synth) along with Alex George (strings). The band’s tight-knit cohesion, combined with Elbrecht’s visionary production, helps give Rachel’s expansive bedroom, art-pop compositions their shimmering toughness.
Previous EP, The Ceiling Could Collapse, and now The Half We Still Have, showcase strong songwriting prowess, a skill that Bobbitt has been honing for a long time. She made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired. “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” She soon found herself at a jazz program, before leaving it during the pandemic to focus on her own music.
“Most of the moments I have had in my life that felt right, like they made sense, have been a result of human connection,” Rachel concludes. “It can be so beautiful, and it can also be desperate and damaging. I have had connections in my life that made me question the fundamentals of my character, and unfortunately, I don’t think that is uncommon. But throughout every complicated, demoralizing, or harmful relationship, there has always been that slice of myself that remained mine, even when I didn’t feel it. The Half We Still Have centre around that small piece, and the connections that threaten it.”
OUT NOW VIA LOMA VISTA RECORDINGS
BAND TO CELEBRATE WITH RELEASE DAY SHOW
AT THE LODGE ROOM IN HIGHLAND PARK LA
TICKETS ON SALE HERE
HEAR MAGNETIC, ETHEREAL SINGLE EMPTY MANSIONS HERE
HEAR THE BAND'S VIVID EXPRESSION OF SUFFERING AND HOPE ON PARADISE HERE
SOUTHERN CALIFORNIA IN-STORE TOUR WITH
STRIPPED-DOWN SHOWS AT AMOEBA, FINGERPRINTS, SALZER’S AND LOU’S RECORDS KICKS OFF JULY 11
NORTH AMERICAN HEADLINE TOUR TO START AUGUST 1
VANCOUVER SHOW SEPTEMBER 25
BUY/STREAM THE LP HERE
TORONTO, ON – July 7, 2023 – Today, LA’s Local Natives release their fifth studio album, Time Will Wait For No One, via Loma Vista Recordings across all formats (digital and physical) worldwide. To celebrate their new album, Local Natives surprised their fans this morning announcing a special, same day album release show at the Lodge Room Highland Park. A major underplay for the band in their hometown of Los Angeles, which promises to be an intimate and special evening for any lucky fans able to attend. Find tickets here and listen to the album here.
Time Will Wait For No One was recorded across legendary Los Angeles studios including Valentine Recording Studio, 64Sound and Nest Recorders and is produced by GRAMMY-award winning producer, John Congleton (Angel Olsen, Death Cab For Cutie, St. Vincent, Sharon Van Etten), Michael Harris (Lana Del Rey, Feist), and Danny Reisch (Sun June, Other Lives). The album was written while the band was going through a turbulent time: after a decade spending every waking moment together, a period of metamorphosis started to test them with new marriages, kids and bouts of depression and isolation.
Last week the band released the single, Paradise, the group's most vivid expression of suffering and hope. The track opens with a soft guitar tremble, offering glimmers of the beauty of LA juxtaposed with personal tragedy. Paradise follows Kelcey Ayer (vocals/guitar/keys) and his wife’s immense heartache that came with the pain of pregnancy loss in addition to charting the California wildfire disasters.
Kelcey Ayer says: “Paradise deals with the reckoning after intense loss. The person in the song brings flowers over to someone’s house to help console them while they’re going through a disastrous event that’s still occurring. My wife and I suffered two losses while trying to have a baby over the last couple years. At the same time California was being ravaged by wildfires. It felt like the world was coming apart. This song definitely helped me process that pain.” Listen to Paradise here.
Today, the album release is accompanied by single, Empty Mansions, a track with harmonious, rich vocals on the chorus that are punctuated by transfixing softer spoken-sung verses that paint a picture of self-doubt and self-imposed seclusion: “we’re just empty mansions on eroding shores / falling down so slowly no one notices at all.” Listen to Empty Mansions here.
Local Natives say, “Our new album begins with the ambient sound of Kelcey, Ryan and Taylor outside in the backyard of a Los Angeles studio singing these words together huddled around a single microphone. Suddenly, the song kicks in with the full fidelity of the entire band, repeating the lyrics like a mantra of reassurance. Time flows on uncontrollably and change is relentless, and the people you love are the only constants. This album was made during a time of metamorphosis for us. Former selves melting away as some of us became fathers. We endured periods of isolation, loss, and identity crisis. We grew and changed as individuals, but we found our way back to each other and made music that we can only make together.”
Local Natives recently announced a curated series of special in-store performances at some of the most storied independent record stores around southern California kicking off July 11 at Amoeba in Hollywood. A special Los Angeles edition of their album, with lemonade coloured vinyl, will be available at these in-stores plus limited, exclusive posters for each in-store. On August 18 the band will kick off a 30-date tour - criss-crossing the US, including performances at NYC’s Pier 17 on August 29, two nights at DC’s 9:30 Club on August 24 and 25, Austin's Stubbs on September 16 and the Vogue Theatre in Vancouver on September 25.
Based in Los Angeles, the group progressed their sound over the course of four full-length albums, Gorilla Manor [2009], Hummingbird [2013], Sunlit Youth [2016] and Violet Street [2019]. In the span of one year, the band performed twice on Jimmy Kimmel Live! For the first performance they were accompanied by Sharon Van Etten playing Lemon feat. Sharon Van Etten, off the Sour Lemon EP. They closed out 2021 with a performance of Roxy Music’s, More Than This, from Music From The Pen Gala 1983, an EP coinciding with their appearance in the Apple Original Series, The Shrink Next Door, starring Paul Rudd and Will Ferrell. Local Natives have received praise from Pitchfork, Consequence of Sound, The Guardian and many more. In between countless sold out shows and festival appearances - including a standout Coachella 2017 set - they’ve graced the stages of Austin City Limits, The Tonight Show Starring Jimmy Fallon, The Late Show With David Letterman, The Late Late Show With James Corden, Jimmy Kimmel Live! and more.
SOCAL IN-STORE TOUR DATES:
July 11 - Hollywood, CA - Amoeba
July 12 - Long Beach, CA - Fingerprints
July 13 - Ventura, CA - Salzer's
July 15 - Encinitas, CA - Lou’s Records
TIME WILL WAIT FOR NO ONE TOUR DATES:
August 1 - Los Angeles, CA - Ford Theater (Hummingbird 10th Ann. Show)
August 2 - Los Angeles, CA - Ford Theater (Hummingbird 10th Ann. Show)
August 18 - Minneapolis, MN - First Avenue^
August 19 - Milwaukee, WI - The Pabst Theater^
August 20 - Detroit, MI - Majestic Theatre^
August 22 - Boston, MA - House of Blues^
August 24 - Washington, DC - 9:30 Club^
August 25 - Washington, DC - 9:30 Club^
August 26 - Pittsburgh, PA - Stage AE^
August 27 - Philadelphia, PA - Franklin Music Hall^
August 29 - New York, NY - Pier 17^
September 8 - Chicago, IL - Riviera Theatre*
September 9 - Cleveland, OH - House of Blues*
September 11 - Columbus, OH - Newport Music Hall*
September 12 - Nashville, TN - Marathon Music Works*
September 13 - Atlanta, GA - The Eastern*
September 15 - Dallas, TX - House of Blues*
September 16 - Austin, TX - Stubb’s Waller Creek Amphitheater*
September 17 - Tulsa, OK - Cain's Ballroom*
September 19 - Phoenix, AZ - The Van Buren*
September 21 - Denver, CO - Mission Ballroom*
September 22 - Salt Lake City, UT - The Depot*
September 23 - Bozeman, MT - The Elm*
September 25 - Vancouver, BC - Vogue Theatre*
September 26 - Seattle, WA - Paramount Theatre*
September 27 - Portland, OR - McMenamins Grand Lodge*
September 28 - Oakland, CA - Fox Theater*
September 30 - Del Mar, CA - The Sound*
^ w/ Annika Bennett
* w/ Halfnoise
DOWNLOAD - Time Will Wait For No One Album Art | DOWNLOAD - Press Photo
BOLD NEW SINGLE BLOOD ORANGE
RELEASES TODAY ALONG WITH VIDEO
SECOND PREVIEW OF HIGHLY-ANTICIPATED
NEW EP GOD IS AN ENDLESS MIRROR
ARRIVING SEPTEMBER 22 ON ALT EDEN
NOMINATED FOR INDIGENOUS ARTIST OF THE YEAR
AND VIDEO DIRECTOR OF THE YEAR FOR HOLDING ON
AT THE 2023 WESTERN CANADIAN MUSIC AWARDS
“...beauty in vulnerability…” – COMPLEX
“...frenetic, sensual " – NYLON
“...emotional electronica…” – ROLLING STONE
TORONTO, ON – July 7, 2023 – Following the spring release of her powerful lead single, Holding On, JUNO-nominated Indigenous (Anishinaabe/Cree), Queer, activist, actress, poet, alt-pop singer-songwriter-producer and filmmaker, Jayli Wolf, returns with the transformative musical creation, Blood Orange. The second track to be shared from her highly-anticipated sophomore EP – God Is An Endless Mirror – Blood Orange is a powerful anthem that encapsulates the resilience of the human spirit, resonating with those who have faced abuse and oppression. Listen here and watch the accompanying video here.
Blood Orange invites listeners on a journey of empowerment, urging them to find the strength within to stand up against their oppressors and courageously share their stories. Through its evocative lyrics and captivating melodies, this song serves as a rallying cry for survivors, offering solace and inspiring them to embrace their truth and reclaim their power.
“I wanted this song to boldly confront the themes of control, oppression, and societal standards, while also illuminating the courage to break free and reclaim one's narrative," Jayli shares. "Blood Orange is a poignant testament to the indomitable spirit of those who have faced adversity, encouraging resilience, healing, and the liberation that comes from telling one's story."
Jayli's eagerly-awaited second EP, God is an Endless Mirror, expands on the themes that run through Holding On and Blood Orange, focusing on topics of spirituality, self-love, awakening, and healing. Set for release on September 22 through Jayli's own label, ALT EDEN, the album sonically experiments with collected sounds across Turtle Island, and fusing both folk and electronic alternative styles and seeing Jayli blend her own poetry with more organic instruments and elements.
"While I was writing this EP I just kept feeling like there was more I needed to be tapping into," Jayli continues. "Every song was about losing my mind, barely holding on, and feeling lost. As I reflected on that I realized that I needed a massive change in my life. I stepped back from acting, and bought my childhood farm. Then the music began to shift too - into more resolve, more faith and power. And so there is both music from during the shift and after in this EP. And I am excited for what is to come now."
DOWNLOAD - Blood Orange single artwork | DOWNLOAD - album cover artwork
DOWNLOAD - hi-res photo
ABOUT JAYLI WOLF:
A by-product of the Sixties Scoop, and proud of her post-traumatic growth, the Canadian rising star’s debut EP, Wild Whisper – which explored the hardship her family endured from the colonial genocide inflicted by the Canadian Government; the exodus of leaving the religion she was born into and releasing the shame and guilt instilled in her around her bisexuality – received much critical acclaim including a 2022 JUNO Award nomination, a spot on Apple’s 100 Best Songs of 2021, a Top 10 placement in CBC Music's Canadian Songs 2021 lists, a #1 on CBC Radio One, over 1+ Million views on Youtube for the Child of The Government self-directed music video, and coverage in VOGUE (Global), NYLON, Rolling Stone, CBC, them. and much more.
Jayli’s work caused a global stir when several of her TikTok videos went viral, one of which reached over half a million viewers and received countless comments from people whose Indigenous family members had similar experiences in the Sixties Scoop. Rolling Stone calls Jayli Wolf's music a crossover between Phantogram, Crystal Castles, and Chvrches. Her critically acclaimed prowess is living proof that you can find your truth despite a tumultuous past.
More about the Sixties Scoop: the Canadian Government and Catholic Church were responsible for taking or “scooping” more than 20,000 First Nation, Métis, and Inuit children from their families and communities in the 1950s through the ‘90s. The children were placed in foster homes or adopted (with accounts of children even being sold) into non-Indigenous families across Canada, the United States, and beyond. Along with the loss of cultural identity, the government went so far as to change some children’s true ethnicity on file. Many experienced severe sexual, physical, and emotional abuse.
TORONTO, ON – July 7, 2023 – Montreal’s Ormiston – the solo project of Nicola Ormiston – lands today with new single, Lose Yourself, via Lisbon Lux Records. A sunny and relaxed track highlighted by 80s synth and guitar, Lose Yourself is sure to be an instant summer hit - listen here and watch here.
The song takes listeners on an indie pop, chillwave, yacht rock adventure, telling the story of a child lost in adulthood, running away from responsibility without regrets, and desperately desiring to stay youthful. "Looking for a hideaway, somewhere that you never been on your own, a changing of reality" the narrator laments.
In 2020, Ormiston signed with Canadian label, Lisbon Lux Records, and released his debut album, Hammer Down (2021). Cinematic and full of groove, the album explores love stories and failed relationships on optimistic indie-pop. The opus was well received by the public and the song, Time Fades, was also featured in Pete Davidson's latest film, Meet Cute.
With +400k streams, Ormiston relies on a light, relaxed sound with engaging indie pop rhythms. His last single, Distortion Of Reality, premiered on David Dean Burkhart Youtube channel (923k) and received media support from the likes of Exclaim! (added to The Eh! List Spotify Playlist – March 17, 2023) and Canadian Beats. Mixed by Ormiston and Peter Van Uytfank, and Mastered by Richard Adisson, Lose Yourself is the second single from the artist's forthcoming album, due for release in October.
About Ormiston:
Singer-songwriter and producer of a sunny and laidback sound, somewhere between indie pop, chillwave and yacht rock where you can find influences from Toro Y Moi, MGMT and electro-disco. Born into a bilingual Montreal family, he was raised around female musicians and grew up with a strong sense of melody. After mixing and producing some tracks for Milk & Bone, Heartstreets, Misage and Freida Mari, he released in 2013 the song Typically Her (under the name Beverlay) that ended up being remixed by Kaytranada, helping it reach more than three million streams worldwide. In 2020, he signed with Canadian label Lisbon Lux Records. On stage, his piercing voice is supported by his three outstanding musicians. He offers a lively and touching show that irresistibly invites you to dance.
TORONTO, ON – July 7, 2023 – Latin music heavyweights, Nicky Jam and Maluma, have teamed up with renowned New York DJs and producers, The Chainsmokers, in a one-of-a-kind collaboration set to shake up the music scene. The result of this explosive fusion is their latest single titled, Celular, a Latin-urban melody that combines the talents and styles of these outstanding artists. Listen here and watch here.
Celular is a song that blends Latin and urban rhythms, with a special touch by incorporating sounds from regional Mexican music, adding an authentic and fresh twist to the track. The result is a vibrant and infectious musical proposal that is sure to become the next hit on playlists all summer long.
But that's not all! The music video for Celular is a true work of art that captivates from the very first second. Inspired by the reality show format of The Bachelor, the video immerses Nicky Jam, Maluma, and The Chainsmokers in a thrilling love story. The three artists become contestants in this unique competition, surrounded by fascinating characters who bring comedy and mischief to the plot.
Filmed in the vibrant city of Miami, the Celular video was directed by the talented Justice Silvera and produced by Michael Brett Breslauer, who successfully captured the energy and festive spirit of the song in each scene. The production stands out for its cinematic quality and meticulous aesthetics, making the video a captivating visual experience.
Celular is now available on all digital platforms, allowing fans of Nicky Jam, Maluma, and The Chainsmokers to enjoy this explosive collaboration anytime, anywhere. This single promises to be a milestone in the music industry, showcasing once again the versatility and innate talent of these outstanding artists.
Don't miss the opportunity to witness this unprecedented musical fusion. Listen to Celular now and let yourself be carried away by its infectious rhythm and vibrant energy, available on all digital platforms.
DOWNLOAD - Celular Single Art
VIDEO FOR LATEST SINGLE THE MAN
PREMIERES TODAY - WATCH HERE
DEBUT ALBUM SET TO ARRIVE THIS FALL
TORONTO, ON – July 6, 2023 – Breakthrough pop singer-songwriter, Laur Elle, is gearing up to release her debut album this fall. After sharing the shimmering lead single, Burning Out, she followed with the insatiably fun new track, The Man, which now sees the premiere of its cinematic music video today. A cheeky, desert-set western film-inspired adventure, the video perfectly accompanies the song's undeniable playfulness. Watch here.
"The Man was born out of a relationship that felt too good to be true," Laur Elle says of the song's inspiration. "After a perfect start, the guy did a total 180 and decided to tell me all the ways he thinks men are better than women. I was shocked and of course had to write about it. Playfully and introspectively, I explore the internal struggle of uncovering the truth about someone while having to fight off lingering feelings.
It's so interesting to me how lived experience can shape the meaning of words—how two people can say the exact same sentence, and yet the intention and weight behind those words can be so different. This is really what The Man is about at its core. I found myself getting to know someone who said all the right things, only to find out that what we wanted wasn't the same. I wanted a relationship, and he wanted a trophy. I've always loved taking painful experiences and packaging them as feel-good, uplifting indie pop songs, and this one is truly the most fun song yet."
The video for The Man is the first instalment in an interconnected series that will take viewers through Laur Elle's forthcoming new album.
"I wrote this record in the middle of the most chaotic chapter of my life," she continues. "A long-term relationship had ended, and I decided to move to a new country. I left comfort and a piece of my heart in a city where I'd spent the last nine years, packed up my car, and drove 35 hours to Los Angeles. Every song on this record feels like a stop on this road trip; an attempt to find myself again. All of the visuals from the upcoming album are connected to each other, and I am so excited to share the very first stop with you. The Man takes place in the middle of the desert after my car breaks down. It's always been a dream to make a western music video, and we did exactly that! This video definitely shows a side of me that most people haven't seen before. I wanted to start this video series off with something to talk about, and I think we did just that!"
As a singer-songwriter who has always been enamoured by the power of words, Laur Elle is a true multi-talented self-starter through and through. The LA-based (by way of Alberta, Canada) pop artist uses her music to process her own emotions, with a musical vision that is intrinsically tied to her own voice. After time as an internationally competitive gymnast for the Canadian national team, she immersed herself in the creative community and has quickly proven that while poetry was her artistic starting point, music is truly her calling. With music that starts with her pen and her guitar, Laur Elle’s airy vocals, grounded lyrics and lush sound, create the perfect vehicle for escapism — a sound she calls perfect for running (or, more appropriately, driving) away from problems. Writing is her escape, and she’s ready to offer the same kind of solace for her listeners.
If she’s not on your playlists already, be prepared to become obsessed with Laur Elle!
VOTING NOW OPEN TO MEMBERS ONLY
UNTIL TUESDAY, JULY 18
WINNERS TO BE ANNOUNCED IN OCTOBER DURING
BREAKOUT WEST IN KELOWNA, BC
KELOWNA, BC – July 4, 2023 – Today, the Western Canadian Music Alliance is excited to reveal the 2023 Western Canadian Music Award nominees. The winners of the awards in both the Artistic and Industry categories will be revealed during BreakOut West, which will take place this year in Kelowna, BC from October 11-15. Please see below for the full list of nominees, and stay tuned for more announcements about this year’s specialty award recipients, as well as details on the winner reveal celebrations.
“We are excited to announce and celebrate the 2023 Western Canadian Music Awards nominees,” exclaims BreakOut West Executive Director, Michael Dawson. “On behalf of Breakout West and the Western Canadian Music Alliance we would like to congratulations to all of the nominees and thank all of the artists and industry who submit. Your hard work, talent, and integrity is an inspiration.”
Voting is now open to members of all western Provincial and Territorial Music Industry Associations. Only MIA members will be sent an email regarding login information to vote (beginning today – Tuesday, July 4). If any members do not receive an email, please check your junk/spam folder and then contact their Music Association regarding their membership. Voting will conclude at 11:59 p.m. Pacific Time, on Tuesday, July 18. Stay tuned for more details around member voting and the Western Canadian Music Award winners this fall.
Now in its 21st year, BreakOut West continues to develop, support and honour the best of western Canadian music, with its annual conference, festival and the Western Canadian Music Awards. 2023 is shaping up to be an exciting year for the WCMAs, with nominee representation from all of the provincial and territorial Member Associations, and an outstanding showing from host-province acts, MAUVEY, and Snotty Nose Rez Kids, who top the list with four nominations each.
BreakOut West 2023 officially begins on Wednesday, October 11 with the start of its five-day career development conference and international industry program. Offering immersive content, international market deep dives, one-on-one mentor meetings, workshops and more, the conference is a landmark event for both artists and industry alike, looking to gain insight into the ever-changing musical landscape, and make invaluable connections. Featuring the best in emerging talent from across western Canada, as well as select international and Pan-Canadian acts, the 2023 music festival will highlight 50+ artists performing at multiple venues across the host city. Festival wristbands are available now here.
Congratulations to all of the 2023 Western Canadian Music Award nominees!
2023 WESTERN CANADIAN MUSIC AWARDS ARTISTIC NOMINEES:
BreakOut Artist of the Year (Sponsored by FACTOR)
Boslen – BC
Katie Tupper – SK
Leith Ross – MB
Mariel Buckley – AB
MAUVEY – BC
Children’s Artist of the Year
Beppie – AB
Ginalina – BC
Ira Pettle – BC
Mom Bop – BC
Will et Seeka – BC
Classical Artist / Ensemble of the Year (Sponsored by Canadian Music Centre [CMC])
Karl Stobbe – MB
Krisztina Szabó – BC
Mark Takeshi McGregor – BC
Megumi Masaki – MB
musica intima – BC
Classical Composer of the Year
Christopher Tyler Nickel – Oboe d’amore Quintet, IV. Con fuoco – BC
Jessica McMann – The Bear and the Wild Rose, Home, Muskwas Mountain Home – AB
Katerina Gimon – Borealis, Roots Beneath – BC
T Patrick Carrabré – Transformation, Orpheus 1 – BC
Vincent Ho - Sandman's Castle, Supervillain Études – AB
Country Artist of the Year
Gord Bamford – AB
Hunter Brothers – SK
JoJo Mason – BC
Nice Horse – AB
Whitehorse – MB
Electronic & Dance Artist of the Year
Boogey The Beat – MB
Khanvict – BC
Modern Biology – BC
RUMPUS – SK
The Librarian – BC
Francophone Artist of the Year (sponsored by APCM (Association des professionnels de la chanson et de la musique)
Andrina Turenne – MB
Jérémie & The Delicious Hounds – MB
Jocelyne Baribeau – MB
Sala – MB
Sympa César – AB
Global Artist of the Year
Cristian de la Luna – AB
El Leon & The Strangers – MB
Gisela Romero – AB
Onna Lou – MB
Ruby Singh – BC
Indigenous Artist of the Year
Blue Moon Marquee – BC
Celeigh Cardinal – AB
Jayli Wolf – BC
PIQSIQ – BC
Snotty Nose Rez Kids – BC
Instrumental Artist of the Year
Adam Dobres – BC
Elise Boeur & Adam Iredale-Gray – BC
Glen Gillis – SK
Hello Moth – AB
Jasmine Jazz – BC
Jazz Artist of the Year
Chris Andrew – AB
Jocelyn Gould – MB
Melody Diachun – BC
Up and Over Trio – AB
Winnipeg Jazz Orchestra – MB
Metal & Hard Music Artist of the Year
Gnarwhal – NT
Grimelda – SK
KEN mode – MB
New Jacobin Club – SK
Osyron – AB
Pop Artist of the Year
Begonia – MB
Josh Ramsay – BC
Kaeley Jade – AB
Louise Burns – BC
MAUVEY – BC
Producer of the Year
Boogey The Beat – MB
deadmen – MB
Jill Barber, Erik P. H. Nielsen – BC
Kevvy – BC
Louise Burns – BC
R&B Artist of the Year
Jérémie & The Delicious Hounds – MB
Katie Tupper – SK
Kuba Oms – BC
Major Funk – YT
ZENON – AB
Rap & Hip Hop Artist of the Year
Arlo Maverick – AB
Boslen – BC
Cartel Madras – AB
Dill the Giant – MB
Snotty Nose Rez Kids – BC
Recording of the Year
Dear Rouge – BC
MAUVEY – BC
Snotty Nose Rez Kids – BC
Whitehorse – MB
William Prince – MB
Rock Artist of the Year
Dan Mangan – BC
Hotel Mira – BC
Kris Anders – BC
The Royal Foundry – AB
The Zolas – BC
Roots Artist of the Year
Jake Vaadeland – SK
Jill Barber – BC
Mariel Buckley – AB
The Bros. Landreth – MB
William Prince – MB
Songwriter(s) of the Year (Sponsored by The Society of Composers, Authors and Music Publishers of Canada [SOCAN])
Alexa Dirks and Matt Peters – Begonia, Butterfly – MB
Leith Ross – We'll Never Have Sex – MB
Ryan Dyck – Skinny Dyck, TV Blue – AB
William Prince – When You Miss Someone – MB
Young D, Yung Trybez – Snotty Nose Rez Kids, Hot Planet – BC
Spiritual Artist of the Year
Andrea Menard – BC
Cikwes – AB
Dee Daniels – BC
Stirling John – AB
Two Late To The Party – AB
Video Director of the Year (Sponsored by Manitoba Film & Music)
Jayli Wolf – Holding On – BC
Lester Lyons-Hookham – Dan Mangan Fire Escape – BC
Mayumi Yoshida – Different Than Before – BC
Michael Linton – Mariel Buckley, Neon Blue – MB
Ryan Steel – Begonia, Married by Elvis – MB
2023 WESTERN CANADIAN MUSIC AWARDS INDUSTRY NOMINEES:
Audio Engineering Award
Andy Schichter – BC
Cam Loeppky – MB
Eric Cinnamon – AB
Johnny Gasparic – AB
Sheldon Zaharko – BC
Community Excellence Award
ADVANCE Canada's Black Music Business Collective – BC
Folk On The Rocks – NT
Good + Plenty Arts Collective – MB
Hitmakerz – NV
National Music Centre – AB
Excellence in Visual Design
Feisty Creative – BC
Lyle Bell – AB
MAUVEY and Bree Laryea – BC
Roberta Landreth – MB
Sonny Assu – BC
Impact in Artist Development
Birthday Cake Media – MB
Chris Wynters – AB
Paquin Artists Agency – MB
Tiny Kingdom – BC
UWIDO – BC
Impact in Live Music (Sponsored by Canadian Live Music Association)
Folk On The Rocks – NT
JazzYYC – AB
National Music Centre – AB
Paquin Artists Agency – MB
West End Cultural Centre – MB
Impact in Music Marketing
All Good Promotion & Marketing – AB
Birthday Cake Media – MB
Chronograph Records – AB
National Music Centre – AB
West End Cultural Centre – MB
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIA’s) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, WCMA annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2023 will be held October 11 – 15 in Kelowna, BC, and includes a five-day music conference, three-night multi-genre music festival and special events. The 2023 Western Canadian Music Artistic Awards and Industry Awards will be announced in October 2023.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
Use #BREAKOUTWEST and join in the conversation!
DOWNLOAD – BreakOut West / WCMAwards 2023 logos
BELOVED ROCK BAND SHARES
FIRST NEW TRACK IN FOUR YEARS
LISTEN HERE
WATCH THE OFFICIAL MUSIC VIDEO HERE
SIGN TO FANTASY RECORDS
HEADLINING SAD SUMMER FEST 2023 BEGINNING JULY 6
TORONTO, ON – June 30, 2023 – Today, rock powerhouse, Taking Back Sunday - John Nolan (lead guitar, piano, vocals), Adam Lazzara (lead vocals), Shaun Cooper (bass), and Mark O’Connell (drums) - share a brand-new track and video entitled, The One, the multi-platinum selling rock band’s first new music in over four years. An inspiring declaration of love, hope, and acceptance, The One is a soaring reminder to seize the moment and live your dreams while you still can.
Listen to The One here. In the track’s accompanying video, directed by DJay Brawner, the band primes for the next gig and new roads that lay ahead, inviting us along for the mystery ride. Watch the official video for The One, here.
Produced by Tushar Apte (Demi Lovato, Nicki Minaj), and mixed by Neal Avron (Twenty One Pilots, Bleachers), The One finds the influential rock band flexing its creative muscles and evolving its sound without ever losing sight of the explosive riffs, affecting vocals, and epic choruses that has resonated with their audiences for so long. The anthemic new track also marks the band’s first release for Fantasy Records, the L.A based indie label who signed the influential quartet to a world-wide recording contract earlier this year.
"The One is a sweet love song — full on John Cusack holding a boombox," the band says in a nod to the classic 80’s cinema moment in Say Anything. "We’ve been waiting a long time to share this song and we’re so excited that we finally can. We hope you love it as much as we do."
On the track’s deeper meaning, the band explains, "This song came from a riff that Shaun Cooper wrote the day he lost his grandmother while she was in a nursing home at the start of the Covid pandemic. Devastated with overpowering sadness, he found comfort in writing music and initially titled the riff, Posivibes, in an effort to find some light through the darkness. He never shared the story of the title or how that riff came together with us until after it was complete. Shaun didn’t want his story affecting the ultimate meaning of the song, because it’s actually an uplifting one."
Taking Back Sunday is set to hit the road this summer for a nation-wide tour (they are calling Rad Summer), that includes headlining the 16-date Sad Summer Fest 2023 through July and a number of additional dates in August and September. Find tickets here and the full routing below.
For over two decades, Taking Back Sunday has cultivated a massive, dedicated fanbase built around music that reverberates with supreme sincerity, desire, and connection. Originally from Long Island, NY, the band brought mature songcraft and pop sensibilities to punk’s rigid conformity, helping expand the genre’s contours while carrying the band to new heights.
TAKING BACK SUNDAY ON TOUR:
SAD SUMMER FEST 2023
7/6 — Jacksonville, FL — Daily's Place
7/7 — Clearwater, FL — Coachman Park
7/8 — Alpharetta, GA — Ameris Bank Amphitheatre
7/11 — Portsmouth, VA — Atlantic Union Bank Pavilion
7/12 — Baltimore, MD — Pier Six Pavilion
7/14 — Holmdel, NJ — PNC Bank Arts Center
7/15 — Philadelphia, PA — Skyline Stage at Mann
7/16 — Boston, MA — Leader Bank Pavilion
7/18 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
7/19 — Cincinnati, OH — The Andrew J Brady Music Center
7/21 — Chicago, IL — Huntington Bank Pavilion at Northerly Island
7/22 — Indianapolis, IN — TCU Amphitheater at White River State Park
7/23 — Nashville, TN — Ascend Amphitheater
7/25 — Irving, TX — The Pavilion at Toyota Music Factory
7/26 — Austin, TX — Germania Insurance Amphitheater
7/29 — Irvine, CA — FivePoint Amphitheatre
8/12 — Washington, PA - Four Chord Music Festival 2023
8/19 — Las Vegas, NV — Downtown Rocks FREE Concert Series
8/25 — St Louis, MO — Ballpark Village
8/26 — Kansas City, MO — KC Live!
9/29 — Cocoa, FL — Cocoa Riverfront Park
9/30 — Jupiter, FL — Dastoberfest
WHAT GOES AROUND (COMES AROUND) OUT TODAY
WATCH HERE AND LISTEN HERE
THE 69 YEAR OLD SOUL SINGER-SONGWRITER RETURNS WITH DAN AUERBACH-PRODUCED ALBUM - A SWAGGERING
TOUR DE FORCE OF BLUES, SOUL, AND FUNK SHARING STORIES FROM THE SWAMPS OF LOUISIANA
HIS TIMELESS TALES OF SURVIVING LOVE, BETRAYAL, AND ALLIGATORS CEMENTS HIM AS
ONE OF THE LAST TRUE BLUESMEN OF HIS TIME
ANNOUNCES FRENCH, EUROPEAN & UK DATES
On the track Finley stated, “You gotta reap what you sow... do to another what you would have done to you. Be real, tell the truth. For all those out there hurting, you just have to keep the faith. I've seen it over the years, especially with my career - you got to put joy out into the world and it will come back. It's never been anything short of the truth for me."
Black Bayou, Finley’s third studio album, is a portrait of Louisiana from an insider who’s lived there all his life and coalesces all of the vibrant genres bubbling in the bayou from gospel, blues, rock and roll and more. With this Auerbach-produced album, they created a vivid collection of songs that depict life in North Louisiana, with Finley playing the role of charismatic and knowledgeable tour guide.
“It’s amazing to realize how much of an impact Louisiana has had on the world’s music,” says Auerbach. “And Robert embodies all of that. He can play a blues song. He can play early rock and roll. He can play gospel. He can do anything, and a lot of that has to do with where he’s from.”
Finley recorded Black Bayou at producer Dan Auerbach’s Easy Eye Sound Studio in Nashville. It’s the fourth time the duo have worked together, although for this record they did things a little differently. Rather than write songs beforehand—as they did on 2017’s, Goin’ Platinum, and 2021’s, Sharecropper’s Son—they devised everything in the studio, with Auerbach leading a band of some of the finest players around: drummers Patrick Carney (The Black Keys) and Jeffrey Clemens (G. Love & Special Sauce), bassist Eric Deaton, and legendary Hill Country blues guitarist, Kenny Brown, along with vocalists Christy Johnson and LaQuindrelyn McMahon—who just happen to be Finley’s daughter and granddaughter. They worked quickly, devising their parts spontaneously and using getting everything in one take.
“I started singing, and they started playing,” Finley explains. “That’s how we made the album. It wasn’t written out. Nobody used a pencil and paper. We just sang and played together in the studio.”
If Finley’s previous albums established him as a formidable blues and soul artist - overcoming losing his sight in his 60s to become a music star - Black Bayou reveals Finley as something even more distinctive: a truly original Louisiana storyteller who evokes the place and its unique culture for the rest of the world. Finley doesn’t plan to call any other place home. “I’m not interested in living in no big city,” he says. “There’s good places here for hunting and fishing. I can fall asleep in my yard or sleep out on my porch, and nobody’s gonna bother me. Nothing bad is gonna come and get me.”
Struggle and celebration commingle in the stories of Black Bayou. In everyday life death looms. Through the jaws of an alligator on Alligator Bait, where Finley shares a true tale of his grandfather using him as as bait to catch an alligator when he was a child, or just the gradual pace of time, on Nobody Wants To Be Lonely, a poignant track spotlighting the generation forgotten in nursing homes across the nation. On Sneakin’ Around or Miss Kitty, Finley’s tales of lust and love are a timeless induction into the canon of the blues tradition. In all, a collection set to establish Finley as perhaps one of the last true bluesmen of our time.
TRACKLIST:
1. Livin' Out A Suitcase
2. Sneakin' Around
3. Miss Kitty
4. Waste Of Time
5. Can't Blame Me For Trying
6. Gospel Blues
7. Nobody Wants To Be Lonely
8. What Goes Around (Comes Around)
9. Lucky Day
10. You Got It (And I Need It)
11. Alligator Bait
TOUR DATES:
4 November 2023 - Groningen, NL - Take Root Festival
5 November 2023 - Brussels, BE - Rotonde @ Botanique
8 November 2023 - London, UK - Jazz Café
9 November 2023 - Manchester, UK - Blues Kitchen
10 November 2023 - Pandrup, DK - Blues Heaven Festival
14 November 2023 - Toulouse, FR - Salle Nougaro
15 November 2023 - Saint-Nazaire, FR - VIP
16 November 2023 - Amiens, FR - La Lune des Pirates
18 November 2023 - Šumperk, CZ - Blues Alive Festival
20 November 2023 - Tourcoing, FR - Le Grand Mix
21 November 2023 - Paris, FR - Maroquinerie
23 November 2023 - La Roche-Sur-Yon, FR - Quai M
24 November 2023 - La Rochelle, FR - La Sirène
25 November 2023 - Castres, FR - Lo Boegason
26 November 2023 - Saint-Etienne, FR - Le Fil
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
About Robert Finley:
Robert is an army veteran and was a skilled carpenter before losing his sight in his 60s, which led him to finally pursue his musical dream. Finley has overcome divorce, house fires, an automobile accident and is now legally blind following losing his sight due to the medical condition, glaucoma, which forced him to retire from carpentry and finally pursue his long delayed music career. Finley believes his sight was improved by the power of prayer, and Finley’s faith has also helped him focus on launching his music career in his 60’s. According to Finley, “losing my sight gave me the perspective to see my true destiny.”
His ascent has been swift. His previous Auerbach-produced album, Goin’ Platinum, received widespread critical acclaim including Associated Press who praised Finley’s ability to lend “instant credibility to any song.” Finley also toured more than 10 countries, and his live show drew praise from publications including The New York Times. Finley was profiled on PBS NewsHour, which led to him becoming a contestant on the 2019 season of the TV competition, America’s Got Talent, reaching the semi-finals.
He was born in Winnsboro in 1953, but has spent most of his life in Bernice, a small town of about 1,600 souls just 30 miles from the Arkansas border. After serving in the Army, he played blues in juke joints and sang gospel in churches around the region, often mixing those two styles with southern soul, heavy rock, swamp pop, jazz, and anything else that crossed his mind. His second album, Sharecropper’s Son, was inspired by Finley's childhood: his family were sharecroppers, and he was unable to regularly attend school and often worked with his family in the field picking cotton. This was a landmark release, landing him the cover of SPIN Magazine, NPR Morning amongst other critical acclaim.
He’s since headlined shows with The Black Keys, Greta Van Fleet, Nathaniel Rateliff and many more.
LISTEN HERE AND WATCH HERE
SUMMER OF FESTIVALS INCLUDE READING AND LEEDS, 2000 TREES, NASS FESTIVAL AND BARN ON THE FARM
TORONTO, ON – June 29, 2023 – Alternative trio, NOISY, have joined forces with London rap powerhouse, Frozemode, on brand new single, THE MOTIVE. Listen here and watch here.
An explosive melting pot of gritty breakbeats, woozy trance synths and frenzied attack flow, THE MOTIVE blends NOISY’s signature party sound with Frozemode’s raw versatility to bring something special for this summer.
The collaboration was born totally organically, with NOISY using a method that’s become commonplace and synonymous with the band - messaging artists they like on social media purely to show love. Destined to come together, and with a mutual desire to create something special, the Instagram conversation soon graduated to the studio where the magic really happened, and the result was THE MOTIVE.
On the new track, NOISY commented: “We had this beat knocking around for a while with the ‘capture the motive’ hook and always knew it had to have its moment at some point. As soon as the Frozemode boys heard it they were buzzing and started writing their verses. The energy in the room for that session was crazy, all six of us were just bouncing off the walls with excitement listening to what we were creating.
We were both playing (The Great Escape) so we said we’ve gotta perform it together. They came on during our set and we went on during theirs and playing it live got us gassed for releasing it.”
Frozemode also commented on THE MOTIVE: “This track ‘captures’ the essence of turning up to a motive and feeling like no one can touch you. It’s a sick cypher-like track where we all spit some cool bars on the verses and go crazy on the hook. We made this track the first time we linked up with the NOISY boys and something just clicked straight away. We went through a couple of ideas and this one grabbed our attention as soon as we heard it.”
THE MOTIVE comes as the trio recently performed with Frozemode on their own dedicated stage at The Great Escape, where they brought their celebrated club night to the festival and follows the recently released, DESIRE, and fan-favourite, RUDEBOY, which was hailed as the BBC Introducing Track Of The Week. Marking the mixtape’s release, NOISY plan to bring their Fast Fwd: To Friday club night to London for a night to remember.
Doing what they do best, NOISY have had an explosive start to 2023. Back on home soil after a monumental SXSW in Austin and off the back of performing at London’s Lafayette for BRITs Week, they reintroduced their celebrated Brighton club night Fast FWD To Friday. A fusion of DJ sets and live performance, the club night promised an exhilarating, energy-filled night out whilst emerging talent within the scene.
Festivals are where the music comes to life, and this summer offers a run of unmissable shows, including NASS Festival, Barn On The Farm, 2000 Trees and a returning slot on the BBC Radio 1 Dance Stage at the prestigious Reading & Leeds.
It’s been all gas no breaks for as long as NOISY can remember. The past year alone, they’ve had D&B legend High Contrast remix their single, 24/7, opened for Mike Skinner, enjoyed a UK headline tour which came to London for a sold-out XOYO show, and collaborated with the likes of The Prototypes, 1991 and Zero.
This self-sufficient, DIY mindset is one of the driving forces of NOISY (comprised of singer Cody, guitarist Connor and producer Spencer), who pride themselves on owning creative control, writing, recording and producing all of their music, designing their own merch and often shooting their own music videos.
If NOISY’s ambitions are no-holds barred, then they perfectly match-up to the euphoric maximalist blend of dance, drum’n’bass, jungle and electro sounds they’ve celebrated for creating.
2023 continues to shape up to be a standout year for NOISY - your new favourite band that sound nothing like a band.
LISTEN AND WATCH HERE
FRONT DOOR CONFRONTATIONS
EP OUT JULY 21 ON FANTASY RECORDS
ON TOUR NOW
TORONTO, ON – June 28, 2023 – Nashville-based indie rock band, The Criticals, (Parker Forbes and Cole Shugart), have released their new single, Belmont, today. Listen here. The single also arrives with a companion music video, directed by Daniel Chaney, watch here. The song is a love letter to their hometown of Nashville and captures both the idleness of youth and independent spirit running through the city’s Belmont Hillsboro neighbourhood. The band recently signed to Fantasy Records and announced their debut EP for the label titled, Front Door Confrontations, out July 21. The EP also features their recently released single, Clever Girl.
The Criticals on Belmont: “Back in 2018, Nashville was very different than it is now. The rest of the country was just starting to consider moving here but hadn’t pulled the trigger quite yet. It was an untouched, innocent, and inexpensive place. Especially the underground music scene, house shows and backyard parties til 5am because none of us could play at the actual clubs. Belmont is a vivid description of the community we were all immersed in at that time of our lives. It was so electric and so real.”
Friends for more than a decade, having first met as children at music camp - Forbes and Shugart logged time together in Nashville’s wild DIY rock scene. The two musicians quite simply feed off one another’s energy and not only has it made for a close friendship, but an incomparable musical partnership that blends tuneful classicism and indie-rock thrash into a seductive, unforgettable mix. Now, following a pair of highly-regarded EPs — 2019’s Mimosa Hygiene and the following year’s Sour Grapes — not to mention a steady diet of raucous live shows, the band is set to release their most accomplished work yet with Front Door Confrontations.
Since officially forming in 2018, The Criticals have proven themselves a powerful duo — one with both a diverse musical appetite in their songwriting and a whiplash live show that’s drawn sellout crowds in major US markets including New York, Los Angeles, and Chicago. The band will be on tour throughout the summer and fall. Highlights include a hometown show at The Basement East in Nashville on August 2, Barboza in Seattle on September 12, Brick & Mortar in San Francisco on September 15, and The Echo in Los Angeles on September 18. Full tour dates are listed below.
UPCOMNING TOUR DATES:
July 8 - Pleasantville Music Festival - Pleasantville, NY
July 9 - The Funhouse at Mr. Smalls Theatre - Millvale, PA
July 11 - Open Chord Music - Knoxville, TN
July 14 - A&R Music Bar - Columbus, OH
August 2 - The Basement East - Nashville, TN
September 5 - Uptown Theatre Encore Room - Kansas City, MO
September 7 - Vultures - Colorado Springs, CO
September 8 - Lost Lake - Denver, CO
September 10 - Kilby Court - Salt Lake City, UT
September 12 - Barboza - Seattle, WA
September 13 - Polaris Hall - Portland, OR
September 15 - Brick & Mortar - San Francisco, CA
September 17 - Goldfield Trading Post - Sacramento, CA
September 18 - The Echo - Los Angeles, CA
September 20 - House of Blues Voodoo Room - San Diego, CA
September 21 - Valley Bar - Phoenix, AZ
SHARES MUSIC VIDEO FOR NEW SINGLE REBORN
GEARING UP FOR DON’T LOOK DOWN
NORTH AMERICAN TOUR WITH MISTERWIVES
TORONTO SHOW SEPTEMBER 19
TORONTO, ON - June 23, 2023 - After building widespread anticipation, multi-platinum singer-songwriter, Bishop Briggs, presents her highly anticipated new EP, When Everything Went Dark – out now via Arista Records. Listen to the EP here.
About the EP, Bishop said, “When I was little, I would sleep with a night light that filled my bedroom with warmth as I drifted off to sleep. Something about the afterglow made me feel protected, as if someone was staying awake looking out for me. As I got older, I learned to truly rest you have to feel that safety deep in your body. As the leaves have changed colors several times over, I’ve had a lot of difficulty shutting my eyes despite feeling completely exhausted. The truth is When Everything Went Dark has been my solace as I try to process what’s happened in my life the past few years. It was and continues to be the little night light in the corner of my room begging me to be switched on because without its comfort I don’t know where I’d be today.”
She celebrates the release of the EP by uncovering the music video for the opener and new single, Reborn. On the track, synths reverberate through the cracks of guitar as Bishop holds her head up in the face of adversity. The hook resounds with a proclamation, “I have been reborn, I’m not myself, I’m better now.” At the same time, the visual seamlessly translates this energy to the screen. Watch the Reborn music video here.
Elsewhere, tense guitar complements her breathless high register throughout Cherry On Top and on Bad, her sultry delivery bares down on the bass-boosted thump as she exudes confidence on the chorus.
When Everything Went Dark also boasts the single, Baggage, which earned widespread acclaim. Atwood Magazine hailed it as “an impassioned anthem of empowerment, emotional reckoning, and self-acceptance.” V Magazine touted it on V’s New Music Roundup and proclaimed, “Briggs’s shockingly powerful voice booms atop of a production that blends alternative and techno influences, reflective of the conflict inside of her own inner turmoil.”
Making headlines, Bishop also just emerged as the winner of the latest season of The Masked Singer. She left crowds in awe worldwide with one show stopping performance after another.
Plus, she recently announced her co-headline Don’t Look Down Tour with MisterWives this fall across North America. Tickets are available for purchase here. See full confirmed itinerary below.
In 2022, Bishop captivated the world with fan favourite, superhuman. Inspiring critical applause, Forbes lauded it as “brilliant” and proclaimed, “Like all great songs though, Briggs makes the tale universal.” Prior, she dropped the emotionally charged one-two punch of High Water and Art of Survival. She enraptured viewers with a stirring rendition of High Water on CBS’ The Late Late Show with James Corden. Simultaneously, Revolution graced the tracklisting of the EA Games NHL 23 Soundtrack and video game, while the MLB chose to use Revolution prominently during the playoffs. She also contributed Lessons of the Fire' to the NETFLIX original series, Devil In Ohio, which dominated the platform at #1 in the US and cracked the Global Top 10 for two weeks at #2.
Now, Bishop Briggs’s light shines brighter than ever on When Everything Went Dark.
Don’t Look Down Tour Dates w/ MisterWives:
9/8/23 - Nashville, TN - Brooklyn Bowl
9/9/23 - Atlanta, GA - Tabernacle
9/10/23 - Charlotte, NC - The Fillmore Charlotte
9/12/23 - Washington, DC - The Anthem
9/15/23 - New York, NY - The Rooftop at Pier 17
9/16/23 - Philadelphia, PA - The Fillmore Philadelphia
9/17/23 - Boston, MA - Roadrunner
9/19/23 - Toronto, ON - History
9/20/23 - Detroit, MI - Majestic Theatre
9/22/23 - Chicago, IL - The Salt Shed
9/23/23 - Madison, WI - The Sylvee
9/24/23 - Minneapolis, MN - First Avenue
9/26/23 - Indianapolis, IN - Egyptian Room at Old National Center
9/27/23 - Columbus, OH - Kemba Live!
9/29/23 - St. Louis, MO - The Pageant
9/30/23 - Kansas City, MO - Grinders KC
10/1/23 - Denver, CO - The Mission Ballroom
10/4/23 - Houston, TX - House of Blues - Houston
10/6/23 - Dallas, TX - House of Blues - Dallas
10/9/23 - Phoenix, AZ - The Van Buren
10/10/23 - Los Angeles, CA - The Wiltern
10/11/23 - San Francisco, CA - The Warfield
10/13/23 - Portland, OR - Roseland Theater
10/15/23 - Seattle, WA - Showbox SoDo
DOWNLOAD - EP artwork | DOWNLOAD - press photo
ABOUT BISHOP BRIGGS:
Bishop Briggs is known for emotional and cathartic songs that blur the boundaries between alternative, pop, and electronic. Born in London to Scottish parents, Bishop grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track Wild Horses reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads. She followed up with the RIAA-certified platinum single, River, a searing and cathartic track that captured the attention of tastemakers and gatekeepers and rose to #3 on the Alternative chart with over 680 million global streams while Bishop’s videos have 524M overall views on YouTube and she has 1 million YouTube subscribers. After her critically acclaimed albums Church of Scars and Champion, headline tours, live performance slots opening for Coldplay, Kaleo, alt-J, and Bleachers, and with more music on the way, Bishop Briggs is set to have her most incredible year yet. It began with the double dose of emotion on the 2022 singles High Water and Art of Survival. She parlayed this energy into REVOLUTION, which graced the Soundtrack for NHL 23. Continuing a banner year, she also served up Lessons of the Fire as the lead track for the smash NETFLIX series Devil In Ohio. She capped off 2022 with the empowering superhuman, ushering in another era. During 2023, her confidence and charisma define the When Everything Went Dark EP introduced by the irresistible single, Baggage, and new single, Reborn. Infiltrating every corner of culture, she impressively won Season 9 of The Masked Singer as Medusa and will co-headline the Don’t Look Down Tour across North America with MisterWives in the fall. Once again, she holds nothing back, and the world is better for it.
POST-HARDCORE BAND RELEASES FIRST NEW MUSIC SINCE LAST YEAR’S ACCLAIMED DEBUT LP PAST LIVES
L.S. DUNES SET FOR EXTENSIVE NORTH AMERICAN SUMMER TOUR INCLUDING STOP IN TORONTO ON JULY 13
TORONTO, ON – June 23, 2023 - Today, L.S. Dunes – vocalist Anthony Green, guitarist Frank Iero, bassist Tim Payne, guitarist Travis Stever, and drummer Tucker Rule – unveil a dazzling new psyche-metal track entitled Benadryl Subreddit, the post hardcore band’s first new music since the release of their landmark debut album, 2022’s Past Lives. Listen to Benadryl Subreddit here.
In the track’s trippy new video (also out today), a mischievous ice-cream truck guy (Anthony Green) serves up some magical treats to some unsuspecting clientele. Watch the full video, directed by Nick and Pat Demarais, here.
Benadryl Subreddit was produced by Alex Newport (Mars Volta, Frank Turner, City & Colour) and recorded at Rancho De La Luna in Joshua Tree, CA. Dunes joins a long list of renown artists who have found inspiration at the famed high-desert studio, including Arctic Monkeys, Kyuss, Queens of the Stone Age, Foo Fighters, Afghan Whigs, Iggy Pop and many others. To pre-order the special L.S. Dunes Benadryl Subreddit 7-inch single, visit the band’s webstore here.
L.S. Dunes comments on Benadryl Subreddit:
Frank Iero:
“Benadryl’s title comes from a conversation that Mikey Way (My Chemical Romance) and I were having one night on tour about sober guys finding out legal ways of getting high without doing actual drugs and messing with their sobriety. The music for this song came about when I knew we were going into the desert to record with Alex Newport at Rancho De La Luna. I had just received a new guitar in the mail from Ben Wasser at Guitarworks called the ‘Shaft’ and I got to thinking about the desert and what I thought that guitar should sound like in that setting. That riff came out immediately. Benadryl Subreddi” represents the heat of the day out in the desert, sweating bullets and going fast.”
Travis Stever:
“In the early stages of the demo it was clear this song needed to be recorded and released sooner than many of the other songs we’ve been working on. It captures an energy for the moment. It’s hard to keep hold of the energy and aim from demo to final recordings. I feel like with Alex Newport we did it!”
Tucker Rule:
“Frank sent this infectious riff, and I immediately knew what I was going to play. The chemistry of this band is undeniable, and I love it so much.”
Earlier this month, the band released another ingenious new video⏤ a glorious send-up of 70s Japanese Sci-Fi horror flix for fan favourite, Grey Veins – watch here.
L.S. Dunes also recently announced an extensive run of new summer tour dates across North America beginning with five dates on the Sad Summer Festival tour: Jacksonville, and Clearwater FL, on July 6 and 7, Alpharetta, GA on July 8, Portsmouth, VA on July 11 and Baltimore, MD on July 12. The acclaimed post-hardcore band’s headline tour begins July 9 with a show at the Basement East in Nashville, TN., and is set to hit topflight venues such as The Opera House in Toronto on July 13, NYC’s Irving Plaza on July 17, Saint Vitus Bar also in NYC on July 18, Saint Andrew’s Hall in Detroit on July 22, Portland’s Crystal Ballroom on August 1, and The Showbox in Seattle on August 2, before returning to California for a string of shows that include The Fonda Theatre in Los Angeles on August 6, The Fillmore Auditorium in San Francisco August 9 and The Garden Amphitheatre in Garden Grove, CA on August 11.
Find tickets here.
L.S. Dunes On Tour:
May 28 - Atlantic City, NY - Adjacent Music Festival
July 6 - Jacksonville, FL - Sad Summer Fest
July 7 - Clearwater, FL - Sad Summer Fest
July 9 - Nashville, TN - The Basement East
July 11 - Portsmouth, VA - Sad Summer Fest
July 12 - Baltimore, MD - Sad Summer Fest
July 13 - Toronto, ON - The Opera House
July 15 - Providence, RI - The Strand
July 17 - New York, NY - Irving Plaza
July 18 - New York, NY - Saint Vitus Bar
July 20 - Pittsburgh, PA - Mr. Smalls Theatre
July 21 - Cincinnati, OH - Bogart’s
July 22 - Detroit, MI - Saint Andrew’s Hall
July 24 - Milwaukee, WI - The Rave Bar
July 25 - Des Moines, IA - Wooly’s
July 26 - Omaha, NE - The Waiting Room
July 28 - Fort Collins, CO - Washington’s
July 30 - Boise, ID - Knitting Factory
August 1 - Portland, OR - Crystal Ballroom
August 2 - Seattle, WA - The Showbox
August 6 - Los Angeles, CA - The Fonda Theatre
August 7 - Phoenix, AZ - Crescent Ballroom
August 9 - San Francisco, CA - The Fillmore
August 11 - Garden Grove, CA - The Garden Amphitheatre
September 16-17 - Chicago, IL - RIOT FEST 2023
“A staggering collection of progressive-rock and post-hardcore songs.” – Alternative Press
“A tour-de-force of post-hardcore.” – Heavy Consequence
“An urgent and flat-out fantastic record.” – Brooklyn Vegan
Praise has come from all corners of the globe including year-end accolades from Guitar World, Revolver (Best New Bands of 2022), Loudwire, Kerrang, Alternative Press: (55 Best Albums of 2022) Brooklyn Vegan: (Best Punk Albums of 2022), Rock Sound (cover), Stereogum, Loudwire: (Best Rock + Metal Debut LPs 2022) New Noise (cover), Line of Best Fit, Heavy Consequence, AllMusic and many more.
DOWNLOAD – hi-res photo | DOWNLOAD – Benadryl Subreddit artwork
DOWNLOAD - tour poster
LIFE UNDER THE GUN OUT NOW
VIA LOMA VISTA RECORDINGS
NORTH AMERICAN TOUR WITH SCOWL
KICKS OFF THIS FALL
WITH STOPS IN MONTREAL AND TORONTO
"one of the best rock albums of the year" - BrooklynVegan
"Militarie Gun could take the rock world by storm at any moment" - Revolver
"frontman Ian Shelton isn’t afraid to turn his innermost fears and doubts into straight-up earworms” - Rolling Stone
“the most ambitious band in hardcore” - SPIN
"the catchiest, most energetic guitar-based rock ‘n’ roll out there"
- Stereogum
"the most impactful album to emerge
from the extended hardcore universe in 2023" - UPROXX
Toronto, ON – June 23, 2023 – Today, Militarie Gun releases their debut album, Life Under The Gun, via Loma Vista Recordings. The kind of debut album that feels like a true arrival, Life Under The Gun’s 12 tracks — including previously shared singles Do It Faster, Very High, and Will Logic, along with a new version of their 2022 track, Big Disappointment — take all of the best part of Militarie Gun’s earlier work and amp them up to the highest possible degree. Life Under The Gun is available on limited edition vinyl, CD, and cassette here. This upcoming Monday, June 26, Militarie Gun will do a Reddit AMA with r/indieheads to answer fan questions about Life Under The Gun.
Militarie Gun are presently in Europe to perform at multiple festivals - namely Outbreak, Kliko, Metropolis, 2000 Trees, Rock Werchter and Ieper. Next month, the band will perform at Chicago's The Rumble festival on July 21 and 22 along with a special performance in New York City's legendary Rainbow Room for indieballroom II alongside Soft Kill and Chromatic's Ruth Radelet on July 30. This September, Militarie Gun begins their 32-date North American Fall tour with Scowl in Los Angeles and sees both bands, with support from MSPAINT and Big Laugh, crossing the continent with stops in Montreal and Toronto, before wrapping up in Berkeley on October 21. See all upcoming live dates below and get more ticket info at militariegun.com.
Life Under The Gun is almost impossible to describe without bouncing between contradictions. Is it abnormally aggressive pop music or is it unusually catchy hardcore? Is it deeply intellectual or is it satisfyingly primal? Is it a vulnerable attempt to unpack lifelong cycles of hurt, or is it a collection of world-beating, absurdist punk anthems? In the end, the answer is obvious: it is all of it. It is Militarie Gun.
Since forming in 2020, the group have been releasing music and touring at a startling rate, and while Life Under The Gun feels like a culmination of this recent hard-earned momentum, the record is inextricably linked to Shelton’s past. “I grew up in a household with family members struggling with addiction,” he explains. “It was an oppressive force. We were always wondering, ‘Is it going to be a good day or a bad day? Are the cops going to come today? What am I going to come home to after school?'” The challenges of his homelife were only exacerbated by living in Enumclaw, WA, a sparsely populated rural suburb where Shelton spent his formative years longing for a way out. In this difficult and stifling environment, the roots of Life Under The Gun began to grow. As he began to pick up instruments, play in bands, and write his own songs, music quickly became a vital outlet for self-expression, but Shelton couldn’t shake the idea that it was also a literal escape route.
What followed was a flurry of activity that still hasn’t let up. After relocating to Los Angeles and forced to stay put during the 2020 lockdown, Shelton’s restless creative drive took over and he spontaneously wrote the first songs that became Militarie Gun. The sound was decidedly new for him: firmly rooted in punk and hardcore but more hook-driven, pulling from influences like Guided By Voices, Fugazi and The Jesus Lizard. Shelton quickly recorded Militarie Gun’s 2020 debut EP, My Life Is Over, by himself, then rounded out the lineup with guitarists, Nick Cogan and William Acuña, and drummer, Vince Nguyen (Max Epstein played bass on Life Under The Gun). 2021 saw the release of the dual All Roads Lead To The Gun EPs and the start of a seemingly endless run of tour dates. In 2022, Militarie Gun teamed up with Dazy for the critically-acclaimed collaborative single, Pressure Cooker, which was soon followed by the band signing to Loma Vista Recordings and releasing a deluxe edition of the All Roads Lead To The Gun EPs that included even more new material.
Militarie Gun soon had the makings of Life Under The Gun: a debut album forged by a lifetime of experience and effort that’s now allowed an artist to fully come into their own. Engineered by Taylor Young at The Pit Recording Studio, the 12-tracks sound massive without sacrificing the punk spark – full of driving drums, distorted bass lines, and of course Shelton’s instantly recognizable roar – only this time everything is bigger and even catchier. “This is what I thought we sounded like all along,” Shelton laughs. “It’s always felt like a melody-forward band to me, but I think now we’re finally achieving what I was always setting out to do.”
Listen to Life Under The Gun above and see below for upcoming live dates and more info about Life Under The Gun.
UPCOMING LIVE DATES:
6/23 - Manchester, UK @ Outbreak Festival
6/24 - Haarlem, NL @ Kliko Fest
6/26 - Antwerp, BE @ Kavka Zappa &
6/27 - Nijmegen, NL @ Doornroosje &
6/29 - Werchter, BE @ Rock Werchter
6/28 - Hamburg, DE @ Logo &%
7/1 - Roskilde, DK @ Roskilde Festival
7/2 - Rotterdam, NL @ Metropolis Fest
7/3 - Berlin, GER @ Hole44 #
7/4 - Cologne, GER @ Gebaude 9 #
7/5 - Haarlem, NET @ Patronaat #
7/7 - Cheltenham, UK @ 2000 Trees Fest#
7/8 - London, UK @ Electric Ballroom #
7/9 - Ieper, BE @ Ieper Fest
7/21-22 - Chicago, IL @ The Rumble
7/30 - New York, NY @ indieballroom II / Rainbow Room
9/8 - Los Angeles, CA @ 1720*
9/9 - Anaheim, CA @ Chain Reaction*
9/10 - Phoenix, AZ @ Rebel Lounge*
9/12 - Albuquerque, NM @ The Launchpad*
9/14 - Dallas, TX @ Cheap Steaks*
9/15 - Austin, TX @ The Ballroom*
9/16 - San Antonio, TX @ Paper Tiger*
9/17 - Houston, TX @ The Compound*
9/19 - Orlando, FL @ Conduit*
9/20 - Miami, FL @ Gramps*
9/21 - Jacksonville, FL @ 1904 Music Hall*
9/22 - Atlanta, GA @ Aisle 5*
9/23 - Birmingham, AL @ Furnace Fest*
9/25 - Durham, NC @ The Pinhook*
9/26 - Richmond, VA @ Richmond Music Hall*
9/27 - Baltimore, MD @ Ottobar*
9/28 - Philadelphia, PA @ Underground Arts*
9/29 - New York, NY @ The Meadows*
10/1 - Boston, MA @ Brighton Music Hall*
10/3 - Montreal, QC @ La Sala Rossa*
10/4 - Toronto, ON @ Velvet Underground*
10/6 - Columbus, OH @ Ace of Cups*
10/7 - Detroit, MI @ The Sanctuary*
10/8 - Chicago, IL @ Subterranean*
10/9 - Minneapolis, MN @ 7th St Entry*
10/10 - Omaha, NE @ Reverb*
10/11 - Denver, CO @ Marquis Theater*
10/13 - Salt Lake City, UT @ The Beehive*
10/14 - Boise, ID @ The Shredder*
10/17 - Seattle, WA @ Vera Project*
10/18 - Portland, OR @ Mission Theatre*
10/20 - Reno, NV @ Holland Project*
10/21 - Berkeley, CA @ 924 Gilman*
10/23-27 Miami, FL @ S.S. Neverender
& = with Soul Glo
% = with Code Orange
# = with Rival Schools
* = with Scowl
TOUR MATES TEAM UP FOR A SPECIAL VERSION
OF THE ELVIS PRESLEY CLASSIC
2023 FALL GATHER ROUND SOUNDS TOUR ANNOUNCED
PRE-SALE BEGINS WEDNESDAY JUNE 21
GENERAL ON SALE BEGINS FRIDAY JUNE 23
AT 10:00 AM LOCAL TIME
TORONTO, ON – June 20, 2023 – Today, acclaimed pop/soul group, Lake Street Dive, celebrate the summer by sharing a gorgeous, sun-kissed version of the Elvis Presley classic, Can’t Help Falling In Love, featuring rising singer-songwriter, Monica Martin. Listen here. The new track release is timed with the announcement of the band’s 2023 Gather Round Sounds Tour this fall (with special guest Monica Martin).
Lake Street Dive on Can’t Help Falling In Love, Featuring Monica Martin: "When we were preparing to tour together with Monica, we were dying to perform a song with her at the center. She brought in the idea of Can't Help Falling in Love, so we worked up this arrangement on the road to fit the acoustic intimacy of the tour’s namesake— Gather Round Sounds. The recording is done the same way; all six of us completely live in one room with no headphones. You can hear every little breath and the closeness of Monica, Rachael, and Akie singing together. What a joy to perform this timeless classic with the timeless Monica Martin!”
Monica Martin concurs: “We sang this every night on tour at the top of their encore, and it was such a dream, we had to cut it to record!”
Set to hit cities across the South and Midwest, the semi-acoustic, 2023 Gather Round Sounds Tour (with special guest Monica Martin), begins October 24 in Wilkes-Barre, PA. The 18-date run will feature fan favourites, deep cuts, and new material all presented in a relaxed, easy going, living room style setting. Pre-sale begins tomorrow, Wednesday, June 21 and general on sale begins Friday, June 23 at 10:00 a.m. local time. The full tour routing is below. Find ticket information here.
Last year, Lake Street Dive - vocalist, Rachael Price; bassist/background vocalist, Bridget Kearney; drummer/background vocalist, Mike Calabrese and keyboardist/vocalist, Akie Bermiss - released their second collection of much-admired covers, Fun Machine: The Sequel. The six-track EP ranged from R&B and pop favourites such as Dionne Warwick’s (Burt Bacharach/Hal David penned) classic, Anyone Who Had A Heart, and The Pointer Sisters’ funky Automatic, to works by introspective singer-songwriters like The Cranberries’ gorgeous Linger, Carole King’s timeless So Far Away, Bonnie Raitt’s era-defining Nick Of Time, and Shania Twain’s resurgent pop-country anthem, You’re Still The One. The nine-track vinyl edition builds on the digital EP’s original tracks, adding three Beatles covers including the Lennon/McCartney classics Dig A Pony, Two Of Us, and Don’t Let Me Down. Purchase Fun Machine: The Sequel vinyl edition here.
Can’t Help Falling In Love, was written by Hugo Peretti, Luigi Creatore, and George David Weiss, and recorded by Presley for the film (and accompanying album), Blue Hawaii In 1961.
Lake Street Dive – Gather Round Sounds Tour (with special guest Monica Martin):
October 24 - F.M. Kirby Center – Wilkes-Barre, PA
October 25 - Sandler Center For The Performing Arts - Virginia Beach, VA
October 27 - Peace Center - Greenville, SC
October 28 - Durham Performing Arts Center - Durham, NC
October 29 - Gaillard Center - Charleston, SC
October 31 – Dr. Phillips Center - Orlando, FL
November 1 - Ruth Eckerd Hall - Clearwater, FL
November 3 - MSU Riley Center - Meridian, MS
November 4 - Soldiers and Sailors Memorial Auditorium - Chattanooga, TN
November 5 - Alabama Theatre - Birmingham, AL
November 7 - Tennessee Theatre - Knoxville, TN
November 8 - The Louisville Palace Theatre - Louisville, KY
November 10 - Masonic Temple Cathedral Theatre - Detroit, MI
November 11 - Riverside Theater - Milwaukee, WI
November 12 - Hoyt Sherman Place - Des Moines, IA
November 14 - Orpheum Theater - Omaha, NE
November 15 - The Midland Theatre - Kansas City, MO
November 17 - Winspear Opera House - Dallas, TX
SUMMER PERFORMANCES WITH THE OSTARA PROJECT
KICK OFF THIS WEEK
TOUR DATES THROUGH THE FALL
LISTEN TO YOUR REQUESTS HERE
+ WATCH NEWLY RELEASED VIDEO FOR ALBUM TRACK
ALL THE THINGS YOU ARE
TORONTO, ON – June 20, 2023 – Following the release of her new album – and first return to the Great American Songbook in more than 10 years – Your Requests (out now!), award-winning vocalist/pianist, Laila Biali is excited to be hitting the road to share the songs with audiences across Canada. Kicking off this week, she will be taking the stage with acclaimed collective, The Ostara Project, performing at jazz festivals throughout the summer, followed by dates that will run into the fall. See below for a full list of details.
For a taste of Biali’s stunning re-interpretations found on Your Requests, have a look at the performance video of album highlight, All The Things You Are, featuring GRAMMY Award-winning drummer, Larnell Lewis (Snarky Puppy).
“This is another arrangement I first wrote 20 years ago,” Biali reflects. “It takes me back to the days when I was mostly an instrumentalist, barely ever singing tunes. It’s another arrangement that got tucked away in a binder for 15+ years. When it got requested again more recently, I thought it would be a nice contrast to some of the other vocal arrangements featured on this album and a fantastic opportunity to let the superstar drummer Larnell Lewis cut loose. (His solo is fire!)”
Widely recognized for her original material, Biali’s return to classic jazz standards for Your Requests (released on May 26th) was prompted by her delight in fulfilling the song requests of her fans, and marks her first album release that exclusively features covers. When she put out the call on social media asking her followers what tunes they'd like to hear her perform and record, more than 150 songs were submitted. The result is what Biali calls a love letter to her listeners.
UPCOMING PERFORMANCES:
June 22 – Winnipeg, MB – Winnipeg Jazz Festival *
June 23 – Medicine Hat, AB – Medicine Hat Jazz Festival *
June 24 – Victoria, BC – Victoria Jazz Festival *
June 25 – Vancouver, BC – Vancouver Jazz Festival *
June 27 – Ottawa, ON – Ottawa Jazz Festival *
June 28 – Toronto, ON – Toronto Jazz Festival *
June 30 – Saskatoon, SK – Saskatoon Jazz Festival *
July 1 – Edmonton, AB – Edmonton Jazz Festival *
July 7 – Montreal, QC – Montreal Jazz Festival *
July 15 – Niagara, ON - Niagara Jazz Festival *
July 22 – Minneapolis, MN – Crooners Supper Club
August 6 – Campbellford, ON – Westben w/Brian Barlow’s Big Band
August 11 – Stratford, ON – Revival House – SOLD OUT
August 13 – West Vancouver, BC – Harmony Arts Festival
August 18 – London, ON – Aeolian Jazz & Music Festival
August 19 – Markham, ON – Markham Jazz Festival w/Brian Barlow’s Big Band
September 2 – Toronto, ON – T.U. Jazz Fest
September 16 – Fredericton, NB – The Playhouse, Harvest Music Festival
October 13 – Banff, AB – Maclab, The Banff Centre
October 20 – Quebec City, QC – Palais Montcalm
November 1 – Dresden, DE – Jazztage Dresden
November 4 – Bærum, Norway – Bærum Jazz Festival
*with The Ostara Project
DOWNLOAD – tour poster
DOWNLOAD – album cover art | DOWNLOAD – hi-res photo
TUESDAY NIGHT RESIDENCY TO TAKE PLACE
THROUGHOUT JULY (11, 18 & 25)
FEATURING SURPRISE SPECIAL GUEST PERFORMERS
“With folk tunes that will squeeze your heart, Kelly is bound to become an artist that will have you falling in love with her songs.” – eTalk
TORONTO, ON – June 19, 2023 – Next month, acclaimed singer-songwriter, Jadea Kelly, will return to her old stomping grounds - Toronto's Cameron House. After taking to the venue's stage 13 years prior, Jadea is thrilled to come home and step in to the very same time-slot that she did over a decade ago. Kicking off on July 11, Jadea will perform each Tuesday night from 6-8 p.m. through the month, and will welcome special surprise guest artists along with her.
"The Cameron House was home to me for all of 2010. Every Tuesday from 6-8PM," Jadea reflects. "It provided an opportunity to build my Toronto audience, hone my sound and find my voice. I have nothing but fond memories in this space. The Cameron House represents my 20s and a family of Canadian artists dedicated to their craft. I look forward to returning this July 2023 during the same Tuesday 6-8PM time slot, to showcase my new unreleased album (produced by Jim Bryson this past year). Each Tuesday (July 11, 18 & 25) will feature four surprise super star guest openers. Performing in the round."
Described by CBC as “one of the shining jewels in the crown of Canadian songwriters” (Tom Power, CBC) Jadea Kelly spends her time writing and living between rural Ontario Canada and Los Angeles CA. She has co-written and toured (as opener and backing vocalist) with the likes of Justin Rutledge, Whitehorse, Judy Collins, Catherine MacLellan, Royal Wood, Kelly Prescott, Sweet Alibi, Peter Katz, The Digging Roots, Leela Gilday and Joey Landreth. She has also performed and showcased her music across Canada, The United States and Europe, performing at the likes of Americana Fest (Nashville TN), Winnipeg Folk Festival, Calgary Folk Festival, Edmonton’s Interstellar Rodeo, Metal Toronto and Peterborough Folk Festival. Despite her Americana influence, she is also the featured vocalist with JUNO award winning metal group Protest the Hero (Kezia, Scurrilous and Volition).
Jadea's fourth studio album, Roses, was released in March 2022 and has been warmly embraced by fans, with over two million streams across all platforms. The record made its way on to the cover of Spotify’s Renegade Folk playlist, and the heartwarming single, Any Old Boat, has seen over one million streams to-date.
DOWNLOAD – hi-res photo
DOWNLOAD – Cameron House residency poster
MORE ABOUT JADEA KELLY
In 2016 Jadea was awarded Contemporary Singer of the Year at the Canadian Folk Music Awards for her 2016 release Love & Lust. Its featured single Beauty was placed on the Lifetime Network feature No One Would Tell and the 2017 CBC Rio Paralympics, a viral opening montage portraying the life and struggle of Terry Fox. Her most recent EP (MWI / 2019) received Best Score & Music accolades from the Hollywood Independent Documentary Awards. MWI is the official soundtrack for Met While Incarcerated the Film, which aired on the Documentary Channel and CBC in March 2019.
She spearheaded the 2018 collective, Canada Covers Tom Petty, featuring an impressive collection of tributes from Matt Mays, Terra Lightfoot, Dwayne Gretsky, Molly Brown and the Redhill Valleys. She also hosts a semi-annual Canadian songwriter showcase in Los Angeles through the celebrated Hotel Café, Monday Monday, concert series.
Following a pandemic pause, Jadea returned triumphantly in 2022 with her long-awaited fourth studio album – Roses (released March 4 on Darth Jadea Music / Tonetree). The album was produced by a collection of artists, including Aaron Goldstein (Matt Mays / Daniel Romano), Joel Schwartz (Dionne Taylor), Rich Jacques (Lisa Loeb), Joe Moralez (Skyler Day) and Tim Abraham (Royal Wood).
“I ended up tracking a majority of the album in Toronto with my Canadian friends and bandmates, in person and virtually. It felt full circle to record in Canada after 4 exploratory years in the US. I love California with all my heart. It is my new found home and has provided a playground to rediscover my confidence, my freedom, my voice and a collection of songs that truly reflects my journey to health.
I composed these songs between Ontario Canada, Nashville TN and Los Angeles CA over the past four years. A massive musical delay and musical pause but a necessary one. Life, happiness and health came first. Including the pandemic. Feeding money and time into artistic pursuits can often feel like feeding coins into a broken parking metre. I hold so many incredible musical memories in my heart but it also took its toll. I therefore took my time with these songs, the production and processing of the emotions. Roses was a complete joy to compose and truly reflects my journey to a conscious and balanced state. To me, Los Angeles is a gift I gave myself. It was a blank slate to finally confront my emotional, physical and financial health. The result is Roses. The result is abundance and joy. I’m holding the light up now, and roses are falling all around.”
TOUR COINCIDES WITH BAND’S FIRST-EVER
RETROSPECTIVE COLLECTION GREATEST HITS
AVAILABLE TODAY ON CD & DIGITAL
VINYL DUE OUT AUGUST 25
TORONTO, ON – June 16, 2023 – Coinciding with the release of their brand new single, Together Right, and their first-ever career-retrospective collection, Greatest Hits, Finger Eleven are set to embark on an extensive North American tour. Today, the multi-platinum-selling band announced the first batch of dates for their Greatest Hits North American Tour, kicking off this Saturday (June 17) in Beaumont, AB, and including stops in Vancouver, Omaha, Green Bay, Cincinnati and more.
Frontman, Scott Anderson, shares: “I’m excited to share that F11 is finally getting back on the road. This time we’re hitting both Canada and the US, including places we haven’t been in years. We can’t wait to start making noise again. See you out there!”
Today also marks the official release for Greatest Hits, which is available on CD and digital formats now, with the vinyl edition (Finger Eleven’s first-ever vinyl release) to follow on August 25. The 12-track collection includes the new single, Together Right, alongside the multi-platinum hit, Paralyzer, and JUNO-nominated One Thing, plus chart-toppers like Falling On and Living in a Dream. As a bonus, the set also offers a previously unreleased cover of Pink Floyd’s Welcome to the Machine (a longtime live staple). Together Right represents the band’s first new single in more than seven years. The breakout hit debuted on the U.S. Active Rock Top 40 chart and is currently charting #2 on Canada’s Active Rock charts.
A limited-edition Blue Smoke pressing of Greatest Hits will be available exclusively via FingerEleven.com and CraftRecordings.com, and indie record stores will carry an exclusive Yellow Marble variant.
Finger Eleven, which currently includes original members Scott Anderson, Sean Anderson, James Black and Rick Jackett, plus drummer Steve Molella (who joined the band in 2013), released their critically acclaimed seventh studio album, Five Crooked Lines, in 2015. Since then, they have remained active on the road and enjoyed their legacy as one of Canada’s biggest bands. The band is among the top 75 best-selling artists of all time in Canada and Paralyzer (certified 5x platinum—the only rock song with that distinction) is one of the greatest rock exports.
As evidenced by the band’s latest release and the Greatest Hits North American Tour, Finger Eleven show no signs of slowing down. More tour dates to be announced this summer. Follow along and purchase tickets on FingerEleven.com.
GREATEST HITS NORTH AMERICAN TOUR DATES:
June 17: Four Seasons Park, Beaumont, AB
August 4: Allandale Station Park, Barrie, ON
August 6: Outdoor Stage - Queen City Ex, Regina, SK
August 9: Kickin’ Horse Saloon Stage - Saskatoon Prairieland Park, Saskatoon, SK
August 11: Prospera Place, Kelowna, BC
August: 18: Cold Lake Exhibition Park, Cold Lake, AB
August 20: Ambleside Park, West Vancouver, BC
September 2: Lot 2 @ CHNI Center, Omaha, NE
September 3: Rust Belt, Moline, IL
September 6: District 142, Detroit, MI
September 9: Blue Ridge Rock Fest, Alton, VA
September 11: The Forge, Joliet, IL
September 12: EPIC Event Center, Green Bay, WI
September 14: Riverfront Live, Cincinnati, OH
September 16: MMR*B&Q, Camden, NJ
November 20: Key City Theatre, Cranbrook, BC
November 24: Jeanne & Peter Lougheed Performing Arts Centre, Camrose, AB
November 28: Dekker Centre for the Performing Arts, North Battleford, SK
DOWNLOAD - hi-res photo | DOWNLOAD - Greatest Hits album cover
HIGHLY ANTICIPATED DEBUT ALBUM
JAGUAR II COMING SOON
VICTORIA MONÉT SET TO HOST FIRESIDE CHAT
ON JUNE 17 WITH KELLY ROWLAND AT CULTURECON LA
TORONTO, ON – June 16, 2023 – Multi-talented, GRAMMY-nominated singer/songwriter and producer, Victoria Monét, releases On My Mama today via Lovett Music/RCA Records. The new track is the latest addition to her catalog of 2023 summer anthem contenders and is the final track debut leading up to the release of her upcoming sophomore album, JAGUAR II. Listen here.
Monét's On My Mama hits a home run by sampling the classic 2000s hip-hop Chalie Boy track, I Look Good, while floating positive affirmations over blaring horns by Kyla Moscovich, smooth melodies, and an 808 and bass-heavy beat produced by Jamil “Deputy” Pierr and Jeff “Gitty” Gitelman. “I put that on my own mama, on my hood, I look fly, I look good,” she sings. It’s an empowering song for people everywhere uplifting them to feel like the best version of themselves both inside and out.
“On My Mama is the soundtrack to positive affirmations!” says Monét. “Singing the lyrics about yourself will change your frequency and elevate a positive mental state. The words speak not only to physical features but to a feeling too because I believe when you feel good, you look even better! Give yourself the words you need to hear because it’s true - you look good! There’s no one like you and that’s on ya mama. Enjoy being yourself witcha fine ass!"
On My Mama is the third single off JAGUAR II, and is the follow up to her most recent smash hits, Party Girls, ft. Buju Banton. The Sean Bankhead choreographed Party Girls music video garnered an incredible reaction to Victoria’s performance, leading to her trending for several days, hitting the YouTube Trending Top 15. Party Girls' and Smoke, ft. Lucky Daye, both have garnered heavy praise from the likes of Billboard, Rolling Stone, Pitchfork, Flaunt, Nylon, Hypebeast, FLOOD Magazine, and more. All three singles mark the beginning of a new era for Victoria Monét, ending the long-awaited pause since her heralded 2020 solo project, JAGUAR.
After the initial JAGUAR era, Monét turned up the heat with a string of releases including collaborations featuring Kehlani (Touch Me (Remix)) and most recently, a Spotify single with Bryson Tiller (We Might Even Be Falling In Love (Duet)). Additional tracks F.U.C.K and Coastin' built on the JAGUAR sound and emphasized its staying power with impressive visuals all set in Monét’s signature brown tones and 70s influences. She’s also gone viral on socials with the #SomeCutChallenge and currently with her open verse challenge for buzzing song, We Might Even Be Falling In Love.
Monét’s breakthrough artistry led to appearances on The Late Night Show with Jimmy Kimmel Live! and The Late Show With Stephen Colbert’s #PlayAtHome, plus festivals such as Made In America, Sol Blume, and Day N Vegas.
Most recently, Monét sold out her first-ever headlining show in Los Angeles at the El Rey Theatre in partnership with Spotify and Goldenvoice - which sold out in under one minute - and will be participating in a fireside chat with fellow superstar Kelly Rowland at CultureCon LA on June 17. As a new member of RCA Records, much more music from the superstar is on the horizon as anticipation builds for the much-desired album, JAGUAR II, coming summer 2023.
DOWNLOAD - On My Mama Single Art
ALBUM FEATURES ANDRE 3000, EL-P, 2 CHAINZ, FUTURE, YOUNG THUG, 6LACK, TY DOLLA $IGN, CURREN$Y, ERYN ALLEN KANE, BLXST, AND MORE
THE HIGH & HOLY TOUR KICKS OFF NEXT MONTH
FIND TICKETS HERE
LISTEN TO MICHAEL HERE
“A complex portrait of Southern Black masculinity” - NEW YORK TIMES
"If Killer Mike is an undefeated superhero, Michael Render is an unshakable man." – EXCLAIM!
“Killer Mike’s position as one of the great and yet underrated rappers and lyricists of his time is affirmed.” - SPIN
“MICHAEL is worth the wait: a soul-baring collection of deeply personal songwriting that nevertheless contains the kind of bars-on-bars rapping that RTJ fans have come to love.” - CONSEQUENCE
“One of the most heartfelt and serious albums in his discography” - FLOOD
“This album will secure his legacy as one of the best rappers to ever come out of the South." - DORK
TORONTO, ON – June 16, 2023 – Killer Mike has just released MICHAEL – the celebrated MC’s first solo full length since 2012’s critically lauded, R.A.P. Music – and the capstone to a huge week that included appearances on The Breakfast Club, Sway in the Morning, HBO’s The Shop, no less than three billboards in Times Square, plus features in Billboard, Vulture, The Atlantic, New York Times, Exclaim!, a SPIN cover story, and more.
On Tuesday, Mike spoke with Zane Lowe to premiere SCIENTISTS & ENGINEERS (ft. Andre 3000 and Future), a song that saw an outpouring of critic and fan attention, prompting @RAP to ask if this was the "biggest ATL collab ever" and BET to proclaim that Andre’s feature “reminds us why he’s one of the greatest to ever do it” (meanwhile others have rightly pointed out that Mike goes bar-for-bar with his former mentor).
The 14-track album, executive produced by No ID and released via Loma Vista Recordings, includes a panoply of rarified features from the likes of Future, Young Thug, Ty Dolla $ign, Curren$y, Andre 3000, 6LACK, EL-P, Blxst, Eryn Allen Kane, and more (full tracklist below). Over the course of the last few months, Mike has been presenting the album at a series of private listening sessions, guiding intimate gatherings of friends, fans, and colleagues through the autobiographical details of the album in his own words, culminating in a hometown event in Atlanta this past Monday that filled The House of Hope Atlanta to the brim. Meanwhile Mike has been previewing the live presentation of the album joined by his backup singers, The Midnight Revival, for recent performances at SXSW, Shaky Knees Festival, and Bottlerock Festival. Killer Mike and The Midnight Revival will head out on The High and Holy Tour in July. The 19-date U.S. tour kicks off July 10 in Birmingham and makes its way across the country, including an appearance at Pitchfork Music Festival and a performance at New York City’s iconic Apollo Theatre, before wrapping up August 5 in New Orleans. Tickets are on sale now - see full dates below.
MICHAEL serves as a holistic introduction to the totality of Michael Render, a lifelong rap fiend whose consciousness is steeped in the sounds of community that raised him – traversing multiple eras of southern rap flows, Sunday church service, and barbershop discourse. Anticipation for the album has been steadily building over the course of a prodigious run of singles, including RUN (ft. Young Thug), TALK’N THAT SHIT!, DON’T LET THE DEVIL (ft. EL-P & thankugoodsir), and MOTHERLESS (ft Eryn Allen Kane), culminating in this week’s release of SCIENTISTS & ENGINEERS (ft. Andre 3000 and Future). The album’s sprawling list of features was revealed in conjunction with the last single’s release, unveiled alongside a collage of each featured artists’ respective childhood photos as a callback to Mike’s school yearbook photo on the album cover. Fans are invited to participate as well, with a bespoke Instagram filter that renders a similar effect to the photo treatment on the album’s cover.
DOWNLOAD – MICHAEL album artwork | DOWNLOAD – hi-res photo
UPCOMING TOUR DATES:
7/10 - BIRMINGHAM, AL - Saturn
7/11 - CHARLESTON, SC - Music Farm
7/13 - ATLANTA, GA - Tabernacle
7/14 - NASHVILLE, TN - Ryman
7/15 - CHARLOTTE, NC - Underground
7/17 - NORFOLK, VA - NorVa
7/18 - WASHINGTON DC - Lincoln Theater
7/20 - NEW YORK, NY - Apollo
7/21 - PHILADELPHIA, PA - Franklin Music Hall
7/23 - CHICAGO, IL - Pitchfork Festival
7/24 - MINNEAPOLIS, MN - First Avenue
7/27 - SEATTLE, WA - Showbox
7/28 - PORTLAND, OR - Crystal Ballroom
7/29 - SAN FRANCISCO, CA - Fillmore
7/31 - LOS ANGELES, CA - Ace Theater
8/1 - PHOENIX, AZ - Van Buren
8/3 - HOUSTON, TX - House of Blues
8/4 - DALLAS, TX - House of Blues
8/5 - NEW ORLEANS, LA - Joy Theater
LISTEN HERE | WATCH HERE
SONG OFFERS FIRST PEEK AT NEW ALBUM
MY FATHER LOVED ME ARRIVING THIS FALL
TORONTO, ON – June 16, 2023 – Just two days before Father’s Day, acclaimed Canadian-American singer-songwriter, Rachael Kilgour, shares the first offering of her forthcoming album, My Father Loved Me, with the beautiful leading tribute, Dad Worked Hard. Produced by award-winning songwriter, Rose Cousins, Dad Worked Hard is a soft and stripped-down acoustic track, that introduces the heartfelt stories about Rachael’s father, who passed away shortly after she had written the song. Listen here and watch the intimate accompanying video here.
“This song serves as an introduction to my dad and to the collection of soon-to-be-released work,” Rachael shares. “It is the only completely bare track on the record, just me and my guitar. But we built each track around these basic building blocks – my singular voice and the expanding and contracting sense of time that comes with telling a story from the heart.”
Rachael was in the last days of tracking her 2019 EP, Game Changer, in an Asheville, NC recording studio, and had just written a new song – Dad Worked Hard. “I hadn't written any other songs about him at that point – I certainly hadn't considered making an entire album in his honour. I had no way of knowing how little time he had left or how much his death would transform me. But when the producer suggested recording Dad Worked Hard for the new EP, I just knew I needed to hold onto it. So I said it: ‘no, I think I’m gonna make a dad album’.”
Dad Worked Hard speaks to the sorrow of Rachael watching her once steady father deteriorate in body and mind, and the injustice of not being able to afford appropriate care for a man who worked long days as a building contractor all his life. Read Rachael’s reflections on her father’s life and the inspiration behind the song here.
Of the creation of the song, and new album, she continues, “It was such a gift to record with Rose. She and Chris worked so well together to create a warm environment and capture the essence of these songs. I am grateful for the beautifully intricate production choices she made throughout the rest of the record and for her understanding of the power of a simple, truthfully told song.”
Stay tuned for more of Rachael Kilgour’s stunning tribute to her dad as she unveils My Father Loved Me in the coming months.
DOWNLOAD – single artwork | DOWNLOAD – hi-res photo
MORE ABOUT RACHAEL KILGOUR:
Rachael Kilgour is a Canadian-American songwriter and performing artist whose plain-spoken, lyric-driven work and intimate performances have endeared her to listeners and fellow artists alike. She comes by her considerable skills honestly, honing her craft over the past decade in listening rooms, festivals, concert halls, and recording studios, and picking up accolades along the way. Kilgour first attained notoriety outside her native Duluth, MN as the grand prize winner of the 2015 international NewSong Music Performance & Songwriting Competition and winner of the 2017 Kerrville New Folk Contest. She has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and at the Sundance Film Festival. Her oft-noted “unapologetic lyrics” (Rolling Stone) and “master crafted indie folk” sensibilities (Billboard) are on full display in her latest collection of songs.
ALBUM OUT OCTOBER 6 VIA ROUNDER RECORDS
LISTEN TO NOBODY HAS TO KNOW YOUR MIND HERE
EXTENSIVE HEADLINE TOUR DATES THROUGHOUT THE SUMMER WITH VARIOUS FESTIVAL PERFORMANCES INCLUDING NELSONVILLE, CATBIRD,
WHIMMYDIDDLE AND MORE
“His music reflects a refreshingly raw honesty, reflectiveness, and the undeniable beauty in discovery and growth”-Spin
TORONTO, ON – June 16, 2023 – John R. Miller belongs to the rare breed of songwriters whose expansive introspection uncovers many truths about the state of the human condition. On his new album, Heat Comes Down, out October 6 via Rounder Records, the West Virginia-raised, Nashville-based artist intimately narrates his sleepless nights and nostalgic daydreams, existential dread, and nuanced observations of the troubled world around him. But while a number of its songs convey a certain unease, Miller endlessly imparts the kind of lovely reassurance that can only come from shared catharsis. Pre-order/pre-save Heat Comes Down here and listen to the lead single, Nobody Has To Know Your Mind, here.
“Whenever I’ve got a lot of thoughts bouncing around my head, alchemizing that energy into something creative helps take the gravity out of them and quiets them down for a while,” says Miller. “For me this album is largely about anxiety in many forms: the things that cause it, what it causes in turn, and the moments of clarity in between. Listening back to it now, most of the songs seem like they’re trying to answer the questions I’ve been asking myself.”
The follow-up to his 2021 Rounder Records debut Depreciated—an album No Depressions says “casually saunters towards a full existential breakdown that’ll leave you gasping for air”— Heat Comes Down finds Miller teaming up with producers Andrija Tokic and John James Tourville (both known for their work with artists like Sunny War and The Deslondes). Over a three-day session at The Bomb Shelter (Tokic’s Nashville studio), Miller joined forces with several members of his longtime live band (drummer John Clay Burchett, guitarist J. Tom Hnatow, fiddle player Chloe Edmonstone) as well as bassist, Craig Burletic, and Jeff Taylor (a multi-instrumentalist whose credits include Willie Nelson and Elvis Costello).
With its understated but gorgeously detailed convergence of country and rock-infused folk, Heat Comes Down hits with a potent impact despite its exquisite intricacy—a dynamic suited to an artist whose background includes playing in punk bands in high school and touring as a member of an old-time string band in his 20s. “I think the feeling in the room heavily contributes to the feeling of a record, and that room was full of people I love very much,” Miller points out. “We all felt free to open up and fool around and experiment with different ideas, which helped us create something that hopefully feels warm and inviting to everyone.”
On the album-opening, Nobody Has to Know Your Mind, Miller immediately draws the audience deep into his inner world, offering up a gently swinging cosmic-country tune etched with his self-aware humor (from the second verse: “Give me a mile, I’ll take an inch/Give me a shovel, I can dig my own ditch”). “In my more socially anxious moments, it’s easy to feel like my thoughts are written all over me,” he says. "That song is essentially a reminder to get out of my own head and be more present with whatever's going on in the room."
Miller has extensive headline tour dates into the summer, and will hit a number of summer festivals, including Nelsonville, Catbird and Whimmydiddle. Fall tour dates will be announced soon.
JOHN R. MILLER 2023 TOUR DATES:
June 14 - Chicago, IL - Sleeping Village
June 15 - Milwaukee, WI - The Back Room at Colectivo Coffee
June 16 - Minneapolis, MN - Icehouse
June 17 - Spring Green, WI - Shitty Barn
June 18 - Wisconsin Dells, WI - Showboat Saloon
June 20 - Davenport, IA - The Raccoon Motel
June 21- June 24 - Owensboro, KY - Romp Fest
June 22 - Hamilton, OH - Whimmydiddle Music Festival
June 23 - Indianapolis, IN - HI-FI Annex
June 24 – Owensboro, KY – ROMP Festival
July 13 - Shenandoah Junction, WV - The AMP at Sam Michaels Park
July 15 - Londonderry, VT - Black Line Tavern
July 16 - Portsmouth, NH - The Press Room
July 18 - North Haven, ME - Turner Farm
July 19 - Burlington, VT - Nectar's
July 21 - Cleveland, OH - Beachland Tavern
July 22 - Nelsonville, OH - Nelsonville Music Festival
July 26 - Thomas, WV - Purple Fiddle
July 27 - Winchester, VA - Bright Box Theater
July 28 - Charlottesville, VA - The Southern
July 29 - Galax, VA - The Blue Ridge Music Center
August 19 - August 20 - Bethel, NY - Catbird Music Festival
LISTEN HERE
SHARES ALBUM STANDOUT TRACK MINDFUL MADNESS FEATURING MARTHA JOHNSON (MARTHA AND THE MUFFINS)
ALBUM RELEASE SHOW JULY 13 AT BAR CATHEDRAL TICKETS HERE
Toronto, ON – June 16, 2023 – Today, Toronto artist, Alex Exists, shares his anticipated debut album, Everybody’s Famous, via The Confidence Emperors. “[The album] is a unique set of stories about the complex and often absurd nature of human behaviour, and the need to express our truth and full potential,” says Alex. It’s the tension between these themes that fuel Everybody’s Famous and blends the rebellious, grungy, glammy, punky, and psychedelic sounds into an eight-track punch. Among these tracks is the album stand out, Mindful Madness, a song that explores the idea of maintaining a sense of awareness and purpose in the midst of chaos and confusion, and features the voice of Martha Johnson (Martha and the Muffins). As Alex puts it, “Her voice soars over the carnival grounds in such an eerily beautiful way.” Listen to Everybody’s Famous here and check out the Mindful Madness visualizer here.
To further celebrate the release of his debut record, Alex will be performing an album release show at Bar Cathedral on July 13 in Toronto. It will certainly be a show not to miss as Alex will bring Everybody’s Famous to life through his various music videos that will be on display at the venue, while playing the record live. Tickets available here.
On Mindful Madness, Alex shares: “With strong ties to struggling with mental illness and being on the brink of losing one's sanity. As the song unfolds, one begins to see the madness as a source of creativity and insight, rather than a burden to be ashamed of.”
On the album, Alex further offers: “I aim to inspire listeners to navigate the complex social dynamics that shape our lives, and to never stop striving for something better. The message is clear: we have the power to change what we don't like and the obligation to improve life for each other or else risk being trapped in the warped reality that these songs illustrate.”
Everybody’s Famous was produced mainly by Alex with assistance from Michael Fong. Drums were recorded at Revolution Recording in Toronto with Luke Schindler, and the rest of the tracks were recorded at Alex’s studio, Audio Ritual. The final product is a sonic exploration of expressing optimistic nihilism and radical authenticity as we tread into a brave new world. Alex quips the album resembles "a wrestling match with one’s ego." It represents a story about finding one’s true self amidst the chaos, continuing to create through the chaos while learning how to wield the energy of the changing tides instead of swimming against it - and letting it destroy you.
This can be heard on the previously released album standout Believe The Hype, which serves as a reminder for listeners not to believe everything you see or hear. As well, there is the dark prose, edgy synth, percussion heavy, With A Bang, and Dancing With Chaos, which features Alex's sharp vocals and deep lyrics on the state of the media, politics, and societal expectations. All videos were produced by Moon Reel Media, which Alex co-runs and co-founded, and were directed by Agata Waclawska.
“Collections of songs like albums are important snapshots in time. I think that it's a really admirable achievement to write, record and release an album in this day and age,” shares Alex. “I think the role of a great artist is to use their work to get deep inside someone's head or soul, rearrange all the furniture in their mind, and leave them seeing the world differently. Not knowing what really changed, other than experiencing the art, yet now they see everything differently. For better or for worse.”
Stay tuned as the Everybody’s Famous adventure continues on this summer!
SHARES LEAD SINGLE I CAN SAY TO YOU
FEATURING VANISHA GOULD
WATCH | LISTEN
PRE-ORDER/SAVE SOLAR MUSIC HERE
TORONTO, ON – June 13, 2023 – Richmond's polymath band, Butcher Brown, announces its new album, Solar Music, out October 6 via Concord Jazz, available on CD, 2-LP and digitally. While rooted in jazz, the band explores the through lines between genres and generations, which is clearly evident on the album's lead single, which is also out today: I Can Say To You featuring vocalist Vanisha Gould.
Following their critically-acclaimed 2022 album, Butcher Brown Presents Triple Trey, where they collided a hip-hop album with big band jazz, Solar Music demonstrates the essence of Butcher Brown down to its core. The album draws its name from a descriptor the band has come to use to categorize their music, the scope of which is decidedly broad and defies categorization altogether. Solar Music demonstrates the band's dynamic approach to the jazz format and incorporating their own rich lineage of musical influences from their upbringing in Richmond, fusing elements of soul, funk, rock, and hip-hop, into music that is universal. Incorporating longtime friends and new, unexpected guests into their approach, the album features the likes of Pink Siifu, Charlie Hunter, Braxton Cook, Jay Prince, Nappy Nina, Keyon Harrold, Michael Millions and more.
Reflecting on their latest project the band shares: "Solar Music is everything under the sun. We get asked so often what type of genre we fall into, and at the end of the day, we play all of our influences. It’s not genre specific… It’s all types, & this album is a true representation of that. Solar Music is for everybody.”
The band had a jam-packed live schedule in 2022 around the release of their last album, which included a sold-out show at Blue Note Jazz Festival in Napa Valley, a collaborative set with Pink Siifu at Pitchfork Music Festival and Afropunk Fest in Brooklyn all in the last year. Picking up where they left off in 2023, the band is slated for a run of festivals through the Summer, including the Hollywood Bowl Jazz Festival on June 18th, Newport Jazz Festival, and Telluride Jazz Fest and more.
Check out I Can Say To You featuring Vanisha Gould and pre-save Solar Music here. Learn more about the band and Solar Music below, and stay tuned for more new music from Butcher Brown soon.
TRACKLIST:
1. Cozumel
2. Espionage featuring Charlie Hunter
3. I Can Say To You featuring Vanisha Gould
4. MOVE (RIDE) featuring Jay Prince
5. Turismo featuring Julia Shuren
6. Eye Never Knew featuring Pink Siifu and Keyon Harrold
7. No Way Around It
8. Half of It featuring Nappy Nina
9. DYKWYD featuring Braxton Cook
10. Happy Hourrr
11. Run It Up featuring Pink Siifu
12. Pink Fur featuring Michael Millions
13. This Side of Sunshine
14. BubbleBath
15. Touring Pains
16. It Was Me
17. Around For A While
UPCOMING TOUR DATES:
6/18 - Los Angeles, CA @ Hollywood Bowl Jazz Festival
8/4 - Newport, RI @ Newport Jazz Festival
8/5-6 - Happy Valley, OR @ Pickathon
8/11-13 - Telluride, CO @ Telluride Jazz Festival
8/26 - Asheville, NC @ Salvage Station
8/31-9/3 - Stuart, VA @ Front Porch Fest
DOWNLOAD – album artwork | DOWNLOAD – hi-res photo
MORE ABOUT BUTCHER BROWN:
Miles Davis once quipped, “I’ll play it first and tell you what it is later.” Butcher Brown has released forward-thinking and expansive hybrids of jazz and hip-hop since 2013. Today, they have an apt descriptor for their songs: solar music. Drawing inspiration from every sound under the sun, the Richmond, VA band adds elements of funk, soul, and rock to their foundational mix. The result is a Southern-leaning, sometimes psychedelic fusion that feels fresh yet familiar. Simultaneously working within and defying genre conventions, Butcher Brown is a jazz festival mainstay that could tour with Tyler, the Creator as easily as Khruangbin.
“We get daps from the jazz cats, the rap scene, the indie scene, and everyone else,” says drummer Corey Fonville. Every Butcher Brown album, show, and improvisational leap therein stems from the synergy, vision, and inexhaustible musical curiosity of him and his bandmates: producer/multi-instrumentalist DJ Harrison; bassist/composer Andrew Randazzo; trumpeter/saxophonist/MC Marcus “Tennishu” Tenney; and guitarist Morgan Burrs.
The band’s past begins in Richmond, where several members attended VCU’s jazz program, and everyone mixed in the city’s vibrant music scene. Between classes and performances at local clubs, all congregated at Harrison’s home studio: Jellowstone. Jam sessions bled into blunt-passing smoke sessions soundtracked by beat tapes from renowned Richmond producer Ohbliv, D’Angelo’s sensual, funky and forward-thinking neo-soul, and saxophonist Joe Henderson’s Power to the People. All culminated in Butcher Brown’s 2014 debut, All Purpose Music, a 76-minute jazz-driven odyssey into every genre at the band’s disposal.
That spark fueled a beat tape (Grown Folk, 2015), southern-inflected soul and rock excursions (The Healer, 2015 and Virginia Noir, 2016), a raucous live album (Live at Vagabond, 2017), jazz-funk fusion (Camden Session, 2018), and an Afrobeat tribute (Afrokuti, 2018). After tours with Galactic, Lettuce, and jazz giant Kamasi Washington, Butcher Brown turned a corner with their Concord Jazz debut, 2020’s #KingButch. They recorded at Jellowstone and abandoned worries about creating songs that would be easily replicable live, blurring the lines between soul-jazz and boom-bap, eliminating the divide between P-funk and modern funk, and transforming rap-meets-bossa nova amalgams into kaleidoscopic psychedelia. With Tennishu rapping, the band was in new territory and closer to their roots than ever. Their catalog-spanning NPR Tiny Desk Concert, crowd-packing European tour, and inspired, Alex Isley-assisted cover of Patrice Rushen’s Remind Me in 2021 proved their range remained limitless, unbound by genre and time.
Describing the group's journey, bassist Andrew Randazzo says, “Over the years, everything about this band has become more refined and mature — from the playing and producing to recording — but the soul was there from the beginning... We already had the spark.”
TORONTO, ON - June 13, 2023 - Midnight Agency, Canada’s leading independent booking agency, is thrilled to celebrate its esteemed Agent, Co-Founder and President, Grant Paley, who has been honoured with the prestigious Agent of the Year award at the 2023 Canadian Live Music Association (CLMA) Live Music Awards. This achievement is a testament to Paley’s unwavering dedication, exceptional talent, and unparalleled contributions to the music industry.
The CLMA Live Music Awards, held annually to recognize outstanding professionals in the live music sector, bestowed the Agent of the Year title upon Grant Paley for his remarkable accomplishments in talent representation and booking, at Friday night’s ceremony in the Toronto Westin Hotel as part of Canadian Music Week. Paley’s extraordinary ability to identify emerging talent, negotiate lucrative deals, and create transformative opportunities for artists has solidified his reputation as one of the most influential agents in the industry.
"We are immensely proud of Grant for receiving the Agent of the Year award at the 2023 CLMA Live Music Awards," said Nick Middleton, CEO of Midnight Agency. "Grant's passion for music and his tireless efforts on behalf of our artists are unparalleled. This is a testament to his extraordinary work ethic. He’s been a guiding light for so many of our artists as we’ve seen our industry go through unparalleled challenges. Grant has been a pivotal leader and champion of artists across the country as we’ve all worked so hard to return to touring post-COVID.”
Since co-founding Midnight Agency in 2021, Paley has consistently displayed a deep passion for the artists he represents and an unwavering commitment to their success. His strategic vision, industry knowledge, and personalized approach have set him apart as a trusted advocate for artists and a formidable force within the music business.
Paley expressed his gratitude for the award, saying, "I’m truly honoured. This award is voted on by the very people in this room. I call you my collaborators, my partners, my artists and first of all my friends. Thank you all for giving me so much of your energy throughout my 25 years in this industry.”
In his speech on Friday night in front of his peers, Paley went on to thank his team. “Thank you Nick Middleton for dreaming up a crazy idea to start a new agency in the middle of the pandemic. Thank you to all the Midnight Staff - there’s nine of us now in two years; Mac, Sage, Liam, Charissa, Joel, Luke and Sari. You all play such a vital role for myself, this agency and our artists.” Paley also expressed deep appreciation for the artists he represents, emphasizing, "Thank you all 48 of our artists for coming on this journey with me, you are a huge reason I am here and I am forever grateful."
Midnight Agency extends its sincerest congratulations to Grant Paley on his remarkable achievement. As an agency, we remain dedicated to empowering artists, fostering creativity, and shaping the future of the live music industry.
ABOUT MIDNIGHT AGENCY:
Midnight Agency is a leading independent Canadian talent and booking agency dedicated to nurturing the careers of exceptional musicians and artists. With a commitment to providing unparalleled guidance, strategic representation, and creative solutions, Midnight Agency has become a trusted partner for artists seeking to elevate their careers to new heights. For more information visit:
DOWNLOAD – Midnight Agency logo
DOWNLOAD - Grant Paley headshots
LISTEN HERE
TORONTO, ON – June 9, 2023 – Today, rising artist, August Royals, releases his latest single, Love You ‘Til I Die, out now via RCA Records.
Coming off the back of last month’s release of Angel Arms, Love You ‘Til I Die sees August continuing to embrace and experiment with alt-pop and indie-rock influences. Flush with guitar strums and warm bursts of percussion, the lo-fi single examines the encompassing feeling of loving someone until your last breath.
Garnering praise from V Magazine, Rollacoaster, Lyrical Lemonade, and more, August Royals has quickly started making a name for himself in just a few short months, establishing himself as an artist to watch. Selected as part of Pigeons & Planes’ highly coveted Best New Artists, he was heralded as “the rare kind of talent who’s positioned to strike the difficult balance between artistry and accessibility.” The Georgia-born and Los Angeles-based singer and songwriter first caught listeners’ attention in 2019 when he posted a clip of his song, Restless, and went viral on Instagram with hundreds of thousands of views.
After a chance meeting with Kevin Abstract at a show in Los Angeles, the two became fast friends and collaborators. Championed by Abstract, August signed with RCA Records and released his debut single, Blue Football, to praise and critical acclaim. Clash called the release “exhilarating,” praising it as a “carefully finessed song, one that balances the micro with the macro in its search for meaning.” Following suit with Crash less than a month later, the single was featured as one of Billboard’s 10 Cool New Pop Songs. In 2022, he released his debut project, Inhaler, a nine-track EP that served as a multi-genre reflection of his own experiences and struggles.
TORONTO, ON – June 9, 2023 – Global Latin music idol, Maluma, has just released his new single, Coco Loco, today. The fiery track showcases Maluma's unique and iconic sound, this time as Don Juan, embodying urban flow and sensuality. Stream or download the track here.
The new single sets the stage for his upcoming, Don Juan album, due out later this year. Also on the album are Maluma’s recently released singles, La Fórmula with Marc Anthony, La Reina and Diablo, Que Chimba, alongside Anuel AA.
The steamy video, directed by Jessy Terrero and produced by Cinema Giants and Royalty Films, is set in the beautiful streets of a stormy Miami. When his concert is cancelled due to inclement weather conditions, Maluma performs an impromptu concert in the rain, surrounded by dancers, a festive atmosphere and of course, enjoying his very own Contraluz Cristalino Mezcal. Watch it here.
Coco Loco was produced by MadMusick and written by Juan Luis Londoño Arias (Maluma), Julio González Tavares, Jonathan Rivera, Giencarlos Rivera, Edgar Barrera and Vicente Barco.
Further, as part of the announcement of his new Don Juan World Tour, Maluma will be in Europe this summer to perform a series of concerts in July, before he starts the U.S. leg of his world tour with more than 30 confirmed dates.
Promising a groundbreaking experience for his devoted fans, Maluma is set to embark on a 30-city tour throughout the United States. The tour kicks off in Sacramento, CA on August 31 and wraps in Miami, FL on November 4. This tour follows the wildly successful Papi Juancho Maluma World Tour 2022, which boasted sold-out shows across the United States, Europe, Asia, Latin America, and the Middle East. To purchase tickets, visit https://maluma.online/conciertos-maluma.
EUROPEAN TOUR DATES:
June 16 - Santiago de Compostela, Spain.
June 18 - Ibiza, Spain
June 23 - Vienne, France
June 24 - Basel, Switzerland
July 1 - Seville, Spain
July 2 - Ibiza, Spain
July 5 - Sicily, Italy
July 7 - Malaga, Spain
July 8 - Las Palmas, Spain
July 11 - Montreaux, Switzerland
July 12 - Rome, Italy
July 14 - Gdansk, Poland
July 16 - Naples, Italy
DON JUAN WORLD TOUR U.S. DATES:
August 31 - Sacramento, CA - Golden 1 Center
September - Portland, OR - Moda Center
September - Seattle, WA - Climate Pledge Arena
September - San Jose, CA - SAP Center
September 9 - Los Angeles, CA - The Kia Forum
September 10 - Phoenix, AZ - Footprint Center
September 13 - Las Vegas, NV - Grand Garden Arena
September 15 - Ontario, CA - Toyota Arena
September 16 - San Diego, CA - Pechanga Arena
September 21 - San Antonio, TX - AT&T Center
September 22 - Hidalgo, TX - Payne Arena
September 24 - El Paso, TX - UTEP (Don Haskins)
September 29 - Austin, TX - H-E-B Center
September 30 - Dallas, TX - American Airlines Center
October 1 - Houston, TX - Smart Financial Centre
October 5 - Belmont Park, NY - UBS Arena
October 6 - New York, NY - Madison Square Garden
October 7 - Uncasville, CT - Mohegan Sun Arena
October 8 - Newark, NJ - Prudential Center
October 12 - Chicago, IL - Allstate Arena
October 14 - Reading, PA - Santander Arena
October 15 - Boston, MA - Agganis Arena
October 19 - Washington, DC - Capital One Arena
October 21 - Charlotte, NC - Spectrum Center
October 22 - Atlanta, GA - StateFarm Arena
October 26 - New Orleans, LA - Smoothie King Center
October 28 - Tampa, FL - Amalie Arena
October 29 - Fort Myers, FL - Hertz Arena
November 3 - Orlando, FL - Amway Center
November 4 - Miami, FL - Kaseya Center
Last month, he attended the MET Gala wearing a sleek plastron and matching trousers, crafted entirely in a sophisticated, grey-hued leather, inspired by the 90s Karl Lagerfeld collaboration with Hugo Boss. Check out Maluma’s Esquire ‘getting ready’ piece here. Additional dates may be added in the coming weeks.
DOWNLOAD - Single Art
About MALUMA:
Maluma is one of the leading voices in Latin music and a bona fide global youth idol. Born Juan Luis Londoño in Medellin, Colombia, he formulated his artistic moniker, Maluma, from the first two letters of the names of his mother, father and sister.
The 2018 Latin GRAMMY award winner for Best Contemporary Pop Vocal Album (for F.A.M.E.) is one of social media’s most popular artists with over 25 million Facebook fans, 8 million Twitter followers, and a whopping 63 million Instagram followers, making him the leading Latin male artist on Instagram and the first and only one to surpass 50 million followers. His official YouTube/VEVO channel has more than 28.1 million subscribers, having earned him a YouTube Diamond Play Button Award.
With his Maluma World Tour he has achieved unparalleled success, having sold over one million tickets in 105 worldwide concerts in 2017 alone and becoming the top concert-selling Latin artist in the world. In 2018 and 2019, he broke records achieving full houses in all of his shows throughout the United States and Europe selling out Madison Square Garden (New York), the American Airlines Arena (Miami) and two The Forums (Los Angeles), among others. With his 11:11 World Tour he also sold out Israel's largest venue, Yarkon Park in Tel Aviv (60,000+ audience); made history at the 18th annual Mawazine Festival in Rabat, Morocco, setting an all-time attendance record with his headlining concert in front of 200,000 people; and performed for the first time ever in Riyadh, Saudi Arabia in front of 25,000. He continued to take over throughout 2021 and 2022 with sold-outs in the United States, Europe, Latin American and the Middle East.
Since joining Sony Music Latin in 2015, Maluma has released seven albums: Pretty Boy Dirty Boy (2015), F.A.M.E. (2018), 11:11(2019), Papi Juancho (2020), 7DJ (2021), The Love & Sex Tape and The Love & Sex Tape Deluxe (2022). Maluma is the youngest artist to simultaneously hold both the #1 and #2 spots on Billboard's Latin Airplay chart and only the sixth act to ever achieve the feat he has now repeated three times. To date Maluma has had twenty-two #1 singles on Billboard's Latin Airplay chart.
Maluma's altruistic spirit is outstanding for the community work he leads with his foundation, El Arte de Los Sueños, based in Medellín, Colombia. Founded in 2016, the Foundation's mission is to transform at-risk youth through art and music education. In 2021, Maluma acted in his first Disney animation movie, Encanto, 2022 Oscar winner for Best Animation Feature. Earlier this year, Maluma debuted in Hollywood with his starring role as “Bastian" in the movie Marry Me, alongside Jennifer Lopez and Owen Wilson.
+ JIMMY EAT WORLD COVER MANCHESTER ORCHESTRA’S TELEPATH
HEAR BOTH TRACKS ON ALL DIGITAL PLATFORMS NOW
WITH LIMITED EDITION 7” VINYL AVAILABLE ONLY VIA VIP TOUR TICKET PACKAGES
AMPLIFIED ECHOES TOUR BEGINS JULY 11
BRINGING BOTH BANDS TO MORE THAN 30 CO-HEADLINED DATES INCLUDING LA’S GREEK THEATRE, RED ROCKS, NYC’S SUMMERSTAGE + CANADIAN DATES IN CALGARY AND TORONTO
TORONTO, ON – June 8, 2023 – Today, ahead of their highly-anticipated, North American co-headline tour, Manchester Orchestra and Jimmy Eat World have teamed up to cover songs from each other’s vast and beloved catalogues. As Manchester Orchestra pay tribute to Table For Glasses, the opening track off Jimmy Eat World’s classic Clarity LP, Jimmy Eat World reimagine Telepath, an album highlight and enduring favourite from Manchester Orchestra’s The Million Masks of God. Listen to Manchester Orchestra’s cover of Table For Glasses via Loma Vista Recordings, here.
Both of the original arrangements are simultaneously sparse, slow-burning and soaring in their delivery, speaking to the bands’ shared strengths of cathartic melodies and vocal harmonies that invite fans to shout and sing along. While Jimmy Eat World flips Telepath on its head, turning the song’s soft acoustics and spectral strings into a thunderous wall of electric guitar, Manchester Orchestra approach Table For Glasses with a subtle touch that equally and intricately retains its invigorating power.
“It was an absolute honour to trade covers with one of our favourite bands,” says Manchester Orchestra’s Andy Hull. “We approached our cover with admiration for the original and had a blast exploring all of its spacious corners.”
Jimmy Eat World’s Jim Adkins adds, “Manchester Orchestra is great at sitting you down, spinning your chair around and stopping it to show you are now somewhere else. We knew if we were going to cover an immersive song like Telepath, we’d have to commit to ‘stopping the chair’ at bizzaro-Jimmy Eat World universe.” Listen to Jimmy Eat World’s cover of Telepath via Exotic Location Recordings, here.
Both covers will also be available on limited edition 7” vinyl, exclusively as part of the VIP Experience on the bands’ upcoming Amplified Echoes Tour. Kicking off July 11, and produced by Live Nation, Amplified Echoes will bring Manchester Orchestra and Jimmy Eat World to dozens of illustrious stages from coast to coast, including Canadian dates in Calgary and Toronto, as well as LA's Greek Theatre, Red Rocks Amphitheater, Nashville's Ascend Amphitheater, Chicago's Salt Shed, NYC's SummerStage in Central Park, and more through to the end of August. Find the full list below and tickets here, featuring support from Middle Kids.
The Amplified Echoes Tour will see Manchester Orchestra perform music from their new album, The Valley of Vision, live for the very first time. The record was released alongside a breathtaking and groundbreaking film earlier this spring, enveloping the viewer in 180 degrees of 3D virtual reality. The dual release marked "one of the first instances of a rock band using VR to help tell the stories of their songs" (Alternative Press), and in a five-star review, Uncut said, "few bands are brave enough to try something this ambitious, even fewer have the talent to pull it off." Enter The Valley of Vision and explore more of its world in the music video for lead single The Way, currently climbing into the Top 20 on the AAA radio charts.
Celebrating three decades and 10 albums of existence in 2023, Jimmy Eat World will arrive at the Amplified Echoes Tour fresh off a string of shows with My Chemical Romance and the release of recent singles, Something Loud and Place Your Debts.
Amplified Echoes Tour Dates:
July 11 – Missoula, MT – Big Sky Brewing Company Amphitheater +
July 12 – Calgary, AB – Calgary Stampede
July 14 – Spokane, WA – The Podium +
July 15 – Seattle, WA – WAMU Theater +
July 16 – Bend, OR – Hayden Homes Amphitheater +
July 18 – San Francisco, CA – The Masonic ^
July 19 – Los Angeles, CA – The Greek Theatre +
July 21 – San Diego, CA – Gallagher Square at Petco Park +
July 22 – Las Vegas, NV – The Chelsea at the Cosmopolitan ^
July 23 – Salt Lake City, UT – Complex Outdoors +
July 25 – Morrison, CO – Red Rocks Amphitheater +
July 27 – St. Louis, MO – Saint Louis Music Park ^
July 28 – Nashville, TN – Ascend Amphitheater ^
July 29 – Asheville, NC – Rabbit Rabbit ^
July 30 – Charlotte, NC – Skyla Credit Union Amphitheatre ^
August 7 – Houston, TX – 713 Music Hall +
August 8 – Austin, TX – Moody Amphitheater ^
August 9 – Dallas, TX – The Pavilion at Toyota Music Factory ^
August 11 – Oklahoma City, OK – The Criterion +
August 12 – Bellevue, NE - Outlandia
August 13 – Minneapolis, MN – The Armory ^
August 15 – Milwaukee, WI – The Rave/Eagles Club +
August 16 – Chicago, IL – The Salt Shed ^
August 18 – Indianapolis, IN – TCU Amphitheater at White River
State Park +
August 19 – Columbus, OH – KEMBA Live! Outdoors ^
August 20 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill ^
August 21 – Toronto, ON – RBC Echo Beach ^
August 23 – New York, NY – SummerStage In Central Park ^
August 24 – Boston, MA – MGM Music Hall at Fenway +
August 25 – Buffalo, NY – Outer Harbor Buffalo +
August 26 – Philadelphia, PA – Skyline Stage at the Mann ^
+Jimmy Eat World Closing
^Manchester Orchestra Closing
DOWNLOAD - Manchester Orchestra press photo
DOWNLOAD - Table For Glasses single artwork
ABOUT MANCHESTER ORCHESTRA:
Manchester Orchestra continues to push themselves into fascinating new realms with their latest release, The Valley of Vision, a reinvigorating record and awe-inspiring film that immerses the viewer in 180 degrees of 3D virtual reality. From continuously appearing on Billboard charts and major festival lineups, to earning hundreds of millions of streams and frequently collaborating with visionaries like the Daniels (Everything Everywhere All at Once, Swiss Army Man), Manchester Orchestra have followed up their acclaimed 2021 album, The Million Masks of God, with six songs rooted in a renewed sense of resilience, rebirth and self-redemption, delivered through a wealth of sounds and textures unlike anything the band has made before.
ABOUT JIMMY EAT WORLD:
Jimmy Eat World is celebrating three decades and 10 albums of existence in 2023. The Mesa, AZ, four-piece’s commercial breakthrough came with the release of several singles from their album, Bleed American, with The Middle hitting No. 1 on the Billboard Alternative Airplay chart and peaking at No. 5 on the U.S. Billboard Hot 100, where it spent 33 weeks total and became RIAA-certified Platinum. Futures, their follow-up to BA, featured Pain, which also hit No. 1 on the Billboard Alternative Airplay chart. In October 2019, the band released their tenth album, the critically acclaimed, Surviving, which became one of three 'chapters' of their 2021 globally streamed series, Phoenix Sessions, that also included Futures (Chapter V) and Clarity (Chapter III), performed in their entirety (available on YouTube here). Recently, they’ve released two independent singles, Something Loud and Place Your Debts, with the former charting 21 on Billboard’s Alternative Airplay.
PAA BECOMES THE LARGEST BOOKING AGENCY IN CANADA
TORONTO, ON – June 7, 2023 – Paquin Artists Agency is pleased to announce the acquisition of APA Canada. Effective immediately, this acquisition brings on board two of Canada’s most respected industry veterans, agents, Ralph James and Jack Ross, as Senior Vice Presidents of PAA.
“With this acquisition, PAA expands its footprint by adding an incredible group of people led by Ralph and Jack while also broadening our roster of talented artists,” says PAA Co-President, Julien Paquin. “It’s a humbling moment to be reminded of the value of hard work and a shared vision of highlighting artistic excellence.”
Joining James and Ross in the move is agent, Mike Graham, as well as agency staff, Lorraine Webb, Jean Wilkinson, Jenna MacDonald and Tristan Tammaro, who will be valuable additions to PAA’s North American team.
“I’m thrilled to see the conclusion of this deal and have the team here at APA Canada join Paquin Artists Agency,” remarks Jack Ross. “We know that joining PAA will create new and unique opportunities for our roster of clients. I want to thank Jim Gosnell and his team at APA for all their support and look forward to a continued productive relationship. I’ve long admired Julien and his team and couldn’t be happier to join them.”
Ralph James says, “Paquin has grown into an international industry leader, and I look forward to working alongside them, digging in for our clients.”
Adds PAA Co-President, Vinny Cinquemani, “This is a historic merger and allows vibrant collaborations for all the artists we have the privilege of representing.”
Jim Gosnell, CEO, APA Agency comments, “We have been close friends with Julien and Vinny for many years, they are truly two of the finest people in the business. We are excited for Ralph, Jack and our Canadian team to join them and their outstanding team at PAA. This is a win-win situation for everyone involved.”
The acquisition comes amidst an outstanding year of growth for Paquin Entertainment Group which saw newly formed partnerships with Loft Entertainment, Blue Crane Agency, Action Entertainment and the continued growth of its Exhibition & Theatrical and Brand Partnerships divisions.
About Paquin Entertainment Group:
Established in 1985, Paquin Entertainment Group is a leading, full-service North American arts and entertainment company with offices operating in Toronto, Winnipeg, Vancouver Los Angeles, Las Vegas and Nashville. Paquin Entertainment Group is home to a diverse portfolio, including artists agency and management, film and television, theatrical production, brand partnership, and touring exhibitions. Since its inception, Paquin Entertainment Group’s core vision has remained unchanged: to foster a creative culture that seeks and develops the world’s premier artists and productions.
Website | Instagram | Facebook
DOWNLOAD – Paquin Entertainment Group Logo
Download photos (Julien Paquin, Jack Ross, Ralph James) here
LISTEN TO 6 EP HERE
FOLLOWS HIS EP 3 RELEASED IN MARCH
9 EP COMING SOON
DRACULA VIDEO OUT NOW
WATCH HERE
TORONTO, ON – June 6, 2023 – Breakout Atlanta rapper, Kenny Mason, releases his latest EP, 6, today on the sixth of June via RCA Records – listen here. Produced by Coupe (Young Nudy, 21 Savage), Poison Thorn (Shane Moran from the band Title Fight), Prince 85 & Notinbed, this project expands on Kenny’s out-of-the-box, genre-blending style while still keeping true to his roots. Ahead of this EP, Kenny dropped focus single, DRACULA, alongside a visual – watch here. This all follows his EP 3 (listen here), and video for 100 or Nun featuring Tony Shhnow (watch here) that were dropped in March of this year. The 3 and 6 EPs area part of an 18-track unique rollout that includes an EP titled, 9, coming soon. Listen to EP 6 here.
Kenny on the creative/rollout for his latest Eps: “My team and I wanted to drop 18 songs for the Pups, but have it delivered in a cool way so we broke it up into three different projects — 3, 6, and coming soon, 9. Hope y’all enjoy.” – Kenny
Previously, Kenny released his mixtape, RUFFS, in September 2022 (listen here) which included the tracks from his EP PUP PACK and new songs such as, SPIN N FLIP, feat. Young Nudy and MINUTE FOREVER. Most recently, Kenny Mason has been working on new music and continuing to cultivate his elevation. Kenny’s music comes on the heels of his buzzing single, Stick, a Dreamville collaboration with J. Cole, JID and Sheck Wes from the D-Day: A Gangsta Grillz Mixtape. The Stick visual, which has over 5.7 million views, featured Kenny alongside the other artists on the track. Kenny has been on the festival circuit with sets at Rolling Loud, Wireless Festival, Bonnaroo and more, in addition to making surprise appearances at 2022 Coachella on JID’s set and 2022 Governor’s Ball on J. Cole’s set.
Kenny first broke out in the rap space in 2019 with his buzzing single, HIT, which catapulted him from Atlanta's underground DIY scene to the national spotlight. As Kenny continued to release more music, he became increasingly known for his versatility and unique sound. His bars and genre-bending abilities that incorporates elements of 90's punk, grunge, hip-hop and more, sets him apart from the rest. Kenny Mason has received critical acclaim from press, being included on The FADER, Entertainment Weekly and more in addition to features with Rolling Stone, XXL, VMAN and FLAUNT. His 2019 single, G.O.A.T., was also featured in season one of HBO's hit show, Euphoria. Kenny released his debut album Angelic Hoodrat in 2020, followed by the alternative version, Angelic Hoodrat: Supercut, in 2021. The latter expanded upon the themes he set forth on the original debut album, showcasing his sweeping vocal range and well-earned reputation for stretching beyond the confines of rap. The new project continues the theme of duality inherent within its title, Angelic Hoodrat, representing the concepts of light within darkness, beauty within ugliness, and hope within despair.
Stay tuned for more from Kenny Mason coming soon.
6 EP TRACKLIST:
1. DARKSIDE
2. RICH
3. I GOT
4. DRACULA
5. SIDE II SIDE
6. STACK IT UP feat. Project Pat
BUY AND STREAM KARMA HERE
FOLLOWING RECENT SINGLE fund$
TORONTO, ON – June 5, 2023 – GRAMMY-nominated, Nigerian dance-pop vocalist, Kah-Lo, has released her new single, Karma, on Epic Records. Listen here.
Following on the heels of her fierce single, fund$, Kah-Lo continues to dazzle with her unabashed lyricism and playful bravado with, Karma. Flaunting her genre-blending tendencies, Kah-Lo’s unique palate of pop, R&B, and house music combine on Karma, with her sultry vocals shining amidst slinky basslines and snappy percussion. Enveloped with Kah-Lo’s bewitching personality, Karma is masterfully dichotic as it captures Kah-Lo’s inspiring self-confidence while simultaneously exposing her deep vulnerabilities. With Karma, Kah-Lo looks inward to unravel her own “toxic feminine energy,” learning to accept and overcome her flaws.
Regarding the single, Kah-Lo said, “Karma is a song I wrote when I was trying to channel my negative emotions into fun pop songs. I uncovered in therapy that perhaps I was the toxic one in a romantic situation and I decided to make a campy dramatic time accepting that I got what I deserved - to be walked out on.”
Kah-Lo first emerged on the scene in 2016 appearing on Riton’s, Rinse & Repeat, which earned them a GRAMMY nomination for Best Dance Recording. In 2017, Kah-Lo dropped her debut solo single, Fasta, following up with Fake I.D. in 2018, which became the lead song for the U.S. arrival of TikTok. Her fierce persona as a solo artist continued to shine through with her debut The Arrival EP, which saw its lead single, Commandments, included on the FIFA 2022 Soundtrack. In 2022, Kah-Lo released her hit single, Drag Me Out, which was featured in Oscar de la Renta’s Spring 2022 campaign and has amassed more than 6 million streams on Spotify alone.
A combination of frisky, party-starting lyricism and refreshing blend of house and pop music, Kah-Lo’s spirited originals have been placed in shows like ZIWE, Gossip Girl, Run The World, Harlem, NCIS Los Angeles, Everything’s Trash, and more. Her rhythmic vocals and consistent track record have also earned her features alongside Idris Elba (Baille), Diplo (Give Dem), The Knocks (Awa Ni), and Michaël Brun (Melanin).
Having garnered a reputation as one of dance music’s most accomplished vocalists, Karma is the next chapter in Kah-Lo’s new era. Kah-Lo invites fans to indulge in the pain and pleasure that has rocked her career and stream, Karma, out now.
Kah-Lo Upcoming Tour Dates:
December 10-16 - Your Paradise Festival - Mamanuca Islands, Fiji
DOWNLOAD - Single Art
LISTEN HERE
NEW STUDIO ALBUM PEACE…LIKE A RIVER
OUT JUNE 16 ON FANTASY RECORDS
PRE-ORDER THE ALBUM HERE
SUMMER HEADLINING TOUR LAUNCHES JUNE 9
DARK SIDE OF THE MULE TOUR DATES KICK OFF
JULY 22 WITH TICKETS HERE
"Warren Haynes is a meaty and masterful player, as well as a soulful singer and songwriter – an all-star."
– Rolling Stone
“Gov’t Mule is an essential, iconic American band.”
– Guitar World
“[Warren Haynes is] one of the most celebrated, legendary guitar pros.”
– Billboard
"[Gov't Mule's] songs stomp and wail with unmistakable energy and heft."
– NPR
“Brilliant and never predictable…an effortless combination of blues, soul and classic roots-rock…innovative and commanding.”
– American Songwriter
“One of the greatest live bands in existence.”
– Music Connection
“Haynes and the band deliver a world-class musical experience.”
– Goldmine
TORONTO, ON – June 2, 2023 – As they prepare for the release of their 12th studio album, Peace…Like A River, this month, renowned GRAMMY-nominated band, Gov’t Mule, led by guitar legend, vocalist, songwriter, and producer Warren Haynes, has issued one final tease with their new single, Made My Peace. Listen here and watch the visualizer here. When writing the new song, Haynes – who recently performed at Willie Nelson’s 90th birthday extravaganza and CMT Music Awards’ Lynyrd Skynyrd tribute and is a featured player on Dolly Parton’s forthcoming Rockstar album alongside Steven Tyler – drew on another rock-solid artist for inspiration: The Beatles. Haynes sought to double-track his vocals the way John Lennon often did on Beatles and solo recordings and included a harmony slide guitar in the song’s middle that was informed by George Harrison. Made My Peace also features a sweeping orchestral backdrop from The Kerhonkson Philharmonic. Watch a behind the song video for Made My Peace here.
Peace…Like A River, the follow-up to Gov’t Mule’s chart-topping, GRAMMY-nominated blues album, Heavy Load Blues, is a 12-song rock journey from the revered band that also includes guest appearances from Billy F Gibbons, Billy Bob Thornton, and Celisse, in addition to Ivan Neville and Ruthie Foster, the featured vocalists on the album’s lead single, Dreaming Out Loud. Pre-order and pre-save Peace…Like A River on DSPs here. Each digital pre-save includes an instant download of Made My Peace along with the previously released singles, Same As It Ever Was and Dreaming Out Loud. In addition to various vinyl options, Peace…Like A River will also be available in a Deluxe Edition (on CD only) including the special five-track, Time Of The Signs Bonus EP, in addition to the original 12 tracks.
“Made My Peace is one of the first songs we recorded for this new album,” shares Haynes. “It deals with a lot of different aspects of what we’ve all gone through. It touches on the emotions I was having to get past with the loss of my dad, who was an extremely important figure in my life. There are several songs that reflect on loss, but more in a way of making the future count. Taking the rest of your life and looking at it with a fresher, more aggressively positive attitude.”
Stirring lead single, Dreaming Out Loud, featuring Ivan Neville and Ruthie Foster, is currently impacting Triple A radio nationwide. For the song’s lyrics, Haynes wove together inspirational quotes from Dr. Martin Luther King Jr., Robert and John Kennedy, and the late civil rights leader and U.S. Representative, John Lewis. Peace…Like A River opens with the soaring and heartfelt track, Same As It Ever Was.
Peace…Like A River was recorded during the same sessions as Heavy Load Blues at The Power Station New England with co-producer, John Paterno (Elvis Costello, Bonnie Raitt, Los Lobos), alongside Haynes. The albums, however, were created in different rooms, with no shared gear or instruments, keeping the two concurrent projects with their own unique identity and character. Thematically, the forthcoming collection explores the seismic changes the world has gone through over the past few years. Influenced both in his songwriting and playing by what Haynes calls “the golden era of rock, soul, jazz and blues,” Gov’t Mule combines the best and most enduring qualities from all those musical strains to create a timeless piece of art on Peace…Like A River that could have easily come out in the 1970s. Watch the album trailer here.
Gov’t Mule will be out on the road all year in support of Peace…Like A River, bringing their acclaimed live show across the U.S. The band recently wrapped a headlining spring tour that took over the famed Ryman Auditorium for a sold-out evening featuring a variety of special guests including Peter Frampton, Jamey Johnson, and Audley Freed. Ahead of the tour’s two-night finale in his hometown of Asheville, NC, Haynes made a special stop at his elementary school alma mater, Claxton School, where he was joined by his grand-nephew’s music class to perform for the students and teachers and donated a gift to the entire student body. Up next, Gov’t Mule will launch a June headlining tour on June 9, taking the band to the West Coast and Midwest for a mix of headlining shows and dates with The Avett Brothers before launching their Dark Side of the Mule Tour on July 22. The 18-date summer amphitheater outing will feature a full Gov’t Mule set leading into their extremely rare Pink Floyd tribute Dark Side of the Mule, in addition to special guest Jason Bonham’s Led Zeppelin Evening opening and will mark the final time Mule will perform the acclaimed set, which first debuted in 2008 and has only been performed live 10 times in total. Additionally, Gov’t Mule will appear at select dates on Willie Nelson’s Outlaw Music Festival Tour as well as various festival appearances this summer and fall. The band’s New Year’s Run from last year has also been rescheduled for December 29 in Philadelphia and December 30 and 31 in New York City. See below for full list of upcoming tour dates and visit mule.net for ticketing details and to purchase.
GOV’T MULE TOUR DATES:
June 9 – Jacksonville, OR @ Britt Pavilion
June 10 – Saratoga, CA @ The Mountain Winery
June 11 – Valley Center, CA @ Harrah’s Resort Southern California
June 13 – Salt Lake City, UT @ Red Butte Garden Amphitheater
June 15 – Kansas City, MO @ Grinders KC
June 16 – Camdenton, MO @ Ozarks Amphitheater +
June 17 – Rogers, AR @ Walmart AMP +
June 18 – Wichita, KS @ TempleLive
June 20 – Peoria, IL @ Peoria Civic Center Theater +
June 22 – Cedar Rapids, IA @ Alliant Energy Power House +
June 23 – Mankato, MN @ Vetter Stone Amphitheater
June 24 – Fargo, ND @ Outdoors at Fargo Brewing Company
July 22 – Atlantic City, NJ @ Hard Rock Live at Etess Arena *
July 23 – Patchogue, NY @ Great South Bay Music Festival ~*
July 25 – Pittsburgh, PA @ Stage AE *#
July 26 – Columbus, OH @ KEMBA Live! *#
July 28 – Saratoga Springs, NY @ Saratoga Performing Arts Center *#
July 29 – Bethel, NY @ Bethel Woods Center for the Arts %
July 30 – Darien Center, NY @ Darien Lake Amphitheater %
August 2 – Clarkston, MI @ Pine Knob Music Theatre *
August 3 – Noblesville, IN @ Ruoff Music Center *
August 4 – Tinley Park, IL @ Hollywood Casino Amphitheatre *
August 5 – Council Bluffs, IA @ Stir Concert Cove – Harrah’s Council Bluffs *
August 7 – Morrison, CO @ Red Rocks Amphitheatre *
August 9 – Dallas, TX @ Dos Equis Pavilion *
August 11 – Charlotte, NC @ PNC Music Pavilion *
August 12 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park *
August 13 – Cincinnati, OH @ PNC Pavilion at Riverbend Music Center %
August 15 – Bridgeport, CT @ Hartford HealthCare Amphitheater *
August 17 – Gilford, NH @ Bank of New Hampshire Pavilion *
August 18 – Boston, MA @ Leader Bank Pavilion *
August 19 – Holmdel, NJ @ PNC Bank Arts Center *
August 20 – Vienna, VA @ Wolf Trap *
September 16 – Fredericton, Canada @ Harvest Music Festival ~
October 6 – West Palm Beach, FL @ iTHINK Financial Amphitheatre %
October 7 – Tampa, FL @ MidFlorida Credit Union Amphitheatre %
October 8 – Orange Beach, AL @ The Amphitheater at The Wharf %
October 15 – Columbus, GA @ RushSouth Fest ~
December 29 – Philadelphia, PA @ The Met
December 30 – New York, NY @ Beacon Theatre
December 31 – New York, NY @ Beacon Theatre
~ festival appearance
+ with The Avett Brothers
% Outlaw Music Festival dates
* Dark Side of the Mule dates
# Gov’t Mule only/No Jason Bonham’s Led Zeppelin Evening
ARRIVES TO KICK OFF PRIDE MONTH!
TORONTO, ON – June 2, 2023 – Kickstarting another era, Florida-born quadruple-threat, singer, songwriter, dancer, and actor, MK xyz returns with a brand new single and music video entitled, No Boys Allowed, today via Epic Records and RZ3 Recordings. Listen here and watch the music video here.
With its empowering message, the track serves as the perfect soundtrack to PRIDE Month. As a member of the LGBTQIA+ community, they unwaveringly emphasize inclusivity. GLAAD just tapped MK for its ICONS interview series alongside Isaac Dunbar, and INIKO. During the chat, they opened about their story and spoke on what the community means to them. Additionally, Amazon Music just spotlighted MK on its Times Square NYC billboard in support of the Asian American Girls Club Playlist during AAPI Heritage month. Plus, No Boys Allowed and MK xyz will appear in an upcoming VICE News documentary, VICE Special Report: Out Loud, about groundbreaking queer artists set to premiere on VICE’s TV channel and YouTube June 15.
Produced by the GRAMMY Award-winning powerhouse producer, Theron Thomas (Grammy win for Lizzo About Damn Time and nomination for Latto’s Big Energy), Sam Sumser, and Sean Small, No Boys Allowed layers airy guitar above hypnotic drums. MK xyz oozes nothing but attitude on the verses before they carry the chantable chorus with an invitation and a declaration, “Come and slide with me baby, no boys allowed.” They alternate rapid flows with magnetic melodies, showcasing the dynamics of their signature style yet again.
Directed by Madeline Kate Kann, the accompanying visual shocks the song to life on-screen. Our star introduces a slick look as MK and her girl-gang take over a power plant with on-point choreography and a whole lot of fierceness.
No Boys Allowed comes on the heels of MK’s previous single, Baddie, which picked up acclaim from Soul Bounce, while RAP-UP praised, “MK xyz is quickly making a name for herself.” MK originally burst onto the scene with breakout singles including, Pass It, ft G-Eazy and One Time which garnered over 10 million streams combined.
MK captivated audiences everywhere as fan favourite Tess on the massive NETFLIX teen vampire series, First Kill. Their presence instantly shined on screen and the show quickly launched into the Top 10.
Stay tuned for more from MK xyz coming soon!
DOWNLOAD - single artwork
LISTEN HERE AND WATCH HERE
DEBUT ALBUM EVERYBODY'S FAMOUS
OUT JUNE 16 VIA THE CONFIDENCE EMPERORS
Toronto, ON – June 2, 2023 – Today, Toronto artist, Alex Exists, shares his latest single, Believe The Hype, the third release from his forthcoming debut album, Everybody’s Famous, out June 16 via The Confidence Emperors. A defiant, rebellious, and empowering earworm, Believe The Hype serves as a reminder for listeners not to believe everything you see or hear, and to cultivate a healthy sense of skepticism and independent thought, through the use of catchy riffs, melodies, and vocals from Alex, as well as fellow Toronto artists, Sam Casey and AARYS. Listen here and watch the video, directed by Agata Waclawska and produced by Moon Reel Media, here. Pre-order Everybody's Famous here.
Alex says of Believe The Hype: “[This is] a cautionary tale about the dangers of blindly accepting popular beliefs and trends without questioning their validity. It satirizes the modern day hype machine and surrounding trends as entirely fabricated. It reveals how your beliefs can be subverted into blindly following the crowd, such as developing unhealthy habits, or even falling victim to scams or hoaxes. The song is a defiant anthem about the importance of being skeptical and critical in an age where information and opinions can be easily manipulated and distorted.”
Inspiration for the track first came from a time when Alex fell victim to an identity theft scam. “The experience really shook me,” he says. “It made me solidify the need to express the anger of inauthenticity in general. That, and of the never-ending cavalcade of fear-based nonsense spewed from mainstream news and TV.”
And it’s not just in the music Alex was able to express himself, the anger, and general inauthenticity from his experience. It also comes through in the single artwork which is designed as a newsprint tabloid about Alex Exists which questions whether you can be any artist, or yourself even, with reality, given the world of constant illusion. Further, the video sees Alex harnessing the energy of "Chaotic Good" with his own talk show called "Believe The Hype," where nothing seems to be real and satirizes how ridiculous news and talk shows can be.
The upcoming debut album, Everybody's Famous, is a sonic exploration of expressing optimistic nihilism and radical authenticity as we tread into a brave new world. Alex quips the album resembles "a wrestling match with one’s ego." It represents a story about finding one’s true self amidst the chaos, continuing to create through the chaos while learning how to wield the energy of the changing tides instead of swimming against it - and letting it destroy you. Alex will use art as a weapon for peaceful rebellion inspired by his interactions with the world, channelled through song. Audiences can expect melodic rock tunes ready for both solo listening and the dance floor, filled with ironic humour to highlight social issues, with a satirical dimension. “This will be my first full length album,” Alex says. “So, it’s very much an important moment in my overall growth as an artist.”
This can be heard on the previously released singles, With A Bang and Dancing With Chaos. With A Bang uses dark prose, edgy synths, funky percussion, and resonant chords to drive the irreverent dance song about celebrating the end of something in a flamboyant and over-the-top way. Whereas Dancing With Chaos crawls with riffs, Alex's sharp vocals and deep lyrics and is dedicated to anyone that feels overwhelmed by the state of the media, politics, and the unreal societal expectations they face. All videos were produced by Moon Reel Media, which Alex co-runs and co-founded, and were directed by Agata Waclawska.
Alex’s music is inspired by absurdism, hyper surrealism and optimistic nihilism with an acid tongue firmly planted in his cheek. He is fascinated by pop culture and ego. The signature of Alex’s creative work is his unique sonic touches, drum-heavy rhythms and classic “pop through a blender” melodies. His new project, Alex Exists, launched with a neo-glam pop version of David Essex’s, Rock On, for The Confidence Emperors’ multi-artist album, Coverama, followed by his T. Rex-meets-John Lennon seasonal original, Never Christmas Without You. Alex played all of the instruments on both tracks except the drums.
One final thought on Believe The Hype, Alex shares: “Not a lesson per say, but a reminder to use art to speak truth to power and help empower others. Everyone should do it more often and use art as a therapy for your anger, skepticism and bound up energy.”
Stay tuned for Alex’s debut album coming in just a few short weeks!
LISTEN HERE
KELLY HEADLINES NASHVILLE’S
ASCEND AMPHITHEATER TONIGHT
DATES WITH NOAH KAHAN START JUNE 17 IN ATLANTA INCLUDING SOLD OUT TORONTO DATE ON SEPTEMBER 17
TORONTO, ON – June 2, 2023 – Today, Ruston Kelly unveils a new version of The Weakness, reinterpreted as an atmospheric duet with singer-songwriter, Samia. A chance meeting in Nashville sparked a friendship between the two, and their mutual admiration inspired them to try their hand at collaborating on a new version of Kelly’s The Weakness, which is the title track of his acclaimed, recently released third studio album. Listen to the duo’s new version of The Weakness here.
“Samia brings that special infinity vibe,” said Kelly. “It’s like this familiar yet incredibly unique energy in everything I’ve heard her do. After hearing her sing, I became an instant fan. There wasn’t anyone other than her that I wanted to help me deconstruct ‘The Weakness’ and mold it into something new – something more haunting, and with a whole other emotional perspective. When we were in the studio, I found myself copying her interpretation of my phrasing, which added this cool synergy to us singing the song together.”
Writing in Rolling Stone, Jon Freeman noted, “The Weakness is much more of a massive indie-rock anthem in the vein of Band of Horses than the quieter acoustic work on Kelly’s last album [Shape & Destory], building from a steady drumbeat into towering walls of electric guitar and cascading countermelodies, both sad and hopeful.” The New York Times’ Melena Ryzik proclaimed The Weakness Kelly’s “most assured and expansive” work, and as Spin’s Daniel Kohn observed, “On The Weakness, he takes the pain, lessons, and wisdom he’s gleaned and channels his struggles into a hopeful body of work. For a recovering addict with a broken heart, that was no small feat.” Watch Kelly’s “majestic” (Stereogum) performance of The Weakness on Late Night with Seth Meyers here.
Tonight, Kelly wraps up the first run of headline dates on The Weakness Tour with a special hometown show at Nashville’s Ascend Amphitheater. Later this month, he will join Noah Kahan for the first of a series of that will include stops in Atlanta, Charleston, New York City, Syracuse, Columbus, St. Louis, Indianapolis, Toronto, and others. A full list of confirmed shows is below.
RUSTON KELLY – THE WEAKNESS
June 2 - Nashville, TN - Ascend Amphitheater (w/Jenny Lewis, Tommy Prine)
RUSTON KELLY ON TOUR WITH NOAH KAHAN
June 17 – Cadence Bank Amphitheatre at Chastain Park, Atlanta, GA – SOLD OUT
June 18 – Firefly Distillery, Charleston, SC – SOLD OUT
August 31 – Radio City Music Hall, New York, NY – SOLD OUT
September 1 – St. Joseph’s Health Amphitheater at Lakeview, Syracuse, NY
September 2 – Saratoga Performing Arts Center, Saratoga Springs, NY
September 5 – Hartford HealthCare Amphitheater, Bridgeport, CT – SOLD OUT
September 7 – Bank of New Hampshire Pavilion, Gilford, NH – SOLD OUT
September 9 – Xfinity Center, Mansfield, MA – SOLD OUT
September 12 – KEMBA Live!, Columbus, OH - SOLD OUT
September 13 – St. Louis Music Park – Maryland Heights, MO – SOLD OUT
September 15 – TCU Amphitheater at White River State Park, Indianapolis, IN – SOLD OUT
September 16 – Michigan Lottery Amphitheatre at Freedom Hill, Sterling Heights, MI – SOLD OUT
September 17 – Budweiser Stage, Toronto, ON – SOLD OUT
DOWNLOAD - single artwork
DOWNLOAD – press photo | DOWNLOAD – album cover artwork
DOWNLOAD - biography
LISTEN HERE AND WATCH HERE
LATEST EP 3 OUT NOW - LISTEN HERE
"Atlanta's soon-to-be star." – NPR
“Vince Staples-esque detachment, acrobatic triplets in the vein of Lil Baby, and a dutch-angle chirp akin to recent Playboi Carti.” – Entertainment Weekly
"The phrase “genre-bending” [has] never been used more appropriately than to describe the music of 25-year-old rapper Kenny Mason." – COMPLEX
TORONTO, ON – May 31, 2023 – Breakout Atlanta rapper, Kenny Mason, drops his new single and video, DRACULA, via RCA Records, today. Listen here and watch the music video here. This release follows his EP, 3, and video for 100 or Nun featuring Tony Shhnow – watch here. Previously, Kenny released his mixtape, RUFFS, in September 2022 which included the tracks from his EP, PUP PACK, and new songs, such as SPIN N FLIP feat. Young Nudy, and MINUTE FOREVER. Watch DRACULA here.
Kenny first broke out in the rap space in 2019 with his buzzing single, Hit, which catapulted him from Atlanta's underground DIY scene to the national spotlight. As Kenny continued to release more music, he became increasingly known for his versatility and unique sound. His bars and genre-bending abilities that incorporates elements of 90's punk, grunge, hip-hop and more, sets him apart from the rest. Kenny Mason has received critical acclaim from press, being included on The FADER, Entertainment Weekly and more in addition to features with Rolling Stone, XXL, VMAN and FLAUNT. His 2019 single, G.O.A.T., was also featured in season one of HBO's hit show, Euphoria. Kenny released his debut album, Angelic Hoodrat, in 2020, followed by the alternative version Angelic Hoodrat: Supercut in 2021. The latter expanded upon the themes he set forth on the original debut album, showcasing his sweeping vocal range and well-earned reputation for stretching beyond the confines of rap. The new project continues the theme of duality inherent within its title, Angelic Hoodrat representing the concepts of light within darkness, beauty within ugliness, and hope within despair.
Most recently, Kenny Mason has been working on new music and continuing to cultivate his elevation. Kenny’s latest music comes on the heels of his buzzing single, Stick, a Dreamville collaboration with J. Cole, JID and Sheck Wes from the D-Day: A Gangsta Grillz Mixtape. The Stick visual, which has over 5.7 million views, featured Kenny alongside the other artists on the track. This past year Kenny has been on the festival circuit with sets at Rolling Loud, Wireless Festival, Bonnaroo and more, in addition to making surprise appearances at Coachella on JID’s set and Governor’s Ball on J. Cole’s set.
DOWNLOAD – Press Photo by @youneedgenie | DOWNLOAD - Single Artwork
LISTEN TO NEW SINGLE ONCE HELD MY HEART TODAY
TORONTO, ON – May 26, 2023 – Following the release of her beautifully melancholic lead single, Lonely As I Can Be, Sleepy Jean returns today with Once Held My Heart, the next offering from her forthcoming debut full-length, Shoot Me In A Dream. Set for release on July 21, the album pays homage to the music of the ‘60s, sequenced to feel like the soundtrack to a Tarantino-esque Bond film, while maintaining a fresh and modern feel. Listen to Once Held My Heart today for a taste.
"Written primarily in the passenger seat of a car headed north from New Orleans, Once Held My Heart was my way of grappling with the impending feeling that the relationship I found myself in would die upon crossing the Canadian border," Sleepy Jean reflects.
Recorded over the course of a year with engineer/producer, Dajaun Martineau (Kathleen Edwards, Lydia Ainsworth, Rob Moir), Shoot Me in a Dream pays homage to icons like Les Paul, Nancy Sinatra & Dusty Springfield, and is equally inspired by the alt-country, surf rock and pop standards of the 1960’s. Featuring horn performances from Bryden Baird (Bahamas, Feist) and additional mixes from Kenneth Roy Meehan (Daniel Romano, Kacy & Clayton, Julianna Riolino), the 11 song effort stretches across space, time and genre to nod at the bygone eras that inspired its creation.
“As we were piecing the album together, I started to realize how much I had drawn from my father’s family story lyrically,” Sleepy Jean reflects. “My dad was born in Uganda to Parsi parents (ethnically Persian people of Zoroastrian faith who fled what is now known as Iran in the 7th, landing in India) in the mid-60s. When Idi Amin came into power in the early 70s, my bupawaiji (grandfather) was placed on a hit list as he was smuggling political enemies out of the country, and was part owner in the first major bus company operating in Kampala – Uganda’s capital. My father’s family fled to India and were never able to return to Uganda.”
This deeply personal storytelling shines on Shoot Me In A Dream, with Sleepy Jean weaving familial stories throughout her songwriting. How Soon is loosely about the idea of hiding in plain sight, while No Tomorrow speaks to Sleepy Jean’s bapaiji’s (grandmother’s) pain of leaving her home country and never being able to visit the grave of her daughter ever again. Lead single, Lonely As I Can Be, is told from her bupawaiji’s viewpoint, as he sent the family away ahead of himself, and stayed behind trying to take out as much money as he could; and Six Feet Deep (with love) pulls tidbits from the time Sleepy Jean’s then 7-year-old father watched Amin’s soldiers shoot someone while on a family picnic.
It’s the sound of a song you half remember. A shiver of remembrance, tingling along your spine. A glimpse of a now-scratched record. You pause, reaching into the dark recess of memory, returning with the sensation you’ve forgotten what you once knew... until you realize: there was no recollection to be found.
Sleepy Jean’s spaghetti western-infused Americana reimagines the sounds of yesteryear in a blend all her own. Hailing from Welland, ON, Sleepy Jean – the moniker/alter-ego of singer-songwriter Katey Gatta – independently released her debut EP, Idle Hands, amassing over 100,000 cumulative streams. Now armed with her backing band, the Deadstock Three (featuring members of TALK, Cat Clyde’s Shitbats, and alumni of Great Lake Swimmers, Jill Barber and Deep Dark Woods), Sleepy Jean eagerly awaits the release of her debut full-length. Stay tuned for more to come from Shoot Me In A Dream.
SHOOT ME IN A DREAM TRACKLIST:
1. How Soon?
2. Six Feet Deep (with love)
3. Left Handed Delights
4. Once Held My Heart
5. Lonely As I Can Be
6. No Tomorrow
7. Like a Lover
8. Human of the Race
9. Sweet Tooth
10. That's Ok, That's Alright
11. Mean Ol' Moon
DOWNLOAD – Shoot Me In A Dream album artwork | DOWNLOAD – hi-res photo
DOWNLOAD – Once Held My Heart single artwork
LISTEN HERE
WATCH VISUALIZER FOR ALBUM HIGHLIGHT
BYE BYE BLACKBIRD
ON TOUR THROUGH SPRING AND SUMMER
INCLUDING CANADIAN DATES WITH THE OSTARA PROJECT
TORONTO, ON – May 26, 2023 – Today, critically-acclaimed, award-winning vocalist/pianist, Laila Biali, unveils her gorgeous new collection of Great American Songbook interpolations – Your Requests. A love letter to her listeners, the album sees Biali shift back to the classic jazz repertoire for the first time in more than 10 years, crafting dynamic and personal arrangements in response to song requests submitted by her fans. Listen to Your Requests here, including album highlight, Bye Bye Blackbird, out now!
Widely recognized for her original material, this return to classic jazz standards was prompted by Biali’s delight in fulfilling the song requests of her fans, and marks her first album release that exclusively features covers. When she put out the call on social media asking her followers what tunes they'd like to hear her perform and record, more than 150 songs were submitted.
“When the song requests came in for this album, there were a few tunes I had actually arranged decades earlier,” reflects Biali. “I created the arrangement for Bye Bye Blackbird almost 20 years ago, when I was fresh out of jazz school. It was tucked away in a binder until a follower online requested it for this project. So, we dusted it off, polished it up and decided to make it the lead track for Your Requests. It's a fantastic feature for the great drummer, Larnell Lewis, and saxophonist, Kelly Jefferson.
This album was an opportunity to revisit past arrangements like that, bring them into the present, and capture them on recording. I found it quite rewarding to revisit those versions and to be reminded of the excitement I felt when taking on familiar repertoire. These are well-known songs to most jazz fans, and my goal was to honour the original versions while offering a fresh and fun perspective on the old classics. I hope folks enjoy listening as much as we enjoyed re-imagining them!”
Your Requests also marks Biali’s first time recording duets for a full-length album, and features a number of world-class guest vocalists, including Kurt Elling (2x GRAMMY winner), Emilie-Claire Barlow (2x JUNO winner), and Caity Gyorgy (JUNO winner). The record is rounded out musically by clarinet virtuoso, Anat Cohen (GRAMMY winner); GRAMMY nominees, Grégoire Maret and Sam Yahel; plus tenor saxophonist, Kelly Jefferson; bassist, George Koller; drummers, Larnell Lewis and Ben Wittman; and more.
Dive in to Your Requests, and find your new old favourite with Laila Biali!
YOUR REQUESTS TRACKLIST:
1. Bye Bye Blackbird
2. Blame It On My Youth
3. But Not For Me
4. My Funny Valentine
5. My Favorite Things
6. Corcovado (Quiet Nights of Quiet Stars)
7. Pennies from Heaven
8. Autumn Leaves
9. The Nearness of You
10. All the Things You Are
UPCOMING PERFORMANCES:
May 26 – Cologne, DE – Salon de Jazz
May 27 – Stuttgart, DE – BIX Jazzclub
May 28 – Berlin, DE – Jazz Club A-Trane
May 29 – Bad Meinberg, DE – Red Horn District
May 31 – Paris, FR – Sunset Sunside
June 1 – London, UK – Ronnie Scott’s
June 17 – Woodstock, GA – Elm Street Arts Village
June 22 – Winnipeg, MB – Winnipeg Jazz Festival *
June 23 – Medicine Hat, AB – Medicine Hat Jazz Festival *
June 24 – Victoria, BC – Victoria Jazz Festival *
June 25 – Vancouver, BC – Vancouver Jazz Festival *
June 27 – Ottawa, ON – Ottawa Jazz Festival *
June 28 – Toronto, ON – Toronto Jazz Festival *
June 30 – Saskatoon, SK – Saskatoon Jazz Festival *
July 1 – Edmonton, AB – Edmonton Jazz Festival *
July 7 – Montreal, QC – Montreal Jazz Festival *
July 15 – Niagara, ON - Niagara Jazz Festival *
July 22 – Minneapolis, MN - Crooners Supper Club
August 6 – Campbellford, ON – Westben w/Brian Barlow Big Band
August 11 – Stratford, ON – Revival House
September 2 – Toronto, ON - TU Jazz Fest
September 16 – Fredericton, NB – The Playhouse, Harvest Music Festival
October 13 – Banff, AB – Maclab, The Banff Centre
October 20 – Quebec City, QC - Palais Montcalm
*with The Ostara Project
DOWNLOAD – album cover art | DOWNLOAD – hi-res photo
ABOUT LAILA BIALI
Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host, Laila Biali, has headlined festivals and venues spanning five continents from New York City's Carnegie Hall to Beijing's National Centre for the Performing Arts, and supported international icon Sting. Her latest full album release, Out of Dust, received rave reviews and was nominated for a 2021 JUNO Award. In 2020, Laila was honoured by SOCAN Music with the Hagood Hardy Award for Excellence in Songwriting. In 2019, Laila’s eponymous release won her a JUNO Award for Vocal Jazz Album of the Year. The year prior, she was awarded top prize at the Canadian Songwriting Competition in the Jazz category. Laila was also the youngest-ever double winner at Canada’s National Jazz Awards when she was named SOCAN Composer of the Year and Keyboardist of the Year. She received her first JUNO nomination for Tracing Light (2011), and a spot on DownBeat Magazine's Best Albums of the Year for both Live in Concert (2013) and Out of Dust (2020). In September of 2017, Laila was brought on as the host for CBC Music's national radio show, Saturday Night Jazz, a weekly show broadcast to millions of listeners across Canada. While Laila continues to earn high honours in the jazz world, her signature sound transcends genre as she "masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy" (Washington Post). Her forthcoming 2023 release – Your Requests, Vol. 1 – showcases personal arrangements of jazz classics requested by her followers and features guest vocalists Kurt Elling, Emilie-Claire Barlow, and Caity Gyorgy plus instrumentalists Anat Cohen, Grégoire Maret, tenor saxophonist Kelly Jefferson, bassist George Koller, and drummers Larnell Lewis and Ben Wittman.
SOPHOMORE ALBUM BLAME MY EX SET FOR
RELEASE ON SEPTEMBER 15
PRE-ORDER HERE
HEADLINING TOUR THIS FALL WITH STOPS
ACROSS CANADA
TORONTO, ON – May 26, 2023 – Last month, The Beaches teased their forthcoming new album, Blame My Ex (set for release on September 15 and available to pre-order here), by dropping the melodic ode-to-an-empty-feeling, Everything Is Boring. Now, the band returns with a new version of the lead single, freshly remixed by acclaimed alt-pop quartet, The Aces. Listen to Everything Is Boring (The Aces Remix) here.
With their new album, Blame My Ex - their first independent album - The Beaches crack their upbeat, brazen shell to reveal a more vulnerable inside. Eliza Enman-McDaniel (drums), Leandra Earl (keys/guitar), and sisters, Jordan and Kylie Miller (lead vocals/bass and guitar respectively) are letting a real-life heartache lead the way. When the heart splits open, it unleashes all kinds of love; from platonic to queer and everything in between. The Beaches uncover it all on this album, while managing to keep it “equal parts silly party beaches, and heartbroken emotional girls,” says guitarist, Kylie Miller. The band paired with executive producer, Lowell (Madison Beer, Nessa Barrett), JUNO-nominated producer, Gus Van Go (Arkells, Sam Roberts), and producer, Sam Willows (Ruby Waters), to maintain their electric spirit. They’ve been dead-set on focusing on songwriting and melody to channel their live energy into this album for a more authentic sound. Listen to the original Everything Is Boring here, and the infectious (and currently having a viral moment on TikTok!) previously released single, Blame Brett, here.
Known for their rousing live performances that invite their audience into their realm of intoxicating energy backed by an undeniable connection, The Beaches have opened for Avril Lavigne, The Rolling Stones, Foo Fighters, Alanis Morissette, The Aces, Passion Pit, and the Eagles of Death Metal, as well as being guest performers at the She Rocks Awards in Los Angeles in April 2023. There is no denying their lure on the stage and in everyone's playlists, including the great Elton John, who declared, "love them, love them, love them!" They've sold out two hometown Toronto shows at History and received acclaim in Prelude Press, KUTX, Indie88, Exclaim, Under The Radar, CBC, Luna Collective, Raydar Mag, and Pop Sugar. The proof is in the plays with six #1 singles on Canadian Alt Radio, and their 2022 single Grow Up Tomorrow at #1 on Alternative & Rock radio in Canada for seven weeks. The band will be hitting the road this fall on their 2023 headlining tour, which kicks off on October 8 after they wrap the summer festival circuit. See below for full tour details and get tickets here.
UPCOMING TOUR DATES:
May 26-28 – Allston, MA @ Boston Calling Festival
June 9 – Simcoe, ON @ Norfolk County Fair
June 23 – St. John’s, NL @ Iceberg Alley Performance Tent
July 6 – Saskatoon, SK @ SaskJazz 2023
July 8 – Milwaukee, WI @ Summerfest
July 8-9 – Kirtland, OH @ Wonderstruck (Cleveland)
July 14 – Buffalo, NY @ Cobblestone Live Music & Arts Festival
July 15 – Ottawa, ON @ Hope Volleyball Summerfest
August 3 – Chicago, IL @ Lollapalooza
August 5 – Saint John, NB @ Area 506 Festival
September 8-9 – Sarnia, ON @ Sarnia Block Party
October 8 – Milwaukee, WI @ The Cooperage
October 11 – Nashville, TN @ The East Room
October 12 – Atlanta, GA @ Aisle 5
October 13 – Charleston, SC @ The Charleston Pour House
October 15 – Washington, DC @ Pearl Street Warehouse
October 16 – Philadelphia, PA @ Kung Fu Necktie
October 17 – New York, NY @ Mercury Lounge
October 18 – Boston, MA @ Crystal Ballroom
October 20 – Halifax, NS @ Light House Arts Centre October
October 21 – Moncton, NB @ Tide and Boar
October 26 – Kitchener, ON @ Centre in The Square
October 27 – Hamilton, ON @ FirstOntario Concert Hall
October 28 – Montreal, QC @ M Telus
October 30 – Kingston, ON @ Ale House
November 1 – Toronto, ON @ Massey Hall
November 2 – Toronto, ON @ Massey Hall
November 5 – Winnipeg, MB @ Burton Cummings Theatre
November 8 – Edmonton, AB @ Midway Music Hall
November 9 – Calgary, AB @ MacEwan Hall
November 10 – Kelowna, BC @ Kelowna Community Theatre
November 12 – Vancouver, BC @ Orpheum
November 13 – Victoria, BC @ Royal Theatre
DOWNLOAD - Everything Is Boring (The Aces Remix) single artwork
DOWNLOAD – hi-res photo
DOWNLOAD – Blame My Ex album artwork
ABOUT THE BEACHES:
Named after the neighborhood they lived in, The Beaches is composed of lead vocalist/bassist, Jordan Miller, guitarist, Kylie Miller, keyboardist/guitarist, Leandra Earl, and drummer, Eliza Enman-McDaniel. As self-proclaimed lifers, The Beaches forfeited a typical university experience to pursue their careers in music - a topic that is often addressed in their lyrics.
Taking inspiration from artists like Muna, Dayglow, Coin, Olivia Rodrigo, Girl in Red, Wet Leg, Wolf Alice, and The Strokes, The Beaches believe their upcoming releases will be a new direction for them: “We’re not abandoning our rock ‘n ’roll roots, but for this next chapter of our career we wanted to take ourselves less seriously, have fun, and be less precious with the musical ideas we pursue.”
After releasing their self-titled EP in 2013, the group landed a major label deal with Island Records in 2016. Under Island Records they released their debut album, Late Show – which was described by Elton John as “The best rock album of last year” – as well as their next two EP’s, The Professional (2019) and Future Lovers (2021), which were later combined for a full-length release called Sisters Not Twins (The Professional Lovers Albums) in 2022.
The Beaches have garnered over 52 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with five #1 singles on Canadian Alternative Radio. They have been recognized with two JUNO Awards for Rock Album of the Year (2022) and Breakthrough Group of the Year (2018).
PERFORMANCES BY LABEL ROSTER ARTISTS
RUSSELL LOUDER, ORMISTON, RADIANT BABY,
LE COULEUR AND SUPER PLAGE
FREE ENTRY AND FREE MERCH FOR
CMW PRO PASS HOLDERS
Toronto, ON – May 25, 2023 – Montreal experimental pop record label, Lisbon Lux Records, is thrilled to be celebrating its 10th anniversary this year! The past decade has seen the label help develop and support some of Canada’s finest artists, and on June 7th, they will be taking over Toronto’s Monarch Tavern to commemorate the milestone with a free showcase featuring some of their incredible roster. Attendees will be treated to performances by Russell Louder, Ormiston, Radiant Baby, Le Couleur and Super Plage, with free merch available to CMW Pro pass holders. See here and below for full details.
“Lisbon Lux is 10 years of developing Canadian artists without artistic compromise,” reflects Founder, Julien Manaud. “From our first signings that today enjoy international renown (Le Couleur, Das Mörtal) to our most recent signings of emerging artists (DVTR, Super Plage, Grand Public), we continue to search for good songs and relevant artists that allow us to develop the Lisbon Lux touch. 2023 will be a year of celebration, with several events coming up, and we are very excited that our first event will be in Toronto on June 7th at the Monarch Tavern, with five artists from the label performing!”
Russell Louder (they/them) is a songwriter, producer and performer born and raised in Epekwitk (Prince Edward Island, Canada). Their music is carried by a powerful clear voice reminiscent of Florence and the Machine, Eurythmics and La Roux. You only have to see them in concert once to fall for the luminous and authentic world they've built - both poignant and danceable. In 2021, Russell released their debut album, Humor, on Lisbon Lux to critical acclaim, including being selected for the prestigious Polaris Prize Long List. Their single, Hello Stranger, stayed on CBC Music's Top 20 list for four consecutive weeks following the album's release. Russell currently pays rent in Tiohtià:ke (Montreal, CA) while their heart waits for them on the shores of Epekwitk.
Ormiston is the solo project of Montreal's Nicola Ormiston; singer, songwriter and producer of a sunny and relaxed music. Between indie pop, chillwave and yacht rock, we find influences like Toro Y Moi, MGMT as well as an electro-disco touch. In 2020, he signed with Lisbon Lux and released his debut album, Hammer Down (2021). Cinematic and full of groove, his album explores love stories and failed relationships on optimistic indie-pop. The opus was well received by the public and the song, Time Fades, was also featured in Pete Davidson's latest film, Meet Cute. Ormiston's next album is scheduled for release in the fall of 2023.
Radiant Baby, aka Félix Mongeon, comes from the Montreal music scene. He discovered and learned music composition on his own, all while pursuing his PhD in social science. After a few electronic instrumental sets, he decided to layer his compositions with his own vocals to express his energy on stage and to communicate with the audience. Radiant Baby played several shows on Montreal stages, shortly after which he released his first EP, It’s My Party (2017), followed by LP Restless (2019), both published on Lisbon Lux. His most recent album, Pantomime, draws inspiration from 70s vintage, passing through glam rock, punk, disco, and new wave. The fiery and rough energy of his music cultivates paradoxes, juxtaposing vulnerable, melancholic, and romantic ambience, similar to artists such as Bowie, Blondie, Suicide, Pulp, and Serge Gainsbourg.
Montreal trio, Le Couleur, created by Laurence Giroux-Do, Patrick Gosselin and Steeven Chouinard, first rose to prominence with an electro-pop sound as bright as the lights of the now-defunct Studio 54 with the EPs Voyage Love (2013) and Dolce Désir (2015), followed by the acclaimed P.O.P. (2016) and Concorde (2020). With rich and irresistibly danceable performances, Le Couleur delivers decadent and dynamic shows – full of exhilarating energy. In addition to their four European tours (UK, FR, IT), the trio, which has over 100 dates under its belt, has made notable appearances at SXSW (US), Sound City (UK), Fimpro (MX), etc. Le Couleur is back with a new single, Sentiments nouveaux, a languorous slow disco track flirting with 80s sounds, which brings us to the search of sensations and exaltations. This first single is a preview of a new album to come in the fall of 2023.
Founded at the end of 2019, Super Plage offers a bewitching sound flirting with nu-disco sounds. The artist puts forward the French language and the female artists of his entourage in order to create a bright, playful and colourful universe where it feels good to party. A true creative machine, Super Plage has released three original albums in three years: Super Plage I, Super Plage II (winner of the GAMIQ Electro Album in 2021) and Électro-vacances (nominated at the ADISQ and winner of the GAMIQ Electro Album in 2022), as well as the remix album REMIXTAPE. With his fourth opus, Magie à minuit (Lisbon Lux Records), released earlier this year, the artist once again succeeds in lighting up the nightlife with his subtle and touching house-pop style. A definitely refreshing album and entirely devoted to his ultimate quest: dancing and having fun until the end of the night.
Lisbon Lux Records 10th Anniversary Showcase
Featuring: Russell Louder, Ormiston, Radiant Baby, Le Couleur, Super Plage
Date: Wednesday, June 7, 2023
Venue: The Monarch Tavern (12 Clinton St, Toronto)
Time: 7:30pm (doors), 8:00pm (show)
Free entry
19+
DOWNLOAD – event poster
LISTEN | WATCH
ANNOUNCES NORTH AMERICAN FALL TOUR WITH SCOWL
MONTREAL AND TORONTO DATES IN OCTOBER
DEBUT ALBUM LIFE UNDER THE GUN DUE JUNE 23
VIA LOMA VISTA RECORDINGS
Life Under The Gun will include the previously-released singles, Do It Faster, which arrived with a video directed by Shelton, and Very High, which arrived with a Mason Mercer-directed music video emulating early 2000s teen drama intros. Life Under The Gun is available to pre-order now on limited edition vinyl, CD, and cassette here.
Additionally, Militarie Gun announces their upcoming 32-date fall tour, with Scowl, across North America, which begins on September 8 in Los Angeles and sees both bands, with support from MSPAINT and Big Laugh, crossing the continent before wrapping up in Berkeley on October 21. The band will also play in Montreal on October 3 and Toronto on October 4. In the meantime, Militarie Gun returns to Europe in June to perform at multiple festivals - namely Outbreak, Kliko, Metropolis, 2000 Trees, Rock Werchter and Ieper. In July, Militarie Gun will play at Chicago's The Rumble festival on the 21st and 22nd. See all upcoming live dates below and get more ticket info at militariegun.com.
Life Under The Gun is almost impossible to describe without bouncing between contradictions. Is it abnormally aggressive pop music or is it unusually catchy hardcore? Is it deeply intellectual or is it satisfyingly primal? Is it a vulnerable attempt to unpack lifelong cycles of hurt, or is it a collection of world-beating, absurdist punk anthems? In the end, the answer is obvious: it is all of it. It is Militarie Gun.
Since forming in 2020, the group have been releasing music and touring at a startling rate, and while Life Under The Gun feels like a culmination of this recent hard-earned momentum, the record is inextricably linked to Shelton’s past. “I grew up in a household with family members struggling with addiction,” he explains. “It was an oppressive force. We were always wondering, ‘Is it going to be a good day or a bad day? Are the cops going to come today? What am I going to come home to after school?'” The challenges of his homelife were only exacerbated by living in Enumclaw, WA, a sparsely populated rural suburb where Shelton spent his formative years longing for a way out. In this difficult and stifling environment, the roots of Life Under The Gun began to grow. As he began to pick up instruments, play in bands, and write his own songs, music quickly became a vital outlet for self-expression, but Shelton couldn’t shake the idea that it was also a literal escape route.
What followed was a flurry of activity that still hasn’t let up. After relocating to Los Angeles and forced to stay put during the 2020 lockdown, Shelton’s restless creative drive took over and he spontaneously wrote the first songs that became Militarie Gun. The sound was decidedly new for him: firmly rooted in punk and hardcore but more hook-driven, pulling from influences like Guided By Voices, Fugazi and The Jesus Lizard. Shelton quickly recorded Militarie Gun’s 2020 debut EP, My Life Is Over, by himself, then rounded out the lineup with guitarists Nick Cogan and William Acuña, and drummer Vince Nguyen (Max Epstein played bass on Life Under The Gun). 2021 saw the release of the dual All Roads Lead To The Gun EPs and the start of a seemingly endless run of tour dates. In 2022, Militarie Gun teamed up with Dazy for the critically-acclaimed collaborative single, Pressure Cooker, which was soon followed by the band signing to Loma Vista Recordings and releasing a deluxe edition of the All Roads Lead To The Gun EPs that included even more new material.
Militarie Gun soon had the makings of Life Under The Gun: the kind of debut album that feels like a true arrival, one forged by a lifetime of experience and effort that’s now allowed an artist to fully come into their own. Engineered by Taylor Young at The Pit Recording Studio, the album’s 12 tracks take all of the best parts of Militarie Gun’s earlier work and amps them up to the highest possible degree. It sounds massive without sacrificing the punk spark–full of driving drums, distorted bass lines, and of course Shelton’s instantly recognizable roar–only this time everything is bigger and even catchier. “This is what I thought we sounded like all along,” Shelton laughs. “It’s always felt like a melody-forward band to me, but I think now we’re finally achieving what I was always setting out to do.”
Check out Will Logic and pre-order / save Life Under The Gun above and see below for upcoming live dates and more info about Life Under The Gun.
Life Under The Gun tracklist:
1. Do It Faster
2. Very High
3. Will Logic
4. My Friends Are Having a Hard Time
5. Think Less
6. Return Policy
7. Seizure of Assets
8. Never Fucked Up Once
9. Big Disappointment
10. Sway Too
11. See You Around
12. Life Under The Gun
Upcoming Live Dates:
5/26 - Las Vegas, NV @ Punk Rock Bowling
5/27 - Landers, CA @ Giant Rock
6/22 - Nottingham, UK @ Rough Trade
6/23 - Manchester, UK @ Outbreak Festival
6/24 - Haarlem, NL @ Kliko Fest
6/26 - Antwerp, BE @ Kavka Zappa &
6/27 - Nijmegen, NL @ Doornroosje &
6/29 - Werchter, BE @ Rock Werchter
6/28 - Hamburg, DE @ Logo &%
7/1 - Roskilde, DK @ Roskilde Festival
7/2 - Rotterdam, NL @ Metropolis Fest
7/3 - Berlin, GER @ Hole44 #
7/4 - Cologne, GER @ Gebaude 9 #
7/5 - Haarlem, NET @ Patronaat #
7/7 - Cheltenham, UK @ 2000 Trees Fest#
7/8 - London, UK @ Electric Ballroom #
7/9 - Ieper, BE @ Ieper Fest
7/21-22 - Chicago, IL @ The Rumble
9/8 - Los Angeles, CA @ 1720*
9/9 - Anaheim, CA @ Chain Reaction*
9/10 - Phoenix, AZ @ Rebel Lounge*
9/12 - Albuquerque, NM @ The Launchpad*
9/14 - Dallas, TX @ Cheap Steaks*
9/15 - Austin, TX @ The Ballroom*
9/16 - San Antonio, TX @ Paper Tiger*
9/17 - Houston, TX @ The Compound*
9/19 - Orlando, FL @ Conduit*
9/20 - Miami, FL @ Gramps*
9/21 - Jacksonville, FL @ 1904 Music Hall*
9/22 - Atlanta, GA @ Aisle 5*
9/23 - Birmingham, AL @ Furnace Fest*
9/25 - Durham, NC @ The Pinhook*
9/26 - Richmond, VA @ Richmond Music Hall*
9/27 - Baltimore, MD @ Ottobar*
9/28 - Philadelphia, PA @ Underground Arts*
9/29 - New York, NY @ The Meadows*
10/1 - Boston, MA @ Brighton Music Hall*
10/3 - Montreal, QC @ La Sala Rossa*
10/4 - Toronto, ON @ Velvet Underground*
10/6 - Columbus, OH @ Ace of Cups*
10/7 - Detroit, MI @ The Sanctuary*
10/8 - Chicago, IL @ Subterranean*
10/9 - Minneapolis, MN @ 7th St Entry*
10/10 - Omaha, NE @ Reverb*
10/11 - Denver, CO @ Marquis Theater*
10/13 - Salt Lake City, UT @ The Beehive*
10/14 - Boise, ID @ The Shredder*
10/17 - Seattle, WA @ Vera Project*
10/18 - Portland, OR @ Mission Theatre*
10/20 - Reno, NV @ Holland Project*
10/21 - Berkeley, CA @ 924 Gilman*
10/23-27 Miami, FL @ S.S. Neverender
& = with Soul Glo
% = with Code Orange
# = with Rival Schools
* = with Scowl
LISTEN TO DELUXE EDITION SINGLES:
SUCKER FOR THE SAD LIFE
ONE TRIP PONY
THE TROUBLE WITH REDEMPTION
MONTH-LONG EUROPEAN TOUR WRAPS UP THIS WEEKEND
NEW U.S. DATES START JUNE 15
READ THE ROLLING STONE PROFILE OF EARLY JAMES HERE
TORONTO, ON – May 19, 2023 – The deluxe edition of Early James’ Strange Time To Be Alive, a Dan Auerbach-produced record that came to life in three whirlwind days at Easy Eye Sound studios in Nashville, is out today via Easy Eye Sound. Strange Time To Be Alive (Deluxe Edition) features three previously unreleased songs from the original recording sessions. While they didn’t make it onto the original release, the three songs on the deluxe edition – Sucker For The Sad Life, One Trip Pony and The Trouble With Redemption – match the strength and singular sound of the original 12 songs from Strange Time To Be Alive.
The album is the sound of an artist sublimely out of step with the world. With all the charmed eccentricity of a true poet conjuring the ghosts of great southern gothic writers from Eudora Welty to William Faulkner, Early James takes in the endless absurdity he sees around him, then alchemizes his unease into a glorious patchwork of musical idioms: forsaken blues and contemplative folk songs, brooding murder ballads and lovestruck piano tunes. Early James ultimately extracts a certain magic from the madness, imbuing even the most painful truth-telling with a wild-eyed joie de vivre.
Upon its release last summer, Rolling Stone complimented how “James accented his outré, Tom Waits-ian compositions and signature gruff croon with knotty bursts of electric guitar and surprising melodic changes to complement his lyrics” on Strange Time To Be Alive, while BrooklynVegan praised the “world-weariness that makes James sound wise beyond his 28 years.” The album spent 19 consecutive weeks in the top 40 of the Americana radio charts, and Early James was featured on the cover of key streaming playlists like Spotify’s Fresh Folk and Tidal’s Gothic Americana.
Early James and his band are electric live, able to easily switch from hushed, introspective moments to a raging cacophony that would make Kyuss proud – often in the same song. Last year, they spent a good chunk of the summer and fall opening for The Black Keys as well as making their debut at the Austin City Limits Music Festival. In 2023, Early James has played the Americana UK festival, toured Europe twice and opened for Arlo McKinley in Australia. Early James wraps up a month-long European tour this weekend, and he’ll start a string of summer U.S. tour dates on June 15 in Charleston, SC.
EARLY JAMES 2023 TOUR DATES
May 19 - Museumshafen Harburg e.V. - Hamburg, Germany
May 20 - Hansa 48 - Kiel, Germany
May 21 - Salon Buchholz - Altlandsberg-süd, Germany
June 15 - Riviera - Charleston, SC
June 16 - District Live - Savannah, GA
June 17 - Standard Deluxe - Waverly, AL
June 18 - Callaghans - Mobile, AL
June 21 - Hernandos Hideaway - Memphis, TN
June 23 - Barleys - Knoxville, TN
June 24 - Grant’s Lounge - Macon, GA
TORONTO, ON – May 19, 2023 – The pioneer of urban music, Nicky Jam, and the current musical phenomenon, Feid, have joined forces to create a musical collaboration that promises to be a hit. The song, titled 69, is produced by Caleb Calloway and Edgar Barrera and features sensual and daring lyrics with a catchy urban melody. Listen here.
Nicky Jam, a singer, songwriter, actor, and entrepreneur, is one of the most versatile artists in the Latin music industry. With over 25 years of experience in the music world, he has positioned himself as one of the references to the urban genre, thanks to his unique style and ability to fuse different rhythms.
Meanwhile, Feid is considered one of the most influential artists of the moment and has won over the public with his talent and creativity. Among his most outstanding hits are Ferxxo 100, Si tú supieras, and Porfa.
69 tells a story of infidelity and desire. In it, Nicky Jam and Feid narrate the story of a man who is attracted to a committed woman and cannot resist her charms. The song features an innovative style and well-crafted lyrics that will surely become one of the most popular songs of the moment.
In addition to the song release, 69 is accompanied by an official music video directed by Sanchez, which shows Feid, Nicky Jam, and some beautiful women in a competitive motorcycle race, giving the video a touch of action and adrenaline. Watch here.
With this collaboration, Nicky Jam and Feid once again demonstrate their talent and ability to create quality music. 69 is a sample that the urban genre is still evolving and that these two artists are at the forefront of this transformation. Fans of both artists can expect an unforgettable and sensual musical experience with this new hit.
LISTEN TO THE FIERCE NEW TRACK RIPPIN’ AND RUNNIN’ HERE
HEADLINE DATES AND SHOWS WITH BUDDY GUY
“… a powerful, spirited, and at times exuberant collaborative effort…"
– American Songwriter
“...some of the rawest and most hard-hitting music of their careers.”
– No Depression
“…nearly touches the charm of duets like Johnny & June Cash as well as Nancy Sinatra & Lee Hazelwood. Excellent."
– Americana Highways
“…the dynamic guitar duo entrusted their artistry to producer Jon Spencer, and the result is full of wicked stories, tongue-in-cheek escapades, greasy grooves and helllacious guitar.” – Vintage Guitar
TORONTO, ON – May 19, 2023 – Today, dynamic blues auteur, Samantha Fish, and guitarist extraordinaire, Jesse Dayton, release their anticipated collaboration, Death Wish Blues, on Rounder Records. The latest track is the gritty Rippin’ and Runnin,’ a bold number full of swagger and bravado, featuring a twangy intro that quickly evolves into thumping riffs alongside gut-punching vocals. Listen to the hard-hitting Rippin’ and Runnin’ here and listen to Death Wish Blues here.
Rippin’ and Runnin’ follows the release of earlier tracks Deathwish, Riders and “Settle for Less. The songs highlight the synergy and free-flowing nature of Fish and Dayton’s musical partnership as they expand the limits of the blues and rock genres. Jon Spencer’s production magnifies the sonic power of each track, resulting in an exhilarating collection of blues, soul, punk, funk, and exceptionally bold rock-and-roll.
After their electrifying set at the New Orleans Jazz and Heritage Festival in April, Fish and Dayton are gearing up for a round of tour dates to support Death Wish Blues, including a run with the legendary Buddy Guy. A full list of tour dates is below.
Hailing from Kansas City, MO, Samantha Fish is one of the most dynamic blues forces in the world today, headlining festivals and captivating audiences with her guitar prowess and power vocals. An award-winner and road warrior, she performs 200 shows yearly, both domestically and abroad. Death Wish Blues is her 7th album. Jesse Dayton boasts an exceptional resume as an acclaimed solo recording artist, collaborator with artists such as Johnny Cash, Waylon Jennings and Duff McKagan, a touring guitarist for seminal punk band X, and teammate with Rob Zombie on the soundtracks for his iconic horror films.
SAMANTHA FISH & JESSE DAYTON US TOUR DATES
June 9 – Flagstaff, AZ – Flagstaff Blues Fest
June 11 – Vienna, VA – Filene Center*
June 13 – Northampton, MA – The Pines Theater*
June 14 – Plymouth, NH – Flying Monkey
June 15 – Kingston, NY – Ulster Performing Arts Center*
June 16 – Beverly, MA – Cabot
June 17 – Syracuse, NY – NY State Blues Festival
June 18 – New York, NY – Central Park Summerstage*
June 20 – Amagansett, NY – Stephen Talkhouse
June 22 – Hartford, CT – Infinity Hall
June 24 – Winter Park, CO – Blues from the Top
June 25 – Augusta, NJ – Rock, Ribs and Ridges Festival
June 27 – Columbus, OH – King of Clubs
July 1 – Sioux City, IA – Saturday in the Park
July 30 – Ft. Wayne, IN – Sweetwater
August 5 – Mammoth Lakes, CA – Bluesapalooza
August 19 – Cleveland, OH – Jacobs Pavilion
August 27 – Edmonton, AB – Edmonton Blues Fest
September 8 – Las Vegas, NV – Big Blues Bender
November 4 – Ft. Lauderdale, FL – Big Easy Cruise
*supporting Buddy Guy
SAMANTHA FISH & JESSE DAYTON EU TOUR DATES
May 22 – Zurich, SWITZERLAND – Kaufleten
May 23 – Prattein, SWITZERLAND – Z7
May 25 – Karlsruhe, GERMANY – Tollhaus
May 26 – Mainz, GERMANY – Frankfurter Hof
May 27 – Schoppingen, GERMANY – Grolsch Blues
May 29 – Maastricht, NETHERLANDS – Blues Festival
May 31 – Paris, FRANCE – Bataclan
October 19 – Sunderland, UK– The Fire Station
October 20 – Glasgow, UK – Barrowlands
October 21 – Manchester, UK – 02 Ritz
October 22 – Bristol, UK – SWX
October 24 – York, UK – Barbican
October 25 – Cambridge, UK – Junction
October 26 – Bournemouth, UK – 02 Academy
October 27– Bexhill, UK – De La Warr Pavilion
October 28 – Birmingham, UK – 02 Institute
Samantha Fish and Jesse Dayton
Death Wish Blues Bio
DOWNLOAD - Cover Art | DOWNLOAD - Press Photo
LISTEN HERE AND WATCH THE VISUALIZER HERE
NEW ALBUM ARRIVES THIS OCTOBER
TORONTO, ON – May 19, 2023 – Today, Canadian synthwave reference-artist, Das Mörtal, shares IDÖL, the second single from his new and upcoming album, due this October via Lisbon Lux Records. The single offers another new sound for the Montreal based producer that falls between techno, Miami bass, trance, trap and even gives a wink to medieval video games, transporting listeners into a completely broken universe. Listen to IDÖL here and watch the visualizer, from Guillaume Vallée, here.
IDÖL is about the pressure - sometimes internal and sometimes external - that comes when you reach a certain level, and you must keep on doing more, even if you are not interested anymore. As heard in the track: “Don't you wanna feel like you're on top / Don't you wanna feel like the best of them all.”
“IDÖL is gonna make you dance and bounce while we try to escape the pressures of society,” shares Das Mörtal.
WASTED, the first single from Das Mörtal’s third and upcoming album, was released in February and showed how much the Chilean born producer had grown as an artist, as the track related to the fear and mental block he experienced during the pandemic, when the impression of doing nothing was omnipresent. IDÖL, the second track from the upcoming record, further shows how Das Mörtal has pushed his sound and tapped into new influences he hadn’t explored previously.
“It goes in so many stylistic places because that’s how my brain was working,” Das Mörtal explains. “Being stressed, lazy, anxious and etc... while working on just one track, can make them feel a bit erratic. It makes them sound less over produced and more genuine to the creative struggle I was in.
In the past, my music was based on imaginary narratives, almost being soundtracks to non-existent films,” Das Mörtal adds. “This new album is more personal and about the struggle of actually making it.”
Stay tuned as Das Mörtal’s sound expands this year and his new album unfolds.
DOWNLOAD - Single Art | DOWNLOAD - Press Photo
About Das Mörtal:
Das Mörtal began his journey in Berlin, inspired by artists such as Steve Moore and Aphex Twin. The producer forges a dark and nostalgic sound, skillfully mixing influences that range from German techno to horror and sci-fi film soundtracks. With several EPs and albums released, he has performed in several major festivals such as Osheaga, Transmusicales de Rennes, FME and Meg Festival while opening on tours for Vitalic, Perturbator, Carpenter Brut, etc. Now part of the world's leading synthwave producers, the enigmatic artist offers a more personal sound, a unique musical signature charming a growing audience worldwide. With over 20 million streams on Spotify alone, Das Mörtal receives media and radio support in a dozen countries, as well as on several influential pages on YouTube. On stage, he has racked up nearly 100 shows since 2015, including more than 70 dates in the U.S. and Europe (UK, France, Scandinavia).
DEBUT MONSTERCAT SINGLE OUT TODAY
LISTEN HERE
TORONTO, ON – May 19, 2023 – Monstercat, one of electronic music's most influential independent record labels, today adds two powerhouse acts to its extraordinary roster: sensational Montreal-based and two-time JUNO-nominated dance duo, Adventure Club, and unstoppable bass maestro, Jessica Audiffred.
The momentous entrance on the label welcomes an electrifying single from Monstercat’s newest additions with their first collaborative record, You Found Me, featuring the stunning vocals of singer-songwriter, Clara Park. Unearthing an undeniable synergy, the record leads with tinkering bass chords and emotive toplines that are bound to leave listeners mesmerized this upcoming festival season. Adding to Adventure Club’s collection of heart-tugging and high-energy records, the single sees Jessica Audiffred continue to push boundaries as she leans into a slower BPM than her usual adrenaline-pumping repertoire. Listen to You Found Me here.
Adventure Club shares, "We love watching new artists come into the scene, seeing their journey, so many of them really provide so much value to scene, pushing it forward, making sure it stays alive. It’s always refreshing to see someone as talented as Jessica get recognition, with reason of course, she really is a blessing to the scene. Sometimes all it takes is a tweet and great friendship is started."
Jessica Audiffred adds: "Working with Adventure Club has been so easy and organic! We finished the song so fast and I feel like you can definitely feel both of our styles being combined in here, this is such an amazing emotional track that I love playing at the end of my sets.”
Adventure Club’s world-renowned stylings and widespread acclaim have positioned them as forefathers of melodic dubstep. The duo have earned accolades to their name including GRAMMY and JUNO nominations and Gold record accreditation, and have amassed multi-millions of streams across all platforms. Jessica Audiffred is cemented as Mexico City’s bass icon, having curated one of the country's leading bass festivals, Mad House, and is currently soaring across the globe taking over upcoming festival stages including Tomorrowland and EDC Las Vegas. Serving as an Adidas ambassador in Mexico for the last five years, she has partnered with the brand for Live Session pop-ups and female empowerment campaigns in the region. Last year, she collaborated with bass tastemaker Excision.
Keep up to date with Adventure Club and Jessica Audiffred’s musical journey on their socials below and read more in their bios here.
DOWNLOAD – Adventure Club Press Photo | DOWNLOAD – Single Art
DOWNLOAD – Jessica Audiffred Press Photo | DOWNLOAD – Composite Press Photo
PRODUCED BY THREE-TIME GRAMMY WINNER
SHOOTER JENNINGS
LISTEN TO FIRST SINGLE GOLDEN STATE HERE
WATCH LEDGER’S PERFORMANCE OF GOLDEN STATE
FOR WESTERN AF
TOUR WITH VINCENT NEIL EMERSON KICKS OFF MAY 31
TORONTO, ON – May 18, 2023 - Today, singer, songwriter, and musician, Logan Ledger, announces his second studio album, Golden State, slated for release on September 8 via Rounder Records. Ledger enlisted three-time GRAMMY winner, Shooter Jennings, to produce the album, which is the follow-up to his self-titled 2020 debut. To accompany today’s announcement, Ledger has released the titular single, Golden State. Listen to it here.
Centred on a soulful vocal performance that telegraphs both weariness and hope, Golden State illuminates Ledger’s rare gift for expressing complex existential questions with a poignant simplicity. Western AF captured a live session with Ledger after his recent appearance at the Stagecoach Festival. Watch the performance of Golden State, which premiered today, here.
The second full-length from singer/songwriter, Logan Ledger, Golden State is steeped in so many of the ineffable qualities embodied by California: wild-eyed idealism, uneasy unpredictability, the infinite promise of rebirth and renewal. In keeping with the refined ingenuity first revealed on his T Bone Burnett-produced self-titled debut, the Bay Area-raised, Nashville-based musician also leans into California’s legacy of restless reinvention, continually cross-pollinating his vast reservoir of influences to create entirely unexpected musical idioms (including, at one point, a glorious collision of British folk and rowdy surf rock). Anchored in his captivating baritone and poetic lyricism, Golden State ultimately matches Ledger’s rich sense of history with an unfettered originality, arriving at a body of work both elegantly composed and endlessly surprising.
Golden State marks a stylistic departure from the timeless country noir of Ledger’s critically lauded debut. This time around, Ledger worked with musicians like Cage The Elephant guitarist, Nick Bockrath, pedal-steel player, Russ Pahl (Sturgill Simpson, Tyler Childers), Shooter Jennings’s longtime bassist, Ted Russell Kamp, and drummer, Jamie Douglass, and Jennings himself (on piano, Wurlitzer, organ, and celeste), dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late-60s and early-70s. Mainly recorded live at the famed Sunset Sound in Los Angeles, the result is a sublime setting for Ledger’s layered meditations on loss and despair and the search for transcendence.
Later this month, Ledger will join Vincent Neil Emerson for a run of dates along the west coast, with additional shows in Phoenix, Albuquerque, Tucson, and El Paso. This summer, he will appear at a number of music festivals including FitzGerald’s American Music Festival, Red Ants Pants, and Pickathon. A full list of confirmed shows is below, and further tour plans will be announced in the coming weeks.
Logan Ledger – Summer 2023 Tour Dates:
5/31 The Rebel Lounge, Phoenix, AZ*
6/1 Pappy + Harriet’s, Pioneertown, CA*
6/4 The Grove House, Mariposa, CA*
6/6 The Siren, Morro Bay, CA*
6/7 Strummer’s Bar and Grill, Fresno, CA*
6/8 The Wayfarer, Costa Mesa, CA
6/9 Soda Bar, San Diego, CA*
6/11 Club Congress, Tucson*
6/13 Sister, Albuquerque, NM*
6/14 The Lowbrow Palace, El Paso, TX*
6/29 The Basement, Nashville, TN
7/2 FitzGerald’s American Music Festival, Berwyn, IL
7/29 Red Ants Pants Music Festival, White Sulphur Springs, MT
8/3 – 8/6 Pickathon, Happy Valley, OR
*support for Vincent Neil Emerson
Golden State Track Listing:
1. Golden State
2. There Goes My Mind
3. Till It Feels Right
4. All the Wine in California
5. Midnight in L.A.
6. Some Misty Morning (featuring Erin Rae)
7. Court of Love
8. I’m Not Here
9. Obviously
10. Where Will I Go
DOWNLOAD - Album Art
TORONTO, ON – May 17, 2023 – Women in Music Canada (WIMC) is thrilled to announce their Board of Directors, as well as their newly-appointed Executive Committee. The 2023 / 2024 Directors are Liana White (American Federation of Musicians), Dana Beeler (Music Nova Scotia / WIMC Atlantic Chapter Director), Jamelia Campbell (CARAS / ADVANCE), Kristy Fletcher (CARAS / MusiCounts), Maddy Oliver (Canadian Live Music Association), Savannah Wellman (Tiny Kingdom / WIMC BC Chapter Co-Director), and Trisha Carter (CIMA), along with newly-appointed members who officially joined this week: Nicole Auger (International Indigenous Music Summit), Samantha Chong (Sony Music Canada), Noreen Hamid, and Alec Martin.
The 2023 Executive Committee has also been announced, with White stepping into the role of Chair after having previously served as Secretary. Carter will step into the role of Vice-Chair and Fletcher will be taking on the role of Secretary, while the Treasurer seat will be filled in the coming months.
The announcement of the new Board also marks the departure of Founder, Samantha Slattery, who officially exits her role as Board Chair. Slattery founded Women in Music Canada in 2014, bringing her vast experience in the live music sector and a passion to make positive change in the equitable landscape of the industry. She held the role of Executive Director since the inception of the organization, alongside her many other professional endeavours. In her two decades in the industry, Slattery has worked in production, operations and for the past decade in business affairs roles internationally, including with Festival Republic, (Live Nation), AEG Live / Goldenvoice / Coachella Music & Arts Festival, and Republic Live, as well as her management role at Nettwerk Management’s UK office and most recently with the JUNO Awards. With WIMC, she has built a membership community of over 2000, spearheaded multiple research projects, lead the building of the WIMC Directory, created the Allies in Action program with JUNOs and so much more. Her leadership and vision will live on for years to come as the catalyst to this important work. Slattery will remain WIMC Board Chair Emeritus indefinitely.
"It is with immense pride and grateful heart that I depart [from Women in Music Canada],” says Slattery. “What began as a humble dream has blossomed into a powerful force for change, thanks to the unwavering support of the music industry, our invaluable funders, and the founding board members who believed in our vision from the start. I am forever indebted to these incredible individuals for their unwavering dedication and guidance. As I pass the baton, I am filled with gratitude for the transformative impact we've made together and eagerly anticipate the bright future that lies ahead with Robyn [Stewart] at the helm.”
“It is with incredible gratitude that we announce the departure from the Women in Music Canada Board our founder, Board Chairperson, and past Executive Director, Samantha Slattery,” says Executive Director, Robyn Stewart. “Sam founded Women in Music Canada in 2014 as a powerful initiative to make change in this wildly inequitable industry. Through programming, advocacy, and important conversation she has led the organization forward in what at times is an uphill battle. Her wisdom, grace and attitude has built this community. On a personal note, I have watched her work for years and could not be more honoured to be entrusted with the next steps of the organization. Sam has become like family to me over the last year and I could not find the words to describe how much I value your expertise and support. I wish you the best of everything in the years to come as you focus on other passions in the industry."
“Samantha’s vast experience led her to realize that Canadian women needed a distinct association, solely dedicated to supporting and promoting their careers in the music industry,” adds White. “Since founding Women in Music Canada, many women have been inspired to form Provincial Chapters of Women in Music across Canada. Along with these many Canadian women, I applaud Samantha for her years of sacrifice to build Women in Music to help sound our voices and advance our careers. It has been both an honour and my humble pleasure to have served as a Board Member under Samantha’s steadfast Leadership for so many years. This is not a farewell, as we will continue to work alongside Samantha in her continued endeavours in our industry.”
Read the Women in Music Canada Board of Directors bios here.
About Women in Music Canada
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
TORONTO, ON – May 12, 2023 – Today, GRAMMY-nominated Nigerian dance-pop vocalist, Kah-Lo, releases her new single, fund$, on Epic Records.
Spinning a tale of greed and glory, Kah-Lo’s latest single sees her fierce vocals cut with a darker edge. A powerful anthem that flaunts Kah-Lo’s intrinsic ability to seamlessly blend genres at her will, fund$ commands attention with its shiny synth stabs, punchy basslines, and rhythmic percussion. Kah-Lo’s playfully audacious lyrics add a feminist flare to the track as she sings, “Girls just wanna have funds, can’t have fun if you don’t have funds.” As with all of Kah-Lo’s originals, her vibrant persona shines through on fund$ as she teases her more rebellious side.
fund$ arrives with an official music video that sees Kah-Lo take a murderous turn to enact revenge on those who have done her wrong. Portraying a femme fatale in this Kill Bill-esque music video, fund$ is an enticing introduction into Kah-Lo’s villain era.
Kah-Lo first emerged on the scene in 2016 appearing on Riton’s Rinse & Repeat, which earned them a GRAMMY nomination for Best Dance Recording. In 2017, Kah-Lo dropped her debut solo single, Fasta, following up with Fake I.D. in 2018, which became the lead song for the U.S. arrival of TikTok. Her fierce persona as a solo artist continued to shine through with her debut, The Arrival EP, which saw its lead single, Commandments, included on the FIFA 2022 Soundtrack. In 2022, Kah-Lo released her hit single, Drag Me Out, which was featured in Oscar de la Renta’s Spring 2022 campaign and has amassed more than six million streams on Spotify alone.
A combination of frisky, party-starting lyricism and refreshing blend of afrobeats, house, and pop music, Kah-Lo’s spirited originals have been placed in shows like ZIWE, Gossip Girl, Harlem, NCIS Los Angeles, Everything’s Trash, and more. Her rhythmic vocals and consistent track record have also earned her features alongside Idris Elba (Baille), Diplo (Give Dem), The Knocks (Awa Ni), and Michaël Brun (Melanin).
Having garnered a reputation as one of dance music’s most accomplished vocalists, fund$ marks a new era for Kah-Lo’s solo artistry as she invites fans to indulge in the pain and pleasure that has rocked her career. Stream fund$ out now.
DOWNLOAD - Single Art
SECOND SINGLE FROM TOGETHER AS ONE
OUT THIS YEAR ON MONSTERCAT
SINGLE ARRIVES WITH TOUCHING MUSIC VIDEO DIRECTED BY MARY CHEN
CINEMATOGRAPHY BY ZACHARY KOSKI
VIDEO TO PREMIERE HERE TOMORROW AT 10:00 A.M PST
LISTEN HERE
TORONTO, ON – May 11, 2023 – Asian-American dance duo, ARMNHMR, today join forces with alt-pop songstress, Lights, on Monstercat Instinct delivering, Someone To Forget. The record arrives as the second single from ARMNHMR’s forthcoming album, Together As One, out later this year. Leading the track with a heart-tugging ballad touching on temporary love, Lights conveys raw emotion while putting her stunning vocals on full display. ARMNHMR’s signature melodic bass sound fused with live instruments illustrates the poignant storyline, also highlighting their ability to leave an impactful mark on listeners through musical storytelling. Currently, ARMNHMR are on their Together As One headline run, bringing an enhanced live experience to fans with production bigger than ever before. Upcoming stops include Denver, Boston, Toronto, and festivals EDC Las Vegas, Tomorrowland, Lollapalooza, and more. Listen to Someone To Forget here and watch the video here (premiering Friday May 12 at 10:00 a.m. PST).
ARMNHMR shares, “Someone To Forget deals with loss of love. We all come to terms with grief in different ways. This song in particular is a story of how one person has through temporary people.”
Lights adds, “The track ARMNHMR sent over was so melodic and pretty. I really got a chance to let my emo poetry skills shine. I really like how they’ve brought live instrumentation into this one, with the guitars and live drums—it really suits the topline.”
Directed by Mary Chen, the Someone To Forget music video reflects the feelings of loneliness that are created through memories of repetitive, short-lived relationships. With stunning cinematography from Zachary Koski, the essence of the video’s narrative showcases moments cycling through repeating histories with different people.
Following ARMNHMR’s previous release, Drowning (feat. Heleen), the new record adds to their upcoming album’s theme of the human experience. The LP will introduce new narratives from the duo, as the tracks reflect on topics including anxiety, grief, and more. ARMNHMR are on a roll this year, coming off hot performances from their headline album run, Together As One, that has already sold over 17,000 tickets. They’ve brought bigger production and new music live to venues including Observatory Festival Grounds, Concourse Project, The Factory in Deep Ellum, and more, with plenty of stops to come. Tickets are available here.
Returning after her last Monstercat release, Last Summer with Tokyo Machine and Weird Genius, Lights showcases her lauded vocals that have positioned her as an iconic force. Collaborating with huge names including Travis Barker, Kaskade, Illenium, and others, she’s also won four JUNO Awards. Fans can catch her live as she headlines Pride Toronto on June 25, and opens for Waterparks in Australia this fall.
About ARMNHMR:
Los Angeles based duo ARMNHMR spent most of their lives around music. Festival goers turned headliners, Joseph Chung and Joseph Abella compliment their individual musical tastes to create a distinctive melodic sound. From remixes and EPs to their debut album, The Free World, the duo has fostered a global fanbase through intertwining their ethereal melodies with expertly crafted heart pounding bass drops.
In 2022, ARMNHMR wrapped up a nearly entirely sold out 20 date EP tour with notable sell-out shows at Webster Hall NYC, Hollywood Palladium and San Jose Civic Center, as well as an electrifying Mainstage performance at EDC Las Vegas 2022.
DOWNLOAD - ARMNHMR press photo | DOWNLOAD - Someone To Forget single art
About Lights:
Lights is many things all at once: Singer. Songwriter. Producer. Multi-instrumentalist. Comic book author. DJ. Artist. She’s also unabashedly honest and unapologetically confident. Weaving in and out of alternative, indie, electronic, and dance, she makes manic pop irreverent of boundaries, yet reverent of truth. She speaks her heart musically and her mind lyrically. It’s why her shadow over alternative music and culture continues to grow with streams in the hundreds of millions and widespread critical acclaim. Over the course of career thus far, the Canada-born disruptor has garnered four JUNO Awards, including 2020’s Dance Recording of the Year for the platinum smash, Love Me, with Felix Cartal and Pop Album of the Year for her previous two albums, Skin&Earth and Little Machines. She has sold out tours on multiple continents and powered collaborations with Travis Barker, deadmau5, Kaskade, Steve Aoki, Mike Shinoda of Linkin Park, and more. Now, she captivates like never before with PƎP and its brand-new counterpart album dEd.
DOWNLOAD - Lights press photo
VIDEOS PAY TRIBUTE TO MIKE’S LATE MOTHER AND MARKS THE DEBUT OF NEW SONG MOTHERLESS FROM FORTHCOMING ALBUM MICHAEL
SHARES ALBUM ART AND TRACKLIST
WATCH THE FILMS HERE:
DON’T LET THE DEVIL (PART I) / MOTHERLESS (PART II)
TORONTO, ON – May 11, 2023 – Killer Mike has shared a two-part short film tribute to his late mother, comprising a pair of songs from his forthcoming album, MICHAEL (out June 16 via Loma Vista Recordings), including his most recent single, DON’T LET THE DEVIL (feat EL-P & thankugoodsir), and the previously-unreleased song, MOTHERLESS. In keeping with the album’s nakedly autobiographical nature, the two-parter kicks off with Mike digging through keepsakes in his mother’s Atlanta home when he discovers and smokes a joint among her belongings that unlocks a wave of memories. DON’T LET THE DEVIL, directed by Davi Peña based on a treatment by EL-P, is a joyful and nostalgic homage to the parties Mama Niecy used to throw in the family’s home.
Mike notes: “El’s heard me talk about these bohemian-artsy-disco infused parties my mom used to throw when I was kid. I’d hear everything there- that’s where I first heard Grandmaster Flash, Kurtis Blow & Whodini. So when we were trying to figure out what the video for DON’T LET THE DEVIL should be – Jaime came back with this treatment written out and I cried at the end. What’s even crazier is he didn’t know what we were doing for MOTHERLESS either but that’s the magic I guess.”
MOTHERLESS, directed by Shane Smith, is a somber tribute to the impact she had on all around her, culminating in a recreation of the moment Mike rapped the phrase “my Momma dead” in the recording studio, realizing immediately after that it was the first time he had spoken those words aloud.
“When I first played Dion (No I.D.) the album he said two things – one of which was that I was essentially holding something back and that was the song MOTHERLESS,” Mike explains. “It was the last song made for the album because I hadn’t uttered these words out loud since her transitioning. When I tell the story of my mother the tales told include one when I walked in on her attempting to take her own life – it gets to the heart of how deeply sensitive an artist and human she was. She survived, was diagnosed bi-polar and depressed; she fought that until the day she died. She lived a beautifully rich outlaw of a life and I am honoured to show her as the total beautiful badass she was.”
He continues, “These aren’t meant to be sad videos or eulogies. This is a celebration of a BAD ASS BLACK GIRL from the westside of Atlanta. She’s been affectionately called OG Mama Niecy by the many people she helped stay on their path.”
To complement Killer Mike's very personal, fan driven two-part presentation of his music videos, DON’T LET THE DEVIL and MOTHERLESS, BET/MTV also participated in the launch of his new music. Hosting a broadcast premiere for MOTHERLESS the same day, with hourly plays across six of their network channels (BET Jams, BET Soul, Yo! MTV, MTVU, MTV Live, and MTV Biggest Pop) and release day profile on Paramount's Times Square Billboard.
Killer Mike recently announced a 19-date U.S. tour in support of his forthcoming solo album, MICHAEL – his first major solo outing since touring in support of his 2012 album, R.A.P Music. Tickets for the tour – which kicks off July 10 in Birmingham and makes its way across the U.S., including an appearance at Pitchfork Music Festival and a performance at New York City’s iconic Apollo Theatre, before wrapping up August 5 in New Orleans – are on sale now. See full dates below.
MICHAEL TRACKLIST:
1. Down By Law
2. Shed Tears
3. RUN
4. N Rich
5. Talkin Dat SHIT!
6. Slummer
7. Scientists & Engineers
8. Two Days
9. Spaceship Views
10. Exit 9
11. Something For Junkies
12. Motherless
13. Don’t Let The Devil
14. High And Holy
UPCOMING TOUR DATES:
July 10 - BIRMINGHAM, AL - Saturn
July 11 - CHARLESTON, SC - Music Farm
July 13 - ATLANTA, GA - Tabernacle
July 14 - NASHVILLE, TN - Ryman
July 15 - CHARLOTTE, NC - Underground
July 17 - NORFOLK, VA - NorVa
July 18 - WASHINGTON DC - Lincoln Theater
July /20 - NEW YORK, NY - Apollo
July 21 - PHILADELPHIA, PA - Franklin Music Hall
July 23 - CHICAGO, IL - Pitchfork Festival
July 24 - MINNEAPOLIS, MN - First Avenue
July 27 - SEATTLE, WA - Showbox
July 28 - PORTLAND, OR - Crystal Ballroom
July 29 - SAN FRANCISCO, CA - Fillmore
July 31 - LOS ANGELES, CA - Ace Theater
August 1 - PHOENIX, AZ - Van Buren
August 3 - HOUSTON, TX - House of Blues
August 4 - DALLAS, TX - House of Blues
August 5 - NEW ORLEANS, LA - Joy Theater
Watch DON’T LET THE DEVIL here
Watch the video for MOTHERLESS here
Pre-save MICHAEL here
Watch the video for TALK’N THAT SHIT! here
Watch the video for RUN (feat. Young Thug) here
DOWNLOAD – MICHAEL album artwork
DOWNLOAD – MOTHERLESS single artwork
DOWNLOAD – hi-res photo
HIGHLY ANTICIPATED DEBUT ALBUM JAGUAR II COMING SOON
TORONTO, ON – May 10, 2023 – Today, the multi-talented, GRAMMY-nominated singer, songwriter, and producer, Victoria Monét, releases her new steamy female summer anthem, Party Girls, featuring renowned dancehall legend, Buju Banton, via Lovett Music/RCA Records. Throughout the D’Mile, Yonatan “SDTRK” Ayal, and Dready-produced track, Monét glides over soaring instrumentation, wavy basslines, and sharp percussions that set ablaze her seductive vocal treatments reminiscent of Sade — fusing her R&B roots with classic dancehall sounds. Ignited by a fiery verse from Buju Banton, Party Girls is adrenaline-packed and effortlessly inviting— a certified summer classic. The Meji Alabi-directed music video brings the pulsating grit of a classic Jamaican dancehall party to life with Victoria’s striking looks, styled by Kollin Carter, and jaw-dropping dance breaks from world-renowned choreographer, Sean Bankhead. Crystal-adorned and compulsively hypnotic, Monét is undeniably the life of the party— dancing from room to room boasting all the traits of the ultimate party girl.
"Party Girls is an ode to women around the world who keep celebrations alive!” says Monét. “If you recall any social gathering, nightlife extravaganza or day party you’ll likely recall a moment where a woman made it so much more exciting! I wanted to make a song giving credit where it’s due, while simultaneously curating a sensual Caribbean-infused R&B song to continue the fun to. I hope this song makes you feel sexy, empowered and appreciated!"
Party Girls comes on the heels of the recent single, Smoke feat. Lucky Daye — an unabashed homage to herbal ecstasy that garnered attention from Rolling Stone, Pitchfork, Flaunt, Nylon, Hypebeast, and more. Both singles mark the beginning of a new era for Victoria Monét, ending the long-awaited pause since her heralded 2020 solo project, JAGUAR. Since then, Monét has been steadily turning up the heat with a string of releases including remixes featuring Kehlani (Touch Me) and Bryson Tiller (We Might Even Be Falling In Love (Duet)). Additional tracks F.U.C.K and Coastin' built on the JAGUAR sound and emphasized its staying power with impressive visuals all set in Monét’s signature brown tones and 70s influences. She’s also gone viral on socials with the #SomeCutChallenge and currently with her open verse challenge for buzzing song, We Might Even Be Falling In Love. Garnering press praise from the likes of Paper, Pitchfork, Vulture, VICE, NY Post, The New Yorker, The Guardian, and more, Monét continues to evolve in her artistry while challenging social and gender norms through her multidimensional lyricism. Monét’s breakthrough artistry led to appearances on The Late Night Show with Jimmy Kimmel Live! and The Late Show With Stephen Colbert’s #PlayAtHome and festivals such as Made In America, Sol Blume, and Day N Vegas and a coveted slot as an artist partner with Cash App Studios.
Most recently, Monét sold out her first-ever headlining show in Los Angeles at the El Rey Theatre in partnership with Spotify and Goldenvoice. The show sold out in under one minute, with Billboard stating Monét “made sure the crowd never forgot who she is.” As a new member of RCA Records, much more music from the superstar is on the horizon as anticipation builds for the much-desired album, JAGUAR II, coming summer 2023.
DOWNLOAD - Party Girls Single Art
AUDACIOUS NEW ALBUM DUE AUGUST 18 VIA FANTASY
ANNOUNCES FALL MOTHER ROAD TOUR
NEW SINGLE AND VIDEO MOTHER ROAD OUT TODAY
LISTEN HERE AND WATCH HERE
TORONTO, ON – May 10, 2023 – Grace Potter, “one of the greatest living voices in rock today” (SPIN), will release her fifth studio LP, Mother Road, via Fantasy Records on August 18. An audacious and heart-pounding map of the soul, Mother Road finds Potter deconstructing her deepest fears and darkest regrets, charting the fallout with brutal honesty and emotional daring. Today, she shares the first single, the inviting, irresistibly twangy title track, Mother Road. Listen here and watch the track’s official video, a phenomenal Pulp Fiction meets Thelma and Louise styled romp, here. Pre-order Mother Road here and watch the Mother Road album trailer here.
On the meaning of Mother Road, Potter says, “In Grapes of Wrath, John Steinbeck called Route 66 the ‘The Mother of all roads...the road of flight.’ As I zeroed out my odometer and started west on my road trip across the US, I hoped that driving the road of flight would give me a bird’s eye view of my life. But it didn’t take long to realize that I was not flying; I was running away. In the solitude, I found myself smashing open the piggy bank of deeply-buried memories. Those gems of my real-life exploits spilled into my creative consciousness and emboldened me to write an album that reaches far beyond what actually happened–launching me down the alternate-reality roads of what could have happened.”
Produced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA, Mother Road follows Potter's 2019’s acclaimed, 2X GRAMMY-nominated album, Daylight. Throughout the album’s 10 original tracks, Grace, along with contributions from a top-flight band including guitarist Nick Bockrath, bassist Tim Deaux, drummer Matt Musty, pedal steel guitarist Dan Kalisher, and keyboardist Benmont Tench, commands an expansive soundscape of soulful rock, roots, funk, country, and R&B.
Mother Road’s myriad high points include the searing Ready Set Go, which ricochets with stinging slide guitar and attitude to burn; Lady Vagabond, a paean to anti-heroines everywhere; the self-deceptive Rose Colored Rearview; the spirit-purifying All My Ghosts; and the album’s wild, theatrical finale, Masterpiece. At the album’s centre is Little Hitchhiker, a beautifully detailed story-song co-written by superstar songwriter Natalie Hemby, which poignantly re-imagines the time nine-year-old Potter ran away from home, a profound experience that sparked much of Mother Road’s narrative.
Potter is currently on tour throughout the U.S. For the complete itinerary and full ticketing information visit https://www.gracepotter.com/.
Mother Road - Track List:
1. Mother Road
2. Truck Stop Angels
3. Ready Set Go
4. Good Time
5. Little Hitchhiker
6. Lady Vagabond
7. Rose Colored Rearview
8. All My Ghosts
9. Futureland
10. Masterpiece
Grace Potter - 2023 Tour Dates:
May 11 - Greensboro, NC - Piedmont Hall w/Jaime Wyatt
May 12 - Myrtle Beach, SC - House of Blues Myrtle Beach w/Jaime Wyatt
May 13 - Spartanburg, SC - The Hall at Spartanburg Memorial *
May 17 - Isle of Palms - SC - The Windjammer’s NURTRL Beach Stage *
May 18 - Isle of Palms - SC - The Windjammer’s NURTRL Beach Stage *
May 19 - Savannah, GA - District Live *
May 20 - Beaufort, NC - Beaufort Music Festival
May 21 - Knoxville, TN - Southern Skies Music Festival
June 8 - Fort Collins, CO - Washington’s
June 9 - Fort Collins, CO - Washington’s
June 10 - Morrison, CO - Red Rocks (supporting Big Head Todd and the Monsters)
June 11 - Salt Lake City, UT - Red Butte Garden Amphitheatre
June 13 - Minneapolis, MN - Sparkyard Sound Series
June 24 - Winter Park, CO - Blues From The Top Music Festival
August 12 - Beech Mountain, NC - Beech Mountain Resort
September 1- Snowmass, CO - Jazz Aspen Snowmass
September 15 - Shelburne, VT - Shelburne Museum
September 16 - Shelburne, VT - Shelburne Museum
October 1 - Ocean City, MD - Oceans Calling Festival
March 18 - 22, 2024 - Miami, FL to Cozumel, MX - Keeping the Blues Alive at Sea
* with Devon Gilfillian
WATCH HERE
OFF FORTHCOMING GREATEST HITS COLLECTION
ARRIVING ON VINYL, CD AND DIGITAL FORMATS THIS SUMMER
ALBUM INCLUDES THE RECORD-SETTING QUINTUPLE PLATINUM HIT PARALYZER, JUNO-NOMINATED ONE THING, + A PREVIOUSLY UNRELEASED COVER OF PINK FLOYD’S WELCOME TO THE MACHINE
TORONTO, ON – May 10, 2023 – Multi-platinum-selling band, Finger Eleven, is thrilled to share the official music video for their latest single, Together Right, off the forthcoming collection of hit singles from Craft Recordings. Spanning over two decades, Greatest Hits highlights the group’s diverse range with fan favourites, including the record-setting Quintuple Platinum (Canada) hit, Paralyzer, and JUNO-nominated One Thing, plus chart-toppers like Falling On and Living in a Dream. As a bonus, the 12-track set also offers a previously-unreleased cover of Pink Floyd’s Welcome to the Machine (a longtime live staple), as well as Together Right.
The song’s accompanying video, which premiered today with BraveWords and is available to view here, opens in a factory, as uniformly-dressed workers move like cogs in a machine. But it soon becomes clear that not everyone is happy in their monotonous existence. “The video takes place in a world where everything is the same,” explains lead guitarist, James Black. “Efficiency and conformity are mistaken for unity. But real connection, between two people, is WAY more powerful than people idly following a routine.”
“Together Right is about unity,” explains frontman, Scott Anderson. “It’s about the bonds between people and how far that bond can extend before it’s broken. The song has an optimistic-sounding chorus but it’s really a desperate plea from one party to another asking please stick around, let’s go down with this ship together.” Recorded in Toronto last year with drummer/producer, Steve Molella, the song packs a punch with anthemic guitar-driven hooks and high-energy handclaps.
Director, Martin Klapperbein, shares: “Shooting the music video was an unforgettable experience… Drawing inspiration from the film adaptation of George Orwell’s dystopian novel, 1984, we created a cohesive design that beautifully showcased the choreography through the wardrobe, colour tones, titles, and casting choices. This project was definitely a group effort, and I'm so grateful to have worked with such a dedicated and talented cast and crew.”
Greatest Hits arrives on CD and digitally on June 16, while the vinyl edition (the band’s first-ever vinyl release) will follow on August 25. A limited-edition Blue Smoke pressing will be available exclusively via the band’s website and CraftRecordings.com, and indie record stores will carry an exclusive Yellow Marble variant. All formats are available to pre-order here.
Finger Eleven, which currently includes original members, Scott Anderson, Sean Anderson, James Black, and Rick Jackett, plus drummer Steve Molella (who joined the band in 2013) have remained active on the road and enjoyed their legacy as one of Canada’s biggest bands. Between 1995 and 2016, Finger Eleven was among the top 75 best-selling Canadian artists in Canada and among the top 25 best-selling Canadian bands in Canada – as evidenced by Greatest Hits. Today, they show no signs of slowing down. This summer, they will appear at a variety of festivals across North America.
Click here to pre-order/pre-save Greatest Hits, and listen to / watch Together Right today.
DOWNLOAD - hi-res photo | DOWNLOAD - Greatest Hits album cover
HEAR FRENETIC FROLICKING NEW SINGLE NYE HERE
PRE-ORDER/PRE-SAVE TIME WILL WAIT FOR NO ONE HERE
BAND CELEBRATE ALBUM ANNOUNCEMENT WITH
YOUTUBE LIVE STREAM PERFORMANCE
FROM NEUEHOUSE HOLLYWOOD ON MAY 11
25-CITY US TOUR KICKS OFF AUGUST 18
VANCOUVER SHOW SEPTEMBER 25 AT VOGUE
Of the album the band says, "This record was made during a time of metamorphosis for us. Former selves melting away as some of us became fathers, endured periods of isolation, loss, and identity crisis. The highs and lows we were feeling at the same time were so extreme. There was a moment halfway through making the album, we played one of the most emotional concerts of our lives. A sold-out show at the Greek Theater in LA, our first performance in almost two years, but we didn't know how we could move forward. As individuals and as a band, we were on the verge of a collapse. Time flows on uncontrollably and change is relentless, and the people you love are the only constants. Out of that reckoning we dissolved everything down to start again, and had the most prolific period of songwriting in our history. This is the first chapter, Time Will Wait For No One."
The announcement comes with the release of their newest single, NYE, a frenetic, frolicking post-punk inspired tune, which premiered this morning on 6Music. Local Natives have an ongoing tradition where the rest of them make up the wedding band when another member gets married. So, at Ryan Hahn's (guitar/backing vocals) wedding last year, the others assembled to play some of his favourite songs of all time, one being Someday by The Strokes. Hahn says of the experience, "I was so floored watching the guys play this from the audience, something I'd never seen before, that I thought we had to do a fast and wild song, & NYE was born." The catchy soundtrack to a favourite memory.
To celebrate the announcement of their new album, Local Natives are hosting a Sunset Sounds at NeueHouse Hollywood on Thursday, May 11. This celebration includes a special rooftop performance that will also be live streamed via the band's Youtube channel at 7:30pm PST that night and followed by an official Youtube After Party live Q&A with fans.
Local Natives Time Will Wait For No One Tour Dates:
August 18, 2023 - Minneapolis, MN - First Avenue
August 19, 2023 - Milwaukee, WI - Pabst Theater
August 20, 2023 - Detroit, MI - Majestic
August 22, 2023 - Boston, MA - House of Blues
August 24, 2023 - Washington, DC - 9:30 Club
August 25, 2023 - Washington, DC - 9:30 Club
August 26, 2023 - Philadelphia, PA - Franklin Music Hall
August 27, 2023 - Pittsburgh, PA - Stage AE
August 29, 2023 - New York, NY - Pier 17
September 8, 2023 - Chicago, IL - Riviera
September 9, 2023 - Cleveland, OH - House of Blues
September 11, 2023 - Columbus, OH - Newport Music Hall
September 12, 2023 - Nashville, TN - Marathon Music Works
September 13, 2023 - Atlanta, GA - Eastern
September 15, 2023 - Dallas, TX - House of Blues
September 16, 2023 - Austin, TX - Stubb's
September 17, 2023 - Tulsa, OK - Cain's Ballroom
September 19, 2023 - Phoenix, AZ - Van Buren
September 21, 2023 - Denver, CO - Mission Ballroom
September 22, 2023 - Salt Lake City, UT - Depot
September 23, 2023 - Bozeman, MT - The Elm
September 25, 2023 - Vancouver, BC - Vogue
September 26, 2023 - Seattle, WA - Paramount
September 27, 2023 - Portland, OR - Grand Lodge
September 28, 2023 - Oakland, CA - Fox Theater
September 30, 2023 - Del Mar, CA - The Sound
REVEAL NEW SINGLE BLAME BRETT
FROM UPCOMING SOPHOMORE FULL-LENGTH BLAME MY EX ARRIVING SEPTEMBER 15
WATCH BLAME BRETT VIDEO HERE
TORONTO, ON – May 8, 2023 – Following Friday’s announcement of their sophomore LP, Blame My Ex – set for release on September 15 – and earworm new single, Blame Brett, award-winning alt-pop four piece, The Beaches, excitedly announce their fall 2023 North American headline tour. After hitting the summer festival circuit, the band will head from coast to coast across Canada and the U.S. through October and November. See below for full details.
Known for their rousing live performances that invite their audience into their realm of intoxicating energy backed by an undeniable connection, The Beaches have opened for Avril Lavigne, The Rolling Stones, Foo Fighters, Alanis Morissette, The Aces, Passion Pit, and the Eagles of Death Metal, as well as being guest performers at the She Rocks Awards in Los Angeles in April 2023. There is no denying their lure on the stage and in everyone's playlists, including the great Elton John, who declared, "love them, love them, love them!" They've sold out two hometown Toronto shows at History and received acclaim in Prelude Press, KUTX, Indie88, Exclaim, Under The Radar, CBC, Luna Collective, Raydar Mag, and Pop Sugar. The proof is in the plays with six #1 singles on Canadian Alt Radio, and their 2022 single Grow Up Tomorrow at #1 on Alternative & Rock radio in Canada for seven weeks.
With their new album, Blame My Ex, The Beaches crack their upbeat, brazen shell to reveal a more vulnerable inside. Eliza Enman-McDaniel (drums), Leandra Earl (keys/guitar), and sisters, Jordan and Kylie Miller (lead vocals/bass and guitar respectively) are letting a real-life heartache lead the way.
"It's a breakup album. The first time I'd ever been broken up with and my first heartbreak experience,” says lead singer, Jordan Miller. “I was going to dive into this relationship but it really was about heartache and redeeming yourself after losing the love of your life, and figuring out that you can find love in so many ways. You can find love from your friends, your family, from your band mates and from yourself. Also, it's about me putting myself back together and putting myself out there. It is an exercise in therapy and what happens to you after the love of your life doesn't want to be with you."
When the heart splits open, it unleashes all kinds of love; from platonic to queer and everything in between. The Beaches uncover it all on this album, while managing to keep it “equal parts silly party beaches, and heartbroken emotional girls,” says guitarist, Kylie Miller.
The band paired with executive producer, Lowell (Madison Beer, Nessa Barrett), JUNO-nominated producer, Gus Van Go (Arkells, Sam Roberts), and producer, Sam Willows (Ruby Waters), to maintain their electric spirit. They’ve been dead-set on focusing on songwriting and melody to channel their live energy into this album for a more authentic sound.
The album’s latest single, Blame Brett, is infectious from the onset, teasing just the briefest hint of Miller’s isolated vocals before the frenetic instrumentals explode into life behind her. Vibrant guitar riffs, a riveting bass line, and frantic percussion meld into an eclectic instrumental tapestry, shimmering with a satisfying urgency and angst. The track is unapologetically chaotic and shamelessly audacious, carving out a niche as a totally unique take on the break up anthem. But beneath the nonchalant facade there is a deep well of vulnerability and anguish. Miller is a femme fatale and a force of nature as she sings: “I’m sorry in advance / I’m only gonna treat you bad / I’m probably gonna let you down / I’m probably gonna sleep around.”
“Blame Brett is a song with a little bit of a misleading title,” Jordan Miller says. “It’s not really about my relationship. It’s about feeling vulnerable and afraid to open your heart to someone new. I'm basically talking to my future partners, explaining that I can only offer something casual while my heart heals—a song for all the hot messes out there.”
Equal parts funny, scathing, and mournful, Miller, uses Blame Brett as a way to warn potential new partners that she will probably wreak havoc in their relationship due to the irreparable heartbreak of a past breakup. The accompanying music video plays upon the track’s flirty, hedonistic vibes, following the group as they rock out in colorful leather, cheerleader skirts, slinky lingerie, feather boas, and 90s sunnies. Listen to Blame Brett here and watch the video here.
With Blame My Ex marking their first independent album, and with their absolute creative control, The Beaches are ready to reveal their most earnest selves in their music!
UPCOMING TOUR DATES:
May 5-7 – Redondo Beach, CA @ BeachLife Festival
May 9 – Phoenix, AZ @ The Rebel Lounge
May 11 – Austin, TX @ Empire Control Room
May 12 – Houston, TX @ House of Blues
May 13 – Dallas, TX @ Ruins
May 26-28 – Allston, MA @ Boston Calling Festival
June 23 – St. John’s, NL @ Iceberg Alley Performance Tent
July 6 – Saskatoon, SK @ SaskJazz 2023
July 8 – Milwaukee, WI @ Summerfest
July 8-9 – Kirtland, OH @ Wonderstruck (Cleveland)
July 14 – Buffalo, NY @ Cobblestone Live Music & Arts Festival
July 15 – Ottawa, ON @ Hope Volleyball Summerfest
August 3 – Chicago, IL @ Lollapalooza
August 5 – Saint John, NB @ Area 506 Festival
September 8-9 – Sarnia, ON @ Sarnia Block Party
October 8 – Milwaukee, WI @ The Cooperage
October 11 – Nashville, TN @ The East Room
October 12 – Atlanta, GA @ Aisle 5
October 13 – Charleston, SC @ The Charleston Pour House
October 15 – Washington, DC @ Pearl Street Warehouse
October 16 – Philadelphia, PA @ Kung Fu Necktie
October 17 – New York, NY @ Mercury Lounge
October 18 – Boston, MA @ Crystal Ballroom
October 20 – Halifax, NS @ Light House Arts Centre October
October 21 – Moncton, NB @ Tide and Boar
October 26 – Kitchener, ON @ Centre in The Square
October 27 – Hamilton, ON @ FirstOntario Concert Hall
October 28 – Montreal, QC @ M Telus
October 30 – Kingston, ON @ Ale House
November 1 – Toronto, ON @ Massey Hall
November 2 – Toronto, ON @ Massey Hall
November 5 – Winnipeg, MB @ Burton Cummings Theatre
November 8 – Edmonton, AB @ Midway Music Hall
November 9 – Calgary, AB @ MacEwan Hall
November 10 – Kelowna, BC @ Kelowna Community Theatre
November 12 – Vancouver, BC @ Orpheum
November 13 – Victoria, BC @ Royal Theatre
DOWNLOAD – hi-res photo | DOWNLOAD – tour poster
DOWNLOAD – album artwork | DOWNLOAD – Blame Brett single artwork
ABOUT THE BEACHES:
Named after the neighborhood they lived in, The Beaches is composed of lead vocalist/bassist, Jordan Miller, guitarist, Kylie Miller, keyboardist/guitarist, Leandra Earl, and drummer, Eliza Enman-McDaniel. As self-proclaimed lifers, The Beaches forfeited a typical university experience to pursue their careers in music - a topic that is often addressed in their lyrics.
Taking inspiration from artists like Muna, Dayglow, Coin, Olivia Rodrigo, Girl in Red, Wet Leg, Wolf Alice, and The Strokes, The Beaches believe their upcoming releases will be a new direction for them: “We’re not abandoning our rock ‘n ’roll roots, but for this next chapter of our career we wanted to take ourselves less seriously, have fun, and be less precious with the musical ideas we pursue.”
After releasing their self-titled EP in 2013, the group landed a major label deal with Island Records in 2016. Under Island Records they released their debut album, Late Show – which was described by Elton John as “The best rock album of last year” – as well as their next two EP’s, The Professional (2019) and Future Lovers (2021), which were later combined for a full-length release called Sisters Not Twins (The Professional Lovers Albums) in 2022.
The Beaches have garnered over 52 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with five #1 singles on Canadian Alternative Radio. They have been recognized with two JUNO Awards for Rock Album of the Year (2022) and Breakthrough Group of the Year (2018).
TRACK FEATURED ON NEW EP
LOST IN THE REWIND OUT ON JUNE 2
STICKLAND TO PLAY EP RELEASE SHOW
AT THE MINT IN LOS ANGELES ON MAY 31
TORONTO, ON – May 5, 2023 – Singer/songwriter, Craig Stickland, releases a second track from his forthcoming EP today. Firing Line, a sweeping, melancholy love song, is featured on the forthcoming 6-song EP, Lost in the Rewind, which will be released on June 2, via MNRK Music Group. To celebrate the release of Lost in the Rewind, Stickland will play an EP release show on May 31 at The Mint in Los Angeles, CA. Listen to Firing Line here and watch the visualizer here.
In addition to some new songs, Stickland sifted through tons of material going as far back as 15 years to ensure he was putting his best foot forward on the EP, and Firing Line is one of those tracks.
Stickland says, “I wrote Firing Line 15 years ago, the first time I thought I was in love. I was so invested in the relationship, but with every interaction, I felt her pulling away. In my gut, I knew she was going to break up with me long before she eventually did (to get back with her ex!). It’s written about the final moments of a relationship you don’t want to end, even though you can feel it coming. I’m excited to finally release this song so many years later.”
The gorgeously plaintive EP, Lost in the Rewind, "is really about finding myself again," says Stickland. When pandemic restrictions lifted and songwriting presented itself, “I really had to take a step back to find my love for myself and music again,” he says. “Lost in the Rewind is me trying to unpack why I did these things.” Stickland previously released the track, Colorblind, from the EP. Watch that video here.
Stickland previously released the three-song EP, While We Wait For the Sun to Rise, in 2021. His debut, the JUNO-nominated Starlit Afternoon, chronicled Stickland’s decade-long struggle to break through into music. The album garnered millions of streams on Spotify, with a pair of pristinely lovelorn tracks, the meditative title song and laid-back anthem, Break Every Rule, winning him a loyal following.
LISTEN HERE
TORONTO, ON – May 5, 2023 – Today, rising artist, August Royals, returns with the release of his latest single, Angel Arms, out now via RCA Records. Listen here and watch the visualizer here.
His first song of 2023, Angel Arms, follows last year’s release of his debut project, Inhaler, a nine-track EP that served as a multi-genre reflection of his own experiences and struggles. Driven by the strums of an acoustic guitar before bursting to life with a flurry of drums and percussion, Angel Arms is an emotional indie-pop track that sees August trying to connect with a love interest.
Says August of the song, “if I had to write a song that captured falling in love, this is what it would sound like.”
Garnering praise from V Magazine, Rollacoaster, Lyrical Lemonade, and more, August Royals has quickly started making a name for himself in just a few short months, establishing himself as an artist to watch. Selected as part of Pigeons & Planes’ highly coveted Best New Artists, he was heralded as “the rare kind of talent who’s positioned to strike the difficult balance between artistry and accessibility.” The Georgia-born and Los Angeles-based singer and songwriter first caught listeners’ attention in 2019 when he posted a clip of his song, Restless, and went viral on Instagram with hundreds of thousands of views.
After a chance meeting with Kevin Abstract at a show in Los Angeles, the two became fast friends and collaborators. Championed by Abstract, August signed with RCA Records and released his debut single Blue Football to praise and critical acclaim. Clash called the release “exhilarating,” praising it as a “carefully finessed song, one that balances the micro with the macro in its search for meaning.” Following suit with Crash less than a month later, the single was featured as one of Billboard’s 10 Cool New Pop Songs.
LISTEN HERE
NEW STUDIO ALBUM PEACE…LIKE A RIVER OUT JUNE 16
ON FANTASY RECORDS
SPRING HEADLINING TOUR KICKS OFF TONIGHT
IN NEW ORLEANS
MAY 12 SHOW FROM NASHVILLE’S RYMAN AUDITORIUM WITH SURPRISE SPECIAL GUESTS TO LIVESTREAM VIA NUGS.NET
DARK SIDE OF THE MULE SUMMER TOUR LAUNCHES JULY 22
“Warren Haynes is a meaty and masterful player, as well as a soulful singer and songwriter – an all-star.” – Rolling Stone
“Gov’t Mule is an essential, iconic American band.” – Guitar World
“[Warren Haynes is] one of the most celebrated, legendary guitar pros.” – Billboard
"[Gov't Mule's] songs stomp and wail with unmistakable energy and heft." – NPR
“Brilliant and never predictable…an effortless combination of blues, soul and classic roots-rock…innovative and commanding.” – American Songwriter
“One of the greatest live bands in existence.” – Music Connection
“Haynes and the band deliver a world-class musical experience.” – Goldmine
TORONTO, ON – May 5, 2023 – Renowned GRAMMY-nominated band, Gov’t Mule, led by guitar legend, vocalist, songwriter and producer Warren Haynes (whose performances last weekend at Willie Nelson’s 90th birthday concert at the Hollywood Bowl were an event highlight), has released the new single, Same As It Ever Was, the opening track of their forthcoming studio album, Peace…Like A River, out June 16 via Fantasy Records. Same As It Ever Was features a soaring arrangement – anchored by Jorgen Carlsson’s thunderous bass and Matt Abts’ precise yet soulful drumming – that helps bring the song’s heartfelt sentiments home. Listen here and watch the visualizer here.
Gov’t Mule has also shared a behind the song video for Same As It Ever Was – watch it here. Peace…Like A River, the band’s 12th studio album and follow-up to Gov’t Mule’s chart-topping, GRAMMY-nominated blues album, Heavy Load Blues, is available to pre-order and pre-save on DSPs here. Each digital pre-save will include an instant download of Same As It Ever Was and the previously released single, Dreaming Out Loud, featuring Ivan Neville and Ruthie Foster.
“Same As It Ever Was is such an opus, an expansive piece. It goes in all these different directions, but lyrically and conceptually it makes sense to be the opening track,” shares Haynes. “Life throws challenges at you when you least expect it, but in some ways, the disruption of the lockdown period is no different than what could happen at any given moment. We've all dealt with what in some cases seem like insurmountable hardships, but in my lifetime, the pandemic is the first time that the entire planet went through it together. The whole message of the tune is we’ve come a long way, but now we’re on the other side and life is normal, life is good. Same as it ever was.”
The album’s lead single, Dreaming Out Loud, featuring Ivan Neville and Ruthie Foster, is currently impacting Triple A radio nationwide. For the stirring song, Haynes wove together inspirational quotes from Dr. Martin Luther King Jr., Robert and John Kennedy, and the late civil rights leader and U.S. Representative, John Lewis. Watch a behind the song video from Haynes about Dreaming Out Loud, here.
Peace…Like A River was recorded during the same sessions as Heavy Load Blues at The Power Station New England with co-producer John Paterno (Elvis Costello, Bonnie Raitt, Los Lobos) alongside Haynes. The albums, however, were created in different rooms, with no shared gear or instruments, keeping the two concurrent projects with their own unique identity and character. One distinguishing difference on Peace…Like A River is the presence of talented friends in important guest roles, including Billy F Gibbons, Billy Bob Thornton, and Celisse as well as Ivan Neville and Ruthie Foster. Thematically, the new 12-song rock collection explores the seismic changes the world has gone through over the past few years. Influenced both in his songwriting and playing by what Haynes calls “the golden era of rock, soul, jazz and blues,” Gov’t Mule combines the best and most enduring qualities from all those musical strains to create a timeless piece of art on Peace…Like A River that could have easily come out in the 1970s. Watch the album trailer here. Peace…Like A River will also be available in a Deluxe Edition (on CD only) including the special 5-track Time Of The Signs Bonus EP in addition to the original 12 tracks.
Tonight (May 5th), Gov’t Mule – Warren Haynes [guitar, vocals], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – kicks off their spring headlining tour in New Orleans for a special show during Jazz Fest featuring special guests George Porter Jr. & Runnin’ Pardners. The band’s show at the legendary Ryman Auditorium in Nashville on Friday, May 12 will feature surprise special guests and be livestreamed for free via nugs.net exclusively for subscribers – click here to subscribe and watch. The 10-date spring run then wraps in Haynes’ hometown of Asheville, NC with back-to-back shows at Salvage Station’s Outdoor Stage on May 19 and 20. Gov’t Mule will head to the West Coast and Midwest in June for a mix of headlining shows and dates with The Avett Brothers before launching their Dark Side of the Mule Tour on July 29. The 21-date summer amphitheater outing, produced by Live Nation, will feature a full Gov’t Mule set leading into their extremely rare Pink Floyd tribute Dark Side of the Mule, in addition to special guest Jason Bonham’s Led Zeppelin Evening, and will mark the final time Mule will perform the acclaimed set, which first debuted in 2008 and has only been performed live 10 times in total. Additionally, Gov’t Mule will perform select dates on Willie Nelson’s Outlaw Music Festival Tour this summer and fall as well as various festival appearances. The band’s New Year’s Run from last year has also been rescheduled for December 29 in Philadelphia and December 30 and 31 in New York City. See below for full list of upcoming tour dates and visit https://mule.net/for ticketing details and to purchase.
GOV’T MULE TOUR DATES
May 5 – New Orleans, LA @ Orpheum Theater ^
May 6 – Memphis, TN @ Beale Street Music Festival ~
May 7 – Evansville, IN @ Victory Theatre
May 9 – Cleveland, OH @ TempleLive Cleveland
May 11 – Ashland, KY @ Paramount Arts Center
May 12 – Nashville, TN @ Ryman Auditorium
May 14 – Birmingham, AL @ Avondale Brewing Company
May 16 – Macon, GA @ Macon City Auditorium
May 18 – Augusta, GA @ Miller Theater
May 19 – Asheville, NC @ Salvage Station – Outdoor Stage **
May 20 – Asheville, NC @ Salvage Station – Outdoor Stage ^^
June 9 – Jacksonville, OR @ Britt Pavilion
June 10 – Saratoga, CA @ The Mountain Winery
June 11 – Valley Center, CA @ Harrah’s Resort Southern California
June 13 – Salt Lake City, UT @ Red Butte Garden Amphitheater
June 15 – Kansas City, MO @ Grinders KC
June 16 – Camdenton, MO @ Ozarks Amphitheater +
June 17 – Rogers, AR @ Walmart AMP +
June 18 – Wichita, KS @ TempleLive
June 20 – Peoria, IL @ Peoria Civic Center Theater +
June 22 – Cedar Rapids, IA @ Alliant Energy Power House +
June 23 – Mankato, MN @ Vetter Stone Amphitheater
June 24 – Fargo, ND @ Outdoors at Fargo Brewing Company
July 22 – Atlantic City, NJ @ Hard Rock Live at Etess Arena *
July 23 – Patchogue, NY @ Great South Bay Music Festival ~*
July 25 – Pittsburgh, PA @ Stage AE *#
July 26 – Columbus, OH @ KEMBA Live! *#
July 28 – Saratoga Springs, NY @ Saratoga Performing Arts Center *#
July 29 – Bethel, NY @ Beth Woods Center for the Arts %
July 30 – Darien Center, NY @ Darien Lake Amphitheater %
August 2 – Clarkston, MI @ Pine Knob Music Theatre *
August 3 – Noblesville, IN @ Ruoff Music Center *
August 4 – Tinley Park, IL @ Hollywood Casino Amphitheatre *
August 5 – Council Bluffs, IA @ Stir Concert Cove – Harrah’s Council Bluffs *
August 7 – Morrison, CO @ Red Rocks Amphitheatre *
August 9 – Dallas, TX @ Dos Equis Pavilion *
August 11 – Charlotte, NC @ PNC Music Pavilion *
August 12 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park *
August 13 – Cincinnati, OH @ PNC Pavilion at Riverbend Music Center %
August 15 – Bridgeport, CT @ Hartford HealthCare Amphitheater *
August 17 – Gilford, NH @ Bank of New Hampshire Pavilion *
August 18 – Boston, MA @ Leader Bank Pavilion *
August 19 – Holmdel, NJ @ PNC Bank Arts Center *
August 20 – Vienna, VA @ Wolf Trap *
September 16 – Fredericton, Canada @ Harvest Music Festival
October 6 – West Palm Beach, FL @ iTHINK Financial Amphitheatre %
October 7 – Tampa, FL @ MidFlorida Credit Union Amphitheatre %
October 8 – Orange Beach, AL @ The Amphitheater at The Wharf %
October 15 – Columbus, GA @ RushSouth Fest ~
December 29 – Philadelphia, PA @ The Met
December 30 – New York, NY @ Beacon Theatre
December 31 – New York, NY @ Beacon Theatre
^ with special guests George Porter Jr. & Runnin’ Pardners
** with special guest Neil Francis
^^ with special guest Maggie Rose
~ festival appearance
+ with The Avett Brothers
% Outlaw Music Festival dates
* Dark Side of the Mule dates
# Gov’t Mule only/No Jason Bonham’s Led Zeppelin Evening
DOWNLOAD – press photo | DOWNLOAD – album cover artwork
ABOUT GOV’T MULE & WARREN HAYNES:
For over two decades, Gov’t Mule – Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – has galvanized a global fan base with their honest, organic and daring music and improvisational virtuosity, leading them to be recognized as one of the most timeless, revered and active bands in the world whose spot amongst rock titans remains unshakable. Led by visionary GRAMMY Award-winning artist and guitar legend Warren Haynes – a cornerstone of the American music landscape – the enduring, globally revered GRAMMY-nominated group has showcased its intelligence and breadth over the course of 20+ studio and live albums, thousands of memorable performances, and millions of album and track sales. Gov’t Mule has become a human encyclopedia of great American music while adding to that canon with their signature sound. The band’s flexible interplay in the studio and on stage makes them a true living, breathing ensemble and Haynes is lauded as one of the most formidable guitarists and vocalists of the modern era and a prolific songwriter and producer. Throughout his prolific career as part of three of the greatest live groups in rock history – Allman Brothers Band, Gov’t Mule and the Dead – and an acclaimed solo artist, Haynes has become one of music’s most treasured storytellers.
FIRST TASTE OF MUSIC FROM DEBUT ALBUM
ARRIVING THIS FALL
TORONTO, ON – April 28, 2023 – If she’s not on your playlists already, be prepared to be obsessed with Laur Elle! As a singer-songwriter who has always been enamoured by the power of words, the LA-based (by way of Alberta, Canada) pop artist is a true multi-talented self-starter through and through. Today, she reveals the first taste of new music from her forthcoming debut album with the lead single, Burning Out. An ode to experiencing life to the fullest and aiming to avoid FOMO – even when the overwhelming feelings of life become a self-sabotaging cycle – Burning Out is sure to resonate with everyone it reaches. Listen to the twinkling and energetic track here.
“I have always had a fear of missing out on life, and that fear has come with some major consequences,” reflects Laur Elle. “I wrote this song as an acceptance of those consequences. Burning Out is what it feels like to lean into the chaos instead of running away.”
Simultaneously nostalgic and freeing, Burning Out arrives ahead of Laur Elle’s debut record, with every song being written and co-produced by Laur Elle herself, alongside Father Bobby Townsend. Her musical vision is intrinsically tied to her own voice, and every song is different on the genre-fluid album. “This record is like an emotional road trip,” she explains. “It feels like letting go of the past, taking detours, and finding your destination along the way — each song is a stop on the journey.”
As a young pop artist, Laur Elle uses her music to process her own emotions. After time as an internationally competitive gymnast for the Canadian national team, she immersed herself in the creative community and has quickly proven that while poetry was her artistic starting point, music is truly her calling. With music that starts with her pen and her guitar, Laur Elle’s airy vocals, grounded lyrics and lush sound, create the perfect vehicle for escapism — a sound she calls perfect for running (or, more appropriately, driving) away from problems. Writing is her escape, and she’s ready to offer the same kind of solace for her listeners.
“This era has been a leap of faith,” she says — but if anyone can stick the landing, it’s Laur Elle.
DOWNLOAD – Burning Out single artwork
DOWNLOAD – hi-res photo
LISTEN HERE
NEW TRACK TO APPEAR ON DELUXE VERSION
OF DEBUT ALBUM flounder OUT THIS SUMMER
LISTEN TO flounder HERE
WATCH THE MAKING OF flounder HERE
Toronto, ON – April 28, 2023 – Today, songwriter and indie artist, quinine, shares a brand new track entitled, fade (flounder bonus track). Listen to the song and watch the official lyric video here. The track will also appear on her forthcoming deluxe version of her debut album, flounder, which will be available this summer.
flounder consists of 11 tracks laced with quinnie’s unapologetic lyrical candor, expressive instrumentation, and dreamy beat-craft. Among many highlights, her breathy intonation echoes listlessly on security question as she confesses, “Wish I could make a friend today.” The vocals sink into distant guitar on the nostalgic, popcorn and juice, while jake’s car caps off the LP with a weirdly wonderful send-off, “Cuz I borrow Jake’s car, cuz I’d drive but I can’t afford it, YET.” Plus, it boasts her breakout, touch tank, the fan favourites man and itch and the previously shared title track, flounder. Listen to flounder here.
quinnie, who sold out her previous run of shows in less than a day, will hit the road again this May with dates in Brooklyn, Chicago, Los Angeles, San Francisco and Toronto. Fans can find tickets and more information here.
As a self-described “very sensitive 21-year-old,” quinnie went from writing songs as a kid to releasing independent projects such as a gold star in 2019. She is bitingly funny, she is brutally honest, she loves the underwater world and sea creatures, and she will help you escape if you let her.
quinnie 2023 LIVE SHOWS:
5/06/2023 - TORONTO, ON – DRAKE UNDERGROUND
5/09/2023 - BROOKLYN, NY – MUSIC HALL OF WILLIAMSBURG
5/10/2023 - CHICAGO, IL – SCHUBAS
5/17/2023 - SAN FRANCISCO, CA – RICKSHAW STOP
5/18/2023 - LOS ANGELES, CA – TROUBADOUR
DOWNLOAD - Artwork
NEW FULL-LENGTH ALBUM ARRIVING THIS SUMMER
TORONTO, ON – April 28, 2023 – It’s the sound of a song you half remember. A shiver of remembrance, tingling along your spine. A glimpse of a now-scratched record. You pause, reaching into the dark recess of memory, returning with the sensation you’ve forgotten what you once knew... until you realize: there was no recollection to be found. That innate feeling of sense memory shines through beautifully on Sleepy Jean’s brand new track, Lonely As I Can Be – the lead single from her forthcoming new album, set to arrive this summer. Listen to Lonely As I Can Be here today, and watch the accompanying music video here.
"Recorded while watching the gentle sway of someone mopping the floors of a breakfast joint across the street, Lonely As I Can Be is a melancholy meditation on the meaning of loneliness,” Sleepy Jean shares.
The evocative feeling of loneliness that blankets the track is all the more poignant when heard through the lens of the new album’s overall concept.
“As we were piecing the album together, I started to realize how much I had drawn from my father’s family story lyrically,” Sleepy Jean reflects. “My dad was born in Uganda to Parsi parents (ethnically Persian people of Zoroastrian faith who fled what is now known as Iran in the 7th, landing in India) in the mid-60s. When Idi Amin came into power in the early 70s, my bupawaiji (grandfather) was placed on a hit list as he was smuggling political enemies out of the country, and was part owner in the first major bus company operating in Kampala – Uganda’s capital. My father’s family fled to India and were never able to return to Uganda.
Lonely As I Can Be is told from my bupawaiji’s viewpoint, as he sent the family away ahead of himself, and stayed behind trying to take out as much money as he could.”
Sleepy Jean’s spaghetti western-infused Americana reimagines the sounds of yesteryear in a blend all her own. Hailing from Welland, ON, Sleepy Jean – the moniker/alter-ego of singer-songwriter Katey Gatta – independently released her debut EP, Idle Hands, amassing over 100,000 cumulative streams. Now armed with her backing band, the Deadstock Three (featuring members of TALK, Cat Clyde’s Shitbats, and alumni of Great Lake Swimmers, Jill Barber and Deep Dark Woods), Sleepy Jean is thrilled to begin sharing the new music from her soon-to-be released debut full-length.
DOWNLOAD – Lonely As I Can Be single artwork
DOWNLOAD – hi-res photo
TRACK DEBUTS ALONGSIDE FEATURE IN
HIT VIDEO GAME ULTRAKILL
TO PLAY LAS VEGAS’ SICK NEW WORLD FESTIVAL MAY 13
TORONTO, ON – April 27, 2023 – LA’s HEALTH today released their visceral and propulsive new single, HATEFUL, co-written with SIERRA and featuring backing vocals from Street Sects’, Leo Ashline. In tandem with the launch, the track also appeared in-game via ULTRAKILL’s latest software update. HEALTH says of the new song, “BACK TO THE CYBER GRIND.” More collaborations between HEALTH and ULTRAKILL will soon be announced.
HATEFUL follows last year’s acclaimed collaborative album, DISCO4 :: PART II, which featured tracks with Nine Inch Nails, Lamb of God, The Body, Backxwash, Poppy, Perturbator, and others. The band of Jacob Duzsik, John Famiglietti, and Benjamin Miller will next perform at Sick New World Festival in Las Vegas on May 13 before heading overseas for summer shows and festival dates in Australia, Europe and the U.K.; a full tour itinerary is listed below.
HEALTH Live Dates:
5/13 - Las Vegas, NV - Sick New World
6/15 - Sydney, NSW (AUS) - Crowbar
6/16 - Brisbane, QLD (AUS) - The Triffid
6/18 - Hobart, TAS (AUS) - Dark Mofo
8/18 - Saint-nolff, FR - Motocultor Festival
8/19 - Bristol, UK - Arctangent Festival
ALBUM RELEASE SHOW ON MAY 5
AT GENGHIS COHEN IN LA
MORE DATES TO COME!
“Zoe beautifully blends folk-tinged guitar melodies with a dreamy, ethereal vocal delivery to create an atmospheric release. A buttery concoction, her sound is totally addictive, providing the perfect soundtrack to ease the ups and downs of life’s rollercoaster” - Earmilk
TORONTO, ON – April 26, 2023 – Today, alternative singer-songwriter, Zoe Sky Jordan, releases her first full length album, Selfish - produced by music industry veteran, Liam Russell, and mixed by Rob Shnapf (Kurt Vile, Elliot Smith and Micah Tawlks (COIN, Louis Prince). Listen here. Zoe and her band will celebrate the release with an LA Show at Genghis Cohen, supported by Bella Porter and promoted by Sid The Cat, on May 5.
A self-proclaimed “chronic bullshit detector”, Zoe Sky Jordan, does a deep dive on her album, Selfish – delving headfirst into the pain points and uncertainty of being a 30-something female. In an era when women are expected to excel both professionally and personally, she examines the reality of what we’re calling freedom, autonomy and progress for women, wondering if the choices are actually better, or just have better branding, when the reality remains that this generation still faces the same double standard as its predecessor.
Every song in this collection is a gem. Musically influenced by the grooves and melodies of the 90s songs which shaped her ear as a young girl, Zoe is a consummate storyteller who packs a powerful punch of observation and emotional reflection into each of the 12 songs that make up her latest album.
Wanting nothing makes you useless to men / Who trade your youth and your time for their children / Love and desire interchange, just like the bitch and the whole and the saint/ I’m introducing myself like a stranger / After seeing my body in the mirror / Down to the dollar I know what it’s worth / I’m gonna cash out while it still works
The lyrics from the title track Selfish were written before Roe V Wade was overturned, around the time of her 30th birthday. After 10 years of working predominately with men in studios and at shows, Zoe felt an impending doom. “I didn’t have a 30-year-old version of me to look up to, someone who was married and wants kids but also doesn’t want to miss a beat in their career,” she reflects. “The narrative was always ‘that I would feel differently once I had kids’ - the insinuation being that there’s something beyond my own free will, intrinsic in being a woman that would bring me back to domesticity. No matter what I think is best for me, these are the laws of nature.” At the time she wrote those lyrics, Zoe says “I felt like I was being a little hyperbolic, but in retrospect I think I was responding to the rumblings of what was about to happen.”
The song is accompanied by a music video directed by Maya Fuhr (set for release on May 3) which gives a behind-the-scenes look at making a music video as an independent artist and pays homage to Zoe's mother, singer-songwriter Amy Sky’s music video, I Will Take Care Of You. Don’t let the anthemic, earworm chorus deceive you, the song goes deep, delivering an unsettling lyrical observation - “Decades after the feminists won / Women do whatever they want / As long as you’re thin and the house is clean/ You can be whoever you want to be”.
Zoe’s lyrical gift is to peer under the relationship rocks most people leave unturned. Just Fine illustrates her natural pop sensibilities, with its stand-out melody and sinewy groove - I’ve heard something about / Where I get the money / I’ve heard something about every woman I’ve ever met / And at a certain point / It’s gotta be easier / To stand on her shoulders / Than sit on his lap / They say sittings the new smoking so there’s that.
Love Me is a cascade of nonstop sing along hooks; the lyrics speaking to the identity issues facing her generation. Zoe examines the dilemma posed to those struggling to find themselves in a world obsessed with the idea that self -esteem Nirvana is one self help webinar away. She posits that the cost of change can be disenfranchisement from one’s authentic self, and it can make love and acceptance conditional on a high-maintenance manicured personality.
Enjoying this album brings about the same feeling of catching up with an old friend who’s been through the wringer, and has come out the other side. Cautionary tales, peppered with hopeful silver linings that everything’s gonna get figured out.
SELFISH TRACKLIST:
1. Selfish
2. Just Fine
3. Achievement of Youth
4. Cooler Than I Am
5. Love Me
6. Hands Off The Wheel
7. Crazy Too
8. Misery
9. Why
10. Sundown
11. More Than Ever
12. Rosh Hashanah
DOWNLOAD - album cover artwork | DOWNLOAD - hi-res photo
ABOUT ZOE SKY JORDAN:
Zoe Sky Jordan has seen great experiences and career highlights, having shared the stage with the likes of Marlon Williams, Ohmme, Madi Diaz, Molly Pardon, Savannah Conley, Andrew Combs, Jezzie Baylin and more. She enjoys collaborating with artists in all genres and in 2020 she teamed up with Kayobe (Cadence Music) for his track, No Sympathy, which was the lead single off his album, and Nashville folk darling, Robby Hecht, for his song Ferris Wheel. TOPIARY, her 2015 EP charted in the top 10 at U.S. college radio and won a CSC award for the music video for Powerlines, one of the album's first singles. You know Zoe from a myriad of tv placements her songs have had including Lost Girl, Riverdale, Finding Carter, Less Than Kind, Hockey Night in Canada and Hallmark. Her covers of True Colors and Love Is All Around were featured in Canadian Tire's award-winning Christmas ads two years in a row.
WATCH THE ACCOMPANYING VIDEO HERE
TOUR DATES WITH grandson THIS JUNE
TORONTO, ON – April 24, 2023 – Singer/songwriter/multi-instrumentalist, Jack Kays, has shared his new track Highlight Reel. Providing commentary on the façade of social media, the song arrives alongside an official video, directed by Siena Saba, and conceptualized by Jack and his frequent creative collaborator, Cagla Akcadag. Listen to Highlight Reel here and watch the music video here.
Speaking about the new track, Kays says, “So much of the time when I’m writing music, it’s about topics that are really personal and sensitive to me. This song is an exception, it’s one of the first I’ve written where I was just having fun.”
Highlight Reel follows the February release of The Voice In My Head, which marked the first offering of new music since Kays’ acoustic EP, CESSATION. Released at the end of last year, the five-track project is an extremely vulnerable collection of songs that chronicle the lifespan of a man and his journey to sobriety starting at ages 10-17 with Wish You Well and concluding with a reflection of an entire life with The Walk.
After his first-ever headline tour last year with sold out shows across North America, Jack will join grandson on his Love You, I’m Trying tour this June. Kays will begin his support run on June 3 at New York’s Webster Hall with shows in Chicago, Denver, San Francisco, Los Angeles, and more. See full routing below and visit https://www.jackkays.com/ for tickets and more information.
Stay tuned for more from Jack Kays coming soon!
JACK KAYS LIVE:
6/3/2023 - NEW YORK, NY - WEBSTER HALL*
6/4/2023 - PHILADELPHIA, PA - FRANKLIN MUSIC HALL*
6/5/2023 - MCKEES ROCKS, PA - ROXIAN THEATRE*
6/6/2023 - INDIANAPOLIS, IN - EGYPTIAN ROOM @ OLD
NATIONAL CENTRE*
6/9/2023 - DETROIT, MI - SAINT ANDREWS HALL*
6/11/2023 - CHICAGO, IL - HOUSE OF BLUES CHICAGO*
6/12/2023 - SAINT PAUL, MN - PALACE THEATRE*
6/16/2023 - CHESTERFIELD, MO - THE FACTORY*
6/17/2023 - KANSAS CITY, MO - BOULEVARDIA FESTIVAL
6/19/2023 - DENVER, CO - MISSION BALLROOM*
6/22/2023 - GARDEN CITY, ID - REVOLUTION CONCERT HOUSE*
6/23/2023 - SEATTLE, WA - SHOWBOX SODO*
6/26/2023 - SAN FRANCISCO, CA - THE WARFIELD*
6/27/2023 - LOS ANGELES, CA - THE WILTERN*
6/29/2023 - PHOENIX, AZ - THE VAN BUREN*
* with grandson
ON TOUR THIS SPRING AND SUMMER
HEADLINE SHOWS AND FESTIVAL APPEARANCES
IN NORTH AMERICA AND EUROPE INCLUDING NEW YORK CITY, LONDON, STAGECOACH, UNDER THE BIG SKY FESTIVAL, TELLURIDE, MERLEFEST AND MORE
NEWPORT FOLK FESTIVAL JUST ANNOUNCED
APPEARING JULY 28
“Sublime Appalachian heartbreak.” - Rolling Stone
"Sometimes the minute you hear a voice, you know it's for the ages. That's how Canadian Bella White, the daughter of a Virginia bluegrasser, enters the picture. Making her second album now, at 22, White is poised for a major breakthrough. This is her origin story." - NPR
“At just 22, Bella White is a songwriting prodigy and emotional alchemist.” - Grammy.com
"Bella White bends the genres to her will, producing a fresh sound exploring all-too-familiar melancholia... Honest and grand, 'Flowers on My Bedside' elevates the familiar folk song form, showcasing White’s mastery of simplicity." - Consequence
"Her lyrics are wise beyond her years—she’s 22, good lord—as is the warble in her voice." - Jezebel
“(‘Break My Heart’) is an instant classic” - Folk Alley
"Among Other Things finds her, only two albums in, already stretching beyond what’s expected of her." - No Depression
"Her vocal range is unreal, and her songwriting ability takes complex thoughts and turns them into beautiful melodies." - Whisky Riff
TORONTO, ON – April 21, 2023 – Calgary-born singer-songwriter/multi-instrumentalist, Bella White, has released her new album, Among Other Things, today via Rounder Records. The LP was produced by Jonathan Wilson and features Buck Meek of Big Thief on guitar. Bella teased Among Other Things with a handful of songs that together give the listener a sense of Bella’s remarkable writing and life-long-honed skills as a bluegrass player. “Bella White stands out as the youngest in her class of breakthrough virtuosos defined by the likes of Billy Strings and Amythyst Kiah. Her poetic poignancy conjures up the palpable devastation from a novice lover whose heart —one brimming with naïve ideas of romance—has shattered into a seemingly irreparable form,” said American Songwriter. The tracks include The Way I Oughta Go, Rhododendron, Break My Heart, and Flowers On My Bedside. Bella spoke with PopMatters about the album - read that story here - and she was No Depression’s April Spotlight Artist - read her personal essay here and their interview with her here.
Mesmerizing live, Rolling Stone included Bella in their Best Things We Saw roundup of AmericanaFest. She just announced a July 28 appearance at this year’s Newport Folk Festival - the date is one of many she is playing this spring and summer including her U.S. headline tour that includes a stop in New York City on May 4. She has also added dates in Europe and the UK and has confirmed appearances at major U.S. festivals throughout the spring and summer including Stagecoach, Merlefest, Telluride, Under The Big Sky, and more. All tour dates listed below.
White made her mark on the scene with the release of her debut album Just Like Leaving. The LP caught the attention of Rounder Records which signed her last year. While traditional bluegrass originated in Appalachia, the genre has surely found a safe and loving Canadian home via her songwriting. The 22-year-old singer/songwriter and instrumentalist shies away from modern and fussy arrangements, and instead brings a traditional style of music into the contemporary moment by personalizing it to her own experiences. White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table. Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. Read more about Bella White here.
UPCOMING TOUR DATES:
April 28 - Stagecoach - Indio, CA
April 25 - Grand Ole Opry - Nashville, TN
May 2 – The Loft at City Winery Philadelphia – Philadelphia, PA
May 3 – Pearl St. Warehouse – Washington, DC
May 4 – Rockwood Music Hall (Stage 2) – New York, NY
May 17- Duke’s Indy – Indianapolis, IN
May 19 - Sleeping In The Woods Songwriter Festival - Monticello, KY
May 20 - Pit House – Slade, KY
June 13 - Telluride Bluegrass Festival - Telluride, CO
June 18 - Black Deer Festival, Tunbridge Wells, UK
June 20 - The Glad Cafe - Glasgow, Scotland
June 21 – The Lexington, London, UK
June 23 – SPOT, Groningen, Netherlands
June 24 - Rotterdam Bluegrass Festival - Rotterdam, ZH, NETHERLANDS
July 14 - Under the Big Sky Music & Arts Festival, White Fish, MT
July 28 - Newport Folk Festival - Newport, RI
WATCH STUNNING VIDEO FOR HOLDING ON
"Said I’m holding on for dear life once again
Said I’m lost in the weight and it's pulling me in
And it’s pulling me"
Toronto, ON – April 21, 2023 – Today, JUNO Award -nominated Indigenous (Anishinaabe/Cree), Queer, activist, actress, poet, Alt-Pop singer-songwriter-producer and filmmaker, Jayli Wolf, shares a powerful new single, Holding On. Embodying the juxtaposition of deep love and a dark sadness, the song captures moments in life where we can lose touch with ourselves. Resonant chords flow alongside Jayli's expansive, emotive vocals evoking the feeling of these layered experiences as the song grows into a vast sonic landscape in its chorus. Listen to Holding On here and read the lyrics here.
"Sometimes the darkness can be so lonely that the love for another is the only thing tethering us to this world," Jayli adds. "Such a weight placed on another can be extraordinarily difficult for them to carry. The awareness of this burden and the journey of finding self-love/purpose is what this song and visual portray."
The beautiful video depicts Jayli exploring a surreal dream world as a scarecrow protecting a desolate land, as past memories of a love connection that cannot be forgotten play out as flashbacks. She seeks to find peace and freedom within herself from the darkness that has loomed over her. Watch Holding On here.
A by-product of the Sixties Scoop, and proud of her post-traumatic growth, the Canadian rising star’s debut EP, Wild Whisper, which explored the hardship her family endured from the colonial genocide inflicted by the Canadian Government; the exodus of leaving the religion she was born into and releasing the shame and guilt instilled in her around her bisexuality, received much critical acclaim including a 2022 JUNO Award nomination, Apple’s 100 Best Songs of 2021, and CBC top 10 Canadian Songs 2021 lists, a #1 on CBC Radio One, over 1+ Million views on YouTube for the self-directed music video of her song, Child of The Government, and coverage in VOGUE (Global), NYLON, Rolling Stone, CBC, them., and much more.
Jayli’s work caused a global stir, when several of her TikTok videos went viral, one of which reached over half a million viewers and received countless comments from people whose Indigenous family members have had similar experiences in the Sixties Scoop.
Rolling Stone calls Jayli Wolf's music a crossover between Phantogram, Crystal Castles, and Chvrches. Jayli Wolf’s critically acclaimed prowess is living proof that you can find your truth despite a tumultuous past. Jayli Wolf’s much-anticipated second EP focuses on themes of spirituality, self-love, awakening, and healing. Sonically, it experiments with collected sounds across Turtle Island, and fuses both folk and electronic alternative elements.
Holding On is the first single from Jayli's forthcoming album, set to launch this summer via her own label, ALT EDEN. Until then, keep your ears, heart and mind open for more.
More about the Sixties Scoop: the Canadian Government and Catholic Church were responsible for taking or “scooping” more than 20,000 First Nation, Métis, and Inuit children from their families and communities in the 1950s through the ‘90s. The children were placed in foster homes or adopted (with accounts of children even being sold) into non-Indigenous families across Canada, the United States, and beyond. Along with the loss of cultural identity, the government went so far as to change some children’s true ethnicity on file. Many experienced severe sexual, physical, and emotional abuse.
DOWNLOAD - Holding On Artwork | DOWNLOAD - Press Photo
Jayli Wolf on TikTok: @JayliWolf
Connect with Jayli: Website | Facebook | Instagram | Twitter | YouTube | Spotify | TikTok
LISTEN TO TOO CLOSE
AND PREVIOUS SINGLE DANGEROUS
TORONTO, ON – April 21, 2023 – Following the release of her funk anthem, Dangerous, trailblazing Toronto artist and emcee, Lex Leosis, sets boundaries and cuts cords with bold bars in Too Close. All about working up the courage to choose yourself, the song takes you verse by verse through a cheating experience with Lex's final rap verse, proclaiming: "I'm leaving." Listen to Too Close here.
"I wanted to explore creating a pop-rap song that had a funk element to it," Lex says of the inspiration behind Too Close. "The lyrics are about being cheated on by a past partner and having to choose myself and let that person go."
Lex continues to relay her mission to empower women and non-binary folks to feel confident in themselves, always bringing these communities to the forefront. Too Close was produced by Pacific, multi-platinum producers from Amsterdam, The Netherlands. Their production kicked off an organic process, as Lex completed writing within a few hours. Lex recorded the song with longtime collaborator, KR Moore in, Scarborough, Ontario. Additional vocals and arrangement were completed with Brodie Metcalfe, percussion with Julian Clarke and synths with Cameron Tinklinberg. Finally, we mixed the record with Jamie Kuse in NOVA Studios, Vancouver, BC and he was able to give it that final pop flavour.
The song aims to detail the experience of realizing you're being cheated on, as the first verse follows the journey of getting the person to admit what they've done, and confronting them, to the second, where pain sets in. "I wanted to take the listener through the range of emotions I felt during that period. Anger, sadness, wanting revenge. The third rap verse is a huge exclamation of 'it's your loss.' Realizing that it was a bad situation and that the truth was able to set me free," Lex expands.
Lex's previous release, Dangerous, is all about feeling yourself, shaking off the winter blues and basking in the sunlight, and a sample of what will be heard on Lex's forthcoming album set to drop this summer. Listen to Dangerous here.
Known for her dynamic flow and aggressive stage presence, Lex Leosis is a name you don’t forget. With a unique gravely vocal delivery, acrobatic flows, and a mastery of her instrumentation, Lex breathes life into contemporary Hip-Hop and mesmerizes with her rapping abilities. She sets herself uniquely apart by holding space for various causes and using her platform to support other women and non-binary artists and creatives.
Following the disbanding of her rap group, The Sorority, Lex turned heads with her jazz/funk-influenced debut 2021 EP, Terracotta, which caught attention from CBC, Exclaim!, Conversations with Dwyer, Earmilk, and Broadway World. Standout track, Wanted, landed in CBC Networks, Run the Burbs and Pretty Hard Cases. She rounded out 2021, by touring Terracotta in the US, opening for Snotty Nose Rez Kids and again, joining them for their 30+ date North American Tour in 2022. Lex finished the year releasing a string of collabs with Keysha Freshh, Lex Bratcher, and producers Alexander Lewis and Oh Gosh Leotus, most of whom she met through her budding success on TikTok. Lex spent the pandemic building an impressive following on the platform performing rap duets with other users.
Stay tuned for more from Lex Leosis as she prepares to release new music this year.
DOWNLOAD - Too Close Artwork (by Lex Leosis and Brodie Metcalfe)
DOWNLOAD - Press Photo (by Sydney Robertson)
LISTEN TO WITH A BANG
DEBUT ALBUM EVERYBODY'S FAMOUS (EXCEPT ME)
OUT JUNE 16 VIA THE CONFIDENCE EMPERORS
WATCH & LISTEN TO FIRST SINGLE DANCING WITH CHAOS
Alex adds: "Realizing the absurdity of their own behavior, and the emptiness of celebrating an ending purely for its own sake. Overall, With A Bang is booty-shakin', gothic western twang tune that satirizes the tendency to glamorize endings instead of what may be a somber or reflective moment. It serves as a reminder to approach endings with humility and sincerity."
Previous single, Dancing With Chaos - crawling with riffs, Alex's sharp vocals and deep lyrics - is dedicated to anyone that feels overwhelmed by the state of the media, politics, and the unreal societal expectations they face. Watch Dancing With Chaos here and listen to the song here. The video was produced by Moon Reel Media, which Alex co-runs and co-founded, Directed by Agata Waclawska and edited by Alex himself.
A founding member of both The Ruby Spirit and The Nursery, Alex Exists started his foray into music at the tender age of eight when he wrote and recorded his first songs (and noisy experiments) using the family’s home karaoke machine. Its two tape decks and record functions were used to overdub and build songs with Alex recording every instrument he could get his hands on.
On the heels of The Ruby Spirit breaking up, Alex started writing and performing his songs with the Nursery. Their debut album, Life After Wartime, was awarded Best Independent Rock/Pop Band in Canada by Indie 88 in 2018. The station described the album as “a complex record that explores numerous themes such as our society’s obsession with technology, fame and nostalgia." That same year, the band was awarded Best Music Video for Digital Ashes by the Toronto Independent Music Awards.
Alex’s music is inspired by absurdism, hyper surrealism and optimistic nihilism with an acid tongue firmly planted in his cheek. He is fascinated by pop culture and ego. The signature of Alex’s creative work is his unique sonic touches, drum-heavy rhythms and classic “pop through a blender” melodies. His new project, Alex Exists, launched with a neo-glam pop version of David Essex’s Rock On for The Confidence Emperors’ multi-artist album, Coverama, followed by his T. Rex-meets-John Lennon seasonal original, Never Christmas Without You. Alex played all of the instruments on both tracks except the drums.
Stay tuned for more music as Alex shares his debut album this year.
DOWNLOAD - Press Photo by James Heaslip | DOWNLOAD - Single Art
Alex Exists on @TikTok: @alexexistsworld
LISTEN HERE
SINGLE TO APPEAR ON ZARDONIC’S THIRD STUDIO ALBUM SUPERSTARS
SET FOR RELEASE JULY 14 ON MNRK HEAVY
TORONTO, ON – April 21, 2023 – Since the early 2000s, the masked performer known to the world as DJ and producer, Zardonic, has harnessed the power of the nexus between drum & bass and heavy metal to create the sound that is now known as “metal & bass.” Today, Zardonic has released his latest single, Follow Me, featuring vocals from Camo MC on MNRK HEAVY. Listen to Follow Me (ft. Camo MC) here.
Cultivating a sound that resonates with music fans who worship energy above all else, Follow Me featuring New Zealand artist, Camo MC, urges the listener to be themselves. “It sounds very cliche, but something so simple seems to be so difficult for most of us. We struggle so much with trying to fit in, with not feeling enough. Cameron and I connected on a very deep, personal level, and I let him take care of the lyrics entirely. His energy made me want to jump around like a toddler, so I followed him.”
The release of Follow Me also marks the debut of Zardonic’s new signature mask. As if reflecting progression in palpable form, it has evolved with him. “To some extent, every mask marks the end of an era in my life and my way to approach music,” he notes. “The mask from the Become album [Zardonic’s 2018 album] and recent tours received a lot of battle damage. I had to constantly glue it back together. The paint scraped off. It wore a lot of scars with pride, yet it was a huge weight on my shoulders because no longer want to these scars to rule my decisions. Hence, the new mask is the exact opposite: shiny, sparkly and full of life. You could say I’m constantly resurrecting the Zardonic character, so to speak.”
Follow Me, along with Zardonic’s recent releases Bring The Rukus featuring The Surgery & MC Reptile and Bitter featuring REEBZ, will appear on his third studio album, Superstars, set for release July 14.
Since the early 2000s, Federico Ágreda Álvarez, the masked performer known to the world as DJ and producer, Zardonic, has harnessed the power of the nexus between drum & bass and heavy metal to create the sound that is now known as “metal & bass.” Born and raised in Venezuela, inspired by America, and based in Germany with a passport book stamped into oblivion, he also represents a union of cultures. Boundlessness has defined his output since day one a prolific string of releases including two studio albums Antihero (2015) and Become (2018), with a third Superstars arriving summer 2023, high-profile remixes and video game collaborations, packed shows on multiple continents, and 100 million-plus streams. Zardonic has cultivated an expansive catalog of original tracks and remixes for platinum icons, leaving his imprint on Pop Evil, Fear Factory, Bullet For My Valentine and Sonic Syndicate, among others. He has also contributed music to soundtracks for videogames such as Superhot: Mind Control Delete and Redout 2, plus features on All Elite Wrestling, TNT and NBC Sports.
He’s the rare force of nature who can earn praise from both YourEDM and Metal Injection. Renowned as “Venezuela’s Top DJ Act,” he has impressively toppled Beatport’s Drum & Bass Releases of the Week and Amazon’s Hard Rock Bestsellers at #1. Not to mention, he even appeared in Warlocks Vs Shadows, standing out as “the first Latin American musician to ever be featured as a playable character in a video game,” and has created factory presets and artist packs for Arturia, Brainworx, Slate Digital, BABY Audio, GForce Software, and many more.
WATCH & LISTEN TO LLEGÓ
SERÉ LIBRE TO BE RELEASED MAY 12 VIA ALMA RECORDS
PRE-ORDER ON CD, AND ALL DIGITAL STREAMING PLATFORMS INCLUDING DOLBY ATMOS HERE
WORLDWIDE ALBUM PREMIERE AND VIDEO PERFORMANCE ON MAY 11 AT CINEPLEX YORKDALE IN TORONTO
"This is an original song about adventure, it’s about living in the now and enjoying our present experiences to the fullest, without worrying about what happens next," Eliana adds.
Seré Libre marks a debut collaboration recording with the Angel Falls Orchestra — a new 27-piece orchestra created for the project, featuring some of the best and most versatile classical musicians in Toronto — arranged, conducted, and produced by JUNO Award-winning pianist, Jeremy Ledbetter.
The vibrant, dynamic album will receive a worldwide premiere through a stunning long-form visual performance of the album alongside the Angel Falls Orchestra, presented in theatrical Dolby Atmos Immersive audio, at Cineplex Yorkdale’s UltraAVX theatre in Toronto, Ontario on Thursday, May 11. The screening is free admission - find more info and RSVP via Facebook here.
The individual videos of each track performed alongside the orchestra will also be available to stream at VEVO/YouTube on release day. Subscribe to Eliana’s channel here to stay updated. More information will be announced soon.
The album's first single, Como Llora una Estrella, released March 31, symbolizes a beautiful tribute to Eliana's grandfather, who adored the poetic song about heartbreak, originally written by Antonio Carrillo. The title translates to 'the way a star cries' and is a favourite amongst many. Listen to Como Llora una Estrella here and watch the video for Como Llora una Estrella here.
The seven tracks across Seré Libre will showcase the intricate and layered elements of traditional Venezuelan music, often less known or understood in comparison to other Latin genres. Songs ranging from covers of Venezuelan traditional, to Eliana's own work draw inspiration from an array of emotive social and personal themes: a deep yearning to witness improvement of the economic and political situation in Venezuela, living in the present moment, life after death, loss, love and beyond.
Seré Libre marks the most ambitious musical project of Eliana's career to date. Taking many risks while adhering to ever-changing pandemic protocols in the process, courage and perseverance were the ingredients that ensured a collaborative experience for all. Complete with immersive, refined production, the accompanying piece will further emphasize the compositions and master musicianship, while bringing a passionate celebration of Eliana's culture and heritage to the fore. Eliana and Jeremy worked alongside the 27-piece Angel Falls Orchestra, named after the world's tallest uninterrupted waterfall of the same name, located in Auyán-tepui, Canaima National Park, Venezuela. Thom Varey directed the production at the Richmond Hill Centre for the Performing Arts with audio engineers, Justin Gray and Patric McGroarty. The album was recorded live-off-the-floor without the isolation you would have in a recording studio - thus, no room for edits or numerous takes. This process marked Eliana's first time performing alongside a full orchestra - many of the members she had never met prior.
Seré Libre is the seventh entry in Eliana Cuevas’ eclectic discography, one that has brought her wins at the National Jazz Awards, Toronto Independent Music Awards, Canadian Folk Music Awards, and the Independent Music Awards in the US.
Stay tuned for more as the elements of Seré Libre make waves on May 12!
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
About Eliana Cuevas
Through years of touring around the world, across Canada, and collaborating with JUNO and GRAMMY Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colours in her compositional and lyrical palette. She has released 6 albums of original music to this date: Cohesión (2001), Ventura (2004) Vidas (2007), Espejo (2013), Golpes y Flores (2017) and El Curruchá (2021). Eliana has performed with a long list of prominent artists such as Larnell Lewis, Jane Bunnett, Jesse Cook, Alex Cuba, Hermeto Pascoal, Hilario Durán, David Rudder, OKAN, Mark Kelso, Rich Brown, Alexis Baró, Laila Biali, Aquiles Báez and Emilie-Claire Barlow among others.
UPCOMING FESTIVAL APPEARANCES INCLUDE STAGECOACH, FITZGERALD’S AMERICAN MUSIC FESTIVAL, RED ANTS PANTS, AND PICKATHON
TORONTO, ON – April 20, 2023 - Today, Nashville-based, Bay Area-raised singer and songwriter, Logan Ledger, releases his new single, a heartfelt and deeply nostalgic cover of the beloved Grateful Dead standard, Ripple. Listen to Ripple here.
Ledger has been working with producer Shooter Jennings on the follow-up to his acclaimed self-titled debut, which was released in April 2020. As Ledger explains, Ripple came together rather spontaneously during a recent recording session.
“I’ve long been a fan of the songs of Jerry Garcia and Robert Hunter. To me, Robert Hunter is basically the poet laureate of Marin County or something. Ripple is, of course, one of the Dead’s best-known songs, and it has a kind of archaic zen folk mystery to it that I dig,” says Ledger. “I had been playing it with my friends Sam Grisman and Ric Robertson for a series of shows out in California.”
He recalls, “When it came time to make the record with Shooter, we were at Sunset one day and I just started playing around with it in the vocal booth. Shooter was like ‘we should record that,’ and I agreed that would be a fine idea—real spontaneous like that. I’m very fond of the recording we made together—the way Shooter’s piano weaves in gracefully just for that one little section, Nick Bockrath’s tremolo part which evokes David Grisman’s mandolin on the original, Russ Pahl’s blanket of hippie steel, Frank Rische’s beautiful harmony. It reminds me of home.”
Ledger will unveil some new material at his upcoming shows, including an appearance at the Stagecoach Music Festival in Indio, California later this month, and this summer at The Basement in Nashville, FitzGerald’s American Music Festival, Red Ants Pants Music Festival, and Pickathon. Further tour plans for 2023 will be announced in the coming weeks.
Tour dates:
April 29, Stagecoach Music Festival, Indio, CA
June 29, The Basement, Nashville, TN
July 2, FitzGerald’s American Music Festival, Berwyn, IL
July 29, Red Ants Pants Music Festival, White Sulphur Springs, MT
August 3 – 6, Pickathon, Happy Valley, OR
DOWNLOAD - Ripple Single Art
PRODUCED BY NO I.D., EL-P & LITTLE SHALIMAR
INTRODUCES MICHAEL FIRST SOLO ALBUM SINCE R.A.P. MUSIC DUE OUT JUNE 16
WATCH AND LISTEN TO DON’T LET THE DEVIL
(FEATURING EL-P & THANKUGOODSIR )
DON’T LET THE DEVIL arrives in the wake of RTJ announcing a 10 year anniversary run this fall, the release of their collaborative sneakers with Nike this week, and Mike’s recent appearance at SXSW, where he performed an intimate career-spanning show at Stubb’s flanked by a choir, and previewed several new songs that are expected to appear on the Atlanta MC’s new album (read more here). He further brought the album to life at a private listening event in NYC this past Monday, where a couple hundred attendees crowded into St. Ann's & the Holy Trinity Church in Brooklyn to hear Mike present the album in his own words.
The single was preceded last year by RUN (ft. Young Thug) and TALK’N THAT SHIT!, his first batch of solo material since linking up with El-P to form Run The Jewels in 2013, who have gone on to create four fanatically received albums and achieved near cultural ubiquity. Mike has also frequently surfaced as a cultural commentator in high regard, from his own shows Love and Respect and Trigger Warning (Netflix), to regular appearances on Late Show with Stephen Colbert and Real Time with Bill Maher, to his stint as a campaign surrogate for Bernie Sanders, to viral moments addressing the public in the wake of the Ferguson verdict and the police killing of George Floyd. Last week he re-asserted his acting bonafides in a cameo on FX’s Dave, where the titular rapper agonizes over a perceived Twitter beef with Mike, adding to a growing acting CV that also included an appearance on the last season of Netflix’s Ozark.
LISTEN HERE AND WATCH HERE
PREVIOUS RELEASED RUDEBOY
BBC INTRODUCING TRACK OF THE WEEK
SUMMER OF FESTIVALS INCLUDE READING & LEEDS,
2000 TREES, NASS FESTIVAL, THE GREAT ESCAPE,
AND BARN ON THE FARM
NOISY CONFIRMED TO CLOSE SEASON FINALE OF
MADE IN CHELSEA WITH LIVE PERFORMANCE
+
HOST FAST FWD TO FRIDAY STAGE AT THE GREAT ESCAPE
TORONTO, ON – April 19, 2023 – Fast rising electronic trio, NOISY, are back with their second single of the year, DESIRE, out now via Concord Records. Listen to the single here.
A sonic melting pot of intricate sampling, textured synth and drum patterns reinforced by captivating hooks, the vigorous energy of DESIRE is fast becoming synonymous with NOISY’s back catalogue.
DESIRE comes as the trio perform on the season finale of Channel 4’s Made In Chelsea, which airs May 22 and are announced to bring their celebrated club night, Fast FWD To Friday, at this year’s The Great Escape, on Thursday May 11 at 11:30pm with their own dedicated stage at The WaterBear. This new single also follows their previously released fan-favourite, RUDEBOY, was hailed as the BBC Introducing Track Of The Week.
DESIRE demonstrates the trio’s uncompromising consistency with generating feel-good dance-floor anthems. The accompanied Jake River Parker directed music video features a similar electrifying tone as the track itself. Strobe lights and a glitching red backdrop create an intimate mind-altering club aesthetic. Watch here.
Speaking on the new single, the group said: “The song is about the feeling of escape through euphoria and desire, inspired by a night out we had in Brighton years ago that turned crazy pretty quickly (as they usually do). It’s been a crowd favourite from our live shows for quite some time now so we’re gassed to have it out in the world. It’s a proper hands up in the air kinda tune and we can’t wait for people to hear the recorded version.”
Doing what they do best, NOISY have had an explosive start to 2023. Back on home soil after a monumental SXSW in Austin and off the back of performing at London’s Lafayette for BRITs Week, they reintroduced their celebrated Brighton club night, Fast FWD To Friday. A melting pot of DJ sets and live performance, the club night promised an exhilarating, energy-filled night out whilst emerging talent within the scene. After the success of the first sold-out show at The Prince Albert - and having blown out the windows due to the volume of the show - they’ve upgraded venues to The Hope And Ruin for their next show.
Festivals are where the music comes to life, and this summer offers a run of unmissable shows, including NASS Festival, Barn On The Farm, 2000 Trees and a returning slot on the BBC Radio 1 Dance Stage at the prestigious Reading & Leeds.
NOISY have also been announced as official artists involved in this year's Record Store Day. On April 22 the group release a 4 track 12-inch Crystal Clear vinyl featuring new single DESIRE, RUDEBOY, ALLIGATOR, and the exclusive ALL OF YOU. This will mark the group’s first ever physical release.
It’s been all gas no breaks for as long as NOISY can remember. The past year alone, they’ve had D&B legend High Contrast remix their single 24/7, opened for Mike Skinner, enjoyed a UK headline tour which came to London for a sold-out XOYO show and collaborated with the likes of The Prototypes, 1991, and Zero.
This self-sufficient, DIY mindset is one of the driving forces of NOISY (comprised of singer Cody, guitarist Connor and producer Spencer), who pride themselves on owning creative control, writing, recording and producing all of their music, designing their own merch and often shooting their own music videos.
If NOISY’s ambitions are no-holds barred, then they perfectly match-up to the euphoric maximalist blend of dance, drum’n’bass, jungle and electro sounds they’ve celebrated for creating.
2023 continues to shape up to be a standout year for NOISY - your new favourite band that sound nothing like a band.
MAKES RETURN TO THE GREAT AMERICAN SONGBOOK
WITH NEW ALBUM YOUR REQUESTS ARRIVING MAY 26
SPECIAL PRE-RELEASE CONCERT IN CELEBRATION OF THE ALBUM APRIL 23 AS PART OF THE COLLEGE STREET JAZZ FESTIVAL - GET TICKETS HERE
ON TOUR THROUGH SPRING AND SUMMER
INCLUDING CANADIAN DATES WITH THE OSTARA PROJECT
TORONTO, ON – April 19, 2023 – Laila Biali is here to chase the clouds away with the enchanting music video for her latest single, Pennies From Heaven! Following the song’s Friday release, Biali is thrilled to share its companion visual, showcasing performances by the talented roster of artists that feature on the track. Watch Pennies From Heaven here today, and stream/share the song here.
Biali is joined by JUNO Award-winning jazz artist, Caity Gyorgy, who shares the vocal work on Pennies From Heaven, making for a bubbly and beguiling duo take of the classic jazz standard. Michael Davidson's vibraphone and Kelly Jefferson's tenor sax add wonderfully to the sophisticated sonic landscape, making it the perfect soundtrack for spring whether you're relaxing with your morning coffee or enjoying a leisurely nightcap.
“The arrangement idea for Pennies from Heaven first came to me when I was on a plane, en route to a show,” reflects Biali. “Enjoying the aerial view of fluffy white clouds, I first heard the bassline doubled by my left-hand piano part – the band cruising along with the melody floating overtop. Caity Gyorgy was the perfect voice to bring even more levity and momentum. She's an effortless improviser, and I love the interplay of her scat with the vibes and sax. As the saying goes, ‘spring showers bring May flowers,’ and that's the feeling I hope people get as they listen.”
Of the video, she adds: “When Caity came over to film the video for Pennies from Heaven together, it was straight after the 2023 JUNO Awards nominee press conference where she received a nomination. It was fun to experience some of her excitement in that moment and even more fun to see her take home the JUNO Award for Vocal Jazz Album of the Year – for the second year in a row – last month!”
The song is the latest release from Biali’s new album, Your Requests, which is set for release on May 26th and sees the multi-award-winning vocalist, pianist and arranger return to the Great American Songbook for the first time in more than 10 years. Widely recognized for her original material, this shift back to the classic jazz repertoire was prompted by Biali’s delight in fulfilling the song requests by her fans. When she put out the call on social media asking her followers what tunes they’d like to hear her cover, more than 150 songs were submitted. The album debuts a collection of Laila’s dynamic and personal arrangements in response to her listeners, which she describes as a musical love letter to them. Pre-save Your Requests here.
Fans will get a special live preview of the songs found on Your Requests this weekend, when Biali performs at the College Street Jazz Festival on Sunday, April 23. Tickets are available here, and Biali will be back on the road through the spring and summer with tour dates in Europe, followed by a run of Canadian shows with jazz supergroup, The Ostara Project. See below for a full list of dates where you can catch Laila Biali live, and stay tuned for more to come from Your Requests!
UPCOMING PERFORMANCES:
April 23 – Toronto, ON – College Street Jazz Festival
May 25 – Bremen, DE – KITO
May 26 – Cologne, DE – Salon de Jazz
May 27 – Stuttgart, DE – BIX Jazzclub
May 28 – Berlin, DE – Jazz Club A-Trane
May 29 – Bad Meinberg, DE – Red Horn District
May 31 – Paris, FR – Sunset Sunside
June 1 – London, UK – Ronnie Scott’s
June 17 – Woodstock, GA – Elm Street Arts Village
June 22 – Winnipeg, MB – Winnipeg Jazz Festival *
June 23 – Medicine Hat, AB – Medicine Hat Jazz Festival *
June 24 – Vancouver, BC – Vancouver Jazz Festival *
June 27 – Ottawa, ON – Ottawa Jazz Festival *
June 28 – Toronto, ON – Toronto Jazz Festival *
June 30 – Saskatoon, SK – Saskatoon Jazz Festival *
July 1 – Edmonton, AB – Edmonton Jazz Festival *
July 7 – Montreal, QC – Montreal Jazz Festival *
July 15 – Niagara, ON - Niagara Jazz Festival *
*with The Ostara Project
DOWNLOAD – album cover art
DOWNLOAD – Pennies From Heaven single art
DOWNLOAD – hi-res photo
ABOUT LAILA BIALI
Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host, Laila Biali, has headlined festivals and venues spanning five continents from New York City's Carnegie Hall to Beijing's National Centre for the Performing Arts, and supported international icon Sting. Her latest full album release, Out of Dust, received rave reviews and was nominated for a 2021 JUNO Award. In 2020, Laila was honoured by SOCAN Music with the Hagood Hardy Award for Excellence in Songwriting. In 2019, Laila’s eponymous release won her a JUNO Award for Vocal Jazz Album of the Year. The year prior, she was awarded top prize at the Canadian Songwriting Competition in the Jazz category. Laila was also the youngest-ever double winner at Canada’s National Jazz Awards when she was named SOCAN Composer of the Year and Keyboardist of the Year. She received her first JUNO nomination for Tracing Light (2011), and a spot on DownBeat Magazine's Best Albums of the Year for both Live in Concert (2013) and Out of Dust (2020). In September of 2017, Laila was brought on as the host for CBC Music's national radio show, Saturday Night Jazz, a weekly show broadcast to millions of listeners across Canada. While Laila continues to earn high honours in the jazz world, her signature sound transcends genre as she "masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy" (Washington Post). Her forthcoming 2023 release – Your Requests – showcases personal arrangements of jazz classics requested by her followers and features guest vocalists Kurt Elling, Emilie-Claire Barlow, and Caity Gyorgy plus instrumentalists Anat Cohen, Grégoire Maret, tenor saxophonist Kelly Jefferson, bassist George Koller, and drummers Larnell Lewis and Ben Wittman.
PRE-ORDER NEW ALBUM IN SEARCH OF GOLD
OUT MAY 5 VIA BIRTHDAY CAKE RECORDS
WATCH ANIMATED VISUAL FOR BIG DAWG
WATCH AND LISTEN TO PREVIOUS SINGLE TONIGHT
ROCKING UK FESTIVAL DATES AT FOCUS WALES
AND THE GREAT ESCAPE IN MAY
Toronto, ON – April 19, 2023 – Today, Canadian hip-hop trailblazer, Mouraine, teams up with LA rapper, Westside Boogie, for heavy duty collab in Big Dawg. Marking the final preview of Mouraine's forthcoming album, In Search of Gold, the bouncy, bold song booms with confident energy, heavy bass and sharp bars that carry the duo through their personal evolution process. Listen here and pre-order In Search of Gold here.
"This song is about the underdog becoming the Big Dawg. Growing up as the little guy with a big heart has always been a blessing in disguise," Mouraine shares. "It humbled me, but it also never limited or kept me from achieving anything I wanted. 'It’s not the size of the dog in the fight, it’s the size of the fight in the dog.' Right Boogie?"
The song arrives with a brilliant animated visual directed by side (@naboka_vlad), depicting Mouraine and Westside Boogie riding through the Rockies with undeniable, signature swagger. Watch Big Dawg here.
As In Search Of Gold nears its launch on May 5 via Birthday Cake Records, Big Dawg follows Mouraine's single, Tonight, where he tells the honest story of his humble beginnings and the roots of his mission as an artist. The track was produced by Rayannah Kroeker & deadmen, features background vocals by Begonia and a special excerpt of Mouraine's immigrant story, as told by his mother during a heartfelt call from the studio. Listen to Tonight here and watch the video for Tonight here.
The album's shiny first single, Gold, evokes the inner and outer glow of realizing self-worth and pursuing potential to the highest degree. Produced by Western Canadian Music Award (WCMA) winning producer-engineer duo, deadmen (Begonia, Ashleigh Ball, Royal Canoe), Gold moves with a melodious beat and Mouraine's clever rhyme and verse. The video for Gold was filmed in Joshua Tree National Park, California and directed by Mat Dunlap and assisted by Kevin Manning. Listen to Gold here and watch Gold here.
The songs shared with listeners to date highlight a new era for Mouraine, and drive the energy for In Search of Gold. Mouraine worked with deadmen (Matt Peters & Matt Schellenberg) to craft new sounds, showcase Mouraine's growth as an artist, and create a sonic representation of Mouraine's life journey. The project is a collaboration with producer duo deadmen (Begonia, Royal Canoe, Ashleigh Ball, Ian Sweet), with features from his brother MOTO, Canadian R&B icon, JRDN, and more. The songs delve into Mouraine’s personal life story and deliver an intimate vulnerability complemented by captivating stories, bold lyricism and colossal beats. Audiences both familiar, or newly introduced, to Mouraine's catalogue and unparalleled stage presence will witness In Search of Gold as a byproduct of years of hard work, determination and talent, failure and loss. This album comes with as much triumph and accomplishment as it does challenge and vulnerability.
Last month, Mouraine rocked JUNOFest in his hometown of Edmonton, and is amping up for shows in the UK in May. He'll make a big debut at FOCUS Wales Festival in Wrexham, a show at Notting Hill Arts Club in London followed by The Great Escape Festival in Brighton. Learn more about Mouraine's career below, connect with him online and stay tuned for more music as he blazes his path.
FOCUS Wales (Wrexham, UK)
May 4 - 8:40pm @ Penny Black Room
May 5 - 11:00am @ Glyndwr TV
May 6 - 9:35pm @ The Parish
London, UK
May 8 - London, UK @ Notting Hill Arts Club (headline)
May 9 - London, UK @ The Strongroom (7pm)
The Great Escape (Brighton, UK)
May 13 - 3:15pm @ Green Door Store (Canada House)
May 13 - 9:15pm @ Patterns Up
DOWNLOAD - Big Dawg Artwork | DOWNLOAD - Mouraine Press Photo
Connect with Mouraine: Website | Instagram | Facebook | Twitter | YouTube | Spotify | Apple Music | TikTok
As a young, first-generation immigrant to Canada, Mouraine first learned to speak English through his insatiable appetite for music. Hip Hop, Rap and R&B lyrics became his teacher, his solace, and his inspiration to use this language as a tool for self expression and survival. By the age of 11 he began writing, recording and performing original music that would lead to sharing stages with the likes of Mac Miller, J.Cole, T-Pain, Big Sean, Pusha T, Classified, and Shad. Mouraine’s music has been placed in Footlocker ads, played live at Toronto Raptors NBA games, awarded him accolades from his community and peers, and continues to infect audiences around the world. A seemingly endless source of energy, there’s no denying that Mouraine has a magnetic ability to pull people in and make them feel a part of his music and message.
NEW ALBUM BIRDS, BEES, THE CLOUDS AND THE TREES OUT NEXT FRIDAY, APRIL 28 VIA LAST GANG/MNRK
FEATURES CONTRIBUTIONS FROM KADHJA BONET, TOBi, M.E.D., GUILTY SIMPSON, NANNA.B
PRE-ORDER ALBUM HERE
TUNE IN TO LIVESTREAM Q&A AND PERFORMANCE
ON APRIL 27 @ 8 PM EST AT BANDCAMP
"Harrison enlists MED and Guilty Simpson, whose verses walk the line between optimistic and cynical, despite rapping over the Toronto producer’s lightweight, jazzy beat."
– Complex Canada (Best New Canadian Tracks This Week – Bump)
"The track's retro feel is instantly nostalgic — the instrumentals are reminiscent of the ragtime soundtracks of classic cartoons, plus the crackling sound of spinning vinyl amplifies the warm, rich vibe that dominates the album."
– CBC Music (Songs You Need To Hear – Bump)
“Bonet's ethereal vocals are appropriate for a song titled Float.
The Los Angeles-based R&B singe…glides effortlessly
over Harrison's bass and drums-driven production.”
– Exclaim! (Track Feature – Float)
“Harrison is a high-achieving polymath... His work fuses synthetic beats with complex, jazz-like arrangements." - NPR Music
"Upbeat yet meditative, complex yet breezy, the track is emblematic of Harrison’s range, and undoubtedly confirms him as an innovative artist to watch." – Consequence
“...It's got some cool guests, including Kadhja Bonet, who's on the recently-released, psychedelic soul-leaning 'Float,' and rappers MED and Guilty Simpson, who are on the just-released 'Bump,' which will take you right back to the early '90s jazzy alt-rap era."
– Brooklyn Vegan
TORONTO, ON – April 19, 2023 – JUNO, UK MVA + Prism Prize nominated Toronto producer and musical polymath, Harrison, has been cultivating excitement around the launch of his anticipated new album, Birds, Bees, The Clouds & The Trees. Out next Friday, April 28 (Last Gang Records/MNRK), he shares a glimpse of the project's horizon with Blue Sky - a stunning song featuring the smooth vocals of Danish, LA-based artist, Nanna.B. The key-laden, ethereal R&B-forward tune glides, like colours across a watercolour landscape painting, infusing vibrant grooves as Nanna.B proclaims “shine, my love, just like the sun.” Listen here, check out the visualizer here and pre-order Birds, Bees, The Clouds & The Trees here.
"Nanna captured the vibe of the instrumental for this one," Harrison adds on the collab with the artist, who is know for her work with Raphael Saadiq, Hodgy Beats and Mndsgn. "Nanna and I chatted earlier last year over Zoom about the effects on the pandemic and how we got through it. I think she captures the solitude of the situation while also floating across the beat."
Harrison’s innovative nature shines in Birds, Bees, The Clouds & The Trees: a 16-song collection that highlights his affinity and dedication to the piano, blended with strong grooves, classic and contemporary jazz ingredients, sharp verses and prose lined with Brazilian bossa, funk, old-school hip-hop and rhythmic texture. The album taps into themes of awakening from daydreaming, impacts of solitude, odes to younger selves, emerging from dark moments, honouring family members that have passed, carefreeness and more. The songs incorporate an array of instrumentation including Farfisa keys, breakbeats and a music box that was gifted to Harrison, as highlighted in the song of its namesake. Harrison drew inspiration from cartoons such as Looney Tunes and Gumball to Vince Guaraldi soundtracks.
Blue Sky follows Harrison's previous album singles: Bump - a dream connect with some of his heroes, M.E.D. and Guilty Simpson - alongside Inthecoupe, a revved-up instrumental ode to cruising in your custom whip. A deep dive into Harrison’s universe, exciting guest features include LA-based songstress Kadhja Bonet (Float), fellow Toronto artist TOBi (on 2022-relesed single, Outta This World), and previously released instrumental gems, A View From The Sky, Like When We Were Kids, Around You.
To complement Harrison's artistic vision, he enlisted acclaimed illustrator, Elijah Anderson, and the design and animation of Jeremy White to craft single artwork that recalls classic Blue Note covers and iconic Saturday morning cartoons like Schoolhouse Rock!. The album art was illustrated by Kento IIDA and designed by Jeremy White - visit Harrison's YouTube channel to view them all.
On the eve of his album release (Thursday, April 27), Harrison will share an exclusive livestreamed performance and engage in a Q&A on Bandcamp at 8:00 p.m. EST. Tune in here.
Learn more about Harrison in his bio below and keep your keen ears open for the launch of Birds, Bees, The Clouds and The Trees next week.
DOWNLOAD - Blue Sky Artwork
DOWNLOAD - Album Artwork | DOWNLOAD - Hi Res Press Photo (by Luis Mora)
Connect with Harrison: Website | Instagram | Twitter | Facebook | Spotify | TikTok | Soundcloud
About Harrison
When Harrison (Harrison Robinson) began working on his third album in his modest Toronto sudio in 2019, the producer and composer felt a strong desire to his artistic roots. “I knew I wanted to just make what I thought was cool, regardless of it being cheesy,” he says of the piano-centred compositions that would become Birds, Bees, The Clouds & The Trees. “Chick Corea had a quote along the lines of ‘you have to find what sounds beautiful to you’ and that really stuck a chord with me.”
Like his previous two albums, Apricity (2018) and his 2016 debut, Checkpoint Titanium (which earned the attention of the prestigious Polaris Music Prize), Birds, Bees, The Clouds & The Trees sees a handful of guests stepping into the producer’s technicoloured world, including Kadhja Bonet, TOBi, Nanna.B, M.E.D. and Guilty Simpson (their first reunion since J Dilla’s The Shining in 2006) To help complement his artistic vision, the producer enlisted the help of illustrator Elijah Anderson, whose single artwork recalls classic Blue Note covers and classic Saturday morning cartoons like Schoolhouse Rock.
Taken as a whole, Birds, Bees, The Clouds & The Trees is an assured and joyful statement from a young artist evolving and finely honing his craft. Or as Robinson himself puts it, “It’s the music that I dreamed about making as a kid.”
About Last Gang
Last Gang is a music company founded in 2003 and credited with launching the careers of Metric, Death From Above 1979, Mother Mother and MSTRKRFT. The company is also well known for its work with Arkells, Stars, Keys N Krates, Lights, and Chromeo. Last Gang is a MNRK Music Group company. www.lastgang.com
SHARES NEW SINGLE/VIDEOVERY HIGH
LIFE UNDER THE GUN DUE JUNE 23 VIA LOMA VISTA RECORDINGS
Toronto, ON – April 18, 2023 – Los Angeles' Militarie Gun announces their debut album, Life Under The Gun, due June 23rd via Loma Vista Recordings. The 12-track project will include the previously-released single, Do It Faster, as well as today's new single, Very High, which arrives with a Mason Mercer-directed music video.Very High distills vocalist and bandleader Ian Shelton's uncanny ability to marry instantly-memorable hooks with classic punk anthems, this time letting the song's soaring chorus take the spotlight. It is quintessential Militarie Gun while marking their most direct and accessible musical statement to date. Life Under The Gun is available to pre-order now on limited edition vinyl, CD, and cassette here.
Speaking about the new single, Shelton says, "'Very High' centers around the desire to escape the embarrassment of day to day life as much as possible. From the lyrics, to the video to the cover art of the album, it’s about struggling with something no one else sees, 'I’ve been feeling very down, so I get very high.'”
Additionally, Militarie Gun announces two headline shows in the US next month. Before embarking on a string of EU dates including a sold out show in London, Militarie Gun will perform in San Pedro at The Sardine with Modern Color on May 6th and upon returning, the band is set to play in Joshua Tree at Giant Rock on May 27th. Then in June and July, Militarie Gun returns to Europe to perform at multiple festivals, namely Outbreak, Kliko, Roskilde, Metropolis, 2000 Trees and Ieper before returning stateside to perform at Chicago's The Rumble festival on July 21st and 22nd. See full live dates below and get more ticket info at militariegun.com.
Life Under The Gun is almost impossible to describe without bouncing between contradictions. Is it abnormally aggressive pop music or is it unusually catchy hardcore? Is it deeply intellectual or is it satisfyingly primal? Is it a vulnerable attempt to unpack lifelong cycles of hurt, or is it a collection of world-beating, absurdist punk anthems? In the end, the answer is obvious: it is all of it. It is Militarie Gun.
Since forming in 2020, the group have been releasing music and touring at a startling rate, and while Life Under The Gun feels like a culmination of this recent hard-earned momentum, the record is inextricably linked to Shelton’s past. “I grew up in a household with family members struggling with addiction,” he explains. “It was an oppressive force. We were always wondering, ‘Is it going to be a good day or a bad day? Are the cops going to come today? What am I going to come home to after school?'” The challenges of his homelife were only exacerbated by living in Enumclaw, WA, a sparsely populated rural suburb where Shelton spent his formative years longing for a way out. In this difficult and stifling environment, the roots of Life Under The Gun began to grow. As he began to pick up instruments, play in bands, and write his own songs, music quickly became a vital outlet for self-expression, but Shelton couldn’t shake the idea that it was also a literal escape route.
What followed was a flurry of activity that still hasn’t let up. After relocating to Los Angeles and forced to stay put during the 2020 lockdown, Shelton’s restless creative drive took over and he spontaneously wrote the first songs that became Militarie Gun. The sound was decidedly new for him: firmly rooted in punk and hardcore but more hook-driven, pulling from influences like Guided By Voices, Fugazi and The Jesus Lizard. Shelton quickly recorded Militarie Gun’s 2020 debut EP, My Life Is Over, by himself, then rounded out the lineup with guitarists Nick Cogan and William Acuña, and drummer Vince Nguyen (Max Epstein played bass on Life Under The Gun). 2021 saw the release of the dual All Roads Lead To The Gun EPs and the start of a seemingly endless run of tour dates. In 2022, Militarie Gun teamed up with Dazy for the critically-acclaimed collaborative single, Pressure Cooker, which was soon followed by the band signing to Loma Vista Recordings and releasing a deluxe edition of the All Roads Lead To The Gun EPs that included even more new material.
Militarie Gun soon had the makings of Life Under The Gun: the kind of debut album that feels like a true arrival, one forged by a lifetime of experience and effort that’s now allowed an artist to fully come into their own. Engineered by Taylor Young at The Pit Recording Studio, the album’s 12 tracks take all of the best parts of Militarie Gun’s earlier work and amps them up to the highest possible degree. It sounds massive without sacrificing the punk spark–full of driving drums, distorted bass lines, and of course Shelton’s instantly recognizable roar–only this time everything is bigger and even catchier. “This is what I thought we sounded like all along,” Shelton laughs. “It’s always felt like a melody-forward band to me, but I think now we’re finally achieving what I was always setting out to do.”
Listen to and watch the video for Very High and pre-order / save Life Under The Gunabove and see below for upcoming live dates and more info about Life Under The Gun.
Upcoming Live Dates
* = w/ Rival Schools
^ = w/ Modern Color
5/06 - San Pedro, CA @ The Sardine^
5/09 - London, UK @ The George Tavern SOLD OUT
5/11 - Brighton, UK @ The Great Escape Festival
5/12 - Brighton, UK @ The Great Escape Festival
5/14 - Paris, FR @ Le Klub
5/15 - Brussels, BE @ Ancienne Belgique
5/26 - Las Vegas, NV @ Punk Rock Bowling
5/27 - Joshua Tree, CA @ Giant Rock (Desert show)
6/23 - Manchester, UK @ Outbreak Fest
6/24 - Haarlem, NL @ Kliko Fest
7/01 - Roskilde, DK @ Roskilde Fest
7/02 - Rotterdam, NL @ Metropolis Fest
7/03 - Berlin, DE @ Hole44*
7/04 - Cologne, DE @ Gebäude 9 *
7/05 - Haarlem, NL @ Patronaat*
7/07 - Cheltenham, UK @ 2000 Trees Festival
7/08 - London, UK @ Electric Ballroom*
7/09 - Ieper, BE @ Ieper Fest
7/21-22- Chicago, IL @ The Rumble
DOWNLOAD - Press Photo | DOWNLOAD - Album Art
Connect with Militarie Gun: Instagram | YouTube | Facebook | Twitter | TikTok
PERFORMS HAWÁI - HIS TRACK LOVED BY PEOPLE AROUND THE WORLD AND TOPPED THE BILLBOARD
HOT LATIN SONGS CHART FOR NINE WEEKS IN A ROW
TORONTO, ON – April 17, 2023 – In episode 310, Colombian global superstar, 2018 Latin GRAMMY winner and 2023 GRAMMY Award Nominee, Maluma, makes his first appearance on THE FIRST TAKE.
With his star continuing to rise across the globe, this Latin Urban Pop phenom will perform Hawái, his song that topped the Billboard Hot Latin Songs chart for 9 weeks in a row. Hawái also became the first number-one single on the Billboard Global Excl. U.S. chart and topped the charts in Argentina, Chile, Colombia, Mexico, Panama, and Spain.
Loved by people around the world, the song is an expression of sincere romanticism. Enjoy Maluma's alluring and sweet, smoky voice, groovy mood, and a South American twist on this one-shot performance, only on THE FIRST TAKE.
Maluma's THE FIRST TAKE performance on YouTube will be available all around the world. Premiere will be available for free on the YouTube channel, THE FIRST TAKE, on April 17th 8am EST / 6am PDT and on April 17th at 10pm JST here.
THE FIRST TAKE is a YouTube channel from Japan that films and releases videos featuring artist performances shot in a single take. The channel has over 7 million subscribers -- the most out of all omnibus music channels in Japan. Performances are filmed in a pure white space with the artist in front of a single mic. The production is simple and stripped down, and the resulting footage highlights the artist's pure talent.
The channel is popular with the international audience, with about 30 per cent of the subscribers being overseas users from countries and regions such as Taiwan, Indonesia, the United States, and the Philippines.
DOWNLOAD - Press Photo
About Maluma
Maluma is a Latin musician, known for Latin pop, urban, reggaeton and salsa. He’s been a mainstay on the Billboard charts since his first track hit the Latin airplay and Hot Latin Songs charts in 2014 and has also crossed over with hits on Billboard 100. A social media sensation, Maluma was the first male Latino artist to surpass 50 million followers on Instagram and is currently the number one Latin male artist on the platform with 63M followers
Among Maluma’s best-known songs are Felices Los 4, HP, Hawái (with The Weeknd) and Corazon (with Nego do Borel), all of which hit the Billboard Hot 100. He’s also known for collaborating with music’s biggest names including Shakira on Chantaje in 2016 and Clandestino in 2018 and Madonna on Medellín in 2019.
Maluma has released six studio albums: Magia in 2012; Pretty Boy, Dirty Boy in 2015; F.A.M.E. in 2018; 11:11 in 2019; Papi Juancho in 2020; and The Love & Sex Tape in 2022. He was nominated for a Latin GRAMMY for best new artist in 2012 and won the Latin GRAMMY for best contemporary pop vocal album for 2018’s F.A.M.E., He also received a best Latin pop album GRAMMY nomination for 11:11 in 2020.
He has also added movie actor to his resume, voicing the character of Mariano in Disney’s animated favorite Encanto in 2021 and starring as Bastian alongside Jennifer Lopez and Owen Wilson in Marry Me in 2022.
LISTEN HERE
LEAD SINGLE KID REMAINS AT #1 AT AAA
AND TOP 5 AT ALTERNATIVE RADIO
NEW STUDIO ALBUM POUR IT OUT INTO THE NIGHT
OUT JUNE 2 ON CONCORD RECORDS
ON TOUR THIS SUMMER WITH TORONTO STOP JULY 26
“The Revivalists focus on the positive on new single Kid [with] the feeling that in this cluttered world, we must block out all
the distractions to find our most authentic self.” - PEOPLE
“[‘The Long Con’ is an] urgent, highly chantable call-to-arms – a bracing dose of soul-charged alt rock with heavy, bluesy bite and a socially astute heart.” – LouderSound
“The Revivalists' sound covers a lot of ground and harkens back to many of their diverse influences…but they are constantly moving forward.” – Grammy.com
“A high energy, seamless blend of soulful, horn-abetted rock and roll…inching closer to pop superstardom…” – Relix
"... a creative, compelling blend of musical ingenuity and heart..."
– Billboard
TORONTO, ON – April 14, 2023 – Chart-topping rock band, The Revivalists, have released a brand new album track, Down In The Dirt, today from their forthcoming studio album, Pour It Out Into The Night (out June 2 via Concord Records), as lead radio single, Kid, remains at #1 at AAA for the second week in a row (their fourth career #1 at the format) and Top 5 at Alternative Radio.
Featuring a stark, driving guitar line, a rootsy melody, and warm melodic vocal harmonies, Down In The Dirt paints a portrait of the intersection of family, childhood, and religion. Listen to Down In The Dirt here and pre-save/pre-order Pour It Out Into The Night here. Each pre-order includes an instant download of Down In The Dirt, The Long Con and Kid.
“Down in the Dirt is like a mini family epic that reckons with the big questions of life. I was inspired to write this song after happening upon a performance by ‘Southern Gothic’ New Orleans folk trio called The Wanting. I was struck by their song called Dark Road. (Chris Jacob is credited as a co-writer on the song for the inspiration). So, I listened back to that song while walking my dog the next day and the first lines of ‘Down in the Dirt’ popped in my head, and I completed the song over the next few months before the world went on pause for the pandemic,” says guitarist, Zack Feinberg.
The Revivalists’ hit lead single Kid – which has become the first ever song to hit 700+ plays in a week on the Mediabase AAA Chart – is a hopeful anthem invoking the zest for life, self-belief, catharsis and “living for the spirit now” as the song declares, featuring an infectious melody and piano peeking through bright acoustic guitar as intricate layers of the band's distinctive instrumentation power a euphoric chantable chorus. Directed by Johnny Chew, the graffiti-inspired music video features artful, eye-popping stop-motion animation of the band against a backdrop that pays homage to the architectural and artistic aesthetics that define the band’s home of New Orleans. Watch the Kid video here.
The band also recently released the politically charged album track, The Long Con. Featuring a gospel-style chant and a punchy groove amped up by waves of distortion, the track acknowledges the deep divisions in our country with the hope that we can hold onto the power of love.
Pour It Out Into The Night is a life-affirming album about living in the moment that offers both an unburdening and an appreciation for the here and now, fueled by lessons in gratitude and life realizations. As the world came to a standstill in the years since their last album, Take Good Care, personal experiences and life challenges abounded, with band members having their first children, getting married, and navigating the mental hurdles of lockdown. The band’s process for this record was the most self-guided one yet, and was produced by GRAMMY Award-winning producer, Rich Costey [Muse, Foster the People, Death Cab for Cutie], with co-production from lead vocalist and guitarist, David Shaw, Feinberg, and the rest of the band.
The Revivalists are renowned for their live prowess, soulful alt-rock anthems, and distinct mix of many of the classic styles of American music, led by the incredible voice of front man David Shaw, will deliver a big hometown set at New Orleans JazzFest on April 29 and are also set to perform at festivals including Bonnaroo in June and Lollapalooza in August before embarking on their North American tour, including a Toronto stop on July 26, co-headline dates with The Head and The Heart beginning June 30, and co-headline dates with Band Of Horses beginning July 28. After three consecutive sell-outs at the famed venue, they return to Red Rocks in Colorado for a headline show on September 14. For tickets, please visit www.therevivalists.com.
Eight-piece rock 'n' roll collective The Revivalists – David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion] – have earned multiplatinum success, more than 800 million streams, multiple Adult Alternative #1s and Alternative Radio hits, major media praise, numerous national television performances, and sold-out shows at hallowed venues such as Radio City Music Hall, The Ryman and Red Rocks. Their philanthropic umbrella fund, Rev Causes, supports a variety of organizations dedicated to reviving and investing in our communities, our health, and our environment. By donating a portion of ticket sales, through fan donations, and a variety of other fundraising efforts, the band assists multiple national and local organizations in building a better future.
UPCOMING TOUR DATES
April 28 – 30 - New Orleans, LA @ New Orleans Jazz & Heritage Festival
April 29 - New Orleans LA @ The Fillmore
May 27 - Greenwich, CT @ Roger Sherman Baldwin Park
May 28 - Pittsburgh, PA @ WonderWorks Fest
June 3 - Littleton, CO @ Breckenridge Brewery
June 9 - Atlanta, GA @ Fox Theatre
June 10 - Beech Mountain, NC @ Beech Mountain Resort
June 18 - Manchester, TN @ Bonnaroo
June 30 - Kansas City, MO @ Starlight Theater #
July 1 - Waite Park, MN @ The Ledge Amphitheater #
July 3 - Cedar Rapids, IA @ McGrath Amphitheatre #
July 5 - Selbyville, DE @ Freeman Arts Pavilion #
July 6 - Raleigh, NC @ Red Hat Amphitheater #
July 8 - Columbia, MD @ Merriweather Post Pavilion #
July 9 - Asbury Park, NJ @ Stone Pony Summer Stage (with The Head and The Heart only)
July 12 - Philadelphia, PA @ Skyline Stage at the Mann #
July 14 - Bridgeport, CT @ Hartford Healthcare Amphitheater #
July 15 - Gilford, NH @ Bank of New Hampshire Pavilion #
July 26 - Toronto, ON @ HISTORY (with The Heavy Heavy only)
July 28 - Chautauqua, NY @ Chautauqua Amphitheater ^
July 29 - Indianapolis, IN @ TCU Amphitheater at White River State Park ^
August 1 - Milwaukee, WI @ Riverside Theater *
August 3 - Oshkosh, WI @ Leach Amphitheater *
August 5 - Chicago, IL @ Lollapalooza
August 6 - Cleveland, OH @ Jacobs Pavilion *
August 8 - Portland, ME @ Thompson's Point ^
August 10 - Brooklyn, NY @ Prospect Park ^
August 11 - Boston, MA @ Leader Bank Pavilion ^
August 31 - Berkeley, CA @ Greek Theatre *
September 2 - Troutdale, OR @ Edgefield Amphitheater (with The Heavy Heavy only)
September 3 - Seattle, WA @ Bumbershoot Festival
September 6 - Las Vegas, NV @ The Theater at Virgin Hotels Las Vegas *
September 7 - Salt Lake City, UT @ Red Butte Garden Outdoor Concert Series *
September 9 - San Diego, CA @ Gallagher Square at Petco Park *
September 10 - Los Angeles, CA @ The Greek Theatre ^
September 14 - Morrison, CO @ Red Rocks Amphitheatre (support from Band of Horses & The Heavy Heavy)
September 17 - Telluride, CO @ Telluride Blues and Brews Festival
# co-headline with The Head and The Heart & support from Jaime Wyatt
^ co-headline with Band of Horses
* co-headline with Band of Horses & support from The Heavy Heavy
WATCH CBS THIS MORNING SATURDAY SESSION PERFORMANCE OF NOTHING LEFT TO GIVE HERE
NEW LP TIRED HEARTS IS AN INDIE-POP REVELATION
SET FOR RELEASE MAY 5 VIA FANTASY
25-DATE TIRED HEARTS TOUR RESUMES MAY 12 WITH TORONTO SHOW MAY 16
TORONTO, ON – April 11, 2023 – BAILEN, siblings Daniel, David, and Julia BAILEN, today released the impassioned, pop anthem Nothing Left To Give, a track from their forthcoming album, Tired Hearts, due May 5 via Fantasy Records. Listen here and pre-order the album here.
This past Saturday, the band appeared for the second time on CBS This Morning Saturday, check out their sparkling performances, here.
Commenting on Nothing Left To Give, Julia Bailen stated, “Nothing Left to Give came from feeling so overwhelmed that you no longer care if everything goes wrong. The song is a mantra to help me crawl out of a depression hole, to help me clean my room for the first time in a while, call a friend when I need to talk, or keep an overwhelming day in perspective, even when it feels like you won’t survive it.”
BAILEN is back with Tired Hearts, a taut, synth-driven album, showcasing radiant harmonies and adventurous arrangements. At times both intricate and playful, measured and elaborate, the album’s 12 original songs wrestle with an uncertain future where ethics and morality—both communal and personal—are constantly shifting. Tired Hearts beats with empathy, vulnerability, and resolve, navigating the space between the heart’s expectation and the head’s sober reality.
Produced by Brad Cook (Bon Iver, Waxahatchee) and BAILEN, and mixed by Lars Stalfors (Soccer Mommy, St. Vincent, Local Natives) Tired Hearts’ highlights include the recently released sparkling new wave/indie pop banger, Call It Like It Is, written by the band and X Ambassadors’ Adam Levin and Sam Harris. The track’s hilarious video, directed and edited by the band’s David Bailen – is a fictionalized account of a scary real-life catfishing episode they recently experienced while on tour, watch here. Previously the band also shared the piercing, unforgettable title track, Tired Hearts, listen here.
The album also includes the tender, hushed intimacy of These Bones, and the moving BRCA (Nothing Takes Me Down), a title derived from the breast cancer gene Julia shares with her mother (a breast cancer survivor). Over a slow building rhythmic pulse, Julia sings of hospital gowns and uncertainty, untying a complex knot of familial anxiety, guilt, and acceptance, while embracing the determination to move forward: I’ll still live like I’m dying/But I won’t let it take me down. “It’s about finding ways to not be defined by these circumstances, and to move past them with resilience,” she affirms.
Known for their stunning vocals and sharp, literate songwriting, BAILEN have cultivated a passionate following and emerged in indie circles via word of mouth, robust playlisting (with well over 25 millions streams to date!) and steady touring with artists such as Hozier, Amos Lee, The Lone Bellow, and Joseph, to name a few.
BAILEN’s nation-wide, 25-date tour resumes on May 12, with a stop in Toronto on May 16, before finishing with a hometown show at New York’s venerable Le Poisson Rouge on May 20.
BAILEN ON TOUR:
May 12 – Philadelphia, PA – Johnny Brendas
May 13 – Washington, D.C. – Miracle Theatre
May 14 – Pittsburgh, PA – Thunderbird Café
May 16 – Toronto, ON – The Drake Hotel
May 18 – Fairfield, CT – Stageone
May 19 – Boston, MA – Brighton Music Hall
May 20 – New York, NY – Le Poisson Rouge
OUT NOW VIA MONSTERCAT RECORDS
LISTEN HERE
PREMIERING LIVE PERFORMANCE APRIL 12
VIA MONSTERCAT SILK’S YOUTUBE CHANNEL
TORONTO, ON – April 11, 2023 – Vancouver-based record producer and multi-instrumentalist, zensei ゼンセー (ZEN-say), releases his highly anticipated debut album, destination heartbreak, via Monstercat Records today. The record serves as a raw and honest portrayal of the ups and downs of love, as songs explore sadness and resentment, as well as melancholic and introspective avenues. “But through it all, there's a sense of hope that runs through the album - despite the heartbreaks that have shaped me,” says zensei ゼンセー. “I hope that listeners will find comfort and solace in my music, and maybe even see a reflection of their own experiences.” Listen to low-fi leaning, hip-hop laden and soothing, destination heartbreak, here.
To further celebrate the release of destination heartbreak, there will be a live zensei ゼンセー performance premiering on the Monstercat Silk’s YouTube channel, tomorrow at 12:00 p.m. Pacific Time, which you can check out here.
For zensei ゼンセー, the making of destination heartbreak was both an exhilarating and nerve-wracking experience. Differing from his previous work, he used down sampling and ran it through old tape and amps at his home studio. This gave each song a stronger vintage feel, pushing him out of his comfort zone and helping zensei ゼンセー grow as an artist.
“I took a leap of faith and started experimenting with new sounds, genres, and writing techniques. It was daunting at first, but as I delved deeper into the creative process, I felt a renewed sense of excitement and inspiration,” zensei ゼンセー adds. “I found myself taking risks and trying things I never would have considered before, and the results have been incredible. Each new song feels like a breakthrough, a step forward on my musical journey.”
Keep up to date with zensei’s ゼンセー musical journey on his socials below and check out the album’s track by track for some more insight into themes and stories behind the music.
destination heartbreak Tracklist:
1. dreaming of you
2. stay
3. spadina 3am
4. who we are
5. just friends
6. brentwood station
7. kaleidoscope
8. parker 6am
9. magic
10. dreaming of you too
11. destination heartbreak
DOWNLOAD - album art | DOWNLOAD - press photo
JESUS HE KNOWS ME TRACK & VIDEO OUT NOW
PRE-ORDER EP HERE
WATCH NEW WEBISODE CHAPTER 17: NAP TIME LIVE NOW
TORONTO, ON – April 9, 2023 - Fresh off winning Best Rock Album of the Year at the iHeart Radio Music Awards, Ghost announces the coming of PHANTOMIME, a five-song covers EP intended from the start to follow last year’s international chart-topping opus, IMPERA. A diverse and spellbinding sampling of the GRAMMY Award-winning band’s musical DNA, PHANTOMIME is comprised of covers of classics and deep cuts by Television, Genesis, The Stranglers, Iron Maiden and Tina Turner. PHANTOMIME pays tribute in equal measure to every one of these unlikely bedfellow, influences while stamping them all with Ghost’s undeniable sonic signature.
The announcement of PHANTOMIME’s impending release also solves the mystery of Ghost’s recent, Jesus Is Coming campaign, as referenced in the Good Friday premiere of the newest installment of the band’s long-running webisode series, Chapter 17: Nap Time. PHANTOMIME’s May 18 release via Loma Vista Recordings is heralded by Ghost’s interpretation of Genesis’ 1992 satirical stab at televangelists, Jesus He Knows Me, available now to stream and download, and as an instant grat track with pre-orders of the EP.
This second coming of Jesus He Knows Me is accompanied by an Alex Ross Perry-directed video that will surely make the case that one person’s beauty is another’s blasphemy. Culminating in a climactic ritual that must be seen to be believed, Ghost's visual interpretation of Jesus He Knows Me rises to the occasion in unholy fashion — and then some. Viewer discretion is advised: i.ghost-official.com/JesusVideo.
The Easter Sunday release of the Jesus He Knows Me track and video continues two established Ghost traditions: 1) Following up the release of a full length studio album with uniquely Ghost-ified cover versions, past efforts having included reinterpretations of favourites by Abba, The Beatles, Depeche Mode, Roky Erickson, Eurythmics, Metallica, Pet Shop Boys and many more; and 2) Challenging, confronting and upending societal conventions and authority figures, often taking on specific antagonists — in this case, Father Jim DeFroque, host of the evangelical radio show, Jesus Talk, with Father Jim DeFroque on KLAQ in El Paso TX — and also star of the Jesus He Knows Me video.
PHANTOMIME’s release will coincide with Ghost’s first live dates of 2023, beginning with a May/June European run of festival and headline dates including appearances at Primavera Sound 2023 where the band will share a bill with Blur, Depeche Mode, Halsey and Kendrick Lamar, among others, and Sweden Rock Festival 2023, where Ghost will be one of four headliners alongside Def Leppard, Iron Maiden and Motley Crue. Ghost will then make its triumphant return to North America, for its RE-IMPERATOUR U.S.A. 2023 summer tour with special guest Amon Amarth. RE-IMPERATOUR U.S.A. 2023 kicks off August 2nd in Concord, CA, with stops in more than two dozen cities before its two-night finale the Kia Forum in Los Angeles on September 11th and — recently added by popular demand — September 12th.
PHANTOMIME Tracklist:
1. See No Evil (Television)
2. Jesus He Knows Me (Genesis)
3. Hanging Around (The Stranglers)
4. Phantom of the Opera (Iron Maiden)
5. We Don’t Need Another Hero (Thunderdome) (Tina Turner)
DOWNLOAD - hi-res album artwork | DOWNLOAD - hi-res press photos by Jimmy Hubbard
SHARES NEW SINGLE DREAMING OUT LOUD
FEATURING IVAN NEVILLE AND RUTHIE FOSTER
LISTEN HERE
ALBUM PRE-ORDER AVAILABLE NOW
SPRING HEADLINING TOUR KICKS OFF MAY 5
DARK SIDE OF THE MULE SUMMER TOUR LAUNCHES JULY 22
TICKETS ON SALE NOW
"Warren Haynes is a meaty and masterful player, as well as a soulful singer and songwriter – an all-star." – Rolling Stone
“Gov’t Mule is an essential, iconic American band.” – Guitar World
“[Warren Haynes is] one of the most celebrated, legendary guitar pros.” – Billboard
"[Gov't Mule's] songs stomp and wail with unmistakable energy and heft." – NPR
“Brilliant and never predictable…an effortless combination of blues, soul and classic roots-rock…innovative and commanding.” – American Songwriter
“One of the greatest live bands in existence.” – Music Connection
“Haynes and the band deliver a world-class musical experience.” – Goldmine
TORONTO, ON – April 5, 2023 – Renowned GRAMMY-nominated band, Gov’t Mule, has announced their new studio album, Peace…Like A River, will be released this summer and has shared the first single, Dreaming Out Loud, featuring Ivan Neville and Ruthie Foster. For the stirring new song, GRAMMY Award-winning vocalist, songwriter, guitar legend, and producer, Warren Haynes, wove together inspirational quotes from Dr. Martin Luther King Jr., Robert and John Kennedy, and the late civil rights leader and U.S. Representative, John Lewis – listen to Dreaming Out Loud here.
Peace…Like A River, the band’s 12th studio album and follow-up to their chart-topping, GRAMMY-nominated blues album, Heavy Load Blues, will be released on June 16 via Fantasy Records. The 12-song rock collection also features guest appearances from Billy Bob Thornton, Celisse, and Billy F Gibbons, the latter of whom performed with Haynes this past Sunday night at the CMT Music Awards for an incredible tribute to Lynyrd Skynyrd. Peace…Like A River is available to pre-order and pre-save on DSPs here. Each digital pre-save will include an instant download of Dreaming Out Loud. In addition, the Peace…Like A River Deluxe Edition (available on CD only) includes the original 12-track album plus the special five-track Time Of The Signs Bonus EP, which features four brand-new, unreleased tracks and an alternate version of the album track, The River Only Flows One Way, with Warren taking lead vocals.
Watch the Making Of album trailer here.
“Peace…Like A River is very ambitious from a musical arrangement standpoint in the way that a lot of the songs take twists and turns that is not common in today’s pop music world,” shared Haynes. “At the same time, it’s very much a song record and covers a lot of ground, stylistically speaking. Song for song maybe my favorite one.”
The tracks on Peace…Like A River explore the many sides of Gov’t Mule and bring together all the qualities that have earned the four-piece – Haynes [guitar, vocals], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – the beloved stature they enjoy today. Concise songcraft coexists seamlessly with the band’s trademark instrumental journeys. Songs longer than pop convention are somehow still compact: they’re explorative but never meandering; the tunes are at once both wide-ranging and tightly focused. Thematically, the new album explores the seismic changes the world has gone through over the past few years. Influenced both in his songwriting and playing by what Haynes calls “the golden era of rock, soul, jazz and blues,” Gov’t Mule combines the best and most enduring qualities from all those musical strains to create a timeless piece of art on Peace…Like A River that could have easily been released during rock ‘n roll’s classic 70s classic.
Peace…Like A River was recorded during the same sessions as Heavy Load Blues at The Power Station New England with co-producer, John Paterno (Elvis Costello, Bonnie Raitt, Los Lobos), alongside Haynes. The albums, however, were created in different rooms, with no shared gear or instruments, keeping the two concurrent projects with their own unique identity and character.
One distinguishing difference on Peace…Like A River is the presence of talented friends in important guest roles. Billy F Gibbons’ trademark vocals underscore the tasty ZZ Top textures that inform the humour-infused, Shake Our Way Out, while Billy Bob Thornton adds his distinctive vocals to The River Only Flows One Way. For introductory track, Dreaming Out Loud, Haynes wanted a Sly and the Family Stone vocal style where different singers take different sections of the song, so he called upon previous collaborators blues great Ruthie Foster, whose backing vocals graced Mule’s 2006 album High & Mighty, and longtime friend, New Orleans soul legend, Ivan Neville. Lastly, rising soul artist Celisse adds her incredible vocals to Just Across The River.
Gov’t Mule will be out on the road this year in support of Peace…Like A River. First up, the band heads out on a 10-date spring headlining tour, which kicks off May 5 in New Orleans during Jazz Fest, stops at The Ryman in Nashville on May 12 and wraps in Haynes’ hometown of Asheville, NC with back-to-back shows at Salvage Station’s Outdoor Stage on May 19 and 20. Then, this summer, Gov’t Mule is bringing back their extremely rare Pink Floyd tribute Dark Side of the Mule tour for a 12-date summer amphitheater run that includes a stop at the famed Red Rocks Amphitheatre on August 7. The Dark Side of the Mule Tour, produced by Live Nation, will feature a full Gov’t Mule set leading into DSOTM, as well as special guest Jason Bonham’s Led Zeppelin Evening, and will mark the final time Mule will perform the acclaimed set, which first debuted in 2008 and has only been performed live 10 times in total. Additionally, Gov’t Mule will perform select dates with The Avett Brothers and on Willie Nelson’s Outlaw Music Festival Tour this summer as well as various festival appearances. The band’s New Year’s Run from last year has also been rescheduled for December 29 in Philadelphia and December 30 and 31 in New York City. See below for full list of upcoming tour dates and visit www.mule.net for ticketing details and to purchase.
PEACE…LIKE A RIVER TRACK LISTING:
1. Same As It Ever Was
2. Shake Our Way Out (ft. Billy Gibbons)
3. Made My Peace
4. Peace I Need
5. Your Only Friend
6. Dreaming Out Loud (ft. Ivan Neville and Ruthie Foster)
7. Head Full Of Thunder
8. The River Only Flows One way (ft. Billy Bob Thornton)
9. After The Storm
10. Just Across The River (ft. Celisse Henderson)
11. Long Time Coming
12. Gone Too Long
DELUXE EDITION (CD ONLY) – TIME OF THE SIGNS EP TRACK LIST:
1. Stumblebum
2. Under The Tent
3. Time Stands Still
4. Blue, Blue Wind
5. The River Only Flows One Way (WH vocals)
UPCOMING TOUR DATES:
May 5 – New Orleans, LA @ Orpheum Theater ^
May 6 – Memphis, TN @ Beale Street Music Festival ~
May 7 – Evansville, IN @ Victory Theatre
May 9 – Cleveland, OH @ TempleLive Cleveland
May 11 – Ashland, KY @ Paramount Arts Center
May 12 – Nashville, TN @ Ryman Auditorium
May 14 – Birmingham, AL @ Avondale Brewing Company
May 16 – Macon, GA @ Macon City Auditorium
May 18 – Augusta, GA @ Miller Theater
May 19 – Asheville, NC @ Salvage Station – Outdoor Stage **
May 20 – Asheville, NC @ Salvage Station – Outdoor Stage ^^
June 16 – Camdenton, MO @ Ozarks Amphitheater +
June 20 – Peoria, IL @ Peoria Civic Center Theater +
June 22 – Cedar Rapids, IA @ Alliant Energy Power House +
July 22 – Atlantic City, NJ @ Hard Rock Live at Etess Arena *#
July 23 – Patchogue, NY @ Great South Bay Music Festival ~*
July 29 – Bethel, NY @ Beth Woods Center for the Arts %
July 30 – Darien Center, NY @ Darien Lake Amphitheater %
August 2 – Clarkston, MI @ Pine Knob Music Theatre *
August 3 – Noblesville, IN @ Ruoff Music Center *
August 4 – Tinley Park, IL @ Hollywood Casino Amphitheatre *
August 7 – Morrison, CO @ Red Rocks Amphitheatre *
August 9 – Dallas, TX @ Dos Equis Pavilion *
August 11 – Charlotte, NC @ PNC Music Pavilion *
August 12 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park *
August 13 – Cincinnati, OH @ PNC Pavilion at Riverbend Music Center %
August 15 – Bridgeport, CT @ Hartford HealthCare Amphitheater *
August 17 – Gilford, NH @ Bank of New Hampshire Pavilion *
August 18 – Boston, MA @ Leader Bank Pavilion *
August 19 – Holmdel, NJ @ PNC Bank Arts Center *
August 20 – Vienna, VA @ Wolf Trap *
October 15 – Columbus, GA @ RushSouth Fest ~
December 29 – Philadelphia, PA @ The Met
December 30 – New York, NY @ Beacon Theatre
December 31 – New York, NY @ Beacon Theatre
^ with special guests George Porter Jr. & Runnin’ Pardners
** with special guest Neil Francis
^^ with special guest Maggie Rose
~ festival appearance
+ with The Avett Brothers
% Outlaw Music Festival dates
* Dark Side of the Mule dates
# non-Live Nation date
DOWNLOAD – press photo | DOWNLOAD – album cover artwork
ABOUT GOV’T MULE & WARREN HAYNES
For over two decades, Gov’t Mule – Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – has galvanized a global fan base with their honest, organic, and daring music and improvisational virtuosity, leading them to be recognized as one of the most timeless, revered, and active bands in the world whose spot amongst rock titans remains unshakable. Led by visionary GRAMMY Award-winning artist and guitar legend, Warren Haynes – a cornerstone of the American music landscape – the enduring, globally revered GRAMMY-nominated group has showcased its intelligence and breadth over the course of 20+ studio and live albums, thousands of memorable performances, and millions of album and track sales. Gov’t Mule has become a human encyclopedia of great American music while adding to that canon with their signature sound. The band’s flexible interplay in the studio and on stage makes them a true living, breathing ensemble and Haynes is lauded as one of the most formidable guitarists and vocalists of the modern era and a prolific songwriter and producer. Throughout his prolific career as part of three of the greatest live groups in rock history – Allman Brothers Band, Gov’t Mule, and the Dead – and an acclaimed solo artist, Haynes has become one of music’s most treasured storytellers.
FIRST SINGLE KINDNESS OUT TODAY
ALBUM PRODUCED BY BRANDI CARLILE AND SHOOTER JENNINGS
TWO NIGHTS AT NASHVILLE’S HISTORIC RYMAN AUDITORIUM ON SALE THIS FRIDAY
TORONTO, ON – April 5, 2023 – Two-time GRAMMY winning entertainment legend, Tanya Tucker, who, earlier this week became the newest inductee into the Country Music Hall of Fame, will release her highly-anticipated new album, Sweet Western Sound, June 2 on Fantasy Records. Today, Tanya also shared the album’s poignant lead track, Kindness. Listen/share it here and pre-order Sweet Western Sound here.
Produced once again by Brandi Carlile and Shooter Jennings, Sweet Western Sound reunites the award-winning trio following the release of Tanya’s landmark 2019 album, While I'm Livin'. Her first new album in 17 years, While I’m Livin’ reintroduced Tucker to a new generation and went on to win the GRAMMY for Best Country Album as well as Best Country Song for its poignant single, Bring My Flowers Now. Sweet Western Sound stands on Tucker’s exquisitely warm and wizened vocals and a spectacular collection of cut-deep songs—an assertive and confident declaration of vitality and purpose from an irrepressible and irreplaceable country music icon. In addition to songs by Tucker, Carlile and Jennings, the album features contributions from Bernie Taupin, Phil and Tim Hanseroth, JT Nero, Billy Don Burns and Craig Dillingham as well as a voicemail-generated rhyme from Tanya’s hero and close friend, the late great Billy Joe Shaver, which opens and closes the album.
“Sweet Western Sound is another revelation and I'm excited to see what folks think of our new endeavor,” Tanya shared. “It's ALWAYS a trip working with Brandi and Shooter. I didn't know if we’d be working together again on a new album after While I’m Livin’!! But we did it! Lots of new things we did this time, and I even co-wrote some of the songs, which means a lot to me. Brandi says we're MAGIC together, and I'm starting to believe her!!!!”
In celebration of the release, Tucker will return to Nashville’s historic Ryman Auditorium this spring for two special shows on June 3 and 4. Tickets go on-sale this Friday, April 7 at 10:00am CT. Additional tour dates to be announced soon.
Born in Seminole, Texas, Tanya had her first country hit, the classic, Delta Dawn, at the age of 13 in 1972. Since that auspicious beginning, she has become one of the most admired and influential artists in country music history, amassing 23 Top 40 albums and a stellar string of 56 Top 40 singles, 10 of which reached the #1 spot on the Billboard country charts. Tanya’s indelible songs include some of country music’s biggest hits such Soon, Two Sparrows in a Hurricane, It’s a Little Too Late, Trouble, Texas (When I Die), If It Don’t Come Easy, Strong Enough To Bend, and the aforementioned Delta Dawn. Tanya is also the recipient of numerous awards, including two CMAs, two ACMs and three CMT awards. In 2020, Tanya received two GRAMMY®Awards for Best Country Album: While I’m Livin’ and Best Country Song: Bring My Flowers Now. In October 2022, The Return of Tanya Tucker featuring Brandi Carlile, a documentary that chronicles the resurgence in Tucker’s career following the success of While I’m Livin’ hit theaters globally via Sony Pictures Classics. Lauded by The New York Times, the documentary raves that Tanya “hasn’t lost a step-in terms of phrasing. The teardrop in her voice, strategically used in heartache songs, remains credible. [The doc] interweaves the contemporary sessions…better-than-competent piece of fan service.” In December 2022, Tanya made her acting debut in a lead role in Paramount’s A Nashville Country Christmas, starring alongside Academy Award winner Keith Carradine. On the spirits side, the country icon’s signature tequila, Tanya Tucker’s Cosa Salvaje Tequila, is now available in 14 U.S. states and Canada, with additional stores carrying the tequila every day. To order Tanya Tucker’s Cosa Salvaje Tequila, visit CosaSalvajeTequila.com. To keep up with Tanya Tucker, go to TanyaTucker.com.
SWEET WESTERN SOUND TRACK LIST:
1. Tanya (written by Billy Joe Shaver, Tanya Tucker)
2. Kindness (written by Tim Hanseroth, Phil Hanseroth)
3. Breakfast In Birmingham featuring Brandi Carlile (written by Brandi Carlile, Bernie Taupin)
4. Waltz Across a Moment (written by Shooter Jennings)
5. Ready As I’ll Never Be (written by Brandi Carlile, Tanya Tucker)
6. The List (written by Brandi Carlile, Tanya Tucker)
7. Letter To Linda (written by Tanya Tucker, Shooter Jennings)
8. City of Gold (written by JT Nero)
9. That Wasn’t Me (written by Brandi Carlile, Tim Hanseroth, Phil Hanseroth)
10. When The Rodeo Is Over (Where Do the Cowboys Go?) (written by Billy Don Burns, Craig Dillingham)
TOUR DATES
April 15—Georgetown, TX—Two Step Inn
April 30—Wilkesboro, NC—MerleFest
May 12—Biloxi, MS—Golden Nugget Casino Biloxi
May 13—Lake Charles, LA—Golden Nugget Casino
May 18—Prior Lake, MN—Mystic Lake Casino Hotel
May 20—Saint Michael, ND—Spirit Lake Casino
June 3—Nashville, TN—Ryman Auditorium
June 4—Nashville, TN—Ryman Auditorium
on-sale this Friday, April 7 at 10:00am CT
June 11—George, WA—The Gorge Amphitheatre
June 17—Martinsville, IN—Morgan County Fairgrounds
June 22—Fort St. John, Canada—Energetic County Fair
DOWNLOAD – press photo | DOWNLOAD – album artwork
JON SPENCER PRODUCED DEATH WISH BLUES ALBUM
OUT MAY 19 ON ROUNDER RECORDS
WATCH THE RIDERS VIDEO HERE
SAMANTHA FISH IS ONE OF GARDEN & GUN’S “NEW GUITAR GREATS”
TORONTO, ON – March 31, 2023 – Dynamic blues force, Samantha Fish, and country outlaw, Jesse Dayton, reveal the fierce new track, Riders, from their upcoming effort, Death Wish Blues, out May 19 on Rounder Records. Riders finds the duo interchanging commanding vocals while building a ferociously groove-heavy rhythm. Describing the song, Fish says, “Riders is about being musicians and troubadours and having one-night stands with whatever city you happen to be in,” says Fish. “Every city is personified as a love interest or partner, and in the end you just move on to whatever adventure is coming up next.” Follow Fish and Dayton down the road in the gritty Riders video here. Listen to Riders and pre-save Death Wish Blues here.
Garden & Gun recently featured Fish in their “New Guitar Greats” roundup, alongside Marcus King, Billy Strings and other top players. Garden & Gun writer Jim Beaugez noted, "On Faster, her 2021 Rounder Records release, she worked with producer Martin Kierszenbaum (Lady Gaga) to create a set of spunky, pop-focused cuts, and her latest—Death Wish Blues, a collaboration with outlaw country figure Jesse Dayton—channels those same impulses through a fuzz box with the grit set to eleven.”
Death Wish Blues showcases the raw power of Fish and Dayton’s guitar playing, both with foundations grounded in blues music. And aided by Jon Spencer’s production, they push the limits by seamlessly merging their strengths into an album of songs with both swagger and bravado, as well as emotion and sensitivity. The result is a raw combination of blistering blues, deep soul, punk, funk, and good old rock-and-roll.
Fish and Dayton are gearing up for a round of tour dates to support Death Wish Blues. A full list of tour dates is below.
Hailing from Kansas City, MO, Samantha Fish is one of the most dynamic blues forces in the world today, headlining festivals and captivating audiences with her guitar prowess and power vocals. An award-winner and road warrior, she performs 200 shows yearly, both domestically and abroad. Death Wish Blues is her 7th album. Jesse Dayton boasts an exceptional resume as an acclaimed solo recording artist, collaborator with artists such as Johnny Cash, Waylon Jennings and Duff McKagan, a touring guitarist for seminal punk band X, teammate with Rob Zombie on the soundtracks for his iconic horror films, and as a radio show host on Gimme Country.
SAMANTHA FISH & JESSE DAYTON EU TOUR DATES:
March 31 – Leipzig, GERMANY – Kupfersaal
April 1 – Winterbach, GERMANY – Lehenbachhalle – SOLD OUT
April 2 – Milan, ITALY – Santeria Toscano
May 22 – Zurich, SWITZERLAND – Kaufleten
May 23 – Prattein, SWITZERLAND – Z7
May 25 – Karlsruhe, GERMANY – Tollhaus
May 26 – Mainz, GERMANY – Frankfurter Hof
May 27 – Schoppingen, GERMANY – Grolsch Blues
May 29 – Maastricht, NETHERLANDS – Blues Festival
May 31 – Paris, FRANCE – Bataclan
October 19 – Sunderland, UK– The Fire Station
October 20 – Glasgow, UK – Barrowlands
October 21 – Manchester, UK – 02 Ritz
October 22 – Bristol, UK – SWX
October 24 – York, UK – Barbican
October 25 – Cambridge, UK – Junction
October 26 – Bournemouth, UK – 02 Academy
October 27– Bexhill, UK – De La Warr Pavilion
October 28 – Birmingham, UK – 02 Institute
Samantha Fish and Jesse Dayton
Death Wish Blues Bio
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LISTEN TO FIRST SINGLE COMO LLORA UNA ESTRELLA
WATCH VIDEO HERE
PRE-ORDER SERÉ LIBRE ON CD, ON ALL DIGITAL AND STREAMING PLATFORMS INCLUDING DOLBY ATMOS HERE
WORLDWIDE ALBUM PREMIERE AND VIDEO PERFORMANCE TO BE LIVESTREAMED FROM ULTRAAVX THEATRE WITH DOLBY ATMOS IMMERSIVE AUDIO
AT CINEPLEX YORKDALE IN TORONTO ON MAY 11
Toronto, ON – March 31, 2023 – Multi-award-winning Toronto artist and performer, Eliana Cuevas, announces an incredible sonic-cinematic venture, Seré Libre, her forthcoming album set to release May 12 on Alma Records. The collection of songs will feature imaginative orchestral versions of her original repertoire with a focus on her roots, showcasing a unique take on music based on the Venezuelan tradition. Seré Libre marks a debut collaboration recording with the Angel Falls Orchestra — a new 27-piece orchestra featuring some of the best and most versatile classical musicians in Toronto — arranged, conducted, and produced by JUNO Award-winning pianist, Jeremy Ledbetter.
Today, everything begins to flow as Eliana shares Como Llora una Estrella, the first single from Seré Libre. It symbolizes a beautiful tribute to Eliana's grandfather, who adored the poetic song about heartbreak, originally written by Antonio Carrillo. The title translates to 'the way a star cries' and is a favourite amongst many. Listen to Como Llora una Estrella here and learn more about the album below.
“It takes me back home to my childhood and to my family,” Eliana adds. “I had to practice singing this song several times before the recording session because Jeremy’s breathtaking arrangement would bring me to tears every time and I needed to be able to sing it! One of my favourite moments happens in the interlude, it was supposed to be an instrumental section, but I had to sing a beautiful line Jeremy wrote, I just couldn’t resist!”
The seven tracks across Seré Libre will showcase the intricate and layered elements of traditional Venezuelan music, often less known or understood in comparison to other Latin genres. "Being able to feature it in an orchestral setting like this was a dream come true," Eliana says of the album's impact. Songs, ranging from covers of Venezuelan traditional, to Eliana's own work draw inspiration from an array of emotive social and personal themes: a deep yearning to witness improvement of the economic and political situation in Venezuela, living in the present moment, life after death, loss, love and beyond.
The vibrant, dynamic album will receive a worldwide premiere through a stunning long-form visual performance of the album alongside the Angel Falls Orchestra, presented in Dolby Atmos Immersive audio, at Cineplex Yorkdale’s UltraAVX theatre in Toronto, Ontario on Thursday, May 11. The individual videos of each track performed alongside the orchestra will also be available to stream at VEVO/YouTube on release day.
Watch the video for Como Llora una Estrella here, subscribe to Eliana’s channel here to stay updated. More information will be announced soon.
Seré Libre marks the most ambitious musical project of Eliana's career to date. Taking many risks while adhering to ever-changing pandemic protocols in the process, courage and perseverance were the ingredients that ensured a collaborative experience for all.
Complete with immersive, refined production, the accompanying piece will further emphasize the compositions and master musicianship, while bringing a passionate celebration of Eliana's culture and heritage to the fore. Eliana and Jeremy worked alongside the 27-piece Angel Falls Orchestra, named after the world's tallest uninterrupted waterfall of the same name, located in Auyán-tepui, Canaima National Park, Venezuela. Thom Varey directed the production at the Richmond Hill Centre for the Performing Arts with audio engineers, Justin Gray and Patric McGroarty. The album was recorded live-off-the-floor without the isolation you would have in a recording studio - thus, no room for edits or numerous takes. This process marked Eliana's first time performing alongside a full orchestra - many of the members she had never met prior.
Seré Libre is the seventh entry in Eliana Cuevas’ eclectic discography, one that has brought her wins at the National Jazz Awards, Toronto Independent Music Awards, Canadian Folk Music Awards, and the Independent Music Awards in the US.
Stay tuned for more as the elements of Seré Libre make waves in the months ahead. Eliana’s boldest artistic statement to date, it deserves your close attention.
Seré Libre Tracklisting
1. Seré Libre (Eliana Cuevas)
2. Como Llora una Estrella (Antonio Carrillo)
3. Caballo Viejo (Simón Díaz)
4. Lamento (Eliana Cuevas)
5. El Manantial (Eliana Cuevas)
6. Nacerá (Eliana Cuevas)
7. Llegó (Eliana Cuevas)
Connect with Eliana Cuevas: Website | Facebook | Instagram | Twitter | YouTube | Spotify
DOWNLOAD – Single Art
DOWNLOAD - Album Art
DOWNLOAD - Press Photo
We acknowledge the financial support of FACTOR, the Government of Canada, Ontario Creates, Canada Council for the Arts, the support of the City of Toronto through the Toronto Arts Council and Ontario Arts Council.
About Eliana Cuevas
Through years of touring around the world, across Canada, and collaborating with Juno and Grammy Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colours in her compositional and lyrical palette. She has released 6 albums of original music to this date: Cohesión (2001), Ventura (2004) Vidas (2007), Espejo (2013), Golpes y Flores (2017) and El Curruchá (2021). Eliana has performed with a long list of prominent artists such as Larnell Lewis, Jane Bunnett, Jesse Cook, Alex Cuba, Hermeto Pascoal, Hilario Durán, David Rudder, OKAN, Mark Kelso, Rich Brown, Alexis Baró, Laila Biali, Aquiles Báez and Emilie-Claire Barlow among others.
FEATURING BENJI B, THEON CROSS, NUBYA GARCIA, SHABAKA HUTCHINGS, DAVE OKUMU, TOM SKINNER, MARTIN TEREFE & MORE
LISTEN HERE
"Brilliant though many of these musicians have been in numerous other contexts, this might be some of their finest work: a thrilling voyage into the outer regions of electric jazz." - Uncut, 9/10
“It’s a kind of jazz - on an ambitious scale, drawing dark beauty from chaos - it would be nice to hear more than twice a century." - MOJO, 4/5
"An epic feat of improvisation... London Brew celebrates the diversity of London’s musical cultures through the joyous freedom of jazz. It updates the expansive ethos that Davis himself was channelling when it came to recording Bitches Brew in the musical melting pot of New York City in 1969." - The Observer
"An eight-song, almost 90-minute LP of genre-hopping experimentation that blurs the lines between rock, jazz and ambient, sometimes within the scope of one song." - New York Times
"As Wayne Shorter, who played on Bitches Brew, famously said, jazz means “I dare you.” The players on London Brew have taken the dare, and good for them." - Stereogum
"Almost magically, it shrewdly captures an ever-shifting London at a very specific point of time. Davis would be proud." - Loud and Quiet, 8/10
"The success of London Brew isn't in trying to emulate the original Brew but in inspiring the players to live up to the concept. The albums feels both of the original vintage in its occasional psychedelic trappings and, masterfully, altogether new... Rarely is retro so now." - The Wire
"Capturing the contrary emotions of the pandemic, lockdown, and the easing of restrictions, London Brew relishes in union, and communal creativity." - Clash
Toronto, ON – March 31, 2023 – Seeing release today via Concord Jazz is London Brew, a new album inspired by Miles Davis' Bitches Brew, from a crème de la crème collection of UK jazz luminaries, available now as on 2CD and digitally, with the 2LP release - available on black vinyl, limited edition opaque blue and indie-exclusive voodoo maroon vinyl - to follow on April 14. Buy London Brew or listen in full here.
Comprised of a veritable who's who of some of the most important and innovative musicians of the 21st century, London Brew features contributions from Benji B, Theon Cross, Nubya Garcia, Shabaka Hutchings, Dave Okumu, Tom Skinner and more, brought together by Producer and guitarist Martin Terefe and Executive Producer Bruce Lampcov.
Speaking of the album's release, Lampcov offers: "I can hardly contain my excitement now that London Brew is finally ready to be served to the world, after the idea for it was conceived more than three years ago. This record was inspired by Miles Davis' Bitches Brew, shaped by the trials of a global pandemic, and created with the exceptional talents of London's finest musicians. It is a testament to the creative ingenuity and collaborative spirit of these musicians, as well as the support of numerous allies who have helped bring it to fruition."
To tie in with the album's release, a new single from the album also sees release today, It's One of These: an abstracted, syncopated Afrobeat maelstrom that cooks up a storm at the heart of London Brew's running order and allows Hutchings ample space to shine. Listen to It's One of These here.
Of the track, Terefe explains: "After choosing various pieces of the source material to work on, this is the one I finished mixing first. It’s starts with such a dirty groove and then comes Shabaka’s initial formula one race through and around the inner workings of the ensemble. Then all of a sudden it falls apart, new sections appear as trying to and rev it all up again but it starts and stops in the most magical way. I followed the melodies and loved what I found."
Two previous singles have been shared from the project previously, its incendiary lead single, Miles Chases New Voodoo in the Church, which debuted alongside word of the album in January of this year, and its follow-up Raven Flies Low, London Brew's hypnotic closer, named for violinist, Raven Bush, who was fundamental to the track's gorgeous textures as he played his violin through electric pedals to stunning effect. The full-length versions of both tracks are now available to hear as part of the album. Catch up on Raven Flies Low (Single Edit) here.
Since its announcement in January, London Brew has received support from publications as diverse as The New York Times, Pitchfork, The Observer, NME, Clash, The Line of Best Fit, Jazzwise, Loud and Quiet, Jazziz, The Fader, The Independent, MOJO, Crack, Stereogum and Uncut. Meanwhile at UK radio it's been championed by the likes of Craig Charles, Jamz Supernova and Mary Anne Hobbs on 6Music, John Kennedy on Radio X and Gilles Peterson on Worldwide FM. Revisit Miles Chases New Voodoo in the Church (Single Edit) here.
London Brew reflects an emotional journey through the period in which it was conceived, having been recorded during the pandemic and after many months of isolation and the inability to collaborate in person. Recorded in December 2020 at Paul Epworth's Church Studios in London, Terefe explains how the resulting music is "sometimes uncomfortable, other times it's familiar and joyous and other times it's like deep meditation."
What began as a plan for a live performance at the Barbican in honour of the 50th anniversary of Bitches Brew in early 2020 - an event that was sadly to be scuppered by the pandemic - would eventually blossom into so much more. London Brew is a collection of original recordings rooted in inspiration and celebration - not just a rapturous, moving tribute to one of the most totemic figures in modern music but equally a one-off moment in London's musical history captured forever on four sides of vinyl. As Lampcov writes in the album's liner notes, "London Brew is also inspired by... London. The city, the people, her creativity and her struggles. London Brew is primordial, born out of a year of trying to get to grips with what being human is about. The sounds and melodies cover the gamut of human emotion from delicate and caring to coarse and angry. Nothing is left unsaid."
An intelligent, dexterous assault on the senses from a group of artists united in their freewheeling vision, London Brew's eight tracks are unified by an experimental, improvisatory fire. "In all my years of recording, I'd never been involved in an improvisatory process on this scale," offers The Invisible's Dave Okumu. "It's ease and sense of endlessness is surely a testament to the calibre of each musician and the unique manner in which they've taken on the lessons Miles set before us through his recording and performances."
Theon Cross highlights how "the possibility of playing with a larger group of people [at the end of a year marked by the pandemic] with such an open and free approach was an incredibly powerful and moving experience," while Shabaka Hutchings comments: "For me, that's what Bitches Brew is. It's a bunch of musicians making music because of the love of making music, as a social force and as a social construct. They are creating something that expresses unity and motion. That's what it is to be alive… you know, you have unity, you have motion, and you have vibration. You don't get any more alive than that. That's Bitches Brew." That's London Brew, too, and you won't have ever heard anything quite like it.
London Brew is:
Benji B: Decks, Sonic Re-cycling
Raven Bush: Violin, Electronics
Theon Cross: Tuba
Nubya Garcia: Saxophone, Flute
Tom Herbert: Electric Bass, Double Bass
Shabaka Hutchings: Saxophone, Woodwinds
Nikolaj Torp Larsen: Synthesizers, Melodica
Dave Okumu: Guitar
Nick Ramm: Piano, Synthesizers
Dan See: Drums, Percussion
Tom Skinner: Drums, Percussion
Martin Terefe: Guitar, Electronics
Samplism artwork by Toby Laurent Belson
DOWNLOAD - Press Photo | DOWNLOAD - London Brew Album Artwork
DEBUT ALBUM Soul,PRESENT OUT EVERYWHERE MAY 5
Q NAMED 2023 SPOTIFY ARTIST TO WATCH
TORONTO, ON - March 31, 2023 - Q announced the release date of his debut album, Soul,PRESENT, out everywhere May 5 via Columbia Records, his first major release since his critically acclaimed EP, The Shave Experiment. With the news comes the release of his latest single, NOT ALONE, which displays Q's love for experimentation - with influences of funk, soul, and pop-R&B. Listen to NOT ALONE here.
Earlier this year, Q dropped LUV (I KNOW I WANT THIS FOR REAL), STEREO DRIVER, and TODAY – the songs saw support from his peers 6LACK, James Blake & more. With every release, Q's versatility as a singer, songwriter and producer becomes more and more profound. Soul,PRESENT is a culmination of his growth and evolution as an artist over time. Pre-save here.
DOWNLOAD - Not Alone Single Art
KOREAN-AMERICAN BLUES POET'S DAN AUERBACH-PRODUCED DEBUT ALBUM YELLOW PERIL COMES JUNE 23 VIA EASY EYE SOUND
LISTEN TO 75-71 HERE VIA WNYC'S NEW SOUNDS
TORONTO, ON – March 30, 2023 - Nat Myers has returned with 75-71 today, a blistering blues ode to the Korean-American artist's Kentucky upbringing. Namechecking the places that helped form him, from Rabbit Hash to Kenton Vale, 75-71 is the latest offering from Myers' upcoming debut album Yellow Peril - produced by Dan Auerbach and out June 23 on Easy Eye Sound. 75-71 was recently included as the lead entry in a WNYC retrospective on the contemporary state of the blues, with host John Schaefer comparing the material on Yellow Peril to "the great Delta bluesman" and specifically Charley Patton’s, High Water Everywhere. Patton used High Water Everywhere to recount the great Mississippi River flood of 1927 and how African-Americans were left to fend for themselves - not unlike Myers shining a light on the injustice of the AAPI experience during the COVID-19 pandemic.
Watch the 75-71 video, directed by Andy Hawkes, here. Pre-order Yellow Peril here (out June 23 on Easy Eye Sound). Listen to WNYC New Sounds' piece on Nat Myers and the state of contemporary blues here.
On Yellow Peril, Nat Myers explores a passion for the blues that began while the Kentucky musician was immersing himself in the world of American poetry: “it dawned on me that the real epics were being told by these itinerant musicians from the ’30s and ’40s, even before recorded sound. That’s when I did my deep dive into the blues, so I could write my own epic,” Myers recalls. Yellow Peril finds Myers pulling from a wide range of historical threads while remaining thoroughly modern - using fleet riffs, complex rhythms, and quick tempos to tell tales full of intelligence, soul, contradiction and nuance. Yellow Peril was recorded by Myers with Auerbach, who oversaw sessions for the first time in his own Nashville home (which acts as another instrument on the record), and also finds Myers working with special guests like songwriting luminary Pat McLaughlin (John Prine, Bonnie Raitt, Taj Mahal) and blues giant Alvin Youngblood Hart. Combining each of these factors, this ten-song debut leans on its creator’s idiosyncrasies to deliver nothing short of an American epic for the post-pandemic age.
NAT MYERS TOUR DATES:
March 30 ~ Thursday ~ House of Blues, New Orleans, LA*
March 31 ~ Friday ~ The Echo Lounge & Music Hall, Dallas, TX*
April 1 ~ Saturday ~ Stubb’s Waller Creek Ampthitheater, Austin, TX*
April 2 ~ Sunday ~ White Oak Music Hall Downstairs, Houston, TX*
April 5 ~ Wednesday ~ The Crescent Ballroom, Phoenix, AZ*
April 6 ~ Thursday ~ Troubadour, West Hollywood, CA*
April 7 ~ Friday ~ The Coach House, San Juan Capistrano, CA*
April 8 ~ Saturday ~ Belly Up Tavern, Solana Beach, CA*
July 13-15 ~ Thursday-Saturday ~ Masters Musicians Festival, Somerset, KY
August 3-6 ~ Thursday-Sunday ~ Pickathon ~ Happy Valley, OR
* with G. Love & Special Sauce
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TORONTO, ON – March 24, 2023 – Global Latin music icons, Maluma and Anuel AA join forces for the first time to release their new single, Diablo, Qué Chimba; a highly anticipated collab, destined to become a party anthem with its infectious urban beat mixed with electro and the the distinctive flow of both superstars - an urban banger that proves that music has the power to bring people together. Stream or download Diablo, Qué Chimba here.
Diablo, Qué Chimba, was produced by DJ Luian and written by Juan Luis Londoño Arias (Maluma), Emmanuel Gazmey Santiago (Anuel AA), Wander Manuel Mendez (Santo Niño), René David Cano Ríos (Bull Nene), Luian Malavé Nieves (DJ Luian), Xavier Semper, Edgar Semper, Pablo Fuentes (BF) and Kedin Maysonet.
The music video was shot in Miami, produced by Royalty Films and directed by Juan Luis Londoño Arias (Maluma) and Cesar "Tes" Pimienta. Shot in Miami, it features elements reminiscent of old school Reggaetón videos and has an edgy comedic twist alluding to past friction between the artists and underscoring new phrase, "Siempre Flow Maluma" as well as Anuel's iconic "Real Hasta La Muerte". To watch the official video, click here.
This new single, along with La Fórmula and La Reina will be part of Maluma's highly anticipated upcoming album, due out later this year.
And, as if that were not enough; last week, Maluma garnered two Latin American Music Awards nominations, including: Best Song - Pop (for Junio) and Tour of the Year (for Maluma Papi Juancho World Tour). The eighth annual Latin American Music Awards will take place on April 20th at the MGM Grand Arena in Las Vegas and will be broadcast simultaneously on Univision, UNIMAS and Galavision networks starting at 7:00 pm ET. Fans can vote for their favourite artists until March 26 here.
DOWNLOAD - Diablo, Que Chimba Artwork | DOWNLOAD - Press Photo
Maluma on TikTok: @maluma
About MALUMA
Maluma is one of the leading voices in Latin music and a bona fide global youth idol. Born Juan Luis Londoño in Medellin, Colombia, he formulated his artistic moniker Maluma from the first two letters of the names of his mother, father and sister.
The 2018 Latin GRAMMY award winner for Best Contemporary Pop Vocal Album (for F.A.M.E.) is one of social media’s most popular artists with over 25 million Facebook fans, 8 million Twitter followers, and a whopping 63 million Instagram followers, making him the leading Latin male artist on Instagram and the first and only one to surpass 50 million followers. His official YouTube/VEVO channel has more than 28.1 million subscribers, having earned him a YouTube Diamond Play Button Award.
With his Maluma World Tour he has achieved unparalleled success, having sold over one million tickets in 105 worldwide concerts in 2017 alone and becoming the top concert-selling Latin artist in the world. In 2018 and 2019, he broke records achieving full houses in all of his shows throughout the United States and Europe selling out Madison Square Garden (New York), the American Airlines Arena (Miami) and two The Forums (Los Angeles), among others. With his 11:11 World Tour he also sold out Israel's largest venue, Yarkon Park in Tel Aviv (60,000+ audience); made history at the 18th annual Mawazine Festival in Rabat, Morocco, setting an all-time attendance record with his headlining concert in front of 200,000 people; and performed for the first time ever in Riyadh, Saudi Arabia in front of 25,000. He continued to take over throughout 2021 and 2022 with sold-outs in the United States, Europe, Latin American and the Middle East.
Since joining Sony Music Latin in 2015, Maluma has released seven albums, Pretty Boy Dirty Boy (2015), F.A.M.E. (2018), 11:11(2019), Papi Juancho (2020), 7DJ (2021), The Love & Sex Tape and The Love & Sex Tape Deluxe (2022). Maluma is the youngest artist to simultaneously hold both the #1 and #2 spots on Billboard's Latin Airplay chart and only the sixth act to ever achieve the feat he has now repeated three times. To date Maluma has had twenty-two #1 singles on Billboard's Latin Airplay chart.
Maluma's altruistic spirit is outstanding for the community work he leads with his foundation, El Arte de Los Sueños, based in Medellín, Colombia. Founded in 2016, the Foundation's mission is to transform at-risk youth through art and music education. In 2021, Maluma acted in his first Disney animation movie, Encanto, 2022 Oscar winner for Best Animation Feature. Earlier this year, Maluma debuted in Hollywood with his starring role as Bastian in the movie, Marry Me, alongside Jennifer Lopez and Owen Wilson.
About Anuel AA
Anuel has earned the title of Latin Global Superstar. Because of the success of the song, La ocasion; he entered the artistic world. The artist was arrested and sentenced to 30 months in prison in Puerto Rico at the height of his popularity.
On the same day as his release from prison in July 2018, Anuel released his album, REAL HASTA LA MUERTE, which received overwhelming support from his fans all over the world. The album reached the top of the music charts across all digital platforms. For more than 26 weeks in 2018, Anuel held the title of most viewed musician on YouTube worldwide. He was nominated for and won the Premio Lo Nuestro 2019 for Best New Artist.
Anuel's tours have been a success in the United States, Latin America, and Europe, with sold out crowds in every city. With REAL HASTA LA MUERTE, he was also named one of the 50 best Latin albums of the decade.
Premio Lo Nuestro, Premios Juventud, Premios Tu Musica Urbana, Premios Billboard, and Latin Grammy are among his accolades and nominations. With the release of his most recent studio album, EMMANUEL, he achieved the latter. Anuel was honored by the highest authority in Spanish music in seven categories, including the opportunity to realize his most cherished childhood ambition of singing on the Latin Grammys stage. Recently, Anuel presented his new album, LAS LEYENDAS NUNCA MUEREN (Legends Never Die), as a tribute to his idols and artistic achievements. His new 33-song studio album Las Leyendas Nunca Mueren 2 is currently being promoted along with his focus single, Si yo me muero, available on all digital platforms and YouTube.
NEW ALBUM THE NAME LIVES ON TO BE RELEASED
APRIL 21
AVAILABLE NOW FOR PRE-ORDER/PRE-SAVE HERE
TOUR DATES HAPPENING NOW
TORONTO, ON – March 24, 2023 – Heavy Southern Rock band, Texas Hippie Coalition, is set to release their new album, The Name Lives On, on April 21 via MNRK Heavy. The band's seventh studio album is a hard-hitting, riff-heavy sonic assault from beginning to end. Starting today, fans can pre-save/pre-order the album here. Texas Hippie Coalition is currently on the road, with U.S. dates through mid-June (full dates below).
The band also releases the punishing video for their first single, Hell Hounds, directed by Justin H. Reich. Watch it here.
Texas Hippie Coalition is often compared to the many great Southern Rock and Texas bands that came before them. But they are proving to the world that THC is not just following in their footsteps, they are leaving giant footprints. THC has etched out a place for themselves in the multi-genre fields of music, and have also created their own genre, "Red Dirt Metal." You have to hear it to understand it. Words are not enough to convey how powerfully big their sound is.
Texas Hippie Coalition Tour Dates:
March 29 - Arizona Bike Week- Scottsdale, AZ
March 30 - Count’s Vamp’d Rock Bar - Las Vegas, NV
March 31 - Juggernaut Music - Gallup, NM
April 1 - Lauter Haus Brewing Co. - Farmington, NM
April 2 - The Liberty - Roswell, NM
April 13 - Southbound - Springfield, MO
April 14 - Royal 66 Mountain - Home, AR
April 15 - Kansas Crossing Casino - Pittsburg, KS
April 16 - Brooksto - Dover, AR
April 20 - Moxi Theatre - Greeley, CO
April 21 - Wild Goose Saloon - Parker, CO
April 22 - Wild Goose Saloon - Parker, CO
April 23 - Sunshine Studios Live - Colorado Springs, CO
April 28 - Yukon Czech Hall - Yukon, OK
April 29 - Diamond Ballroom - Oklahoma City, OK
May 19 - Tannahill's Tavern & Music Hall - Fort Worth, TX
May 20 - Scout Bar - Houston, TX
May 21 - Southport Hall - Jefferson, LA
May 25 - The Crafthouse Stage & Grill - Pittsburgh, PA
May 26 - Blue Note Harrison, Harrison, OH
June 8 - The Forge - Joliet, IL
June 9 - The Eclectic Room - Angola, IN
June 10 - The King of Clubs - Columbus, OH
June 11 - Mohawk Place - Buffalo, NY
June 14 - The Big House - Laconia, NH
June 15 - The L, Horseheads, NY
June 16 - The Winchester - Lakewood, OH
Texas Hippie Coalition are:
Big Dad Ritch
Cord Pool
Nevada Romo
Lorado Romo
Joey Mandigo
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
LISTEN TO PRIMARY HERE AND WATCH THE FUN ANIMATED MUSIC VIDEO FOR ALBUM TRACK WILD PARTY
TORONTO, ON – March 24, 2023 – Celebrating with one Wild Party, Toronto singer-songwriter, Darrelle London, is overjoyed to release her brand new children’s album, Primary! Out today, the dazzling, awe-inspiring collection of “Kindie” (Kid-Indie) songs takes listeners on a journey through a colourful world of curiosity, creativity and laughter. Dive in to Primary here!
Perfectly capturing the spirit of the record is Wild Party – a catchy pop-punk styled song about some unexpected furred and feathered party crashers. "One of the joys of writing kids’ music is that no topic is too strange or too silly,” says London. “I wrote this song on ukulele but it ended up having pop/punk/rock production, and it offers instructions on what to do when wild animals crash your birthday party – because, why not?" Have a look at the colourful animated music video, which arrived alongside the album release today.
With a back-catalogue of albums that have been described as “quirky” and “whimsical” – though not necessarily aimed towards kids – it was a natural progression for London to take her musical style and turn it into her first full-length children’s album. Primary perfectly treads the line between music for kids and music for grown-ups, with enchanting lyrical storytelling set to infectious indie-pop instrumentation. Produced by Dean Drouillard, and featuring some of Canada’s best session players bringing London’s imaginative tunes to life with jubilant horns and lush strings, the album carries listeners on a journey through a colourful world of curiosity, creativity, and laughter.
“I am so thrilled to finally share these songs with the world,” exclaims London. “Families have been so supportive of the first singles, which means the world to me. It’s such an honour to be incorporated into a family’s life through music, whether it’s a bedtime pajama dance party or a long car ride. I feel so grateful and I can’t wait to hear what the little ones think of the album!”
A mother of two young’uns herself, Primary marks the first time that London made an album since her children were babies. While playing the role of teacher (among many other things!) during the initial COVID lockdowns, London’s children would ask questions and she felt compelled to answer them in the form of songs. The songs on Primary explore the small wonders of life, such a seeing the moon out during the day (Day Moon); simple pleasures, like going for ice cream with a friend on a hot summer day (Ice Cream); they joy found in creating art just for the sake of it (Primary and Let’s Make Something New); and even important lessons like why we should respect even the tiniest of creatures (Bugs).
DOWNLOAD – press photo | DOWNLOAD – album cover artwork
MORE ABOUT DARRELLE LONDON:
Darrelle is no stranger to following her heart to unexpected places. After turning down law school to pursue a music career, she has spent the last decade making her mark on the college and festival circuit across North America. Some highlights include performing at iconic venues such as Hollywood’s Troubadour Club and Nashville’s Bluebird Café, collaborating with her favourite artists such as Chantal Kreviazuk, being chosen by Sarah McLachlan to perform at Lilith Fair, and placing her music on TV shows and ad campaigns in the US and South Korea.
OUT TODAY ON LISBON LUX RECORDS
LISTEN HERE
AND WATCH THE VIDEO FOR ALBUM HIGHLIGHT
GOUTTE À GOUTTE
TORONTO, ON – March 24, 2023 – Mixing hypnotic rhythms and explosive tension, Montreal’s Grand Public offer music built of angular textures and aerial melodies; the guitars intermingle and respond to each other, while the bass and percussion insert themselves into the vocal tunes. Today, the four-piece band shares their dreamy indie-pop infused EP, Idéal tempo, via Lisbon Lux Records. Listen here.
Grand Public – made up of Gregory Paquet (The Stills, Molly Rankin of Alvvays, Peter Peter) and three childhood friends who have played together in several bands over the years – took advantage of the pandemic era to bring the project to a boil, refining their sound and writing several songs; four of them coming to fruition with producer, Dominic Vanchesteing (Bernardino Femminielli, Marie Davidson, Julia Daigle). Recorded live off the floor over the course of only a couple of days, at Alex Crow’s studio in the heart of the Plateau in Montreal, the band poured over every detail of the songs, and played with vocal harmonies for the first time.
“Our producer put a lot of emphasis on the harmonies and it definitely adds a rich layer to the songs – very much colours the mood of the EP,” reflects the band.
In tandem with the EP’s release, the band shares the music video for standout album track, Goutte à goutte. “All of the songs on Idéal tempo were recorded live with the most standard rock instrumentation: two guitars, bass and drums,” the band adds. “But we did use a 12-string guitar on Goutte à Goutte for that extra chimey, jangly magic, and we really like the way it came out – the sinuous, swirly, hazy feeling of it.” Watch Goutte à goutte here.
With more new music on the horizon, Grand Public give the ideal taste of their captivating sound with Idéal tempo. Stay tuned for what’s to come!
FEATURING VIRAL TRACK MORE THAN FRIENDS
WATCH OFFICIAL VIDEO HERE DIRECTED & WRITTEN BY LaROSA
CONFIRMED FOR LOLLAPALOOZA AUGUST 2023
DEBUT SHOWS IN THE UK & DUBLIN ANNOUNCED
“This EP follows the story of a girl growing up in a religious household,” shares LaRosa. “She goes through the motions of new love and heartbreak, intertwined with grief and guilt. It’s structured so that the beginning of the EP is the most innocent and lighthearted part, and by the end, it reaches the darkest part in her story.”
In addition to more than friends - which beautifully captures the frustration of being in a friendship that you wish were more - LaRosa’s new EP includes the songs, butterflies, i don't forgive you, and without you. In succession, these songs take the listener through the emotional journey of a failed relationship – from the excitement that comes from first meeting to the anger that comes from breaking up.
The EP culminates with praying, during which LaRosa encapsulates what it’s like to grow up in a strict, religious household.
“The environment starts to feel suffocating as you want to rebel more as a young adult,” shares LaRosa. “The song describes the shame and guilt that you feel and the fear that comes with thinking you’re making the wrong decisions, and God will know.” The official music video for praying drops on March 31.
Even with the release of YOU FEAR THE GOD THAT LOVES YOU, LaRosa is probably still buzzing from the success of her single, i’m yours, and debut EP, i’m watching you.
Since its release in late 2022, i’m yours has amassed 200+ million streams, 15+ million longform video views, and 770+ million shortform video views. The sound has been used by breakout influencers like Nessa Barrett, as well as Huddy, Emma Norton, and Kayla Nicole. Of the track, Billboard raved, “On i’m yours, Isabel LaRosa leans into the wooziness, allowing her vocals to sway back and forth between the more urgent verses and the surrendered vibe of the chorus. The result is moody yet beguiling.”
Across all her releases, LaRosa has garnered nearly 300 million streams and 800 million shortform video views. LaRosa’s music has been featured on flagship Spotify playlists like Today’s Top Hits, Pop Sauce, Fresh Finds, Pop All Day, The Pop List, Pop Rising and Fresh Dance Pop.
You can experience LaRosa’s captivating live show as it has just been announced that she will perform at The Road To The Great Escape in Dublin on May 9, at The Courtyard Theatre (hosted by Radio 1’s Abbie Mac) in London on May 10, at The Great Escape on May 11, and at this year’s Lollapalooza in Chicago, IL.
About Isabel LaRosa
Born in Annapolis, MD, LaRosa was always surrounded by music. Her father, a jazz musician, regularly took her to the jazz clubs for open mic nights, where he played the saxophone and her brother played guitar. She often sang alongside them.
LaRosa began writing songs with her brother in elementary school and from there, a creative duo was formed. The two still write and produce music together in their childhood home. At just 18 years old, LaRosa has already made a name for herself in contemporary music, having inked a deal with Slumbo Labs/RCA Records.
DOWNLOAD - Hi Res EP Art | DOWNLOAD - Hi Res Press Photo
Isabel LaRosa on TikTok: @isabellarosasofia
NEW ALBUM LOVE YOU ANYWAY OUT APRIL 7
VIA FANTASY RECORDS
WATCH THE VIDEO FOR RIGHT KIND OF CRAZY HERE
ON TOUR THIS SPRING
TORONTO, ON – March 24, 2023 – Today, rising soul artist, Devon Gilfillian, shares Right Kind of Crazy, a brand new track from his upcoming full-length studio album, Love You Anyway, which is set for release April 7 via Fantasy Records. The new single, a delectable slice of hip-hop inflected R&B, comes on the heels of Devon’s impressive week at the SXSW Music Festival in Austin, where he performed stellar sets at Willie Nelson’s annual Luck Reunion, as well as showcases for Waterloo Records, Paste Magazine, Relix Magazine, Jam in the Van, and many more. Watch the Right Kind of Crazy video here and pre-order Love You Anyway here.
“Love can be chaotic and beautiful and so often in the early stages of romance almost intoxicating,” Devon explains. “Right Kind of Crazy is a song about what comes next, the deeper understanding a couple can reach as they start to truly see each other through that chaos. There’s a beauty in that, a real power in truly knowing someone and still allowing for that intoxication to creep in, when the lights are low, and the right song is on…”
Last month, Devon premiered the album’s first single, the alluring Temptations infused gem, All I Really Wanna Do, that The Philadelphia Inquirer called “an irresistible slinky and soulful candy-colored invitation.” This week, the track debuts Top 25 on the Mediabase Triple A Chart, hits Top 20 on Billboard’s Adult Alternative Chart and was added to Sirius XM’s Spectrum Channel. Meanwhile, the album Love You Anyway is a Top 15 entry on the Non-Comm Albums chart.
Next month, Devon heads out on tour for shows throughout the spring and summer including his first-ever performance at Tennessee's famed Bonnaroo Music & Arts Festival on June 17 and the recently announced Oceans Calling Festival in Maryland on September 29. To celebrate the release of Love You Anyway, Devon will headline the Mercury Lounge in NYC on April 17, and is scheduled to perform at Nashville’s legendary Ryman Auditorium supporting Emily King on May 26.
Gilfillian’s Love You Anyway spans soul, hip-hop, R&B, and rock, all under the banner of Black joy. Produced by Jeremy Lutito (Joy Oladokun, NEEDTOBREATHE), the album confronts as well as comforts, chronicling Gilfillian’s journey as a Black artist living in 21st century America. The LP’s 10 original tracks (all co-written by Gilfillian), are as much about fighting for what you believe in: equity and representation, as they are about love: finding it, making it, and channeling it into every facet of our lives.
Growing up in Philadelphia, Gilfillian discovered that the towering icons of his musician father’s era—Ray Charles, Stevie Wonder, Otis Redding, The Temptations—were just as formative and exciting as the new sounds of his own generation: Wu-Tang Clan, Notorious B.I.G., and Jay-Z. Bursting on the scene in 2020 with his highly regarded debut album Black Hole Rainbow, Devon received acclaim from NPR, the New York Times, PASTE and The Tennessean, among many others. Then later that year, Gilfillian re-recorded and released Marvin Gaye’s iconic album, What’s Going On, which raised funds for low-income communities of colour, and provided resources and education around the democratic process.
Now, with Love You Anyway, Devon Gilfillian pays it forward. Conjuring the raw, sexy emotions of his predecessors and the next-level production grooves of his R&B and hip-hop contemporaries, Gilfillian is taking soul music into an exciting and restorative new future.
Devon Gilfillian On Tour:
APRIL 12 - Nashville, TN - Grimey’s New & Preloved Music
APRIL 14 - Philadelphia, PA - Main Street Music
APRIL 17 - New York, NY - Mercury Lounge (album release show)
APRIL 22 - Carrboro, NC - Cat’s Cradle
APRIL 23 - Charlotte, NC - Tuck Fest
May 26 - Nashville, TN - Ryman Auditorium *Supporting Emily King
JUNE 9 - Selbyville, DE - Freeman Arts Pavilion
JUNE 10 - Boston, MA - Leader Bank Pavilion
JUNE 11 - Gilford, NH - Bank of New Hampshire Pavilion
JUNE 17 - Manchester, TN - Bonnaroo
SEPTEMBER 15 - Shelburne, VT - Shelbourne Museum *Supporting Grace Potter
SEPTEMBER 16 - Shelburne, VT - Shelbourne Museum
SEPTEMBER 29 - Ocean City, MD - Oceans Calling Festival
DEBUT OFFICIAL MOTHERLODE VIDEO FEATURING
EODM’S JESSE HUGHES AND THREE DAYS GRACE’S BARRY STOCK
WATCH IT HERE
BAND SOARS TO UK AND GERMANY FOR SUMMER TOUR SUPPORTING EODM
TORONTO, ON – March 23, 2023 – Oshawa guitar-driven outlaw rock n’ roll band, The Standstills, released the official music video for their hit single, Motherlode, today. The track is off their 2022 smash album, Shockwave, from MNRK Music Group, and features Jesse Hughes, from legendary rock band, Eagles Of Death Metal. The video was filmed live this past fall while the band was on tour with Three Days Grace.
Directed by Scott Baker, the clip captures the energy, vitality, and power of a live Standstills performance. Special guests Hughes and Barry Stock from Three Days Grace, and newest Standstills member, Brendan McMillan on bass, are showcased throughout the video in front of an invigorated hometown crowd. Watch it here and listen to Shockwave here.
“Filming Motherlode live on stage with Jesse and Barry was THE most bad ass dream come true,” said Jonny Fox, lead singer and guitarist for The Standstills. “The stage was so full of genuine icon rock and roll, for us it was like suffering a tidal wave of pure energy. And we couldn't be happier with how well the film crew caught so many great moments. It is the Motherlode of Motherlodes.”
The Standstills have also been added as special guests on Eagles of Death Metal’s European summer tour, ripping through the UK and Germany. The tour follows a spring fling in Canada with Big Wreck and Theory of a Deadman.
"I’ve gotten to know Jonny and Renée over the last few years. We’ve written songs, jammed, shot a video, and partied together,” added Hughes, leader, and founder of Eagles of Death Metal. “They are good people, and The Standstills are a great band that rock’s hard. How hard you ask? Let’s see if they can survive a European tour with EODM. I am really looking forward to this summer run.”
The Standstills (Fox on vocals/guitar, Renée Couture on drums/vocals, McMillan on bass/vocals), have built a reputation for transcendent anthem-making with an earnestly steadfast formula: gigantic hooks, unapologetically hypnotic grooves, and infectious unabashedly cool riffs, which can be heard in force on their latest release, Shockwave. Produced by Neil Sanderson from Three Days Grace and mixed by two-time GRAMMY Award-winner Howard Benson (My Chemical Romance, Santana, Daughtry), the album blends immediately accessible choruses with magnetic layers of depth.
The Standstills on tour:
with Big Wreck
March 29 @ The Sanderson Centre for the Performing Arts, Brantford, ON
March 30 @ The Oakville Centre for the Performing Arts, Oakville, ON
March 31 @ River Run Centre, Guelph, ON
April 1 @ The Grand Theatre, Kingston, ON
April 4 @ Rose Theatre, Brampton, ON
April 5 @ First Ontario Performing Arts Centre, St. Catharines, ON
April 6 @ Richmond Hill Centre for the Performing Arts, Richmond Hill, ON
with Theory Of A Deadman
May 4 @ Bronson Centre, Ottawa, ON
May 6 @ Thunder Bay Community Auditorium, Thunder Bay, ON
with Eagles Of Death Metal
July 4 @ O2 Forum, London, UK
July 5 @ The Leadmill, Sheffield, UK
July 9 @ Batschkapp, Frankfurt, DE
July 10 @ Täubchenthal, Leipzig, DE
July 11 @ Capitol, Hannover, DE
July 13 @ Markthalle, Hamburg, DE
July 17 @ Huxleys, Berlin, DE
July 18 @ Hirsch, Nuremburg DE
DOWNLOAD - Shockwave Album Art | DOWNLOAD - Press Photo
DOWNLOAD - Tour Poster
NEW EP LOST IN THE REWIND TO BE RELEASED JUNE 2
TORONTO, ON – March 23, 2023 – Indie singer/songwriter, Craig Stickland, announces the release of his new six song EP, Lost in the Rewind, on June 2 via MNRK Music Group. Today, he releases the first track and accompanying video, Colorblind, a cascading meditation about a failed relationship. It digs into the idea of perspective, “essentially two people looking at the same thing but seeing something different.” Listen to Colorblind here and watch the video, directed by Luis De Peña, here.
The gorgeously plaintive EP, Lost in the Rewind, "is really about finding myself again," says Craig. When pandemic restrictions lifted, and songwriting presented itself, “I really had to take a step back to find my love for myself and music again,” he says. “Lost in the Rewind is me trying to unpack why I did these things.”
Craig Stickland previously released the three song EP, While We Wait For the Sun to Rise, in 2021. His debut, the JUNO-nominated Starlit Afternoon, chronicled Stickland’s decade-long struggle to break through into music. The album garnered millions of streams on Spotify, with a pair of pristinely lovelorn tracks, the meditative title song and laid-back anthem, Break Every Rule, winning him a loyal following.
FROM NEW ALBUM IN SEARCH OF GOLD OUT MAY 5 VIA BIRTHDAY CAKE RECORDS
PRE-ORDER ON BANDCAMP
WATCH AND LISTEN TO PREVIOUS SINGLE GOLD
Toronto, ON – March 22, 2023 – Canadian hip-hop trailblazer, Mouraine, shares Tonight, the second single from his forthcoming album, In Search of Gold. In soft strums, resonant 808s and poetic verses, Mouraine tells the honest story of his humble beginnings and the roots of his mission as an artist. The track was produced by Rayannah Kroeker & deadmen and features background vocals by Begonia and a special excerpt of Mouraine's immigrant story, as told by his mother during a heartfelt call from the studio. Listen to Tonight here.
"My humble beginnings trying to adjust and fit in a new country as a refugee reaching a place where I no longer had to worry about my safety and basic survival needs, but now I had to face new struggles," Mouraine adds. "It's hard to dream big when the system is set up to limit you to a stereotype. being in a dilemma of feeling grateful but still hungry for more."
In addition, Mouraine shares an incredible visual highlighting his recent performances at JUNOFest last week soundtracked by Tonight. The piece is a showcase of his hustle, come up and the community that surrounds and supports him. Watch the visualizer for Tonight here.
As In Search Of Gold nears its release on May 5 via Birthday Cake Records, Tonight follows Mouraine's shiny first single, Gold. The song evokes the inner and outer glow of realizing self-worth and pursuing potential to the highest degree. Listen to Gold here. Produced by Western Canadian Music Award (WCMA) winning producer-engineer duo, deadmen (Begonia, Ashleigh Ball, Royal Canoe), Gold moves with a melodious beat and Mouraine's clever rhyme and verse. The video for Gold was filmed in Joshua Tree National Park, California and directed by Mat Dunlap and assisted by Kevin Manning. Mouraine traverses the desert terrain to claim his throne - and spin gold records - beneath a warm west coast sun. This is a reminder to never settle, no matter the time or the setting. Watch Gold here.
Tonight and Gold are a telling entrance into this new era of Mouraine, and drives the energy for In Search of Gold. Mouraine worked with deadmen (Matt Peters & Matt Schellenberg) to craft new sounds, showcase Mouraine's growth as an artist, and create a sonic representation of Mouraine's life journey. The project is a collaboration with producer duo deadmen (Begonia, Royal Canoe, Ashleigh Ball, Ian Sweet), with features from his brother MOTO, Canadian R&B icon, JRDN, and more. The songs delve into Mouraine’s personal life story and deliver an intimate vulnerability complemented by captivating stories, bold lyricism and colossal beats. Audiences both familiar, or newly introduced, to Mouraine's catalogue and unparalleled stage presence will witness In Search of Gold as a byproduct of years of hard work, determination and talent, failure and loss. This album comes with as much triumph and accomplishment as it does challenge and vulnerability.
Earlier this month, Mouraine rocked JUNOFest in his hometown of Edmonton, and is amping up for shows in the UK in May. He'll make a big debut at FOCUS Wales Festival in Wrexham, a show at Notting Hill Arts Club in London followed by The Great Escape Festival in Brighton. Learn more about Mouraine's career below, connect with him online and stay tuned for more music as he blazes his path.
TOUR DATES
May 4 - 6 - Wrexham, UK - FOCUS Wales Festival
May 7 - London, UK - Notting Hill Arts Club
May 11 - 13 - Brighton, UK - The Great Escape Festival
DOWNLOAD - Tonight Artwork | DOWNLOAD - Mouraine Press Photo
Connect with Mouraine: Website | Instagram | Facebook | Twitter | YouTube | Spotify | Apple Music | TikTok
Apple Music | TikTok: @mouraine
BBC INTRODUCING TRACK OF THE WEEK
ANNOUNCED FOR READING + LEEDS, NASS AND THE GREAT ESCAPE
LISTEN BACK TO FAST FWD TO FRIDAY MIX SERIES HERE
Toronto, ON – March 21, 2023 – Electronic trio, NOISY, bring a new flavour to their banger single, RUDEBOY, with an alternative version featuring pal and rising powerhouse, Master Peace, out now via Concord Records. Listen to the single here / watch the music video here.
Following the immense success of their first single of 2022, RUDEBOY, which was crowned BBC Introducing Track Of The Week, as well as receiving extensive support from Radio X, 6Music and more, NOISY have recruited friend Master Peace to bring the track up a gear. Rude by name, rude by nature, RUDEBOY is an attitude-driven anthem, sonically flirting between the likes of Justice, Basement Jaxx and Fat Boy Slim.
On the new single and collaborating with Master Peace, singer Cody said: “RUDEBOY is about feeling completely locked into music, whether you’re in a club, or in a packed tent at a festival or on a night bus with your headphones on. When it hits the music takes you and you can't think about anything else. It started with the lyric 'I put my shades on.' I was just thinking about being at a festival, with the sun shining and feeling euphoric. We were listening to a lot of Chemical Brothers and Justice at the time and so we wanted a heavy bass beat-driven song and it all flowed from there.
“We had been DMing (Master Peace) and it turned out we were fans of each other, we absolutely loved his stuff, and Peace came to hang out with us in the studio a few weeks ago. He liked RUDEBOY and hopped on a verse, we were blown away. We then performed it together at our club night Fast FWD to Friday and thought we had to put it out, it was a highlight of the night!”
2023 has already been bountiful for the exciting trio, with two sold-out club night shows, performing at the esteemed Brits Week at Lafayette London, and confirmed slots at Reading + Leeds, NASS Festival, and The Great Escape. Their debut appearance at the SXSW Music Festival was a triumph, with the band performing in front of capacity crowds at showcases presented by the British Music Embassy, Dr. Marten's, and KROX/101X as well as their own official SXSW showcase. Now, collaborating with the likes of Master Peace continues to cement this year as the year of NOISY.
The past few years have been all gas no breaks for NOISY. Collaborations have been bountiful, from High Contrast remixing 24/7 to releases with the likes of The Prototypes, 1991 and Zero. The music truly comes to life on stage, and the group enjoyed knock-out festival slots at the likes of Reading & Leeds (Radio 1s Dance Stage), Mad Cool, Kendal Calling, and Neighbourhood Weekend. The group also opened for Mike Skinner ahead of embarking on their UK headline tour which came to London for a sold-out XOYO show last year.
NOISY’s touring schedule has been eventful in more ways than one. In 2021 the group made the headlines between shows when their tour van was stolen outside their tour manager’s flat one night, along with synthesizers, FX pedals, guitars, amps; the lot. With a never say die attitude though, the trio came across some of their equipment on eBay and planned a sting operation to reclaimed all of the equipment.
This self-sufficient, DIY mindset is one of the driving forces of NOISY (comprised of singer Cody, guitarist Connor and producer Spencer), who pride themselves on owning creative control, writing, recording and producing all of their music, designing their own merch and often shooting their own music videos.
Allow us to reintroduce NOISY. Your new favourite band, that sound nothing like a band.
DOWNLOAD - Press Photo
DOWNLOAD - RUDEBOY featuring Master Peace Artwork
NOISY on TikTok
FULL ARTIST AND VENDOR LINE-UP REVEALED
DIGGING ROOTS AND AYSANABEE TO PERFORM
ELDER DR. DUKE REDBIRD TO CLOSE FESTIVAL
TORONTO, ON – March 20, 2023 – Celebrate and honour springtime at Ziigwan (SEE-gwon), a free three-day Indigenous music and arts festival at Yonge-Dundas Square, March 24 - 26, 2023.
The Gord Downie & Chanie Wenjack Fund and Downtown Yonge BIA, in collaboration with ELMNT FM Radio, Red Music Rising, and Music Tourism, are pleased to reveal the complete artist and vendor lineup for the festival, featuring some of the most prominent and emerging Indigenous artists, creators, and entrepreneurs.
BLACKIE & THE RODEO KINGS ⧫ DJ SHUB ⧫ NORTHERN CREE JULIAN TAYLOR ⧫ DIGGING ROOTS ⧫ AYSANABEE BOOGEY THE BEAT ⧫ TIA WOOD ⧫ LOGAN STAATS STATUS/NON-STATUS ⧫ SHAWNEE KISH ⧫ BULLHORN SINGERS W/ SPECIAL GUEST NOELLE ⧫ SEBASTIAN GASKIN ⧫ NIMKISH 📍 YONGE-DUNDAS SQUARE 📆 MARCH 24 - 26, 2023 downiewenjack.ca/events/ziigwan |
Beginning Friday at 4:30pm and continuing all weekend, the following Indigenous vendors will be serving up food, beadwork, clothing, and more as part of the festival:
Aaniin ⧫ Beadwork by Saga ⧫ Dashmaawaan Bemaadzinjin
The Gord Downie & Chanie Wenjack Fund ⧫
GoodMinds Indigenous Books ⧫ Indigenous Bijoux ⧫
Little Wiggly Art ⧫ Native Arts Society ⧫
Neechi by Nature ⧫ Pacha Indigenous Art Collection ⧫ Riksworks ⧫ Theresa Burning
Sunday, March 26 is Family Day at Ziigwan, where GoodMinds Indigenous Books will sell a variety of books catered to children and youth, and the Strong Water Singers will facilitate learning activations so children and families can engage in meaningful conversations about Indigenous cultures.
Later that day, Elder Dr. Duke Redbird will join us to close this important gathering in a good way, sharing his thoughts on Ziigwan (springtime) and our collective journey toward reconciliation. Dr. Redbird is an Elder from the Saugeen First Nation and a celebrated Indigenous Visionary, intellectual, poet, broadcaster, and filmmaker.
Ziigwan, the Anishnaabemowin word for springtime, celebrates the healing and learning power of music and art, the rebirth of spring, and the collective awakening. The festival aims to bring people together in one of the city’s most prominent spaces, collectively reemerging from the grip of the COVID-19 pandemic.
This project is being made possible and funded by the Government of Canada through the Federal Economic Development Agency for Southern Ontario.
ABOUT THE GORD DOWNIE AND CHANIE WENJACK FUND:
Inspired by Chanie’s story and Gord’s call to build a better Canada, the Gord Downie & Chanie Wenjack Fund aims to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous peoples. Our goal is to improve the lives of Indigenous people by building awareness, education, and connections between all peoples in Canada. downiewenjack.ca
ABOUT THE DOWNTOWN YONGE BIA:
The Downtown Yonge Business Improvement Area (DYBIA) is a catalyst for creating vibrant urban experiences and events in the heart of downtown Toronto. Representing more than 2,000 businesses and their employees, as well as the broader community of residents, students and visitors, the DYBIA champions attractive public spaces, popular events, safety and cleanliness. It plays an active role both at street level and in boardrooms, advocating for a thriving and diverse community of retailers, restaurants and services. downtownyonge.com
ABOUT ELMNT FM RADIO:
106.5 ELMNT FM is Toronto’s only Indigenous-owned radio station. Owned and operated by First Peoples Radio and launched in October 2018, 106.5 ELMNT FM plays the latest pop, hip-hop and R&B, while promoting some of the best First Nations, Inuit, and Métis artists working today. elmntfm.ca
ABOUT RED MUSIC RISING:
Launched in January 2020 in partnership with Dadan Sivunivut, Red Music Rising is a holistic music company. A full-service artist management company and record label owned and managed entirely by Indigenous individuals, with a mission to help develop robust, sustainable, life-long careers for Indigenous artists and industry professionals. Matt Maw (Chippewas of the Thames First Nation) is Red Music Rising’s Director & Lead Artist Manager. Matt brings over a decade of multi-faceted music industry experience to Red Music Rising, along with a passion for artist development and a mission to amplify Canada's Indigenous talent on the global stage. redmusicrising.ca
ABOUT MUSIC TOURISM:
Specializing in music city and music tourism industry consultancy and business development, Music Tourism is led by Chris Campbell, an inventive, collaborative, and self-motivated music, entertainment, and tourism industry professional with decades of experience in strategic planning, event acquisition and major event management. We specialize in the creation and implementation of music city and music tourism strategies. Working together with your industry stakeholders we will maximize economic and socio-economic potential. musictourism.ca
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ZIIGWAN FESTIVAL DE MUSIQUE ET D’ARTS AUTOCHTONES DÉVOILEMENT DE L’ENTIÈRE PROGRAMMATION LUMIÈRE SUR LES ARTISTES
ET EXPOSANTS
DIGGING ROOTS ET AYSANABEE SE PRODUIRONT
ELDER DR. DUKE REDBIRD CLORA LE FESTIVAL
TORONTO, ON - Le 20 mars 2023 – Célébrez le printemps et rendez-lui hommage à l’occasion de Ziigwan (prononcer SEE-gwon), un festival de musique et d’arts autochtones gratuit d’une durée de trois jours qui se tiendra Place Yonge-Dundas du 24 au 26 mars prochains.
Le Fonds Gord Downie & Chanie Wenjack et Downtown Yonge BIA, en collaboration avec ELMNT FM Radio, Red Music Rising et Music Tourism, sont heureux de dévoiler la programmation complète du festival. Celle-ci réunit certains des artistes, créateurs et entrepreneurs autochtones les plus en vue du Canada ainsi que d’autres, en pleine émergence.
BLACKIE & THE RODEO KINGS ⧫ DJ SHUB ⧫ NORTHERN CREE JULIAN TAYLOR ⧫ DIGGING ROOTS ⧫ AYSANABEE BOOGEY THE BEAT ⧫ TIA WOOD ⧫ LOGAN STAATS STATUS/NON-STATUS ⧫ SHAWNEE KISH ⧫ BULLHORN SINGERS W/ SPECIAL GUEST NOELLE ⧫ SEBASTIAN GASKIN ⧫ NIMKISH 📍 PLACE YONGE-DUNDAS 📆 DU 24 AU 26 MARS 2023 downiewenjack.ca/events/ziigwan-fr |
À partir du vendredi, 16 h 30, et tout au long du week-end, les participants autochtones suivants vendront de la nourriture, des objets perlés, des vêtements et plusieurs autres items dans le cadre du festival :
Aaniin ⧫ Beadwork by Saga ⧫ Dashmaawaan Bemaadzinjin
The Gord Downie & Chanie Wenjack Fund ⧫
GoodMinds Indigenous Books ⧫ Indigenous Bijoux ⧫
Little Wiggly Art ⧫ Native Arts Society ⧫ Neechi by Nature ⧫ Pacha Indigenous Art Collection ⧫ Riksworks ⧫ Theresa Burning
Le dimanche 26 mars sera le Jour de la famille au festival Ziigwan! GoodMinds Indigenous Books offrira à la vente une foule de livres destinés aux enfants et jeunes lecteurs. Les Strong Water Singers animeront des activités d’apprentissage de sorte que les enfants et leurs familles puissent prendre part à des conversations signifiantes au sujet des cultures autochtones.
Plus tard ce même jour, Elder Dr. Duke Redbird se joindra à nous pour clore bellement ce rassemblement important, partageant ses pensées au sujet de Ziigwan (le printemps) et de notre voyage collectif vers la réconciliation. Dr Redbird est un Aîné de la Première Nation Saugeen. Il est de plus un Autochtone visionnaire, un intellectuel, un poète, diffuseur et cinéaste.
Ziigwan, le mot anishnaabemowin pour « printemps », célèbre les pouvoirs de guérison et d’apprentissage que possèdent la musique et l’art; la renaissance printanière; et l’éveil collectif. Le festival vise à nous rassembler dans un des espaces publics les plus importants de la ville alors que nous émergeons collectivement de l’emprise de la COVID-19.
Ce projet a été rendu possible grâce à un financement du Gouvernement du Canada par l’entremise de l’Agence fédérale de développement économique pour le Sud de l’Ontario.
À PROPOS DU FONDS GORD DOWNIE & CHANIE WENJACK :
Inspiré par l’histoire de Chanie et l’invitation de Gord à construire un meilleur Canada, le Fonds Gord Downie & Chanie Wenjack vise à bâtir une compréhension culturelle entre peuples autochtones et non-autochtones et à créer un chemin vers leur réconciliation. Notre objectif est d’améliorer la qualité de vie des Autochtones en suscitant la sensibilisation et l’éducation de tous les peuples du Canada de même que leurs interrelations. downiewenjack.ca/fr
À PROPOS DE DOWNTOWN YONGE BUSINESS IMPROVEMENT AREA :
Cet organisme est le catalyseur de la création d’expériences et d’événements urbains vibrants au coeur du centre-ville de Toronto. Représentant plus de 2 000 entreprises et leurs employés, de même qu’une vaste communauté de résidents, d’étudiants et de visiteurs, il milite pour des espaces publics attrayants et des événements populaires, et promeut sécurité et propreté. Il joue également un rôle actif dans la rue comme dans les conseils d’administration en plaidant pour une communauté prospère et diversifiée de détaillants, de restaurants et de services. downtownyonge.com
À PROPOS D’ELMNT FM :
106.5 ELMNT FM est la seule station de radio autochtone de Toronto. Détenue et exploitée par First Peoples Radio et inaugurée en octobre 2018, 106.5 ELMNT FM fait tourner les plus récents tubes pop, hip-hop et R&B tout en faisant la promotion des meilleurs artistes des Premières Nations, Inuit et Métis oeuvrant aujourd’hui. elmntfm.ca
À PROPOS DE RED MUSIC RISING :
Fondée en janvier 2020 en partenariat avec Dadan Sivunivut, Red Music Rising est une maison de disque holistique. Il s’agit d’une compagnie offrant un service complet de gestion d’artistes et d’enregistrement de disques, entièrement détenue et gérée par des Autochtones, dont la mission est de contribuer à développer des carrières solides durant toute la vie des artistes autochtones et des professionnels de l’industrie. Matt Maw (de la Première Nation des Chippewas de la Thames) est le directeur et gérant d’artistes principal de Red Music Rising. Il y apporte une expérience diversifiée dans l’industrie de la musique longue de plus d’une décennie, ainsi qu’une passion pour le développement de la carrière d’artistes, assortie de la mission d’amplifier la présence du talent autochtone sur la scène mondiale. www.redmusicrising.ca
À PROPOS DE MUSIC TOURISM :
Firme conseil spécialisée dans le développement commercial de villes de la musique et du tourisme musical, Music Tourism est dirigée par Chris Campbell, un professionnel de l’industrie de la musique, du divertissement et du tourisme possédant des décennies d’expérience en matière de planification stratégique, d’acquisition d’événements et de gestion de projets d’envergure. Music Tourism se concentre sur la création et la mise en œuvre de stratégies visant les villes de la musique et le tourisme. En travaillant de concert avec les parties prenantes de l’industrie, elle en maximise les potentiels économiques et socio-économiques. www.musictourism.ca
LISTEN HERE
LEAD SINGLE KID RISES TO TOP 10 AT AAA
AND #13 AT ALTERNATIVE RADIO
NEW STUDIO ALBUM POUR IT OUT INTO THE NIGHT
OUT JUNE 2 ON CONCORD RECORDS
“The Revivalists focus on the positive on new single Kid [with] the feeling that in this cluttered world, we must block out all
the distractions to find our most authentic self.” - PEOPLE
“The Revivalists' sound covers a lot of ground and harkens back to many of their diverse influences…but they are constantly moving forward.”
– Grammy.com
“A high energy, seamless blend of soulful, horn-abetted rock and roll…inching closer to pop superstardom…” - Relix
"... a creative, compelling blend of musical ingenuity and heart..." – Billboard
TORONTO, ON – March 17, 2023 – Chart-topping rock band, The Revivalists, have released a new politically charged album track The Long Con today from their forthcoming studio album, Pour It Out Into The Night, (out June 2 via Concord Records), as lead radio single Kid is rising fast, jumping into the Top 10 at AAA and #13 at Alternative Radio after being #1 most added at both formats in its first week, and starting to buzz at Hot AC, with more than 1.3 million streams to date.
Featuring a gospel-style chant and a punchy groove amped up by waves of distortion, The Long Con acknowledges the deep divisions in our country with the hope that we can hold onto the power of love. Listen to The Long Con here and pre-save/pre-order Pour It Out Into The Night here. Each pre-order includes an instant download of The Long Con and Kid.
“The Long Con is a song for the marginalized, the underrepresented and taken advantage of. It’s heartbreaking to see what’s happening in our country. I wanted to write a song that we could all sing together at our concerts, and truly feel connected and aligned. It’s a song for the people,” says vocalist/guitarist David Shaw.
The Revivalists’ lead single Kid, which sees the band featured on this week’s cover of Apple Music’s ALT CTRL playlist, is a hopeful anthem invoking the zest for life, self-belief, catharsis and “living for the spirit now” as the song declares, featuring an infectious melody and piano peeking through bright acoustic guitar as intricate layers of the band's distinctive instrumentation power a euphoric chantable chorus. Directed by Johnny Chew, the graffiti-inspired music video features artful, eye-popping stop-motion animation of the band against a backdrop that pays homage to the architectural and artistic aesthetics that define the band’s home of New Orleans. Watch the Kid video here.
Kid introduces Pour It Out Into The Night, a life-affirming album about living in the moment that offers both an unburdening and an appreciation for the here and now, fueled by lessons in gratitude and life realizations. As the world came to a standstill in the years since their last album, Take Good Care, personal experiences and life challenges abounded, with band members having their first children, getting married, and navigating the mental hurdles of lockdown. The band’s process for this record was the most self-guided one yet, and was produced by GRAMMY Award-winning producer, Rich Costey [Muse, Foster the People, Death Cab for Cutie] with co-production from David, Zack, and the rest of the band.
The Revivalists are renowned for their live prowess, soulful alt-rock anthems, and distinct mix of many of the classic styles of American music, led by the incredible voice of front man David Shaw. They will deliver a big hometown set at New Orleans JazzFest in April and Bonnaroo in June before embarking on their North American tour, including co-headline dates with The Head and The Heart beginning June 30 followed by co-headline dates with Band Of Horses beginning July 28. After three consecutive sell-outs at the famed venue, they return to Red Rocks in Colorado for a headline show on September 14. For tickets, please visit www.therevivalists.com.
Eight-piece rock 'n' roll collective The Revivalists – David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion] – have earned multiplatinum success, more than 800 million streams, multiple Adult Alternative #1s and Alternative Radio hits, major media praise, numerous national television performances, and sold-out shows at hallowed venues such as Radio City Music Hall, The Ryman and Red Rocks. Their philanthropic umbrella fund, Rev Causes, supports a variety of organizations dedicated to reviving and investing in our communities, our health, and our environment. By donating a portion of ticket sales, through fan donations, and a variety of other fundraising efforts, the band assists multiple national and local organizations in building a better future.
The Revivalists 2023 Live Dates
March 19 - Tampa, FL @ Innings Festival
March 31 - Jackson, WY @ Rendezvous Festival
April 28 – 30 - New Orleans, LA @ New Orleans Jazz & Heritage Festival
April 28 - New Orleans LA @ The Fillmore
June 9 - Atlanta, GA @ Fox Theatre
June 18 - Manchester, TN @ Bonnaroo
June 30 - Kansas City, MO @ Starlight Theater #
July 1 - Waite Park, MN @ The Ledge Amphitheater #
July 3 - Cedar Rapids, IA @ McGrath Amphitheatre #
July 5 - Selbyville, DE @ Freeman Arts Pavilion #
July 6 - Raleigh, NC @ Red Hat Amphitheater #
July 8 - Columbia, MD @ Merriweather Post Pavilion #
July 9 - Asbury Park, NJ @ Stone Pony Summer Stage (with The Head and The Heart only)
July 12 - Philadelphia, PA @ Skyline Stage at the Mann #
July 14 - Bridgeport, CT @ Hartford Healthcare Amphitheater #
July 15 - Gilford, NH @ Bank of New Hampshire Pavilion #
July 26 - Toronto, ON @ HISTORY (with The Heavy Heavy only)
July 28 - Chautauqua, NY @ Chautauqua Amphitheater ^
July 29 - Indianapolis, IN @ TCU Amphitheater at White River State Park ^
August 1 - Milwaukee, WI @ Riverside Theater *
August 3 - Oshkosh, WI @ Leach Amphitheater *
August 6 - Cleveland, OH @ Jacobs Pavilion *
August 8 - Portland, ME @ Thompson's Point ^
August 10 - Brooklyn, NY @ Prospect Park ^
August 11 - Boston, MA @ Leader Bank Pavilion ^
August 31 - Berkeley, CA @ Greek Theatre *
September 2 - Troutdale, OR @ Edgefield Amphitheater (with The Heavy Heavy only)
September 6 - Las Vegas, NV @ The Theater at Virgin Hotels Las Vegas *
September 9 - San Diego, CA @ Gallagher Square at Petco Park *
September 10 - Los Angeles, CA @ The Greek Theatre ^
September 14 - Morrison, CO @ Red Rocks Amphitheatre (support from Band of Horses & The Heavy Heavy)
September 17 - Telluride, CO @ Telluride Blues and Brews Festival
# co-headline with The Head and The Heart & support from Jaime Wyatt
^ co-headline with Band of Horses
* co-headline with Band of Horses & support from The Heavy Heavy
SONG OFF FORTHCOMING NEW ALBUM AMONG OTHER THINGS
OUT APRIL 21 ON ROUNDER RECORDS
ANNOUNCES NEW U.S., EUROPEAN AND UK TOUR DATES
SXSW THIS WEEK + STAGECOACH, UNDER THE BIG SKY FESTIVAL, TELLURIDE, MERLEFEST AND MORE!
"Sometimes the minute you hear a voice, you know it's for the ages. That's how Canadian Bella White, the daughter of a Virginia bluegrasser, enters the picture. Making her second album now, at 22, White is poised for a major breakthrough. This is her origin story." - NPR
“At just 22, Bella White is a songwriting prodigy and emotional alchemist.” - Grammy.com
“Sublime Appalachian heartbreak.” - Rolling Stone
“(‘Break My Heart’) is an instant classic” - Folk Alley
TORONTO, ON – March 17, 2023 – Calgary-born singer-songwriter/multi-instrumentalist, Bella White, will release her new album, Among Other Things, on April 21 via Rounder Records and today she shares another taste of the LP by way of new single, Flowers On My Bedside. The single – both raw and mournful – took shape as White tapped into the bracing lucidity that sometimes accompanies heartache. She says, “Flowers On My Bedside is a song for empowerment. I wrote it when I was in a sad place and it was a very healing experience, to take a hard situation and turn it into something that feels creatively inspiring.” Listen to/share Flowers On My Bedside here.
Among Other Things was produced by Jonathan Wilson and features Buck Meek of Big Thief on guitar. White has teased the album with a handful of songs that together give the listener a sense of her remarkable writing and life-long-honed skills as a bluegrass player. “Bella White stands out as the youngest in her class of breakthrough virtuosos defined by the likes of Billy Strings and Amythyst Kiah. Her poetic poignancy conjures up the palpable devastation from a novice lover whose heart —one brimming with naïve ideas of romance—has shattered into a seemingly irreparable form,” said American Songwriter. Previous releases include last year’s The Way I Oughta Go the gorgeous and reflective Rhododendron and last month’s Break My Heart.
Among Other Things is available for pre-order here digitally and on LP with specialty vinyl in Garnet and Tiger’s Eye via the artist’s website at www.bellawhitemusic.com.
Rolling Stone included White in their Best Things We Saw roundup of AmericanaFest and she has spent this week captivating audiences in Austin during several appearances at SXSW including a slot at the Luck Reunion. Tonight, she will be appearing at the imogene + willie party. White is excited to announce new U.S. headline dates that include a stop in New York City on May 4. She has also added dates in Europe and the UK and has confirmed appearances at major U.S. festivals throughout the spring and summer including Stagecoach, Merlefest, Telluride, Under The Big Sky, and more. All tour dates listed below.
White made her mark on the scene with the release of her debut album Just Like Leaving. The LP caught the attention of Rounder Records which signed her last year. While traditional bluegrass originated in Appalachia, the genre has surely found a safe and loving Canadian home via her songwriting. The 22-year-old singer/songwriter and instrumentalist shies away from modern and fussy arrangements, and instead brings a traditional style of music into the contemporary moment by personalizing it to her own experiences. White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table. Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. Read more about Bella White here.
UPCOMING TOUR DATES:
SXSW
March 17 - Yeti Showcase - 220 S. Congress - Austin, TX
March 17 - The imogene + willie party - imogene + willie store - Austin, TX
April 28 - Stagecoach - Indio, CA
May 2 – The Loft at City Winery Philadelphia – Philadelphia, PA
May 3 – Pearl St. Warehouse – Washington, DC
May 4 – Rockwood Music Hall (Stage 2) – New York, NY
May 17- Duke’s Indy – Indianapolis, IN
May 19 - Sleeping In The Woods Songwriter Festival - Monticello, KY
May 20 - Pit House – Slade, KY
June 18 - Black Deer Festival, Tunbridge Wells, UK
June 20 - The Glad Cafe - Glasgow, SCOTLAND
June 21 – The Lexington, London, UK
June 23 – SPOT, Groningen, NETHERLANDS
June 24 - Rotterdam Bluegrass Festival - Rotterdam, ZH, NETHERLANDS
July 14 - Under the Big Sky Music & Arts Festival, White Fish, MT
TORONTO, ON - March 17, 2023 - Today BRIT nominated DJ and producer, Regard, has shared a brand new dancefloor creeper, No Sleep, with chart topping, multi-platinum selling artist Ella Henderson. The track is out now via Ministry of Sound - listen here.
No Sleep is the perfect pairing of moody trance-inspired synths driven by Ella's soulful vocals, addressing moving past a lost love. The disco inflected chorus glistens, and is a testament to Regard’s penchant for crafting compelling dance tracks with infectious and nuanced melodies.
Speaking further about the track, Regard says “I started creating the beginnings of what would become No Sleep last summer. I was so consumed by making the track, I didn’t realise that by the end of my session, it was morning. I worked my way through the entire night on this song. Ironically, it went on to become ‘No Sleep’ thanks to Ella’s incredible performance on the track.”
Ella adds “I’m so excited to have collaborated with Regard on No Sleep. It feels so empowering to sing such a defiant lyric over such a feel good record! I believe many people will relate to this song & I think having more upbeat records with a strong & powerful message is something we all need right now! I’m excited for this one & I can’t wait to perform it live together at some point!!”
About Regard
It was by accident that REGARD found his stage name. The word, “regardé,” came to the DJ during French class in high school. “To see” became the core behind Regard’s music. “When I perform,” he says, “I look at the people and how they feel the music.” For REGARD, his deep house mixes consist not only of sound, but also of sight. Performance is a reciprocal and intimate relationship between the DJ and the audience. Kosovan DJ and producer REGARD garnered global attention with his debut single, Ride It, which became an international hit, taking the internet and TikTok by storm and quickly followed it up with his second hit single and BRIT nominated Secrets featuring South London singer RAYE. He has gone on to achieve over 10X top 10 single chart placements globally. In the UK, Ride It has sold over 1 million records to date (6x Platinum), while Secrets was recently certified Gold. His 2x Platinum single, YOU, with Troye Sivan and Tate McRae achieved over 320 million streams, #2 at Main AC, #20 at Hot AC, #32 at Top 40 in Canada, #1 TikTok sound in UK and is the longest running #1on the US Hot Dance/Electronic Songs chart in 2021, plus saw REGARD perform on Jimmy Fallon. REGARD has had four #1 US Dance Airplay hits, amassed 3.3 billion combined streams & 12 million worldwide sales.
About Ella Henderson
Bursting onto the scene 11 years ago with a No. 1 debut single (Ghost) and album (Chapter One), Ella Henderson has since ascended to a multi-platinum selling, BRIT and Ivor Novello Award nominee, with over a billion streams to her name - all by the age of 27. A hit songwriter and powerhouse vocalist, Ella has collaborated with musical luminaries including Ryan Tedder and Babyface, as well as superstar DJs including Sigma and Kygo. To date, she has achieved seven UK Top 10s as a lead artist, the most recent including, Crazy What Love Can Do with David Guetta and Becky Hill, and 21 Reasons with Nathan Dawe. Last year, Ella released her long-awaited second album Everything I Didn’t Say. Heralded by powerful lead single Brave and a showstopping performance on The Graham Norton Show, the record debuted in the Official Charts Top 10, becoming her second to do so. She also hit the road for her first headline tour in seven years, spanning seven dates across October, the sold-out run concluded at London’s prestigious O2 Shepherd’s Bush Empire.
DOWNLOAD - Press Photos | DOWNLOAD - No Sleep Art
Regard on TikTok
Connect with Regard: Website | Instagram | Facebook | Twitter | YouTube
LISTEN HERE
Toronto, ON – March 17, 2023 – Ormiston - the solo project of Montreal-born Nicola Ormiston - is bringing a Distortion Of Reality with his new single. Out today via Lisbon Lux Records, the pristine indie emotional track draws inspiration from the songwriting of the 80s (a la Cindy Lauper) while establishing a more lo-fi contemporary sound. Listen to Distortion Of Reality here and watch the fantastic visualizer here.
Distortion Of Reality marks the beginning of a new era for Ormiston, unveiling a more dramatic and dreamlike sound after the release of his debut 2021 album, Hammer Down. Ormiston explores the identity crisis of a young adult, who lives his life unconsciously, without worrying about the harsh realities. The song is a sample of what will be heard on a new album, set to be released later this year.
Hammer Down, received over 400k streams, received incredible support from BBC, CBC, Amazing Radio and was featured on numerous playlists (Indie All Stars, it's a BOP!, Fresh Find Rock). Highlight track Time Fades appeared in Pete Davidson's latest film, Meet Cute.
About Ormiston
Singer-songwriter and producer of a sunny and laidback sound, somewhere between indie pop, chillwave and yacht rock where you can find influences from Toro Y Moi, MGMT and electro-disco. Born into a bilingual Montreal family, he was raised around female musicians and grew up with a strong sense of melody. After mixing and producing some tracks for Milk & Bone, Heartstreets, Misage and Freida Mari, he released in 2013 the song Typically Her (under the name Beverlay) that ended up being remixed by Kaytranada, helping it reach more than 3 million streams worldwide. In 2020, he signed with Canadian label Lisbon Lux Records. On stage, his piercing voice is supported by his three outstanding musicians. He offers a lively and touching show that irresistibly invites you to dance.
Connect with Ormiston: Facebook | Instagram | YouTube | Spotify | TikTok
DOWNLOAD - Press Photo | DOWNLOAD - Artwork
TikTok: @ormistonmusic
LISTEN HERE
NEW RENDITION OF CHART-TOPPING SINGLE FOLLOWS RECENT COLLABORATIONS WITH SHARON VAN ETTEN, LUCIUS
& MORE FEATURED ON STRAYS
UPCOMING APPEARANCES INCLUDE SXSW KEYNOTE AND AUSTIN CITY LIMITS TAPING PLUS HEADLINE TOUR DATES, SUMMER FESTIVALS AND CHRIS STAPLETON SHOWS
TORONTO, ON – March 16, 2023 – Today, Margo Price joins forces with Sierra Ferrell to release a brand new rendition of her Strays standout, Change of Heart, which recently reigned #1 for 14 consecutive weeks on the Americana chart. The single marks the first-ever collaboration between two of Nashville’s most shapeshifting singers and songwriters, who together transform the track from a turbulent eruption of psych rock into a stripped-back but swift arrangement of spellbinding vocals, a gently stomping acoustic guitar, and haunting lines of fiddle. In the album’s original recording and mind-bending music video, “a wiry blues guitar riff and jabs of organ hint at the Doors as Price delivers a breaking-away song that toys with paradoxes” (The New York Times), but here the focus is further given to the lyrics’ reflection on reckoning with one’s past and eradicating the fear of judgment.
Listen to Change of Heart (feat. Sierra Ferrell) via Loma Vista Recordings, available on DSPs as a three-track EP alongside Strays highlights Radio (feat. Sharon Van Etten) and Anytime You Call (feat Lucius).
On working with Sierra Ferrell, and celebrating friends, fellow artists and collaborators during Women’s History Month, Margo Price says, “I’m real excited to share this stripped down take on 'Change of Heart' featuring Sierra Ferrell. Sierra is one of my favorite new voices in music and I loved getting to work with her on this acoustic version of the song. I love to lift up other women in the genre when I see somebody putting out great art. In an industry that tries to drive us apart, it’s freeing to break down those barriers and say, ‘there is room for everyone.’ Thanks also to the cowriter of the song, my husband, Jeremy Ivey on acoustic guitar and the talented Billy Contreras on the fiddle.”
Following the release of Strays – a freedom-filled, mushroom-fueled, Jonathan Wilson-produced opus that’s been called her “strongest, most cohesive record yet” (Rolling Stone) – Margo Price has showcased songs like Change of Heart and Radio on The Late Late Show with James Corden, CBS Mornings and a national headline tour that just brought her triumphant return to the Ryman Auditorium. This week, Price heads to Texas to discuss Strays and her memoir, Maybe We’ll Make It, during a keynote conversation at SXSW on March 17, in addition to performing at Luck Reunion, and taping an episode for Season 49 of Austin City Limits on March 19.
This spring and summer, Margo Price’s ‘Til The Wheels Fall Off Tour rolls on with new headline shows just added today, plus amphitheater and arena dates with Chris Stapleton, festivals and more to be added soon. Find the full list below and tickets here.
Margo Price Tour Dates
3/24 - Boise, ID - Treefort Music Fest
4/26 - El Paso, TX - Don Haskins Center*
4/27 - Albuquerque, NM - Isleta Amphitheater*
4/29 - Los Angeles, CA - Long Story Short: Willie Nelson 90
4/30 - Los Angeles, CA - Long Story Short: Willie Nelson 90
6/22 - Pendleton, OR - Jackalope Jamboree
6/24 - Lander, WY - Lander Concert Series
6/25 - Livingston, MT - Pine Creek Lodge
6/28 - Omaha, NE - The Waiting Room
6/29 - Rogers, AR - Outlaw Music Festival
7/1 - Denver, CO - Dusty Boots
7/13 - Charleston, SC - Credit One Stadium*
7/14 - Virginia Beach, VA - Veterans United Home Loans Amphitheater*
7/15 - Baltimore, MD - CFG Bank Arena*
8/5 - Boston, MA - Leader Bank Pavilion!
8/6 - Portland, ME - Thompson's Point!
8/7 - Portsmouth, NH - The Music Hall Historic Theater
8/9 - Buffalo, NY - Town Ballroom
8/10 - Philadelphia, PA - The Met Philadelphia!
8/19 - Bethel, NY - Catbird Music Festival
8/25 - London, UK - Lafayette
8/25-8/27 - Leicestershire, UK - The Long Road
9/8-9/10 - Bristol, TN - Bristol Rhythm & Roots Reunion
9/24 - Franklin, TN - Pilgrimage Music & Cultural Festival
10/1 - Bridgeport, CT - Sound on Sound
10/5 - Charlottesville, VA - John Paul Jones Arena*
10/6 - University Park, PA - Bryce Jordan Center*
*w/ Chris Stapleton
!w/ Tyler Childers
Praise For Strays
"Unstoppable, Unsinkable, Uninhibited…Strays struts through big-hearted indie country, honky-tonk stomp and ’70s guitar-explosion psychedelia"
The New York Times
"Perhaps the most comprehensive iteration of her continually evolving palette…as a songwriter, Price has never quite sounded more in command of detail and scene setting"
Rolling Stone
"Strays bursts with easy confidence and kind, stoic pearls of wisdom"
Pitchfork
"A potent, genre-spanning opus"
NPR Music
"Volcanic vocal performances and sharp character studies"
Vulture
"Brilliantly rattles through country, psych and Patti Smith-style poetic rock’n’roll...powerful lyrical gut-punches"
The Guardian, ★★★★
"A winding, deeply felt, at times rollicking trip"
ELLE
"Billows with pop sensibility, rock guitar, and country lyricism"
Vanity Fair
"A Career-Best"
Variety
"Excellent...her strongest and most collaborative album yet"
The Daily Beast
"Sonically brave and lyrically obstinate, a rare delight that stands out from its counterparts"
NME, ★★★★
"Price remains one of the best chroniclers of our fraught political moment"
PAPER
"There’s proof of Price’s growth - as an artist and observer - on every track"
Jezebel
"A thrilling step forward in a career that’s already made Price one of the most intriguing
voices in music"
BUST
"It’s her weirdest and wildest record yet, but also her wisest"
UNCUT
"This is an album to cherish"
CLASH
DOWNLOAD - single artwork | DOWNLOAD - Margo Price & Sierra Ferrell photo
DOWNLOAD - Strays album artwork | DOWNLOAD - Margo Price photo
LISTEN TO MOONSTONE HERE
Toronto, ON – March 14, 2023 – Following Sapphire and Tourmaline, Montreal-based genre-bending artist Aether unveils his stunning four-track EP, Moonstone, out on Monstercat today. Inspired by the way gemstones evolve into new formations, he produced each track in order - transforming the previous track’s foundation into the next, reflecting the crystalline evolution process.
Continuing to connect his music with astral elements of nature, the title track is reminiscent of moonlit walks, leading with lush ambient pads and charming piano chords. Aquamarine ushers in the preceding tracks’ percussive and bass elements while giving listeners an oceanic listening experience through waves of soothing hums and shimmering synthwork. Arriving as a celebration to Aether’s tenth year of making music, the EP also allowed him to overcome musical challenges in his pursuit of creating ambient-leaning sounds for the first time.
Aether shares, “I hope listeners can at the very least take away a pleasant listening experience. Deeper than this, I hope that it can help people explore outside of their comfort zone. I am a strong believer that life happens outside of your comfort zone and I think this EP is a testament to what kind of unexpected beauty that can lead to.”
Moonstone highlights Aether’s lauded producing and composing capabilities that range from lofi to contemporary over the years. His records and compositions have landed in popular video games titles and have amassed millions of streams, all while overcoming his Retinitis Pigmentosa diagnosis - a rare eye disease that breaks down cells in the eye, leaving him legally blind. He shows no signs of slowing down as he continues to unfold new musical creations and explore different soundscapes that fans can look forward to hearing soon.
Moonstone EP Tracklist
1. Moonstone
2. Aquamarine
3. Sapphire
4. Tourmaline
DOWNLOAD - Press Photo | DOWNLOAD - Moonstone EP Artwork
About Aether (pronounced A-ther – He/Him)
Jason Taylor, better known under the name Aether, is a Scottish music producer, composer, and sound designer. With a passion for sound in all forms, his work covers a diverse range of palettes including contemporary piano, ambient works, and electronic dance music.
Growing up with a music loving family, he was always exposed to new genres and sounds. This led him to an early love and appreciation for music. Entering the world with a visual impairment, Retinitis Pigmentosa, resulted in Aether spending a lot of his teenage years exploring the world of music production and composition in his bedroom.
In 2013, the Aether project was born. Spanning a decade-long career, his ever expanding portfolio continues to grow and evolve through new styles, new instruments, and new ideas.
"The focus is always on telling a story. Once that story presents itself to me, I do whatever I can to see it exist. Very rarely does this happen and I already have what I need." -Aether
TITLE TRACK PREVIEWS RISING INDIE-POP TRIO’S UPCOMING NEW ALBUM DUE MAY 5 VIA FANTASY
TORONTO, ON – March 14, 2023 – Today, rising indie-pop trio, BAILEN, have shared Tired Hearts, the title track of their second full-length album, Tired Hearts, due May 5, via Fantasy. Building from a gentle synth-figure intro, the ethereal, reflective track soon transforms into a lustrous, probing, and powerful search for acceptance. Listen to Tired Hearts here and pre-order the album here.
“Tired Hearts is one of the first songs we wrote for this new album,” the band explained. “It set the tone for where we took the rest of the songs both thematically and musically. The song began as an adaptation of a 19th century poem about an Irish factory worker and examines the search for understanding and belonging while our means of survival drives us further from that goal. To be quite honest, this is a song about late-stage capitalism.”
In February, the New York City based siblings shared the album’s first single – the alt-pop gem, Call It Like It Is, along with its cult classic style video – listen and watch here. The sparkling track, co-written by BAILEN and X Ambassadors’ Adam Levin and Sam Harris, is “an anthem for anyone who refuses to be taken advantage of,” the band stated. “It unmasks the ugly truth behind shiny veneers.”
BAILEN is currently on a nation-wide, 25-date tour that is set to visit major cities across North America before finishing with a hometown performance at New York’s venerable Le Poisson Rouge on May 20. BAILEN is also set for high profile appearances this week at Austin’s famed SXSW Music Festival, March 14-16. Find the full tour itinerary below. For tickets and more information, please visit: bailentheband.com.
On Tired Hearts, Daniel, David, and Julia BAILEN deliver an alluring set of songs that navigates the space between the heart’s expectation and the head’s sober reality. At times both intricate and playful, measured and elaborate, the album’s 12 original songs wrestle with an uncertain future where ethics and morality—both communal and personal—are constantly shifting.
Produced by Brad Cook (Bon Iver, Waxahatchee) and BAILEN, and mixed by Lars Stalfors (Soccer Mommy, St. Vincent, Local Natives) Tired Hearts’ taut, synth-driven tracks are centred around BAILEN’s radiant harmonies and adventurous arrangements furthering the group’s exhilarating avant-pop evolution. Cook was instrumental in expanding the band’s ambition beyond what they initially envisioned. “We played the last record live a hundred times before recording it, so we tracked a lot of it live,” Daniel explains. “With Brad, we took a collagist’s approach. It freed us up to explore and be sonically adventurous.”
The album’s numerous high points include the iridescent pop of Nothing Left to Give, the tender hushed intimacy of These Bones, and the piercing, lilting title track, Tired Hearts. The moving BRCA (Nothing Takes Me Down), a title derived from the breast cancer gene Julia shares with her mother (a breast cancer survivor) is indicative of the band’s incredible range. Over a slow building rhythmic pulse, Julia sings of hospital gowns and uncertainty, untying a complex knot of familial anxiety, guilt, and acceptance, while embracing the determination to move forward: I’ll still live like I’m dying/But I won’t let it take me down. “It’s about finding ways to not be defined by these circumstances, and to move past them with resilience,” she affirms.
Known for their stunning vocals and sharp, literate songwriting, BAILEN have cultivated a passionate following and emerged in indie circles via word of mouth, robust playlisting and a stream of steady touring with artists such as Hozier, Amos Lee, The Lone Bellow, and Joseph, to name a few. The group’s acclaimed 2019 debut, Thrilled To Be Here, produced by John Congleton, has amassed over 25 million streams since its release.
BAILEN – Tired Hearts Tour - Spring 2023:
March 14 – High Road Touring Showcase - Austin, TX – SXSW
March 15 – All Together Now – Hotel St. Cecelia – Austin, TX – SXSW
March 15 – South By San Jose – Hotel San Jose – Austin, TX – SXSW
March 16 – The Socal Sound 88.5 Radio Show – Austin Convention Center – SXSW
March 19 – San Diego, CA – The Casbah
March 21 – Los Angeles, CA – Echo
March 22 – San Francisco, CA – Café Du Nord
March 24 – Portland, OR – Polaris Hall
March 26 – Seattle, WA – Tractor Tavern
March 30 – Minneapolis, MN – Parkway Theatre
March 31 – Milwaukee, WI – The Back Room at Colectivo
April 1 – Chicago, IL – Old Town School of Folk
April 2 – Ann Arbor, MI – The Ark
May 12 – Philadelphia, PA – Johnny Brendas
May 13 – Washington, D.C. – Miracle Theatre
May 14 – Pittsburgh, PA – Thunderbird Café
May 16 – Toronto, ON – The Drake Hotel
May 18 – Fairfield, CT – Stageone
May 19 – Boston, MA – Brighton Music Hall
May 20 – New York, NY – Le Poisson Rouge
SHARES NEW SINGLES
BUMP (WITH M.E.D. AND GUILTY SIMPSON)
ALONGSIDE INSTRUMENTAL INTHECOUPE
LISTEN HERE
PRE-ORDER ALBUM HERE
“Harrison is a high-achieving polymath...
His work fuses synthetic beats with complex, jazz-like arrangements,
and on ‘Float,’ he distills these sounds into a smooth, delicate soul rhythm.”
– NPR Music (Now Playing – Float)
“…a chef's kiss of a downtempo R&B jam for a dreamy two-and-a-half minutes.”
– CBC Music (Songs You Need To Hear – Float)
“Bonet's ethereal vocals are appropriate for a song titled Float.
The Los Angeles-based R&B singe…glides effortlessly
over Harrison's bass and drums-driven production.”
– Exclaim! (Track Feature – Float)
TORONTO, ON – March 14, 2023 – Following a strong return with two new songs last month, JUNO, UK MVA + Prism Prize nominated Toronto producer and musical polymath, Harrison, continues to share fresh sounds. A sonic intro to Spring, Harrison releases new single, Bump - a dream collab with some of his heroes, M.E.D. and Guilty Simpson - alongside Inthecoupe, a revved-up instrumental ode to cruising in your custom whip. The tracks usher the announcement of Harrison's new album, Birds, Bees, The Clouds & The Trees, out on April 28 via Last Gang Records/MNRK. Pre-order it here, and listen to Bump (featuring M.E.D. and Guilty Simpson) and Inthecoupe here.
Bump highlights verses from veteran emcees M.E.D. and Guilty Simpson, marking their first reunion since working on the 2006 J Dilla project, The Shining. Harrison's pivotal collab with the duo on this hip-hop heavy tune channels energies of J Dilla and Madlib, which influenced the duo's early Stones Throw careers. Opening the doors to Inthecoupe: inspired by Harrison's brief ownership of a 1991 BMW convertible with funk at the fore. Watch the visualizers, illustrated by Jeremy White, for Bump (featuring M.E.D. and Guilty Simpson) and Inthecoupe.
“Bump Is a love letter to some of my favourite rappers growing up. M.E.D. and Guilty have been huge influences on me since I was 16. Understanding their beat choices on producers they worked with was a really helpful growing tool. The instrumental for Bump was actually originally different. They found the pocket I was looking for on this new joint. I’m floored that they were kind enough to join me on this album," Harrison adds. “Inthecoupe is a reminder to myself to not be so serious all the time. My love for jazz is very deep but I still love making fun dance music. A playful song revolving around a brass synth and a bounce.”
Harrison’s innovative nature shines in Birds, Bees, The Clouds & The Trees: a 16-track collection of songs that highlights his affinity and dedication to the piano, blended with strong grooves, classic and contemporary jazz ingredients, sharp verses and prose lined with Brazilian bossa, funk, old-school hip-hop and rhythmic texture. A deep dive into Harrison’s universe, exciting guest features include rising LA-based singer-songwriters Kadhja Bonet (Float), Nanna.B (Blue Sky), fellow Toronto artist TOBi (on 2022-relesed single, Outta This World), and the previously released instrumentals, Like When We Were Kids and Around You. Pre-order the album here.
The album taps into themes of awakening from daydreaming, impacts of solitude, odes to younger selves, emerging from dark moments, honouring family members that have passed, carefreeness and more. The songs incorporate an array of instrumentation including Farfisa keys, breakbeats and a music box that was gifted to Harrison, as highlighted in the song of its namesake. Harrison drew inspiration from cartoons such as Looney Tunes and Gumball to Vince Guaraldi soundtracks.
Previous single, Float, is a smooth downtempo tune with a grooving R&B bassline that saw love from NPR, Exclaim!, CBC Music and Consequence, among many others. As guest Kadhja Bonet sings of struggling to find oneself in absent love, the LA songstress' graceful vocals weave throughout this buoyant track. A View From The Sky highlights Harrison’s deep study of jazz and dedication to the piano, written during a moment of personal reclamation after a dark time.
To complement Harrison's artistic vision, he enlisted acclaimed illustrator, Elijah Anderson, and the design and animation of Jeremy White to craft single artwork that recalls classic Blue Note covers and iconic Saturday morning cartoons like Schoolhouse Rock!. The album art was illustrated by Kento IIDA and designed by Jeremy White - view these pieces below. Check out Float here and A View From The Sky here.
Learn more about Harrison in his bio below and stay tuned for the album drop next month!
Harrison - Birds, Bees, The Clouds & The Trees Tracklist
1. Daydreamin
2. Cowboys
3. Outta This World (featuring TOBi)
4. Overhead
5. Like When We Were Kids
6. Bump (featuring M.E.D. and Guilty Simpson)
7. Honey Harbor (Bill's Song)
8. Music Box
9. Around You
10. Float (featuring Kadhja Bonet)
11. 2016
12. Inthecoupe
13. 7 pm
14. Blue Sky (featuring Nanna.B)
15. A View From The Sky
16. Runthatback
DOWNLOAD - Album Artwork | DOWNLOAD - Hi Res Single Artwork | DOWNLOAD - Hi Res Press Photo (by Luis Mora)
TikTok: @harrison.music
About Harrison
When Harrison (Harrison Robinson) began working on his third album in his modest Toronto sudio in 2019, the producer and composer felt a strong desire to his artistic roots. “I knew I wanted to just make what I thought was cool, regardless of it being cheesy,” he says of the piano-centred compositions that would become Birds, Bees, The Clouds & The Trees. “Chick Corea had a quote along the lines of ‘you have to find what sounds beautiful to you’ and that really stuck a chord with me.”
Like his previous two albums, Apricity (2018) and his 2016 debut, Checkpoint Titanium (which earned the attention of the prestigious Polaris Music Prize), Birds, Bees, The Clouds & The Trees sees a handful of guests stepping into the producer’s technicoloured world, including Kadhja Bonet, TOBi, Nanna.B, M.E.D. and Guilty Simpson (their first reunion since J Dilla’s The Shining in 2006) To help complement his artistic vision, the producer enlisted the help of illustrator Elijah Anderson, whose single artwork recalls classic Blue Note covers and classic Saturday morning cartoons like Schoolhouse Rock.
Taken as a whole, Birds, Bees, The Clouds & The Trees is an assured and joyful statement from a young artist evolving and finely honing his craft. Or as Robinson himself puts it, “It’s the music that I dreamed about making as a kid.”
About Last Gang
Last Gang is a music company founded in 2003 and credited with launching the careers of Metric, Death From Above 1979, Mother Mother and MSTRKRFT. The company is also well known for its work with Arkells, Stars, Keys N Krates, Lights, and Chromeo. Last Gang is a MNRK Music Group company. www.lastgang.com
LISTEN TO LEAD SINGLE THE WAY
WATCH THE VALLEY OF VISION GLOBAL ALBUM PREMIERE & OFFICIAL AFTER PARTY HERE
UPCOMING EVENTS INCLUDE SXSW SCREENING
TWO SOLD-OUT LONDON SHOWS
Toronto, ON – March 10, 2023 – Following a premiere with SiriusXM’s ALT Nation, Manchester Orchestra have revealed The Way, the lead single and latest look into their reinvigorating new album and breathtaking film. Out today, with a physical release set for April 7, The Valley of Vision is a record rooted in the higher powers of resilience, rebirth and self-redemption. After a prolonged period of grief and trauma that permeated the band’s previous LP and past several years together, songs like The Way illustrate the journey of losing one’s mind and finding it again. Through a ghostly haze of reverb, fear and pathological feelings, singer Andy Hull’s voice rises into a guttural and goosebump-inducing belt, carrying the arrangement of piano and electronic drum beats to a cathartic crescendo. The lyrics tell a vivid story that Hull had struggled to present since first writing it in 2019, but he credits the track’s additional producers - Jamie Martens, Catherine Marks and Ethan Gruska - with helping him to finally shape it. Listen to The Way here.
Like all songs on The Valley of Vision, The Way is accompanied by a captivating cinematic experience, presented in the groundbreaking format of 180-degree, 3D virtual reality. Directed by Isaac Deitz – who shot the film over a solitary, year-long journey through snow storms in the Rocky Mountains, dark nights in the deep woods of Wyoming, creek beds in Manchester Orchestra’s native Georgia, and climates both scorching and freezing – the visual mirrors and enhances the album’s overarching themes of life and death, change and growth, forgiving oneself and letting go. “Experiencing the film in its intended 180-degree, 3D VR format feels like downloading a dream into your head,” says Deitz. “Each symbol represents a different experience nested in our internal worlds; it's up to you whether you want to just enjoy them, or try to interpret what the dream means."
On the heels of four sold-out screening events in Los Angeles and New York City in recent weeks, Manchester Orchestra presented The Valley of Vision’s global premiere on their YouTube channel last night (Thursday, March 9). The livestream of the full project included the first-ever After Party that YouTube Music has ever done for a film premiere, where band members and co-producers Andy Hull and Robert McDowell were joined by Isaac Deitz to discuss the making of The Valley of Vision, and answered questions from fans (VR headsets recommended for the optimal experience). The Valley of Vision will also screen during SXSW, at The Carpenter Hotel's Quonset Hut on Thursday, March 16 (12-4 pm), and two sold-out shows at London’s Union Chapel on May 13-14, following the band’s hometown return to Atlanta’s Shaky Knees on May 5. Tune in to The Valley of Vision premiere here.
From being the first musicians to work with filmmaking duo Daniels (Everything Everywhere All At Once, Swiss Army Man), to continually embracing emerging technologies over the course of their career, Manchester Orchestra have further pushed themselves into fascinating realms with every new release. While they recorded The Valley of Vision at a converted manor in Muscle Shoals, AL, none of the songs were written with the band being in the same room all together - something they have never done before. The process began in the summer of 2021, when Hull was looking through his suitcase for his lyric notebook, but instead found a 1975 book of Puritan prayers called The Valley of Vision, which his mom had gifted to him the previous Christmas. The title became a mantra that helped inspire the music, as the band almost completely abandoned the instruments it is used to, and treated each track like a science experiment that started from the bottom and was added to gradually over time.
FROM FORTHCOMING ALBUM
EVERYBODY'S FAMOUS (EXCEPT ME)
OUT MAY 26 VIA THE CONFIDENCE EMPERORS
WATCH & LISTEN TO DANCING WITH CHAOS
Anecdotally, the production on Dancing With Chaos embodies a distinctive distorted bass guitar riff as created by using an effect, custom-built and engineered by Scott Fleming and Alex Exists. Based on the iconic discontinued Japanese fuzz pedal, the Shin-Ei Companion FY-2. A guitar effect that was known for its raw, distinctive, gated fuzz. FY-2 pedals are now quite rare.
A founding member of both The Ruby Spirit and The Nursery, Alex Exists started his foray into music at the tender age of eight when he wrote and recorded his first songs (and noisy experiments) using the family’s home karaoke machine. Its two tape decks and record functions were used to overdub and build songs with Alex recording every instrument he could get his hands on.
On the heels of The Ruby Spirit breaking up, Alex started writing and performing his songs with the Nursery. Their debut album, Life After Wartime, was awarded Best Independent Rock/Pop Band in Canada by Indie 88 in 2018. The station described the album as “a complex record that explores numerous themes such as our society’s obsession with technology, fame and nostalgia." That same year, the band was awarded Best Music Video for Digital Ashes by the Toronto Independent Music Awards.
Alex’s music is inspired by absurdism, hyper surrealism and optimistic nihilism with an acid tongue firmly planted in his cheek. He is fascinated by pop culture and ego. The signature of Alex’s creative work is his unique sonic touches, drum-heavy rhythms and classic “pop through a blender” melodies. His new project, Alex Exists, launched with a neo-glam pop version of David Essex’s Rock On for The Confidence Emperors’ multi-artist album, Coverama, followed by his T. Rex-meets-John Lennon seasonal original, Never Christmas Without You. Alex played all of the instruments on both tracks except the drums.
Stay tuned for more as Alex continues to dive into his big debut this year.
DOWNLOAD - Press Photo | DOWNLOAD - Single Art
Alex Exists on @TikTok: @alexexistsworld
LISTEN TO DANGEROUS
TORONTO, ON – March 10, 2023 – Trailblazing Toronto artist and emcee, Lex Leosis, warms us up for spring by taking a walk on the wild side. Kicking off a new season - be it her own and that of the elements - is a new single, Dangerous. The girlie funk anthem is all about feeling yourself, shaking off the winter blues and basking in the sunlight, and a sample of what will be heard on Lex's forthcoming album set to drop this summer. Listen to Dangerous here.
"The song is about stepping into your power as a woman. For so long I felt like I had to constantly be humble and not take up too much space, but this is the complete opposite," Lex says. "This is knowing that you are a threat to the patriarchy and being loud, confident and DANGEROUS in the open. I want women and non-binary folk to FEEL themselves when they hear this. I wrote this to be a 'scream-the-lyrics-in-your-face' type jam."
Known for her dynamic flow & aggressive stage presence, Lex Leosis is a name you don’t forget. With a unique gravely vocal delivery, acrobatic flows, and a mastery of her instrumentation, Lex breathes life into contemporary Hip-Hop and mesmerizes with her rapping abilities. She sets herself uniquely apart by holding space for various causes and using her platform to support other women and non-binary artists and creatives.
Following the disbanding of her rap group, The Sorority, Lex turned heads with her jazz/funk-influenced debut 2021 EP, Terracotta, which caught attention from CBC, Exclaim, Conversations with Dwyer, Earmilk, and Broadway World. Standout track, Wanted, landed in CBC Networks, Run the Burbs and Pretty Hard Cases. She rounded out 2021, by touring Terracotta in the US, opening for Snotty Nose Rez Kids and again, joining them for their 30+ date North American Tour in 2022. Lex finished the year releasing a string of collabs with Keysha Freshh, Lex Bratcher, and producers Alexander Lewis and Oh Gosh Leotus, most of whom she met through her budding success on TikTok. Lex spent the pandemic building an impressive following on the platform performing rap duets with other users.
Stay tuned for more from Lex Leosis as she prepares to release new music this year.
DOWNLOAD - Dangerous Artwork | DOWNLOAD - Press Photo
Lex Leosis on TikTok: @LexLeosis
TORONTO, ON – March 10, 2023 – Global Latin music idol, Maluma, has just released his new single and video, La Reina, an empowering track dedicated to women, that transmits an inspiring message about the beauty and worth that all women carry naturally, no matter their age, sexuality, culture or physical condition in appreciation of their true value, their essence and the magnificence of being a woman by honouring and crowning them in every way possible. Stream or download La Reina here.
"I wrote this beautiful song in a music camp and it came to me as a gift from above, because I have always wanted to make a tribute to women. For me, the most important thing about this song is that the main characters are all these spectacular women and all the women around the world who are going to identify with it," Maluma expressed at the video production for La Reina.
The track was written by Maluma, Kevin Cruz Moreno, Edgar Barrera, Lenin Yorney Palacios and Luis Miguel Gómez Castaño. The music video was filmed in Medellin, Colombia; directed by Juan Luis Londoño Arias (Maluma), Juan Felipe Zuleta and Cesar "Tes" Pimienta; and produced by his very own Royalty Films.
The video highlights the beauty of 17 Colombian women. Each one reflects a different personality and essence, and also her own story: Yaneth Rodríguez Jiménez, Carmen Emilia Pulgarin, Angie Marquinez Montaño, Ana María Ramírez, Maritza Siagama Certiga, Diana Rodríguez Álvarez, Valentina López Rodríguez, Susana García Restrepo, Alice Barrada Castro, Alejandra Blanco Sánchez, Lina Loaiza Bran, Erika Medina Mesa, Silvia Rosa Julio, Martha Álvarez Ossa, Sara Llanos García, Marcela Vargas Osorio and Leidy Ocampo Quintero. Each woman models, sings, dances and shines to the rhythm of this endearing and empowering song. Watch the official video for La Reina here.
La Reina is the most recent single from Maluma's highly anticipated upcoming album due out later this year. The previous single being smash hit, La Fórmula, the artist's collab with Marc Anthony.
Maluma recently won two Premio Lo Nuestro awards for Banda Song Of The Year and The Perfect Mix Of The Year forCada Quien, his collab with Grupo Firme, underscoring his musical excellence and versatility.
DOWNLOAD - La Reina Artwork | DOWNLOAD - Press Photos
About MALUMA
Maluma is one of the leading voices in Latin music and a bona fide global youth idol. Born Juan Luis Londoño in Medellin, Colombia, he formulated his artistic moniker Maluma from the first two letters of the names of his mother, father and sister.
The 2018 Latin GRAMMY award winner for Best Contemporary Pop Vocal Album (for F.A.M.E.) is one of social media’s most popular artists with over 25 million Facebook fans, 8 million Twitter followers, and a whopping 63 million Instagram followers, making him the leading Latin male artist on Instagram and the first and only one to surpass 50 million followers. His official YouTube/VEVO channel has more than 28.1 million subscribers, having earned him a YouTube Diamond Play Button Award.
With his Maluma World Tour he has achieved unparalleled success, having sold over one million tickets in 105 worldwide concerts in 2017 alone and becoming the top concert-selling Latin artist in the world. In 2018 and 2019, he broke records achieving full houses in all of his shows throughout the United States and Europe selling out Madison Square Garden (New York), the American Airlines Arena (Miami) and two The Forums (Los Angeles), among others. With his 11:11 World Tour he also sold out Israel's largest venue, Yarkon Park in Tel Aviv (60,000+ audience); made history at the 18th annual Mawazine Festival in Rabat, Morocco, setting an all-time attendance record with his headlining concert in front of 200,000 people; and performed for the first time ever in Riyadh, Saudi Arabia in front of 25,000. He continued to take over throughout 2021 and 2022 with sold-outs in the United States, Europe, Latin American and the Middle East.
Since joining Sony Music Latin in 2015, Maluma has released seven albums Pretty Boy Dirty Boy (2015), F.A.M.E. (2018), 11:11 (2019), Papi Juancho (2020), 7DJ (2021), The Love & Sex Tape and The Love & Sex Tape Deluxe (2022). Maluma is the youngest artist to simultaneously hold both the #1 and #2 spots on Billboard's Latin Airplay chart and only the sixth act to ever achieve the feat he has now repeated three times. To date Maluma has had twenty-two #1 singles on Billboard's Latin Airplay chart.
Maluma's altruistic spirit is outstanding for the community work he leads with his foundation, El Arte de Los Sueños, based in Medellín, Colombia. Founded in 2016, the Foundation's mission is to transform at-risk youth through art and music education. In 2021, Maluma acted in his first Disney animation movie, Encanto, 2022 Oscar winner for Best Animation Feature. Earlier this year, Maluma debuted in Hollywood with his starring role as Bastian in the movie, Marry Me, alongside Jennifer Lopez and Owen Wilson.
LISTEN HERE
A NEW ALBUM INSPIRED BY MILES DAVIS' BITCHES BREW OUT MARCH 3 VIA CONCORD JAZZ
FEATURING BENJI B, THEON CROSS, NUBYA GARCIA, SHABAKA HUTCHINGS, DAVE OKUMU
TOM SKINNER, MARTIN TEREFE & MORE
WATCH A TRAILER HERE
"Brilliant though many of these musicians have been in numerous other contexts, this might be some of their finest work:
a thrilling voyage into the outer regions of electric jazz." - Uncut, 9/10
Toronto, ON – March 9, 2023 – Concord Jazz recently announced London Brew, a new album inspired by Miles Davis' Bitches Brew from a crème de la crème collection of UK jazz luminaries, due for release as a 2LP set, 2CD and digitally on March 31. Pre-order London Brew here.
Comprised of a veritable who's who of some of the most important and innovative musicians of the 21st century, London Brew features contributions from Benji B, Theon Cross, Nubya Garcia, Shabaka Hutchings, Dave Okumu, Tom Skinner and more, brought together by Producer and guitarist Martin Terefe and Executive Producer Bruce Lampcov.
Today, a second single is shared from the project in the guise of Raven Flies Low, the album's closer named for violinist, Raven Bush, who was fundamental to the track's gorgeous textures as he played his violin through electric pedals to stunning effect - seemingly a nod to how Davis ran his trumpet through tape delay on the original album.
Of the London Brew sessions, Bush offers: "Being able to play in a beautiful studio with this amazing group of musicians was an honour. With this type of record-making process, the music is just constantly unfolding in the room, so many brilliant moments are passing you by. I’m always somewhere else during improvisations….It was great to be reminded of this vibe we had going, I’m into it.”
“When a recording session like this happens, the amount of ideas that gets generated is considerable," he continues. "I don’t know how Martin [Terefe] and Bruce [Lampcov] managed to choose what made the album, there were so many dope moments!”
Terefe further explains: “When I started mixing the section that became Raven Flies Low, I fell into focusing on the continuous flow Raven’s violin melodies and electronic pedal orchestrations. His mini compositions moved so brilliantly under the radar and this one blew my mind. I chose the title inspired by the track, John McLaughlin, on Bitches Brew. Simply a hats off to a maestro at work.”
Listen to Raven Flies Low (Single Edit) here.
Raven Flies Low was preceded by the album's lead single, Miles Chases New Voodoo in the Church (Single Edit), of which Nubya Garcia explains, “this single is our interpretation of Miles Davis’ ode to Jimi Hendrix (Miles Runs the Voodoo Down). I’ve always been very inspired by the creative minds of both Miles and Jimi…. Both were innovators who carved their own lanes, which is something I’ve aspired to in my own career. For a while now I’ve been experimenting and using pedals and effects with my instrument, so to be able to do that on this track, while paying tribute to their legacies, was a joy both creatively and personally.”
The track has received support from publications as diverse as Pitchfork, Clash, The Line of Best Fit, Jazzwise, The Fader, MOJO, Crack, Stereogum and Uncut. Meanwhile at UK radio it's been championed by the likes of Craig Charles, Jamz Supernova and Mary Anne Hobbs on 6Music, John Kennedy on Radio X and Gilles Peterson on Worldwide FM.
Revisit Miles Chases New Voodoo in the Church (Single Edit) here.
London Brew reflects an emotional journey through the period in which it was conceived, having been recorded during the pandemic and after many months of isolation and the inability to collaborate in person. Recorded in December 2020 at Paul Epworth's Church Studios in London, Terefe explains how the resulting music is "sometimes uncomfortable, other times it's familiar and joyous and other times it's like deep meditation."
What began as a plan for a live performance at the Barbican in honour of the 50th anniversary of Bitches Brew in early 2020 - an event that was sadly to be scuppered by the pandemic - would eventually blossom into so much more. London Brew is a collection of original recordings rooted in inspiration and celebration - not just a rapturous, moving tribute to one of the most totemic figures in modern music but equally a one-off moment in London's musical history captured forever on four sides of vinyl. As Lampcov writes in the album's liner notes, "London Brew is also inspired by... London. The city, the people, her creativity and her struggles. London Brew is primordial, born out of a year of trying to get to grips with what being human is about. The sounds and melodies cover the gamut of human emotion from delicate and caring to coarse and angry. Nothing is left unsaid."
An intelligent, dexterous assault on the senses from a group of artists united in their freewheeling vision, London Brew's eight tracks are unified by an experimental, improvisatory fire. "In all my years of recording, I'd never been involved in an improvisatory process on this scale," offers The Invisible's Dave Okumu. "It's ease and sense of endlessness is surely a testament to the calibre of each musician and the unique manner in which they've taken on the lessons Miles set before us through his recording and performances."
Theon Cross highlights how "the possibility of playing with a larger group of people [at the end of a year marked by the pandemic] with such an open and free approach was an incredibly powerful and moving experience," while Shabaka Hutchings comments: "For me, that's what Bitches Brew is. It's a bunch of musicians making music because of the love of making music, as a social force and as a social construct. They are creating something that expresses unity and motion. That's what it is to be alive… you know, you have unity, you have motion, and you have vibration. You don't get any more alive than that. That's Bitches Brew." That's London Brew, too, and you won't have ever heard anything quite like it.
London Brew is:
Benji B: Decks, Sonic Re-cycling
Raven Bush: Violin, Electronics
Theon Cross: Tuba
Nubya Garcia: Saxophone, Flute
Tom Herbert: Electric Bass, Double Bass
Shabaka Hutchings: Saxophone, Woodwinds
Nikolaj Torp Larsen: Synthesizers, Melodica
Dave Okumu: Guitar
Nick Ramm: Piano, Synthesizers
Dan See: Drums, Percussion
Tom Skinner: Drums, Percussion
Martin Terefe: Guitar, Electronics
Samplism artwork by Toby Laurent Belson
DOWNLOAD - Press Photo | DOWNLOAD - London Brew Album Artwork
SHARES NEW MUSIC VIDEO FOR ALBUM TRACK
REWIND… (BUT I LOVE YOU)
THE DARK VR – A HIGHLY INNOVATIVE MIXED REALITY PROJECT CREATED IN PARTNERSHIP WITH CANADIAN TECH COMPANY DEPARTURE LOUNGE – SET TO DEBUT AT SXSW XR EXPERIENCE IN AUSTIN MARCH 11-14
"Caroline Cecil, best known behind the decks as WHIPPED CREAM, is renowned for her authentic, bassy and limitless sound that transcends stylistic borders. This can be seen in numerous tracks by the artist such as ‘Be Here (LA LA LA), ’All Eyes On Me,’ ‘Light of Mine’ and ‘Angels.’ Most notably, her genre-bending style is showcased in her latest single, 'The Dark.'" – Forbes
"Ever since a sudden and unexpected change in career t
rajectory, Caroline Cecil's full focus has been on music. That focus has paid off: Working as WHIPPED CREAM, she's managed to climb to electronic music's top rungs in just a few short years. with the release of the new Someone You Can Count On, along with a journey toward self-discovery, she's entered what feels like a new phase in her life." – DJ Mag, February 2023 Cover Story
“WHIPPED CREAM offers no shortage of beauty for everyone”
– The Georgia Straight
TORONTO, ON – March 8, 2023 – Today, acclaimed music producer, singer/songwriter and artist, WHIPPED CREAM, unveils her new EP, Someone You Can Count On, on Monstercat. Listen here.
Boasting a portfolio of work with a diversity of greats such as Latto, UNIIQU3, Moore Kismet, and Lil Keed, there is no limit to WHIPPED CREAM’s creative ingenuity. Accumulating over 8.4 million streams already across featured tracks like CRY, Angels, and The Dark, the seven-song EP sees WHIPPED CREAM step out of her comfort zone and into her higher power, to unleash a boundless and raw representation of her artistry. Recently, she has added ‘singer-songwriter’ to her title, flexing her own vocals for the first time on this EP, as heard on Angels, Be Here and the today’s focus track, Rewind…(But I Love You) – which arrives alongside a visually stunning and evocative music video. Watch here.
Someone You Can Count On – a body of work that chronicles WHIPPED CREAM’s journey of self-discovery (someone you can count on is always you) – also features the single, The Dark, which sees her teaming up with rapper and songwriter, Jasiah, and producer, Crimson Child, for a genre-bending masterpiece. Unraveling a story about toxic love and loss, the single puts Jasiah’s operatic talents on full display, heightening the drama in the haunting keys and textured synthwork.
The Dark’s ground-breaking music video will be available as a unique virtual reality experience, set to debut at SXSW this month as an official selection in the XR Experience Competition. Produced by the Vancouver-based studio, Departure Lounge, directed by Will Selviz, and co-produced by WHIPPED CREAM, the music video is a highly innovative mixed-reality project developed in Canada’s first volumetric capture facility. Visitors will be able to experience the VR video at the The Dark VR exhibition booth between March 11 and 14, with WHIPPED CREAM in attendance March 13 and 14. Read more about The Dark VR at SXSW here.
Whether on the ice or on the decks, WHIPPED CREAM’s talents for expressing herself through music are undeniable. Born in Toronto as Caroline Cecil, she spent her formative years as a competitive figure skater before a fateful accident brought a new passion for production into focus. Now, she is living proof that everything happens for a reason and becoming one of the fastest rising stars in electronic music. Look for WHIPPED CREAM to embark on a national tour in support of Someone You Can Count On with dates to be announced very soon.
SOMEONE YOU CAN COUNT ON TRACK LIST
1. The Dark (WHIPPED CREAM, Jasiah & Crimson Child)
2. Angels
3. Be Here (La La La) (WHIPPED CREAM & The Dutchess)
4. CRY
5. Rewind… (But I Love You)
6. Friends
7. Someone You Can Count On
TORONTO, ON – March 8, 2023 – Women In Music Canada have announced the recipients of the inaugural WIMC Honours. Designed to celebrate and support Canadian innovators and creators who have had outstanding success in their field this past year, the Honours were presented to 18 remarkable individuals tonight during a reception at Toronto’s Opera House.
2023 Honours Recipients (Annual Based Categories: December ‘21 – December ‘22):
Artist of the Year (presented by Amazon Music) – Charlotte Cardin
Distinguished Leader (presented by TuneCore) – Keziah Myers, ADVANCE: Canada’s Black Music Business Collective
Entrepreneur of the Year (presented by Bandzoogle) – Elise Roller, Misfit Music MGMT
Excellence in Live Music – Heather Gibson, The National Arts Centre
International Leader of the Year – Faryal Khan-Thompson, TuneCore (USA)
Organization of the Year – Ishkōdé Records / Indigenous Music Alliance
Trailblazer Award – Ryhna Thompson, Envision Management & Production
Trailblazer Award – Sandy Pandya, ArtHaus Music
2023 Honour Roll (presented by Spotify):
Ashley Bieniarz, Songsmiths
Domanique Grant
Janna Sailor, Allegra Chamber Orchestra
Mary Beth Waldram, Laughing Heart Music
Nicole Alosinac, Nicole Alosinac Luthiery
Nicole Auger, Indigenous Music Alliance
Shumaila Hemani
STORRY
Sunny Chen, Sad China
Yolanda Sargeant, Sargeant X Comrade
Read more about each of the honourees here.
The WIMC Honour Roll recognizes up to 10 women and gender diverse industry members or artists who are in the early stages of their career and showing success and growth in their work. Intended to highlight new voices in the Canadian music industry, these are the folks to watch for in the coming years.
“With so many incredible women who have broken down glass ceilings and paved the way for a more equitable music industry, I am incredibly honoured to launch this year as the start to celebrating their accomplishments,” says WIMC Executive Director, Robyn Stewart. "I am also excited to elevate the projects of newer women in music who are making great strides in unique equity serving projects. This is just the beginning.”
The recipients of this year’s Honours were selected by a finalist jury, from a long list of nominees, which was revealed last month (the 2023 long list can be found here). After careful deliberation, the finalist jury determined that two Trailblazer Awards should be presented in this inaugural year, as a start to increasing the work WIMC will carry out in giving due celebration to long-standing industry leaders who have committed their careers to making change for a safer, more equitable future in music. While not previously included on the long list, Sandy Pandya of ArtHaus Music was recognized with a 2023 Trailblazer Award, alongside Ryhna Thompson, Envision Management & Production.
“I have learned so much through this process from vision to getting here today,” adds Stewart. “I, and our board, have learned about so many incredible people and initiatives that we are thrilled to highlight. We are going to start with this group of honourees, and I take it as my mission to serve this community by committing to continue highlighting the work that has been done for decades through to the projects being created now.”
Hosted by CBC’s Saroja Coelho, the Honours reception dinner also featured performances (supported by SiriusXM) by an incredible group of artists performing throughout the evening, including rising country star, Sacha, producer, DJ and performer, Liliane Chlela; JUNO-nominated recording artist, songwriter and producer, Desiree Dawson; Cree and Salish singer and TikTok creator, Tia Wood; breakthrough singer, songwriter and multi-instrumentalist, Sofia Camara; and decorated, multi-platinum recording artist, Fefe Dobson.
A special induction into the Canadian Songwriters Hall of Fame was presented to multi-award winning, GRAMMY-nominated singer-songwriter and multi-instrumentalist, Loreena McKennitt, during the event.
Thank you to the generous support of FACTOR, the Government of Canada and Canada’s private radio broadcasters, Ontario Creates, and the City of Toronto for their support of all WIM Canada International Women’s Day events. We also want to recognize our incredible Honours partners – Amazon Music, TuneCore, Bandzoogle, Spotify, Universal Music Canada, CIMA, CMRRA, ACTRA:RACS Tiber River Naturals, Paris Jewellers, Blush Silks, Fielding Winery, Collective Arts Brewing and Bacardi – all of whom are making it possible for us to launch this inaugural program recognizing and celebrate artists and innovators across Canada. You are leaders in developing talent in Canada and we thank you for your important role in the pathway to an equitable industry that we are committed to building.
About Women in Music Canada
Women in Music Canada (WIMC) is a registered non-profit organization and one of the largest music industry associations in Canada. The organization is dedicated to fostering gender equality in the music industry through the support and advancement of professionals and creatives at every stage of their career. The goal is to strengthen the social-economic balance of the music industry by providing professional development, support and resources for our community. Women in Music Canada hosts educational, career development and networking events alongside broader programming initiatives, industry engagement, research and advocacy to serve the needs of our diverse community. Our panels, seminars, webinars, workshops and performance serve to educate, empower, and celebrate women contributions to the music world, and strengthen community ties.
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
DOWNLOAD – WIMC Logo
ALBUM PRODUCED BY JON SPENCER OUT MAY 19
ON ROUNDER RECORDS
GRITTY SINGLE DEATH WISH OUT TODAY
WATCH PROVOCATIVE VIDEO HERE
TORONTO, ON – March 3, 2023 – Blues powerhouse, Samantha Fish, and guitarist extraordinaire, Jesse Dayton, unveil the thundering single, Death Wish, from their upcoming collaboration, the album Death Wish Blues out May 19 on Rounder Records. With gritty, dirty hooks alongside fierce vocals from Fish, Death Wish is the perfect kick-off to the album, itself a bold collision of blues, soul, punk, funk, and fantastically greasy rock-and-roll. The Death Wish video captures that dark, raw power as Fish and Dayton take down a predator in retro Hollywood. Watch here. Listen to Death Wish and pre-save Death Wish Blues here.
Death Wish Blues evolved from the duo’s 2022 EP, Stardust Sessions, which featured imaginative covers of Brand New Cadillac, I’ll Be Here in the Morning, and Feelin’ Good. Their undeniable musical chemistry led to a recording session at Applehead Recording & Production in Woodstock, produced by the inimitable Jon Spencer. Spencer’s expertise aligned perfectly with Fish and Dayton’s vision for the release, centred on the blues while constantly augmenting, expanding, and pushing the limits. Dayton said, “For this album we wanted to keep everything blues-based, with a lot of inspiration from people like Albert King and Magic Sam on the lead-guitar parts, but we also wanted to have fun with that and take it somewhere new and different and way outside our wheelhouse.” With the addition of Kendall Wind (bass), Mickey Finn (keyboards) and Aaron Johnston (drums), Death Wish Blues was recorded in an intense 10 days, mostly live.
The commanding chords and words of Death Wish move right into the hypnotic, heavy Down In the Mud. Fish and Dayton trade textured back-and-forth vocals on the groove-heavy Riders, while Trauma surges with momentum while lamenting heartbreak. The album offers lighthearted moments as well, as Supadupabad shines with upbeat carefree lyrics amid blues-funk fun. No Apology finds Fish’s elegant vocals a bit softer but just as crushing and impactful as she longs to push through and make love work. The album closes with the tender love song You Know My Heart, displaying the mesmerizing synergy of Fish & Dayton.
Hailing from Kansas City, MO, Samantha Fish is one of the most dynamic blues forces in the world today, headlining festivals and captivating audiences with her guitar prowess and power vocals. An award-winner and road warrior, she performs 200 shows yearly, both domestically and abroad. Death Wish Blues is her 7th album. Jesse Dayton boasts an exceptional resume as an acclaimed solo recording artist, collaborator with artists such as Johnny Cash, Waylon Jennings and Duff McKagan, a touring guitarist for seminal punk band X, teammate with Rob Zombie on the soundtracks for his iconic horror films, and as a radio show host on Gimme Country.
Samantha Fish and Jesse Dayton
Death Wish Blues Bio
DOWNLOAD - Cover Art | DOWNLOAD - Press Photo
STREAM AND ENJOY ON DSPS HERE
THE BLIND OBEDIENCE TOUR BEGINS TODAY
WITH PERIPHERY AND LOATHE
TORONTO, ON – March 3, 2023 – Today, Underoath released their new single, Let Go, via MNRK Heavy – stream/enjoy via DSPs. In discussing the song, the band said, “This is actually the first song we completed after recording ‘Voyeurist.’ It took a few different forms but we got it to a place where we knew this is what it should be. It’s about letting go of whatever trauma or demons that might be holding you back. As hard as it is to make those decisions sometimes, I feel like we can never grow without stepping out of those toxic environments.”
In February, the band announced their new label signing to MNRK Heavy for a worldwide deal. “Rarely does the opportunity present itself to partner with a band as amazing as Underoath,” said, Scott Givens, SVP of MNRK Music Group. “When that opportunity was presented, we seized it immediately, and speaking for the entire company; we are truly honored they gave us a chance to work with them on their upcoming recordings. The band has had a remarkable career, and all of us at the MRNK Music Group can’t wait to accompany them on their next phase of it.”
Underoath added, “Choosing who we partner with in releasing our music is always a huge decision. The team at MNRK simply rules, understands our vision, and is passionate about the music. We couldn’t be more excited and ready to work with the MNRK team to release some of our favorite work to date.”
The Blind Obedience Tour with Periphery and Loathe starts today, March 3 in Silver Spring and concludes on April 2 in Nashville, plus festivals at the Slam Dunk Festival and Inkcarceration Festival.
Tour Dates:
03/03/23 - Silver Spring, MD @ The Fillmore* (SOLD OUT)
03/04/23 - Stroudsburg, PA @ The Sherman Theater*
03/05/23 - Huntington, NY @ The Paramount*
03/07/23 - Indianapolis, IN @ Egyptian Room*
03/08/23 - Pittsburgh, PA @ The Roxian*
03/10/23 - East Moline, IL @ The Rust Belt*
03/11/23 - Milwaukee, WI @ The Eagles Club*
03/13/23 - Grand Rapids, MI @ 20 Monroe*
03/14/23 - St. Louis, MO @ The Pageant*
03/15/23 - Kansas City, MO @ The Uptown Theater*
03/17/23 - Wichita, KS @ The Cotilion*
03/18/23 - Denver, CO @ The Ogden Theater* (SOLD OUT)
03/20/23 - Boise, ID @ Revolution*
03/21/23 - Portland, OR @ The Roseland Ballroom*
03/23/23 - Wheatland, CA @ The Hard Rock Casino*
03/24/23 - Anaheim, CA @ The House of Blues* (SOLD OUT)
03/25/23 - Las Vegas, NV @ Brooklyn Bowl*
03/26/23 - San Diego, CA @ Soma*
03/27/23 - Tucson, AZ @ The Rialto Theater*
03/29/23 - Albuquerque, NM @ The El Rey Theatre*
03/31/23 - Oklahoma City, OK @ The Diamond Ballroom*
04/01/23 - Little Rock, AR @ The Hall*
04/02/23 - Nashville, TN @ Marathon Music Works*
05/27/23 - Hatfield, EN @ Slam Dunk Festival
05/28/23 - Leeds, UK @ Slam Dunk Festival
07/15/23 - Mansfield, OH @ Inkcarceration Festival
*Blind Obedience Tour with Periphery and Loathe
DOWNLOAD - Press Photo | DOWNLOAD - Tour Poster
UNDEROATH reinvents the balance between chaos and harmony with each successive release. Their compositions, conjured from creative tension, become iconoclastic anthems. Even when the band almost combusts, the crackling energy coalesces into something deeply resonant for millions.
Their pair of gold albums and three GRAMMY nominations stand in stark defiance of the idea of commercial compromise. The Underoath catalog weaponizes noise, aggression, and ambiance as skillfully as melody. The combination of heaviness and headiness found on Define the Great Line makes it the only record of its kind to debut at No. 2 on the Billboard 200.
The heart of their sound, which delivers naked vulnerability with thrilling force and cinematic lushness, can be heard in generations of bands who’ve pursued their trail.
Walking an artistic tightrope between immersive access and isolationist otherness, Underoath owns the space between huge choruses and forward-thinking heaviness, both on record and onstage.
LISTEN HERE
PERFORMING AT SXSW IN AUSTIN, TEXAS THIS MONTH
JUNE 2023 SHOWCASES AT CANADIAN MUSIC WEEK
IN TORONTO TO BE ANNOUNCED
Toronto, ON – March 3, 2023 – Today, Montreal trio, Le Couleur, share a fresh languid disco-pop track, Sentiments Nouveaux. Flirting with '80s nostalgia, the song reflects the search for a sensation, an exaltation, and desire to be on the edge. A new air, an exploration of the senses, Le Couleur hits the deepest of desires, intrinsic drives, and the naivety of first times. Listen to Sentiments Nouveaux here.
"We will constantly seek out those new feelings that put us on edge," Le Couleur adds regarding the new track.
The single arrives ahead of Le Couleur's big return to South By Southwest Festival (SXSW) in Austin, Texas this month. The trio will perform three shows, including: March 13 for the M4MTL x Investissement Québec showcase at Swan Dive (patio), March 15 at Icenhauer's, and March 17 at Hotel Vegas. In June, they will hit Toronto for performances at Canadian Music Week from June 8 to 10 - showcase info to be announced. See all details below and don't miss their performances if you're in town - Le Couleur delivers an unparalleled live set that is rich and sensual.
Sentiments Nouveaux is a preview to the group's forthcoming album set to release this fall. It follows their 2020 album, Concorde, which emanates a vintage atmosphere, recalling the faded charm of 70s erotica, warm tones also rooted in psychedelia, disco, yéyé, and French chanson. The group has had the opportunity to share the stage with mentor and influence, Giorgio Moroder, which greatly inspired elements of their conceptual and applauded release.
Le Couleur, formed by Laurence Giroux-Do (vocals), Patrick Gosselin (bass), and Steeven Chouinard (drums), delivers rich and irresistibly danceable performances. Le Couleur first propelled themselves towards an electro-pop sound as bright as the lights of the now-defunct Studio 54, with the EPs Voyage Love (2013) and Dolce Désir (2015), followed by P.O.P. (2016), a critically acclaimed debut album.
Connect with Le Couleur online as more music will be unveiled in the months ahead.
Le Couleur at SXSW 2023 - Austin, Texas
March 13 - M4MTL x Investissement Québec - Swan Dive (Patio)
March 15 - Sound Dessert - Icenhauer's
March 17 - Spage Agency Booking Showcase - Hotel Vegas
Le Couleur at Canadian Music Week - Toronto, Ontario
June 8-10 - Dates and Venues TBA
DOWNLOAD - Press Photo | DOWNLOAD - Sentiments Nouveaux Art
TikTok: @lecouleur
FIRST TRACK HELL HOUNDS OUT TODAY
LISTEN HERE
TORONTO, ON – March 3, 2023 – Heavy Southern Rock band, Texas Hippie Coalition, announces the release of their seventh studio album, The Name Lives On, on April 21 via MNRK Heavy. The hard-hitting, 10-track collection is another riff-heavy, sonic assault from beginning to end.
The first single, Hell Hounds, was released today and proves this dog hunts right out of the gate. With a punishing riff, Big Dad Ritch growls, "And I know that you think you're so strong/And I've been sent to prove you wrong."
THC frontman Big Dad Ritch says, “Where there once was an appetite for this style of music, I witnessed a hunger grow and now I see the lovers of real music starving for it. The Name Lives On is an album that is a dinner bell ringer… I was sent to ring that bell!!!”
Texas Hippie Coalition is often compared to the many great Southern Rock and Texas bands that came before them. But they are proving to the world that THC is not just following in their footsteps, they are leaving giant footprints. Not only is the band etching out a place for themselves in the multi-genre fields of music, but they have also created their own genre in "Red Dirt Metal." You have to hear it to understand it. Words are not enough to convey how powerfully big their sound is.
Texas Hippie Coalition are:
Big Dad Ritch
Cord Pool
Nevada Romo
Lorado Romo
Joey Mandigo
DOWNLOAD - Press Photo | DOWNLOAD - Single Art
STREAM ON ALL PLATFORMS HERE
GET TICKETS FOR 2023 UK TOUR HERE
PRE-ORDER EVERY CLOUD HERE
8 UK Top 10 Singles
7 global Platinum Singles
10 global Gold Singles
7 Million UK sales
22 Million worldwide sales
4 Billion streams
Over 1 Billion video views
Toronto, ON – March 3, 2023 – Not one but three powerhouses join Sigala for his brand-new single ‘Feel This Good’, which is released globally today. Feels this Good is a buoyant future anthem with an earworm of a chorus and features the incredible Mae Muller and the hotly tipped Caity Baser, with a brief break in the action from rapper Stefflon Don. It's a matrix of collaborative artistry that highlights something Sigala values: sticking by, returning to and/or championing stars with whom he has a close bond – or of whom he's purely and simply a fan.
The song is accompanied by the release of the first part of Sigala’s new record, Every Cloud – Silver Linings, featuring the first available 11-tracks from the album, with the full album coming on September 1, 2023.
After eight UK Top 10 singles, a BRIT Nomination for Best Single for Lullaby, seven global Platinum singles, nine global Gold singles, seven million UK sales, 22 million worldwide sales, 4 billion audio streams and over one billion video views, Sigala is showing no sign of slowing down.
Every Cloud is the album Sigala has been working on from pretty much the minute he finished making his first, September 2018’s blockbuster, Brighter Days. The impressive debut album featured a stellar line-up of collaborators that included Kylie Minogue, Paloma Faith, Becky Hill and more!
Sigala has had another incredible year, playing to fans across the globe and consistently releasing smash single. Every Cloud – Silver Linings will also include Lasting Lover, with James Arthur, Melody, Stay The Night featuring Talia Mar, Rely On Me, the David Guetta and Sam Ryder collaboration, Living Without You and recent release, Radio, with MNEK.
As well as new music. Sigala also announced a UK headline tour which kicks off in Dublin on March 5. This year is set to be another standout for Sigala, who is looking forward to reengaging with his fans and bringing the Sigala experience to more live electrifying shows.
Sigala UK Tour 2023
March 5– 3Olympia, Dublin
March 7 – NX, Newcastle
March 8 – O2 Academy, Glasgow – SOLD OUT
March 9 – O2 Academy, Glasgow (*Extra Show Added)
March 10 – The Engine Shed, Lincoln
March 11 – HMV Empire Coventry, Coventry
March 15 – Albert Hall, Manchester
March 17 – Electric Brixton, London
March 18 – Tramshed, Cardiff
DOWNLOAD - Feels This Good Artwork
DOWNLOAD - Feels This Good Composite
DOWNLOAD - Sigala Press Photo
ABOUT SIGALA
In the first nine months of last year the artist-producer released four singles. At the top of 2022 came Melody. Written in his studio HQ near London’s Kings Cross, the uplifting trance epic was vocalled by Norwegian singer-songwriterand co-writer Ida Martinsen Botten, and was a spiritual sister of Wish You Well, Sigala’s 2019 hit with Becky Hill.
It was followed by Stay the Night, a hook-up with fast-rising British singer Talia Mar that was a certifiable summer smash. Then, with that song still filling dancefloors all over, came punchy piano-house monster Living Without You. His wingmen this time? Only the other biggest dance music producer in Europe and ’22’s most explosive new voice in pop. That is, respectively, David Guetta and Sam Ryder. You knew that.
A disco-minute later, Sigala was releasing again, and it was another all-star collab: All By Myself was the inspired result of a mash-up with Ellie Goulding, cult Brazilian DJ/producer Alok and a deft sample of Depeche Mode’s Enjoy The Silence.
Four bangers, streams numbering 300 million all before winter kicked in, and all centred on the force of musical gravity that is Sigala.
The answer to those opening four questions? Barely, never, probably, definitely.
Because as '23 gets underway, Sigala's work-rate shows no signs of slowing down. Prime your ears for anotherhuge soulful dance track in the shape of new single, Rely On Me. Again, Sigala flexes his unerring ability to open up to, and dig deep with, a diverse and international range of co-writing/producing talents spanning the horizon of electronic music – in this case Italian DJ Gabry Ponte and his countryman Alex Guadino, the legendary label-runner, sampling wizard and hitmaker.
“It's another one that's based on a cheeky sample, a song called 2 Times, which is quite a niche tune,” explains this electronic music obsessive of the 1999 hit for British-born Italian Eurodance phenom Ann Lee. “Alex came up with it – he's famous for sampling songs before it was really a thing, going back to Destination Unknown and some of his other huge tunes.”
Rely On Me also serves as the curtain-raiser for the rollercoaster next chapter in Sigala’s rise and rise: the release,in spring this year, of his long-awaited second album. Currently running to 20 (and counting) tracks, it’s the albumthe Englishman born Bruce Fielder has been working on from pretty much the minute he finished making his first,September 2018’s blockbuster, Brighter Days.
4.2 billion audio streams and over one billion video views, here comes Every Cloud. It’s a second album that’s already stuffed with hits, including as it does all Sigala’s singles from the past couple ofyears, including James Arthur collab Lasting Lover and You For Me with Rita Ora.
“Basically it's like a best-of – with extras,” grins Sigala.
And what extras. Stay tuned for another new track, Radio, co-created with, and sung by, one of Sigala’s all-time heroes.
“MNEK, what a legend!” he beams. “I've followed his career since day one, when I was at uni. He's somebody that I've always dreamed of working with.”
In the writing, too, MNEK didn’t disappoint, even for a man well-used to using the studio as a creative playground.
“I spent about two hours making a beat, getting some nice chords, whilst he was just chilling. And then he was like,'OK, just play it through.' He's on his phone, typing down lyrics, then he jumps on the microphone. And literally 20minutes later, he had written pretty much the whole song – and the vocal is the one that he sang in two takes!” Sigala marvels. “Just incredible. I was honestly blown away. It was like being in the presence of true genius.”
There is, accordingly, a freshness to the French disco feel of the track. “That's something that I really wanted to keeptrue to: not overproduce it. It's such a simple production, but it's unique as well, with that offbeat bass going all theway through. It throws back to early 2000s and late '90s stuff, and even disco.”
The positive, upbeat vibes continue in another new track, one that already feels like the feelgood sound of 2023. Feels This Good is a further massive writing hook-up with old friend– Well, their identity will have to remain secret for a little longer. In fact: such is the calibre of the not one, not two, but three massive vocal collaborators on the track that they all need to stay anonymous for now. Suffice it to say that in its creation and execution, Feels ThisGood features four towering British female talents. It's a matrix of collaborative artistry that highlights something else Sigala values: sticking by, returning to and/or championing stars with whom he has a close bond – or of whom he's purely and simply a fan.
For Sigala, those ties, ones that go far beyond tactical and fleeting professional connections, make for music with character and meaning.
“You can see by the people that are going to be on the album,” he begins, holding back on revealing some other keycollaborators, “and who are on my previous one – a lot of it is people who are local to me, people that I've bumped into. It is quite a small circle of writers and artists in the UK, really, when you get down to it.”
A key member of that small circle is Bryn Christopher, his co-writer and the gospel-voiced singer on Mood For You, another deep new cut.
“Bryn was one of the first people I ever worked with as Sigala. We wrote Sweet Lovin' together, which was mysecond ever single, and we've been working on stuff since. He wrote Came Here for Love with Ella Eyre and a fewother people. He's going to be quite heavily involved in album number three, which I'm already working on. So I was like, we have to have you on the album.” It is he, adds, another nice full circle moment for an artist for whom human connection matters more than anything. Even if the spark of a tune originates somewhere else, as with Rely On Me and Living Without You (which began with songwriter JinJin, another old creative partner), Sigala will only jump on if that spark resonates personally – and if can get in the studio with his would-be collaborators.
“I absolutely prefer making music with people in person,” he affirms. “Unless I'm travelling, organising sessions and flying to places, which does happen, but not that frequently, I can call up Ella. She lives five minutes down the roadfrom where my studio is. She'll just come by, and we can work on some stuff.”
That travelling, though, is also important. Playing out as a DJ last year – he again took his Sigalaland experience to Ibiza, with a residency at Eden – he had first-hand experience of audiences' hunger and enthusiasm for properclubbing and proper dancing in what was the first fully free summer since 2019.
“Over lockdown, dance music became stronger than ever,” he reflects of a time where he himself spent long months “honing and honing” the songs for Every Cloud. “People were missing that side of their lives. So they were havingtheir own parties at home or listening to dance music in their kitchen. That was a beautiful thing.
“And that's continued,” points out this assiduous chart-watcher, scene observer and true-born fan. “This year even some of the more underground dance tunes have risen up the charts, and gone massive and viral on social media.That shows that people have more of an appetite than ever for dance music and having a party. So performing thisyear, with all that energy, has been just awesome.”
All that energy also ripples through Every Cloud. It’s there in the multitude of recent hits and future hits, in thegalaxy of stars who feature, and also in the line-up of fresher talent. The latter is a crucially important element for a musician intent on further stepping out from behind his decks or his desk and encouraging the writers, singers and producers of tomorrow. Hence Sigala’s founding of Lighthouse, a publishing, management and mentorship company for new artists.
“Lighthouse is a real big passion of mine,” Sigala says, the enthusiasm spilling out of him. “It's great to do something that's focused on other people, helping them, passing on things that I've learned and done wrong in the past, so that they don't have to make the same mistakes. And then giving them the facilities they need to do whatthey need to do. Basically, just all things that I wish I had when I was starting out!” he adds, laughing.
Shout out, then, to Shaun Ferrugia, the first signing to Lighthouse. “This dude from Malta had DM'd me onInstagram and said: ‘Hey man, can you listen to my songs?' I checked him out, and was like: ‘Oh, my God, this guy has the most incredible voice, he's a great songwriter, but he has no connections in the industry and doesn't know what to do.’ “So I invited him to London and we helped him out, got him in sessions and stuff like that. Since then, he's just done two songs with Martin Garrix, where he's written and singing on them, and he's about to start his own artist career.”
It all speaks to where Sigala finds himself at this crucial crossover phase in his career: paying back the experience, and doubling down on the energy and the excitement. He’s just announced a tour for spring, an underplay run after previous arena-sized outings with a live band. Going back to dancefloor basics, DJing while accompanied by guestsingers, he’ll be both tapping into and ramping up the excitement of the club environment, while also foregrounding the songcraft and production passion he holds dear.
“I feel like I’ve got a really good ear. And I feel like, with all the people who've had long careers in music, you haveto be at your own A&R as well. I have great A&R guys at Ministry of Sound and Sony,” he says of his label partners. “But if the artist can be a decent A&R as well, you're just on to a winner. People like Calvin and Guetta, people who are having constant success, they have a really good ear.
“That's something I’ve really honed in on over the years. If I feel strongly about a song, I want to get involved. I try and listen to my gut instinct. And it's done me well so far.” That could be the understatement of, well, any year. If you thought Sigala was brilliantly all over 2022, wait till you hear what he has planned for 2023.
SHOWS IN VANCOUVER MAY 19 AND TORONTO JUNE 9
CRITICALLY ACCLAIMED ALBUM AS ABOVE, SO BELOW OUT NOW
“A hard-hitting, feel-good album that empowers the audience
to be their most authentic selves.” - TEEN VOGUE
“As Above, So Below is a potent emotional journey.” - FLOOD
“A triumphant and supremely catchy celebration of her home country's enduring cultural influence, the song features fellow Zambian artists Chef 187, Tio Nason, and Mwanjé. Watch the vibrant video from Rhara Nembhard, Imraan Christian, and Furmaan Ahmed.” - THE FADER
“There isn’t an emcee from the continent of Africa with the level of creative respect within the streaming era as Sampa The Great.” - BET
"the album both showcases Sampa's growth as an artist and delivers on fan expectation, taking them on a journey beyond bars into Africa's rich musical heritage" - Exclaim!
“She sounds renewed on these homegrown songs,
the anxiety of her past music replaced with relief.” - PITCHFORK
“One of today’s most unique creators…The album’s ethos is boldly presented on the latest single, “Never Forget,” an explosion of hip-hop, Zamrock, afrobeats, and traditional African drums.” - UPROXX
“Her poised demeanor emits the confidence of someone
who has done some effective soul-searching.” - W MAGAZINE
Toronto, ON – February 28, 2023 – Award-winning Zambian-born Botswana-raised poet and rapper, Sampa The Great,kicks off her As Above, So Below North American tour this spring with a slew of upcoming shows spread across 15 cities throughout the US and Canada - dates and cities listed below.
Sampa The Great’s North American tour is set to delight fans with an eclectic medley of her highly acclaimed 11-track 2022 album As Above, So Below—a career-eclipsing record spanning hip-hop, neo-soul, Zamrock, Amapiano, and Southern African rap, and anchored by Sampa The Great’s spoken word in the Zambian-rooted language of Bemba. Receiving praise in The New York Times, Rolling Stone, Pitchfork, The FADER, Teen Vogue, W Magazine, and more, As Above, So Below traverses Sampa’s memories of Africa through a self-exposed lens of authenticity and womanhood, while looking to the future of Africa’s relationship to the world and its global communities. A reflection of Sampa’s transitory upbringing, the record’s sonic hybridity throws recognition to the music coming out of the African diaspora today, while honouring the stories of those who tread previously. The album’s final track and single, Let Me Be Great featuring Angélique Kidjo was notably highlighted in a Song Exploder episode and featured in an Okayplayer feature, while single, Never Forget, ushered respect to the golden era of Zambia’s socially prolific genre, Zamrock, and appeared in the trailer for the widely beloved Marvel blockbuster Black Panther: Wakanda Forever.
Sampa The Great makes her first tour stop in Seattle, WA with stops in Vancouver on May 19 and Toronto on June 9, rounding out the tour in Chicago, IL with additional dates at Lighting in a Bottle Festival as well as the Bonnaroo Music & Arts Festival. Tickets go on sale Friday, March 3 at 10 a.m. local and are available for purchase here.
NORTH AMERICAN DATES
May 17 Seattle, WA - Neptune
May 18 - Portland, OR - Revolution Hall
May 19 - Vancouver, BC - Hollywood Theatre
May 22 - San Francisco, CA - Fillmore
May 23 - Santa Cruz, CA - Catalyst Club
May 25 - Los Angeles, CA - The Regent
May 31 Atlanta, GA Terminal West
June 2 - Richmond, VA Brown's Island
June 4 - Washington, DC - 9:30 Club
June 6 - New York, NY - Irving Plaza
June 7 - Boston, MA - Royale
June 9 - Toronto, ON - Axis Club
June 14 - Chicago, IL - Thalia Hall
US FESTIVAL DATES
May 24 - 29, 2023 Buena Vista Lake, CA @ Lightning In A Bottle
June 16, 2023 - Manchester, TN @ Bonnaroo
DOWNLOAD - Press Photo by Imraan Christian
DOWNLOAD - As Above So Below Artwork
DOWNLOAD - Tour Poster
LISTEN HERE AND WATCH THE VISUALIZER HERE
NEW ALBUM ARRIVING LATER THIS YEAR
TORONTO, ON – February 24, 2023 – Today, Chilean born, Montreal based producer, Das Mörtal, returns to the scene with his new synthwave-techno single, WASTED, via Lisbon Lux Records. The track is the first release from Das Mörtal’s third and upcoming full-length, due out later this year. WASTED marks new territory for the producer, with more of an urban emo, dark and slow atmosphere and less of his signature dancefloor feel. Listen to WASTED here and watch its accompanying visualizer from artist Guillaume Vallée, here.
WASTED is a song that relates to the fear and mental block of Das Mörtal during the pandemic, when the impression of doing nothing was omnipresent. As heard in the track: "I've been wasting my time, doing nothing at all, I lost my day.”
Das Mörtal expands on the single: “WASTED is the first single taken form my forthcoming album, which unlike the two previously released ones, will be more personal thematically. This track came about when I was trying to produce more music during the pandemic but, mentally being unable to sit in front of my workstation, thus feeling remorse for wasting valuable time.”
Das Mörtal's previous music was based on imaginary narratives that acted as soundtracks to non-existent films whereas his new album is more personal and about the struggle of actually making it.
"That it just exists... I’ve never been the kind of person that constantly produces and ends up with 50 demos per year,” Das Mörtal says. “I’ve always worked at home because it’s the only environment I really enjoy. I’ve recorded more vocals than ever on this album though. Nothing too deep, because I like when vocals are more of a layer or an instrument rather than a narrative for the listener to pay attention to.”
Stay tuned as Das Mörtal’s sound expands this year and his new album unfolds.
DOWNLOAD - Single Art | DOWNLOAD - Press Photo
About Das Mörtal:
Das Mörtal began his career in Berlin, inspired by artists such as Steve Moore and Aphex Twin. The producer creates an obscure and nostalgic sound, mixing influences from German techno to horror and science fiction film soundtracks. 2014 was an exciting year for Das Mörtal. In addition to composing the music for the film Naissance d’un Zombie, he launched Hotline Miami II on Lisbon Lux Records. That year he also participated in Osheaga (CA), the MEG Festival (CA) and the FME (CA), Les Transmusicales (FR) all while taking part in two European tours supporting Perturbator. In June 2017, Das Mörtal released his first album, Always Loved, which sold vinyl in more than 20 countries. The album features a furious, passionate and melancholic story, with a nod to Depeche Mode, Jean-Michel Jarre and Boards of Canada. Always Loved is a contemporary romance with lots of intensity that is underscored by a panoply of synthesizers crisscrossing the paths of synthwave, new wave and techno. With performances that include duets with Canadians Ghost Twin and French Fox, the album received international acclaim that allowed Das Mörtal to headline his first US tour. In April 2019, he released a deluxe edition of his EP Hotline Miami II, which now has more than 8 million plays on streaming platforms. Released in October 2020, Miami Beach Witches (Das Mörtal’s second full length) showed the artist’s new vision, where the neon lights, beaches and uplifting beats of classic acts such as Miami Sound Machine met the sensibilities of the goth/emo music of Depeche Mode.
LISTEN TO flounder HERE
WATCH THE LIVE PERFORMANCE OF promised HERE
Toronto, ON – February 24, 2023 – Today, songwriter and indie artist, quinnie, shares her highly awaited debut album, flounder – listen here. Alongside the album comes a stunning live performance from quinnie of promised – watch here.
flounder consists of eleven tracks laced with quinnie’s unapologetic lyrical candor, expressive instrumentation, and dreamy beat-craft. Among many highlights, her breathy intonation echoes listlessly on security question as she confesses, “Wish I could make a friend today.” The vocals sink into distant guitar on the nostalgic popcorn and juice, while jake’s car caps off the LP with a weirdly wonderful send-off, “Cuz I borrow Jake’s car, cuz I’d drive but I can’t afford it, YET.” Plus, it boasts her breakout touch tank, the fan favourites, man and itch, and the previously shared title, track flounder.
quinnie will embark on her first-ever run of live shows in celebration of flounder. The run of three intimate shows sold out in less than one day and finds quinnie in Los Angeles, CA on March 6, New York, NY on March 13 and London, UK on March 17.
So far, quinnie has incited the applause of The New York Times, Pitchfork, Rolling Stone, MTV, Ones To Watch, and more. Now, she jumps into the deep end with flounder…
As a self-described “very sensitive 21-year-old,” quinnie went from writing songs as a kid to releasing independent projects such as a gold star in 2019. She is bitingly funny, she is brutally honest, she loves the underwater world and sea creatures, and she will help you escape if you let her.
flounder Track List:
1. man
2. security question
3. itch
4. touch tank
5. popcorn and juice
6. get what u want
7. emblem
8. better
9. promised
10. flounder
11. jake’s car
quinnie 2023 Live Shows:
MONDAY, 3/6 – LOS ANGELES @ EL CID *SOLD OUT*
MONDAY, 3/13 – NEW YORK @ MERCURY LOUNGE *SOLD OUT*
FRIDAY, 3/17 – LONDON, UK @ FOLKLORE *SOLD OUT*
SET FOR RELEASE MARCH 17 VIA CONCORD JAZZ
STAY HIGH FEATURING CORY HENRY OUT TODAY
PRE-ORDER/PRE-SAVE BOOK OF QUEENS HERE
Recorded at the magical Levon Helm Studios in Woodstock, New York, and mixed by Jim Scott (Tedeschi Trucks Band, Wilco), Krasno Moore Project: Book of Queens is a lively tribute to women in music. Across nine soulful covers, the longtime friends reimagine the work of female musical icons Amy Winehouse, Nina Simone, Billie Eilish, Sharon Jones, H.E.R, Kacey Musgraves, Brittany Howard, Peggy Lee, and Aretha Franklin. Krasno and Moore are joined by accomplished organist Eric Finland throughout the record and the album features special guest appearances by Branford Marsalis, Cory Henry, and Robert Randolph. Today the group shares their cover of Brittany Howard’s Stay High featuring Cory Henry.
“When Stanton and I got together and decided to make a record we knew we wanted to focus on a concept that we both believed in,” explains Eric Krasno. “With the help of our wives (Lauren and Lauren), we started discussing a few ideas and agreed that a tribute to our favorite female singers and songwriters would be perfect. There are so many amazing songs to choose from spanning every genre and every era. Stanton and I zoned in on songs that had the right melodies and moods for an organ trio format. As soon as we started adapting the songs, adding grooves, and making demos with Eric Finland (organ/keys) we knew we had something special.”
Stanton Moore continues, “With this record, we wanted to create an album that we would be proud to play for our wives…something that we could listen to while making dinner or hanging on the beach. Our goal was to assemble a collection of songs that created an instant vibe from beginning to end, and could be enjoyed with family and friends time and time again.”
Eric Krasno and Stanton Moore first met in the mid-90s, when Eric was attending college in Northampton, MA. Stanton frequently passed through the area on tour and Eric became a fan of his drumming. Eager to make an impression on Stanton, Eric would always give Stanton demos of his latest guitar work. Stanton listened to these CDs and soon realized that kid Krasno was on to something. Krasno went on to found Lettuce and Soulive, while Moore founded Galactic and Garage-a-Trois. Through their various projects, the pair have crossed paths and shared stages together countless times over the past 25 years, forging a friendship along the way.
During the 2022 New Orleans Jazz Fest, Krasno and Moore discussed the possibility of working together on a more regular basis with a consolidated project in mind. Together, they came up with the concept of making an organ trio record of covers that would focus on female artists and honour the endless amount of incredible music they have gifted the world. They brought on their friend Eric Finland to round out the sound. The result is a stunning collection of covers that sound vaguely familiar, yet quite unlike anything you’ve ever heard before.
Kicking off March 10 at Ardmore Music Hall in Philadelphia, the group will embark on a North American tour. The headline tour includes shows at New York City’s Blue Note, LA’s Knitting Factory, City Winery in DC, Boston and Chicago, Denver’s Ophelia’s Electric Soapbox, and more. Tickets are on sale now at linktr.ee/krasno.moore.
Krasno Moore Project: Book of Queens – Track Listing
KRASNO MOORE PROJECT – 2023 NORTH AMERICAN TOUR DATES
March 10 - Philadelphia, PA - Ardmore Music Hall
March 12 - Annapolis, MD - Rams Head On Stage
March 14 - Boston, MA - City Winery
March 15 - Ridgefield, CT - Ridgefield Playhouse
March 16-19 - New York, NY - Blue Note
March 21-22 - Portsmouth, NH - Jimmy’s Jazz & Blues Club
March 23 - Minneapolis, MN - Dakota
March 24 - Chicago, IL - City Winery
March 25 - Denver, CO - Ophelia’s Electric Soapbox
April 4-5 - Seattle, WA - Dimitriou’s Jazz Alley
April 6 - Portland, OR - Star Theatre
April 7 - San Francisco, CA - The Chapel
April 8 - Los Angeles, CA - Knitting Factory
Krasno has released twelve Soulive albums, four Lettuce albums, three solo albums, and has production and/or songwriting credit with Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, Allen Stone, and Ledisi. As a dynamic performer, he’s shared stages with The Rolling Stones, The Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on The Tedeschi Trucks Band’s Revelator and guitarist on The Derek Trucks Band’s Already Free. Krasno also recently accepted the Grammy for Best American Roots Performance on behalf of Aaron Neville who was not in attendance. Eric produced, wrote, and played on Stomping Ground, Aaron's recent song from the soundtrack to Take Me to the River New Orleans.
About Stanton Moore
Throughout his 30-year career, Moore has released eight records under his own name, eleven records with Galactic, and four records with Garage-a-Trois. He has performed or recorded with a diverse group of artists including Maceo Parker, Joss Stone, Macy Gray, Corey Glover (Living Colour), Cyril Neville, Irma Thomas, Leo Nocentelli, and George Porter (of the Meters), Tom Morello (Rage Against the Machine), Corrosion of Conformity, Donald Harrison Jr., Nicholas Payton, Trombone Shorty, Skerik, Charlie Hunter, Robert Walter, Will Bernard, Anders Osborne, Ivan Neville, and the Preservation Hall Jazz Band.
NEW SINGLE BREAK MY HEART OUT TODAY
LISTEN HERE & WATCH HERE
ON TOUR NOW AND APPEARING AT SXSW, STAGECOACH, UNDER THE BIG SKY FESTIVAL, MERLEFEST AND MORE
UK, EU AND CANADIAN TOURS TO BE ANNOUNCED SOON
"Sometimes the minute you hear a voice, you know it's for the ages. That's how Canadian Bella White, the daughter of a Virginia bluegrasser, enters the picture. Making her second album now, at 22, White is poised for a major breakthrough. This is her origin story." – NPR
“At just 22, Bella White is a songwriting prodigy and emotional alchemist.” – Grammy.com
“Sublime Appalachian heartbreak.” – Rolling Stone
“We can feel White’s exquisite pain, her brimful sorrow, her tenacious joy in her lonesome, affecting vocals—White’s ingenious and playful lyrics fold into musical settings that capture the ragged ways we fall in and out of love.” – Folk Alley
TORONTO, ON – February 24, 2023 – Today, Calgary-born singer-songwriter/multi-instrumentalist, Bella White, has announced her new album, Among Other Things, out on April 21 via Rounder Records. The album was produced by Jonathan Wilson and features Buck Meek of Big Thief on guitar. To mark the occasion, White has released a new single, Break My Heart, and its companion music video. Listen here and watch here. Among Other Things is available for pre-order here, digitally and on LP, with specialty vinyl in Garnet and Tiger’s Eye via www.bellawhitemusic.com.
“Out of all of the songs I’ve written, Break My Heart is probably the most explicitly about getting dumped,” says White. “I wrote it with no intention of ever sharing it. I didn’t even feel any particular emotional attachment to it like I do with my other songs, because it was such an isolated experience, zooming in on one specific moment in time. That said, bringing it to life by turning a valley into a peak felt deeply cathartic. It’s a heartbreaker that I hope will at least get you moving.”
Today’s single is the follow up to two additional album tracks released late last year – The Way I Oughta Go, and the gorgeous and reflective, Rhododendron. The three songs together give the listener a sense of White’s remarkable writing and life-long-honed skills as a bluegrass player. “Bella White stands out as the youngest in her class of breakthrough virtuoso’s defined by the likes of Billy Strings and Amythyst Kiah. Her poetic poignancy conjures up the palpable devastation from a novice lover whose heart —one brimming with naïve ideas of romance—has shattered into a seemingly irreparable form,” said American Songwriter.
White’s live performances are as captivating as her music – Rolling Stone recently took notice and included her in their Best Things We Saw roundup of AmericanaFest. White will appear at this year’s SXSW, including appearances at The Luck Reunion, the imogene + willie party, Yeti’s showcase and more to be announced soon. She will also make appearances at major U.S. festivals throughout the spring and summer including Stagecoach, Merlefest, Under The Big Sky and more.
White made her mark on the scene with the release of her debut album Just Like Leaving. The LP caught the attention of Rounder Records which signed her last year. While traditional bluegrass originated in Appalachia, the genre has surely found a safe and loving Canadian home via her songwriting. The 22-year-old singer/songwriter and instrumentalist shies away from modern and fussy arrangements, and instead brings a traditional style of music into the contemporary moment by personalizing it to her own experiences. White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table. Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. Read more about Bella White here.
DOWNLOAD – press photo | DOWNLOAD – album artwork
UPCOMING TOUR DATES:
SXSW
March 16 - Luck Reunion - Willie Nelson’s Ranch - Austin, TX
March 16 - Official SXSW Showcase - Coopers BBQ - Austin, TX
March 17 - Yeti Showcase - 220 S. Congress - Austin, TX
March 17 - The imogene + willie party - imogene + willie store - Austin, TX
April 28 - Stagecoach - Indio, CA
May 19 - Sleeping In The Woods Songwriter Festival - Monticello, KY
June 18 - Black Deer Festival, Tunbridge Wells, UK
June 20 - The Glad Cafe - Glasgow, SCOTLAND
June 24 - Rotterdam Bluegrass Festival - Rotterdam, ZH, NETHERLANDS
July 14 - Under the Big Sky Music & Arts Festival, White Fish, MT
bellawhitemusic.com
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NEW ALBUM THE WEAKNESS OUT APRIL 7
ON ROUNDER RECORDS
THE WEAKNESS TOUR ON SALE NOW
TORONTO, ON – February 23, 2023 – On the heels of announcing a North American spring tour in support of his highly-anticipated upcoming album, The Weakness, Ruston Kelly has unveiled the second preview from the project: Mending Song. The first track that Kelly completed for The Weakness, Mending Song helped to spark the free-flowing creativity that ultimately fueled all his songwriting for the album, which will be released on April 7 by Rounder Records. Buy/stream Mending Song here, and pre-order The Weakness here.
Although he penned most of the new LP at home in Portland, Tennessee, Mending Song took shape during a solo trip to California's Joshua Tree. “I rented this little cabin out on 22 acres, just me and the coyotes, and ended up checking out a shop nearby and buying a baritone ukulele,” Kelly says. “I remember thinking, ‘This is so stupid — I’m trying to be that guy, going out to some cabin and writing my opus. Why don’t I just have some fun?’” Once he’d loosened up, Kelly came up with a jangly ukulele riff and opening lyric that soon gave way to the autobiographical storytelling of Mending Song: “Something grew up twisted in me / Ripping all the seams / But I was mended by the love of my momma / To fight the devils down in me.”
Threaded with sweetly ethereal tones sculpted through producer/songwriter/multi-instrumentalist, Nate Mercereau’s, use of guitar-based synth, Mending Song was built from a voice-note demo recorded in Kelly’s L.A. hotel room, amplifying its unfettered emotion to sublime effect. “You can hear the dryer running in the background, but there’s something really special about the feel of that recording,” Kelly adds.
Mending Song is the follow-up to Kelly’s first single from the record, The Weakness, which was released last month. Writing in Rolling Stone, Jon Freeman proclaimed it a “massive rock anthem,” while WFUV’s Kara Manning praised the “shimmering, slow burn of a song,” with its “ghostly, lushly-conceived rock arrangements.”
Watch the Mending Song video here, which was directed, produced and edited by Bella Mazzola, and filmed by Andy Hawkes and Bella Mazzola.
The Weakness tour begins April 12 at Louisville’s Mercury Ballroom and will find Kelly playing NYC’s Webster Hall (April 21), Chicago’s House of Blues (April 29) and Los Angeles’s The Fonda Theater (May 14), and ending with a hometown show at Nashville’s Ascend Amphitheater (June 2) with Jenny Lewis opening. Kelly will later head to Toronto on September 17. Information about tickets and VIP packages, which include an intimate soundcheck performance and Q&A, can be found at https://www.rustonkelly.com.
UPCOMING TOUR DATES:
June 17 – Cadence Bank Amphitheatre at Chastain Park, Atlanta, GA – SOLD OUT
June 18 – Firefly Distillery, Charleston, SC – SOLD OUT
August 31 – Radio City Music Hall, New York, NY – SOLD OUT
September 12 – KEMBA Live!, Columbus, OH
September 13 – St. Louis Music Park – Maryland Heights, MO – SOLD OUT
September 15 – TCU Amphitheater at White River State Park, Indianapolis, IN – SOLD OUT
September 16 – Michigan Lottery Amphitheatre at Freedom Hill, Sterling Heights, MI – SOLD OUT
September 17 – Budweiser Stage, Toronto, ON
LISTEN TO OPENING TRACK CAPITAL KARMA
VIA LOMA VISTA RECORDINGS
EARLY SCREENING EVENTS SOLD OUT IN LA AND NY
UPCOMING WATCH PARTY SCHEDULED FOR YOUTUBE ON MARCH 9
TORONTO, ON – February 23, 2023 – Today, Manchester Orchestra invite you to join them in The Valley of Vision. Accompanied by an awe-inspiring film that immerses viewers in 180 degrees of virtual reality, the brand new album finds the band reinvigorated once again, delivering a serene salvo of songs that defy the heavy weight of adulthood, faith and self-redemption through sounds unlike anything they have made before. Following their previous 2021 LP, The Million Masks of God - an acclaimed collection that cried for help as it explored a man’s encounter with the angel of death - The Valley of Vision puts forth a collective, cathartic expression of gratitude that is brought to life in both the songwriting of frontman, Andy Hull, and the cinematic story directed by Isaac Deitz.
On the heels of sold-out screening events in Los Angeles tonight and New York City on March 1, The Valley of Vision will debut in a worldwide watch party on Manchester Orchestra's YouTube channel on March 9, before the album’s digital release on March 10.
Listen to the album’s opening track, Capital Karma, out now via Loma Vista Recordings, and pre-order The Valley of Vision’s physical edition, arriving April 7.
From continuously appearing on Billboard charts and major festival lineups, to frequently collaborating with visionaries like the filmmaking duo, Daniels (Everything Everywhere All at Once, Swiss Army Man), Manchester Orchestra have further pushed themselves into fascinating realms with every new release. In the days leading up to today's announcement, the band’s website previewed The Valley of Vision's artwork through experimental 3D animation. Using state-of-the-art, real-time, physically-based rendering graphics technology, a high-fidelity digital human with photoreal facial animation came to life as it unveiled the record, and can now be viewed in its full form here.
On The Valley of Vision - which he co-produced alongside Manchester Orchestra guitarist, Robert McDowell, with contributions from Catherine Marks, Dan Hannon, Jamie Martens, Kyle Metcalfe and Ethan Gruska, who also plays piano on Capital Karma - Andy Hull says, “Making The Valley of Vision was an exciting idea of what the future could be for us in terms of how we create. None of these songs were written with the band being in the same room in a live setting. They were really like science experiments that started from the bottom and were added to gradually over time. We’re intrigued by doing things the wrong way, or attempting things we haven’t done before and getting inspired by them.”
Writing for the record began with a chance occurrence in the summer of 2021. Hull was looking through his suitcase for his lyric notebook, but instead found a 1975 book of Puritan prayers called The Valley of Vision, which his mom had gifted to him the previous Christmas. The title became a mantra that helped inspire the idyllic yet otherworldly energy that permeates throughout the album and film. An evolution from its predominantly guitar-driven past, the band almost completely abandons the instruments it is used to, and instead plays with primitive yet powerful piano leads and shimmering atmospheres, backed by sub-synth frequencies of bassist Andy Prince and shapeshifting sounds of drummer Tim Very.
Through cutting edge, 3D-computed radiography technology, Isaac Deitz envelops listeners in a visual experience of The Valley of Vision, and he adds: “Andy and I had talked about doing a film and album collaboration since 2021, after I directed the video for their song Telepath. A year later he sent me The Valley of Vision, and I realized we had the potential to really do something special. Experiencing the film in its intended 180-degree, 3D VR format feels like downloading a dream into your head, and listening to the album feels like receiving an abstract map of different lessons regarding the human experience - forgiving yourself, listening to yourself, letting go, and saying goodbye to the old. Trees seemed to me the perfect symbol to convey a lot of those themes of life, death, rebirth and growth, but I wanted the 3DVR film to be a way for people to listen to the music in a variety of compelling environments, while also having those stories woven in for anyone paying attention. Each symbol represents a different experience nested in our internal worlds; it’s up to you whether you want to just enjoy them, or try to interpret what the dream means.”
Later this spring, Manchester Orchestra will bring music from The Valley of Vision to a hometown set at the 10th Anniversary of Atlanta’s Shaky Knees festival. Find tickets here, and stay tuned for more tour dates coming soon.
THE VALLEY OF VISION TRACKLIST:
- Capital Karma
- The Way
- Quietly
- Letting Go
- Lose You Again
- Rear View
DOWNLOAD - hi-res photo | DOWNLOAD - album cover artwork
Follow Manchester Orchestra
Official Site | Instagram | Twitter | Facebook | YouTube
ARRIVES ALONGSIDE HEARTWARMING
ANIMATED MUSIC VIDEO – WATCH HERE
SINGLE APPEARS ON LONDON’S FIRST FULL-LENGTH
CHILDREN’S ALBUM PRIMARY SET FOR RELEASE ON MARCH 24
TORONTO, ON – February 22, 2023 – This past Saturday (February 18) the stars and planets aligned and Toronto singer-songwriter, Darrelle London, launched her new single, Pluto. Arriving in conjunction with the anniversary of the 1930 discovery of Pluto, the sweet and plucky indie-pop tune centres around themes of resilience and self-acceptance, written from the perspective of our favourite dwarf planet. Today (which is aptly Anti-Bullying Day), London releases the song’s heartwarming animated music video. Watch here and listen to Pluto here.
"I wrote Pluto to convey the power of acceptance, anti-bullying, and self-love,” says London. “But it's just as much for us millennial parents who grew up learning that Pluto was a planet, and can't quite accept its demoted status. It's one of those many examples of how human knowledge can evolve and change, and our kids are learning something different than we did. It was a really fun topic to explore, and I've since learned that scientists and astronomers still debate Pluto's status to this day!"
Pluto marks the second release from London’s forthcoming new children’s album, Primary, which is set for release on March 24, and follows the record’s lead single, Chugga Choo Choo. With a back-catalogue of albums that have been described as “quirky” and “whimsical” – though not necessarily aimed towards kids – it was a natural progression for London to take her musical style and turn it into her first full-length children’s album. Primary perfectly treads the line between music for kids and music for grown-ups, with enchanting lyrical storytelling set to infectious indie-pop instrumentation.
A mother of two young’uns herself, Primary marks the first time that London made an album since her children were babies. While playing the role of teacher (among many other things!) during the initial COVID lockdowns, London’s children would ask questions and she felt compelled to answer them in the form of songs. The songs on Primary explore the small wonders of life, such a seeing the moon out during the day (Day Moon); simple pleasures, like going for ice cream with a friend on a hot summer day (Ice Cream); they joy found in creating art just for the sake of it (Primary and Let’s Make Something New); and even important lessons like why we should respect even the tiniest of creatures (Bugs).
Stay tuned for more to come from Darrelle London as she gears up to release Primary!
DOWNLOAD – Pluto single artwork | DOWNLOAD – press photo
DOWNLOAD – album cover artwork
MORE ABOUT DARRELLE LONDON:
Darrelle is no stranger to following her heart to unexpected places. After turning down law school to pursue a music career, she has spent the last decade making her mark on the college and festival circuit across North America. Some highlights include performing at iconic venues such as Hollywood’s Troubadour Club and Nashville’s Bluebird Café, collaborating with her favourite artists such as Chantal Kreviazuk, being chosen by Sarah McLachlan to perform at Lilith Fair, and placing her music on TV shows and ad campaigns in the US and South Korea.
SUPPORTING WHITE REAPER ON NORTH AMERICAN TOUR NEXT MONTH AND PERFORMING AT SXSW
SHOW IN TORONTO ON MARCH 14
Toronto, ON – February 21, 2023 – Los Angeles' Militarie Gun share new single, Do It Faster, which serves as the first taste of the band's as-yet-unannounced forthcoming debut album. Packed with punchy guitars and catchy vocal melodies from vocalist Ian Shelton, Do It Faster is accompanied by a video directed by Shelton and edited by band member Will Acuña. In the video, the band dons matching sweatsuits and performs on a spinning stage as their coach, played by Acuña, fittingly yells at the band to do it faster.
Speaking about the song, Shelton states: "It is about my overall impatience with life. The agonizing wait for things to materialize... so before resigning to do it myself, I’m imploring the world to just move faster.”
Next month, Militarie Gun will bring their live show across North America as they support White Reaper on tour for 14 shows beginning in Denver on March 2 and wrapping up in Louisville on March 25th. During that run, Militarie Gun will hit SXSW from March 15 to 18, as well as an assortment of recently announced headline dates, with a show in Toronto on March 14. Tickets are available here.
Do It Faster follows last year's All Roads Lead to the Gun (Deluxe), which Pitchfork described as "melodic post-hardcore done right" while Stereogum calledtheir debut EP My Life Is Over “ferocious, hugely impressive." Formed in 2020, Militarie Gun is defined by the musical restlessness of vocalist Shelton. The band–whose lineup includes guitarists Nick Cogan and Acuña, drummer Vince Nguyen, and Waylon Trim –drawon a wide range of influences to make something that sounds combative yet accessible, and undeniably their own. Militarie Gun’s songs are instantly memorable and uncategorizable. With echoes of the unhinged guitarwork of Born Against, the propulsive cadences of hip hop, the up-front bass of Fugazi – and most importantly, the hooks, Militarie Gun employs a melodic sensibility that is just as informed by the work of Robert Pollard and Paul McCartney as it is by Black Flag. Check out Do It Faster above, see full Militarie Gun tour routing below, and stay tuned for more music from Militarie Gun coming very soon.
Upcoming Live Dates
* = supporting White Reaper and Mamalarky
^ = headline shows
+ = w/ Dazy
3/2 - Denver, CO @ Summit Theater*
3/3 - Omaha, NE @ The Waiting Room*
3/4 - Kansas City, MO @ Madrid Theater*
3/6 - Des Moines, IA @ Wooly’s*
3/7 - Madison, WI @ Majestic Theatre*
3/8 - Detroit, MI @ St. Andrew’s Hall*
3/10 - Chicago, IL @ Metro*
3/11 - Cleveland, OH @ Beachland Ballroom*
3/12 - Millvale, PA @ Mr. Small’s Theatre*
3/13 - Buffalo, NY @ Rec Room^
3/14 - Toronto, ON @ The Opera House*
3/15 - Austin, TX @ SXSW
3/16 - Austin, TX @ SXSW
3/17- Austin, TX @ SXSW
3/18- Austin, TX @ SXSW
3/20 - Washington, DC @ Runaway^+
3/21 - Richmond, VA @ Bandito’s^+
3/22 - Carrboro, NC @ Cat’s Cradle+
3/23 - Atlanta, GA @ The Masquerade - Hell*
3/24 - Nashville, TN @ The Basement East*
3/25 - Louisville, KY @ Headliner’s Music Hall*
3/26 - Birmingham, AL @ LCY Media^
3/28 - Oklahoma City, OK @ 89st - OKC^
3/29 - Albuquerque, NM @ Moonlight Lounge^
3/30 - Tucson, AZ @ Club Congress^
3/31 - Tempe, AZ @ The Beast^
DOWNLOAD - Press Photo | DOWNLOAD - Single Art
TikTok: @militariegun
LISTEN HERE
TORONTO, ON – February 17, 2023 – Following a run of hit singles last year, singer-songwriter, Christian French, shares thank god, his first new track of 2023 out now via Disruptor Records/RCA Records. The up-tempo, guitar-driven indie pop track finds Christian reflecting on his past and how things could have been – whether it be toxic relationships or significant life changes – expressing gratitude for the lessons he learned along the way. Listen to thank god here.
“‘thank god’ is the full circle moment after a relationship where you finally make it to the other side and realize that not staying with them was the best thing to ever happen to you,” says Christian French of the inspiration behind the song. “You finally have the perspective to see that they weren’t good for you, and when they eventually come back, you don’t even want them back anymore because life is much sweeter without them.”
Late last year, Christian returned to the road with his sold-out golden years fall tour, where he made stops across Salt Lake City, Denver, Chicago, and more, including a performance in his home state of Indiana at the Hoosier Dome.
About Christian French
With over 400 million global streams and praise from TIME Magazine, Billboard, UPROXX, Ones To Watch, American Songwriter, and more under his belt, 25-year-old Christian French is one of today’s fastest-rising indie-pop stars. The Indiana native learned to play piano by watching YouTube and posting covers online, eventually going on to write music in college before chasing his dreams to Los Angeles. It was there in 2017, while sleeping on friends’ couches, that he penned his first single, love ride, which amassed over 33 million streams worldwide and set the tone for his bright future.
Touring nationwide with Chelsea Cutler and Quinn XCII, followed by his own headlining tour, Christian released a series of EPs including natural colors, bright side of the moon, and good things take time, followed by the singles avalanche and OH WELL in 2021, embodying a more confident sound that straddled pop and rock without losing the clarity of its predecessor. Over the past year, Christian has continued to further hone his sound and identity, learning how to play guitar and produce, in addition to expanding his fanbase through social media. With more music set for release this year, Christian French is poised to usher in a bright new sound and sense of self.
SOARING NEW SINGLE ARRIVES AHEAD OF UK, AUSTRALIAN AND NORTH AMERICAN TOUR DATES THIS WINTER/SPRING WITH SUPPORT FROM CHARLES WATSON, TIFT MERRITT, TED POOR, JOAN SHELLEY & MADISON CUNNINGHAM
TORONTO CONCERT ON APRIL 9
TORONTO, ON – February 17, 2023 – Today, Andrew Bird begins another abounding year of music and touring with the release of his new single and music video, Never Fall Apart. Written, directed, edited and animated by the song’s co-writer Jeremy Ylvisaker, the moving visual stars prominent Anishinaabe musician, Keith Secola, and Geezis Humphrey, connected to each other by a seemingly endless string of yarn. As they sit alone in their own dark abyss, the track erupts into soaring, shouting harmonies – Bird reaching out for love and connection with lyrics that illustrate the attempt to piece yourself back together again. Available now via Loma Vista Recordings, the resounding closer to his latest album, Inside Problems, is accompanied by an extended, alternate arrangement called Never Fall Apart: Epilogue. Listen to Never Fall Apart b/w, Never Fall Apart: Epilogue, and watch the music video here.
“Back from the brink we may have pulled ourselves back together (though tenuously) for the moment,” says Bird. “I recorded Epilogue outside in Ojai, CA in January of 2021 for a documentary about news deserts in rural America. I felt I captured something that’s hard to nail because I was playing only for myself. I just happened to be recording. So I sang the lyrics to never fall apart over it, giving the song a different dimension.”
On the heels of a headline tour that brought him to sold-out shows at the Greek Theatre, Red Rocks, NYC's Pier 17, eight different Chicago performances and beyond in 2022, Bird has returned to the road for both international and North American runs this winter and spring. Following a trek through the UK and Australia, he and his band will return to the U.S. and Toronto (April 9) for a dozen dates including Big Ears Festival and other stops across the East Coast and Midwest, with support from Joan Shelley, Madison Cunningham and Ted Poor. In support of Inside Problems, the shows will continue to "transport listeners to a lush musical world" (NPR Music), as the batch of songs bring the GRAMMY-nominated musician, songwriter and composer into "previously uncharted territory" (Pitchfork). Watch Bird perform Never Fall Apart in his debut appearance on CBS Saturday Morning, find the list of upcoming dates below and tickets at andrewbird.net/#tour.
In recent months, Andrew Bird has also collaborated with Phoebe Bridgers on a reimagining of Emily Dickinson’s, I felt a Funeral, in my Brain, in addition to appearing on NPR’s Wait Wait… Don’t Tell Me, Guy Raz’s Great Creators, NPR Music’s Tiny Desk Concerts, the cover of Strings magazine and more. Pre-order I felt a Funeral, in my Brain featuring Phoebe Bridgers on limited edition 7" vinyl, available at retail on March 31 here.
Andrew Bird Tour Dates
2/19 - London, UK - O2 Shepherd's Bush #
3/9 - Melbourne, AU - Forum Theatre &
3/10 - Sydney, AU - Enmore Theatre &
3/11 - Brisbane, AU - The Tivoli &
3/30 - Asheville, NC - The Orange Peel*
3/31 - Knoxville, TN - Big Ears Festival
4/1 - Charleston, SC - Charleston Music Hall*
4/3 - Richmond, VA - The National*
4/4 - Louisville, KY - Paristown Hall* %
4/5 - Madison, WI - The Sylvee*
4/7 - Ann Arbor, MI - Michigan Theater*
4/8 - Cleveland, OH - Agora Theatre*
4/9 - Toronto, CA - History* !
4/11 - Portland, ME - State Theatre* !
4/12 - Newark, NJ - Prudential Hall* !
4/13 - Boston, MA - MGM Music Hall* !
# w/ Charles Watson
& w/ Tift Merritt
*w/ Ted Poor
% w/ Joan Shelley
! w/ Madison Cunningham
Follow Andrew Bird
Official Site | Facebook | Twitter | Instagram | YouTube
EXPANDED DIGITAL LP INCLUDES COMPLETE LIVE PERFORMANCE OF CRITICALLY LAUDED ALBUM CAPTURED AT EASTWEST STUDIOS
AN EVENING WITH DAWES US HEADLINE TOUR
KICKS OFF MARCH 2, 2023
“Dawes have never sounded more musically sophisticated.” – Uncut
“Also not kidding around, as a whole, is Dawes, on the album where all the members finally get to let their freak-flag fly a little more, or as much on record as they have live. And an album that’s kinda about dystopianism kinda becomes a nice 46-minute tonic for it.” – Variety
“…Dawes are at their most accomplished yet; Taylor Goldsmith’s vocals are the most nuanced they have ever sounded…” – Louder Than War
"It's a whole new Dawes - listeners had better brace for impact." – Paste
“This is easily Dawes’ most musically adventurous album to date.” – Glide
"Dawes expand their horizons and deliver a complex and brilliant album for our times...repeated listens will reward you handsomely." – Americana UK
"The tracks on the new album are muscular, strong, and supported by their own artistry." - American Songwriter
TORONTO, ON – February 17, 2023 – Today, acclaimed LA-based rockers, Dawes, have released a deluxe edition of their critically heralded eighth studio album, Misadventures of Doomscroller. The expanded edition of the album, available now via all digital service providers, includes a complete live performance of the album, captured at EastWest Studios by producer Jonathan Wilson (Billy Strings, Angel Olsen, Father John Misty). Listen here.
“We spent a day in EastWest Studios in LA playing our record Misadventures Of Doomscroller in its entirety in front of a bunch of cameras,” recalls Taylor Goldsmith. “You might’ve seen the film on YouTube. Now we’re proud to announce that we’re finally releasing it as an album on DSPs. It was a marathon to get through all this material and committing to completely live takes all in one day.” He notes, with a laugh, “But it lent the performances a sense of urgency bordering on desperation. These live recordings feel like how these songs were meant to live. I hope you enjoy!”
The Misadventures of Doomscroller Tour will launch on March 2 at Birmingham, AL’s Iron City. From there, the tour will make its way across the country, including stops at storied venues such as Nashville’s Ryman Auditorium, New York City’s Beacon Theatre, Chicago’s Thalia Hall, and San Francisco’s The Fillmore before wrapping up with a hometown show at Los Angeles’ The Theatre at Ace Hotel on May 5. A full list of shows is below.
As the band explains, each show comprises “2 sets. Just us. Long nights. Full hearts. Come early. We’ll all have to break out the catalogue master lists and bingo cards as we try to get to every song we’ve got.” For complete details and ticket availability, please visit www.dawestheband.com/tour.
AN EVENING WITH DAWES US TOUR 2023
MARCH 2023
2 - Birmingham, AL - Iron City
3 - Atlanta, GA - The Eastern
4 - Nashville, TN - Ryman Auditorium
5 - Louisville, KY - Headliners Music Hall
7 - Bloomington, IN - Bluebird
8 - Cincinnati, OH - Taft Theatre
10 - Chicago, IL - Thalia Hall
11 - Harrisburg, PA - XL Live
12 - Washington, DC - Warner Theatre
14 - Ridgefield, CT - Ridgefield Playhouse
16 - Philadelphia, PA - The Fillmore Philadelphia
17 - Boston, MA - Roadrunner
18 - New York, NY - Beacon Theatre
APRIL 2023
6 - Dallas, TX - The Factory in Deep Ellum
7 - Houston, TX - The Heights
8 - Austin, TX - Austin City Limits Live at The Moody Theater
10 - Little Rock, AR – Revolution Music Room
11 - Fayetteville, AR - JJ’s Live
12 - St Louis, MO - The Pageant
14 - Madison, WI - Majestic Theatre-WI
15 - St. Paul, MN - Palace Theatre
16 - Lawrence, KS - Liberty Hall
18 - Wichita, KS - Wave
19 - Denver, CO - Ogden Theatre
20 - South Salt Lake, UT - The Commonwealth Room
22 - Seattle, WA - Neptune Theatre
23 - Portland, OR - Revolution Hall
26 - San Francisco, CA - The Fillmore
27 - Solana Beach, CA - Belly Up Tavern
28 - Solana Beach, CA - Belly Up Tavern
MAY 2023
5 - Los Angeles, CA - The Theatre at Ace Hotel
AUGUST 2023
26 – Vienna, VA – Wolf Trap w/Mary Chapin Carpenter
EVENT TAKING PLACE MARCH 8 IN TORONTO AS PART OF WIMC’S SPECIAL INTERNATIONAL WOMEN’S DAY PROGRAMMING
LAST DAY FOR EARLY BIRD TICKET PRICING
AVAILABLE HERE
TORONTO, ON – February 16, 2023 – As International Women’s Day 2023 draws closer, Women In Music Canada excitedly shares the long list of nominees for the Women In Music Canada Honours. The Honours event will take place on March 8 at the Opera House in Toronto, where the recipients will be recognized and celebrated, alongside a reception style dinner and showcase of incredible performances. Tickets are available here, with discounted early bird pricing ending today. See below for the full long list of nominees.
“I have been told often over that last few months that this recognition program has been needed for a long time,” says WIMC Executive Director, Robyn Stewart. “On behalf of the WIM Canada board, we couldn’t be more excited to recognize the long list today, and to bring the Canadian music community together to celebrate March 8th, on International Women’s Day. Thank you to all jury, all applicants, sponsors and funders for helping us bring this dream to reality. And above all, congratulations today to all of our long list.”
After receiving an overwhelming number of submissions for the inaugural program, the long list was selected by a jury of 22 professional Canadian music industry leaders and creators, appointed by Women in Music Canada, and represents the top submissions (not separated by category). The final honourees will be curated from the long list by a finalist jury.
Remarks one of the jury members who helped define the long list: “It was amazing to read about the incredible work of such a wide range of women — we rarely get opportunities to hand the women in our industry their flowers. This truly was an honour.”
The WIMC Honours program was designed to celebrate and support Canadian innovators and creators who have had outstanding success in their field in the eligibility year (December 2021 through December 2022 for annual based categories). Categories include: Artist of the Year (presented by Amazon Music), Distinguished Leader (presented by TuneCore), Entrepreneur of the Year (presented by Bandzoogle), Excellence in Live Music, International Leader of the Year, Organization of the Year, the Trailblazer Award, and the Women in Music Canada Honour Roll (presented by Spotify), which will honour up to 10 women and gender diverse industry members or artists who are on the rise. 2023 honourees will receive wonderful packages from gifting partners and woman-owned Canadian companies, Tiber River Naturals, Paris Jewellers, and Fielding Wines.
“WIM Canada thanks everyone who submitted themselves, their colleagues and their inspirations,” adds Stewart. “Our intention is to celebrate as many leaders as possible each year and we encourage all to watch for submissions for the 2024 edition coming this summer.”
The Honours reception dinner and awards presentation will be hosted by CBC’s Saroja Coelho, and will showcase an incredible group of artists performing throughout the evening. Supported by SiriusXM, performances will include rising country star, Sacha, producer, DJ and performer, Liliane Chlela; JUNO-nominated recording artist, songwriter and producer, Desiree Dawson; Cree and Salish singer and TikTok creator, Tia Wood; breakthrough singer, songwriter and multi-instrumentalist, Sofia Camara; and decorated, multi-platinum recording artist, Fefe Dobson.
A special induction into the Canadian Songwriters Hall of Fame will also be presented to multi-award winning, GRAMMY-nominated singer-songwriter and multi-instrumentalist, Loreena McKennitt, during the event.
2023 WOMEN IN MUSIC CANADA HONOURS:
Date: Wednesday, March 8, 2023
Venue: The Opera House (735 Queen St E, Toronto)
Time: 6:00pm doors | 7:00pm Honours presentation begins
Tickets: $60 (early bird rate, until February 16) | $75 (after February 16)
Purchase here
LONG LIST NOMINEES:
Amanda Power – The Unison Fund
Amber Moyle – Polaris Music Prize
Anna Ruddick – The Unison Fund
Anne Stirk – Spotify Canada
Ashley Bieniarz – Songsmiths
Béatrice Martin – Bravo musique and Coeur de pirate
Carey Riley – Sony Music Canada
Charlotte Cardin
DeeDee Austin
Domanique Grant
Elise Roller – Misfit Music MGMT
Faryal Khan-Thompson – TuneCore
Fefe Dobson – 21 Entertainment Group Inc.
Fredericka Petit-Homme
Heather Gibson – National Arts Centre
Irish Mythen – Irish Mythen
Janna Sailor – Janna Sailor (Allegra Chamber Orchestra)
Jenn Ivanovs – Jives Management
Jessica Holtby – Seeka Sings
Jessica Lemmon – Lemmon Entertainment
Jessika Harling – JESSIA
Karen Kosowski
Katrina Kernaghan – TikTok
Lana Winterhalt – Good + Plenty Producer's Club
Marilyne Lacombe – Mothland
Mary Beth Waldram – Laughing Heart Music
Monika Ouellet – Lazermortis
Nico Paulo
Nicole Auger – Indigenous Music Alliance
Nicole Alosinac – Nicole Alosinac Luthiery
Ryhna Thompson – Envision Management & Production
Samantha Pickard – Strut Entertainment
Sandy Graham – EMG
Shantel Noel – Spotify
Sharine Taylor – Independent / Bashy
Shauna de Cartier – Six Shooter Records
ShoShona Kish – Ishkode Records / Indigenous Music Alliance
Shumaila Hemani – Shumaila Hemani
Stacey Bedford – Bandzoogle
STONE AGE UG – STONE AGE ENTERTAINMENT
STORRY
Sunny Chen – Sad China
Tanika Charles
Tyler Tasson – Endemic Marketing
Yolanda Sargeant – Sargeant X Comrade
Thank you to the generous support of FACTOR, the Government of Canada and Canada’s private radio broadcasters, Ontario Creates, and the City of Toronto for their support of all WIM Canada International Women’s Day events. We also want to recognize our incredible Honours partners – Amazon Music, TuneCore, Bandzoogle, Spotify, Tiber River Naturals, Paris Jewellers, Fielding Winery, and Bacardi – all of whom are making it possible for us to launch this inaugural program recognizing and celebrating women identified artists and innovators across Canada.
As well as our federal, provincial and municipal partners, we want to thank workshop partners Universal Music Canada, Bandzoogle, CMRRA, ACTRA:RACS and the Canadian Independent Music Association for their support of the workshop series. You are leaders in developing talent in Canada and we thank you for your important role in the pathway to an equitable industry that we are committed to building.
If you are interested in supporting Women In Music Canada and the inaugural WIMC event, please contact Robyn Stewart at robyn@womeninmusic.ca.
About Women in Music Canada
Women in Music Canada (WIMC) is a registered non-profit organization and one of the largest music industry associations in Canada. The organization is dedicated to fostering gender equality in the music industry through the support and advancement of professionals and creatives at every stage of their career. The goal is to strengthen the social-economic balance of the music industry by providing professional development, support and resources for our community. Women in Music Canada hosts educational, career development and networking events alongside broader programming initiatives, industry engagement, research and advocacy to serve the needs of our diverse community. Our panels, seminars, webinars, workshops and performance serve to educate, empower, and celebrate women contributions to the music world, and strengthen community ties.
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
DOWNLOAD – WIMC Logo
LISTEN HERE
OUT NOW ON LOMA VISTA RECORDINGS
Toronto, ON – February 16, 2023 – Today, Local Natives share a Danny L Harle remix of their recent single, Just Before The Morning, out now via Loma Vista Recordings. The single, which reached the B-list at BBC 6Music as well as being #1 most added at AAA radio in the US, marked a striking return from the cherished LA quintet. They've since celebrated its release with three sold-out nights at the Masonic Lodge in LA in Dec 2022 accompanied by special guests including Best Coast, Darkside, Miya Folick and Raul Campos.
In its original guise a swaggering and psychedelic track, hyperpop pioneer Harle - who's worked with everyone from Caroline Polachek to Hudson Mohawke, Carly Rae Jepsen to Charli XCX - stretches Just Before The Morning out into a bonafide floorfiller, creating futurepop gold from an ostensibly unlikely source. Listen to Just Before The Morning(Danny L Harle remix) here.
Just Before The Morning was recorded across Valentine Recording Studio, 64Sound and Sargent Recorders, a strong sense of Los Angeles pervades the track. It sees Local Natives venture into exciting new sonic territory, and is a dialogue between LA’s most iconic studios and their most emblematic band. As well as the strong support at BBC 6Music, the track has seen support at press from the likes of Stereogum, Clash, Dork, Consequence, The Line of Best Fit, The New Cue, Our Culture and more.
The band says of the song: “Just Before The Morning came from a burst of creativity after we finally reconnected in the studio. The song explores the cyclical nature of life and the many ways in which we begin again.”
Revisit the video for Just Before The Morning here.
Last year, the band released double A-side singles, Desert Snow and Hourglass and embarked on a sold-out North American tour that included stops at Osheaga, Lollapalooza, Outsidelands, Ogden Twilight and Outlandia festival this past summer. Stay tuned for more tour dates to be announced soon.
In the span of one year, the band performed twice on Jimmy Kimmel Live! For their first performance, they were accompanied by Sharon Van Etten playing Lemon off the Sour Lemon EP. They closed out the year with a performance of Roxy Music’s More Than This from the Music From The Pen Gala 1983, an EP coinciding with their appearance in the Apple Original Series The Shrink Next Door starring Paul Rudd and Will Ferrell.
Based in Los Angeles, the group progressed their sound over the course of four full-length albums, Gorilla Manor [2009], Hummingbird [2013], Sunlit Youth [2016] and Violet Street [2019].
Local Natives have received praise from Pitchfork, Consequence of Sound, The Guardian and many more. In between countless sold-out shows and festival appearances - including a standout Coachella 2017 set - they’ve graced the stages of Austin City Limits, The Tonight Show Starring Jimmy Fallon, The Late Late Show With James Corden, Jimmy Kimmel Live! and more.
SONG INTRODUCES NEW ALBUM IN SEARCH OF GOLD
OUT MAY 5 VIA BIRTHDAY CAKE RECORDS
PERFORMING HOMETOWN SHOW IN EDMONTON
AT JUNOFEST ON MARCH 12
Toronto, ON – February 15, 2023 – Canadian hip-hop trailblazer, Mouraine, prepares to shine in 2023 with his first single of the year, Gold. The song evokes the inner and outer glow of realizing self-worth and pursuing potential to the highest degree. Gold gleams with the announcement of Mouraine's forthcoming album, In Search of Gold, set for release May 5 via Birthday Cake Records, setting the foundation of what's ahead for the innovative Sudan-born, Edmonton-raised artist. Listen to Goldhere.
Produced by Western Canadian Music Award (WCMA) winning producer-engineer duo, deadmen (Begonia, Ashleigh Ball, Royal Canoe), Gold moves with a melodious beat and Mouraine's clever rhyme and verse. Sharp, metaphorical and resonant with uplifting messages, Gold is a soundtrack for recognizing your value and using your gifts to personify your dreams.
"Gold is the perfect post-reaction once you discover your true worth as an artist and a human being," Mouraine says. "Once you know your capabilities and have reached an unexplainable state of belief in yourself, there is no such thing as settling for anything less than gold."
The video for Gold was filmed in Joshua Tree National Park, California and directed by Mat Dunlap and assisted by Kevin Manning. Mouraine traverses the desert terrain to claim his throne - and spin gold records - beneath a warm west coast sun. This is a reminder to never settle, no matter the time or the setting. Watch Gold here.
Gold marks a grand entrance into a new era of Mouraine, and drives the energy for In Search of Gold. For the album, Mouraine worked with deadmen (Matt Peters & Matt Schellenberg) to craft new sounds, showcase Mouraine's growth as an artist, and create a sonic representation of Mouraine's life journey.
"I’ve always thought that chasing possessions were going to fulfill me. But I realized that to find gold is to find your purpose, peace, and happiness, and that’s what this album means to me," he adds.
Audiences both familiar, or newly introduced, to Mouraine's catalogue and unparalleled stage presence will witness In Search of Gold as a byproduct of years of hard work, determination and talent, failure and loss. This album comes with as much triumph and accomplishment as it does challenge and vulnerability.
Mouraine will be rocking JUNOFest in his hometown of Edmonton next month on March 12 at 99Ten, followed by a debut at FOCUS Wales Festival in Wrexham, UK in May. Find all details below. Learn more about Mouraine's career below, connect with him online and stay tuned for more music as he blazes his path.
TOUR DATES
May 4-6: FOCUS Wales Festival - Wrexham, UK
March 12: JUNOFest @ 99Ten - Edmonton, AB - Tickets
As a young, first-generation immigrant to Canada, Mouraine first learned to speak English through his insatiable appetite for music. Hip Hop, Rap and R&B lyrics became his teacher, his solace, and his inspiration to use this language as a tool for self expression and survival. By the age of 11 he began writing, recording and performing original music that would lead to sharing stages with the likes of Mac Miller, J.Cole, T-Pain, Big Sean, Pusha T, Classified, and Shad. Mouraine’s music has been placed in Footlocker ads, played live at Toronto Raptors NBA games, awarded him accolades from his community and peers, and continues to infect audiences around the world. A seemingly endless source of energy, there’s no denying that Mouraine has a magnetic ability to pull people in and make them feel a part of his music and message.
SHARES TEASER FOR LET GO OUT MARCH 3
CATCH THEM ON THE FIRST SHOW OF 2023
HEARTSUPPORT FESTIVAL ON FEBRUARY 18 IN ORLANDO
PLUS THE BLIND OBEDIENCE TOUR BEGINS IN MARCH
WITH PERIPHERY AND LOATHE
TORONTO, ON – February 15, 2023 – Underoath announces label signing to MNRK Heavy for a worldwide deal and shares teaser for new single, Let Go, today - listen here.
In discussing the excitement of the label signing, Scott Givens, SVP of MNRK Music Group, said: “Rarely does the opportunity present itself to partner with a band as amazing as Underoath. When that opportunity was presented, we seized it immediately, and speaking for the entire company; we are truly honored they gave us a chance to work with them on their upcoming recordings. The band has had a remarkable career, and all of us at the MRNK Music Group can’t wait to accompany them on their next phase of it.”
Underoath added, “Choosing who we partner with in releasing our music is always a huge decision. The team at MNRK simply rules, understands our vision, and is passionate about the music. We couldn’t be more excited and ready to work with the MNRK team to release some of our favorite work to date.”
The band will perform the first show of 2023 on February 18 in Orlando at the Heartsupport Festivial following the Blind Obedience Tour starting on March 3 in Silver Spring with Periphery and Loathe concluding April 2 in Nashville plus festivals at the Slam Dunk Festival and Inkcarceration Festival.
Tour Dates:
02/18/23 - Orlando, FL @ Heartsupport Fest
03/03/23 - Silver Spring, MD @ The Fillmore*
03/04/23 - Stroudsburg, PA @ The Sherman Theater*
03/05/23 - Huntington, NY @ The Paramount*
03/07/23 - Indianapolis, IN @ Egyptian Room*
03/08/23 - Pittsburgh, PA @ The Roxian*
03/10/23 - East Moline, IL @ The Rust Belt*
03/11/23 - Milwaukee, WI @ The Eagles Club*
03/13/23 - Grand Rapids, MI @ 20 Monroe*
03/14/23 - St. Louis, MO @ The Pageant*
03/15/23 - Kansas City, MO @ The Uptown Theater*
03/17/23 - Wichita, KS @ The Cotilion*
03/18/23 - Denver, CO @ The Ogden Theater*
03/20/23 - Boise, ID @ Revolution*
03/21/23 - Portland, OR @ The Roseland Ballroom*
03/23/23 - Wheatland, CA @ The Hard Rock Casino*
03/24/23 - Anaheim, CA @ The House of Blues*
03/25/23 - Las Vegas, NV @ Brooklyn Bowl*
03/26/23 - San Diego, CA @ Soma*
03/27/23 - Tucson, AZ @ The Rialto Theater*
03/29/23 - Albuquerque, NM @ The El Rey Theatre*
03/31/23 - Oklahoma City, OK @ The Diamond Ballroom*
04/01/23 - Little Rock, AR @ The Hall*
04/02/23 - Nashville, TN @ Marathon Music Works*
05/27/23 - Hatfield, EN @ Slam Dunk Festival
05/28/23 - Leeds, UK @ Slam Dunk Festival
07/15/23 - Mansfield, OH @ Inkcarceration Festival
*Blind Obedience Tour with Periphery and Loathe
DOWNLOAD - Press Photo | DOWNLOAD - Tour Poster
About Underoath:
UNDEROATH reinvents the balance between chaos and harmony with each successive release. Their compositions, conjured from creative tension, become iconoclastic anthems. Even when the band almost combusts, the crackling energy coalesces into something deeply resonant for millions.
Their pair of gold albums and three GRAMMY nominations stand in stark defiance of the idea of commercial compromise. The Underoath catalog weaponizes noise, aggression, and ambiance as skillfully as melody. The combination of heaviness and headiness found on Define the Great Line makes it the only record of its kind to debut at No. 2 on the Billboard 200.
The heart of their sound, which delivers naked vulnerability with thrilling force and cinematic lushness, can be heard in generations of bands who’ve pursued their trail.
Walking an artistic tightrope between immersive access and isolationist otherness, Underoath owns the space between huge choruses and forward-thinking heaviness, both on record and onstage.
FROM UPCOMING EP MOONSTONE ON MONSTERCAT
LISTEN TO TOURMALINE
Aether shares, “Originally built around an ambient foundation, Tourmaline was given its name through its prismatic nature and how its ambient roots glimmer through in new light.”
With over 22 million streams across all platforms, the Scottish-born artist continues to defy all odds being visually impaired with Retinitis Pigmentosa. He strives to challenge himself by stepping into new production techniques, producing video game soundtracks, and being multi-dimensional with his genres, all while using his specialized keyboard and audible tools. Aether will celebrate ten years of making music this year with ‘Moonstone,’ introducing a newfound ambient soundscape to his discography.
Aether Bio
My name is Jason Taylor, I’m a visually impaired music producer and composer hailing from Scotland. I’ve been writing music under the moniker Aether since 2013. After graduating college with a higher national diploma in sound engineering, I started pursuing my career as a freelancer in the music industry.
Since then, I’ve worked on various successful musical projects ranging from popular electronic music to video game scores.
NEW STUDIO ALBUM POUR IT OUT INTO THE NIGHT
OUT JUNE 2 ON CONCORD RECORDS
LISTEN TO KID HERE
WATCH THE VIDEO
WHICH HAD ITS BROADCAST PREMIERE VIA MTV
“The Revivalists' sound covers a lot of ground and harkens back to many of their diverse influences…but they are constantly moving forward.” – Grammy.com
“A high energy, seamless blend of soulful, horn-abetted rock and roll…inching closer to pop superstardom…” - Relix
"... a creative, compelling blend of musical ingenuity and heart..." – Billboard
TORONTO, ON – February 15, 2023 – Chart-topping rock band, The Revivalists, have released their new lead single, Kid, with an accompanying music video, and have announced their fifth studio album, Pour It Out Into The Night, set for release on June 2 via Concord Records. Kid is a hopeful anthem invoking the zest for life, self-belief, catharsis and “living for the spirit now” as the song’s post-chorus declares. Listen to Kid here and pre-save/pre-order Pour It Out Into The Night. Each pre-order includes an instant download of Kid.
Directed by Johnny Chew, the music video features artful, eye-popping stop-motion animation of the band against a backdrop that pays homage to the architectural and artistic aesthetics that define the band’s home of New Orleans. Watch the video here, which made its broadcast premiere on MTV Live, MTVU, and MTV Biggest Pop.
With an infectious melody and piano peeking through bright acoustic guitar, intricate layers of the band's distinctive instrumentation power a euphoric chantable chorus: “Hey kid / Just sing the songs that wake the dead then / You keep them ringing in your head, yeah / You gotta get it off your chest / Don’t worry about the mess.”
"Kid is about capturing the essence of life," says vocalist/guitarist David Shaw. "We all go through ups and downs. Sometimes, we don't believe in ourselves. We've got skeletons in the closet trying to drag us down. But you've got to believe in yourself. You've just got to live for the spirit. Nothing good ever comes easy. If you don't have hope, what do you have?"
"David and I wrote the bulk of Kid on January 6, 2021. My wife was one month pregnant with our twins and also we were getting real-time updates on the insurrection at the Capitol,” shares guitarist Zack Feinberg. "There was a lot of intense energy swirling around us that day as we were trying to stay focused on this exciting, beautiful thing we were channeling.”
Kid introduces Pour It Out Into The Night, a life-affirming album about living in the moment that offers both an unburdening and an appreciation for the here and now, fueled by lessons in gratitude and life realizations. As the world came to a standstill in the years since their last album, Take Good Care, personal experiences and life challenges abounded, with band members having their first children, getting married, and navigating the mental hurdles of lockdown.
Throughout 2020, the band wrote, recorded, and shared ideas with each other while David created many of the demos that would begin to lay the foundation for the album. The band’s process for this record was the most self-guided one yet. David and Zack began writing together at David’s home studio as well, resulting in the lead single, Kid, as the band spent countless hours crafting the music between themselves before bringing it to a producer. They laid down demos in their practice space in New Orleans at Fountainbleau and at Marigny Studios. After this period of creative explosion, The Revivalists stole away to the magical backdrop of Vermont in 2022 to record for two weeks in the dead of winter with GRAMMY Award-winning producer, Rich Costey (Muse, Foster the People, Death Cab for Cutie), who produced Pour It Out Into The Night with co-production from David, Zack, and the rest of the band. Full tracklist below.
The Revivalists are renowned for their live prowess, soulful alt-rock anthems, and distinct mix of many of the classic styles of American music, led by the incredible voice of front man David Shaw. The band will bring their epic live show to several upcoming festivals including a big hometown set at New Orleans JazzFest in April and Bonnaroo in June. They will play their Jazz Fest headline show at The Fillmore in New Orleans on April 28, and will return to Red Rocks in Colorado on September 14. With three consecutive sell-outs at the storied venue, it’s sure to be another epic night under the stars. For tickets, please visit www.therevivalists.com.
DOWNLOAD - album artwork | DOWNLOAD - hi-res photo
POUR IT OUT INTO THE NIGHT TRACKLIST:
1. Kid
2. Don't Look Back
3. Good Old Days
4. Down In The Dirt
5. The Long Con
6. Only You
7. Alive
8. Wait For The Sun
9. When I Got You
10. How We Move
11. Say Goodbye
12. Pour It Out Into The Night
THE REVIVALISTS 2023 TOUR DATES:
February 26 - Tempe, AZ @ Innings Festival
March 19 - Tampa, FL @ Innings Festival
March 31 - Jackson, WY @ Rendezvous Festival
April 28 – 30 - New Orleans, LA @ New Orleans Jazz & Heritage
Festival
April 28 - New Orleans LA @ The Fillmore
June 18 - Manchester, TN @ Bonnaroo
September 14 - Morrison, CO @ Red Rocks Amphitheatre
ABOUT THE REVIVALISTS
Eight-piece rock 'n' roll collective, The Revivalists – David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion] – have made the journey from hole-in-the-wall gigs to sold-out shows at hallowed venues such as Radio City Music Hall, The Ryman and Red Rocks, multiplatinum success, more than 800 million streams, major media praise, and numerous national television performances including Austin City Limits, Colbert, Kimmel, Ellen, and TODAY. In addition to multiple back-to-back sold-out tours, they have opened for The Rolling Stones, and graced the bills of Lollapalooza, Bonnaroo, Governor’s Ball, and New Orleans Jazz Fest, among others.
The Revivalists broke through with 2015's Men Amongst Mountains, which featured the double-platinum smash single and Billboard Hot 100 hit Wish I Knew You. Following 2018’s Take Good Care, which featured two #1 Adult Alternative hits, Change and All My Friends (also a Top 5 Alternative hit), they unveiled Made In Muscle Shoals Vol. 1 and Vol. 2, accompanied by a mini-doc (recorded and filmed at the iconic FAME Studios in Alabama).
The Revivalists also recently established their philanthropic umbrella fund, Rev Causes, that supports a variety of organizations dedicated to reviving and investing in our communities, our health, and our environment. By donating a portion of ticket sales, through fan donations, and a variety of other fundraising efforts, the band assists multiple national and local organizations in building a better future.
Follow The Revivalists:
Instagram * Facebook * Twitter * TikTok * Web Site
SHARES STUNNING RENDITION OF MY FUNNY VALENTINE
WATCH THE ACCOMPANYING VISUAL TODAY
TORONTO, ON – February 14, 2023 – Just in time for the most romantic day of the year, JUNO Award-winning vocalist/pianist, Laila Biali, has released her stunning rendition of the jazz standard and love song, My Funny Valentine. The song is the latest track to be released from Biali’s forthcoming new album, Your Requests, Volume 1, which sees the acclaimed artist returning to the Great American Songbook for the first time in more than 10 years. Feel the love with My Funny Valentine today (listen / watch here), and get ready for Your Requests, Volume 1 arriving May 26th.
A tender duet version with multi-GRAMMY winner, Kurt Elling, Biali’s arrangement of My Funny Valentine gently moves away from the quintessential recordings of the classic ballad with subtle reharmonizations; her breathy and intimate vocal delivery a lovely counterpart to Elling’s playful, adventurous approach.
"My Funny Valentine is one of the great Rodgers & Hart classics,” comments Biali. “It's absolutely a traditional love song, but I have always felt there was room here to challenge preconceived notions about Valentine's Day and what a 'Valentine' is defined as. On social media, I put out a call to my followers asking them to submit their Valentine's moments – captures of sweethearts, friends, pets, and nature that warm the heart and bring that cozy Valentine's feeling. Who says it has to be strictly about romantic love? (We don't!)"
Of the video for My Funny Valentine, Biali adds, “This video features my wonderful band – Kelly Jefferson, George Koller and Larnell Lewis – in the studio creating the very track you're listening to. It was our first time ever playing my arrangement of the classic song, but it immediately felt like I was slipping on a favourite pair of slippers – warm, comfy, cozy and inviting. We also chose to intersperse some very personal moments through the years shared between my husband and co-producer, Ben Wittman, and our son Joshua.”
Widely recognized for her original material, this shift back to classic jazz repertoire was prompted by Biali’s delight in fulfilling the song requests of her fans. When she put out the call on social media asking her followers what tunes they'd like to hear her cover, more than 150 songs were submitted. Your Requests, Volume 1 debuts the first collection of Biali’s dynamic and personal arrangements in response to her listeners, which she describes as a musical love letter to them. The album features guest vocalists, Kurt Elling (2x GRAMMY winner), Emilie-Claire Barlow (2x JUNO winner), and Caity Gyorgy (JUNO winner); clarinet virtuoso, Anat Cohen (GRAMMY winner); GRAMMY nominees, Grégoire Maret and Sam Yahel; plus tenor saxophonist, Kelly Jefferson; bassist, George Koller; drummers, Larnell Lewis and Ben Wittman; and more. Hear more about the new release from Biali in the album trailer here.
YOUR REQUESTS, VOLUME 1 TRACKLIST:
1. Bye Bye Blackbird
2. Pennies from Heaven (f. Caity Gyorgy & Don Thompson)
3. My Funny Valentine (f. Kurt Elling)
4. Quiet Nights (Corcovado) (f. Grégoire Maret, TBC)
5. But Not For Me (f. Anat Cohen, TBC)
6. All The Things You Are
7. Blame It On My Youth
8. Autumn Leaves
9. The Nearness of You
10. My Favorite Things (f. Emilie-Claire Barlow)
DOWNLOAD – album cover art | DOWNLOAD – My Funny Valentine single art
DOWNLOAD – hi-res photo
ABOUT LAILA BIALI
Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host, Laila Biali, has headlined festivals and venues spanning five continents from New York City's Carnegie Hall to Beijing's National Centre for the Performing Arts, and supported international icon Sting. Her latest full album release, Out of Dust, received rave reviews and was nominated for a 2021 JUNO Award. In 2020, Laila was honoured by SOCAN Music with the Hagood Hardy Award for Excellence in Songwriting. In 2019, Laila’s eponymous release won her a JUNO Award for Vocal Jazz Album of the Year. The year prior, she was awarded top prize at the Canadian Songwriting Competition in the Jazz category. Laila was also the youngest-ever double winner at Canada’s National Jazz Awards when she was named SOCAN Composer of the Year and Keyboardist of the Year. She received her first JUNO nomination for Tracing Light (2011), and a spot on DownBeat Magazine's Best Albums of the Year for both Live in Concert (2013) and Out of Dust (2020). In September of 2017, Laila was brought on as the host for CBC Music's national radio show, Saturday Night Jazz, a weekly show broadcast to millions of listeners across Canada. While Laila continues to earn high honours in the jazz world, her signature sound transcends genre as she "masterfully mixes jazz and pop, bringing virtuosity and unpredictability to songs that are concise and catchy" (Washington Post). Her forthcoming 2023 release – Your Requests, Vol. 1 – showcases personal arrangements of jazz classics requested by her followers and features guest vocalists Kurt Elling, Emilie-Claire Barlow, and Caity Gyorgy plus instrumentalists Anat Cohen, Grégoire Maret, tenor saxophonist Kelly Jefferson, bassist George Koller, and drummers Larnell Lewis and Ben Wittman.
NEW LP PRODUCED BY BRAD COOK AND BAILEN
SET FOR RELEASE MAY 5 VIA FANTASY
WATCH THE CINEMATIC VIDEO FOR FIRST SINGLE
CALL IT LIKE IT IS
25-DATE TIRED HEARTS TOUR BEGINS MARCH 2
WITH TORONTO STOP MAY 16
TORONTO, ON – February 14, 2023 – Today, rising indie-pop trio, BAILEN, have announced the release of their second full-length album, Tired Hearts, due May 5, via Fantasy Records. The New York City based siblings have also shared the album’s first single – the alt-pop anthem Call It Like It Is, along with its cult classic thriller style video – listen and watch here. Pre-order Tired Hearts here.
The sparkling Call It Like It Is, co-written by BAILEN and X Ambassadors’ Adam Levin and Sam Harris, is “an anthem for anyone who refuses to be taken advantage of,” the band stated. “It unmasks the ugly truth behind shiny veneers.”
The track’s beautifully rendered, cinematic video, directed and edited by David Bailen, is a fictionalized account of a scary ‘catfishing’ episode BAILEN recently experienced while on tour. “To save money on the road, we often stay with friends, family and fans instead of staying in hotels,” the group explained. “It goes to show what it takes to be in a touring band these days just to break even.”
On Tired Hearts, Daniel, David, and Julia BAILEN deliver a dazzling set of songs that navigates the space between the heart’s expectation and the head’s sober reality. At times both intricate and playful, measured and elaborate, the album’s 12 original songs wrestle with an uncertain future where ethics and morality—both communal and personal—are constantly shifting.
Produced by Brad Cook (Bon Iver, Waxahatchee) and BAILEN, and mixed by Lars Stalfors (Soccer Mommy, St. Vincent, Local Natives) Tired Hearts’ taut, synth-driven tracks are centered around BAILEN’s radiant harmonies and adventurous arrangements furthering the group’s exhilarating avant-pop evolution. Cook was instrumental in expanding the band’s ambition beyond what they initially envisioned. “We played the last record live a hundred times before recording it, so we tracked a lot of it live,” Daniel explains. “With Brad, we took a collagist’s approach. It freed us up to explore and be sonically adventurous.”
The album’s numerous high points include the iridescent pop of Nothing Left to Give, the tender hushed intimacy of These Bones, and the piercing, lilting title track. Tired Hearts. The moving BRCA (Nothing Takes Me Down), a title derived from the breast cancer gene Julia shares with her mother (a breast cancer survivor) is indicative of the band’s incredible range. Over a slow building rhythmic pulse, Julia sings of hospital gowns and uncertainty, untying a complex knot of familial anxiety, guilt, and acceptance, while embracing the determination to move forward: I’ll still live like I’m dying/But I won’t let it take me down. “It’s about finding ways to not be defined by these circumstances, and to move past them with resilience,” she affirms.
Known for their stunning vocals and sharp, literate songwriting, BAILEN have cultivated a passionate following and emerged in indie circles via word of mouth, robust playlisting and a stream of steady touring with artists such as Hozier, Amos Lee, The Lone Bellow, and Joseph, to name a few. The group’s acclaimed 2019 debut, Thrilled To Be Here, produced by John Congleton, has amassed over 25 million streams since its release.
BAILEN recently announced a nation-wide, 25-date tour beginning March 2 at The Southern Café & Music Hall in Charlottesville, Virginia. The Tired Hearts Tour will visit major cities across North America before finishing with a hometown performance at New York’s venerable Le Poisson Rouge on May 20. BAILEN is also set for high profile appearances at Austin’s famed SXSW Music Festival, March 14 -16. Showcase details will be announced soon.
Find the full tour itinerary below. For tickets and more information, please visit: bailentheband.com
BAILEN – Tired Hearts Tour - Spring 2023:
March 2 - Charlottesville, VA – The Southern Café & Music Hall
March 3 – Carrboro, NC – Cat’s Cradle Back Room
March 4 – Asheville, NC – Grey Eagle
March 5 – Charleston, WV – Mountain Stage
March 7 – Nashville, TN – 3rd & Lindsley
March 8 – Atlanta, GA – Smith’s Olde Bar
March 10 – Bentonville, AR – City Sessions
March 11 – Dallas, TX – Club Dada
March 12 – Houston, TX – White Oak Upstairs
March 14–16 – Austin, TX - SXSW
March 19 – San Diego, CA – The Casbah
March 21 – Los Angeles, CA – Echo
March 22 – San Francisco, CA – Café Du Nord
March 24 – Portland, OR – Polaris Hall
March 26 – Seattle, WA – Tractor Tavern
March 30 – Minneapolis, MN – Parkway Theatre
March 31 – Milwaukee, WI – The Back Room at Colectivo
April 1 – Chicago, IL – Old Town School of Folk
April 2 – Ann Arbor, MI – The Ark
May 12 – Philadelphia, PA – Johnny Brendas
May 13 – Washington, D.C. – Miracle Theatre
May 14 – Pittsburgh, PA – Thunderbird Café
May 16 – Toronto, ON – The Drake Hotel
May 18 – Fairfield, CT – Stageone
May 19 – Boston, MA – Brighton Music Hall
May 20 – New York, NY – Le Poisson Rouge
DOWNLOAD - album art | DOWNLOAD - press photo
WATCH THE ACCOMPANYING VIDEO HERE
TTORONTO, ON – February 10, 2023 – Today, singer/songwriter/multi-instrumentalist, Jack Kays, has shared his new track, The Voice In My Head – listen here. The song comes alongside a live performance video shot by Jack’s frequent creative collaborator Cagla Akcadag – watch here. Originally teased a few weeks ago on TikTok to a positive reaction, The Voice In My Head is a treat to fans from Jack as he finishes up more music to come this year.
Speaking about the new track, Kays says: "The Voice In My Head is a song that is exactly how the title describes it. I have this little voice in my head that tries to tell me all this stuff. It's so loud sometimes that I can't tell if it's true or not."
The Voice In My Head is the follow up to Jack Kays’ latest acoustic EP, CESSATION. Released at the end of last year, the 5-track project is an extremely vulnerable collection of songs that chronicle the lifespan of a man and his journey to sobriety starting at ages 10-17 with Wish You Well and concluding with a reflection of an entire life with The Walk.
In support of the CESSATION EP, Jack hit the road on on his first-ever headline tour titled The Man with a Guitar. Kays brought his captivating live show to cities across North America with sold out shows in New York City, Boston, Philadelphia, Atlanta and more.
Stay tuned for much more music to come this year from Jack Kays!
DOWNLOAD - Jack Kays Press Photo | DOWNLOAD - CESSATION Album Artwork
Subscribe to Jack Kays' Newsletter
Follow Jack Kays on TikTok
LISTEN HERE
THE ANTICIPATED destination heartbreak LP ARRIVES THIS SPRING
TORONTO, ON – February 10, 2023 – Today, Vancouver-based record producer and multi-instrumentalist, zensei ゼンセー (ZEN-say), releases his beautiful, lo-fi-leaning EP, destination heartbreak pt. 2, out today via Monstercat. A follow up to destination heartbreak pt. 1 EP, which was shared in November, this new three-song collection is an instrumental trip down memory lane that explores the artist’s past memories of heartbreak, as well as being put back together. Putting his multifaceted talents on full display, he fuses old and personal audio and video clips throughout the package. Listen to destination heartbreak pt. 2 EP here.
zensei ゼンセー shares, “destination heartbreak pt.2 is the ‘heartbreak’ part of the series. It slowly morphs into a sad tone, which really describes a moment in my life. It is inspired by when I was going into my younger years, going into relationships prematurely, knowing those decisions would tear me apart.”
The full-length destination heartbreak LP is due this spring. For the recording, zensei ゼンセー buried himself in old files and hunted passionately for samples to use, finding himself going through old computer files and photos to draw inspiration. “I did this all in my own home while sulking in my old memories,” zensei ゼンセー adds. “Every track has a meaning to me that warps me back in time to an exact moment. The memories feel so real to me, that I can still see it vividly in my head and smell the air around me.”
Stay tuned as the destination heartbreak adventure unfolds this spring.
destination heartbreak pt. 2 Tracklist:
1. dreaming of you too
2. just friends
3. destination heartbreak
About zensei ゼンセー:
zensei (better known as Vancouver-based artist, Dillon Wong, a.k.a. Eminence) is a talented Asian Canadian music producer who specializes in creating lo-fi hip hop beats. He is a multi-instrumentalist, proficient in playing the piano, bass, and guitar. He began his musical journey at a young age, taking guitar lessons from his father and developing a love for music production. As he grew older, zensei began experimenting with different music genres, eventually finding his passion in lo-fi hip hop. He began creating beats in his home studio, using samples and live instrumentation to create a unique sound. His music quickly gained popularity online, with many praising his ability to blend traditional Asian influences with modern hip hop beats.
LISTEN TO NEW SINGLE ROOM SERVICE
LISTEN TO 2022 JUNO AWARD-WINNING
STOCK EXCHANGE MIXTAPE
TORONTO, ON – February 10, 2023 – Haviah Mighty is kicking off the New Year with two sweet surprises. On January 27, the multi award-winning Toronto-born, Brampton-based artist, DJ and producer, released a new song, Room Service. The track evokes tenderness in its R&B-infused keys, tropical ambiance, Afrobeat elements and a sultry groove in contrast to Haviah's signature bars for which she is known, as highlighted on her previous single, Honey Bun. Today, Room Service arrives as double-feature visual that blends both of the tunes with cinematic zeal, capturing sonic chapters of a relationship, with reflections that range from self-worth to proclamations of desire. Listen to Room Service here and watch the video for Honey Bun/Room Service here.
Haviah expands on another aspect of the love story within Room Service, written from a position of bargaining in a relationship:
"This song reflects on the many phases of denial that I experienced going through a recent breakup. My self-worth was shattered, I convinced myself that things weren’t as bad as they seemed, and that it wasn’t my fault. I was fully aware that this person had already let me go, by their mannerisms, the shifts in attitude, and the conversations we had. I knew their heart wasn't in it anymore.
But it wasn't official. Because of that, I had this glimmer of hope - as if the energy wasn't loud enough, and as if I didn't know what the outcome would be. For me, this song grew into an anthem of lust, wonderment, desire and delusion. The
sultry lead melodies pull you in as I plead for my lover to wait for me. Just hold on. The bouncy synths playfully suck you into a vortex of heavy-hitting 808s and afro-style grooves that remind you that I’m not just a rapper - but also a singer, Jamaican, and Toronto-born."
For the Honey Bun/Room Service video, Haviah re-connected with Directors Kit Weyman and Chrris Lowe of acclaimed production company, Fela (Drake, Rihanna, Kendrick Lamar, Rosalia), who worked on her Prism Prize-nominated video, Protest (featuring Yizzy). Haviah's fervent creative approach shows representation of herself, both culturally and personally, within the piece as it intersects her Caribbean roots with her journey as a queer woman. Commencing with Honey Bun, Haviah begins to tell the story of the relationship at a stage where she has not quite hit the level of negotiation in Room Service. The narrative unfolds into something fresh and unique; an authentic portrait of the pure energy exchange that evolves in a classic jam set in an inclusive, queer-friendly space that you'll want to party in, too.
"In Honey Bun, we see me disassociating with a past love, let down, and looking for distractions as a form of medicine. I began to rely heavily on having multiple beautiful partners, money, designer clothes, drugs and any other way to escape the hurt. Still, this person from the past plagues my mind, as we start to sonically and visually shift into Room Service. We see reflections of the past love spliced with moments of us together, before we’re sucked into a new setting, with a new energy. It’s gritty and grungy. It’s sweaty and sultry," Haviah expands.
"You see Mighty Gang in the cut, representing - and you see me spotting a new love interest, while caught between the two as the old love interest enters the frame. We see a love triangle that manifested between an old and new love – and while it was a good time, it ultimately wasn’t real, and didn’t last. Together, these two videos/songs depict the difficult stages in a breakup that we all inevitably go through -and the reality that, if it’s not to be, no matter what occurs - it will not be."
Haviah's latest are a sample of what will be featured on her forthcoming project. Last year, Haviah's music resonated with global audiences as the sole Canadian artist nominated for a 2022 BET Award in the category of Best International Flow. History was made as Haviah's 2021 mixtape, Stock Exchange, won a 2022 Juno Award for Rap Album/EP of the Year. She rocked an extensive schedule of headline shows across Canada, The United States and Europe, with festival spots at SXSW, Dinah Music Festival and Toronto's inaugural Rolling Loud, to massive stadium shows supporting The Arkells, and more.
In addition, Haviah launched her successful initiative, Black Entrepreneur Giveaway. Haviah awarded 10 rising business owners $1,000 each to help them further expand and thrive. The initiative arrives in alignment with Stock Exchange and its messaging to value systems of both economic and creative forms. Following Haviah's 2019 Polaris Music Prize-winning album, 13th Floor, Stock Exchange features an array of highly acclaimed singles and guests. This year, Haviah celebrated her ever-evolving and progressive career with numerous accolades and a monumental return to live shows - defying all odds around a time of change worldwide. Listen to Stock Exchange everywhere you enjoy music.
Stay tuned for more from Haviah Mighty this year.
DOWNLOAD - Room Service Art
DOWNLOAD - Honey Bun Art
DOWNLOAD – Hi Res Press Photo by Yung Yemi (@yung.yemi)
Haviah Mighty on TikTok: @haviahmighty
Haviah Mighty didn’t need to change her birth name when she decided to dedicate her career to music. Mighty could not better describe Haviah’s craft of provocative challenges and uncompromising truths.
Based out of Brampton via Toronto, Haviah has spent a lifetime developing her skills as a songwriter, vocalist, producer, and performer, culminating in a style of profound introspection and incisive socio-political critique. Her dynamic combinations of rap, song, and instrumental transition seamlessly from hip-hop to soul to afrobeats with a meticulous flow and cadence that transcends any traditional expectation of genre.
2019 saw Haviah earn break-out success with her album, 13th Floor, making her the first hip-hop artist and the first Black woman to win the Polaris Music Prize, celebrating the “Best Canadian Album of the Year” - but Mighty didn’t stop there.
With her JUNO Award-winning mixtape, Stock Exchange (Nov. 2021), Haviah made history once again as the first woman to ever win within the Rap Album of the Year category. Recognition has spread internationally, garnering praise from the likes of Rolling Stone, Pitchfork, GRM Daily, FADER, Hot New Hip Hop, and many more.
From performance invitations by massive European tastemaker, COLORSxSTUDIOS, to BBC 1’s Jack Saunders proclaiming “I just cannot find anything as good as Haviah Mighty," to crushing the 5 Fingers of Death on the legendary show, Sway in the Morning - Haviah Mighty is unstoppable. Mighty pushes forward continuing to carve out spaces that boldly defy gendered expectations for women in hip- hop. Unyielding and irresistible – Haviah Mighty will be heard
LISTEN TO FIRST SINGLE ALL I REALLY WANNA DO HERE
WATCH THE TRACK’S SPACE-TRIPPING ANIMATED
MUSIC VIDEO HERE
TORONTO, ON – February 10, 2023 – Today, rising singer-songwriter and multi- instrumentalist, Devon Gilfillian, announced his second full-length studio album, Love You Anyway, available on April 7, 2023, via Fantasy Records. An intoxicating, genre-crossing game changer, Love You Anyway spans soul, hip-hop, R&B, and rock, all under the banner of Black joy. The Philadelphia-born, Nashville-based soul artist also debuted a sinuous and seductive new single, All I Really Wanna Do, along with the track’s accompanying interstellar-inspired animated video that finds Devon traveling through a love-induced galaxy of his own making. Pre-order Love You Anyway and listen to All I Really Wanna Do here. Watch the All I Really Wanna Do official video here.
Produced by Jeremy Lutito (Joy Oladokun, NEEDTOBREATHE), Love You Anyway, confronts as well as comforts. Chronicling Gilfillian’s journey as a Black artist living in 21st century America, the album’s 10 original tracks, (all co-written by Gilfillian) are as much about fighting for what you believe in: equity and representation, as it is about love, finding it, making it, and channeling it into every facet of our lives.
Devon Gilfillian on the new album and single: “I wanted to share my story on this album and pour a whole lot of love into the gap that’s grown between people in our country. All I Really Wanna Do is an anthem for living in the moment. It’s a song about taking a chance on love, on life, and on exploring yourself. It’s about being weird with the one you love and knowing that being yourself is enough. I want people to listen to this song and forget - even for a second - the sad things going on around the world. I want them to be reminded of the beauty and joy we have around us, as long as we’re looking and open to receive."
The recording of Love You Anyway began during the pandemic, as the nation’s political chasm widened, leading Gilfillian to rely on a few simple resources: the music of Marvin Gaye, new love, therapy, and his beloved cats, Barry White and Felicia.
Summoning an array of musical touchstones amid a rush of unexpected ear-catching twists and turns, Love You Anyway is as listenable as it is thought-provoking. The elegant, All I Really Wanna Do, is the LP’s alluring Temps-infused opening invitation. In quick succession, soulful provocateurs, The Recipe, and Right Kind of Crazy, wrap around Brown Sugar Queen, a Prince x Anderson Paak super-sized jam that features rising Swedish pop star Janice. Elsewhere, Better Broken evokes Bill Withers’ slinky gift for melody, the spiritual Let The Water Flow, reaffirms Georgia’s political awakening, and Righteous, (featuring new labelmate Nathaniel Rateliff) takes an unblinking look at racial injustice in America. Lastly, on Love You Anyway, the open-hearted and transcendent end-title track, Gilfillian captures the raw power and beauty of acceptance.
Growing up in Philadelphia, Gilfillian discovered that the towering icons of his musician father’s era—Ray Charles, Stevie Wonder, Otis Redding, The Temptations—were just as formative and exciting as discovering the new sounds of his own generation: Wu-Tang Clan, Notorious B.I.G., and Jay-Z, who all inspired him in different ways. Bursting on the scene in 2020 with his highly regarded debut album Black Hole Rainbow, he received glowing acclaim from NPR, the New York Times, PASTE and The Tennessean, among many others. Then later that year, Gilfillian re-recorded and released Marvin Gaye’s iconic album, What’s Going On, which raised funds for low-income communities of colour, and provided resources and education around the democratic process.
Now, with Love You Anyway, Devon Gilfillian pays it forward. Conjuring the raw, sexy emotions of his predecessors and the next-level production grooves of his R&B and hip-hop contemporaries, Gilfillian is taking soul music into an exciting and restorative new future.
Devon Gilfillian - Love You Anyway TRACK LIST:
1. All I Really Wanna Do
2. The Recipe
3. Brown Sugar Queen (feat. Janice)
4. Right Kind Of Crazy
5. Let The Water Flow
6. Imma Let My Body Move
7. Better Broken
8. Follow The Leader
9. Righteous (feat. Nathaniel Rateliff)
10. Piano (Interlude)
11. Love You Anyway
Devon Gilfillian On Tour:
February 10 -17 - Miami, FL - Cayamo Cruise
March 13 -19 - Austin, TX - SXSW
April 17 - New York, NY - Mercury Lounge (album release show)
June 17 - Manchester, TN - Bonnaroo
More dates to be announced soon!
FORTHCOMING ALBUM DUE THIS SPRING VIA LAST GANG RECORDS/MNRK
The singles are paired with incredible visualizers by illustrator Elijah Anderson - check out Float here and A View From The Sky here. To complement Harrison's artistic vision, he enlisted Elijah, and the design and animation of Jeremy White to craft single artwork that recalls classic Blue Note covers and iconic Saturday morning cartoons like Schoolhouse Rock!.
Float is a smooth downtempo tune with a grooving R&B bassline perfect for a reflective drive. As Kadhja sings of struggling to find oneself in another's absent love through metaphors, her graceful vocals weave throughout this buoyant collaboration: "Do you wanna fill me up/ Like a cheap balloon/ That deflates when you leave the room/ I don’t wanna force it but/ When it gets a haze/ I might float myself away."
A View From The Sky highlights Harrison’s deep study of jazz and dedication to the piano, written during a moment of personal reclamation after a dark time. "This piece means a lot to me," Harrison affirms. "I just started taking Zoloft after a pretty bad stint of depression and it just started to kick in that day. I wanted to convey that feeling of carefreeness even if it was just for a moment. I’ll be proud of this joint forever."
Float and A View From The Sky follow a string of standout songs Harrison released between 2021 and 2022. Last year, Outta This World, marked another collaborative effort with JUNO Award-winning and fellow Toronto artist, TOBi. Listen to Outta This World here, and watch the video here. In addition, Harrison released captivating instrumental singles, Around You and Like When We Were Kids, which saw over 3 million combined global streams.
At only 27, Harrison has accomplished more than many artists twice his age, all while not being afraid to take himself too seriously. He got his start making beat tapes and putting sample-heavy songs on SoundCloud, where he quickly found a following, and a global community of likeminded producers and collaborators including Ryan Hemsworth, Star Slinger, and more. With two critically acclaimed albums to his name, 2016’s JUNO Award-nominated Checkpoint Titanium and 2018’s Apricity, his versatility has lead to him producing for some of Canada’s most boundary-pushing artists including al l i e, Daniela Andrade, DijahSB, Sean Leon, and TOBi. On top of this, he’s also composed music for video games (LOUD on Planet X) and more recently, commercials for NERF, Play-Doh, and more.
Stay tuned for more from Harrison as he continues to share his craft this year.
Last Gang is a music company founded in 2003 and credited with launching the careers of Metric, Death From Above 1979, Mother Mother and MSTRKRFT. The company is also well known for its work with Arkells, Stars, Keys N Krates, Lights, and Chromeo. Last Gang is a MNRK Music Group company. www.lastgang.com
LISTEN TO BLACK RADIO III FEATURING KILLER MIKE,
TY DOLLA $IGN, H.E.R., Q-TIP, ESPERANZA SPALDING,
JENNIFER HUDSON, COMMON AND MORE
TORONTO, ON – February 6, 2023 – Multi-Grammy-winning pianist and producer, Robert Glapser, has received his 5th Grammy Award for Best R&B Album for Black Radio III. Glasper’s contribution to music and culture spans over two decades with Grammy nominations and wins for a multitude of his projects including the history changing 2013 win for Best R&B Album for Black Radio, 2015 win for Best Traditional R&B Performance for Jesus Children, 2017 win for Best Compilation Soundtrack For Visual Media for Miles Ahead, and 2021 taking home a win for his hit-single, Better Than I Imagined, in the Best R&B Song category. Glasper has formed an exceptional legacy that permeates throughout contemporary art and advocacy.
Black Radio III features both new and old Black Radio family such as H.E.R, Ty Dolla $ign, Common, Yebba, Meshell Ndgeocello, Killer Mike, BJ The Chicago Kid, Big K.R.I.T., and more. Glasper’s body of work is a masterclass in hip-hop, R&B and jazz fusion that sonically has influenced the next decade to come. This further proves Glasper to be one of the most respected collaborators of his generation, now with 12 nominations in total and five wins.
The Grammy Award winning Black Radio III celebrates Black joy, love and resilience and features the Grammy-winning single, Better Than I Imagined, with H.E.R and Meshell Ndgeocello. Killer Mike, BJ The Chicago Kid and Big K.R.I.T. unify in Black Superhero, a track that lifts up real-life Black heroes, while Lalah Hathaway and Common put a fresh spin on Everybody Wants To Rule The World, a nod to the Tears For Fears classic. Glasper also creates space on this album for songs like Q-Tip and Esperanza Spalding’s versatile and driving While We Speak, and Over, Yebba’s sweet-winded plea to a fleeting love. Black Radio III’s guests also include Jennifer Hudson, Ty Dolla $ign, Ant Clemons, India.Arie, Musiq Soulchild, PJ Morton and more. Since announcing the album in early 2022, Glasper has joined Trevor Noah for an interview and performance of Heaven’s Here with Ant Clemons on The Daily Show and was backed by The Roots on The Tonight Show Starring Jimmy Fallon for a special MLK Day performance of In Tune and Black Superhero featuring Rapsody, DJ Jazzy Jeff, BJ The Chicago Kid, and Amir Sulaiman.
The 5x Grammy and Emmy winning artist, composer and producer made history over a decade ago with the release of Black Radio as the first album to debut in the top 10 of four different genre charts simultaneously: Hip Hop, R&B, Urban Contemporary, Jazz and Contemporary Jazz, as did the follow-up album Black Radio 2. The ongoing Black Radio brand has become synonymous with Black music culture and has placed Glasper alongside some of music’s most legendary- from early days with J Dilla, Bilal and Yasiin Bey to playing alongside Kendrick Lamar, Kanye West, Herbie Hancock, Erykah Badu, Snoop Dogg, Jill Scott, Brandy and more.
Commended as one of the most respected and talented artists of his time, everything leading up to this win has cemented Glasper’s lasting legacy in music history and beyond. Congratulations to Robert Glasper on his Grammy win!
LISTEN TO GRAMMY-WINNING ALBUM, BLACK RADIO III here.
BLACK RADIO lll TRACKLIST
1. In Tune ft. Amir Sulaiman
2. Black Superhero ft. Killer Mike + BJ The Chicago Kid + Big K.R.I.T.
3. Shine ft. D Smoke + Tiffany Gouché
4. Why We Speak ft. Q-Tip + Esperanza Spalding
5. Over ft. Yebba
6. Better Than I Imagined ft. H.E.R. + Meshell Ndegeocello
7. Everybody Wants To Rule the World ft. Lalah Hathaway + Common
8. Everybody Love ft. Musiq Soulchild + Posdnuos
9. It Don't Matter ft. Gregory Porter + Ledisi
10. Heaven's Here ft. Ant Clemons
11. Out of My Hands ft Jennifer Hudson
12. Forever ft. PJ Morton + India.Arie
13. Bright Lights (with Ty Dolla $ign)
DOWNLOAD - Hi Res Press Photo by Mancy Gant
DOWNLOAD - Black Radio III Artwork
TORONTO, ON – February 2, 2023 – Global superstars, Maluma and Marc Anthony, have teamed up once again, this time to release a brand-new song, La Fórmula, which is available now, along with its music video. La Fórmula is an exquisite salsa with extraordinary vocals, bittersweet lyrics, and an irresistible rhythm. To stream and/or download La Fórmula, click here.
La Fórmula is Maluma's first new track of 2023 and will be part of his highly anticipated upcoming album due out later this year and kicks off a new era for the Latin icon. The song was written by Juan Luis Londoño Arias (Maluma), Marco Antonio Muñiz (Marc Anthony), Édgar Barrera, Kevin Mauricio Jiménez, Bryan Snaider Lezcano, Justin Quiles, Rene David Cano and Sergio George.
With their successful collaboration on the salsa version of Maluma's smash hit Felices los 4, a close friendship was born between the two. Maluma who has been a huge fan of salsa music since childhood, wanted to work with Marc once again, this time on an original salsa track. While sharing music, Marc fell in love with a pop/urban song that Maluma had recorded and they decided join forces to make it their new collab. They got their creative teams together, resulting in this phenomenal song produced by Sergio George, Marc Anthony, Maluma, The Rude Boys and Édgar Barrera.
The official video for La Fórmula was shot at The Hit Factory recording studio in Miami and produced by Royalty Films. It captures what happened in the studio while recording the song: the artists, producers, songwriters and musicians involved and their wonderful rapport as they worked together. The video made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop and on the Paramount Times Square billboards. Watch the La Fórmula video here.
Last week, on the heels of a highly successful brand refresh, the Spring/Summer 2023 campaign from BOSS announced Maluma as one of their new brand ambassadors. Their new campaign, Be your own BOSS,” provides a celebrity-filled exploration of what it takes to become a BOSS, while inspiring others to embrace their full potential and live life on their own terms – with confidence, style and a forward-looking vision. Like Maluma, each of the celebrated and globally recognized talents overcame obstacles and personal struggles to become their own BOSS. These BOSS personalities always knew what they wanted, and their breakthroughs were achieved through a series of personal choices. While destined for greatness, they neatly personify the fact that BOSSes aren’t born – they’re made.
The Colombian superstar recently received eight Premio Lo Nuestro nominations that range from urban to regional Mexican, highlighting his versatility as an artist. His nominations include: Pop - Male Artist Of The Year; Song Of The Year for Cada Quien with Grupo Firme; The Perfect Mix Of The Year for Cada Quien with Grupo Firme; Tour Of The Year; Pop - Song Of The Year for Sobrio; Pop-Urban - Song Of The Year for Mama Tetema ft. Rayvanny; Urban - Album Of The Year for The Love & Sex Tape; Regional Mexican - Banda Song Of The Year for Cada Quien with Grupo Firme.
Voting is now open at www.premiolonuestro.com/vota and you can vote until February 5. Winners will be announced on Thursday, February 23 at the awards show that will take place at the Miami-Dade Arena and will be broadcast live on the Univision network starting at 7P/6C.
With his album, The Love & Sex Tape, Maluma is nominated for a 2023 GRAMMY in the Best Album Urbano category. The prestigious awards will take place on February 5 at the Crypto.com Arena in Los Angeles and broadcast live on the CBS network.
DOWNLOAD - La Fórmula Artwork | DOWNLOAD - Press Photos
TikTok: @papijuancho
ABOUT MALUMA
Maluma is one of the leading voices in Latin music and a bona fide global youth idol. Born Juan Luis Londoño in Medellin, Colombia, he formulated his artistic moniker Maluma from the first two letters of the names of his mother, father and sister.
The 2018 Latin GRAMMY award winner for Best Contemporary Pop Vocal Album (for F.A.M.E.) is one of social media’s most popular artists with over 25 million Facebook fans, 8 million Twitter followers, and a whopping 63 million Instagram followers, making him the leading Latin male artist on Instagram and the first and only one to surpass 50 million followers. His official YouTube/VEVO channel has more than 28.1 million subscribers, having earned him a YouTube Diamond Play Button Award.
With his Maluma World Tour he has achieved unparalleled success, having sold over one million tickets in 105 worldwide concerts in 2017 alone and becoming the top concert-selling Latin artist in the world. In 2018 and 2019, he broke records achieving full houses in all of his shows throughout the United States and Europe selling out Madison Square Garden (New York), the American Airlines Arena (Miami) and two The Forums (Los Angeles), among others. With his 11:11 World Tour he also sold out Israel's largest venue, Yarkon Park in Tel Aviv (60,000+ audience); made history at the 18th annual Mawazine Festival in Rabat, Morocco, setting an all-time attendance record with his headlining concert in front of 200,000 people; and performed for the first time ever in Riyadh, Saudi Arabia in front of 25,000. He continued to take over throughout 2021 and 2022 with sold-outs in the United States, Europe, Latin American and the Middle East.
Since joining Sony Music Latin in 2015, Maluma has released seven albums Pretty Boy Dirty Boy (2015), F.A.M.E. (2018), 11:11 (2019), Papi Juancho (2020), 7DJ (2021), The Love & Sex Tape and The Love & Sex Tape Deluxe (2022). Maluma is the youngest artist to simultaneously hold both the #1 and #2 spots on Billboard's Latin Airplay chart and only the sixth act to ever achieve the feat he has now repeated three times. To date Maluma has had twenty-two #1 singles on Billboard's Latin Airplay chart.
Maluma's altruistic spirit is outstanding for the community work he leads with his foundation El Arte de Los Sueños based in Medellín, Colombia. Founded in 2016, the Foundation's mission is to transform at-risk youth through art and music education. In 2021, Maluma acted in his first Disney animation movie, Encanto, 2022 Oscar winner for Best Animation Feature. Earlier this year, Maluma debuted in Hollywood with his starring role as Bastian in the movie Marry Me alongside Jennifer Lopez and Owen Wilson.
ABOUT MARC ANTHONY
Marc Anthony is one of the most influential artists of his time and a true ambassador of Latin music and culture. He has received countless gold and platinum certifications from the Recording Industry Association of America (RIAA) and has been credited with over 50 Billboard chart #1’s hits and over 7.1 Billion views on YouTube. On May 10, 2019 Marc Anthony released OPUS, his first new studio album in six years on Magnus Media / Sony Latin Music. OPUS is his eighth salsa album in the 26 years since Otra Nota (1993) established him. In addition to winning the 2020 Grammy Best Tropical Album, OPUS has earned Marc Anthony a #1 at Billboard’s Tropical Airplay list with Parecen Viernes, 4 nominations to Latin American Music Awards for: Favorite Album (OPUS), Favorite Artist Tropical, Favorite Song (Parecen Viernes), and Favorite Tour. He was a finalist in 4 categories for the 2020 Billboard Latin Music Awards (Tropical Album of the Year – OPUS, Tropical Song of the Year – Parecen Viernes Tropical Artist of the Year – Solo, and Tour of the Year – OPUS TOUR).
His previous album, Marc Anthony 3.0, released July 23, 2013, received an American Music Award; a GRAMMY® Award nomination; five Premios Lo Nuestro; two Premios Juventud; ten Billboard Latin Music Awards; three Billboard Awards; and special recognitions from the Univision and Telemundo networks.
Anthony has also established a highly credible acting résumé. Besides his music and acting accomplishments, in 2012, the six – time GRAMMY® and Latin GRAMMY® Award winner launched the Maestro Cares Foundation, hosting a series of fundraisers throughout the year to benefit the non-profit organization and build orphanages in Latin America. He also has his own clothing and accessories line for Kohl’s, and he is a minority owner of The Miami Dolphins. His entertainment and sports venture Magnus Media, is the leading Latin artist and athlete representation company in the nation, and focuses on developing new ventures that bridge content creation and commerce.
On November 16, 2016, Anthony received the prestigious Person of the Year honours from the Latin Academy of Recording Arts and Sciences. In September of 2017, Marc Anthony and Magnus created the alliance of artists and athletes Somos Una Voz, to help provide humanitarian relief to areas affected by natural disasters throughout the southern United States, Mexico, Puerto Rico and other affected areas in the Caribbean. His tours Vivir Mi Vida, Cambio de Piel, Full Circle, Legacy and The OPUS Tour, have been included in the Global Top Grossing Concert Tours Lists. His OPUS Tour kicked-off in the United States and other international markets in 2019. Recently, Marc became the first artist of his genre to receive a 6-time Diamond RIIA Certification for his album 3.0 and was recognized with his third Guinness Records. In March 2022, Marc Anthony released his new album Pa’lla Voy. His Pa’lla Tour played to sold out audiences all over the United States, Europe and he recently embarked on a new tour titled Viviendo. In June 2022 Marc Anthony was selected for the Hollywood Walk of Fame Class of 2023. He recently announced an exclusive partnership with Bulova and won 2 Latin GRAMMYs in November for his most recent album Pa’llá Voy.
Maluma on TikTok: @maluma
SINGLE ARRIVES WITH INNOVATIVE MUSIC VIDEO
AND VR EXPERIENCE PRODUCED BY DEPARTURE LOUNGE SELECTED TO WORLD PREMIER AT SXSW 2023 XR SHOWCASE
THE DARK TO FEATURE ON WHIPPED CREAM’S
ANTICIPATED EP SOMEONE YOU CAN COUNT ON
OUT MARCH 8
TORONTO, ON – February 1, 2023 – Kicking off the year with her most ambitious project to date, producer and singer-songwriter, WHIPPED CREAM, teamed up with rapper and songwriter, Jasiah, and producer, Crimson Child, to release their genre-bending masterpiece, The Dark – out now on Monstercat. Today, the trio share the innovative music video for the track, produced by Departure Lounge and directed by Will Selviz. Listen to The Dark here and watch the video here.
Unraveling a story about toxic love and loss, the single puts Jasiah’s operatic talents on full display, heightening the drama in the haunting keys and textured synthwork. The Dark ushers in the announcement of WHIPPED CREAM’S forthcoming EP, Someone You Can Count On, due out on March 8. Accumulating over 6 million streams across featured tracks like CRY and Angels, the package sees WHIPPED CREAM step out of her comfort zone and into her higher power to unleash a boundless and raw representation of her artistry.
WHIPPED CREAM shares, “There is love in holding on and there is love in letting go. The Dark is inspired by the concept of picking up a rose - it looks incredibly inviting and beautiful to hold, but it can puncture the skin. It’s about a relationship where one person hasn’t cut out their toxic behaviours and although beautiful underneath, they still damage the one they love most. It’s learning to finally let go of what might be so beautiful yet painful and unhealthy, and head into the unknown, ‘the dark’.”
Crimson Child adds, “In my eyes, The Dark is a song about love and loss. The feeling of a toxic relationship and its corruption of the soul. Being pulled in and out of love, confused as to your true feelings and being overcome by emotion when trying to make sense of it. I hope this record brings you the peace it brought me.”
Produced by the Vancouver-based studio, Departure Lounge, and directed by Will Selviz, The Dark music video is a novel mixed-reality project developed in Canada’s first volumetric capture facility. Equipped with tech that can transfer humans and objects in and out of the Metaverse, WHIPPED CREAM, Jasiah, and Crimson Child were shot by over 100 cameras at Metastage Canada, capturing them in real-time and transporting their holograms into a virtual reality environment. As a result, they created the world's highest-resolution volumetric VR music experience to date, revolutionizing the future of audiovisual content. A clip of the immersive video premiered to acclaim at Vancouver International Film Festival (VIFF) in October and will next hit the road in a full-scale presentation at SXSW in Austin this March, inviting attendees to explore The Dark through an XR headset.
Adam Rogers, the Co-Founder, VP of Creative, and Head of Studio at Departure Lounge, shares, “Working with WHIPPED CREAM on The Dark has been an incredible experience. The vision and artistry that she has brought to this project has been amazing. It’s truly been a pleasure for me and my team to work with her, and the resulting 2D music video and VR Experience showcase the latest and greatest in creativity using cutting edge capture and real time technologies.”
Boasting a portfolio of work with a diversity of greats such as Latto, UNIIQU3, Moore Kismet, and Lil Keed, there is no limit to WHIPPED CREAM’s creative ingenuity. Originally debuting The Dark at her mind-blowing Coachella set in 2022, WHIPPED CREAM has since been on a streak of major festival plays and headline dates in preparation for her EP tour this spring. Taking the stage at renowned events like Lollapalooza, Tomorrowland, ADE, and multiple Diesel shows, she’s given fans a taste of her dynamic live performances soon to travel around the world. Sharing art that feels true to herself and this next evolution of her project, 2023 is indisputably the year of WHIPPED CREAM.
DOWNLOAD – single artwork | DOWNLOAD – artist press photos
ABOUT WHIPPED CREAM:
Whether on the ice or on the decks, WHIPPED CREAM’s talents for expressing herself through music are undeniable. Born in Toronto as Caroline Cecil, she spent her formative years as a competitive figure skater before a fateful accident brought a new passion for production into focus. Now, WHIPPED CREAM is living proof that everything happens for a reason.
Instagram | Twitter | Facebook | YouTube | Spotify
ABOUT JASIAH:
Malachi-Phree Jasiah Pate known professionally as Jasiah, is an American rapper, songwriter and record producer from Dayton, Ohio. He is known for his usage of screaming in vocals and sinister lyrics.
Instagram | Twitter | Facebook | Spotify
ABOUT CRIMSON CHILD:
Yashar Tafazoli, better known as Crimson Child, is an artist/producer based out of Vancouver, Canada with a unique flare for blending stories, unorthodox melodies, and dark electronic undertones all into one brilliant package that is sure to make you move, as well as feel.
Instagram | Twitter | Facebook | YouTube | Spotify
ABOUT DEPARTURE LOUNGE:
Founded in June 2021, Departure Lounge Inc. provides the tools, technologies, and creative services required by businesses to thrive in the next generation of the internet – referred to interchangeably by industry as Web 3.0, the Spatial Web, or the Metaverse. Our 6000 sq ft studio, located at the Center for Digital Media on Great Northern Way in Vancouver B.C., boasts one of the world’s largest, highest resolution Volumetric Capture stages, advanced marker-less motion capture technology, and virtual production capabilities including one of the most advanced, highest resolution LED walls in the region. On behalf of our clients, our creative services team delivers best-in-class 3D spaces, worlds, and experiences to host, provide access to, and monetize the 3D assets created in our studio.
LISTEN TO EVERY LITTLE THING HERE
TORONTO, ON – January 31, 2023 – Ushering in 2023 hot, BC-based singer, songwriter and producer, Conro, is kicking of the new year with his electro-pop single, Every Little Thing; out today via Monstercat. A melodic earworm, Every Little Thing shines with lyrics steeped in vulnerability, while Conro keeps the energy high with his electrifying production fused with bright chords and his weightless vocals on full display. Listen here.
“I’ve been living through other’s eyes with a lot of the writing I’ve been doing lately, and Every Little Thing is the first to come,” Conro exclaims. “I was bouncing in my studio writing this one, I hope you enjoy and dance with me on this one!”
Continuing his momentous rise in the scene, Conro remains a Monstercat community favourite with singles like just wanna luv and find u. being voted as #23 and #30 by fans on the label's Best of 2022 album. Marking the first release from his forthcoming EP Every Little Thing, fans can look forward to more music to come as Conro dives into a fresh wave of inspiration, venturing into a more emotional, synth-pop sound, compared to the more uplifting style he has displayed in the past.
DOWNLOAD – press photo | DOWNLOAD – Every Little Thing single art
ABOUT CONRO:
Saskatchewan-born, BC-based Conor Patton, better known as Conro, developed a passion for music being surrounded by a loving and supportive family with a deep-rooted love for music. Adopting elements from his early childhood music education, Conro shaped a catchy signature sound in dance music with his upbeat, electro house tracks.
Conro received a wave of praise from his electro house and future bass production style. With his 2017 Connecting The Dots EP, Conro unveiled the first of many chart-toppers in his future with Close, which hit Billboard’s Dance Airplay Chart at #17. Though this style of music has brought him plenty of success, Conro chose to follow a style that aligned with the core ethos he wanted to convey to a wider audience – a vibrant, funky, and instrumentation-driven soundscape – while implementing his own impressive vocals.
From his newly forged sound, Conro has amassed a collection of hit tracks that display his musical versatility. With the 2018 release of Me, Conro saw firsthand the impact of his music worldwide. His success only grew with Take Me There, breaking way and rising to #12 on Billboard’s Dance Airplay Chart, shortly followed by Trippin, which rose to #7.
SHARES LEAD SINGLE CHUGGA CHOO CHOO
LISTEN HERE AND WATCH THE ANIMATED VIDEO HERE
TORONTO, ON – January 30, 2023 – Toronto singer-songwriter, Darrelle London, is diving into the world of “Kindie” music (Kid-Indie), and she feels right at home! On March 24, London will release her new children’s album, Primary – a dazzling collection of songs that celebrate the awe and wonder that kids experience in daily life. To kick things off, London excitedly shares the album’s first single, Chugga Choo Choo, as well as an animated music video that is perfect for singing and dancing along! Listen to Chugga Choo Choo here and watch the video here.
With a back-catalogue of albums that have been described as “quirky” and “whimsical” – though not necessarily aimed towards kids – it was a natural progression for London to take her musical style and turn it into her first full-length children’s album. Primary perfectly treads the line between music for kids and music for grown-ups, with enchanting lyrical storytelling set to infectious indie-pop instrumentation. Produced by Dean Drouillard, and featuring some of Canada’s best session players bringing London’s imaginative tunes to life with jubilant horns and lush strings, the album carries listeners on a journey through a colourful world of curiosity, creativity, and laughter.
A mother of two young’uns herself, Primary marks the first time that London made an album since her children were babies. While playing the role of teacher (among many other things!) during the initial COVID lockdowns, London’s children would ask questions and she felt compelled to answer them in the form of songs. “There was also just a lot of messing around because we had time on our hands,” reflects London, with the album’s lead single, Chugga Choo Choo, being a perfect example of this writing method.
“This song came about organically while I was playing with my kids,” she says. “I was messing around on the piano and started singing the chorus about going on a train. My kids lined up chairs across the living room floor to make a ‘train’, and I was struck by how quickly children can be transported through music.”
The songs on Primary continue to explore those similar small wonders of life, such as seeing the moon out during the day (Day Moon); simple pleasures, like going for ice cream with a friend on a hot summer day (Ice Cream); they joy found in creating art just for the sake of it (Primary and Let’s Make Something New); and even important lessons like why we should respect even the tiniest of creatures (Bugs).
“My goal with this album was to capture the sense of wonder and awe that all children have,” London explains. “Somewhere along the way, us adults have forgotten to marvel at the morning moon, or how to make art just for the sake of creating. This album gave me the space to ponder questions like, how did Pluto feel after being demoted from planet status, or what would happen if wild animals crashed a birthday party? The fun in making this record has been non-stop, and I think that comes across!”
DOWNLOAD – press photo
DOWNLOAD – album cover artwork
DOWNLOAD – Chugga Choo Choo single art
MORE ABOUT DARRELLE LONDON:
Darrelle is no stranger to following her heart to unexpected places. After turning down law school to pursue a music career, she has spent the last decade making her mark on the college and festival circuit across North America. Some highlights include performing at iconic venues such as Hollywood’s Troubadour Club and Nashville’s Bluebird Café, collaborating with her favourite artists such as Chantal Kreviazuk, being chosen by Sarah McLachlan to perform at Lilith Fair, and placing her music on TV shows and ad campaigns in the US and South Korea.
FIRST ALBUM IN EIGHT YEARS OUT NOW ON EASY EYE SOUND
RECORD RELEASE PARTIES PLANNED IN NEW YORK
AND LOS ANGELES FEATURING DJ SETS FROM
DAN AUERBACH AND LEON MICHELS
LISTEN HERE
TORONTO, ON – January 27, 2023 – The Arcs just released their first full length album since 2015, Electrophonic Chronic, featuring the band’s full line-up of Dan Auerbach, Leon Michels, Nick Movshon and Homer Steinweiss, alongside the late Richard Swift. Also featuring artwork from their collaborator, El Oms, and animated videos from Robert "Roboshobo" Schober, the album has been met with advance praise from NPR Music, Pitchfork, Billboard, Rolling Stone, and more. Esquire notes the album is "…a woozy mix of synth pop, celestial guitar riffs and plodding rhythm sections that feels like driving a Ford Bronco through the cosmos." Listen to Electrophonic Chronic here.
Co-produced by Michels and Auerbach, Electrophonic Chronic was largely recorded with Swift before his untimely passing in 2018. After a period where, as Michels puts it, "I think all of us couldn’t really listen to the music, couldn’t really face it and try to finish it," The Arcs revisited their old recordings, picking up the pieces and finding meaning in times that felt most difficult. “This new record is all about honoring Swift," Auerbach adds. "It’s a way for us to say goodbye to him, by revisiting him playing and laughing, singing. It was heavy at times, but I think it was really helpful to do it.”
The Arcs recently premiered the final video in a series of animated tributes to Swift with the advance single, Sunshine. Balancing vignettes of feeling down on your luck with the chorus' unwavering plea for better days ahead, the new video from Roboshobo is a poignant homage to Swift, and to hope through the darkest days. Watch here.
Born of the band's mutual obsession with recording and crate-digging, Electrophonic Chronic pulls inspiration from vast sonic archives: vintage soul (featured on the album is a gender-flipped cover of the would-be South Florida star Helene Smith's, A Woman Will Do Wrong), to old school garage rock (including the album’s namesake "Electrophonic Tonic," the once-lost gem from Fred "Sonic" Smith and Sonic's Rendezvous Band), and the space age pop made famous by producer Joe Meek in the pre-Beatles 1960s. The record is a tribute to the shared passion that originally brought the three bandmates together.
Auerbach and Michels have also been spinning selects from those sonic archives in a series of intimate DJ sets across London and Paris, plus upcoming shows in New York and Los Angeles this week. Check out the dates below and read more about the announcement over at Rolling Stone.
The pair also recently sat down with Vulture for a dive further into the multifaceted inspirations of Electrophonic Chronic, in a piece that breaks down newly-released, Only One For Me, co-written by two indie rock greats gone-too-soon in David Berman and Richard Swift, alongside Auerbach and Michels. Check it out here.
The Arcs DJ Sets
January 28 - Sultan Room - Brooklyn, New York
February 3 - Gold Diggers - Los Angeles, California (with DJ Breezy)
DOWNLOAD - The Arcs Press Photo
DOWNLOAD - Electrophonic Chronic Album Art
LISTEN & WATCH HERE
ANNOUNCES DEBUT ALBUM flounder
ARRIVING ON FEBRUARY 24
PRE-ORDER/PRE-SAVE HERE
Toronto, ON – January 27, 2023 – Songwriter and indie artist, quinnie, shares a brand-new single entitled flounder today. Stream flounder here and watch the music video here. It also heralds the arrival of her highly awaited debut album, flounder, on February 24. Pre-order/pre-save flounder here.
About the song and the record, quinnie said, "flounder is a song that contrasts the beauty and mystery of nature and history with the modern world. This song expresses a want to devolve back into a fish, a flounder to be exact, and enjoy life from a simpler perspective - the bottom of the ocean. flounder is the title track off of my debut album, encapsulating the album’s peaks and valleys of trying to be a trusting person in a world that often feels heavy."
On the track, lithely picked guitar wraps around a glitchy almost-threadbare beat punctuated by swells of strings and gleaming toy piano. Her ethereal delivery wades through this hazy aquatic soundscape as she declares, “I’m a flounder.” The track builds towards an eye-opening and empowering realization, “And I’m happy I can be myself instead of somebody else. I’d never trade the beauty that I’ve seen.” The visual continues a tradition of captivatingly quirky clips as it brings her words to life in the most gleefully unusual of ways.
Flounder consists of 11 tracks laced with her unapologetic lyrical candor, expressive instrumentation, and dreamy beat-craft. Among many highlights, her breathy intonation echoes listlessly on security question as she confesses, “Wish I could make a friend today.” The vocals sink into distant guitar on the nostalgic popcorn and juice, while jake’s car caps off the LP with a weirdly wonderful send-off, “Cuz I borrow Jake’s car, cuz I’d drive but I can’t afford it, YET.” Plus, it boasts her breakout touch tank and the fan favourites, man and itch, which have cumulatively tallied 30 million-plus streams.
So far, quinnie has incited the applause of The New York Times, Pitchfork, Rolling Stone, MTV, Ones To Watch, and more. Now, she jumps into the deep end with flounder…
As a self-described “very sensitive 21-year-old,” quinnie went from writing songs as a kid to releasing independent projects such as a gold star in 2019. She is bitingly funny, she is brutally honest, she loves the underwater world and sea creatures, and she will help you escape if you let her.
flounder Track List:
1. man
2. security question
3. itch
4. touch tank
5. popcorn and juice
6. get what u want
7. emblem
8. better
9. promised
10. flounder
11. jake’s car
DOWNLOAD - Artwork | DOWNLOAD - Press Photo
TORONTO, ON – January 27, 2023 - Progressive deathcore summoners, ENTERPRISE EARTH, today unveil their latest single, The World Without Us. The staggering hymn follows the band’s Death Magick single, released earlier this month.
Elaborates ENTERPRISE EARTH guitarist Gabe Mangold, “‘The World Without Us’ is intended to follow directly after the ending of ‘Death Magick.’ There’s also an obvious juxtaposition between the two songs, which is also intended. When it comes to our music, we have always enjoyed being a multidimensional band and don’t like to limit ourselves to one sound. With “The World Without Us” being more melodic, uplifting yet energetic, and progressive compared to the sheer intensity and aggression found in ‘Death Magick,’ we feel that together these two songs capture a broad range of what we offer musically. Enjoy!”
View the video for The World Without Us here and stream the track here. View the band’s previously released video for Death Magick here.
The release of The World Without Us and its companion track, Death Magick, comes in advance of ENTERPRISE EARTH’s upcoming European tour supporting Shadow Of Intent. The Elegy Tour kicked off January 6 in Wiesbaden, Germany and runs through February 1 in Karlsruhe, Germany. Additional support will be provided by AngelMaker and To The Grave. See all remaining dates below.
ENTERPRISE EARTH w/ Shadow Of Intent, AngelMaker, To The Grave:
1/27/2023 Bahnhof Pauli – Hamburg, DE
1/28/2023 High 5ive Winter Fest – Johanneshov, SE
1/29/2023 Hotel Cecil – Indre By, DK
1/30/2023 Hole44 – Berlin, DE
1/31/2023 Z-Bau – House of Contemporary Culture – Nürnberg, DE
2/01/2023 Die Stadtmitte – Karlsruhe, DE
ENTERPRISE EARTH’s most recent full-length, The Chosen, was released last January via MNRK Heavy. Adored by fans and critics alike, Blabbermouth championed a record that’s “huge and definitive,” MetalSucks lauded “the most vicious, the most technical, and… the catchiest offering in the band’s already-impressive repertoire,” while New Transcendence commended, “the most memorable ENTERPRISE EARTH release to date.” The Chosen continues to astound listeners both Stateside and abroad.
The Chosen is available on CD, LP, cassette, and digitally. Find ordering options here, where the record can be streamed in full. Stream the instrumental version of The Chosen, here.
View the band’s video for Psalm Of Agony, the first track to feature new singer Travis Worland (Aethere, Bite//Down, The Willow), as well as videos for You Couldn’t Save Me, Where Dreams Are Broken, Reanimate // Disintegrate, Legends Never Die, and a variety of visualizers and playthroughs from The Chosen and beyond at the ENTERPRISE EARTH YouTube channel here.
DOWNLOAD - Press Photo
DOWNLOAD - The World Without Us Single Art | DOWNLOAD - The Chosen Album Art
FROM UPCOMING DEBUT ALBUM SOUL, PRESENT COMING SOON
LISTEN TO THE SELF-WRITTEN AND PRODUCED SONG HERE
IN CASE YOU MISSED IT: Q NAMED 2023 SPOTIFY ARTIST TO WATCH
TORONTO, ON - January 27, 2023 - Q is returning with his first single of the year, LUV (I KNOW I WANT THIS FOR REAL), from Soul, PRESENT. Listen here. After releasing Today - which saw support from peers such as 6LACK, James Blake & more - and Stereo Driver, also from the upcoming project, the singer/songwriter and producer puts his versatility on display with the release of the up-tempo and funk-inspired LUV (I KNOW I WANT THIS FOR REAL).
Says Q on today's release, "you don't need to figure out love yourself." After making his performance debut at the 2022 Soul Train Awards, Q is gearing up for the release of his debut album, Soul, PRESENT, coming this year
DOWNLOAD - LUV Single Art
SINGLE FEATURED IN NEW WEBISODE CHAPTER 15: MEANWHILE IN DUBLIN
SEVEN INCHES OF SATANIC PANIC PURPLE VINYL 7” IN STORES FEBRUARY 10
CALL ME LITTLE SUNSHINE NOMINATED FOR BEST METAL PERFORMANCE GRAMMY
"IMPERA was my favorite rock album of 2022… I found out along the way that Tobias is a bit of a fan of DL, so I guess it was inevitable we’d both find out about each other! Once we’d been introduced to the idea of working together it just snowballed organically and I’m thrilled that I got to sing on what is my favorite song from that album!”—Joe Elliott
TORONTO, ON – January 26, 2023 - Look what you’ve done to this rock n roll clown… Ghost's Spillways has undergone a transfiguration to include guest vocals from rock legend and avowed Ghost fan Joe Elliott of Def Leppard. To hear this new facet of this “sweetly constructed rock tune” (The New York Times) from Ghost’s American Music Award-winning IMPERA, visit here.
To witness Joe Elliott's phantasmagorical journey into the world of Ghost, open Chapter 15: Meanwhile in Dublin. The newest installment in Ghost’s long running series of webisodes documents a karaoke session that goes awry in spectacular and supernatural fashion, and if you’re feeling like singing along, check out the Spillways (ft. Joe Elliott) lyric video here.
The original version of Spillways, currently Top 5 at Active Rock Radio and having generated some 50 million streams globally, can be found on Ghost's IMPERA. Released March 11, 2022, IMPERA has moved nearly 500,000 albums worldwide, won the American Music Award for Favorite Rock Album 2022, and received a GRAMMY nomination for Best Metal Performance (Call Me Little Sunshine). Best of 2022 accolades included Ghost landing at #1 on Spotify’s Best of Kickass Metal 2022, while cover stories in Revolver and Metal Hammer proclaimed IMPERA #1 Album of 2022 and Loudwire has named Ghost 2022 Artist of the Year. As Consequence noted in its Top Metal & Hard Rock Albums of 2022 roundup, “Few rock bands are as grand and ambitious-sounding as Ghost nowadays.” With all of the above plus the 70 date IMPERATOUR that saw the Wall Street Journal anoint Ghost “the next generation of arena stars” and an iHeartRadio Awards 2023 nomination for Rock Artist of the Year, that ambition is primed to take the band to further and unforeseen heights in 2023.
SHORT FILM DIVES IN TO THE CREATION AND INSPIRATION
BEHIND HIS LATEST ALBUM JOY
INSPIRED BY THE NY TIMES BEST-SELLING DETECTIVE NOVELS BY LOUISE PENNY
"...a compositional tour-de-force, with strong melodies scored for diverse instrumentations." - Downbeat Magazine
TORONTO, ON – January 24, 2023 – In October, JUNO Award-winning drummer and composer, Ernesto Cervini, released his stunning new record, Joy - a collection of compositions inspired by Louise Penny's NY Times Best-Selling Armand Gamache Investigates series of detective novels. Today, Cervini unveils a visual companion piece to the album, in the form of a documentary that sees Cervini visiting and exploring the Canadian town that inspired Penny's world of Three Pines , while discussing the creation and inspiration behind Joy. Watch the short film, aptly titled Finding Joy, here.
“About five years ago, I discovered the universe of Three Pines,” reflects Cervini. “I was literally captivated by Louise Penny's incredible stories and characters, by her storytelling talent, by the kindness and joy that emanates from her books. I immediately wanted to compose music inspired by the series.”
Finding Joy follows Cervini and his sister, Amy - who first introduced him to the novels, and also acts as co-producer and vocalist on the album - as they visit Knowlton, QC, the Canadian city that inspired Louise Penny's world of Three Pines. As they explore the iconic locales that appear throughout Gamache series, the siblings discuss their love of and connection to the books, while diving in to how the imagery, themes, and characters would go on to inspire Cervini's new music - which perfectly soundtracks the film's visuals.
"With this documentary, we wanted to further explore the world of Louise Penny and Three Pines," Cervini continues. "It seemed like a wonderful opportunity to travel to Knowlton (the town that inspired Three Pines) to check out all of the landmarks and explore the area. It was also a lovely chance to chat with my sister, and co-producer, Amy Cervini, about our childhood, growing into performing musicians and how we've been moved and inspired by Penny's books."
About Joy:
Featuring Cervini's Turboprop, Tune Town, Tetrahedron groups as well as other sonic surprises, Joy (out now via his own TPR Records) showcases Canada’s finest musicians and is the first of Cervini’s albums to include vocalists; two songs showcase Alex Samaras (Queer Songbook Orchestra), and an additional track features Felicity Williams (Bahamas, Bernice), Emilie-Claire Barlow (two time JUNO Award winner, six time nominee) and Amy Cervini (Duchess), who co-produced the album. Listen to the album here.
DOWNLOAD – album cover artwork | DOWNLOAD – press photos
ABOUT ERNESTO CERVINI:
JUNO Award winner Ernesto Cervini is a sought-after drummer, composer and bandleader and an influential presence on Canada’s modern jazz scene and beyond. He has documented his vision with the Ernesto Cervini Quartet (featuring Joel Frahm), the innovative sextet Turboprop, numerous co- led trio projects including MEM3, Myriad3 and TuneTown, and also the quartet Tetrahedron, featuring acclaimed guitarist Nir Felder, electric bassist Rich Brown and alto saxophonist Luis Deniz. Cervini’s album Abundance won the 2020 JUNO Award for Jazz Album of the Year: Group. In addition to his performing career, he founded Orange Grove Publicity in 2014 and has quickly become one of the most sought-after jazz publicists in Canada. He is also co-founder of TPR. Cervini is on faculty at the University of Toronto.
TAKING PLACE MARCH 7 AND 8 IN TORONTO
TICKETS TO WIMC HONOURS AVAILABLE HERE
REGISTER FOR WORKSHOP SESSIONS HERE
"2023 is going to be a big year!” exclaims WIMC Executive Director, Robyn Stewart. “I could not be prouder of the creatives who have been put forward for Women in Music Canada Honours and I am inspired their incredible accomplishments. This program has been an exciting vision and I am humbled by the support of our funders and partners who are helping us make this inaugural year happen. The Women in Music Canada Honours and International Women’s Day programming will from here on be a highlight of our year and I look forward to bringing our music community together this March.”
WIMC’s International Women’s Day programming kicks off on Tuesday, March 7, with workshops taking place throughout the day at Universal Music Canada’s new campus, 80A The Academy (80 Atlantic Ave, Toronto, ON). Workshops include creative asset reviews, panels on export readiness, equity, music and technology, a keynote and discussion about creating more diverse company cultures, and more. Workshop sessions will be complimentary but sign up here to reserve your spot.
On Wednesday, March 8 (International Women’s Day), WIMC will celebrate the recipients of the inaugural Women In Music Canada Honours, with a reception style dinner and showcase at The Opera House. A special induction into the Canadian Songwriters Hall of Fame will also be presented at the event – more details to come. The Honours program was designed to celebrate and support female identifying Canadian innovators and creators who have had outstanding success in their field in the eligibility year (December 2021 through December 2022 for annual based categories).
The Honours program includes eight categories: Artist of the Year (presented by Amazon Music), Distinguished Leader, Entrepreneur of the Year (presented by Bandzoogle), Excellence in Live Music, International Leader of the Year, Organization of the Year, the Trailblazer Award, and the Women in Music Canada Honour Roll, which will honour up to 10 women and female identifying industry members or artists who are on the rise. 379 were submitted for consideration in the eight categories by prospective honourees or another Canadian colleague. A long list of top submissions for the Honours will be announced on February 16.
Hosted by CBC’s Saroja Coelho, the Honours reception dinner and awards presentation will also showcase an incredible group of artists performing throughout the evening, including rising country star, Sacha, producer, DJ and performer, Liliane Chlela; JUNO-nominated recording artist, songwriter and producer, Desiree Dawson; Cree and Salish singer and TikTok creator, Tia Wood; and more to come.
2023 WOMEN IN MUSIC CANADA HONOURS
Date: Wednesday, March 8, 2023
Venue: The Opera House (735 Queen St E, Toronto)
Time: 6:00pm doors | 7:00pm Honours presentation begins
Tickets: $60 (early bird rate, until February 16) | $75 (after February 16)
Purchase here
Thank you to the generous support of FACTOR, the Government of Canada and Canada’s private radio broadcasters, Ontario Creates, and the City of Toronto for their support of all WIM Canada International Women’s Day events. We also want to recognize our incredible Honours partners – Amazon Music, Fielding Winery, and our special gifting partners, Canadian-Vietnamese sister-owned, Paris Jewellers – all of whom are making it possible for us to launch this inaugural program recognizing and celebrating women identified artists and innovators across Canada.
In addition to our federal, provincial and municipal partners, we want to thank workshop partners Universal Music Canada, Bandzoogle, CMRRA, ACTRA:RACS and the Canadian Independent Music Association for their support of the workshop series. You are leaders in developing talent in Canada and we thank you for your important role in the pathway to an equitable industry that we are committed to building.
If you are interested in supporting Women In Music Canada and the inaugural WIMC event, please contact Robyn Stewart at robyn@womeninmusic.ca.
About Women in Music Canada
Women in Music Canada (WIMC) is a registered non-profit organization and one of the largest music industry associations in Canada. The organization is dedicated to fostering gender equality in the music industry through the support and advancement of female identifying professionals and creatives at every stage of their career. The goal is to strengthen the social-economic balance of the music industry by providing professional development, support and resources for our community. Women in Music hosts educational, career development and networking events alongside broader programming initiatives, industry engagement, research and advocacy to serve the needs of our diverse community. Our panels, seminars, webinars, workshops and performance serve to educate, empower, and celebrate female contributions to the music world, and strengthen community ties.
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
STREAM ON ALL PLATFORMS HERE
SIGALA’S SECOND ALBUM EVERY CLOUD
TO BE RELEASED MARCH 3
PRE-ORDER EVERY CLOUD HERE
8 UK Top 10 Singles
7 global Platinum Singles
9 global Gold Singles
7 Million UK sales
22 Million worldwide sales
4 Billion streams
Over 1 Billion video views
Toronto, ON – January 20, 2023 – British artist, producer and DJ, Sigala, shares part one of the official video for Radio – the brand-new single, which is out now and features powerhouse, MNEK.
A vivid storyteller through visuals as well as music, Sigala enlisted Director, Elliot Simpson, to help craft the narrative of the video, which centres around the joyful Radio Man, who channels his positive energy and fine tuning wherever he roams. Like all good tales, the video depicts a burgeoning love story when Radio Man meets his romantic match, but will it be a fairytale ending, or is Radio Man getting his signals mixed up? Part one of the visual drops today with an alternative ending being released on January 27.
After eight UK Top 10 singles, a BRIT Nomination for Best Single for Lullaby, seven global Platinum singles, nine global Gold singles, seven million UK sales, 22 million worldwide sales, 4 billion audio streams and over one billion video views, Sigala is readying for the release of his second full-length album, Every Cloud.
After being released two weeks ago, Radio has already racked up over 3 million streams and serves as the latest taster of the forthcoming record. It was co-created and sung by, one of Sigala’s all-time heroes.
“MNEK, what a legend!” he beams. “I've followed his career since day one, when I was at uni. He's somebody that I've always dreamed of working with.”
And in the writing, he didn’t disappoint, even for a man well-used to using the studio as a creative playground.
“I spent about two hours making a beat, getting some nice chords, whilst he was just chilling. And then he was like, 'OK, just play it through.' He's on his phone, typing down lyrics, then he jumps on the microphone. And literally 20 minutes later, he had written pretty much the whole song – and the vocal is the one that he sang in two takes!” Sigala marvels. “Just incredible. I was honestly blown away. It was like being in the presence of true genius.”
There is, accordingly, a freshness to the French disco feel of the track. “That's something that I really wanted to keep true to; not overproduce it. It's such a simple production, but it's unique as well, with that offbeat bass going all the way through. It throws back to early 2000s and late 90s stuff, and even disco.”
Culturally, MNEK is considered a musical icon amongst the LGBTQIA+ community and has previously performed at New York World Pride 2019, UK Black Pride and featured on RuPaul’s Drag Race UK as both a coach and guest judge. After setting up a writing camp dedicated to supporting LGBTQIA+ singer/songwriters in 2019, MNEK has continued efforts to strive for more inclusivity within the industry as a contributor to the Guardian UK diversity panel and hosting his own YouTube panel ‘MNEKs Inter-Section’ in conversation with five Black Queer artists/content creators.
He has clocked up an astonishing thirteen years in the music business. With over 4 billion streams on MNEK written, featured and produced tracks, he has grown to become a true powerhouse within the British pop world. He has worked alongside some of the biggest names in the industry, collaborating with the likes of Zara Larsson, Stormzy, Years & Years and Craig David. He’s written with international stars such as Beyoncé, Dua Lipa, Christina Aguilera, BTS, Mabel, Madonna, Kelly Rowland and Selena Gomez. His back catalogue includes a number of worldwide hits including Ready For Your Love, Never Forget You, and Blinded By Your Grace. His hit with Joel Corry, Head & Heart, became a global success, topping the charts in several countries and taking the reign as the longest standing UK #1 single in 2020. 2022 saw his continued success both on and off stage with Where Did You Go?, his collaboration with Jax Jones, going platinum and spending an incredible 32 weeks on the charts, plus the launch of Island UK & Republic US’s hotly tipped female R&B trio FLO, and their debut EP, The Lead, which he executively produced.
On Radio, MNEK adds “Bruce & I wrote this song a few years ago. It was such a fun and easy session and it’s really cool how he evolved the song into the record you’re hearing today!”
Every Cloud is the album Sigala has been working on from pretty much the minute he finished making his first, September 2018’s blockbuster, Brighter Days. The impressive debut album featured a stellar line-up of collaborators that included Kylie Minogue, Paloma Faith, French Montana, Ella Eyre, Becky Hill and more!
Sigala has had another incredible year, playing to fans across the globe and consistently releasing smash singles from the forthcoming collection. Every Cloud will also include Lasting Lover, with James Arthur, Melody, Stay The Night featuring Talia Mar, Rely On Me, and the David Guetta and Sam Ryder collaboration, Living Without You. Collectively these releases have amassed a staggering half a billion streams and counting.
Available on various formats that include, digital release, vinyl, CD and cassette, Every Cloud is set to include another mammoth line-up of guest artists, which are soon to be revealed.
As well as new music. Sigala also announced a UK headline tour which kicks off in Dublin on March 5. The announcement of the album and tour continues on from a busy 2022, which saw his triumphant return to the live scene and play to thousands of fans across his sold-out North American tour. This year is set to be another standout for Sigala, who is looking forward to reengaging with his fans and bringing the Sigala experience to more live electrifying shows.
Sigala UK Tour 2023:
Sunday, March 5 – 3Olympia, Dublin
Tuesday, March 7 – NX, Newcastle
Wednesday, March 8 – O2 Academy, Glasgow – SOLD OUT
Thursday, March 9 – O2 Academy, Glasgow (*Extra Show Added)
Friday, March 10 – The Engine Shed, Lincoln
Saturday, March 11 – HMV Empire Coventry, Coventry
Wednesday, March 15 – Albert Hall, Manchester
Friday, March 17 – Electric Brixton, London
Saturday, March 18 – Tramshed, Cardiff
Order tickets for Sigala's 2023 UK tour here.
DOWNLOAD - Radio Artwork
DOWNLOAD - Sigala Press Photo
DOWNLOAD - MNEK Press Photos
ABOUT SIGALA
Sigala is the musical nom de plume of Bruce Fielder, a London-based house DJ, producer, and remixer. Launching his career with Easy Love, a Jackson 5-sampling track which topped the charts in the U.K. in 2015, he continued releasing bright, sunny dance-pop tunes featuring a variety of guest vocalists and producers. His 2018 full-length Brighter Days included collaborations with Kylie Minogue, Craig David, Sean Paul, and Nile Rodgers, among many others. Subsequent tracks featuring Becky Hill (Wish You Well) and James Arthur (Lasting Lover) continued his run of U.K. Top Ten hits. Stay the Night (with Talia Mar) appeared in 2022. Born and raised in Norfolk, England, Fielder started piano lessons as a child, and played in various bands after graduating university. He found work as a producer, and co-wrote Ella Eyre and Sigma's 2015 U.K. hit single, Good Times. His first solo single as Sigala was Easy Love, an energetic house tune built around a sample of the Jackson 5's iconic hit ABC. Released by Ministry of Sound, it entered the U.K. singles chart and shot up to number one in its second week. Fielder's second single, Sweet Lovin' (featuring singer/songwriter Bryn Christopher), hit number three and was certified gold or platinum in several countries. Several more hits followed in 2016, including Say You Do (featuring Imani and DJ Fresh), Give Me Your Love (featuring John Newman and Chic's Nile Rodgers), and Ain't Giving Up, a collaboration with Craig David that appeared on his sixth album, Following My Intuition. In 2017, Sigala co-produced the single, Show You Love, with Danish DJ Kato, sung by Hailee Steinfeld. He then paired with singer Paloma Faith for the 2018 single, Lullaby. Later that year, Sigala compiled ten of his previously released singles, as well as a handful of album tracks, to make up his debut studio album Brighter Days. Issued by Ministry of Sound, the LP reached number one on the U.K. Dance Albums chart. In 2019, he released the singles Wish You Well, with Becky Hill, and We Got Love, featuring Ella Henderson. Another song with Hill, Heaven on My Mind, appeared in 2020, and Lasting Lover (with James Arthur) became Sigala's eighth single to chart in the U.K. Top Ten. In 2021, Sigala released You for Me (with Rita Ora) and Runaway (with R3hab and JP Cooper). Solo single, Melody, and Talia Mar collaboration, Stay the Night appeared in 2022.
AVAILABLE ON ALL DIGITAL PLATFORMS
TORONTO, ON – January 20, 2023 – With his new single and music video, Toy a Mil, global idol, singer, songwriter, businessman, and actor, Nicky Jam, begins 2023 at the top of his career. Listen to the song on all digital platforms here.
After a spectacular year in 2022 in which Nicky Jam was nominated for another Latin Grammy, completed a massive world tour, received the Billboard Hall of Fame Award, and became the first urban artist to "sponsor" a tour scholarship with the Latin Recording Academy, the singer continues to surprise his audience, this time with a rhythmic dembow called Toy a Mil.
Toy a Mil is a rhythmic dembow produced by Jorge Milliano under La Industria INC record label.
"This song calls for a party to kick off the year with positive energy and a desire to have a good time. "I hope you enjoy it," Nicky Jam said.
Toy a Mil premieres with its music video, which features sensual and daring lyrics. Recorded in Miami under the direction of Daniel Granada, with cartoony special effects that complement the song's positive vibes.
LISTEN TO MARY OLIVER (ACOUSTIC) HERE
An acoustic rendition of fan favourite, Mary Oliver, is available today. Listen to it here. The wistful sigh that opens the track sets the tone for Spence’s introspective musings, which are accompanied by gently strummed guitars and backing vocals by the album’s producer, multi-instrumentalist and composer, Jordan Lehning.
Wrap it up and sell it to you at the record store
I know we all feel the same, I’m just a little louder
Same lemons in my bloody hands, turning me sour
So, I’ve been playing at the church of Mary Oliver
Yeah, I’m trying on myself and love all of her
I’m finding wonder in the highest sense
And owning up to lies and sins
And when I think I’m done
I do it again
When I think I’m done
I do it again and again and again
Spence spent much of the past year on the road, both as a headliner and as support for artists including American Aquarium, Mary Chapin Carpenter, Madi Diaz, Emmylou Harris, John Moreland, and David Ramirez. She will announce live appearances for 2023 in the coming weeks.
"Releasing this new version of ‘Mary Oliver’ at the beginning of the new year feels right because it was my resolution or mission statement for this album and the next season of my career,” notes Spence. She reflects, “To be ‘a heart on a sleeve,’ as I sing in the song, is as good a new year’s resolution as any. This song is a plea for gentleness and self-acceptance; it’s a case for humility and vulnerability. Every time I sing this song I think ‘yes, I still feel that way. I still want those things’ — it feels like a code of ethics that I recommit to every time I stand on the stage and sing it.
This past year, I’ve had to play solo as an opening act a lot and singing this song with just a voice and guitar, I was reminded each night about how vulnerable this song really is. Without the full production, the song reads more as an intimate excavation of deep desires than a musical exaltation of publicized principles. On the album, I wanted it to feel massive and expansive sonically, for the message to reach the treetops. But in this acoustic version, which is much closer to how I first wrote it and how I’ve been performing it when solo, we brought it back down to the earth."
Critical praise for True North:
“On her latest collection of wise, lucid songwriting, the Nashville artist brings a sense of depth and directness to her songs…On True North, she sings about embracing the present (‘The Gift’), surrendering to love (‘Scale These Walls’), and taking big risks (‘Icarus’) with a sageness that shows the influence of her literary heroes – Oliver, Walt Whitman, and Buddhist nun Pem Chödrön. She sounds like someone you can trust.” – Brad Sanders, Pitchfork
“Caroline Spence’s songs are often cinematic, traversing the jagged landscape of human emotion, navigating the razor-thin lines between longing, loss, and love. Her intimate lyrics evoke the ways the human heart pulses with anxiety, uncertainty, and strength. True North illustrates how even a single note of music can carry us deeper into the recesses of our longings and yearnings—and transport us beyond them.” – Henry Carrigan, Folk Alley
“Song for song, Truth North provides some of Spence’s best compositions to date. In an era where we are collectively reassessing meanings of life and death, the singer-songwriter’s latest will stand as a lasting memento 一 an apt discernment of time and aging.” – Bee Scott, Holler
“…a gorgeous collection of songs that blur the lines between folk and country, and this one has even more of an atmospheric, ethereal feel than its predecessor.” - Andrew Sacher, Brooklyn Vegan
“Throughout True North, Spence makes it clear that her songs exist to communicate the tiny revelations of her lived experience... Spence shows us that grief is ultimately the last expression of love, but it is love nonetheless.” – Matt Ruppert, No Depression
“True North is an elegant and beautiful reminder to find the poetry, and the melody, in this wild and precious life.” - Michelle Lindsey, Highway Queens
LISTEN HERE AND WATCH THE MUSIC VIDEO HERE
TORONTO, ON – January 20, 2023 - Making a momentous return, LaGrange, GA singer, songwriter, multi-instrumentalist, and vocal dynamo, Philmon Lee, is back with a brand-new single entitled, Baby Don’t Cry [feat. Young Thug]. Get it here via Epic Records and watch the official music video here.
The track illustrates the buzzing artist’s progression and spotlights his immediately arresting vocals front-and-centre. Sonically, it merges a head-nodding guitar riff, piano, and irresistible beat-craft boosted by finger-snaps. Philmon’s vocals alternate between a falsetto-spiked pre-chorus and a chantable refrain, “If you were mine, I would never hurt you. I’d love you all day forever and always.” Then, there’s Thug’s otherworldly and off-kilter flow, adding another dimension altogether. The song came to life in the wake of Thug professing his fandom for Philmon over the past few years and even theorizing on social media he might headline the Super Bowl halftime show one day.
In the accompanying video, Philmon strolls into a bar only to partake in the exact scene he sings about as he uplifts the spirit of a tearful young lady. Simultaneously, Thug cruises in a classic car and raps into the rearview mirror.
About the track, Philmon commented, “It was really a blessing. Thug heard a couple of my tracks and wanted to meet me. I went to the studio, and I played him a bunch of records. A couple of weeks later, we got together again, and he hopped on ‘Baby Don’t Cry.’ Honestly, he’s one of the nicest people I’ve ever met. He’s really humble, and he gave me a lot of gems about the industry. Lyrically, it’s about a girl whose feelings are hurt by another dude, and you’re trying to relate to her and let her know you’re the better option.”
Philmon dropped his 706 EP to critical acclaim in 2021 after a string of buzzy singles that showcase his raw, one-in-a-generation talent. Along the way, he received critical praise from publications as diverse as Paste Magazine, American Songwriter, Flaunt Magazine, and more. Right now, he’s prepping more music for release in 2023. Stay tuned!
About Philmon Lee:
No instrument matches the natural power of the voice. It rises up directly from the gut and through the heart, carrying every bit of emotion and truth with it. Philmon Lee wields his voice with no shortage of passion, poise, and poetry. He can belt to the heavens and back, but he can also lean into the groove with an innate sense of soul. Make no mistake, he can rock out with primal gusto too. From the moment he sings, the Georgia singer, songwriter, and multi-instrumentalist instantly leaves an imprint. Surrounded by musicians in his family, he picked up multiple instruments as a kid in the small town of LaGrange, GA, developing his skills on piano, guitar, and drums. He cut his teeth on tour with his dad and cultivated his vocals through constant practice. Under the influence of everyone from Elvis Presley, Elton John, and Steven Tyler to Lynyrd Skynyrd and Post Malone, he grinded locally with countless gigs before signing to Epic Records in 2020. Following his buzzing debut single Memories, he gained traction with No Saving Me [feat. Lindsey Stirling], paving the way for his acclaimed 2021, 706 EP. Generating millions of streams and inciting the applause of Paste Magazine, American Songwriter, Flaunt, and many more, his voice continues to captivate on a series of 2023 singles and much more to come led by Baby Don’t Cry [feat. Young Thug].
DOWNLOAD - Baby Don't Cry Single Art
FEATURING BENJI B, THEON CROSS, NUBYA GARCIA, SHABAKA HUTCHINGS, DAVE OKUMU,
TOM SKINNER, MARTIN TEREFE & MORE
LISTEN TO MILES CHASES NEW VOODOO
IN THE CHURCH (SINGLE EDIT) HERE
WATCH A TRAILER HERE
Comprised of a veritable who's who of some of the most important and innovative musicians of the 21st century, London Brew features contributions from Benji B, Theon Cross, Nubya Garcia, Shabaka Hutchings, Dave Okumu, Tom Skinner and more, brought together by Producer and guitarist, Martin Terefe, and Executive Producer, Bruce Lampcov. The record reflects an emotional journey through the period in which it was conceived, having been recorded during the pandemic and after many months of isolation and the inability to collaborate in person. Recorded in December 2020 at Paul Epworth's Church Studios in London, Terefe explains how the resulting music is "sometimes uncomfortable, other times it's familiar and joyous and other times it's like deep meditation."
The album is previewed today by the release of its first single, Miles Chases New Voodoo in the Church, of which Nubya Garcia explains, “this single is our interpretation of Miles Davis’ ode to Jimi Hendrix (Miles Runs the Voodoo Down). I’ve always been very inspired by the creative minds of both Miles and Jimi…. Both were innovators who carved their own lanes, which is something I’ve aspired to in my own career. For a while now I’ve been experimenting and using pedals and effects with my instrument, so to be able to do that on this track, while paying tribute to their legacies, was a joy both creatively and personally.”
Listen to Miles Chases New Voodoo in the Church (single edit) here.
What began as a plan for a live performance at the Barbican in honour of the 50th anniversary of Bitches Brew in early 2020 - an event that was sadly to be scuppered by the pandemic - would eventually blossom into so much more. London Brew is a collection of original recordings rooted in inspiration and celebration - not just a rapturous, moving tribute to one of the most totemic figures in modern music but equally a one-off moment in London's musical history captured forever on four sides of vinyl. As Lampcov writes in the album's liner notes, "London Brew is also inspired by... London. The city, the people, her creativity and her struggles. London Brew is primordial, born out of a year of trying to get to grips with what being human is about. The sounds and melodies cover the gamut of human emotion from delicate and caring to coarse and angry. Nothing is left unsaid."
An intelligent, dexterous assault on the senses from a group of artists united in their freewheeling vision, London Brew's eight tracks are unified by an experimental, improvisatory fire. "In all my years of recording, I'd never been involved in an improvisatory process on this scale," offers The Invisible's Dave Okumu. "It's ease and sense of endlessness is surely a testament to the calibre of each musician and the unique manner in which they've taken on the lessons Miles set before us through his recording and performances."
Theon Cross highlights how "the possibility of playing with a larger group of people [at the end of a year marked by the pandemic] with such an open and free approach was an incredibly powerful and moving experience," while Shabaka Hutchings comments: "For me, that's what Bitches Brew is. It's a bunch of musicians making music because of the love of making music, as a social force and as a social construct. They are creating something that expresses unity and motion. That's what it is to be alive… you know, you have unity, you have motion, and you have vibration. You don't get any more alive than that. That's Bitches Brew." That's London Brew, too, and you won't have ever heard anything quite like it.
London Brew is:
Benji B: Decks, Sonic Re-cycling
Raven Bush: Violin, Electronics
Theon Cross: Tuba
Nubya Garcia: Saxophone, Flute
Tom Herbert: Electric Bass, Double Bass
Shabaka Hutchings: Saxophone, Woodwinds
Nikolaj Torp Larsen: Synthesizers, Melodica
Dave Okumu: Guitar
Nick Ramm: Piano, Synthesizers
Dan See: Drums, Percussion
Tom Skinner: Drums, Percussion
Martin Terefe: Guitar, Electronics
London Brew is available from March 31, 2023, on 2 LP, 2 CD and digitally via Concord Jazz. Pre-order London Brew here: found.ee/LondonBrew.
London Brew Tracklisting
1. London Brew (23:34)
2. London Brew Pt.2 - Trainlines (15:49)
3. Miles Chases New Voodoo in the Church (7:27)
4. Nu Sha Ni Sha Nu Oss Ra (8:55)
5. It's One of These (6:53)
6. Bassics (2:51)
7. Mor Ning Prayers (9:52)
8. Raven Flies Low (12:53)
Samplism artwork by Toby Laurent Belson
DOWNLOAD - Press Photo | DOWNLOAD - London Brew Album Artwork
PERFORMING ON THE LATE SHOW WITH STEPHEN COLBERT MONDAY, JANUARY 16
BEST NEW ARTIST NOMINEE AT THE 2023 BRIT AWARDS
DEBUT ALBUM AMELIA ARRIVING MARCH 3
TORONTO, ON – January 13, 2023 – Breakout singer and songwriter, Mimi Webb, has released her latest pop anthem, Red Flags, today. Listen here. The high-energy track gives fans another taste of what to expect from her forthcoming debut album, Amelia, out March 3 via EPIC Records.
Mimi’s powerful vocals and lyrics are brought to life in the music video, directed by Drew Kirsch, as she takes viewers on a journey of hindsight, revenge, and reclaiming power that every scorned lover dreams about. The video premiered today on MTV Live, MTVU, and MTV Biggest Pop - check it out here. Red Flags was written by Mimi Webb, Connor McDonough, Toby McDonough, Ryan Daly, Castle, Cirkut, and produced by Connor McDonough, Ryan Daly, and Cirkut.
Mimi will stop by The Late Show with Stephen Colbert on Monday (January 16) for the TV performance debut of the new single. Additionally, she continues her ascent as one of the biggest artists to watch as she garnered a nomination for Best New Artist at the 2023 BRIT Awards.
Mimi’s highly anticipated debut album, Amelia, will feature 12 tracks including her smash hit, House On Fire, and latest single, Ghost of You. The album is titled after her full first name, Amelia, which will give fans insight into both sides of the budding star - Amelia, the girl from the UK countryside who loves to be at home with her family, friends, and dogs; and Mimi, the pop artist who loves to be up on stage traveling the world. Amelia is available for pre-order now.
Following the album’s release, Mimi will hit the road for her 2023 headline tour, The Amelia Tour. The 31-date tour will make stops across Europe and the UK, kicking off on March 11 in Madrid, Spain at Shoko continuing with stops in Berlin, Oslo, Paris, Manchester and more before concluding on April 24 in London, UK at O2 Academy Brixton. Multiple shows have already sold-out including Dublin and all UK dates. Full tour routing can be found below, and tickets are available now at mimiwebb.com.
In just two years, the breakout artist has racked up over 852 million global streams to date, and multiple hit tracks including House on Fire and Good Without. Mimi’s performed at the Queen’s Platinum Jubilee in London, numerous festivals such as Capital FM’s Summertime Ball, Isle of Wight Festival, and Montreux Jazz Festival, and on The Tonight Show Starring Jimmy Fallon and ELLEN. She has garnered praise from the likes of British Vogue, Rolling Stone, Harper’s BAZAAR, GRAMMY.com, and Billboard. Mimi shows no signs of slowing down as she gears up for the release of her debut album.
UPCOMING TOUR DATES:
March 11- Shoko - Madrid, Spain
March 12 - Razmatazz 2 - Barcelona, Spain
March 14 - Plaza - Zurich, Switzerland
March 15 - Technikum - Munich, Germany
March 16 - Flex - Vienna, Austria
March 18 - Niebo - Warsaw, Poland
March 19 - Hole44 - Berlin, Germany
March 20 - Mojo Club - Hamburg, Germany
March 22 - Klubben - Stockholm, Sweden
March 23 - Vulkan Arena - Oslo, Norway
March 24 - Pumpehuset - Copenhagen, Denmark
March 26 - Melkweg - Amsterdam, The Netherlands
March 27 - La Madeleine - Brussels, Belgium
March 29 - Kantine - Cologne, Germany
March 30 - La Maroquinerie - Paris, France
April 1 - UEA - Norwich, UK *sold-out
April 3 - O2 City Hall - Newcastle, UK *sold-out
April 4 - O2 Academy - Glasgow, UK *sold-out
April 6 - Ulster Hall - Belfast, UK *sold-out
April 7 - 3Olympia Theatre - Dublin, Ireland *sold-out
April 8 - 3Olympia Theatre - Dublin, Ireland *sold-out
April 10 - Guild of Students - Liverpool, UK *sold-out
April 11 - O2 Victoria Warehouse - Manchester, UK *sold-out
April 14 - O2 Academy - Sheffield, UK *sold-out
April 15 - O2 Academy - Leeds, UK *sold-out
April 17 - Rock City - Nottingham, UK *sold-out
April 18 - O2 Academy - Birmingham, UK *sold-out
April 20 - O2 Academy - Bristol, UK *sold-out
April 21 - Pavilions - Plymouth, UK *sold-out
April 22 - O2 Academy - Bournemouth, UK *sold-out
April 24 - O2 Academy Brixton - London, UK *sold-out
June 9 - Bryggeribyen EC Dahls Arena - Trondheim, Norway
June 16 - Live At The Marquee - Cork, Ireland
ABOUT MIMI WEBB
Mimi Webb projects a voice as magnetic, massive, and magical as her personality. As “the girl next door” with a hell of vocal range, she’s quick to laugh, will let you know precisely what’s on her mind, and isn’t afraid to be heard. Originally hailing from the UK town of Canterbury, the pop singer and songwriter turns up the volume on every emotion with skyscraping runs and open-heart honesty.
Inspired by the likes of Amy Winehouse, Emelie Sandé, and Sam Smith, she started writing songs of her own at 13-years-old in diaries before eventually learning guitar. Around the same time, she enrolled in The BRIT School – known for alumni such as Adele, Amy Winehouse, Jessie J, and more. Three years later, she left home, moved in with a host family, and attended the prestigious BIMM [British Institute of Modern Music]. In 2019, she landed management, and inked a deal with Epic Records, followed by the release of her debut single, Before I Go, in 2020.
In a whirlwind two years, Mimi released her debut EP, Seven Shades of Heartbreak (October 2021), amassed an international following with multiple hit tracks such as House on Fire and Good Without, and became the first British female artist, since Dua Lipa in 2017, to land two singles in the UK Top 15 before her debut album. She has surpassed 852 million global streams to date and toured across the world- performing at festivals such as Capital FM’s Summertime Ball, Isle of Wight Festival, and Montreux Jazz Festival, as well as her own headline tours. Mimi has garnered critical acclaim from the likes of British Vogue, Rolling Stone, Harper’s BAZAAR, Billboard, and CLASH, and performed on The Tonight Show Starring Jimmy Fallon and ELLEN. Mimi’s highly anticipated debut album, Amelia, will be released on March 3.
DOWNLOAD – press photo | DOWNLOAD – single artwork
NEW ALBUM STRAYS OUT TODAY
FEATURING SHARON VAN ETTEN, LUCIUS, MIKE CAMPBELL
AND PRODUCER JONATHAN WILSON – LISTEN HERE
HEADLINE TOUR INCLUDES CANADIAN DATES
IN VANCOUVER AND TORONTO NEXT MONTH
Listen to Strays, out everywhere via Loma Vista Recordings, and tune into CBS Mornings on Monday for a deeper look into the inspiring path that Price took to get here.
While much of Strays was written in a South Carolina cottage – during six days that the Nashville-based Margo Price spent eating psychedelic mushrooms with her husband and musical partner, Jeremy Ivey - the album was primarily recorded in California’s Topanga Canyon. There at Jonathan Wilson’s studio in the summer of 2021, Price and her long-time band of Pricetags channeled their telepathic abilities into their best recording sessions and most ambitious array of sounds, styles and arrangements to date. As previewed on singles such as Been To The Mountain, the chart-topping Change of Heart, and the prescient Lydia, which The New York Times and PAPER both called one of the Best Songs of 2022, Price sings unabashedly about self-worth, bodily autonomy and a woman’s right to choose. Across the rest of the LP, she writes about losing herself in sex, overcoming marital conflict, tuning out haters, the aftermath of quitting drinking and more, as “Strays bursts with easy confidence and kind, stoic pearls of wisdom” (Pitchfork).
Strays was named one of the most anticipated albums of 2023 by TIME, New York Magazine and others, and Price’s memoir, Maybe We’ll Make It was hailed as one of the best music books of 2022 by Variety, Rolling Stone, Forbes, Rough Trade and SPIN. Read about the creation of each in a career-spanning profile written by Melena Ryzik for The New York Times: The Unstoppable, Unsinkable, Uninhibited Margo Price.
On January 30, Margo Price will return to the road for the continuation of ‘Til The Wheels Fall Off, a headline tour that Pitchfork just listed as one of the most anticipated of the year. The lengthy run will bring her and her band to LA’s Fonda Theatre, NYC’s Webster Hall, Nashville’s Ryman Auditorium, as well as Canadian stops in Vancouver and Toronto in February, and dozens other shows and counting. Tickets are available at margoprice.net/#tour, and full details can be found below.
Praise For Strays
"The Unstoppable, Unsinkable, Uninhibited Margo Price…Strays struts through big-hearted indie country, honky-tonk stomp and '70s guitar-explosion psychedelia"
- The New York Times
"Another impressive showcase for Price's skills as author and troubadour, featuring volcanic vocal performances and sharp character studies" - Vulture
"Price has never quite sounded more in command of detail and scene setting"
- Rolling Stone
"...an early contender for one of 2023's best albums and a bonafide country classic in the making." - Exclaim!
"Strays bursts with easy confidence and kind, stoic pearls of wisdom" - Pitchfork
"A potent, genre-spanning opus that's rooted in Americana, but stretches into glittery pop, squelching rock and psychedelia" - NPR Music
"Strays brilliantly rattles through country, psych and Patti Smith-style poetic rock'n'roll...powerful lyrical gut-punches" - The Guardian, ★★★★
"Excellent...her strongest and most collaborative album yet" - The Daily Beast
"A 10-song wallop of an LP that tackles everything from Price's sobriety journey to abortion rights to the female orgasm to her own self-acceptance and self-destructive tendencies" - Stereogum
"Sonically brave and lyrically obstinate, a rare delight that stands out from its counterparts" - NME, ★★★★
"Some of the most focused, pointed lyrics of her career" - Consequence
"Price remains one of the best chroniclers of our fraught political moment, as
'Lydia' is a testament" - PAPER
"There's proof of Price's growth - as an artist and observer - on every track" - Jezebel
"Further proof of Price's gift for not only telling her own powerful stories, but also those of the downtrodden en masse" - Paste
"A thrilling step forward in a career that's already made Price one of the most intriguing
voices in music" - BUST
"Her weirdest and wildest record yet, but also her wisest" - Uncut
"Further spotlights her melodic gifts and deeply soulful singing" - MOJO, ★★★★
"This is an album to cherish" - CLASH
UPCOMING TOUR DATES:
1/30 - Asheville, NC - Orange Peel%
1/31 - Atlanta, GA - Variety Playhouse%
2/2 - Houston, TX - White Oak Music Hall&
2/3 - Austin, TX - Scoot Inn&
2/4 - Dallas, TX - Granada Theater&
2/6 - Phoenix, AZ - Crescent Ballroom$
2/7 - San Diego, CA - The Observatory North Park$
2/9 - Los Angeles, CA - Fonda Theatre$
2/10 - San Francisco, CA - The Fillmore$
2/11 - Arcata, CA - Van Duzer Theatre$
2/13 - Portland, OR - Crystal Ballroom$
2/14 - Vancouver, BC - Commodore Ballroom$
2/15 - Seattle, WA - The Showbox$
2/17 - Bozeman, MT - The Elm$
2/19 - Minneapolis, MN - First Avenue$
2/20 - Madison, WI - Majestic Theatre$
2/21 - Chicago, IL - Vic Theatre$
2/22 - Indianapolis, IN - The Vogue$
2/24 - Toronto, ON - The Phoenix Concert Theatre#
2/25 - Detroit, MI - Majestic Theatre#
2/27 - Burlington, VT - Higher Ground Ballroom#
2/28 - Boston, MA - Paradise Rock Club#
3/2 - Washington, DC - 9:30 Club#
3/3 - Philadelphia, PA - Theatre of Living Arts#
3/4 - New York, NY - Webster Hall#
3/9 - Nashville, TN - Ryman Auditorium!
3/22 - Boise, ID - Treefort Music Festival
6/22 - Pendleton, OR - Jackalope Jamboree
8/5 - Boston, MA - Leader Bank Pavilion*
8/6 - Portland, ME - Thompson's Point*
8/10 - Philadelphia, PA - The Met*
%w/ The Deslondes
&w/ Daniel Donato's Cosmic Country
$w/ Lola Kirke
#w/ Tre Burt
!w/ Jessi Colter
*w/ Tyler Childers
TONIGHT’S FAST FWD TO FRIDAY CLUB NIGHT SOLD-OUT
DUE TO POPULAR DEMAND, NOISY ANNOUNCED NEXT FAST FWD TO FRIDAY CLUB NIGHT ON FEBRUARY 24 AT BRIGHTON'S PRINCE ALBERT
PURCHASE TICKETS HERE
LISTEN BACK TO FAST FWD TO FRIDAY MIX SERIES HERE
Toronto, ON – January 13, 2023 – Electronic trio, NOISY, kickstart the year with brand new single, RUDEBOY, out now via Concord Records. Listen to the single here and watch the music video here.
Rude by name, rude by nature, the new offering is an attitude-driven anthem, sonically flirting between the likes of Justice, Basement Jaxx and Fat Boy Slim. RUDEBOY will get even the laziest of listeners moving and cements the collective amongst the most exciting acts spearheading 2023. Along with the new offering, NOISY are set to host their celebrated and sold-out club night Fast FWD To Friday tonight at Brighton’s Prince Albert, with support coming from rising singer, Charlotte Plank.
On the new single and Fast FWD to Friday club night singer Cody said: “RUDEBOY is about feeling completely locked into music, whether you’re in a club, or in a packed tent at a festival or on a night bus with your headphones on. When it hits the music takes you and you can't think about anything else. It started with the lyric, 'I put my shades on.' I was just thinking about being at a festival, with the sun shining and feeling euphoric. We were listening to a lot of Chemical Brothers and Justice at the time and so we wanted a heavy bass beat driven song and it all flowed from there. That feeling of euphoria is exactly why we are buzzing for the return of Fast FWD to Friday too, everyone in a room with the music taking you away, we can’t wait for it.”
The past few years have been all gas no breaks for NOISY. Collaborations have been bountiful, from High Contrast remixing 24/7, to releases with the likes of The Prototypes, 1991 and Zero. The music truly comes to life on stage, and the group enjoyed knock out festival slots at the likes of Reading & Leeds (Radio 1s Dance Stage), Mad Cool, Kendal Calling, Neighbourhood Weekend. The group also opened for Mike Skinner ahead of embarking on their UK headline tour which came to London for a sold-out XOYO show last year.
NOISY’s touring schedule has been eventful in more ways than one. In 2021 the group made the headlines between shows when their tour van was stolen outside their tour manager’s flat one night, along with synthesizers, FX pedals, guitars, amps; the lot. With a never say die attitude though, the trio came across some of their equipment on eBay and planned a sting operation to reclaimed all of the equipment.
This self-sufficient, DIY mindset is one of the driving forces of NOISY (comprised of singer Cody, guitarist Connor and producer Spencer), who pride themselves on owning creative control, writing, recording and producing all of their music, designing their own merch and often shooting their own music videos.
So with that in mind, allow us to reintroduce NOISY. Your new favourite band, that sound nothing like a band.
DOWNLOAD - RUDEBOY Artwork | DOWNLOAD - Press Photo
NOISY on TikTok
WATCH VIA YOUTUBE + LISTEN ON DSPS
SKELETONS ALBUM DUE MARCH 17 VIA MNRK HEAVY
TICKETS ON SALE FOR THE SKELETONS U.S. HEADLINING SPRING TOUR WITH SPECIAL GUESTS THE WORD ALIVE AND AVOID
Toronto, ON - January 13, 2023 - Today, the hard rock group, Pop Evil, released the third single,Dead Reckoning (featuring Fit For A King) from their upcoming album, Skeletons, due March 17 via MNRK Heavy. Pre-save and pre-order here. Watch the video for Dead Reckoning (featuring Fit For A King) here.
The concept and instrumentals for Dead Reckoning were brought to the table by bassist, Joey “Chicago” Walser and co-written with singer, Leigh Kakaty. The producer of Skeletons, Drew Fulk (WZRD BLD), heard the demo and immediately suggested that Ryan Kirby from Fit for a King would be the perfect fit for a vocal collaboration. In describing the song, the band said, “'Dead Reckoning' is about..a clear and unwavering decision a person makes within themselves.”
The 11 tracks include the already released single, Eye of the Storm, which landed at the #5 Most Played Song in 2022 on Billboard's Mainstream Rock Chart, and the most recent single, Paranoid (Crash & Burn). The album also includes guest performers such as Blake Allison from Devour the Day providing guest vocals on Wrong Direction.
In discussing the album, frontman Leigh Kakaty said, “This is about us as a band stripping everything down to the bones. It’s more uptempo, it’s got bigger riffs, and we’re trying to capture the energy of our live show.”
“But it’s also a positive message,” he adds. “I know it’s a morbid visual, but behind every skeleton, there’s a story and something worth talking about. Overall, it’s about looking at something in a positive way. And I’m excited for everyone to hear that.”
Skeletons see the band once again working with producer WZRD BLD (Disturbed, Papa Roach, Motionless in White), a friend and collaborator on a few previous albums that generated four #1 hits. “With Versatile, we had a bunch of producers, but for this album, we just wanted to work with one person and get back to our roots,” says Kakaty. “There’s an energy he and I have, and he’s been great at helping us build these songs and work around some collective themes.”
Pop Evil will head out on their Skeletons Tour headlining U.S. dates starting on March 17, 2023, in Sault St. Marie at Kewadin Casino and concluding on April 23, 2023, in Milwaukee at The Rave. Special guests, The Word Alive and Avoid will join. Tickets are on sale now at www.popevil.com.
Pop Evil has massive anthems and built a new rock’n’roll institution on a foundation of showmanship, raw relatability, and hard rock hooks, both forward-thinking and timeless from frontman, Leigh Kakaty, lead guitarist Nick Fuelling, rhythm guitarist Dave Grahs, bassist Joey "Chicago" Walser and drummer Hayley Cramer. No matter the headline-grabbing declarations from legendary icons, lamenting the changing of the guard, the slow-burning success of Pop Evil demonstrates the hunger for hard-hitting honest music persisting worldwide.
Their 2011 album, War of Angels debuted at #8 on Billboard Top Rock Albums with three singles landing on Billboard’s Mainstream Rock Top 10 including Last Man Standing, Monster You Made and Boss’s Daughter. The momentum continued with their 2013 album Onyx, landing them on the Top 40 of the Billboard 200 for the first time, plus it was #9 on the Billboard Independent Albums in America and #25 on the Billboard 200. The album included three #1 Billboard Mainstream Rock singles, Trenches, Deal with the Devil and Torn to Pieces. In 2015, the band released their album, UP, which would make its way to #1 on Billboard Independent Albums, with four Top 5 Billboard Singles such as Ways to Get High, Take It All, and If Only for Now. The hit single, Footsteps, is still one of the biggest songs to date and returned Pop Evil to Billboard’s #1 spot for four weeks. Their 2018 self-titled album landed three singles on Billboard Mainstream Rock, Waking Lions, at #1 with Be Legendary, peaking at #2, and A Crime to Remember, peaking at #7.
Pop Evil’s last #1 single include Survivor, which also topped Billboard’s Mainstream Rock Chart in late 2021, joining previous Top 10 single, Work, and #1 single, Breathe Again, from their album, VERSATILE, out now via MNRK Heavy. Over the course of their career, the band has achieved four gold singles with Torn to Pieces, and Trenches from Onyx, Footsteps from UP, and, 100 in a 55 from their debut studio album, Lipstick on the Mirror.
Skeletons Tracklist:
1. Arrival
2. Paranoid (Crash & Burn)
3. Circles
4. Eye of The Storm
5. Sound of Glory
6. Skeletons
7. Worth It
8. Who Will We Become
9. Wrong Direction (Feat Devour the Day)
10. Dead Reckoning (Feat Fit For A King)
11. Raging Bull (Feat Zillion)
Skeletons U.S. Headlining Tour:
March 17 – Sault St. Marie, MI @ Kewadin Casino
March 18 – Royal Oak, MI @ Royal Oak Music Theatre
March 19 – Pittsburgh, PA @ Jergel's
March 21 – Lititz, PA @ Mickey's Black Box
March 23 – Worcester, MA @ The Palladium
March 24 – Uncasville, CT @ Mohegan Sun - Wolf Den +
March 25 – Waterloo, NY @ Del Lago Casino *
March 26 – Jersey City, NJ @ White Eagle Hall
March 28 – Virginia Beach, VA @ Elevation27
March 30 – Tampa, FL @ Hard Rock Event Center
March 31 – Atlanta, GA @ Variety Playhouse
April 1 – Charlotte, NC @ The Underground
April 2 – Nashville, TN @ Basement East
April 4 – Oklahoma City, OK @ Tower Theatre
April 5 – Dallas, TX @ Echo Lounge & Music Hall
April 7 – Tucson, AZ @ Rialto Theatre
April 8 – Tempe, AZ @ The Marquee Theater
April 10 – Santa Ana, CA @ The Observatory OC
April 11 – Sacramento, CA @ Ace of Spades
April 12 – San Diego, CA @ House of Blues
April 14 – Las Vegas, NV @ House of Blues
April 15 – Grand Junction, CO @ Mesa Theatre
April 16 – Denver, CO @ Gothic Theatre
April 18 – Lincoln, NE @ Bourbon Theatre
April 19 – Kansas City, MO @ The Truman
April 21 – Pittsburg, KS @ Kansas Crossing Casino
April 22 – Chicago, IL @ Concord Music Hall
April 23 – Milwaukee, WI @ The Rave
* The Word Alive will not be performing
+ No Support
Rescheduled UK + EU 2023 Tour:
May 4 – Glasgow, UK @ SWG3 Warehouse
May 5 – Manchester, UK @ Rebellion
May 6 – Birmingham, UK @ Institute 2
May 7 – London, UK @ The Dome
May 9 – Paris, FR @ Le Trabendo
May 10 – Cologne, DE @ Luxor
May 12 – Munich, DE @ Backstage Halle
May 13 – Frankfurt, DE @ Nachtleben
May 14 – Hamburg, DE @ Logo
May 15 – Amsterdam, NL @ Melkweg
with Call Me Amour as support, plus Zillion
DOWNLOAD – Hi Res Press Photo | DOWNLOAD – Hi Res Artwork | DOWNLOAD - Tour Posters
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.
MILITARIE GUN EMBARK ON HEADLINE WEST COAST TOUR JANUARY 31 WITH SHOW IN VANCOUVER ON FEBRUARY 4
SUPPORTING WHITE REAPER ON NORTH AMERICAN TOUR THIS MARCH WITH STOP IN TORONTO ON MARCH 14
Toronto, ON – January 12, 2023 – Los Angeles' Militarie Gun and Richmond's Dazy share the remix of their acclaimed collaborative track, Pressure Cooker, featuring additional vocals from Mannequin Pussy vocalist, Missy. Hailed as a "feel-good blast of 1990s-style alt-rock" with an "undeniable" hook by Pitchfork upon the original's release, the reimagined version of the track – courtesy of Dazy’s James Goodson - dials up the original's Madchester influence in addition to Missy's newly-added vocals. Listen to the song here and watch the visual here.
Formed in 2020, Militarie Gun is defined by the musical restlessness of vocalist Shelton. The band–whose lineup has expanded to include guitarists Nick Cogan and Acuña, drummer Vince Nguyen, and bassist Max Epstein–draw on a wide range of influences to make something that sounds combative yet accessible, and undeniably their own. Co-produced, engineered and mixed by Taylor Young, there are echos of the unhinged guitarwork of Born Against, the propulsive cadences of hip hop, the up-front bass of Fugazi–and most importantly, the hooks. Militarie Gun’s songs are instantly memorable, employing a melodic sensibility that’s just as informed by the work of Robert Pollard and Paul McCartney as it is by Black Flag. Most recently, the band released All Roads Lead To The Gun (Deluxe) in October of 2022 through their new label Loma Vista Recordings.
Goodson started Dazy as a one-man band from his Richmond, VA, home in 2020. His debut album, OUTOFBODY, was released on October 28, 2022, via Lame-O Records (with a cassette version available via Convulse Records) to high praise from outlets including Stereogum (Best New Bands of 2022 and Band To Watch), Pitchfork, Bandcamp Daily, Paste (Best of What’s Next, 25 Best Debut Albums of 2022), Brooklyn Vegan, FLOOD Magazine, GRAMMY.com, Uproxx, and Exclaim!.
Militarie Gun embarks on their West Coast tour at the end of this month and throughout February with support from Supercrush, Spiritual Cramp and Death Lens on select dates. Starting March 2, Militarie Gun will begin their tour supporting White Reaper across North America with stops in Denver, Detroit, Chicago, Atlanta, Toronto and Nashville. Tickets available here.
Listen to Pressure Cooker (Remix) above, see full Militarie Gun tour routing below, and stay tuned for more music from Militarie Gun coming very soon.
Upcoming Live Dates
Militarie Gun
* = w/ Spiritual Cramp, Supercrush
^ = w/ Death Lens, Supercrush
+ = supporting White Reaper
January 31 - San Jose, CA @ Playback Studios*
February 1 - Redding, CA @ The Dip*
February 2 - Portland, OR @ Mano Oculta*
February 3- Seattle, WA @ Barboza*
February 4 - Vancouver, BC @ The Black Lab*
February 8 - Sacramento, CA @ Cafe Colonial^
February 9 - Fresno, CA @ Strummer's^
February 10 - Riverside, CA @ The Hideaway Cafe^
February 11 - Anaheim, CA @ Chain Reaction^
March 2 - Denver, CO @ Summit Theater+
March 3 - Omaha, NE @ The Waiting Room+
March 4 - Kansas City, MO @ Madrid Theater+
March 6 - Des Moines, IA @ Wooly’s+
March 7 - Madison, WI @ Majestic Theatre+
March 8 - Detroit, MI @ St. Andrew’s Hall+
March 10 - Chicago, IL @ Metro+
March 11 - Cleveland, OH @ Beachland Ballroom & Tavern+
March 12 - Millvale, PA @ Mr. Small’s Theatre+
March 14 - Toronto, ON @ The Opera House+
March 22 - Carrboro, NC @ Cat’s Cradle+
March 23 - Atlanta, GA @ The Masquerade - Hell Stage+
March 24 - Nashville, TN @ The Basement East+
March 25 - Louisville, KY @ Headliners Music Hall+
Dazy
* = w/ Footballhead, Graham Hunt
^ = w/ Alien Boy
# = w/ Alien Boy, TV Star
~ = w/ Alien Boy, Object of Affection
January 18 - Chicago, IL @ Sleeping Village (Tomorrow Never Knows)*
January 19 - Milwaukee, WI @ Cactus Club*
January 20 - Seattle, WA @ Vera Project#
January 21 - Olympia, WA @ Le Voyeur#
January 22 - Portland, OR @ Mississippi Studios#
January 23 - Sacramento, CA @ The Starlet Room^
January 24 - San Francisco, CA @ Rickshaw Stop^
January 25 - Santa Cruz, CA @ The Catalyst Atrium^
January 26 - Hesperia, CA @ Collective 47^
January 27 - Santa Ana, CA @ Constellation Room^
January 28 - Los Angeles, CA @ The Echo~
January 29 - San Diego, CA @ Whistle Stop~
DOWNLOAD - Press Photo | DOWNLOAD - Single Art
TikTok: @militariegun
A FREE CONCERT FEATURING ACCLAIMED INDIGENOUS ARTISTS WILLAM PRINCE, SNOTTY NOSE REZ KIDS, SEBASTIAN GASKIN, BOOGEY THE BEAT, NIMKISH AND SIIBII
TAKING PLACE ON FEBRUARY 3
IN THE GRAND HALL OF THE CANADIAN MUSEUM OF HISTORY AS PART OF WINTERLUDE, CANADA'S CAPITAL REGION WINTER CELEBRATIONS
TORONTO, ONTARIO – January 12, 2023 – In partnership with Canadian Heritage, ELMNT FM (First People’s Radio) and Indigenous management company/record label, Red Music Rising, are thrilled to announce Minoshkite (MEE-NO-SHKEET; translates to "music to the ears" in Algonquin) - an outstanding free concert event on February 3, that will kick off Canada's Capital Region epic annual winter festival, Winterlude.
Hosted by acclaimed actor, Charles Bender, the Minoshkite concert will take place in the Grand Hall of the iconic Canadian Museum of History, and will feature some of the country's most exciting Indigenous performers, including William Prince, Snotty Nose Rez Kids, Sebastian Gaskin, Boogey the Beat, Nimkish and Siibii. Tickets can be reserved now here, and include a free festival t-shirt (limited quantities).
“I cannot express how thrilled we are to celebrate the first weekend of Winterlude in Ottawa with a FREE concert," says Jean La Rose, President/CEO of Dadan Sivunivut. "Minoshkite brings together some of the most amazing musical talent that the Indigenous Peoples in Canada have to offer.”
“Winterlude is back in Canada’s Capital Region from February 3 to 20. Don’t miss your chance to take part in this great Canadian tradition with family and friends," remarks Pablo Rodriguez, Minister of Canadian Heritage. "The festivities this year will feature our country’s cultural and artistic diversity, and the Minoshkite concert, showcasing Indigenous cultures and artists, is sure to be a highlight. I wish you all a great concert and a wonderful Winterlude!”
“Red Music Rising is so pleased to partner with First People's Radio to present and celebrate Indigenous excellence at Minoshkite," adds Red Music Rising Director and Lead Artist Manager, Matthew Maw. "Every aspect, from the incredible musical lineup to the stunning venue of the Grand Hall, has culminated in what is sure to be an unforgettable evening of free music and culture; the perfect way to kick off your Winterlude 2023. Chi Miigwetch, thank you very much!”
MINOSHKITE
Date: Friday, February 3
Time: 7:00 p.m.
Venue: The Canadian Museum of History, Grand Hall (100 Laurier St, Gatineau, Quebec)
Admission: FREE - reserve tickets here
Host: Charles Bender
Performances by: William Prince, Snotty Nose Rez Kids, Sebastian Gaskin, Boogey the Beat, Nimkish, Siibii
We acknowledge the support of the Government of Canada through the Federal Economic Development Agency for Southern Ontario.
DOWNLOAD - artist photos | DOWNLOAD - event poster
ABOUT ELMNT FM:
95.7 ELMNT FM is Ottawa’s only Indigenous-owned radio station. Owned and operated by First Peoples Radio and launched in October 2018, 95.7 ELMNT FM plays the latest pop, hip-hop and R&B, while promoting some of the best First Nations, Inuit, and Métis artists working today.
ABOUT RED MUSIC RISING:
Launched in January 2020 in partnership with Dadan Sivunivut, Red Music Rising is a holistic music company. A full-service artist management company and record label, owned and managed entirely by Indigenous individuals, with a mission to help develop robust, sustainable, life-long careers for Indigenous artists and industry professionals.
Matt Maw (Chippewas of the Thames First Nation) is Red Music Rising’s Director & Lead Artist Manager. Matt brings over a decade of multi-faceted music industry experience to Red Music Rising, along with a passion for artist development and a mission to amplify Canada's Indigenous talent on the global stage. redmusicrising.ca
ABOUT WINTERLUDE:
The National Capital Commission (NCC) created Winterlude in 1979 to celebrate Canada's unique northern culture and climate. Organizers were inspired by our ancestors who would gather to enjoy each other’s company during the long winter months.
Now Winterlude is organized by Canadian Heritage and is considered the flagship event of the winter tourist season in Canada's Capital Region. On average, 600,000 visitors take part in the festivities each year.
Winterlude calendar of events.
***
ELMNT FM ET RED MUSIC RISING PRÉSENTENT MINOSHKITE, UN CONCERT GRATUIT RÉUNISSANT DES ARTISTES AUTOCHTONES ACCLAMÉS WILLIAM PRINCE, SNOTTY NOSE REZ KIDS, SEBASTIAN GASKIN, BOOGEY THE BEAT, NIMKISH ET SIIBII
UN CONCERT GRATUIT LE 3 FÉVRIER PROCHAIN DANS
LE GRAND HALL DU MUSÉE CANADIEN DE L’HISTOIRE
À L’OCCASION DU BAL DE NEIGE, LES CÉLÉBRATIONS HIVERNALES DE LA RÉGION DE LA CAPITALE CANADIENNE
TORONTO, ONTARIO – Le 12 janvier 2023 – En partenariat avec Patrimoine canadien, ELMNT FM (la radio des Premières Nations), ainsi que la société de gestion d’artistes autochtones et maison de disque Red Music Rising sont ravies de présenter Minoshkite (MI-NO-CHKIIT, « de la musique à vos oreilles » en algonquin). Ce concert gratuit exceptionnel aura lieu le 3 février prochain et donnera le coup d’envoi du Bal de Neige, l’incontournable festival hivernal annuel de la région de la capitale du Canada.
Animé par l’acteur acclamé Charles Bender, le concert Minoshkite se déroulera dans le Grand Hall de l’emblématique Musée canadien de l’histoire. Il mettra en vedette certains des artistes autochtones les plus en vue du pays parmi lesquels William Prince, Snotty Nose Rez Kids, Sebastian Gaskin, Boogey the Beat, Nimkish et Siibii. La réservation des billets est en cours sur museedelhistoire.ca et inclut un t-shirt gratuit du festival (quantités limitées).
« Je ne peux exprimer à quel point nous sommes heureux de célébrer le premier week-end du Bal de Neige à Ottawa par le biais de ce concert GRATUIT », a déclaré Jean La Rose, président-directeur général de Dadan Sivunivut. « Minoshkite réunit certains des talents musicaux les plus étonnants que les peuples autochtones du Canada aient à offrir. »
« Le Bal de Neige est de retour dans la région de la capitale du Canada du 3 au 20 février. Ne manquez pas votre chance de participer à cette grande tradition canadienne pour vous rassembler en famille et entre amis. Cette année, les festivités mettront en valeur la diversité culturelle et artistique de notre pays, et le concert Minoshkite, qui présente les cultures et les artistes autochtones, sera certainement un moment fort. Je vous souhaite à tous et à toutes un excellent concert et un merveilleux Bal de Neige! » – Pablo Rodriguez, ministre du Patrimoine canadien
« Red Music Rising est ravie de s’associer à la Radio des Premières Nations pour présenter et célébrer l’excellence autochtone dans le cadre de Minoshkite », a ajouté le directeur de la maison Red Music Rising et gérant d’artistes principal Matthew Maw. « Chacun des aspects de ce concert, de l’incroyable programmation au lieu choisi, le Grand Hall, mène à ce qui sera assurément une soirée inoubliable de musique et de culture, le tout gratuitement; une façon idéale de lancer votre Bal de Neige 2023! Chi Miigwetch, merci beaucoup! »
MINOSHKITE
Date : le vendredi 3 février
Heure : 19 h
Lieu : Musée canadien de l’histoire, Grand Hall (100, rue Laurier, Gatineau, Québec)
Droits d’entrée : GRATUIT – réservez vos billets sur museedelhistoire.ca
Animateur : Charles Bender
Artistes : William Prince, Snotty Nose Rez Kids, Sebastian Gaskin, Boogey the Beat, Nimkish, Siibii
Nous reconnaissons le soutien du gouvernement du Canada par l’intermédiaire de l’Agence fédérale de développement économique pour le Sud de l’Ontario.
TÉLÉCHARGEZ - les photos des artistes | TÉLÉCHARGEZ - le poster de l’événement
AU SUJET D’ELMNT FM:
95.7 ELMNT FM est la seule station de radio autochtone d’Ottawa. Détenue et exploitée par First Peoples Radio et fondée en octobre 2018, 95.7 ELMNT FM diffuse les plus récents rythmes pop, hip-hop et R&B tout en faisant la promotion des meilleurs artistes des Premières Nations, Inuit et Métis oeuvrant aujourd’hui.
AU SUJET DE RED MUSIC RISING:
Fondée en janvier 2020 en collaboration avec Dadan Sivunivut, Red Music Rising est une boîte holistique à vocation musicale. Il s’agit d’une société de gestion d’artistes et d’une maison de disque à service complet. Détenue et gérée entièrement par des Autochtones, elle a pour mission d’aider les artistes autochtones et les professionnels de l’industrie à développer des carrières solides et durables, celles de toute une vie.
Matthew Maw (de la Première Nation des Chippewas de la Thames) est le directeur de Red Music Rising et son gérant d’artistes principal. Matthew apporte plus d’une décennie d’expérience diversifiée dans l’industrie de la musique à Red Music Rising, de même qu’une passion pour le développement de la carrière d’artistes, assortie de la mission d’amplifier la présence du talent autochtone sur la scène mondiale. redmusicrising.ca
AU SUJET DU BAL DE NEIGE:
La Commission de la capitale nationale (CCN) a créé le Bal de Neige en 1979 pour célébrer la culture et le climat nordiques uniques du Canada. Ses organisateurs ont été inspirés par nos ancêtres, qui se réunissaient pour profiter de la compagnie des uns et des autres au cours des longs mois d’hiver.
Aujourd’hui, le Bal de Neige est organisé par Patrimoine canadien et est considéré l’événement phare de la saison touristique hivernale de la région de la capitale du Canada. En moyenne, quelque 600 000 visiteurs participent aux activités chaque année.
Le calendrier des activités du Bal de Neige.
DAN AUERBACH AND LEON MICHELS ANNOUNCE INTIMATE SERIES OF DJ SETS IN PAIRS, NEW YORK AND LOS ANGELES
ELECTROPHONIC CHRONIC, THE FIRST ALBUM FROM THE ARCS SINCE 2015, ARRIVES JANUARY 27 VIA EASY EYE SOUND
TORONTO, ON – January 12, 2023 – The Arcs have unveiled Sunshine today, the final advance look at their first album in eight years, Electrophonic Chronic, before its January 27 release on Easy Eye Sound. Kicking off with an instantly-captivating piano melody from Leon Michels - who also provides horns on the track - lead vocalist, Dan Auerbach, balances vignettes of feeling down on your luck with the chorus' unwavering plea for better days ahead: "won’t you help me see the light." On a track that was originally co-written with their late bandmate, Richard Swift (who can also be heard on background vocals and percussion), before his passing in 2018, it's a poignant statement on picking up the pieces and finding meaning in times that feel most difficult.
Listen to Sunshine and pre-order Electrophonic Chronic here.
Auerbach and Michels, who co-produced Electrophonic Chronic, have also announced a series of DJ sets that will bring them to small rooms across Paris (which will include a DJ set from The Black Keys featuring both Auerbach and Patrick Carney), New York and Los Angeles in the weeks to come. A celebration of the band's mutual obsession with crate-digging and spinning rare finds for each other on the road, the sets double as a reminder of these shared passions with Swift, which built the roots of the new record before his passing. Among their many inspirations are vintage soul (featured on the album is a gender-flipped cover of the would-be South Florida star Helene Smith's A Woman Will Do Wrong), old school garage rock (including Electrophonic Tonic, the once-lost gem from Fred "Sonic" Smith and Sonic's Rendevous Band), and the space age pop made famous by producer Joe Meek in the pre-Beatles 1960s.
Featuring the full original line-up of The Arcs - Auerbach, Michels, Swift, Nick Movshon and Homer Steinweiss - Electrophonic Chronic has been met with early praise from NPR Music, Rolling Stone, Pitchfork, Billboard and more. The album was recorded over the course of years, revisited by Auerbach and Michels during the pandemic after a period where, as Michels puts it, "I think all of us couldn’t really listen to the music, couldn’t really face it and try to finish it."
"This new record is all about honoring Swift," Auerbach adds. "It’s a way for us to say goodbye to him."
The Arcs DJ Sets with Dan Auerbach and Leon Michels
January 14 - Gigis Paradisco - Paris, France *
January 28 - Sultan Room - Brooklyn, New York - tickets here
February 3 - Gold Diggers - Los Angeles, California (with DJ Breezy) - tickets here
* (DJ sets by The Black Keys & El Michels Affair)
DOWNLOAD - The Arcs Press Photo | DOWNLOAD - Sunshine Single Art
DOWNLOAD - Electrophonic Chronic Album Art
LASCELLES STEPHENS, ELAINE BOMBERRY, HAVIAH MIGHTY AND CHRISTINA CASSARO, AND JEFF OJEDA TO BE RECOGNIZED AT THE HONOUR ROLL AWARDS EVENT ON MARCH 6 IN TORONTO, ON
TICKETS AVAILABLE NOW
CONGRATULATORY ADS TO CELEBRATE THE HONOUREES AVAILABLE TO PURCHASE HERE
TORONTO, ON – January 12, 2023 – MMF Canada is thrilled to announce the recipients of the 15th Annual Honour Roll Awards: Lascelles Stephens (Deco Entertainment); Elaine Bomberry; Haviah Mighty and Christina Cassaro (DI:ME ARTS MGMT); and Jeff Ojeda (Phase Management). They will be formally celebrated at the Honour Roll Awards ceremony, taking place on Monday, March 6 at the Great Hall in Toronto, ON. Tickets are available here, and full details can be found below.
“This year's honourees, selected by the Honour Roll committee and MMF Canada Board of Directors, are an impressive bunch!” remarks Amie Therrien, MMF Canada Executive Director. “Lascelles' continued international success with Deborah Cox makes them a force to be reckoned with and Elaine has and continues to create meaningful opportunities for Indigenous artists. Christina and Haviah have been smashing boundaries and earning accolades worldwide and Jeff is making waves in the country and Americana realm with his artists and creating space for other LGBTQ2S+ and BIPOC industry professionals. I can't wait to see everyone and hope that our new venue and new show-only ticket and member pricing will open things up to more of our community to join us in celebration!”
Lascelles Stephens (Deco Entertainment) is the recipient of this year’s Honour Roll Award, which recognizes outstanding achievements and excellence in Canadian and international artist management. Stephens is a renowned Canadian composer, producer and music manager. With nearly three decades of experience, his keen ear for creating unique melodies has secured his position as one of Canada’s most versatile behind-the-scenes musical figures, having worked with notable artists like Simone Denny, Maestro Fresh Wes, and Glenn Lewis. In 1989, Stephens began collaborating with Canadian Music Hall of Fame inductee, Deborah Cox, leading to the signing of Cox’s first record deal with Arista Records. Stephens and Cox have been bringing chart-topping hits to fans worldwide, and complementing each other’s respective musical expertise ever since. Bringing a new sound to R&B music, their work has been celebrated with numerous awards and nominations, including two Genie nominations for the songs written for the TIFF film, Love Come Down.
Previous recipients of the Honour Roll Award include Piers Henwood and Nick Blasko (2021), Sandy Pandya (2019), Susan de Cartier (2018), Chris Smith (2017), Lorne Saifer (2016), Rob Lanni & Eric Lawrence (2015), Gilles Paquin (2014), Jake Gold (2013), Larry Wanagas (2012), Terry McBride (2011), Sam Feldman (2010), Ray Danniels (2009), Bruce Allen (2008), and Bernie Finkelstein (2007).
The Brian Chater Pioneer Award, which is bestowed upon individuals who have been instrumental in creating the framework for music management in the Canadian entertainment industries, will be presented to Elaine Bomberry. Bomberry is Anishinabe and Cayuga, from Six Nations of the Grand River Territory. She now makes her home on the Capilano Rez, on the unceded Squamish Nation territory in North Vancouver. She has worked as a freelance Indigenous Performing Arts activist/promoter/manager/ TV and radio producer for over 35 years. Bomberry manages JUNO winner Murray Porter, helped create the Best Music of Aboriginal Canada recording category for the JUNO Awards in 1994, works with Rez Bluez, 2 Rivers Remix Festival, Summer Solstice Indigenous Music Awards, and also serves as the Artist Ambassador for the Gord Downie & Chanie Wenjack Fund – working tirelessly to create opportunities for Indigenous artists.
Previous recipients of the Brian Chater Pioneer Award include Gary Slaight and Derrick Ross, Slaight Music (2021), Ron Sakamoto (2019), Riley O'Connor (2018), Duff Roman (2017) Michael Cohl (2016), Pegi Cecconi (2015), Brian Chater (2014), Neill Dixon & Steve Propas (2013), Donald Tarlton & Terry Flood (2012), Mary Martin (2011), and Leonard Rambeau (2010).
Recognizing the success of an artist and their manager for an exceptional year, the 2022 Banner Year Award (sponsored by SOCAN Foundation) will go to Haviah Mighty and Christina Cassaro (DI:ME ARTS MGMT). Mighty and manager, Cassaro, have made Canadian hip-hop history together. In 2019, with Cassaro in her corner, Mighty was the first Black woman and the first hip-hop artist to win the prestigious Polaris Music Prize, and she became the first woman to win a JUNO Award in the Best Rap Album/EP of the Year category in 2022. Mighty was also the only Canadian nominee at the 2022 BET Hip-Hop Awards in the Best International Flow category. Working together, this team is continuing to push forward to carve out spaces that boldly defy gendered expectations for women in hip-hop. With this drive and energy, there’s no doubt that there are more ground-breaking accolades and achievements on the horizon.
Previous recipients of the Banner Year Award include Jessie Reyez, Mauricio Ruiz and Byron Wilson (2021), Chris Taylor, Ashley Poitevin, Sarah Osgoode & Arkells (2019), Daniel Caesar, Matthew Burnett, Jordan Evans (2017), Joanne Setterington & The Strumbellas (2017), and Tony Sal & The Weeknd (2016).
And receiving the inaugural Trailblazer Award is Jeff Ojeda (Phase Management). This new award was introduced earlier this year, and was established to honour and recognize Canadian managers, or self-managed artists, who are carving new paths within the industry landscape. With 15 years of experience as a guitar technician, a branding specialist, and now a full-time manager, Ojeda is working to create space in the music industry, especially in the country and Americana realm, and creating space for other LGBTQ2S+ and BIPOC entrepreneurs. He’s working to pilot the first large-scale AmericanaFest festival and industry conference to Canada in the coming years, bringing much needed attention to the format in Canada. In the management space, Ojeda has taken his client, Kyle McKearney, to a national level in a matter of months with his debut album earning multiple award nominations and securing opening spots for international touring artists like Kip Moore, Dean Brody, and Brett Kissel. Ojeda also contributes to the community as a mentor, consultant, and instructor.
DOWNLOAD – Honouree Longform Bios
DOWNLOAD – Honouree Photos
DOWNLOAD – 15th Annual MMF Canada Honour Roll Awards event graphic
The MMF Canada Honour Roll, now in its 15th year, is a flagship event in the industry calendar, recognizing individuals for their outstanding achievements and contributions to Canada’s music management industry. The annually sold-out event brings together the award recipients and their guests, with past honourees, MMF’s Board of Directors, and other industry personnel, including executives from SOCAN, Sony, Warner, Universal Music, FACTOR, CIMA, MROC, Re:Sound, APA Agency, The Feldman Agency, Paquin Artists Agency, and others.
Congratulatory ads celebrating the honourees are available to purchase here (available at ticket selection). The ads will appear in both the printed program book and the celebratory video and will be available on MMF Canada’s Honour Roll Archives webpage and shared across MMF Canada’s social media platforms and email newsletter.
EVENT INFO:
15th Annual Honour Roll Awards
Monday, March 6, 2023
The Great Hall – 1087 Queen St W, Toronto, ON
6:00 p.m. reception / 8:30 p.m. awards presentation
Tickets available here
ABOUT MMF CANADA
MMF Canada is the national, collective voice for Canadian music managers, their artists, and self-managed artists working at all levels and in all genres. The non-profit organization provides professional development, networking and mentorship opportunities for its members and other industry professionals, ensuring that all can have access to the support and tools necessary for success. MMF Canada is also a fierce advocate, working alongside partner associations, ensuring that government and industry programs and policies best serve artists and managers.
mmfcanada.ca
instagram.com/MMFCANADA
facebook.com/MMFCANADA
twitter.com/MMFCANADA
INCLUDING BONNAROO, GREEK THEATRE, RED ROCKS
AND DOZENS MORE DATES FROM JUNE-SEPTEMBER
WITH SUPPORT FROM GRRL, DEHD & INDIGO DE SOUZA
CANADIAN DATES IN TORONTO AND VANCOUVER IN AUGUST
TICKETS ON SALE THIS FRIDAY
FOLLOWED BY PHYSICAL RELEASE OF NO RULES SANDY LP ON JANUARY 20
“Sylvan Esso’s electronic pop goes gleefully haywire”
– The New York Times, Best Albums of 2022
TORONTO, ON - January 10, 2023 - After their most prolific and unpredictable year to date, Sylvan Esso are about to make 2023 even bigger. Today, the band announces a summer tour of nearly two dozen North American shows and counting, including the largest venues they have ever headlined. In support of their latest LP, No Rules Sandy, named one of the Best Albums of 2022 by The New York Times, the extensive run spans three months, bringing Amelia Meath and Nick Sanborn to Bonnaroo, LA’s Greek Theatre, Red Rocks Amphitheatre, Canadian stops in Toronto and Vancouver, and other illustrious stages from coast to coast, with GRRL, Dehd and Indigo De Souza. On top of their first EU and UK performances since 2017, a number of US festival appearances will also be revealed in the coming weeks.
Tickets to all newly added tour dates go on sale at 10:00 a.m. local time this Friday (January 13). Fans can sign up on sylvanesso.com for early access to tickets beginning Wednesday (January 11) at 10:00 a.m. local time. Find the list of shows below, and more information at sylvanesso.com/tour
Amelia Meath and Nick Sanborn never expected to make a whole new record in three weeks spent in a makeshift studio at a Los Angeles rental home during the start of 2022 – let alone their "most personal and experimental project" (Harper's Bazaar) - but next Friday (January 20) will see No Rules Sandy immortalized with a physical release. The album will be available as a deluxe vinyl LP, CD and cassette, and the band will mark the occasion with special events including a signing at NYC’s Rough Trade on January 18, and a DJ set/signing at LA’s Amoeba Music on January 25. Pre-order No Rules Sandy on a variety of formats at lnk.sylvanesso.com/NoRulesSandy.
Showcasing “a truer blend of both Meath and Sanborn's skill sets” (NPR Music), the music of No Rules Sandy “challenges all expectations” (The New York Times), and has thus far been experienced in sold-out arenas with ODESZA, a surprise debut at Newport Folk Festival, an episode of Austin City Limits on PBS, wide-ranging conversations on CNN’s Amanpour, NPR’s All Things Considered and beyond. Between it all, Sylvan Esso also presented at the 2022 GRAMMY Awards, played three straight hometown shows at the Historic Durham Athletic Park, championed new artists and expanded the creative community around their record label Psychic Hotline, and introduced brand new duos with inaugural projects from The A’s (Fruit) and GRRL x Made of Oak (Inertia), which recently led Meath back to NPR’s Tiny Desk and Sanborn to an exhilarating set for Boiler Room. Stay tuned for much more that Sylvan Esso will share before returning to the road.
NO RULES TOUR DATES:
June 14 - Asheville, NC - Rabbit Rabbit *
June 15 - Asheville, NC - Rabbit Rabbit *
June 16-18 - Manchester, TN - Bonnaroo
July 1 - Gdynia, PL - Open'er Festival
July 2 - Berlin, DE - Metropol
July 3 - Amsterdam, NL - Paradiso
July 4 - Dublin, IE - Vicar Street
July 6 - London, UK - Electric Brixton
July 7 - Lisbon, PT - Alive Festival
July 8 - Madrid, ES - Mad Cool Festival
August 4 - St. Charles, IA - Hinterland Festival
August 8 - Toronto, ON - History %
August 9 - Shelburne, VT - Ben & Jerry's Concerts on the Green %
August 11 - Washington, DC - The Anthem %
August 12 - Philadelphia, PA - Franklin Music Hall %
August 14 - Indianapolis, IN - TCU Amphitheater at White River State Park #
August 15 - Columbus, OH - KEMBA Live! #
August 17 - St Louis, MO - The Pageant #
August 18 - Kansas City, MO - Arvest Bank Theatre at The Midland #
August 19 - Minneapolis, MN - The Armory #
August 22 - Ogden, UT - Ogden Twilight
August 24 - Troutdale, OR - Edgefield #
August 25 - Vancouver, BC - Vogue Theatre #
August 27 - Bend, OR - Hayden Homes Amphitheater #
August 30 - Berkeley, CA - Greek Theatre at UC Berkeley #
August 31 - Los Angeles, CA - Greek Theatre #
Sept 1 - San Diego, CA - The Sound at Del Mar #
Sept 7 - Las Vegas, NV - Brooklyn Bowl #
Sept 8 - Phoenix, AZ - The Van Buren #
Sept 9 - Santa Fe, NM - Santa Fe Opera Theatre #
Sept 10 - Morrison, CO - Red Rocks Amphitheatre #
* w/ GRRL
% w/ Dehd
# w/ Indigo De Souza
STREAM HERE
SIGALA’S SECOND ALBUM EVERY CLOUD
TO BE RELEASED MARCH 3
PRE-ORDER EVERY CLOUD HERE
8 UK Top 10 Singles
7 global Platinum Singles
9 global Gold Singles
7 Million UK sales
22 Million worldwide sales
4 Billion streams
Over 1 Billion video views
Toronto, ON – January 6, 2023 –British artist, producer and DJ, Sigala, kicks off 2023 in style by teaming up with powerhouse MNEK on collaborative single, Radio, released globally via Ministry of Sound. Listen here.
After eight UK Top 10 singles, a BRIT Nomination for Best Single for Lullaby, seven global Platinum singles, nine global Gold singles, seven million UK sales, 22 million worldwide sales, 4 billion audio streams and over one billion video views, Sigala is readying for the release of his second full-length album, Every Cloud.
Radio serves as the latest taster of the record and was co-created and sung by one of Sigala’s all-time heroes.
“MNEK, what a legend!” he beams. “I've followed his career since day one, when I was at uni. He's somebody that I've always dreamed of working with.”
And in the writing, he didn’t disappoint, even for a man well-used to using the studio as a creative playground.
“I spent about two hours making a beat, getting some nice chords, whilst he was just chilling. And then he was like, 'OK, just play it through.' He's on his phone, typing down lyrics, then he jumps on the microphone. And literally 20 minutes later, he had written pretty much the whole song – and the vocal is the one that he sang in two takes!” Sigala marvels.“Just incredible. I was honestly blown away. It was like being in the presence of true genius.”
There is, accordingly, a freshness to the French disco feel of the track. “That's something that I really wanted to keep true to; not overproduce it. It's such a simple production, but it's unique as well, with that offbeat bass going all the way through. It throws back to early 2000s and late 90s stuff, and even disco.”
Culturally, MNEK is considered a musical icon amongst the LGBTQIA+ community and has previously performed at New York World Pride 2019, UK Black Pride and featured on RuPaul’s Drag Race UK as both a coach and guest judge. After setting up a writing camp dedicated to supporting LGBTQIA+ singer/songwriters in 2019, MNEK has continued efforts to strive for more inclusivity within the industry as a contributor to the Guardian UK diversity panel and hosting his own YouTube panel, MNEKs Inter-Section, in conversation with five Black Queer artists/content creators.
He has clocked up an astonishing 13 years in the music business. With over four billion streams on MNEK written, featured and produced tracks, he has grown to become a true powerhouse within the British pop world. He has worked alongside some of the biggest names in the industry, collaborating with the likes of Zara Larsson, Stormzy, Years & Years and Craig David. He’s written with international stars such as Beyoncé, Dua Lipa, Christina Aguilera, BTS, Mabel, Madonna, Kelly Rowland and Selena Gomez. His back catalogue includes a number of worldwide hits including, Ready For Your Love, Never Forget You, and Blinded By Your Grace. His hit with Joel Corry, Head & Heart, became a global success, topping the charts in several countries and taking the reign as the longest standing UK #1 single in 2020. 2022 saw his continued success both on and off stage with Where Did You Go?, his collaboration with Jax Jones, going platinum and spending an incredible 32 weeks on the charts, plus the launch of Island UK & Republic US’s hotly tipped female R&B trio FLO, and their debut EP, The Lead, which he executively produced.
On Radio MNEK adds “Bruce & I wrote this song a few years ago. It was such a fun and easy session and it’s really cool how he evolved the song into the record you’re hearing today!”
Every Cloud is the album Sigala has been working on from pretty much the minute he finished making his first, September 2018’s blockbuster, Brighter Days. The impressive debut album featured a stellar line-up of collaborators that included Kylie Minogue, Paloma Faith, French Montana, Ella Eyre, Becky Hill and more!
Sigala has had another incredible year, playing to fans across the globe and consistently releasing smash singles from the forthcoming collection. Every Cloud will also include Lasting Lover, with James Arthur, Melody, Stay The Night featuring Talia Mar, Rely On Me, and the David Guetta and Sam Ryder collaboration Living Without You. Collectively these releases have amassed a staggering half a billion streams and counting.
Available on various formats that include, digital release, vinyl, CD and cassette, Every Cloud is set to include another mammoth line-up of guest artists, which are soon to be revealed.
As well as new music, Sigala also announced a UK headline tour which kicks off in Dublin on March 5. The announcement of the album and tour continues on from a busy 2022, which saw his triumphant return to the live scene and play to thousands of fans across his sold-out North American tour. This year is set to be another standout for Sigala, who is looking forward to reengaging with his fans and bringing the Sigala experience to more live electrifying shows.
Sigala UK Tour 2023:
Sunday, March 5 – 3Olympia, Dublin
Tuesday, March 7 – NX, Newcastle
Wednesday, March 8 – O2 Academy, Glasgow
Thursday, March 9 – O2 Academy, Glasgow (*Extra Show Added)
Friday, March 10 – The Engine Shed, Lincoln
Saturday, March 11 – HMV Empire Coventry, Coventry
Wednesday, March 15 – Albert Hall, Manchester
Friday, March 17 – Electric Brixton, London
Saturday, March 18 – Tramshed, Cardiff
Order tickets for Sigala's 2023 UK tour here.
DOWNLOAD - Radio Artwork
ABOUT SIGALA
Sigala is the musical nom de plume of Bruce Fielder, a London-based house DJ, producer, and remixer. Launching his career with Easy Love, a Jackson 5-sampling track which topped the charts in the U.K. in 2015, he continued releasing bright, sunny dance-pop tunes featuring a variety of guest vocalists and producers. His 2018 full-length Brighter Days included collaborations with Kylie Minogue, Craig David, Sean Paul, and Nile Rodgers, among many others. Subsequent tracks featuring Becky Hill (Wish You Well) and James Arthur (Lasting Lover) continued his run of U.K. Top Ten hits. Stay the Night (with Talia Mar) appeared in 2022. Born and raised in Norfolk, England, Fielder started piano lessons as a child, and played in various bands after graduating university. He found work as a producer, and co-wrote Ella Eyre and Sigma's 2015 U.K. hit single, Good Times. His first solo single as Sigala was Easy Love, an energetic house tune built around a sample of the Jackson 5's iconic hit ABC. Released by Ministry of Sound, it entered the U.K. singles chart and shot up to number one in its second week. Fielder's second single, Sweet Lovin' (featuring singer/songwriter Bryn Christopher), hit number three and was certified gold or platinum in several countries. Several more hits followed in 2016, including Say You Do (featuring Imani and DJ Fresh), Give Me Your Love (featuring John Newman and Chic's Nile Rodgers), and Ain't Giving Up, a collaboration with Craig David that appeared on his sixth album, Following My Intuition. In 2017, Sigala co-produced the single, Show You Love, with Danish DJ Kato, sung by Hailee Steinfeld. He then paired with singer Paloma Faith for the 2018 single, Lullaby. Later that year, Sigala compiled ten of his previously released singles, as well as a handful of album tracks, to make up his debut studio album Brighter Days. Issued by Ministry of Sound, the LP reached number one on the U.K. Dance Albums chart. In 2019, he released the singles Wish You Well, with Becky Hill, and We Got Love, featuring Ella Henderson. Another song with Hill, Heaven on My Mind, appeared in 2020, and Lasting Lover (with James Arthur) became Sigala's eighth single to chart in the U.K. Top Ten. In 2021, Sigala released You for Me (with Rita Ora) and Runaway (with R3hab and JP Cooper). Solo single, Melody, and Talia Mar collaboration, Stay the Night appeared in 2022.
LISTEN TO NEW ALBUM SMS FOR LOCATION, VOL.5 HERE
Toronto, ON – December 15, 2022 – Today, Montreal’s JUNO Award-nominated collective, Moonshine, share a visual for Off-White featuring Vanyfox, a standout from their new album, SMS For Location, Vol. 5, released on December 3 in partnership with FORESEEN Entertainment. Explosive, punchy and addictive, Off-White is a certified banger that'll heat up any dance floor while the video shows pool party debauchery, directed by London, UK-based, Daniel Amoakoh, who has directed several videos for Moonshine member, 2022 Polaris Music Prize-winner, Pierre Kwenders. The song features Vanyfox, an acclaimed producer now evolving between Lisbon and Paris. Watch Off-White here.
Over a year has passed since Moonshine’s celebrated, SMS for Location, Vol.4. A year during which the JUNO-nominated collective has traveled, played sold out tours and festivals in Europe, Africa and Americas, spinned beats, explored, but more importantly connected with like-minded visionaries and artists globally. This is exactly what shines through on Moonshine’s latest, SMS for Location, Vol. 5, a collection of 15 genre-busting tracks fusing batida, afrobeats, afro house, amapiano, bass-heavy, and pure electronic sounds. From club scenes in Montreal, Lisbon, Paris, Brussels, Los Angeles, to Kinshasa’s undefeated dancefloors, the crew is building bridges, subverting the paradigm through their now legendary parties. On SMS for Location, Vol. 5, Moonshine is activating the past in the present to secure a future for inventive electronic production. Listen to the album here.
Highlights on the album include Jamila, an afrohouse-infused Arabic love song delivered by the Moroccan-Canadian duo De.Ville - the infectious Vita Nzoto, featuring Kokoko! member Love Lokombe - the amapiano anthems Ofele (Remix), and Obomi Nga (featuring 2022 Polaris Music Prize winner, Pierre Kwenders, Uproot Andy, MC Azas, and MC RedBul) - and Pink, featuring Kris the $pirit. Read more about the album in the track-by-track.
Stay tuned for more Moonshine as the phases wax and wane, and learn more about the collective below.
DOWNLOAD – Moonshine logo | DOWNLOAD – Moonshine Press Photo
DOWNLOAD - SMS For Location, Vol. 5 Artwork
About Moonshine
Depending on whom you ask, the esoteric effects of lunar cycles can be wide-ranging: good fortune, human fertility, ocean tides, werewolf prevalence and loss of sanity among them. For the like-minded musicians, DJs, dancers and visual artists who make up the Moonshine collective, the planetary satellite above all inspires their eponymous monthly event, driven by an inclusive ethos and a shared love for experimentations in dance culture.
Since its founding in 2014, Moonshine has carved out an enviable niche in Montréal’s nightlife milieu by celebrating a wide range of fledgling local talents, championing Afro-electronic, bass-heavy sounds, and bringing together communities that wouldn’t necessarily cross paths otherwise. As the name indicates, the lunar-based Moonshine recipe has the collective throw an all-night, sensory-soaked party on the Saturday after every full moon in ever-shifting, unpredictable locations across the city, always strictly disclosed via text messages. With fresh cuts supplied by resident DJs Pierre Kwenders, San Farafina, Vanyfox and AKantu, close friends such as Bambii, Foreigner, and Uproot Andy, visual installations, musicians, and a slew of live musicians and performers that have included Kaytranada, Dâm-Funk, Le1f, Venus X, and Branko, the parties have become a staple of the after-hours scene, in Canada and abroad, with appearances in NYC, LA, Paris, Brussels, Lisboa, Milan, Barcelona, Amsterdam or Santiago to name a few.
“The essence of Moonshine came out of parties we used to throw in our kitchens,” recalls Kwenders. “We felt like we couldn’t go out and find what we had cooked up in that kitchen. It’s one of the reasons we started Moonshine: to share that with more people who felt just like us, and who didn’t have access to such sounds or vibes.”
Still going strong four years on, Moonshine has also begun making use of the aesthetic, network and structure it established with the parties to promote affiliated artists, expanding its vision from ephemeral moonlit soirées to an expanding catalog of genre-busting music, art and apparel.
Learn more about Moonshine here.
About FORESEEN
FORESEEN Entertainment is a black-owned record label & publisher based out of Toronto, dedicated to exposing cutting edge talent. FORESEEN invests in talented creative artists, who can provide content that we can expose to a global audience. FORESEEN is dedicated to exposing talented artists and not creating them. www.foreseenent.com
LISTEN HERE
WATCH VIDEO FOR ALBUM TRACK ECSTASY HERE
TORONTO, ON - December 9, 2022 - Rwandan artist, Eloi El, today releases his emotionally-charged, three-track EP, Stick Together, which pays homage to his late father who inspired him to become a musician. The release comes alongside an official video for Ecstasy, which is directed and produced by and stars Eloi himself.
Stick Together blends chill house and pop-laden melodics, tied together by Eloi's soft vocals and romantic lyricism. With this release, he hopes to further his mission of bringing dance music to the forefront of Rwanda and Africa as a whole.
He says, “I have always wanted to deliver music that portrays different sides of my life. With this EP, I was finally able to create a body of work that embodies a vision I have had in my heart ever since starting my career in music. I used to feel limited on the kind of music I could create, but while making this EP, I felt free to create what I wanted. It’s allowed me to connect with new people and ultimately deliver music that will create memories and new worlds for listeners. This EP means so much to me and opened so many buried ideas – I hope that listeners see a new side of me when they hear this.”
DOWNLOAD - press photo | DOWNLOAD - EP artwork
ABOUT ELOI EL:
While it was essentially inevitable that Eloi El would become a musician, the type of music he’s made his name on is something of a surprise.
Born Eloi Muhoranimana, the pop/electronic producer was born and raised in the Rwandan capital of Kigali as part of a musical family lead by El’s father, a renowned guitar player who worked across genres including rumba and Afro-Jazz. Together with his siblings, El tinkered in the family’s small recording studio and by age 13 was performing live — playing guitar and singing in the Rwandan language of Ikinyarwanda.
But El’s musical output and life path changed suddenly in 2018 via an unlikely influence: Kygo. Upon first hearing the superstar producer, El redirected his efforts from hip-hop and afrobeat productions to a style of dance music parallel to the Norwegian powerhouse’s.
El honed his skills via YouTube tutorials on tropical house, deep house and chill house production. But with these genres having not yet caught on in Rwanda, El knew he had to go global.
He dropped his debut song, the darkly bumping Frozen, via Latvian label Day Doses of House in 2020 and, after hustling to get 25 of his tracks released via an array of worldwide imprints, soon became the most streamed Spotify artist in Rwanda.
Then, in 2021, destiny stepped in when Kygo’s Palm Tree Records got in touch, asking if El had unreleased music. He sent it over a few tracks and a week later was signed to the label founded by his idol.
“It was just so insane,” El says. “It was unreal. I was speechless.”
ELECTROPHONIC CHRONIC THE ARCS' FIRST ALBUM IN EIGHT YEARS COMES JANUARY 27 VIA EASY EYE SOUND
TORONTO, ON – December 8, 2022 – The Arcs have unveiled the latest preview from their forthcoming album, Electrophonic Chronic (out January 27 on Easy Eye Sound), today with new single, Eyez. Originally written with each member of the group - including the late Richard Swift - contributing in 2015, Eyez' serves as a profound examination of what we share with the world, and conversely, what we keep hidden in plain sight. Anchored by the sublime vintage synthesizers of Leon Michels, the lyrics of his co-producer, Dan Auerbach, mull the many roadblocks in the way of honest communication, even - perhaps especially - in our closest relationships.
Listen to Eyez here and watch the accompanying video from animator/director, Robert "Roboshobo" Schober, here. Pre-order Electrophonic Chronic here.
Many of these sentiments are pulled from the group's first-hand experience losing their own sical brother gone too soon:
“There’s a lot of mystery to most people," explains Auerbach. "You can work with someone for years and there will be things about them that you never know. Everyone has parts of their story they might not want written.”
The Arcs have previously shared singles, Keep On Dreamin' and Heaven Is A Place, from the new record, to universal excitement from NPR Music, Rolling Stone, Pitchfork, Billboard and many more. Guitar World has celebrated the early singles for their "beguiling, eccentric and catchy" nature, while Brooklyn Vegan praised the "dreamy, groovy" arrangements within. Electrophonic Chronic takes its inspiration from the band's mutual obsession with recording and crate-digging, notably for vintage soul, old school garage and the space age pop of the 1960s. The collection follows The Arcs’ 2015 debut Yours, Dreamily, and features the band’s full original line-up of Dan Auerbach, Leon Michels, Nick Movshon, Homer Steinweiss, and Richard Swift.
DOWNLOAD - The Arcs Press Photo | DOWNLOAD - Eyez Single Art
DOWNLOAD - Electrophonic Chronic Album Art
WATCH THE CEILING DEMOS VISUALIZERS
"Rachel Bobbitt's latest collection is a steady hand held out in a shaky, patriarchal world." – CBC Music
"A distillation of the enormous and unutterable, Rachel Bobbitt's ‘More’ is an unflinching rumination on the uterus-bearing experience." – Exclaim!
"Striking... Poignant." – NPR
"Rachel Bobbitt’s tender, shimmering voice has the capacity to carry a massive weight of emotion — a weapon she wields very carefully." – Consequence
"Evocative indie rock." – Brooklyn Vegan
TORONTO, ON - Tuesday, December 6, 2022 - Following the release of her fantastic 2022 EP, The Ceiling Could Collapse, emerging Toronto-based artist, Rachel Bobbitt, has shared The Ceiling Demos via Fantasy Records. Available today, the three-song collection, which includes the tracks Bandages, More, and Gemini Ties, presents Bobbitt’s exquisitely drawn portraits in their early, informal incarnations, offering listeners another view into her unique, intimate artistry. Listen here and watch the EP’s visualizers here.
"These demos are self-recorded explorations into the songs that would become The Ceiling Could Collapse,” Bobbitt says. “They show the writing process at a more vulnerable stage before the polished guitar takes & refined vocals. These versions are an offering of the imperfect, frenetic, and passionate loose ends of a first draft. I hope you enjoy and thank you so much for listening.”
The Ceiling Could Collapse, which Bobbitt co-produced with Justice Der and was mixed by GRAMMY nominee, Jorge Elbrecht, was a long time coming. Bobbitt made a name for herself on Vine as a teenager, uploading covers of pop hits and classic tracks to the now-defunct social media site. As her profile rose, she found herself overwhelmed rather than inspired.
“It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.”
Life runs in rhythmic loops, from the endless rotations of the earth to the running of tides and yearly rebirth of spring. Bobbitt knows that the bottom of those cycles can feel pretty chaotic. On her piercing and profound EP, The Ceiling Could Collapse, she finds moments of resonant emotion and frames them in heartbreaking lyrics and openhearted vulnerability.
After touring earlier this year alongside Indigo DeSouza, Sunflower Bean, Men I Trust and Bad Bad Hats, Bobbitt just wrapped a west-coast headlining run that featured shows in Denver, Oakland and Los Angeles, and east-coast dates including Boston, New York and Philadelphia supporting Mat Kerekes.
Look for new music from Rachel Bobbitt in 2023.
DATES ACROSS ONTARIO AND WESTERN CANADA TO TAKE PLACE THROUGH JANUARY, MARCH AND APRIL
TOUR BEGINS JANUARY 17 IN ST. CATHARINES, ON
DEBUT COMEDIC MEMOIR IS THERE BACON IN HEAVEN OUT NOW
TORONTO, ON – December 5, 2022 – Acclaimed stand-up comic, actor and radio personality, Ali Hassan, is thrilled to announce DOES THIS TASTE FUNNY? – his upcoming comedy tour across Ontario and western Canada. Kicking off on January 17 in St. Catharines, Hassan will hit 10 cities across the province, before heading west through March and April. See below for a full list of dates.
Audiences will be treated to Hassan’s signature dish of comedy, with much of his one-man stand-up show based around his decade working in the food industry, his connection to fine cuisine, and his struggles with over-eating. Hassan will also share some stories from his recently released comedic memoir, Is There Bacon In Heaven?. That title alone suggests how much Hassan loves food - not just content with food in this life, he’s wondering what’s going to be available to his stomach in the afterlife!
With a terrific blend of humour and insight, Ali Hassan’s DOES THIS TASTE FUNNY? is a hilarious, heart-warming and relatable show for audiences of all ages. The tour is the perfect way to warm up the winter, and is a true can’t-miss!
DOES THIS TASTE FUNNY? TOUR DATES:
January 17 – St. Catharines, ON – Partridge Concert Hall
January 18 – North Bay, ON – Capitol Centre
January 20 – Milton, ON – FirstOntario Arts Centre
January 21 – Brampton, ON – Rose Theatre
January 22 – Guelph, ON – River Run Centre
January 25 – Mississauga, ON – Hammerson Hall
January 26 – Oakville, ON – Oakville Centre for the Performing Arts
January 27 – Markham, ON – Flato Markham Theatre
January 28 – Windsor, ON – Chrystler Theatre
March 14 – Regina, SK – Artesian on 13th
March 15 – Winnipeg, MB – West End Cultural Centre
March 16 – Medicine Hat, AB – Esplanade Arts & Heritage Centre
March 19 – Airdrie, AB – Bert Church Theatre
March 20 – Sherwood Park, AB – Festival Place
March 21 – Saskatoon, SK – Broadway Theatre
April 16 – Lake Country, BC – Creekside Theatre
April 18 – Oliver, BC – Frank Venables Theatre
April 19 – New Westminster, BC – Anvil Theatre
April 21 – Campbell River, BC – The Tidemark Theatre
DOWNLOAD - Does This Taste Funny? tour graphic
DOWNLOAD - Ali Hassan headshot
DOWNLOAD - Does This Taste Funny? Ontario tour poster
ABOUT ALI HASSAN:
Ali Hassan is a Stand-up Comic, Actor and CBC Personality. Ali is the host of the CBC Radio hit stand-up comedy show, Laugh Out Loud. Ali is also heard on CBC Radio, NPR and PRX as a frequent guest-host of the arts and culture show, q, and As It Happens, and for the past six consecutive years, Ali has hosted Canada Reads – the annual battle of the books celebrating the best of Canadian literature. Among his numerous film and TV credits, he was recently in the films My Spy and Mafia Inc., and appeared in recent seasons of Working Moms (CBC), Hudson & Rex (CityTV), Star Trek: Strange New Worlds (Paramount+). Television audiences can also see Ali as a recurring guest star in two new shows: Sort Of, on CBC GEM and HBO Max, on the new hit sitcom Run The Burbs on CBC Television. As a comedian, Ali has performed for audiences across Canada and internationally. Between 2017 and 2020, he toured his solo show Muslim, Interrupted to great acclaim. His comedic memoir, Is There Bacon in Heaven?, is out now with Simon & Schuster.
LIVE AT SUNSET SOUND – PRODUCED BY AVI KAPLAN AND
SHOOTER JENNINGS – AVAILABLE NOW
FEATURES LIVE IN-STUDIO PERFORMANCES OF SONGS FROM KAPLAN’S ACCLAIMED SOLO ALBUM FLOATING ON A DREAM
U.S. TOUR CONTINUES TONIGHT IN PORTLAND, OR
WATCH THE FIRST TWO EPISODES OF THE FOUR-PART INTERVIEW SERIES AVI KAPLAN & SHOOTER JENNINGS: BEHIND THE DREAM HERE
TORONTO, ON – December 2, 2022 – Rising indie singer-songwriter, Avi Kaplan, has shared Live At Sunset Sound, a brand-new four-track digital EP featuring live, in-studio performances from his acclaimed solo album, Floating On A Dream (released earlier this year). Produced by Avi Kaplan and Shooter Jennings, Live At Sunset Sound is available now at all DSPs, find it here.
Kaplan and Jennings, along with many of the players from the original Floating On A Dream sessions, reconvened earlier this summer to capture new, expanded takes on album favourites including I’m Only Getting Started, I Can’t Lie, All Is Well, and When I’m A Fool.
Avi Kaplan on Live At Sunset Sound: “It was a truly amazing experience to go back to Sunset Sound with Shooter and the band to breathe new life into a few of the tunes from Floating on a Dream. That studio has so much history and the magic in there was palpable that day. These new versions just flowed out of us and the performances that were captured are deeply special to me.”
The new EP arrives just as Kaplan has resumed his U.S. tour with another stop tonight, December 2, at the Revolution Hall in Portland, OR. The tour, with performances in Berkeley, Portland, Seattle, Salt Lake City, Boulder, Omaha, Des Moines, Indianapolis, Louisville, Dallas, and Houston, concludes with a show at the 04 Center in Austin, TX., on December 16. Find the full routing here and below.
Kaplan and Jennings recently sat down for an in-depth discussion of their unique partnership and the making of Floating On A Dream. The new, four-part interview series entitled, Avi Kaplan & Shooter Jennings: Behind The Dream, debuted this week, find the first two installments here. The pair also shared a brand-new, irreverent and revealing edition of the quick hitting Q&A series Fantasy Flashcards, watch it here.
Produced by GRAMMY Award-winner Shooter Jennings (Brandi Carlile, Tanya Tucker, American Aquarium) and mixed by Trina Shoemaker (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow,) Floating On A Dream, Kaplan’s solo debut LP, is rendered in long shadows and moody high relief reflecting his Californian roots and fascination with the American West.
With country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock, Kaplan explores matters of the heart, truth, morality, and the search for relevance across the album’s 11 original tracks. At the core though there is that voice. From a haunting falsetto to its deepest bass tones, Kaplan’s instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplan’s departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.
Jennings stated, “I always know it’s going to be a good process in the studio when I’m working with somebody who really loves music, but also really adores the music that has come before. We both collect music and we’re inspired by it. Avi is an amazing singer and songwriter, this album is Ennio Morricone meets Bill Withers.”
Avi Kaplan - Live At Sunset Sound - Track List + Musician Credits:
1. I’m Only Getting Started (Live At Sunset Sound)
2. I Can’t Lie (Live At Sunset Sound)
3. All Is Well (Live At Sunset Sound)
4. When I’m A Fool (Live At Sunset Sound)
Avi Kaplan – vocals, acoustic guitar
Shooter Jennings – electric/acoustic guitar, organ
Daniel Ellsworth – piano
Jamie Douglass – drums
John Schreffler, Jr. – guitar, pedal steel
Ted Russell Kamp – bass
Avi Kaplan - U.S. Tour 2022:
December 2 - Revolution Hall - Portland, OR with Kaleb Jones
December 6 - Fox Theatre - Boulder, CO - with Maddie Poppe
December 8 – Slowdown - Omaha, NE - with Maddie Poppe
December 9 - Wooly's - Des Moines, IA with Maddie Poppe
December 10 - Hi-Fi - Indianapolis, IN - with Maddie Poppe
December 11 - Headliners Music Hall - Louisville, KY - with Kaleb Jones
December 14 - Kessler Theater - Dallas, TX - with Kaleb Jones
December 15 - The Heights Theater - Houston, TX - with Kaleb Jones
December 16 - 04 Center - Austin, TX - with Kaleb Jones
DOWNLOAD - hi res EP art
DOWNLOAD - live band press photo | DOWNLOAD - Avi Kaplan press photo
Avi Kaplan on TikTok
WATCH BRAND NEW CADILLAC
NORTH AMERICAN TOUR COMMENCES DECEMBER 3 IN BAKERSFIELD
DECEMBER 4 WHISKEY A GO GO GIG TO BE LIVESTREAMED
NEW DISC OF 10 ORIGINAL SONGS PRODUCED BY JON SPENCER ARRIVES LATE SPRING VIA ROUNDER RECORDS
TORONTO, ON – December 2, 2022 - Guitar badass, Samantha Fish, and outlaw country maverick, Jesse Dayton, have released their first collaborative effort, The Stardust Sessions. This EP is available digitally via Rounder Records now. Listen here and watch Brand New Cadillac from the EP here.
It started out as an innocent co-writing session between the two musicians. They envisioned a sound that married the explosive blues with alt-rock. On the last day in their New Orleans studio, they jammed on some songs that embodied this musical aesthetic and were eager to hear how their voices and guitars meshed. So, they let tape roll, and the unexpected result was The Stardust Sessions. The pair recorded Brand New Cadillac, made famous by The Clash but originally written in the late 1950s by Vince Taylor, I'll Be Here in The Morning by Townes Van Zandt, and Feelin' Good by Magic Sam. Joining them in the studio were bassist Austin Clements (Omari Neville), and drummer Mike Dillon (Rickie Lee Jones, Les Claypool Garage Jazz Band), with Rueben Williams wearing the producer's hat. The Stardust Sessions will precede a full-length album containing 10 new original songs written by the pair and produced by the legendary Jon Spencer. The album, Death Wish Blues, will be released in late spring via Rounder Records.
On December 3, the wild pair will hit the ground running, first stop, Bakersfield, followed by a gig at LA's famed Whiskey A Go Go on December 4. This show will be live-streamed; tickets are available to buy here. Fish and Dayton plan on unleashing the three new cover songs in concert as well as unveiling several of their new tunes that will see the light of day with the release of Death Wish Blues.
An award-winning singer, songwriter, and lead guitarist, Samantha Fish has released six albums over the course of her acclaimed career, with 2019's Kill or Be Kind and 2021's Faster both appearing on Rounder Records. "It's not pure rock and roll, it's not pure blues, it's not pure soul, it's not pure pop — it's a mixture of everything," she says of her genre-bending sound, which has regularly taken Fish around the world. A road warrior, she performs 200 shows yearly, both domestically and abroad.
Jesse Dayton has been bringing his unique mashup of East Texas/Louisiana Blues, old-school country, and punk rock to the world since he released his debut album in 1995. Thirteen records later, he remains a staple on SiriusXM’s Outlaw Country and the Americana Radio charts, where his debut LP Raising Cain reached Number 1. Jesse’s career reads like a veritable “who’s who” of American music. He’s toured with Social Distortion, Supersuckers, George Strait, Ryan Bingham, and L.A. punk pioneers X and has recorded with legends such as Waylon Jennings, Johnny Cash, Glen Campbell, and Willie Nelson. He has also recorded three soundtracks for filmmaker Rob Zombie. One can read about Dayton’s storied past in his 2022 memoir, Beaumonster.
Samantha Fish & Jesse Dayton Tour Dates:
December 3 - World Records - Bakersfield, CA *
December 4 - The Whiskey-A-Go Go - Los Angeles, CA *
December 6 - Oven Auditorium - Charlotte, NC +
December 7 – DPAC - Durham, NC +
Jesse Dayton’s Band (supporting on the following dates)
December 8 - Rocky Mt, VA - Harvester
December 9 - Va Beach, VA - Elevation 27
December 10 - Winston-Salem, NC - Ramkat
December 12 - Alexandria, VA - Birchmere
December 13 - Warrendale, PA - Jergels
December 14 - Kent, OH - Kent Stage
December 15 - Westland, MI - Token Lounge
December 16 - Chicago, IL - Park West
December 17 - Milwaukee, WI - Shank Hall
December 18 - Minneapolis, MN - Fine Line
Samantha Fish & Jesse Dayton
December 29 - Biloxi, MS - Ground Zero Blues Club **
December 30---New Orleans, LA - Tipitina's **
January 12 - Dallas, TX - Kessler Theatre **
January 13 - Austin, TX - 04 Cente r**
January 14 - Austin, TX - 04 Cente r**
January 15 - Houston, TX - Heights Theatre **
Samantha Fish
December 31 - Richmond, MO - Branded Steakhouse
January 19 - Beaver Creek, CO - Vilar PAC**
January 20 - Boulder, CO - Boulder Theatre**
January 21 - Grand Junction, CO - Avalon Theatre**
January 22 - Fort Collins, CO - The Aggie**
January 25 - Memphis, TN - Lafayette's***
January 26 - Memphis, TN - Lafayette's**
January 27 - Nashville, TN - The Ryman++
January 28 - Macon, GA - Hargray Cap Theater**
January 29 - Asheville, NC - Salvage Station**
January 31 - Savannah, GA - District Live**
February 1 - Stuart, FL - Lyric Theatre**
February 2 - Ft. Lauderdale - Au-Rene Theater at Broward Center++
February 3 - Orlando, FL - Hard Rock Live++
February 4 - Atlanta, GA - Symphony Hall++
February 5 - Walhalla, SC - Walhalla PAC**
February 7 - Chattanooga,TN - Barrelhouse Ballroom**
February 8 - Jacksonville, FL - Florida Theater**
February 9 - Melbourne, FL - King Center**
February 10 - Clearwater, FL - Ruth Eckerd Hall**
*The ZipGuns
**Eric Johanson
***Jeremiah Johnson
+Fish & Dayton supporting Allman Family Revival
+++Fish supporting Kenny Wayne Shepherd
www.samanthafish.com
DOWNLOAD - EP Cover Art | DOWNLOAD - Press Photo
LISTEN TO ALBUM HERE
Toronto, ON – December 2, 2022 – Today, Montreal’s JUNO Award-nominated collective, Moonshine, release their new album, SMS For Location, Vol. 5, in partnership with FORESEEN Entertainment. Listen to the album here.
Over a year has passed since Moonshine’s celebrated, SMS for Location, Vol.4. A year during which the JUNO-nominated collective has traveled, played sold out tours and festivals in Europe, Africa and Americas, spinned beats, explored, but more importantly connected with like-minded visionaries and artists globally. This is exactly what shines through on Moonshine’s latest, SMS for Location, Vol. 5, a collection of 15 genre-busting tracks fusing batida, afrobeats, afro house, amapiano, bass-heavy, and pure electronic sounds. From club scenes in Montreal, Lisbon, Paris, Brussels, Los Angeles, to Kinshasa’s undefeated dancefloors, the crew is building bridges, subverting the paradigm through their now legendary parties. On SMS for Location, Vol. 5, Moonshine is activating the past in the present to secure a future for inventive electronic production.
Highlights on the album include Jamila, an afrohouse-infused Arabic love song delivered by the Moroccan-Canadian duo De.Ville - the infectious Vita Nzoto, featuring Kokoko! member Love Lokombe - the amapiano anthems Ofele (Remix), and Obomi Nga (featuring 2022 Polaris Music Prize winner, Pierre Kwenders, Uproot Andy, MC Azas, and MC RedBul) - and Pink, featuring Kris the $pirit. Read more about the album in the track-by-track.
Stay tuned for more Moonshine as the phases wax and wane in the months ahead and learn more about the collective.
SMS For Location, Vol. 5 Tracklisting:
1. Bleu Goma (featuring Bonaventure, Kingdom Gospel Club)
2. Calor (featuring Nayela)
3. DaftBeat (featuring DJ N.K.)
4. Vita Nzoto (featuring Love Lokombe)
5. Jamila (featuring De.Ville)
6. Pink (featuring Kris the $pirit)
7. Fonfon (featuring Sharabia)
8. Ofele (remix) (featuring Pierre Kwenders, Uproot Andy, MC Azas)
9. Obomi Nga (featuring MC Redbul, Mc Azas, Uproot Andy)
10. Nizar’s Wisdom (featuring Nizar Saleh, Félix Noé)
11. Na Cabeça (featuring NegoO, Sharabia)
12. Off-White (featuring Vanyfox)
13. Beris (featuring Vanyfox, Dekkapa)
14. Obia (featuring Èbony)
15. Afrotopia (featuring Vanyfox, Jean Patrice Keka)
DOWNLOAD - SMS For Location, Vol. 5 Artwork
DOWNLOAD – Moonshine logo | DOWNLOAD – Moonshine Press Photo
About Moonshine
Depending on whom you ask, the esoteric effects of lunar cycles can be wide-ranging: good fortune, human fertility, ocean tides, werewolf prevalence and loss of sanity among them. For the like-minded musicians, DJs, dancers and visual artists who make up the Moonshine collective, the planetary satellite above all inspires their eponymous monthly event, driven by an inclusive ethos and a shared love for experimentations in dance culture.
Since its founding in 2014, Moonshine has carved out an enviable niche in Montréal’s nightlife milieu by celebrating a wide range of fledgling local talents, championing Afro-electronic, bass-heavy sounds, and bringing together communities that wouldn’t necessarily cross paths otherwise. As the name indicates, the lunar-based Moonshine recipe has the collective throw an all-night, sensory-soaked party on the Saturday after every full moon in ever-shifting, unpredictable locations across the city, always strictly disclosed via text messages. With fresh cuts supplied by resident DJs Pierre Kwenders, San Farafina, Vanyfox and AKantu, close friends such as Bambii, Foreigner, and Uproot Andy, visual installations, musicians, and a slew of live musicians and performers that have included Kaytranada, Dâm-Funk, Le1f, Venus X, and Branko, the parties have become a staple of the after-hours scene, in Canada and abroad, with appearances in NYC, LA, Paris, Brussels, Lisboa, Milan, Barcelona, Amsterdam or Santiago to name a few.
“The essence of Moonshine came out of parties we used to throw in our kitchens,” recalls Kwenders. “We felt like we couldn’t go out and find what we had cooked up in that kitchen. It’s one of the reasons we started Moonshine: to share that with more people who felt just like us, and who didn’t have access to such sounds or vibes.”
Still going strong four years on, Moonshine has also begun making use of the aesthetic, network and structure it established with the parties to promote affiliated artists, expanding its vision from ephemeral moonlit soirées to an expanding catalog of genre-busting music, art and apparel.
Learn more about Moonshine here.
About FORESEEN
FORESEEN Entertainment is a black-owned record label & publisher based out of Toronto, dedicated to exposing cutting edge talent. FORESEEN invests in talented creative artists, who can provide content that we can expose to a global audience. FORESEEN is dedicated to exposing talented artists and not creating them. www.foreseenent.com
TORONTO, ON - December 1, 2022 - Today, music and technology company, Venice Music, announces Canadian, Dani Oliva, as their Vice President of Legal and Business Affairs. Founded by Suzy Ryoo and Troy Carter, Venice is a home for artists and executives who want to thrive independently. In his new role at Venice, Oliva will lead Venice’s legal and business affairs strategy with regards to negotiating deals with artists and their teams as well as enabling strong commercial partnerships with streaming and social platforms.
“We are beyond proud to welcome Dani to Venice. With his legal expertise as well as the distance traveled in his personal and professional journey, he is an incredible addition to our team and community at Venice.” says Ryoo.
“Dani’s passion for music, community, and music creatives is deeply aligned with our vision at Venice. Suzy and I are very excited for Dani to help lead the path forward alongside our executive team,” says Carter.
Prior to joining Venice, Oliva founded Oliva Law Group, P.C. in 2017 and since has worked through business, legal, and administrative issues with his clients, while also providing music consulting services. This year, Oliva received a platinum record (triple platinum in Canada) for his legal work on Ariana Grande’s 2x GRAMMY nominated album, Positions, on behalf of client JustAcoustic. In addition, Oliva also represented DOMi of the 2x 2023 GRAMMY nominated duo, “DOMi and JD Beck"
“I’m joining visionaries Troy Carter and Suzy Ryoo along with an incredibly talented, kind, passionate team of music lovers and professionals at Venice,” says Oliva. “I’ve spent the past twenty years helping music creators build infrastructure to support their careers and I’m excited to continue to do so through community, data, and technology driven solutions at Venice.”
In his 20-year music career, Oliva has made it his goal to serve underrepresented communities through actions such as co-founding Indigenous and LGBTQ+ owned Canadian record label, Alt Eden, with JUNO nominee, Jayli Wolf; co-founding music management company, Muk-Posh, whose roster includes Canadian artist, SYLO, Maddie Jay, and Blair Lee; participating in the Diversity Task Force for the American Bar Association Forum on the Entertainment and Sports Industries, and more. Additionally, he founded Out of Mind music festival (formerly known as HomoBOP!), which pushes LGBTQ+ and BIPOC artists and vendors to the forefront, with successful events in Los Angeles and New York. The next event is Saturday, February 25, 2023, at The Echo in Los Angeles, CA.
ABOUT DANI OLIVA
Dani Oliva is a transgender, Canadian, artist advocate, speaker, and music attorney with over 20 years of experience helping talent creators thrive in the music business. Dani is the VP of Business and Legal Affairs for Suzy Ryoo and Troy Carter’s music and technology company, Venice. Previously, Dani founded Oliva Law Group, P.C. in 2017 and since has worked through business, legal, and administrative issues with clients ranging from Grammy Award Winners, Billboard Hot 100 #1 charting songwriters to music merchandising companies.
Website / Instagram / Facebook
DOWNLOAD - Dani Oliva photo
ABOUT VENICE MUSIC
Venice Music is a music & technology company for independent music creatives, professionals, and labels, co-founded and launched by Troy Carter and Suzy Ryoo in January 2021. “Artists need a lot more alongside distribution. We decided to build a more holistic solution,” says Troy Carter. Venice provides a new music ecosystem that grows with music creatives at the various stages of their career. Some of the services that Venice offers includes analytics, marketing, A&R support, educational content such as workshops, seminars, panels, sync and artist services office hours, partner discounts, live showcasing opportunities, and financial services.
Venice is also leading in bridging the gap between Web2 and Web3 with the purpose of unlocking more financial value for artists and fostering a direct relationship between artists and collectors. With a virtual community already growing, Venice intends to launch a new physical space for members in Los Angeles. Scheduled to open in 2023, Venice House includes recording studios, writing room, podcast studio, editing bays, outdoor work space, and a pool. The Venice Music community currently includes partners such as Aminé, Brent Faiyaz, KOTA the Friend, Rich Homie Quan, Verité, thuy, Ray Laurel and Riot Games Music.
LISTEN TO EMURGENCY!
WATCH VISUALS FOR LOVE SONG, WHICH WAY, OSHUN AND ESHU
RELEASE SHOW AT SMALL WORLD MUSIC CENTRE IN TORONTO ON DECEMBER 9 - TICKETS
TORONTO, ON – November 25, 2022 – Today, Toronto-based group and movement, Amai Kuda et Les Bois, proudly deliver the long-awaited digital release of their album, EmUrgency!, available across all music platforms. EmUrgency! features album highlights, Love Song, Which Way, Oshun and Eshu; with the last three singles accompanied by animated videos co-produced by Nigeria's Spoof Animation. The videos are also trailers for a full animated series being developed under the album's title. "EmUrgency! is both an act of healing and an act of resistance," says Amai Kuda et Les Bois. A collection of prayer songs, war chants, lullabies and love ballads for our times, the project was composed over two years, with co-writing and production contributions by Amai's now 18-year old son, Imoja. EmUrgency! addresses issues of colonization, police brutality, parenting Black youth in a racist world, the protection of the environment, reclaiming African spirituality and decolonization. Listen to EmUrgency! here and watch the visuals here.
On December 9, Amai Kuda et Les Bois will celebrate the release with hometown Toronto audiences with a special concert at Small World Music Centre - tickets and information can be found here.
The event will also be raising funds for Amai's initiative, the Sankofa Maroon Village (SMV), a physical and metaphysical space for African descended folk to rebuild healthy, rooted, sustainable community. While working to establish the first Black eco-village in Canada, Sankofa Maroon Village have already provided low or no-cost healing and education to over 100 Black community members, despite having had no funding. You can find out more and support this powerful project here, and support here GoFundMe page.
To further explore the album's themes and educate audiences about African spirituality and history, Amai Kuda et Les Bois are collaborating with Spoof Animation, part of Africa's rising animation industry, for EmUrgency!'s visual series of the same name. Like the album, the animated videos for EmUrgency! engage with timeless themes found in traditional stories as well as issues of our times like racism, the legacy of colonization, environmental degradation, and ongoing movements to decolonize. Amai is committed to addressing the need for more Black animated content, and more popular media that portrays African spirituality and mythology in a positive, engaging format. "After 500 years of colonial genocide designed to erase us, I think that remembering and reclaiming who we are is, in fact, the most powerful way to fight back" she says.
Songs have been featured on the playlist, Ones to Watch, as well as several Spotify editorial playlists, CBC's Big City Small World, CBC's Fresh Air, Tinnitist, Rhythm Passport and Wildfire Music.
EmUrgency! Track Listing:
1. Sewing Seeds (Opening Prayer)
2. Which Way
3. Listen Child
4. Ecouché
5. Mother's Home
6. Warriors Gather (Prayer)
7. Eshu
8. Love Song
9. Oshun
10.Better Day
11. Granny Gets the Last Word (Closing Prayer)
DOWNLOAD – Press Photo by Samuel Engelking
DOWNLOAD – EmUrgency! Album Art
About EmUrgency!
EmUrgency! was recorded, mixed and mastered at Quantum Vox Music with co-producer, Jimmy Kiddo, and reflects Amai’s vast influences: Afrohouse, Motown, alt rock, hip hop and downtempo, with inflections of Amai’s Trinidadian heritage and Toronto upbringing in the mix. The album speaks to the struggles, wisdoms, and joys of Amai’s journey, being guided by ancestors and Orishas, and staying true to her calling as mother, healer, warrior and artist, despite the many obstacles facing Black, queer women in the music industry and society at large. On the songs, Amai delves into African Indigenous spiritual traditions, connecting with gods and deities of Yoruba cosmology, the anti-colonial war for survival, unconditional love, honouring elders, as well as the inner child and how to preserve it in times of struggle.
About Amai Kuda et Les Bois
Amai Kuda et Les Bois don’t fit into the usual boxes. Breaking boundaries is part of their superpower. Not a band or a solo act, they prefer to call themselves ‘a movement.’ Led by Amai Kuda, their shows and albums always begin with the pouring of libations and the invocation of ancestors. This spiritual element weaves its way throughout all their music, whether that be soothing acoustic ballads, dancy electronic grooves or alt-rock-hip-hop-infused political tracks. Ecouché, for example, the “stunning new single” (Indie88) off the new album EmUrgency! is sung entirely in a language of ancestral communication and can’t be delivered the same way twice. It embodies what NOW magazine has called the group’s “tantalizing Afro-soul” fusion sound, "earthy and rootsy and good for your ears" (Errol Nazareth CBC in reference to AfroSoul Volume II: MaZai). Indeed, it is the genre-defying nature of their work which led their debut album, Sand from the Sea, to be named “one of the year's most exciting discoveries” (Nicholas Jennings - Canada's foremost music journalist).
Since that early accolade Amai Kuda et Les Bois have slogged away in Toronto’s music scene, performing at venues like the Jane Mallett Theatre, Harbourfront, The Rivoli, and festivals such as Luminato, Kultrun, and Small World, as well as at venues and community centres on four continents. Amai Kuda et Les Bois have certainly paid their dues, and they haven’t gone unnoticed. They’ve been featured in NOW magazine and on CBC’s Canada Live and Big City Small World, while a single from their 2019 release with Version Xcursion, Holding Back, premiered on Strombo Show. The group also won the Best Folk/Roots award as well as placing second for the Best Song at the Toronto Independent Music Awards. They’ve opened for Joel Plaskett, Kellylee Evans and Sarah Slean, and collaborated with M1 of the legendary Hip-Hop duo, Dead Prez on a call-to-action song called We Can Do It.
All that said, the group is acutely aware of, and quite angered by, the glass ceiling in the music industry that keeps artists like themselves from reaching wider audiences. Their new album, EmUrgency! is largely about pushing back against this, and in the coverage it’s received thus far (The Strombo Show, CTV National News, RX Music Live, UMFM and CJRU), they’ve made a point of talking about it. For Amai Kuda et Les Bois, music is about healing - ourselves, our society and the earth, and that can’t happen unless we listen to the voices that have for too long been ignored. It is truly a ‘listening EmUrgency!’
WATCHTOWER EP OUT EARLY 2023 VIA PUBLIC RECORDS
Toronto, ON – November 24, 2022 – “Are you a person or a program?” asks Toronto-Ottawa-based duo, Beaugé Soleil (the collaborative soundchild of emcee/producer, Beaugé & singer/songwriter, Soleil). Born of a kinship sparked by a chance meeting at an open mic night, the duo invites listeners to lean into the question further on Eagleaire, the first single from their forthcoming EP, Watchtower, due early 2023 via Public Records. Bass-heavy production supports the bouncy beat of the track as Soleil's soulful vocals merge with Beaugé's poetic verses, as a reflection on ancestral lineage and foundations that fuel each step forward. Listen to Eagleaire here and read the lyrics here.
Inspired by various neo soul, hip-hop, jazz, blues & psych rock muses, Watchtower is a sonic experience that escapes its current landscape to create its own world. Produced by the enigmatic Ethics, multi-instrumentalist producer, Just Unlimited, and Beaugé (who is executive producer and mix engineer), Watchtower is comprised of a five-song journey featuring both duet and solo pieces showcasing each artist's dimensions, while adding depth to the vision that is "The Watchtower": music paying homage to those that paved the path without pantomiming the legends. Watchtower is a project made for heads that listen attentively, love deeply, live fully, share generously and connect consciously through rhymes, beats, and life. It is grounded on the world we live in and the conditions people are exposed to; the artists’ who have used their voice in the past that still echo today, and the idea that using our own voice can continue artistic tradition and build the future.
The EP draws from a highly collaborative process and workflow as a cumulative result of the duo's musical experiences and formation, which evolved through a chance meeting at an open mic night at Ottawa venue, Live On Elgin. Beaugé frequently performed at the event in anonymity upon returning to Ottawa to support his father. It served as a foundation to try new ideas and enabled him to reconnect with his birthplace and arts community. Listeners can expect to hear unique and contrasting sounds that form a subtle singularity, considering how different the collective are in their respective creative approach.
Watchtower is also inspired by the visual arts. Soleil, a talented illustrator, drew a portrait of Beaugé's father, which graces their studio wall to this day. The concept of forefathers and roots resonate throughout the EP as both artists explore the impact of those that paved a path and created before them, be it family, friends and artists they admire. Soleil shared illustrations she had been musing on with Beaugé, which led to the art direction for the EP; inspired by surrealist cartoon pieces and the overall vibe the duo felt creatively. The Eagleaire artwork was inspired by vinyl record covers for singles.
Read on about both artists and their respective works below, and stay tuned as the duo continue to take flight.
DOWNLOAD - Press Photo by Dwayne Graham | DOWNLOAD - Eagleaire Art
About Beaugé (pronounced Bo-J):
Identities are easy to lean into, especially when your personal adversity and traumas fit into the current overplayed tropes saturating music’s cultural fibre. Beaugé experienced the loss, incarceration, and fast living many artists glamourize today. This background informs the creative choices found in his music; it's why you won’t find him “flipping the coke” every other bar.
The son of respected Poet/Novelist and Haitian political exilé Jacqueline Beaugé Rosier; Dojo Bonski aka Beaugé has quietly built relationships while honing his sound with his team (Ethics Gallardo, Just Unlimited, Dwayne Graham). Beaugé’s continued ties to Junia T, Roshin, City Fidelia and the Toronto indie scene have grown his network considerably.
Recently returning to Toronto, Beaugé spent the recent years forming a great kinship within the local art communities in Ottawa and Montreal. It was during this time while caring for his father until his passing in 2020, that Beaugé met Soleil. After years of discouraging his artistic efforts, and famously advising him to become an electrician after viewing his televised performance, Beaugé’s father raved about his new music with Soleil. A week later he passed due to complications after a fluke accident.
Remaining active prior to and during the pandemic has seen Beaugé perform at Live On Elgin’s television broadcast via Rogers TV (2019), Kalmunity Music Week 2019 (Smif n Wessun), Bootlegger L'Authentique (2019), Live Sur Le Patio 2021 (Montreal QC), Junia-T & Friends (Longboat Hall) 2021. Fresh off the release of ODB featuring fellow Toronto artist, Tremayne (produced by Junia-T), Beaugé looks forward to sharing his latest project, Watchtower, a collaborative effort with Soleil. Music made with care and guided by lessons with love.
Beaugé: Website | Instagram | Twitter | Spotify | YouTube
Soleil’s music plays the muse for a fiercely passionate and vocal woman who finds solace in expressing her vulnerabilities and strong personality through the songs she writes. Soleil sings because she has always been singing, apparently oozing melodies since before she could talk.
Growing up in Hespeler Village, a small town in Ontario, Soleil’s path took her far from those roots. From reckless travelling (and other things that should remain off paper) to sporadic open mic jams, Soleil followed her desires until she made it back to her proudly queer, Métis, authentic self. She fell in love with university and held on to her passion for learning and creating. A songstress with a degree in philosophy, Soleil is balanced and pragmatic in her approach to her art.
Despite all her complexities, Soleil’s ability to find humour in any situation reflects the truly remarkable, yet playful essence of her voice. As she would put it, “I just can’t take myself seriously." Soleil met Beaugé at Live On Elgin, a staple in Ottawa’s art community. Their kinship grew slowly through the pandemic, through the loss of Beaugé's father, and was solidified with the portrait Soleil drew after their first studio session; an illustration of Dojo’s (Beaugé) father now framed and hanging on their studio wall.
Watchtower is the culmination of these events and the official beginning of Soleil and Beaugé’s journey. Soleil’s body of work includes collaborations with local peers and friends such as Snowbanks, Joby The Artist/Rich Grandpa, and Gio From Keppler 22.
In an era marked by artists trying to get clicks and clout, Soleil obsesses over takes, genuine feeling, and quality. Soleil, or Moon Frye, as Beaugé calls her.
400+ VENUES COMMITTED TO NOT TAKING A MERCH CUT, ALLOWING ARISTS TO MAXIMIZE EARNINGS ON ONE OF THE FEW LUCRATIVE ASPECTS OF TOURING
TORONTO, ON – November 21, 2022 – Today, 2021 Polaris Music Prize winner, Edmonton-born, Toronto-based rapper, producer, writer, poet and activist, Cadence Weapon (Rollie Pemberton), announces that he has teamed up with The Featured Artists Coalition (FAC), Union of Musicians and Allied Workers (UMAW), to launch the North American leg of the 100% Venues campaign, #MyMerch. The initiative calls on North American music venues and festivals to join the #MyMerch campaign and sign on to end the practice of taking merch cuts. Join the #MyMerch venue database here and tell your artist merch cut story here.
“Touring bands have been pushed to the edge by rising costs related to the pandemic and inflation," Cadence adds. "Venues and festivals could provide us with immediate relief by stopping the practice of taking merch cuts from artists.”
What is a merch cut?
A merch cut is when a venue or festival takes a percentage of the artist's merch sales. Though artists bear the financial burden of designing,manufacturing, and shipping their merch, some venues and festivals choose to exploit artists by taking a merch cut. The percentage number has been steadily rising, with some venues now taking up to 20-35% of artist merch sales. Artists often learn about merch cuts after they agree to play at the venue, so they are unable to refuse. This lack of transparency traps artists into unfair financial agreements with venues.
About #MyMerch:
Touring in 2022 has been brutal for musicians – the financial risks of COVID-19 and heightened costs from inflation have made touring an uphill battle just to break even. To add insult to injury, many venues and festivals require merch cuts. A merch cut is when a venue or festival takes anywhere from 15% to 35% of the artist’s merch sales. This is an exploitative practice that interferes with one of the few ways fans can directly support artists in this challenging economic climate, and it must stop.
Artists carry the financial burden of designing, producing, and shipping merch, and selling merch is one of the few ways artists can earn money on tour. It’s time for North American performance spaces to join the 400+ UK venues that have already committed to not taking a merch cut, and be part of a growing effort to transform the music industry for the better.
Venues and festivals: sign up to be part of the 100% Venues campaign and take a stand against merch cuts!
DOWNLOAD – #MyMerch Campaign Images
Register your venue
Tell your #MyMerch artist story here
About Cadence Weapon
Cadence Weapon is the Edmonton-born, Toronto-based rapper, producer, writer, poet, and activist Rollie Pemberton. Throughout his work, the multidisciplinary artist aims to preserve and resurrect Black cultural memory by forging connections between personal, local, and collective histories. Pemberton received the 2021 Polaris Music Prize for his fifth and latest album, Parallel World, an incisive project that uncovers the splintering realities both created and hidden by modern systems of inequality, atop blistering production that draws from UK grime, trap, and acid house.
Raised by a pioneering New York radio DJ father and piano playing mother, Pemberton started rapping at age 13. He cut his teeth performing live with his uncle’s funk band as a teen, but as one of the only rappers in Edmonton, he found endless outlets for his creativity on the internet, where there were no limits on discovering music. Pemberton thrived online finding samples, remixing songs, and battling rap strangers on message boards. As a university student, Pemberton penned alternative hip-hop reviews while crafting his debut album, 2005’s Breaking Kayfabe, the first of five albums that have been nominated for the Polaris Prize.
Cadence is an active advocate in many communities; both in the arts and in the cities he calls home. Cadence also launched his debut memoir, Bedroom Rapper (May 31, McClelland & Stewart). For more writing and observations, check out his Substack newsletter.
DOWNLOAD – Hi Res Press Photo (by Mat Dunlap)
Read Cadence Weapon’s Newsletter
Follow Cadence Weapon on Twitch
Find Cadence Weapon’s music on Bandcamp
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com.
NEW ALBUM softCORE OUT TODAY!
RECEIVED FIRST GRAMMY NOMINATION FOR
CO-WRITING STEVE LACY’S BAD HABIT
The spend the money music video chronicles Fousheé throughout an evening of darkness and indulgence. The shadowy aesthetic accentuates the sultriness of the song, giving viewers a hint of mystery as to what the night has in store for her.
Fousheé is easy to call a “multi-hyphenate” - but just when you think you have a grasp of her, you don’t. The genres blur - alt, folk, rock, R&B; the collaborators extend - Lil Wayne, Steve Lacy, Uzi, Yachty; the accolades continue - Pitchfork, W Magazine, Respect Magazine, Rolling Stone, Flaunt, V Magazine, Okayplayer. Fou effortlessly shares stages on the most high profile tours - opening for James Blake and touring with friend and collaborator Steve Lacy, with whom she co-penned the 2022 breakout and recently Grammy-nominated song: Lacy’s Bad Habit. And while Fousheé refuses to be pinned down, the art blooms.
softCORE, is no exception. Refusing to walk the establishment line of what a female artist is “supposed” to do, worse yet, to be, she weaves punk and rage into the sweet folk tapestry that catapulted her to half a billion streams. softCORE is a punk record in the most pointed sense of the word. Stepping outside of the expectations for what listeners have heard from her so far, softCORE is purely peerless. The album is a true melting pot of influences, genres, sounds, all anchored by Foushee’s incredible voice and her impeccable songwriting, both of which imprint even the angriest songs with hooks for days. Multiple listens bring up other sonic trailblazers like Le Tigre, The Runaways, Kelis, Atari Teenage Riot, 100 Gecs, Gwen Stefani, and Lil Uzi Vert, who guests on the song spend the money. On softCORE, the camera boldly swings from romantic, 4AD guitar tones to rapid-fire beats to intensely screamed declarations to classic R&B balladry, but it all works seamlessly. Simply put, it sounds like the future.
softCORE is an album that embraces anger and vulnerability, and we guarantee you that you will not hear another album as remarkably diverse and fantastically singular this year.
softCORE TRACKLISTING:
1. simmer down
2. i’m fine
3. bored
4. supernova
5. spend the money (feat. Lil Uzi Vert)
6. die
7. simulation
8. unexplainable
9. smile
10. stupid bitch
11. scream my name
12. let u back in
NEW MINI-DOC DEBUTS
2023 HEADLINE TOUR CONFIRMED INCLUDING 15 ARENA SHOWS
“exuberant interplay…a match made tender by the familiar harmonies of these two lifelong picking partners” —NPR Music
“No matter your musical affiliation, this one will draw you in. It’s a cross-generational celebration paying tribute to Strings’ musical roots, welcoming both strangers and old friends to gather ’round” —No Depression
“one of the best guitar players in music” —American Songwriter
“The pair harmonize beautifully…a sound that can only be replicated by blood, highlighting the magic that motivated Strings to create this project with his father”
—The Boot
“That familial connection is palpable…three-part harmonies that evoke echoes of Appalachia’s revered high lonesome sound, with Strings and Barber’s vocal registers, in particular, blending together seamlessly” —Glide
TORONTO, ON – November 18, 2022 – Me/And/Dad, GRAMMY award-winning singer, songwriter and musician, Billy Strings’, first album with his father, Terry Barber, is out today on Rounder Records. Stream/purchase here. The product of a longtime dream, the record features new versions of 14 bluegrass and country classics that the two have been playing together since Strings was a young child.
In celebration of the release, a new mini-doc is debuting today, which captures Strings and Barber throughout the record making process. Watch/share here. Strings was also recently featured on CBS Sunday Morning speaking with correspondent Conor Knighton. Watch the profile here.
Produced by Strings and Gary Paczosa and recorded at Nashville’s Sound Emporium Studio, the record finds Strings and Barber playing with familiar ease, naturally trading off leads both vocally and on guitar. In addition to Strings and Barber, the album features an all-star band including bassist Mike Bub, mandolinist Ron McCoury, banjo player Rob McCoury, and fiddler Michael Cleveland, as well as special guest appearances by Jerry Douglas, Jason Carter and Strings’ mother, Debra Barber, who sings on the final track, I Heard My Mother Weeping.
Reflecting on the project, Strings shares, “As long as I can remember, I wanted to make a record with my dad. I’ve been burning up and down the highways the last 12 years, and as time slips away, you start thinking, ‘I need to make time.’ It’s been a bucket list thing for me, something I’ve been afraid I wouldn’t find the time to do. And that scared me; not doing this record scared me.”
Known for his electric live shows, Strings will continue his headline tour next year including 15 newly confirmed arena dates. Upcoming stops Nashville’s Bridgestone Arena (two nights, both sold out), Atlantic City’s Hard Rock Live at Etess Arena (three nights), Charlottesville’s John Paul Jones Arena (two nights), Atlanta’s State Farm Arena and Charleston’s North Charleston Coliseum (two nights) among others. Additionally, following his two-night stand at Bridgestone Arena, Strings will return to the historic Ryman Auditorium on February 26 for a third Nashville show. See below for complete itinerary.
The new record follows Strings’ widely acclaimed, GRAMMY-nominated album, Renewal, which landed on several Best of 2021 lists including The Bitter Southerner, No Depression, Glide, The Boot, Folk Alley and was one of the Top 50 Most Played Albums at Americana Radio last year. Produced by Jonathan Wilson, the record was released to overwhelming praise with The New York Times declaring, “a premier bluegrass mind for this post-everything era…he has zigged and zagged between the form’s antediluvian traditions and rapid-fire improvisations that hit like hard bop, all within songs with hooks so sharp that he seems poised for crossover stardom.”
Raised in Michigan and now based in Nashville, Strings is known as one of music’s most compelling artists. Since his 2017 debut, he has been awarded Best Bluegrass Album at the 63rd GRAMMY Awards, Artist of the Year at the 2022 Americana Music Awards, Entertainer of the Year and Song of the Year at the 2022 International Bluegrass Music Awards (the organization also named him Entertainer of the Year and Guitar Player of the Year in 2021), Best New Headliner at the 2022 Pollstar Awards, Breakthrough Artist of the Pandemic at the 2021 Pollstar Awards and has performed on The Late Show with Stephen Colbert, Jimmy Kimmel Live!, PBS’ Austin City Limits and Bluegrass Underground. A respected figure across all genres, Strings has also collaborated with a wide variety of artists.
BILLY STRINGS CONFIRMED TOUR DATES
November 18—Washington, DC—The Anthem (SOLD OUT)
November 19—Washington, DC—The Anthem (SOLD OUT)
November 29—Oslo, Norway—Rockefeller Music Hall (SOLD OUT)
November 30—Copenhagen, Denmark—Vega
December 1—Stockholm, Sweden—Slaktkyrkan (SOLD OUT)
December 3—Berlin, Germany—Columbia Theater (SOLD OUT)
December 4—Amsterdam, Netherlands—Melkweg (SOLD OUT)
December 5—Cologne, Germany—Die Kantine
December 7—London, UK—O2 Forum Kentish Town (SOLD OUT)
December 8—Manchester, UK—O2 Ritz Manchester (SOLD OUT)
December 9—Dublin, Ireland—The Academy (SOLD OUT)
December 11—Glasgow, UK—Galvanizers Yard (SOLD OUT)
December 30—New Orleans, LA—Lakefront Arena
December 31—New Orleans, LA—Lakefront Arena (SOLD OUT)
February 2—Denver, CO—1STBANK Center (SOLD OUT)
February 3—Denver, CO—1STBANK Center (SOLD OUT)
February 4—Denver, CO—1STBANK Center (SOLD OUT)
February 16—Atlantic City, NJ—Hard Rock Live at Etess Arena
February 17— Atlantic City, NJ—Hard Rock Live at Etess Arena
February 18—Atlantic City, NJ—Hard Rock Live at Etess Arena (SOLD OUT)
February 21—Charlottesville, VA—John Paul Jones Arena
February 22—Charlottesville, VA—John Paul Jones Arena
February 24—Nashville, TN—Bridgestone Arena (SOLD OUT)
February 25—Nashville, TN—Bridgestone Arena (SOLD OUT)
February 26—Nashville, TN—Ryman Auditorium
March 3—Winston-Salem, NC—Lawrence Joel Veterans Memorial Coliseum – Doc Watson’s 100th Birthday Show
March 4—Winston-Salem, NC—Lawrence Joel Veterans Memorial Coliseum
March 7—Athens, GA—Georgia Theatre
March 10—Atlanta, GA—State Farm Arena
March 11—Charleston, SC—North Charleston Coliseum
March 12—Charleston, SC—North Charleston Coliseum
March 16—Cincinnati, OH—The Andrew J Brady Music Center (SOLD OUT)
March 17—Cincinnati, OH—The Andrew J Brady Music Center (SOLD OUT)
March 18—Cincinnati, OH—The Andrew J Brady Music Center (SOLD OUT)
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
Billy Strings Bio
INCLUDES COVER OF silver bells
AND AN ORIGINAL silver second
LISTEN & WATCH HERE
Toronto, ON – November 18, 2022 – Songwriter and indie artist, quinnie, is easing into the holiday spirit with a two-track holiday bundle titled thank you wisdom angel i love you. It includes a cover of the Christmas classic, silver bells, and an original that she wrote when considering the bittersweet nature of the holiday season, called silver second. Listen and watch the lyric videos here.
Of silver second quinnie says, “I wrote this about the holiday season, watching yourself and your family get older, being present, and savoring the rare moments when everyone gets to be in the same room once a year.”
Prior to this announcement, quinnie has released a steady stream of music, with most recent offering being itch. The New York Times was effusive in their praise of itch noting, quinnie’s “…mixture of tentativeness and bold declaration, bedroom-pop intimacy and multitrack craftsmanship.” Listen to itch here and watch the video here.
Regarding itch, quinnie says, “this song is about how i used to be scared of falling in love because i enjoy longing for things and people. found out you’ll know u really love somebody if loving them feels even better than wanting them.”
Prior to itch, quinnie released man, which was the first follow up to her breakout track, touch tank. Initially turning heads when a 23-second snippet made waves across TikTok, the success of touch tank translated to Spotify and Apple Music where quinnie has amassed over 22 million streams combined. Pitchfork noted, “She pairs verses recorded with the raw intimacy of an iPhone voice note with… a bedroom-pop chorus that fuses eroticism and romance,” going on to hail it as “an affectionate homage to a new love that feels like a breath of freshwater.”
As a self-described “very sensitive 21-year-old,” quinnie went from writing songs as a kid to releasing independent projects, such as a gold star, in 2019. She is bitingly funny, she is brutally honest, she loves the underwater world and sea creatures, and she will help you escape if you let her. It’s already happened with touch tank, and she’ll continue to open up her world with more music to come in 2022 and beyond.
DOWNLOAD - Artwork | DOWNLOAD - Press Photo | silver second LYRICS
FEATURING HEALTH, DANNY BROWN
AND FLATBUSH ZOMBIES' MEECHY DARKO
LISTEN HERE | WATCH HERE
KORN'S LATEST ALBUM REQUIEM OUT NOW
VIA LOMA VISTA RECORDINGS
TORONTO, ON – November 17, 2022 – This year, Korn released their latest album, Requiem, via Loma Vista Recordings, and in support, performed multiple sold out global headline tours in addition to the intimate one-off performance of Requiem Mass at the Hollywood United Methodist Church in Los Angeles. Today, the band shares a new remix of Requiem standout single, Worst Is On Its Way, reworked by HEALTH with verses from Danny Brown and Meechy Darkoof Flatbush Zombies.
The remix arrives with a video that nods to the original Worst Is On Its Way music video, which was directed by Craig Bernard and Culley Bunker and depicted the band's high energy performance of the song in greyscale as individual members of the band are decomposed into animated particles with a series of visual effects and now also features appearances from Brown and Darko. Listen to the Worst On Its Way remix here, and watch the video here.
There has long been a dialogue between Korn’s music and hip hop, with the genre playing a large influence on the early development of Korn musically and aesthetically. In turn, Korn pioneered a new genre which has had a lasting impact across various strands of music. Notably, their influence has been particularly visible in some of the most exciting names in rap over the last decade - both sonically and aesthetically. Danny Brown especially has long cited Issues as his favourite album and went on to cover Freak On A Leash for Red Bull's Danny Brown v. Rico Nasty SoundClash in 2021, which set Twitter buzzing with fans asking for a collaboration. Most recently, Brown spoke with Jonathan Davis for The Talkhouse this summer. With this new version of Worst Is On Its Way, Brown and fans' wishes are brought into fruition with the two finally joining forces.
Worst Is On Its Way is not the only collaboration Korn has been planning. Yesterday, the group released their own hot sauce, Here to Slay, through HEATONIST as an ode to their Bakersfield, CA roots. Not too hot but loaded with flavour from roasted corn, onion and the best chipotle peppers marinated in adobo, the sauce will taste perfect on tacos, burritos, burgers, chili, and more. Korn's Here To Slay hot sauce is available for purchase here.
UPCOMING TOUR DATES:
May 13, 2023 - Las Vegas, NV @ Sick New World
DOWNLOAD – remix artwork | DOWNLOAD – press photo
ABOUT KORN:
Korn changed the world with the release of their self-titled debut album. It was a record that would pioneer a genre, while the band’s enduring success points to a larger cultural moment. The FADER notes, “There was an unexpected opening in the pop landscape and Korn articulated a generational coming-of-angst for a claustrophobic, self-surveilled consciousness. Korn became the soundtrack for a generation’s arrival as a snarling, thrashing, systemically-restrained freak show.”
Since forming, Korn has sold 40 million albums worldwide, collected two GRAMMYs, toured the world countless times, and set many records in the process that will likely never be surpassed. Korn has continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for legions of fans and generations of artists around the globe.
The level of Korn’s reach transcends accolades and platinum certifications. They are “a genuine movement in a way bands cannot be now,” attests The Ringer. They represent a new archetype and radical innovation, their ability to transcend genre makes barriers seem irrelevant.
LISTEN & WATCH VIDEO FILMED IN BROOKLYN FEATURING 2D DWAYNE
LISTEN & WATCH PREVIOUS SINGLE OVERSTIMULATED
Miranda says of the piece: “This is my love song to Dwayne, but it also is a nod to my childhood. The fact that I knew about Dwayne Johnson at all was largely due to the male influences in my life. I remember sitting through pay-per-view matches when I was young, sandwiched between my brother and his friends, and wanting so badly to hang out with the big kids. During lockdown, I fell down the Dwayne rabbit-hole because of my Dad’s recommendation to watch Hobbs and Shaw. I now know more about Dwayne’s life than I ever would’ve imagined; every line of my song is a reference to his life and career. I may not have started writing I Love You, Dwayne as a super-fan, but I can certainly say I ended up as one. The answer to your next question is yes, I do love Dwayne.” Read the lyrics here.
The song was produced by CARRTOONS and Miranda, alongside featured instrumentalists including Jake Sherman on rhodes-piano, Randy Runyon on guitar and Chris Ott, Jon Lampley and Dan White of The Huntertones on horns.
In the process of working on this song in early pandemic lockdown, while being away from her family, Miranda shares: “It was an opportunity to connect with my loved ones, in particular my brother. We would go back and forth with Dwayne references and, in a time when the separation was weighing heavily on my family, those phone calls with my brother were an opportunity to joke around, suspend our realities and feel something close to normal.”
The single is accompanied by a music video shot on the streets of Brooklyn. It begins with Miranda in a re-creation of Dwayne’s iconic 90s look and continues to evolve. The classic blue jeans turn into knee-high denim boots and the chain comes off to reveal Miranda with “Dwayne” as the pair workout, indulge in a cheat-meal, sip on some Teremana and stare down any and all Jabronis that cross their paths. The video was made entirely by a female cast, and directed, produced and styled by a Canadian crew, who became as invested in the Dwaynedom as Miranda was. Watch I Love You, Dwayne here.
While learning more about Dwayne’s Canadian roots, Miranda discovered that the prolific entertainer had a brief stint in the Canadian Football League prior to becoming a wrestler, and has Canadian citizenship through his Nova Scotian father. Miranda also drew inspiration from Dwayne’s life story and ethos sharing, "Dwayne is about hard work, persistence and love. Family is something he celebrates and it has been a prominent through line in his life. And in this way I do feel kindred with him. His relentless drive was particularly inspiring as I began to work on the music video. It came together during a particularly rough time in my life and there was something both hilarious and empowering about having that cardboard cutout set up in the corner of my room. I’d look over at Dwayne in his power pose, ask him sheepishly what he was looking at, and then return to my work. He is the embodiment of strength in more ways than one and it’s been a fun ride having him in my corner, literally.”
I Love You, Dwayne follows Miranda's sultry, end of summer jam, Overstimulated. It is accompanied by a cinematic visual filmed on Copacabana beach in Rio de Janeiro, Brazil. Listen to it on Bandcamp and all platforms here, and read the lyrics here. It is accompanied by a cinematic visual filmed on Copacabana beach in Rio de Janeiro, Brazil by Vida Fodonaand styled by Brazilian fashion brand, Santa Maria. Watch Overstimulated.
The tracks are a sample of Miranda Joan's forthcoming album, set to launch in 2023.
About Miranda Joan:
Miranda Joan is a Canadian soul-pop singer and songwriter born in Montréal and raised in Vancouver. Currently based in Brooklyn, Joan maintains strong roots in Canada. Joan divides her time between countries and it was her university studies in jazz that originally brought her to New York, a city whose grittiness and intensity has influenced her artistry as profoundly as her bi-coastal upbringing. The fluidity that came with growing up along the Pacific ocean in Vancouver and the joy-de-vivre and creativity that Montréal exudes continue to shape Joan's personally, artistically and spiritually. Both her French and English backgrounds have made their way into her writing, which orients itself around story and lyrics and is largely influenced by her reverence for soul and pop music.
Miranda Joan was selected as one of First Up with RBCxMusic Emerging Artists in 2021, shared the virtual stage at CMW and has received radio airplay in Vancouver and Los Angeles. Living in NYC, Joan has performed on national tours and played sold-out shows as well as headlined well-known NYC venues. In 2019 she performed at the Montréal Jazz Festival with the Orchestre National de Jazz de Montréal, led by Sly5thAve in a tribute to Dr. Dre, and she is a co-host and co-founder of Brooklyn’s Femme Jam (NYC’s first all-female led jam session) which is a community initiative to create a womxn-led space with an emphasis on female musicians that fosters inclusively and creates community. Arts mentorship has been an important through-line in Joan’s career and for the past eight years she has been a music mentor with the non-profit SAY: The Stuttering Association for the Young where she works with youth 8-18 who stutter.
Joan has shared the stage singing background for high-profile artists such as Andy Grammar, Brandon Victor Dixon (Hamilton), Christopher Jackson (Hamilton), Surf Mesa, Lorde and Shawn Mendes.
DOWNLOAD - Hi Res I Love You, Dwayne Artwork
DOWNLOAD - Hi Res Press Photos by Mikala Gauer
TikTok: @mirandajoanmusic
DEBUT ALBUM PAST LIVES OUT TODAY
L.S. DUNES SET FOR SPECIAL RELEASE DAY
IN-STORE PERFORMANCE TONIGHT AT FINGERPRINTS MUSIC IN LONG BEACH, CA.
NORTH AMERICAN TOUR KICKS OFF TOMORROW
WITH SOLD OUT SHOW IN TORONTO ON NOVEMBER 22
"Fiery... nonstop, dynamic fun" — Revolver
"Catchy, punky post-hardcore" — Brooklyn Vegan
"These guys all know what they are doing!" — Stereogum
"This is 100% real and no, you are not dreaming" — Ones To Watch
"Brimming with an urgency and plenty of energy" — Loudwire
“An outstanding collection of punk and hardcore anthems from those who have shaped the genre in the recent years” **** — Upset (UK)
TORONTO, ON – Friday, November 11, 2022 – Today, L.S. Dunes – guitarist Frank Iero (My Chemical Romance), guitarist Travis Stever (Coheed & Cambria), vocalist Anthony Green (Circa Survive), bassist Tim Payne (Thursday), and drummer Tucker Rule (Thursday) – have released PAST LIVES, their highly-anticipated debut album via Fantasy Records. Listen to/purchase the album here.
Produced by Will Yip (Turnstile, Circa Survive, Quicksand) and recorded at his Studio 4 Recording in Philadelphia, PA., Past Lives navigates themes of fearlessness, dependency, nonconformity, and impermanence in a boundary pushing synthesis of post-hardcore and punk¾that has established L.S. Dunes as one of the year’s most compelling new arrivals. From the gripping, theatrical opener, 2022, and the blazing Bombsquad, to the pummeling, expansive, Permanent Rebellion, and the disarming album closer, Sleep Cult, Past Lives is an electrifying and emotional ride.
After the shock of the pandemic shutdown, the close friends and mutual admirers urgently realized that "tomorrow" is not promised. "We never knew if we would ever get to play these songs together; in fact, none of us lifelong musicians really knew if we'd ever be able to play music for a live audience ever again," Iero recounts. "Permanent Rebellion is about taking back what is rightfully yours," Rule added. "We wanted to do something where you can hear all our bands in it and yet, not have it sound like any one in particular. Our roots are punk rock and hardcore, and the vibe is hope for all the lost souls.”
Early praise has come from all corners of music’s global literati including Stereogum, NME, Consequence, Ones to Watch, Brooklyn Vegan, Revolver, Kerrang, Alternative Press, and Loudwire just to name a few. In their 5-STAR review, New Noise declared, “Past Lives may be one of the best and most unexpected albums to drop this year,” adding, “Every song is a masterclass in songwriting…You are not going to want to miss this album.” Spin also stated, “Every member of L.S. Dunes contributes their unique world-class abilities to the melting pot of the band, all pushing each other to new heights in the process.” Sputnik said Past Lives is, “absolutely thrilling,” and Rock Sound’s (UK) rave review affirmed, “The stunning title track is a sentimental, inspiring, undeniable piece of alternative music genius that will stick with you, and the band that created it, for years to come.”
L.S. Dunes made their highly anticipated debut performances at Chicago’s RIOT FEST on September 15 and Sacramento’s AFTERSHOCK FESTIVAL on October 8. Both dates featured songs from the new album, a taste of the energetic, cathartic shows fans will experience on their upcoming headlining North American tour which begins tomorrow (Saturday, November 12) at the Garden Amphitheater in Garden Grove, CA, and includes a sold out show in Toronto at the Velvet Underground.
Find the complete tour itinerary, including recently announced European shows here and below. In addition, the band will celebrate the release of Past Lives with a special, release day in-store performance at Fingerprints Music in Long Beach, CA., check here for more information.
L.S. DUNES ON TOUR:
November 12 — Garden Grove, CA — Garden Amphitheater
November 13 — San Francisco, CA — Bimbo's 365
November 14 — Los Angeles, CA — Troubadour SOLD-OUT
November 18 — Mexico City, Mexico — Corona Capital SOLD-OUT
November 22 — Toronto, Ontario — Velvet Underground SOLD-OUT
November 25 — Asbury Park, NJ — Asbury Lanes SOLD-OUT
November 26 — Philadelphia, PA — First Unitarian Church SOLD-OUT
November 27 — Boston, MA — The Sinclair SOLD-OUT
November 29 — Brooklyn, NY — Music Hall of Williamsburg SOLD-OUT
November 30 — Baltimore, MD — Ottobar SOLD-OUT
January 27 – Glasgow, UK – The Garage
January 28 – Camden, UK – Electric Ballroom
January 29 – Manchester, UK – Manchester Academy SOLD-OUT
January 30 – Birmingham, UK – 02 Academy Birmingham
February 1 – Amsterdam, Netherlands – Melkweg
February 2 – Paris, France – Trabendo
February 3 – Cologne, Germany – Luxor
February 4 – Berlin, Germany – Hole 44
February 5 – Prague, Czech Republic - Meet Factory
May 27 – Atlantic City, NJ – Atlantic City Beach
ABOUT L.S. DUNES:
L.S. DUNES super-charge their heavy anthems with punk energy into a sound unlike anything that has come before it. From the gripping, theatrical opener, 2022, and the crunchy, frenetic earworm, Like Forever, to the pummeling, expansive Permanent Rebellion, and the disarming album closer, Sleep Cult, Past Lives is an electrifying and emotional ride.
Past Lives was produced by Will Yip (Turnstile, Circa Survive, Quicksand) and recorded at his Studio 4 Recording in Philadelphia, PA. Going deep on issues of fearlessness, dependency, nonconformity, and impermanence, writing for the album was a collaborative effort.
After the shock of the pandemic shutdown, the close friends and mutual admirers urgently realized that "tomorrow" is not promised. "We never knew if we would ever get to play these songs together; in fact, none of us lifelong musicians really knew if we'd ever be able to play music for a live audience ever again," Iero recounts.
"Permanent Rebellion is about taking back what is rightfully yours." Rule adds, "We wanted to do something where you can hear all our bands in it and yet, not have it sound like any one in particular. Our roots are punk rock and hardcore, and the vibe is hope for all the lost souls."
Original, aggressive, and intense, L.S. DUNES is the next great leap in rock's grand evolution.
NEW ALBUM CONDITIONS OF A PUNK TO BE RELEASED DECEMBER 2
TORONTO, ON – November 11, 2022 – Long Beach based trio, half•alive, release their new single, High Up, along with the music video via RCA Records. High Up was co-produced with Ethan Gruska and the music video is co-directed by Kevin Clark (Finneas, Son Little) and half•alive’s Josh Taylor. Watch here and stream here.
High Up follows the band’s latest offering and lead single, Did I Make You Up?, which came alongside the beautiful music video that returned to the familiar half•alive choreographed dance and one-take style. Check it out here.
Both tracks are featured on the band’s forthcoming sophomore album, Conditions Of A Punk, which will be released on December 2. Through a collection of 18 tracks, this new body of work explores the breaking and mending of a heart, the realigning of a soul. Conditions Of A Punk embodies the band at their most vulnerable and most mature musically. Pre-order here.
Josh Taylor from half•alive says, “High Up is a love song about killing the projected idea of love in exchange for what it actually is. throughout the song i’m speaking to Love as a person, as if its going to kill the current idea of what i thought Love to be..“behind your back a cold surprise in favor of the 3rd degree. i took a breath & took the knife, no i won’t defend the killer in me.”
I co-directed the video alongside my new friend Kevin Clark. Within 10 minutes of first meeting each other, we already had the concept for the video..both of us feeling drawn to the visual of a car driving through rain soaked streets in the middle of LA. like a downpour of emotion, flooding the streets of my mind, begging me to react to it…within 2 weeks we were on set watching a rain machine dump water on my 1980s Mercedes as 30 friends of mine run circles around it. somehow i convinced them it would be a good time. everyone got soaked. the film was accomplished. high fives & smiles all around.”
About half•alive:
The music of half•alive breathes, evolves, grows, and changes alongside the lives of the Long Beach trio—Josh Taylor [vocals], Brett Kramer [drums], and J Tyler Johnson [bass]. half•alive officially came to life on the 2017 3 EP, which sparked a palpable buzz on the strength of The Fall and Aawake At Night. Over the course of the next year, they crafted what became their massive breakout still feel. which has been RIAA certified Gold, rocketed into the Top 10 at Alt Radio and has over 276 million worldwide streams to date. The video organically surpassed the 10 million mark within two months as the song garnered acclaim from NPR’s coveted All Songs Considered and more. The trio sold out their formal debut headlining tour in 2019 which included 2 sold out shows at The Fonda Theatre in LA. The tour also included stops at major music festivals including Lollapalooza, Outside Lands and Bumbershoot. Later that year the band made their late-night television debut with a very special performance of still feel. on Jimmy Kimmel Live!. Check out the incredible and unique performance here. They also performed RUNAWAY on The Late Late Show with James Corden. In August 2019, they released their debut album Now, Not Yet which has amassed over 611 million streams worldwide to date. half•alive was named YouTube’s Artist on the Rise and their live Vevo DSCVR performances of RUNAWAY and arrow showcase their incredible creative artistry. In 2020, half•alive released their EP in Florescence, an audio and visual project that included orchestral arrangements of 4 tracks off their critically acclaimed debut album Now, Not Yet as well as videos for 3 of the 4 songs to accompany them. Earlier this year, the band shared their EP Give Me Your Shoulders, Pt. 1 featuring Move Me which was Most Added at Alt Radio around its launch and What’s Wrong which has garnered over 20.1 million streams worldwide. The band also performed What’s Wrong on Jimmy Kimmel Live!.
DOWNLOAD - Conditions Of A Punk cover art | DOWNLOAD - press photo
STREAM HERE
SIGALA’S SECOND ALBUM EVERY CLOUD
TO BE RELEASED MARCH 3, 2023
PRE-ORDER EVERY CLOUD HERE
8 UK Top 10 Singles
7 global Platinum Singles
9 global Gold Singles
9 Million UK sales
11 Million worldwide sales
4 Billion audio streams
Over 1 Billion video views
Toronto, ON – November 11, 2022 –British artist, producer and DJ Sigala teams up with Gabry Ponte and Alex Gaudino for Rely On Me, which is released globally today via Ministry of Sound.
Rely On Me serves as the curtain-raiser for the rollercoaster next chapter in Sigala’s rise and rise: the release, in March 2023, of his long-awaited second album. Every Cloud is the album Sigala has been working on from pretty much the minute he finished making his first, September 2018’s blockbuster, Brighter Days. The impressive debut album featured a stellar line-up of collaborators that included Kylie Minogue, Paloma Faith, French Montana, Ella Eyre, Becky Hill and more!
On Rely On Me, Sigala flexes his unerring ability to open up to, and dig deep with, a diverse and international range of co-writing/producing talents spanning the horizon of electronic music – in this case Italian GRAMMY-nominated and multi-platinum DJ and producer Gabry Ponte and his countryman Alex Gaudino, the legendary label-runner, sampling wizard and hitmaker.
“Rely On Me is another one that's based on a cheeky sample, a song called 2 Times, which was big in the late 90’s.” Sigala explains of the 1999 hit for British-born Italian Eurodance phenom Ann Lee. “Alex came up with it – he's famous for sampling songs before it was really a thing, going back to ‘Destination Calabria’ and some of his other huge tunes.”
Gabry Ponte adds, “Working on this track together was simply amazing. It is always exciting to collaborate with fellow DJ/producers with a taste and identity of their own. Specifically, Rely On Me is a song of disarming elegance and simplicity, the keys to its beauty. As the motto goes, 'less is more'."
“The irresistible piano chord progression paired with Clementine Douglas’s beautiful vocals and an extremely catchy melodic hook are the winning ingredients of this crossover track. It’ll make you feel happy from the very first listening!” shares Alex Gaudino.
Sigala has had another incredible year, playing to fans across the globe and consistently releasing smash singles from the forthcoming collection. Every Cloud will also include Lasting Lover, with James Arthur, Melody, Stay The Night featuring Talia Mar and the recent David Guetta and Sam Ryder collaboration, Living Without You. Collectively these releases have amassed a staggering half a billion streams and counting.
Available on various formats that include, digital release, vinyl, CD and cassette, Every Cloud is set to include another mammoth line-up of guest artists, which are soon to be revealed.
As well as new music. Sigala also announced a UK headline tour which kicks off in Dublin on March 5, 2023. The announcement of the album and tour continues on from a busy 2022, which saw his triumphant return to the live scene and play to thousands of fans across his sold-out North American tour. 2023 is set to be another standout for Sigala, who is looking forward to reengaging with his fans and bringing the Sigala experience to more live electrifying shows.
Sigala UK Tour 2023:
Sunday, March 5 – 3Olympia, Dublin
Tuesday, March 7 – NX, Newcastle
Wednesday, March 8 – O2 Academy, Glasgow
Friday, March 10 – The Engine Shed, Lincoln
Saturday, March 11 – HMV Empire Coventry, Coventry
Wednesday, March 15 – Albert Hall, Manchester
Friday, March 17 – Electric Brixton, London
Saturday, March 18 – Tramshed, Cardiff
DOWNLOAD - Rely On Me Artwork | DOWNLOAD - Press Photo
Sigala is the musical nom de plume of Bruce Fielder, a London-based house DJ, producer, and remixer. Launching his career with Easy Love, a Jackson 5-sampling track which topped the charts in the U.K. in 2015, he continued releasing bright, sunny dance-pop tunes featuring a variety of guest vocalists and producers. His 2018 full-length Brighter Days included collaborations with Kylie Minogue, Craig David, Sean Paul, and Nile Rodgers, among many others. Subsequent tracks featuring Becky Hill (Wish You Well) and James Arthur (Lasting Lover) continued his run of U.K. Top Ten hits. Stay the Night (with Talia Mar) appeared in 2022. Born and raised in Norfolk, England, Fielder started piano lessons as a child, and played in various bands after graduating university. He found work as a producer, and co-wrote Ella Eyre and Sigma's 2015 U.K. hit single, Good Times. His first solo single as Sigala was Easy Love, an energetic house tune built around a sample of the Jackson 5's iconic hit ABC. Released by Ministry of Sound, it entered the U.K. singles chart and shot up to number one in its second week. Fielder's second single, Sweet Lovin' (featuring singer/songwriter Bryn Christopher), hit number three and was certified gold or platinum in several countries. Several more hits followed in 2016, including Say You Do (featuring Imani and DJ Fresh), Give Me Your Love (featuring John Newman and Chic's Nile Rodgers), and Ain't Giving Up, a collaboration with Craig David that appeared on his sixth album, Following My Intuition. In 2017, Sigala co-produced the single, Show You Love, with Danish DJ Kato, sung by Hailee Steinfeld. He then paired with singer Paloma Faith for the 2018 single, Lullaby. Later that year, Sigala compiled ten of his previously released singles, as well as a handful of album tracks, to make up his debut studio album Brighter Days. Issued by Ministry of Sound, the LP reached number one on the U.K. Dance Albums chart. In 2019, he released the singles Wish You Well, with Becky Hill, and We Got Love, featuring Ella Henderson. Another song with Hill, Heaven on My Mind, appeared in 2020, and Lasting Lover (with James Arthur) became Sigala's eighth single to chart in the U.K. Top Ten. In 2021, Sigala released You for Me (with Rita Ora) and Runaway (with R3hab and JP Cooper). Solo single, Melody, and Talia Mar collaboration, Stay the Night appeared in 2022.
TORONTO, ON – November 11, 2022 – Today, singer/songwriter/multi-instrumentalist, Jack Kays, has released his new EP, CESSATION. The 5-track project is an extremely vulnerable collection of songs that chronicle the lifespan of a man and his journey to sobriety starting at ages 10-17 with Wish You Well and concluding with a reflection of an entire life with The Walk. Listen here. Arriving alongside the EP is a live performance video for 28 – watch here.
Speaking about CESSATION, Kays says “I’ve been writing this EP for the past two years. It means so many different things to me, and I could go on and on about it, but if there’s one thing to take away from it, it’s that in order for something to live, something else has to die. I think it’s so easy to hold on to old ideas but letting go is the best thing you can do for yourself. I learned that the hard way.”
In support of the project, Jack has been on his first-ever headline tour titled ‘The Man with a Guitar.’ Kays has brought his captivating live show to cities across North America and will perform at New York City’s Bowery Ballroom tonight in celebration of the EP release. See full routing below and visit www.jackkays.com for tickets and more information.
CESSATION Tracklist:
1. Wish You Well
2. Finally Fine
3. When It’s All Over
4. 28
5. The Walk
Jack Kays – The Man with a Guitar Tour
11/11 - New York, NY - Bowery Ballroom
11/13 - Boston, MA - Sinclair
11/15 - Philadelphia, PA - The Foundry At The Fillmore *Sold-Out*
11/17 - Chicago, IL - Lincoln Hall (Rescheduled from 11/6)
11/19 - Atlanta, GA - Vinyl *Sold-Out*
11/22 - Cincinnati, OH - Top Cats *Sold-Out*
Jack Kays – The Man with a Guitar Tour
11/11 - New York, NY - Bowery Ballroom
11/13 - Boston, MA - Sinclair
11/15 - Philadelphia, PA - The Foundry At The Fillmore *Sold-Out*
11/17 - Chicago, IL - Lincoln Hall (Rescheduled from 11/6)
11/19 - Atlanta, GA - Vinyl *Sold-Out*
11/22 - Cincinnati, OH - Top Cats *Sold-Out*
DOWNLOAD - Album Artwork
Subscribe to Jack Kays' Newsletter
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FIRST ALBUM IN EIGHT YEARS ELECTROPHONIC CHRONIC ARRIVING JANUARY 27 VIA EASY EYE SOUND
Listen to Heaven Is A Place here and watch the accompanying video from animator/director Robert "Roboshobo" Schober here.
Co-produced by Auerbach and Michels, Electrophonic Chronic features the full original line-up of The Arcs including Swift, Nick Movshon and Homer Steinweiss. The collection was announced last month to excitement from Rolling Stone, Pitchfork, Billboard and many more; lead single, Keep On Dreamin’, was named one of the best new songs of the week by a range of outlets from NPR Music to Guitar World. The Arcs also reunited with longtime visual collaborators Roboshobo and El Oms for Electrophonic Chronic. While El Oms illustrated the album art for the new project — as he did for Yours, Dreamily, in 2015 — Roboshobo illustrated and animated the videos for Heaven Is A Place and Keep On Dreamin’, as well as each of the forthcoming advance tracks.
Recorded largely before Richard Swift's passing, Electrophonic Chronic was sparked by the band's mutual obsession with recording and crate-digging, taking inspiration from genres including vintage soul, old school garage and the space age pop of the 1960s. After a period where, as Michels puts it, "I think all of us couldn’t really listen to the music, couldn’t really face it and try to finish it," Auerbach and Michels finally revisited those sessions during the pandemic last year; completing what they started with their late musical brother.
"This new record is all about honoring Swift," Auerbach adds. "It’s a way for us to say goodbye to him."
The Arcs - Electrophonic Chronic Track List:
LISTEN TO SPIRIT OF HIP HOP: ELEMENTS
TORONTO, ON – November 10, 2022 – Renowned Canadian-Indigenous artist, record producer and engineer, David Strickland, has been celebrating the release of his new album, Spirit Of Hip Hop: Elements (August 26, MNRK Music Group). Today, he shares a video for standout track - LVL Up - a motivational song about progress driven by agility, determination and focus, be it your music career, personal life and beyond. Calgary-based Indigenous rapper and activist, Drezus, Ottawa artist and Outlaw By Nature member, Aspects, and Six Nations-based artist Prognosis come together to deliver fierce rhyme and verse as David gets behind the boards to bring forth a foundation of fluid, key-driven, bass-booming, brooding beats. Watch LVL Up here.
The video was directed, filmed and produced by ReelWolf Productions at Six Nations of the Grand River. On the song and video, David says: “It’s time to LVL Up in life, in everything. Be the best you possible, otherwise, you ain’t on my level. Positive over Negative. We coming to show and prove on every LVL.”
Throughout the month of September, David Strickland curated Spotify's Indigenous playlist; a space for Indigenous creators in Canada to curate the playlist with their favourite Indigenous artists of the moment. On National Day for Truth and Reconciliation (Friday, September 30), the playlist graced Spotify’s Yonge & Dundas billboard in Toronto for the entire weekend, featuring David's signature Every Child Matters artwork to honour the day. Check out the art here.
From his hustle in studios across North America, working with industry greats on GRAMMY and JUNO-winning projects, to exploration in the world of NFTs, and giving back to Indigenous communities through charitable endeavours, David blazes his own path. Spirit Of Hip Hop: Elements continues the journey of 2020 acclaimed project, Spirit Of Hip Hop, and its 2021 counterpart, Spirit Of Hip Hop (Remixes) and is a comprehensive project highlighting North America’s most promising Indigenous rappers, and represents the connection between the Indigenous community and the Hip-Hop community.
In addition to a powerful opener by David's long-time mentor and iconic photographer, Ernie Paniccioli, you can hear an incredible lineup of guests including: Artson, Que Rock, Divine Brown, Pooky G, Blessed, Stenn Jodi, J25, Wolf Castle, JRDN, Stump Gets, Skye Stoney, Jace Martin, Kalem Moses, Wolf Castle, Stun, Crystal Shawanda, Joey Stylez, Q052, & Tribe NO GANG, Violent Ground, Choclair, Kingcon and Julian Taylor. Listen to the album here.
Learn more about David's catalogue and incredible career below.
FAST FWD TO FRIDAY CLUB NIGHT RETURNS IN 2023
PREVIOUS COLLABORATIONS INCLUDE HIGH CONTRAST,
1992, THE PROTOTYPES & ZERO
SOLD OUT 2022 HEADLINE UK TOUR INCLUDES XOYO
RECENT SETS AT READING & LEEDS (RADIO 1 DANCE STAGE), MAD COOL, KENDAL CALLING, NEIGHBOURHOOD WEEKEND & MIKE SKINNER SUPPORT
SINGLE YOUNG DUMB FEATURED ON OFFICIAL
FIFA 22 TRAILER & O2 ADVERT
Toronto, ON – November 10, 2022 – Electronic dance trio, NOISY, return with their first official release of the year, in the form of 90s-inspired dance anthem, Alligator, out now via Concord Records. Listen to the single here and watch the music video here.
The new single not-so-quietly reintroduces NOISY to the world, elevating their sound to another level once more. Exploding out the gates with bigger breaks, harder hooks and refined sampling, Alligator is a modern-day 90s dance anthem, paying homage to Livin’ Joy’s classic vocal, Dreamer.
Created on a writing trip to The Prodigy’s hometown of Braintree, this local inspiration is evident on the new single, sonically bringing a Prodigy-esque spirit to the new offering. The accompanying music video continues a tradition of high-octane, larger-than-life videos for the band. In this instance, they’re joined by two live alligators.
On the new single, singer Cody said: “I used to have a recurring nightmare as a kid that an alligator was trying to eat me so that’s where the lyrics came from. We spent a week writing in an airbnb near Braintree and Alligator came pretty quickly after getting gassed on the Livin’ Joy sample. I remember one of the first times hearing that tune and feeling a rush of euphoria and excitement, and now it’s so iconic. It was also the perfect excuse to get a real life alligator in a music video which was mad. There were actually 2 of them, Wendy and Alli G. They were surprisingly pretty chill."
The past few years have been all gas no breaks for NOISY. Collaborations have been bountiful, from High Contrast remixing 24/7 to releases with the likes of The Prototypes, 1991 and Zero. The music truly comes to life on stage, and the group enjoyed knock out festival slots at the likes of Reading & Leeds (Radio 1s Dance Stage), Mad Cool, Kendal Calling, Neighbourhood Weekend. The group also opened for Mike Skinner ahead of embarking on their UK headline tour which came to London for a sold-out XOYO show. 2023 will see the return of the group's celebrated club night Fast FWD To Friday, which will come to Brighton’s Prince Albert on January 13, 2023. Tickets are available on Monday November 14.
NOISY’s touring schedule has been eventful in more ways than one. Last year they made the headlines between shows when their tour van was stolen, along with synthesizers, FX pedals, guitars, amps; the lot. Miraculously, through their own detective work, they managed to track down their stolen goods and reclaimed all of the equipment.
This self-sufficient, DIY mindset is one of the driving forces of NOISY (comprised of singer Cody, guitarist Connor and producer Spencer), who pride themselves on writing, recording and producing all of their own music, designing their own merch, as well as often shooting their own music videos.
So with that in mind, allow us to reintroduce NOISY. Your new favourite band, that sound nothing like a band.
DOWNLOAD - Alligator Artwork | DOWNLOAD - Press Photo
NOISY on TikTok
LATEST PREVIEW OF FORTHCOMING ALBUM STRAYS
ACCOMPANIED BY STUNNING LIVE PERFORMANCE WITH A STRING QUARTET
EXTENSIVE FALL AND WINTER HEADLINE TOUR FOLLOWS PUBLICATION OF MEMOIR MAYBE WE’LL MAKE IT. PERFORMANCE OF THE PILL ON CMT’S TRIBUTE TO LORETTA LYNN, LAUNCH OF SONOS RADIO PODCAST AND MORE
VANCOUVER AND TORONTO TOUR DATES IN FEBRUARY
TORONTO, ON – November 10, 2022 – Today, with a prescient and plaintive new single called Lydia, Margo Price shares her latest preview of Strays. Out January 13 via Loma Vista Recordings, the forthcoming album marks the loudest, lushest and most liberating music to date for the GRAMMY-nominated singer, songwriter and published author, but Lydia serves as one of the LP’s sobering respites. Recorded in 2021 and written years before the overturning of Roe v. Wade, the sombre and string-laden story sees Price abandon traditional song structure in favor of a stream-of-consciousness character study, illustrating the internal strife and self-doubt of a struggling woman who finds herself pregnant and unable to raise a child. Vivid images of methadone clinics, bleeding mascara and used needles fill the seven verses alongside references to gentrification, health insurance issues, and the impending pressure of a life-altering decision. Listen to Lydia here.
Price performed a stunning live rendition of the song backed by a string quartet of Chauntee Ross, Nicole Neely, Kristin Weber and leader Larissa Maestro (Instrumentalist of The Year, Americana Honors & Awards 2022), shot at Nashville’s Downtown Presbyterian Church by filmmakers Eric Geadelmann and Kelly Magelky (They Called Us Outlaws). Watch the video here.
“I wrote Lydia in one sitting in a tiny hotel room after walking around the city of Vancouver one day,” says Price. “I was jet lagged and feeling really depressed, hopeless, but instead of taking a nap, I picked up the guitar and the words just flowed out all in one quick moment. I hit record on my phone to make a demo and sort of blacked out or went into this meditative state, and boom – eight minutes later, I had this song. It’s one of the only songs I’ve ever written that doesn’t have any real melody or even rhyme, but somehow it still works. Songs like that are rare and don’t come often.
It was inspired by a cacophony of things. There was a women’s health clinic and a methadone clinic with a needle exchange right outside of our venue. I was looking into the eyes of the people I passed and thinking about their stories and really being a conduit for pain.
The song feels like a premonition now, with women’s rights being stripped and all the abortion bans happening. When I listen back, I hear what might go through a woman’s mind when she has a difficult decision to make about her body, her choices and her future.”
Produced by Jonathan Wilson (Angel Olsen, Father John Misty), Lydia follows the “hard-living swagger” (New York Times) that was put on full display in recent singles and music videos, Been To The Mountain and Change of Heart, each of which further showcases the resilient proclamation at the heart of Strays. From navigating her way through loss, lies, failure and substance abuse, Margo Price has learned how to let go of trauma, pain and addiction, and this collection of ten original songs celebrates freedom in its many, feral forms. Penned primarily during six mushroom-powered days that Price spent in South Carolina with her husband and collaborator Jeremy Ivey in summer 2020, and recorded at Jonathan Wilson’s Fivestar Studios in Topanga Canyon, California the following summer, Price tackles self-image, self-worth and other demons that came in the wake of her recent decision to quit drinking. She sings unabashedly about orgasms, love, bodily autonomy and more on songs that feature Sharon Van Etten, Mike Campbell, Lucius and her long-time band of Pricetags.
Since announcing the release of Strays, Margo Price has also published her debut memoir, Maybe We’ll Make It, to acclaim from Wall Street Journal, The Guardian, Publishers Weekly and beyond, in addition to performing trailblazing song, The Pill, live for CMT’s Coal Miner’s Daughter: A Celebration of The Life & Music of Loretta Lynn, entering the Triple A radio charts with Change of Heart, wrapping the first season of her Sonos Radio podcast, Runaway Horses, completing a national fall book tour, and detailing her first full-band, headline tour in nearly five years.
Beginning later this month and culminating with a triumphant return to the Ryman Auditorium in early March, Price’s ‘Til The Wheels Fall Off Tour will bring the music of Strays to more than 30 dates across the country. With support from Jessi Colter, Kam Franklin, Lola Kirke, Tre Burt and others, Canadian stops in Vancouver and Toronto, and dozens of shows that are all on-sale at margoprice.net/#tour.
Margo Price Tour Dates
11/16 - Nashville, TN - Parnassus Books^
11/29 - Fayetteville, AR - George's Majestic Lounge*
11/30 - Baton Rouge, LA - Chelsea's Live*
12/2 - Lake Wales, FL - Orange Blossom Revue
12/3 - Charleston, SC - Music Farm*
12/5 - Charlotte, NC - Neighborhood Theatre*
12/6 - Louisville, KY - Headliners Music Hall*
1/30 - Asheville, NC - Orange Peel%
1/31 - Atlanta, GA - Variety Playhouse%
2/2 - Houston, TX - White Oak Music Hall&
2/3 - Austin, TX - Scoot Inn&
2/4 - Dallas, TX - Granada Theater&
2/6 - Phoenix, AZ - Crescent Ballroom$
2/7 - San Diego, CA - The Observatory North Park$
2/9 - Los Angeles, CA - Fonda Theatre$
2/10 - San Francisco, CA - The Fillmore$
2/11 - Arcata, CA - Van Duzer Theatre$
2/13 - Portland, OR - Crystal Ballroom$
2/14 - Vancouver, BC - Commodore Ballroom$
2/15 - Seattle, WA - The Showbox$
2/17 - Bozeman, MT - The Elm$
2/19 - Minneapolis, MN - First Avenue$
2/20 - Madison, WI - Majestic Theatre$
2/21 - Chicago, IL - Vic Theatre$
2/22 - Indianapolis, IN - The Vogue$
2/24 - Toronto, ON - The Phoenix Concert Theatre#
2/25 - Detroit, MI - Majestic Theatre#
2/27 - Burlington, VT - Higher Ground Ballroom#
2/28 - Boston, MA - Paradise Rock Club#
3/2 - Washington, DC - 9:30 Club#
3/3 - Philadelphia, PA - Theatre of Living Arts#
3/4 - New York, NY - Webster Hall#
3/9 - Nashville, TN - Ryman Auditorium!
^Maybe We'll Make It Book Tour
*w/ Kam Franklin (of The Suffers)
%w/ The Deslondes
&w/ Daniel Donato's Cosmic Country
$w/ Lola Kirke
#w/ Tre Burt
!w/ Jessi Colter
Follow Margo Price
Official Site
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OUT NOW VIA LOMA VISTA RECORDINGS
FALL TOUR INCLUDES 12TH ANNUAL THANKSGIVING FESTIVAL THE STUFFING AT ATLANTA’S FOX THEATRE NOVEMBER 18
TORONTO, ON – November 10, 2022 – Manchester Orchestra today released their dynamic and urgent new single, No Rule, an undulating and layered anthem that twists, turns, and blooms across its 5:20 runtime.
Initially begun during the recording sessions of their acclaimed 2021 album, The Million Masks of God (Loma Vista Recordings), No Rule was produced by Manchester Orchestra’s lead songwriting duo of Andy Hull and Robert McDowell, together with Catherine Marks (PJ Harvey, The Killers) and Ethan Gruska (Phoebe Bridgers).
Hull explains: “We are very proud to release our new song No Rule into the world. Written and worked on during the Million Masks sessions, this brave soul took a little longer to cook than the rest. We hope you enjoy. All Love. M.O.”
Following a packed summer tour that saw them play across various festivals—including Lollapalooza, Firefly, Austin City Limits, When We Were Young, and more—the band of Hull, McDowell, Tim Very, and Andy Prince will play a week of fall headlining shows leading up to their 12th annual hometown festival, The Stuffing, at Atlanta's Fox Theatre on November 18. The Thanksgiving concert will feature additional performances by Julien Baker, Lunar Vacation, Joy Oladokun, Petey, and Leah, and the band has also partnered with local Atlanta non-profit, Umi Feeds, for the event. Umi Feeds is helping those in need by collecting healthy canned and other non-perishable food items to support the Umi Feeds Food Pantry, which directly benefits Atlanta’s Sylvan Middle School. Requested items can be dropped off at the Fox Theatre during the November 18 concert; a full list of recommended donation items is available on the Fox Theatre’s event page at foxtheatre.org/thestuffing.
Named one of 2021's Best Albums of the Year by Consequence, Brooklyn Vegan, and FLOOD Magazine, among others, The Million Masks of God earned additional acclaim and features from Stereogum, NPR Music, Uproxx, SPIN, and more. The album's lead single, Bed Head, rose to chart as the band’s latest #2 AAA and Top 20 Alternative radio hit, and ranked as one of Public Radio's Most Popular Songs Of 2021 at NPR Music. Notable performances of Bed Head include for The Late Show with Stephen Colbert’s #PlayAtHome series, CBS This Morning: Saturday Sessions, WXPN World Cafe, WNYC New Sounds, and Comedy Bang Bang’s 12th anniversary special. In 2021, the band also released Never Ending, their contribution to the Dark Nights: Death Metal Soundtrack executive produced by Tyler Bates (Guardians of the Galaxy, Watchmen, John Wick), and Christmas Songs Vol. 1, a holiday album featuring covers of six seasonal classics. The morning of The Stuffing (2021), the band shared The Million Masks of God: The Remixes, featuring inventive reimaginings of their songs by Local Natives, Dirty Projectors, Lucius, and more.
UPCOMING TOUR DATES:
11/11 - Memphis, TN - Soundstage at Graceland
11/12 - New Orleans, LA - House of Blues
11/13 - Little Rock, AR - The Hall
11/15 - Knoxville, TN - The Mill & Mine
11/16 - Raleigh, NC - The Ritz
11/17 - Columbia, SC - The Senate
11/18 - Atlanta, GA - Fox Theatre (The Stuffing w/ Julien Baker, Lunar Vacation, Joy Oladokun, Petey, and Leah)
DOWNLOAD – hi-res photo | DOWNLOAD – single artwork
Praise for The Million Masks of God:
“their grandest vision to date” – UPROXX (Best Albums of 2021 So Far)
“Manchester Orchestra’s most plainly beautiful album. I’d also argue it’s their best” – Stereogum
“A record that feels dynamic and vital – while still respecting the band’s legacy so far – The Million Masks of God is astonishing” – DIY Mag
"The songs here are often as big as ever" – The AV Club
"One of indie-rock’s most visceral and essential bands" – Guitar World
"[an album] that feels like the story of an unmade Ingmar Bergman film." – WNYC New Sounds
“... The Million Masks of God is a gorgeously tuneful and thought-provoking gem.” – Consequence
"...what makes The Million Masks of God so impressive is that it really doesn't sound like any other Manchester Orchestra album. Andy Hull's unmistakable voice and distinct songwriting style make this immediately recognizable...but it feels like an entirely new chapter of their career." – Brooklyn Vegan
“They’ve maintained the style laid out on A Black Mile but imbued it with more splendor.” – Paste
“Leave it to Manchester Orchestra to write an album that leaves you feeling both bereft and whole again in one swoop. The alt-rock band’s sixth LP...surges with sadness and hope in equal measure.” – Relix
“To listen to the new album, The Million Masks of God, from the Atlanta-based rock group, Manchester Orchestra, is to inhabit a cathedral-like building and let your ears take in each swell, each ring and each echo as the vibrations subsume and the medicine of music takes hold.” – American Songwriter
http://www.manchesterorchestra.com/
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IN PARTNERSHIP WITH
LAST GANG & MNRK MUSIC GROUP
AND POSI VIBEZ
INAUGURAL EVENT TO KICK OFF IN TORONTO ON NOVEMBER 30
WITH DJ SETS BY CHIPPY NONSTOP,
CADENCE WEAPON & INDIE SLEAZE ADMIN
SERIES TO FOLLOW IN MULTIPLE CITIES NEXT YEAR
“Meet ‘Indie Sleaze,’ the risqué aesthetic that might be making its way
back onto our online feeds.” - NYLON
“The era that gave us chillwave and extraordinarily tight jeans is back back back, thanks to a zeitgeisty Instagram account and a post-pandemic
lust for partying” - NME
“…as Gen Z begins to adopt Y2K aesthetics, indie sleaze has returned.” – SPIN
TORONTO, ON - November 9, 2022 - This past year, with support from the likes of SPIN, NYLON, NME, Harper’s Bazaar, Elle, Vogue, Thrillist and more, the seminal 2000s era of music and fashion was once again magnified and celebrated through the explosion of Instagram account, @IndieSleaze (109K+ followers).
To celebrate this cultural resurgence, Indie Sleaze announces Date With The Night - a dance party series that will take place will take place across multiple cities, beginning in Toronto this month.
In partnership with Last Gang Records / MNRK Music Group - who played an integral part in this era of music with a roster of Death From Above 1979, Metric, Chromeo, MSTRKRFT, and more - and along with Posi Vibez, the event will kick off on November 30 at Toronto's Dance Cave.
Featuring standout DJ performances by DJ/producer, Chippy Nonstop, and award-winning rapper, Cadence Weapon, along with a DJ set by Indie Sleaze herself, the night promises to bring the epic party scene of the mid-to-late aughts in to 2022.
DATE WITH THE NIGHT: AN INDIE SLEAZE DANCE PARTY
Date: November 30, 2022
Location: The Dance Cave (2nd floor of Lee's Palace)
Tickets: $5 leespalace.com/event/indie-sleaze-dance
DJ performances by: Chippy Nonstop, Cadence Weapon, Indie Sleaze
ABOUT INDIE SLEAZE
Indie Sleaze (a.k.a. Liv) is a writer, producer, and video editor based in Toronto, and is the creator of @IndieSleaze - a page that documents the decadence of the mid-late aughts and the indie sleaze party scene that died in 2012. Liv also hosts and produces the podcast, Date with the Night, where she interviews many artists and professionals from the music, film, and TV industry.
ABOUT LAST GANG:
Last Gang is a music company founded in 2003 and credited with launching the careers of Metric, Death From Above 1979, MSTRKRFT and more. The company is also well known for its work with Arkells, Stars, Keys N Krates, Mother Mother, Lights, and Chromeo. Last Gang is a MNRK Music Group company. www.lastgang.com
ABOUT MNRK MUSIC GROUP:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. www.mnrk.com
THE FIRST EVER CANADIAN ROCK SONG
TO RECEIVE THIS OUTSTANDING DESIGNATION
PARALYZER HAS SURPASSED 700 MILLION STREAMS GLOBALLY
TORONTO, ON – November 8, 2022 – Acclaimed award-winning rock band, Finger Eleven, are celebrating yet another career high with the news of their smash hit single, Paralyzer, receiving a record-breaking certification of Quintuple Platinum. Undoubtedly the band’s most successful single to-date, Paralyzer is also the first ever Canadian rock song to receive Quintuple Platinum designation.
One of the most successful Canadian songs of all time, Paralyzer was the first single from Finger Eleven's multi-platinum selling, Them vs. You vs. Me, which garnered the quartet a JUNO award for Rock Album of the Year. The single enjoyed massive airplay, setting a record for the most consecutive weeks (14) at #1 on the Canadian Rock charts. The track hit one million Mediabase spins across multiple formats and spent an incredible 52 weeks on the Billboard Hot 100 chart. The song has amassed over 700 million streams globally to-date, and is one of the band’s 8x Top 10 radio hits and 4x #1s.
“We’re still blown away by the success of the song,” comments the band. “Paralyzer was able to take us all over the world and we’ll always be grateful for that. ”
The band also have exciting things in the works for 2023, so stay tuned!
ABOUT FINGER ELEVEN
Finger Eleven, the alternative rock band from Ontario, and one of the best-selling Canadian bands of all time, have released a series of consecutive hit albums and become among the greatest live bands to ever emerge from the great White North. Their debut, The Greyest of Blue Skies, broke Finger Eleven into the international mainstream, achieving Gold status in the United States and Platinum in Canada, and smashing the first single, One Thing, across the radio and Billboard charts. Their 2007 album, Them vs. You vs. Me, launched the single, Paralyzer, setting radio records in the US, peaking at #1 internationally and going Multi-Platinum; the band’s second million seller. They won the JUNO Award for Rock Album the following year and set an incredible run at rock radio, with an unbeaten #14 weeks at the top spot. Life Turns Electric, was nominated for a JUNO Award for Best Rock Album of the Year. Five Crooked Lines continued to electrify audiences the world over. The roaring 2020s promise to deliver the hardest hitting Finger Eleven music yet, with a new album and global tour dates.
LISTEN HERE
TORONTO, ON – November 4, 2022 – Today, acclaimed Vancouver producer-songwriter, Louise Burns, is thrilled to share her brand new single, See You – a haunting rendition of the Depeche Mode classic. Out on Light Organ Records, the track finds Burns remodeling the peppy, Martin Gore-penned electro-pop anthem into a sophisticated slow jam with a velvet-lined vibrato vocal tucking itself into a mauve-tinted haze of snap beats and synth psychedelia. Listen here.
“I love Depeche Mode, so it felt like I was entering blasphemy territory by choosing to cover them,” remarks Burns. “I chose See You because despite being one of their earliest hits, it’s not as well-known as their later years and I think it deserves more attention. It’s a perfect pop song, and exemplifies what Depeche Mode do best – incredible production and instrumentation that only enhances what was already a great song. We went with a more slowed down, elegant Bryan Ferry style of treatment because I was feeling that energy, yet knew the song could hold up no matter what we did with it!”
The song was co-produced between Burns and Jason Corbett (ACTORS) at his Jacknife Studios in Vancouver. “This was the first song Jason Corbett and I did together, and was a great chemistry test, as we both love Depeche Mode and that era of music, yet wanted to create something new and fresh rather than throw-back oriented,” Burns adds.
Dive in to Louise Burns’ gorgeous take on See You and stay tuned for more new music coming soon.
DOWNLOAD – single artwork | DOWNLOAD – press photo
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NO LOVE FOR YOU (FEATURING A-SHO)
OUT TODAY VIA MINISTRY OF SOUND
TORONTO, ON - November 4, 2022 - BRIT nominated DJ and producer, Regard, joins forces with Kosovo DJ and producer, Drop G, on their new single, No Love For You (featuring A-SHO), out now via Ministry of Sound. Listen here.
The single with Drop G is a huge club record, and a return to Regard’s deep house sound with which he found his early success. No Love For You (featuring A-SHO), adds to Regard’s impressive list of collaborators including Years & Years, Tate McRae, Troye Sivan, RAYE and Kwabs. The release this Friday, precedes Regard’s headline shows next week at New York’s Webster Hall on November 5th and London’s Ministry of Sound Club on November 11.
The two artists together have a massive, combined reach of over 2.5 Million YouTube Subscribers and over half a million followers across socials. Regard has also amassed 5 Billion artist streams, sold 15 Million singles globally and certified Gold and Platinum in over 30 countries. In addition, he has had 5x consecutive #1 US Dance Radio Airplay Chart positions with every release on Ministry of Sound to date.
About Regard
It was by accident that Regard found his stage name. The word, ‘regardé’ came to the DJ during French class in high school. ‘To See’ became the core behind Regard’s music. For Regard, his deep house mixes consist not only of sound, but also of sight. Kosovan DJ and producer Regard garnered global attention with his debut single ‘Ride It’ which became an international hit with over 2 Billion streams! The track took the internet and TikTok by storm and Regard quickly followed it up with his second hit single and BRIT nominated ‘Secrets’ featuring South London singer RAYE. He has gone on to achieve over 10x Top 10 single chart placements globally. In the UK, ‘Ride It’ has sold over 1.7 million records (2x Platinum), while ‘Secrets’ is now certified Platinum with over 500 million global streams. You with Troye Sivan and Tate McRae has achieved 480 million global streams, was the #1 TikTok sound in the UK and was the longest running #1 on the US Billboard Hot Dance / Electronic Songs chart in 2021 plus saw Regard on his US debut TV performance on Jimmy Fallon. Regard has had five #1 US Dance Airplay hits and over 5 billion combined career streams and 15 million worldwide single sales.
About Drop G
Drop G found his stage name after a simple conversation with his friend Regard, taken from a reference to his genre of music and G signifying the first initial of his name Gzim. Since dropping his debut single in 2013, Drop G has amassed over 1 Million Youtube Subscribers and over 150k followers across his social channels. Today, Drop G performs to crowds across the globe but his audiences were not always so large, having grown up as the youngest child and only son of a garden worker and housekeeper in Lipjan, Kosovo. He grew up listening to the likes of George Michael, John Lennon and Michael Jackson on the radio but was also inspired by American Hip-Hop, R&B as well as Electronic acts such as Tiesto.
DOWNLOAD -Regard x Drop G Press Photo | DOWNLOAD - Single Art
Regard on TikTok
LISTEN AND WATCH HERE
Toronto, ON – November 4, 2022 – Hot off the release of her latest song, man, buzzing singer-songwriter, quinnie, reveals a brand-new track and music video entitled, itch, out now via Columbia Records. Listen to itch here.
itch further illuminates quinnie’s world through delicate lyrics and a dreamy vocal delivery. Alongside the track comes an official video. Co-directed by quinnie and Jake Weinberg, quinnie finds herself in the forest, spending intimate time with different people, deciding who to kiss. Through exploring her world with different love-interests, quinnie ultimately kisses just one person. Watch here.
Regarding itch, quinnie says, “this song is about how i used to be scared of falling in love because i enjoy longing for things and people. found out you’ll know u really love somebody if loving them feels even better than wanting them.”
itch arrives on the heels of man, and quinnie’s breakout track, touch tank. Initially turning heads when a 23-second snippet made waves across TikTok, the success of touch tank translated to Spotify and Apple Music where quinnie has amassed over 22 million streams combined. Pitchfork noted, “She pairs verses recorded with the raw intimacy of an iPhone voice note with… a bedroom-pop chorus that fuses eroticism and romance,” going on to hail it as “an affectionate homage to a new love that feels like a breath of freshwater.”
As a self-described “very sensitive 21-year-old,” quinnie went from writing songs as a kid to releasing independent projects such as a gold star in 2019. She is bitingly funny, she is brutally honest, she loves the underwater world and sea creatures, and she will help you escape if you let her. It’s already happened with touch tank, and she’ll continue to open up her world with more music to come in 2022 and beyond.
WATCH LYRIC VIDEO FOR STANDOUT TRACK MOTHERLODE HERE
CANADIAN ARENA TOUR WITH THREE DAYS GRACE KICKS OFF NOVEMBER 8
TORONTO, ON – November 4, 2022 – Today, two-piece rock ‘n’ roll, husband and wife duo, Oshawa guitar-driven outlaws, The Standstills, release their long-awaited album, Shockwave, via MNRK Music Group. The band has also released a lyric video for their album standout track, featuring legendary rock band Eagles of Death Metal, Motherlode. Watch it here and listen to Shockwave on all streaming platforms now.
“We’ve completely opened and exposed who we are in a way that we’ve never done before,” says the band's, Jonny. “It felt like the right time. We’ve always gone with our gut instincts. We felt ready to do it. This is the album we’ve been working towards. I hope it connects to people in a deep way, as much as it’s meant to us in the creation and the life experiences that it took to make the album."
To further celebrate the album, The Standstills will be hitting the road next week with Three Days Grace for a Canadian arena tour that will see them start in Vancouver on November 8 and bring them to Toronto for the final show on November 27. Then in 2023, the duo will board the ShipRocked Cruise and rock passengers from Florida to Amber Cove, Half Moon Cay & Grand Turk.
Over their career, The Standstills (Jonny Fox on vocals/guitar, and Renée Couture on drums/vocals), have built a reputation for transcendent anthem-making with an earnestly steadfast formula: gigantic hooks, unapologetically hypnotic grooves, and infectious unabashedly cool riffs, which can be heard in force on Shockwave. Produced by Neil Sanderson from Three Days Grace and mixed by two-time GRAMMY Award winner Howard Benson (My Chemical Romance, Santana, Daughtry), the album blends immediately accessible choruses with magnetic layers of depth revealed in repeated listens.
The Standstills signature sound first emerged on a pair of indie releases. From the Devil’s Porch, their 2015 EP, produced three successful Active Rock singles, resulting in a 2016 win for Best New Group or Solo Artist: Mainstream Rock at the Canadian Radio Music Awards, while their 2019 debut album, Badlands, produced the fastest charting Canadian single in the MNRK label’s history.
“We’re a rock band, right?” Renée asks rhetorically, in a matter-of-fact fashion. “So, it’s all about the riff, the groove, and we drove that home on this record. We took time to craft these songs.”
“Those are the things we always come back to,” Jonny agrees. “Sometimes we’ll play a groove much longer than another band would, to see how far we need to take it to reach that magic… and we pushed ourselves to write an album that tells our story. I don’t think we’d done that yet. We’ve touched on it throughout previous singles. But this one is just like: ‘Here we are.’”
The Standstills Tour Dates with Three Days Grace:
November 8 - Queen Elizabeth Theatre - Vancouver, BC
November 10 - South Okanagan Events Centre - Penticton, BC
November 11 - Grey Eagle Resort and Casino - Calgary, AB
November 12 - Edmonton Convention Centre - Edmonton, AB
November 14 - Bowes Event Centre at Revolution Place - Grande Prairie, AB
November 15 - Sasktel Centre - Saskatoon, SK
November 17 - Burton Cummings Theatre - Winnipeg, MB
November 20 - Place Bell - Laval, QC
November 22 - Tribute Communities Centre - Oshawa, ON
November 23 - Budweiser Gardens - London, ON
November 24 - Centre In The Square - Kitchener, ON
November 26 - Sadlon Arena - Barrie, ON
November 27 - History - Toronto, ON
January 22, 2023 - Shiprocked Cruise
DOWNLOAD - Shockwave Album Art | DOWNLOAD - Press Photo
DOWNLOAD - Tour Poster
KICK OFF CROSS-CANADA TOUR TONIGHT
STREAM PRETTY MONSTER VIA ALL DIGITAL PLATFORMS
“[Pretty Monster] plays like a rock and roll autobiography featuring strong emotional lyrics, beautiful cinematic storytelling, and above all else, a great listening experience.” – Amplify Music Magazine
TORONTO, ON – November 4, 2022 – The Blue Stones, aka Tarek Jafar and Justin Tessier, have released their third album, Pretty Monster today via MNRK. After a celebration last night in their hometown of Windsor, ON, they kick off a headlining tour across Canada tonight in London, ON (all dates below). Stream and purchase Pretty Monster here.
Earlier this year, Jafar and Tessier hit Zane Whitfield’s NOP Studios in Kingston, ON for 35 straight days, writing and recording for the Pretty Monster project. Working with a few select producers, including Kevin Hissink (grandson/Demi Lovato) and WZRD BLD (Highly Suspect, iDKHOW), along with multi-GRAMMY Award-winner, Joe Chiccarelli (The White Stripes, The Strokes, Spoon), the band looked to stretch their sound further, while continuing to instill every track with equal parts unchecked passion and the joyfully adventurous spirit, that their live performances have become known for.
Discussing Pretty Monster, Jafar notes, “Our mission with this album is to give rock and roll a fresh coat of paint. Track after track features heavy hitting riffs over tight beats that are tough enough for the fighters, and sweet enough for the lovers. It’s an album dedicated to controlled chaos. An untamed beast contained within a beautiful exterior."
The band announced Pretty Monster with the album’s latest single, What’s It Take To Be Happy? along with a limited 180g, opaque red vinyl edition available on Bandcamp.
PRETTY MONSTER TRACKLIST:
1. Healing
2. Don’t Miss
3. Cards Are Down
4. Good Ideas
5. Stay With Me
6. What’s It Take To Be Happy?
7. Let Me Out
8. No Angels
9. Camera Roll
10. Dreams On Me
UPCOMING TOUR DATES:
November 4 – London, ON @ London Music Hall
November 5 – Hamilton, ON @ The Studio
November 9 – Kingston, ON @ Ale House
November 10 – Toronto, ON @ Danforth Music Hall
November 11 – Waterloo, ON @ Maxwell’s
November 12 – Ottawa, ON @ Bronson Theater
November 13 – Montreal, QC @ Le Studio TD
November 17 – Winnipeg, MB @ Park Theater
November 18 – Saskatoon, SK @ Coors Event Centre
November 19 – Edmonton, AB @ Starlite
November 20 – Calgary, AB @ Commonwealth
November 22 – Red Deer, AB @ Bo’s
November 24 – Victoria, BC @ Capitol
November 25 – Vancouver, BC @ The Vogue Theatre
DOWNLOAD - press photo | DOWNLOAD - album artwork
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www.facebook.com/thebluestonesmusic
www.tiktok.com/@thebluestones
www.youtube.com/thebluestoneswindsor
www.twitter.com/TheBlueStones
US HEADLINING TOUR UNDERWAY
“It comes at you pretty hard, and pretty fast… It’s the kind of song that your neighbors really ought to hear, and maybe even feel depending on your sound system…”
- Metal Injection on Kingmaker
“…a refining of melody, brutality, and intelligent throwdowns… This is just masterful stuff and hopefully the start of something special for the band.” – New Noise Magazine
“Utterly unstoppable as they lurch from skin-melting rage to skull-bludgeoning sludgy breakdowns… GREAT AMERICAN GHOST is one of those bands who demonstrate how to perfectly meld together the fury of hardcore and the
neck-snapping aggression of metal.” – V13
“…a colossal sonic experience…” - Scream Blast Repeat
“Death metal, hardcore, metalcore, black metal… it all merges into a cohesive work of impressive and sadistic force.” - Distorted Sound
“The band’s penchant for malicious metalcore is abundant, with a no-holds barred approach that combines gnashing, jarring drumming with scathing leads and spine-shrinking breakdowns.” - New Transcendence
“GREAT AMERICAN GHOST throw a four piece combination and every punch lands. The way they so casually and accurately hit several targets with such a short flurry on this EP is unparalleled. They've put us on the ropes with these four tracks and I imagine the next LP is the knockout punch.” – Getting It Out
TORONTO, ON – November 4, 2022 – GREAT AMERICAN GHOST today unleashes their fiery new video for, Torture World. The track comes by way of the EP of the same name, released early this year via MNRK Heavy.
Produced by Will Putney (A Day To Remember, Knocked Loose, The Amity Affliction), who handled the band’s critically-adored 2019 Power Through Terror full-length, with Torture World, GREAT AMERICAN GHOST directs old-school death metal wrath at hypocrisy, apathy, and self-loathing, delivered in a dark cloud of relentlessly bludgeoning riffs.
Of the Torture World video, vocalist Ethan Harrison notes, "This video is a vision that we have had for a while and we are so glad that we could bring it to life with our longtime friend, Chris Klump. The song isn't as literal as the video implies - the things that we go through as people can be harder than you could ever imagine and going through them alone can be truly torturous."
View GREAT AMERICAN GHOST’s Torture World video here. View the band’s previously released video for Kingmaker here. Torture World is available on CD, LP, cassette, and digital formats. Find ordering options here.
GREAT AMERICAN GHOST’s first ever US headlining tour is currently underway. The trek, which commenced on October 27 in Rochester, New York, will wind its way through twenty-four cities, coming to a close November 20 in Pittsburgh, Pennsylvania. Support is being provided by 156/Silence and Hazing Over. See all remaining dates below.
GREAT AMERICAN GHOST w / 156/Silence, Hazing Over:
11/4/2022 Cheapsteaks – Dallas, TX
11/5/2022 Come And Take It Live – Austin, TX
11/6/2022 Jake’s – Lubbock, TX
11/8/2022 Nile Underground – Phoenix, AZ
11/9/2022 1720 – Los Angeles, CA
11/10/2022 Goldfield – Sacramento, CA
11/11/2022 Mano Oculta – Portland, OR
11/12/2022 Funhouse @ El Corazon – Seattle, WA
11/13/2022 The Big Dipper – Spokane, WA
11/14/2022 Kilby Court – Salt Lake City, UT
11/15/2022 Trailside – Thornton, CO
11/16/2022 Lefty’s – Des Moines, IA
11/17/2022 Cobra Lounge – Chicago, IL
11/18/2022 The Sanctuary – Detroit, MI
11/19/2022 Legends – Cincinnati, OH
11/20/2022 Preserving Underground – Pittsburgh, PA
DOWNLOAD - Press Photo | DOWNLOAD - EP Art
DOWNLOAD - Tour Poster
NEW ALBUM ME/AND/DAD OUT NOVEMBER 18
2023 HEADLINE TOUR CONFIRMED
INCLUDING 15 ARENA SHOWS
TORONTO, ON – November 4, 2022 – GRAMMY Award-winner, Billy Strings, and his dad, Terry Barber, debut a new version of Lawrence Hammond’s, John Deere Tractor, today. Listen/share here.
The song is the latest unveiled from the pair’s anticipated new album, Me/And/Dad, which will be released November 18 via Rounder Records (pre-order here). The product of a longtime dream, the record features new versions of 14 bluegrass and country classics that the two have been playing together since Strings was a young child.
Already receiving critical acclaim, the pair’s new versions of George Jones’ Life To Go and bluegrass traditional, Long Journey Home, recently debuted, of which NPR Music praises, “exuberant interplay…he and Barber’s take comes in hot, a match made tender by the familiar harmonies of these two lifelong picking partners.” Additionally, Strings was recently featured on CBS Sunday Morning speaking with correspondent Conor Knighton. Watch the full profile here.
Reflecting on the project, Strings shares, “As long as I can remember, I wanted to make a record with my dad. I’ve been burning up and down the highways the last 12 years, and as time slips away, you start thinking, ‘I need to make time.’ It’s been a bucket list thing for me, something I’ve been afraid I wouldn’t find the time to do. And that scared me; not doing this record scared me.”
Produced by Strings and Gary Paczosa and recorded at Nashville’s Sound Emporium Studio, the record finds Strings and Barber playing with familiar ease, naturally trading off leads both vocally and on guitar. In addition to Strings and Barber, the album features an all-star band including bassist Mike Bub, mandolinist Ron McCoury, banjo player Rob McCoury and fiddler Michael Cleveland as well as special guest appearances by Jerry Douglas, Jason Carter and Strings’ mother, Debra Barber, who sings on the final track, I Heard My Mother Weeping.
Known for his electric live shows, Strings will continue his headline tour next year including 15 newly confirmed arena dates. Upcoming stops Nashville’s Bridgestone Arena (two nights), Atlantic City’s Hard Rock Live at Etess Arena (three nights), Charlottesville’s John Paul Jones Arena (two nights), Atlanta’s State Farm Arena and Charleston’s North Charleston Coliseum (two nights) among others. Additionally, following his two-night stand at Bridgestone Arena, Strings will return to the historic Ryman Auditorium on February 26 for a third Nashville show. See below for complete itinerary.
The new record follows Strings’ widely acclaimed, GRAMMY-nominated album, Renewal, which landed on several Best of 2021 lists including The Bitter Southerner, No Depression, Glide, The Boot, Folk Alley and was one of the Top 50 Most Played Albums at Americana Radio last year. Produced by Jonathan Wilson, the record was released to overwhelming praise with The New York Times declaring, “a premier bluegrass mind for this post-everything era…he has zigged and zagged between the form’s antediluvian traditions and rapid-fire improvisations that hit like hard bop, all within songs with hooks so sharp that he seems poised for crossover stardom.”
Raised in Michigan and now based in Nashville, Strings is known as one of music’s most compelling artists. Since his 2017 debut, he has been awarded Best Bluegrass Album at the 63rd GRAMMY Awards, Artist of the Year at the 2022 Americana Music Awards, Entertainer of the Year and Song of the Year at the 2022 International Bluegrass Music Awards (the organization also named him Entertainer of the Year and Guitar Player of the Year in 2021), Best New Headliner at the 2022 Pollstar Awards, Breakthrough Artist of the Pandemic at the 2021 Pollstar Awards and has performed on The Late Show with Stephen Colbert, Jimmy Kimmel Live!, PBS’ Austin City Limits and Bluegrass Underground. A respected figure across all genres, Strings has also collaborated with a wide variety of artists.
BILLY STRINGS CONFIRMED TOUR DATES
November 4—Saginaw, MI—Dow Event Center (SOLD OUT)
November 5—Pittsburgh, PA—Petersen Events Center
November 9—Rochester, NY—Blue Cross Arena
November 11—Uniondale, NY—Nassau Veterans Memorial Coliseum
November 12—Philadelphia, PA—The Met (SOLD OUT)
November 13—Philadelphia, PA—The Met (SOLD OUT)
November 16—Richmond, VA—Virginia Credit Union LIVE! (SOLD OUT)
November 18—Washington, DC—The Anthem (SOLD OUT)
November 19—Washington, DC—The Anthem (SOLD OUT)
November 29—Oslo, Norway—Rockefeller Music Hall
November 30—Copenhagen, Denmark—Vega
December 1—Stockholm, Sweden—Slaktkyrkan (SOLD OUT)
December 3—Berlin, Germany—Columbia Theater (SOLD OUT)
December 4—Amsterdam, Netherlands—Melkweg (SOLD OUT)
December 5—Cologne, Germany—Die Kantine
December 7—London, UK—O2 Forum Kentish Town (SOLD OUT)
December 8—Manchester, UK—O2 Ritz Manchester
December 9—Dublin, Ireland—The Academy (SOLD OUT)
December 11—Glasgow, UK—Galvanizers Yard (SOLD OUT)
December 30—New Orleans, LA—Lakefront Arena
December 31—New Orleans, LA—Lakefront Arena (SOLD OUT)
February 2—Denver, CO—1STBANK Center (SOLD OUT)
February 3—Denver, CO—1STBANK Center (SOLD OUT)
February 4—Denver, CO—1STBANK Center (SOLD OUT)
February 16—Atlantic City, NJ—Hard Rock Live at Etess Arena
February 17— Atlantic City, NJ—Hard Rock Live at Etess Arena
February 18— Atlantic City, NJ—Hard Rock Live at Etess Arena
February 21—Charlottesville, VA—John Paul Jones Arena
February 22—Charlottesville, VA—John Paul Jones Arena
February 24—Nashville, TN—Bridgestone Arena
February 25—Nashville, TN—Bridgestone Arena
February 26—Nashville, TN—Ryman Auditorium
March 3—Winston-Salem, NC—Lawrence Joel Veterans Memorial Coliseum – Doc Watson’s 100th Birthday Show
March 4—Winston-Salem, NC—Lawrence Joel Veterans Memorial Coliseum
March 7—Athens, GA—Georgia Theatre
March 10—Atlanta, GA—State Farm Arena
March 11—Charleston, SC—North Charleston Coliseum
March 12—Charleston, SC—North Charleston Coliseum
March 16—Cincinnati, OH—The Andrew J Brady Music Center
March 17—Cincinnati, OH—The Andrew J Brady Music Center
March 18—Cincinnati, OH—The Andrew J Brady Music Center
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
Billy Strings Bio
CHIII: THE COME UP DELUXE OUT ON JANUARY 24, 2023
LISTEN TO LATEST SINGLE INTIMATE ABUSE | WATCH VIDEO
WESTERN CANADIAN TOUR DATES ANNOUNCED
"For if the king is the ruler
Then I'm the king of kings
Bow down to the maker of all things
Bow down, bow down, bow down,
Cower before me"
"The video chooses to focus on the power of women and reclaiming our true ordinance in the world," STORRY says. "We praise the sun, earth, air and water. Just like the elements, we are gentle and lifegiving but also formidable. We are nurturing, we are power, we are ‘the maker of all things’.”
On the process, director Karimah Zakia Issa adds: "For Bow Down, STORRY and I wanted to showcase the natural strength of women and the power of community. The focus is on uplifting each other – helping to support someone out of a dark place so they can rise again. The vibe isn’t ‘STORRY is THE king’ but rather that she’s a king among kings. We also wanted to communicate that this power doesn’t have to feel aggressive - just as the ocean and cliffs are powerful so is our natural form. So is gracefulness, so is reflection.”
In addition, STORRY announces a western Canadian tour in January, joining Tanika Charles on an extensive run across British Columbia, Alberta and Saskatchewan. See below for a full list of dates.
Bow Down remains a standout from STORRY's album, CHIII: The Come Up, which will see an extended edition, CHIII: The Come Up Deluxe, launch on January 24, 2023. Listeners can expect an expansion of the original version with her latest single, Intimate Abuse, new remixes and visuals that further the impact of its ever-resonant themes.
Continuing the STORRY-line of of CHIII, Intimate Abuse gives a glimpse of the resolution of the previously difficult chapters of STORRY's life. After surviving an abusive relationship, STORRY was left with the shards of broken self-esteem caused by trauma that she needed to put back together again. The song is about finding someone beautiful and loving, who doesn’t see her as broken, but amazing in all her complexity, while healing in the process. Listen to Intimate Abuse and watch the video here.
Launching just before the pandemic and a 2020 JUNO Award nomination for her song, Another Man, for Reggae Recording of the Year, CHIII: The Come Up is based on a chapter of STORRY's life; a woman exiting the sex industry to enter the music industry, only to discover that both are equally misogynistic and problematic. STORRY grapples with her relationships with her mother/family, romantic relationships, with her careers, dreams and with money. Explore the visuals from the release here.
In 2021, STORRY dropped an ambitious EP titled INTERLUDE-19, another conceptual piece with an array of emotions and genres that take her listeners on a journey, marking a monumental transition between chapters. The audio-visual project featured stunning pieces that accompanied the album narrative - watch them here.
STORRY does not live in any specific genre. Like her music, STORRY is multi-dimensional and fluid. She draws influences from hip hop to opera, reggae to musical theatre. She is enigmatic, balancing grit with poise. Learn about STORRY below and stay tuned as she unveils more from the Deluxe edition of CHIII: The Come Up next year!
Tour Dates:
January 24: Sidney, BC - Mary Winspear Centre^ - Tickets
January 25: Courtenay, BC - Sid William Civic Theatre^ - Tickets
January 26: Burnaby, BC - Shadbolt Centre for the Arts^
January 27: Calgary, AB - Webber Academy Performing Arts Centre^ - Tickets
January 28: St. Albert, AB - Arden Theatre^ - Tickets
January 29: Saskatoon, SK - The Bassment*
^ with Tanika Charles
* solo performance
Bow Down - Video Credits:
Director: Karimah Zakia Issa @karizakia
Cinematographer: Chris Dodds @chrisdoddsdop
Editor: Monica Gomes
Colourist: Dan Beddoe @danbeddoe10
Online Editor: Lee Mckarkiel @LeeMckarkiel
Women/Models: Dan Hilaire @lovenut_london , Hannah Ornsby @hannah_ornsby
Jewelry: Lovenut London www.lovenutlondon.com
STORRY is a JUNO-nominated, seasoned artist trained in classical music who performs Mozart arias with as much confidence as hip hop, R&B, and gospel. Fierce and multifaceted, she writes and produces all her music. STORRY's voice quality is second to none, and she uses and enhances her incredible sonorous gifts with prophecies witty, raw, and life-changing. She preaches from experience. Lots of it. Her songs offer an honest portrait of life as a woman: it's an image everybody can recognize, even if they don't want to. Her poetic and musical creativity is unapologetic and fearless. In releasing her music, STORRY is leaving the shadows and showing us the result of decades of artistic work. STORRY has performed across North America and Europe. If you're taken by her recordings, be prepared to be dazzled by her live show because this phenomenon cannot be captured on tape.
PRE-SAVE ALBUM HERE
TEXT +1 514 612 4859 FOR A FREE DOWNLOAD
OF THE ALBUM'S PRE-RELEASE PACK
LATEST SINGLE OBOMI NGA FEATURES UPROOT ANDY,
MC REDBUL AND MC AZAS
LISTEN TO JUNO-NOMINATED 2021 ALBUM
SMS FOR LOCATION, VOL. 4 HERE
Toronto, ON – November 3, 2022 – Today, Montreal’s JUNO Award-nominated, Moonshine Collective, announce their new album, SMS For Location, Vol. 5, set to release December 2 in partnership with FORESEEN Entertainment. Under flashing club lights in the world’s biggest cities or under the Congo sun, Moonshine collective pushes past borders and boundaries to radiate its Afrocentric, bass-heavy, electro-funk sound in all directions. The label’s latest SMS for Location mixtape fuses levity and acumen, inventive electronic production with traditional instrumentation, in a collaborative harmony between artists from around the globe. Pre-save the album here. A pre-release pack is also available via their signature 'SMS' text message format for which they are known.Text +1 514.612.4859 to access the music.
"For volume 5, we stayed true to the philosophy of the SMS For Location series. We worked with artists who understand the importance of the magic of the dancefloor while trying to create a musical link between all the musical movements we love," says Moonshine Collective."And, in our eyes, from this point of view, it is certainly our most complete project to date."
The next singles will arrive on November 16 and include Ofele (remix), featuring Moonshine member and 2022 Polaris Music Prize-winner, Pierre Kwenders, Uproot Andy, MC Azas) and Pink, featuring Kris the $pirit.
Moonshine Collective teased the project back in June with Obomi Nga (pronounced OH - BO - MING - GAH). The track highlights frequent collaborator, Brooklyn producer/DJ, Uproot Andy, and Kinshasa's MC Redbul with a feature from MC Azas. Composed and recorded between Kinshasa, Montreal and New York, Obomi Nga is an amapiano-flavoured tune grounded in its bassline, percussive rhythm and call-and-response lyrics in Lingala and French that is set for dance floors worldwide, be it your own, or those Moonshine is currently rocking on tour - listen to Obomi Nga, and read the lyrics.
SMS For Location, Vol. 5 follows their celebrated 2021 album, SMS For Location Vol. 4, nominated for a 2022 JUNO Award (Global Music Album of the Year). The project is a massive collection of songs recorded in studios from Montreal to Lisbon to Kinshasa. It features collaborations with Georgia Anne Muldrow, Sango, Florentino, Ase Manuel, and many others. Listen here.
Vol. 4 highlight, Ginseng (Zaïre Space Program episode 1) was filmed with Congolese artist collective FARATA in a township of Kinshasa, and directed by award-winning Congolese director Nizar Saleh Mohamed - who will be featured on SMS For Location, Vol. 5 - with co-direction by Moonshine’s Pierre Kwenders and Hervé "Coltan" Kalongo. It was filmed in one of the artist’s neighbourhoods to depict the reality Kinshasa life in Kinshasa, capturing the local response as the crew walk through the city donning vibrant costumes that weave together transformation and tradition.
Stay tuned for more Moonshine as the phases wax and wane in the months ahead and learn more about the collective below.
DOWNLOAD - SMS For Location, Vol. 5 Artwork
DOWNLOAD – Moonshine logo | DOWNLOAD – Moonshine Press Photo
About Moonshine
Depending on whom you ask, the esoteric effects of lunar cycles can be wide-ranging: good fortune, human fertility, ocean tides, werewolf prevalence and loss of sanity among them. For the like-minded musicians, DJs, dancers and visual artists who make up the Moonshine collective, the planetary satellite above all inspires their eponymous monthly event, driven by an inclusive ethos and a shared love for experimentations in dance culture.
Since its founding in 2014, Moonshine has carved out an enviable niche in Montréal’s nightlife milieu by celebrating a wide range of fledgling local talents, championing Afro-electronic, bass-heavy sounds, and bringing together communities that wouldn’t necessarily cross paths otherwise. As the name indicates, the lunar-based Moonshine recipe has the collective throw an all-night, sensory-soaked party on the Saturday after every full moon in ever-shifting, unpredictable locations across the city, always strictly disclosed via text messages. With fresh cuts supplied by resident DJs Pierre Kwenders, San Farafina, Vanyfox and AKantu, close friends such as Bambii, Foreigner, and Uproot Andy, visual installations, musicians, and a slew of live musicians and performers that have included Kaytranada, Dâm-Funk, Le1f, Venus X, and Branko, the parties have become a staple of the after-hours scene, in Canada and abroad, with appearances in NYC, LA, Paris, Brussels, Lisboa, Milan, Barcelona, Amsterdam or Santiago to name a few.
“The essence of Moonshine came out of parties we used to throw in our kitchens,” recalls Kwenders. “We felt like we couldn’t go out and find what we had cooked up in that kitchen. It’s one of the reasons we started Moonshine: to share that with more people who felt just like us, and who didn’t have access to such sounds or vibes.”
Still going strong four years on, Moonshine has also begun making use of the aesthetic, network and structure it established with the parties to promote affiliated artists, expanding its vision from ephemeral moonlit soirées to an expanding catalog of genre-busting music, art and apparel.
About FORESEEN
FORESEEN Entertainment is a black-owned record label & publisher based out of Toronto, dedicated to exposing cutting edge talent. FORESEEN invests in talented creative artists, who can provide content that we can expose to a global audience. FORESEEN is dedicated to exposing talented artists and not creating them. www.foreseenent.com
LISTEN TO supernova NOW
Toronto, ON – October 28, 2022 – Today, genre-defying singer, songwriter, multi-instrumentalist and producer, Fousheé, is thrilled to announce her highly anticipated debut album, softCORE, set for release on November 18 via RCA Records. A genius new song from the album, entitled, supernova, is available to hear today. Click here to listen to supernova. Click here to pre-save softCORE.
Fousheé is easy to call a “multi-hyphenate” - but just when you think you have a grasp of her, you don’t. The genres blur - alt, folk, rock, R&B; the collaborators extend - Lil Wayne, Steve Lacy, Uzi, Yachty; the accolades continue - Pitchfork, W Magazine, Respect Magazine, Rolling Stone, Flaunt, V Magazine, Okayplayer. Fou effortlessly shares stages on the most high profile tours - opening for James Blake and currently on tour with friend and collaborator Steve Lacy, with whom she co-penned the breakout song of 2022: Lacy’s Bad Habit. And while Fousheé refuses to be pinned down, the art blooms.
Fou’s next offering, softCORE, is no exception. Refusing to walk the establishment line of what a female artist is “supposed” to do, worse yet, to be, she weaves punk and rage into the sweet folk tapestry that catapulted her to half a billion streams. softCORE is a punk record in the most pointed sense of the word. Stepping outside of the expectations for what listeners have heard from her so far, softCORE is purely peerless. The album is a true melting pot of influences, genres, sounds, all anchored by Foushee’s incredible voice and her impeccable songwriting, both of which imprint even the angriest songs with hooks for days. Multiple listens bring up other sonic trailblazers like Le Tigre, The Runaways, Kelis, Atari Teenage Riot, 100 Gecs, Gwen Stefani, and Lil Uzi Vert, who guests on the song spend the money. On softCORE, the camera boldly swings from romantic, 4AD guitar tones to rapid-fire beats to intensely screamed declarations to classic R&B balladry, but it all works seamlessly. Simply put, it sounds like the future.
softCORE is an album that embraces anger and vulnerability, and we guarantee you that you will not hear another album as remarkably diverse and fantastically singular this year. Fousheé is opening for Steve Lacy’s sold out Give You The World Tour, currently making its way through the U.S. Dates are below.
softCORE TRACKLISTING:
1. simmer down
2. i’m fine
3. bored
4. supernova
5. spend the money (feat. Lil Uzi Vert)
6. die
7. simulation
8. unexplainable
9. smile
10. stupid bitch
11. scream my name
12. let u back in
TOUR DATES:
Friday, October 28: Dallas, TX @ The Studio at the Factory
Saturday, October 30: Tucson, AZ @ Rialto Theatre
Sunday, October 31: Las Vegas, NV @ House Of Blues
Wednesday, November 2: San Diego, CA @ The Observatory North Park
Friday, November 4: Oakland, CA @ Fox Theater
Sunday, November 6: Vancouver, BC @ Vogue Theatre
Sunday, November 7: Seattle, WA @ Showbox SoDo
Tuesday, November 8: Portland, OR @ Roseland Theater
Thursday, November 10: Anaheim, CA @ House of Blue
Friday, November 11: Los Angeles, CA @ The Greek Theatre
DOWNLOAD - softCORE Album Art | DOWNLOAD - Press Photo by Alondra Buccio
Foushee on TikTok: @kungfou
CHRISTMAS SONGS NOVEMBER 25 ON LOMA VISTA RECORDINGS
FIRST SINGLE JINGLE BELL ROCK OUT TODAY
TORONTO, ON – October 28, 2022 – David Foster and Katharine McPhee have not recorded together in 17 years. What better excuse to get back into the studio than Christmas. The two will release their first Christmas album together this holiday season. Titled simply, Christmas Songs, the album will unwrap digitally on November 25 (physical out December 2). The lead single, Jingle Bell Rock, is out today – listen here.
The 16-time legendary GRAMMY winning producer has produced some of the greatest Christmas music of all time with artists such as Michael Bublé, Celine Dion, Josh Groban, Andrea Bocelli, Rod Stewart and Mary J Blige. It’s only fitting he now produces one with his wife, one of the greatest vocalists of today.
Says Foster about the recording, “We haven’t recorded together in 17 years so we thought it might be time to do it again! Kat has the most beautiful voice and she doesn’t know how to deliver less than a perfect vocal every time! When you make Christmas music, you literally get a free pass to do whatever you like-the freedom for me as a producer was so much fun – no pressure.”
Chimes in McPhee, “I haven’t been focusing on being a recording artist, but then I married the best record producer and the deal was sealed! We started this process out in our living room for fun and then it turned into a full-fledged, ‘let’s do this for real.’ David’s history with Christmas albums is legendary – it became a labour of love for him.”
Look for Foster and McPhee on TV this holiday season in support of their new Christmas album, starting with their recent interviews on Entertainment Tonight and People Online. They will perform on the Today show on December 2 with more appearances to be announced soon.
The Fosters also plan a small six city east coast tour and will incorporate the new songs into the show. The tour starts December 1 in Stonybrook, NY and ends in Medford, MA on December 8. They will be back at the Wynn Hotel in Las Vegas, NV on December 16 and 17.
McPhee will also see her KMF Jewelry line launch the week of November 7. She also has TV appearance planned to promote the line.
DOWNLOAD – Jingle Bell Rock artwork | DOWNLOAD – press photo
David Foster Online:
davidfoster.com
facebook.com/davidfostermusic
twitter.com/officialdfoster
instagram.com/davidfoster
Katharine McPhee Online:
facebook.com/katharinemcphee
twitter.com/katharinemcphee
instagram.com/katharinefoster
PREVIEW AND PURCHASE THE ALBUM HERE
“…a nonstop onslaught of fiery blasts and throat-shredding screams... Blast it at a red light and at your next BBQ! Only the true can hang, anyway.” – Metal Injection
“Credo Certe Ne Cras is a traditional blackened death metal offering, intertwining melodies with the blast beats and shrieked vocals. Anyone familiar with NOCTEM’s previous work, like 2019’s The Black Consecration, will immediately notice an upgrade in production quality.” — MetalSucks
"With their sixth album out now, NOCTEM may well reach a wider range of listeners. With their melodies, choirs and synth accompaniments, an infectious atmosphere that could be described as a mix of Dark Funeral and Rotting Christ." – Rock Hard
“…six and a half minutes of pure black and death metal fury. It never lets up on the attack once; even the slightly slower, more melodic bridge is ferocious.”
– BrooklynVegan on I Am Alpha
“It is an album that is vast and rich as well as being furious and intense and NOCTEM manages to mix these elements together in perfect unison and the results are breathtaking.” – The Razor’s Edge
“...a masterful offering done by a band who clearly have a deep understanding and vision behind their take on black metal. Letting yourself get lost in this abyss is a treat, and one that requires multiple listens to really grasp. Dig in.” – Two Guys Metal Reviews
“The vocals are shattering in their intensity too, yet there’s also a sweeping, cascading quality to the music, which magnifies the scale of its feelings of tension and distress, and roots it even deeper in the mind. The video is a powerhouse experience too.”
– No Clean Singing on We Are Omega
“NOCTEM succeeds in drawing their audience deeper and deeper into an ominous vortex of suffering, despair and resignation." – Legacy
TORONTO, ON – October 28, 2022 - Credo Certe Ne Cras, the latest studio offering from Spanish blackened death metal goliaths, NOCTEM, is out today on MNRK Heavy.
Credo Certe Ne Cras – meaning “I Believe With Certainty That There is No Tomorrow” — is a true master opus merging the crushing cacophony of angry, adrenaline-fueled lust with newfound sorrows and mournful melodic might. More than a mere listen, the album is a cerebral experience invoking ritualistic examination. In spirit, presentation, and philosophy, NOCTEM shares much in common with Watain, Rotting Christ, Belphegor, and Gorgoroth, while growing their own decaying branch of a wretched metal tree.
Metal Injection lauds, “a nonstop onslaught of fiery blasts and throat-shredding screams,” BrooklynVegan hails the band’s inherent “pure black and death metal fury,” while No Clean Singing writes in their first impression of the track We Are Omega, “The vocals are shattering in their intensity too, yet there’s also a sweeping, cascading quality to the music, which magnifies the scale of its feelings of tension and distress, and roots it even deeper in the mind.”
Credo Certe Ne Cras is available on CD, LP, cassette, and digital formats. Find preorder options here and view NOCTEM’s previously released videos for Credo Certe Ne Cras, We Are Omega, and I Am Alpha at the band’s official Youtube page here.
Originating in Valencia, Spain, NOCTEM made their putrid presence felt with the rumble of 2002’s Unholy Blood demo. The God Among Slaves demo followed in 2007, building bloodthirsty anticipation for the band’s proper full-length debut, Divinity (2009), on Austria’s Noisehead Records. Metal Blade Records licensed Oblivion (2011) abroad, followed by a deal with Prosthetic Records, which issued Exilium (2014) and Haeresis (2016), a concept album centred on the Spanish Inquisition. (A special “rotten meat” scented LP edition of Haeresis sold all of its 666 copies in under a week). The Black Consecration (2019) expanded NOCTEM’s themes of ancient civilizations and dark rites to encompass more of Beleth’s philosophy, previously outlined in his first book, 2017’s Codex Ante-Mortem, released the same year as the band’s homemade beer, A Cruce Salus.
In 2022 and beyond, NOCTEM takes a massive leap forward on their thorn-ridden path, armed with blackened faith and righteous fury, thirsty with unquenchable bloodlust, and prepared to conquer. They arise again without redemption, embracing the chaos of modern times and unafraid of fate…
NOCTEM:
Beleth - vocals
Varu - bass
Voor - drums
Moss - guitars
Tobal - guitars
DOWNLOAD - press photo | DOWNLOAD - album art
LISTEN HERE
RECENT FESTIVAL PERFORMANCES INCLUDE TORONTO INTERNATIONAL FILM FESTIVAL, KENSINGTON MARKET JAZZ FESTIVAL, AND ORILLIA JAZZ FESTIVAL
PERFORMING AT A CELEBRATION OF OSCAR PETERSON
WITH WINDSOR SYMPHONY IN FEBRUARY 2023
Toronto, ON – October 28, 2022 – Today, acclaimed Toronto composer and pianist, Thompson Egbo-Egbo releases his new album, What Remains, via MNRK Music Group. Sharing samples of the project through recent singles, Thompson create a sonic narrative that draws from themes of transition, rebirth, realignment, joy, and optimism for the future. Listen to What Remains here.
Thompson says of the new album, "What Remains honours our live performance tradition, but also gives the listener a glimpse of where the music is going."
Partly inspired by the shifts and impact the last two years of the pandemic has placed on both a personal and professional level, What Remains shows the growth and depth of Thompson’s writing. It is an offering of sonic catharsis, reflecting on how an artist’s life and well-being can be deeply impacted by global circumstances. In turn, it captures how one can embody characteristics of a phoenix to - fittingly - rise from what remains. Singles include the Latin Jazz-infused and triumphant, Anthem Rising, and Thompson's signature cover of Nirvana's iconic, Smells Like Teen Spirit.
Thompson recently rocked performances at the Slaight Stage and RBC House for the premiere of Tyler Perry's A Jazzman's Blues at Toronto International Film Festival (TIFF), two shows at Kensington Market Jazz Festival and a stellar set with his trio at Orillia Jazz Festival.
In August, The Royal Canadian Mint honoured Oscar Peterson with a one dollar coin (loonie) with his likeness on it. The Céline Peterson and the Peterson family as well as the Royal Canadian Mint invited Thomson Egbo-Egbo to perform Peterson’s beloved composition, Hymn To Freedom, at the unveiling of the coin at Roy Thomson Hall. This marks a full-circle moment - in 2021, Thompson portrayed a young Oscar Peterson in an episode of Historica Canada’s Heritage Minute, honouring the artist’s life and career. Next year, Thompson will be performing Oscar Peterson's music for a special concert with the Windsor Symphony Orchestra on February 11, 2023. Looking ahead, listeners can expect to hear music from What Remains in a new docuseries project by Luminato Festival called Golden Hour, in the episode, Mighty Brave.
Learn more about Thompson's incredible career and the album below.
About Thompson Egbo-Egbo
Acclaimed Toronto composer and pianist Thompson Egbo-Egbo is always in key. Deeply rooted in his upbringing – moving to Canada from Nigeria at age four, commencing his dedication to playing the piano at the age of six – his innate aptitude and affection for the instrument resonates with him to this day. The key that keeps everything aligned is one where Thompson is in tune with his environment, collaborators, community and a signature approach to the art.
What Remains was recorded by Jeremy Darby and Julian Decorte at Canterbury Music Company, a favourite and frequented space for Thompson’s trio, Randall Hall on bass, and Jeff Halischuk on drums. Known for making their marks at notable venues in their homebase of Toronto and across North America, the group had the opportunity to record What Remains at a standstill due to lockdowns – a contrasting approach, as they would normally receive first take feedback from playing them in front of audiences before putting them to tape.
“With the world upside down, I find myself appreciating the chance just to be an artist and do what I love and to create something to share with the world. This album has brought the most satisfaction because of the time in which this was created,” Thompson says of the process.
The album has a wide range of inspiration, from classic rock to new wave jazz, Latin fusion, renditions of iconic songs of various eras and everything in between. Opening with Trinity – one of Thompson’s original cherished pieces and one the trio has had the pleasure of performing with alongside dancers – the album flows into Anthem Rising, a high energy blend of Latin and Funk, ready for intimate venues and foreign excursions.
A fresh element in the project is the inclusion of strings crafted by the Odin Quartet; Alex Toskov (violin), Tanya Charles Iveniuk (violin), Laurence Schaufele (viola) and Samuel Bisson (cello). Strings were always considered but never included until the opportunity presented itself. The Odin Quartet joins Thompson as the project moves into a stunning three-part suite that documents the pandemic journey in a contemplative and emotional arrangement. What Was Taken shows the challenges of change, What Remains is Thompson’s constant, a reminder to have gratitude for everything and everyone, and moving forward – the abundant and hopeful, What Possibilities, is a means to build and begin anew – with fresh perspective.
What Remains follows Thompson’s 2019 release, The Offering and 2018 album, A New Standard. While A New Standard sought to change the conversation, The Offering created a new dialogue about what audiences expect from a jazz trio. The recording process itself was an attempt to capture the essence of the live experience - the element that has been attracting an ever-growing audience to the trio’s concerts. A New Standard was Thompson’s debut on MNRK Music Group and sought to redefine the concept of the jazz standard, and included original takes on Radiohead, Bob Dylan and Laura Mvula tunes. It was recorded in the original trio format (Randall Hall on bass, and Jeff Halischuk on drums) marking a departure from the solo playing for which Thompson had become known.
Giving back is a trademark note of Thompson’s ethos. Thompson served as a member of the board at Dixon Hall for many years and is currently on the board at Jazz FM 91. His own organization, The Thompson T. Egbo-Egbo Arts Foundation, and Evolving Through the Arts program, supports elementary school students recognizing that a positive change and a sense of self-worth should be instilled in children early and they be afforded opportunities that all children should receive. The foundation aims to fill a void in the education of music and arts not found in many communities, and partners with talented Canadian musicians and artists to provide a well-rounded and focused curriculum.
With degrees in Music from Humber College, and music production at the Berklee College of Music in Boston, to releasing numerous works and collaborating with some of the world’s most renowned artists, Thompson’s involvement in music has seen many opportunities come his way. In 2021, Thompson portrayed a young Oscar Peterson in an episode of Historica Canada’s Heritage Minute, honouring the artist’s life and career. Last year, Thompson was set to cross the pond for a recording opportunity at Abbey Road Studios in London, UK, to write and record Oddly Familiar – an album released and archived with Audio Network’s sync library. Thompson didn't let postponed travel plans deter him, and proceeded at home in Toronto to share the music with international audiences.
Thompson Egbo-Egbo shares his experience, ideas and vision with vibrant energy. The key to his success is not solely unlocked by memorable, harmonically complex compositions that have at their core a deep, abiding groove, but the connections they create and the doors they open within the listener.
DOWNLOAD - Press Photo | DOWNLOAD - What Remains Artwork
About MNRK Music Group:
10-TRACK DIGITAL DELUXE EDITION FEATURES TWO NEW UNRELEASED SONGS
TORONTO, ON – October 28, 2022 – Today, Steve Perry, the legendary, Rock and Roll Hall of Fame vocalist and songwriter, has released The Season Deluxe Edition, an extended 10-track digital version of The Season, Perry’s much loved, first-ever holiday album from last year. The Season Deluxe Edition adds two new, previously unreleased songs to the original LP’s eight tracks: a brand-new composition called Maybe This Year, written by Steve and Dallas Kruse, and a soulful cover of Donny Hathaway’s classic, This Christmas. Find The Season Deluxe Edition here and listen to Maybe This Year here and This Christmas here.
Steve Perry on The Season Deluxe Edition: “I wanted to write an original Christmas song of my own, so Dallas Kruse and I began writing what became, Maybe This Year. I wrote the lyrical sentiment about how the holidays can bring such joy and sadness and how for me, both these emotions give me connection to feelings of gratitude for so many years gone by, and a desire to hold on to these holiday feelings we share throughout the coming year. Along with Maybe this Year I have also added one of my favorite Donny Hathaway songs, This Christmas. I dedicate both these tracks to my friend, Lamont Dozier.”
Primarily recorded at Perry’s home studio, The Season came to life in collaboration with drummer, Vinnie Colaiuta (Sting, Joni Mitchell, Frank Zappa), and Dallas Kruse (a multi-instrumentalist who also worked with Perry on his acclaimed 2018 album Traces). While most of the album encompasses an understated sonic palette—piano, strings, upright bass—each track leaves an indelible impact thanks to the soulful sincerity of Perry’s vocal work. “One of the things I love most about those traditional recordings is they’re not coming at you like a rock song—they’re just sitting there quietly and inviting you in,” says Perry. “I’d never sung with that much simplicity before, and it was incredibly thrilling to bring that kind of expression to these songs.”
Perry's stirring interpretations of these holiday staples capture their timelessness, while simultaneously putting his own personal spin on each track. “Music has always been something that rescues me in difficult times,” says Perry. “I hope when people hear this record, they’re teleported in the same way I was when I recorded all these songs—I hope it brings them back to those golden moments with their loved ones and gives them that feeling of joy and connection and comfort that we all need so much.”
One of the most iconic voices in rock and roll history, Steve Perry has captivated generations with the sheer power of his range and extraordinary warmth of his tone. One of Rolling Stone’s 100 Greatest Singers of All Time, he fronted Journey during the band’s massively successful era and was inducted into the Rock & Roll Hall of Fame. Perry returned to music in 2018 with the release of his Fantasy album TRACES which debuted at #4 on the Billboard album charts and #6 overall – a personal best for his solo work.
THE SEASON DELUXE EDITION (digital only) TRACK LIST:
1. Maybe This Year
2. This Christmas
3. The Christmas Song
4. I'll Be Home For Christmas
5. Auld Lang Syne
6. Winter Wonderland
7. What Are You Doing New Year's Eve
8. Santa Claus Is Coming To Town
9. Silver Bells
10. Have Yourself A Merry Little Christmas
TOURING, FOREVER STARTS TONIGHT
WITH VANCOUVER STOP ON DECEMBER 7
TORONTO, ON – October 28, 2022 – Soccer Mommy released Sometimes, Forever, her magnificent new album produced by Daniel Lopatin of Oneohtrix Point Never, this summer to universal acclaim. Ahead of tonight’s Touring, Forever kick-off and in celebration of Sophie Allison’s favorite holiday, Halloween, Soccer Mommy is sharing an earlier draft and previously unreleased version of one of the album’s darkest tracks. Darkness Forever (Sophie’s Version) is out now – listen here. See below for full touring details and find tickets here.
“This version of Darkness Forever is really exciting for me because it’s kind of what got me inspired to start working on the rest of the album,” explains Allison. “It felt new and fresh, and I had a lot of fun making it. When I was done with it, I felt very ready to work on more stuff for the record.”
Alongside the release of Darkness Forever (Sophie’s Version) is a limited edition Darkness T-Shirt that’s perfect for spooky season. Designed by Justus Proffit, the shirt is made with phosphorescent ink, so that the design looks white in daylight, but turns green and glows in the dark. Purchase here.
Sometimes, Forever debuted on the Billboard charts, taking the #1 slot for Heatseakers, Top New Artist and Alternative New Artist, debuted in the Top 200, and many more. The album has already been named one of the top records of 2022 so far from the likes of Vulture, Rolling Stone, Variety, Stereogum, Paste, Brooklyn Vegan, FLOOD and more. Soccer Mommy has performed on both The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! this year, and sold-out an intimate show alongside a Q&A hosted by The Los Angeles Times’ Mikael Wood at the GRAMMY Museum this summer. Following the album release, Soccer Mommy has since hosted Roblox’s most successful Listening Party to date with 10.8 million unique visitors, and she has also shared incredible alt-versions of Shotgun by Magdalena Bay, a slowed and reverbed edit, as well as a Simlish version, available now within The Sims 4 High School Years expansion pack.
Sometimes, Forever is Soccer Mommy’s boldest and most aesthetically adventurous work yet, and it cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album sees Allison once again tapping into the turn-of-the-millenium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever.
LISTEN TO / WATCH:
Shotgun | Unholy Affliction | Bones | newdemo
UPCOMING TOUR DATES - TICKETS HERE
10/28/22 - Indianapolis, IN @ Hi-Fi Annex *
10/29/22 - Madison, WI @ Majestic Theatre *
10/30/22 - Minneapolis, MN @ First Avenue *
11/01/22 - Chicago, IL @ Metro *
11/02/22 - Evanston, IL @ SPACE * [SOLD OUT]
11/04/22 - Buffalo, NY @ Town Ballroom *
11/05/22 - North Adams, MA @ Mass MOCA *
11/06/22 - Boston, MA @ House of Blues *
11/09/22 - New York, NY @ Webster Hall ^ [SOLD OUT]
11/10/22 - Middletown, CT @ Harbor Park [SOLD OUT]
11/11/22 - Philadelphia, PA @ Franklin Music Hall ^
11/12/22 - Washington, DC @ 9:30 Club ^ [SOLD OUT]
11/13/22 - Washington, DC @ 9:30 Club ^
11/14/22 - Saxapahaw, NC @ Haw River Ballroom ^
11/16/22 - Charlotte, NC @ Neighborhood Theatre ^
11/17/22 - Atlanta, GA @ Masquerade Heaven Stage ^
11/18/22 - Birmingham, AL @ Saturn ^
11/19/22 - Nashville, TN @ Brooklyn Bowl ^
11/30/22 - St. Louis, MO @ Pageant #
12/02/22 - Ft. Collins, CO @ Washington's #
12/03/22 - Denver, CO @ Ogden Theatre #
12/04/22 - Salt Lake City, UT @ The Depot #
12/06/22 - Seattle, WA @ Moore Theatre #
12/07/22 - Vancouver, BC @ Commodore #
12/08/22 - Portland, OR @ Crystal Ballroom #
12/10/22 - Oakland, CA @ Fox Theater #
12/11/22 - Santa Ana, CA @ The Observatory #
12/13/22 - Los Angeles, CA @ The Wiltern #
12/14/22 - Phoenix, AZ @ The Van Buren #
12/15/22 - El Paso, TX @ Lowbrow Palace #
12/16/22 - Austin, TX @ Emo's East #
12/17/22 - Dallas, TX @ House of Blues #
* with support from Lightning Bug
^ with support from Helena Deland
# with support from TOPS
ON TOUR ACROSS NORTH AMERICA WITH DATES IN MONTREAL AND TORONTO NEXT WEEK
“4 out of 5 stars.” - MOJO
“It’s a track that cements the brothers’ immense talent, and now is the time to get in on the ground floor, before Hermanos Gutiérrez are inevitably featured in the next Quentin Tarantino film.” - CONSEQUENCE on Tres Hermanos
TORONTO, ON – October 28, 2022 – Today, Zurich-based duo, Hermanos Gutiérrez, comprised of brothers, Estevan and Alejandro Gutiérrez, have released their acclaimed new album, El Bueno Y El Malo, via The Black Keys’ Dan Auerbach’s label Easy Eye Sound. The release of the record coincides with the start of the brothers’ North American tour, which is nearly sold out and includes shows in Montreal and Toronto next week. Tour dates are below. Listen to El Bueno Y El Malo here.
“When Alejandro and I play together, it’s like we are driving a car,” says Estevan Gutiérrez. “It’s like we are taking a road trip. Sometimes we’re driving through a desert. Sometimes we’re traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets.” The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family—and whatever ghosts their listeners bring to the music.
El Bueno Y El Malo is their most epic journey yet: working with Dan Auerbach at his Easy Eye Sound studio in Nashville, they’ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a “deeper, darker energy” defined by complex arrangements, sophisticated playing, and most of all their very close relationship.
Started a few years earlier, Hermanos Gutiérrez began releasing music on their own, all of which gained traction in 2020. “My brother and I,” says Estevan, “we did everything by ourselves— all the music, even the artwork. But during Covid, our music was streamed all over the world,” especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were traveling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach’s Easy Eye Sound record label and started writing songs for their forthcoming album.
Setting up shop a few months later at Easy Eye Sound studio, El Bueno Y El Malo was recorded quickly and organically, despite it being the first time they’d ever met Auerbach in-person. They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they’re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments. In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it with them, even retitling that song, Tres Hermanos.
The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. “It’s every person, every moment, every situation. Everybody has these two faces.” It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas.
TOUR DATES:
10/29 Los Angeles, CA @ Hollywood Forever - Dia de los Muertos Fest
10/31 Washington, D.C. @ Miracle Theatre
11/2 Philadelphia, PA @ World Café Live
11/3 Boston, MA @ Arts at the Armory
11/4 New York, NY @ Opera House
11/5 Montreal, QC @ PHI Centre
11/6 Toronto, ON @ The Drake
11/8 Minneapolis, MN @ Turf Club
11/9 Chicago, IL @ Sleeping Village
11/10 Denver, CO @ Globe Hall
11/12 Seattle, WA @ Crocodile
11/13 Portland, OR @ Mission Theater
11/14 San Francisco, CA @ Great American Music Hall
11/16 Los Angeles, CA @ The Pico Union Project
11/17 Pioneertown, CA @ Pappy & Harriet’s
11/18 Ventura, CA @ Ventura Music Hall
11/19 Phoenix, AZ @ Musical Instrument Museum
11/20 Santa Fe, NM @ St. Francis Auditorium
11/22 Austin, TX @ Antone’s
12/16 Denver, CO @ Ball Arena **
** Supporting Nathaniel Rateliff & The Night Sweats
LISTEN TO QUEENDOM | WATCH QUEENDOM
RELEASE SHOW IN TORONTO ON NOVEMBER 17 - TICKETS
TORONTO, ON – October 27, 2022 – You may call her Queen Dom, her mom did when she was a child and now Toronto soul-pop singer, songwriter, and director, Domanique Grant, is claiming it in adulthood, on her new EP album, QUEEN/DOM Chapter 2: DOM, out on November 18 via Domanique's label, Grant Creativity Inc. Domanique continues to speak her truth and share sonic layers of her life journey. Today, she releases the title track - QueenDom - of the second instalment of her QUEEN/DOM EP. QueenDom is about self acceptance and being unapologetic in claiming your seat at the table. The chorus, “I’m way too proud don’t try to tame my mane, underneath my humble I’m Nala, welcome to the Queendom” is a playful dedication to the Lion King and the silent strength of the lionesses on pride rock from the perspective of the character, Nala. Listen to QueenDom here.
The song arrives with a minimal performance video choreographed by Leon Blackwood and co-directed by Domanique and Dwayne Graham, exploring the idea of space and feminine energy. Watch QueenDom here.
QueenDom kicks off the release of the final half of her double EP, continuing the journey to claiming your crown as a human, by zoning into the stages of worthiness, power and owning your truth. Where Chapter 1 takes listeners through the journey to generational healing and forgiveness, chapter two progresses to owning that journey and leveraging our healing, vulnerability and imperfections to claim our seat at the table. The focus of Chapter 2 will resonate in additional tracks, Be Your Beautiful, Airbrush and standout, Undressing, which reminds us that one of our strongest assets as women is our vulnerability, and a bonus Shea Moisture Campaign version of Be Your Beautiful was originally written for a Canadian campaign celebrating diverse beauty across Canada. The popularity and crowd response lead to adding it to the album and turning it into a reimagined track.
Toronto fans can join Domanique as she will celebrate on the eve of the EP release with a show on Thursday, November 17 at Revival. Find details and tickets here.
QUEEN/DOM - Chapter 1: QUEEN delivered an array of sonic elements, infectious production and introspective, inspiring lyrics about the human journey to generational healing, forgiveness, worthiness and ultimately claiming your crown. Listen to the EP here. On the inspiration behind the project, Domanique adds: "I wrote this project to claim my own narrative and to own the fact that the process to learning self-love and to claiming your crown is complicated."
The double EP was written and co-produced by Domanique Grant, with collaborators including Jarrel The Young, Joshua Sadler-Brown (co-production and mixing on Save Me), Marc Koecher (production on 723 and Undressing, mixing on 723, Undressing and Real Me) and Michael Hammer (mixed Moving On), with additional writing by Kiki Rowe. The EP was mastered by Phil Demetro.
Fresh from performing at ModeCanadaRocks in her hometown of Toronto last week, a summer tour in South Africa, a headline spot with Sofar Sounds across the US, and shows in the UK, Domanique continues to move, groove and grow with her art. In 2020, Domanique’s craft made global headlines through Till We See The Sun, her stunning, uplifting track that spread joy at the height of the first pandemic lockdown. Since then, she has cultivated a partnership with RBCxMusic, as featured in their GRAMMY Awards campaign, Fuelling Firsts, which aired during the 2021 awards ceremony broadcast. She delivered presentations, performances and numerous public speaking engagements, including: the Humber River Heroes benefit concert by the Humber River Hospital Foundation, the Canadian Nurses Foundation Maskerade Gala hosted by etalk's Traci Melchor, and Toronto International Film Festival, opening the screening of the documentary, Listening To Kenny G. In addition, Domanique produced RBC's The Imagine Summit, supporting artist-entrepreneurs in imagining beyond the limitations of the current global climate, by offering exclusive access to industry leaders, mindfulness training and financial resources.
Stay tuned for more sonic self-love from Domanique as she prepares to release QUEEN/DOM and learn about Domanique’s incredible career to date below.
QUEEN/DOM Chapter 2: DOM Tracklisting
1. QueenDom
2. Airbrush
3. Undressing
4. Be Your Beautiful (Remix)
5. Be Your Beautiful (Shea Moisture Campaign version)
DOWNLOAD - QueenDom Artwork
DOWNLOAD – Press Photo by CozyDQ
DOWNLOAD – QUEEN/DOM Chapter 2: DOM Art
TikTok: @domaniquegrant
About Domanique Grant
(pronunciation: DOM-AH-NEEKE GRANT, pronouns: she/her)
You may call her QueenDom. Her mom did when she was a child, and now Toronto soul-pop singer, songwriter, producer and director Domanique Grant is claiming it in adulthood, as the title of her forthcoming double EP (the first chapter out on May 5, 2022), for which she opens up some tough conversations — of worthiness, forgiveness, self love, notions of beauty and Internet culture.
Fresh off of her collaboration with the GRAMMY Awards and RBCxMusic, Domanique Grant is a Pop/Soul, Singer-Songwriter from Toronto, named one of Buzzfeed’s Top 20 Artists to Watch from Canada.
With a live show that’s been praised by Ted Talk, recent collaborations with GRAMMY nominated producer Jarrel ‘The’ Young (Drake 2021, The Weeknd 2020, Fall out Boyz 2019) and a Pandemic-song that went viral worldwide, 2022 is set to be a big year for the teal haired powerhouse.
“I want to create music that reminds people to be authentic, especially when the world tells you that you don’t fit," Domanique says.
The release of Domanique’s upcoming EP album QUEEN/DOM, exploring self-love and authenticity in a digital age; does that and more. With a milky vocal tone, paired with a praised, rap-singing versatility, echoing influences as diverse as Lauren Hill, Lisa Left-Eye Lopes, Rihanna, Sza and Chance the Rapper, combined, Domanique’s music straddles the lines of modern Pop and R&B, with elements of Electronic and Hip Hop that can’t be ignored.
QUEEN/DOM is a double EP release with the first chapter out now, and the second to come in late 2022. Introspective yet relatable, on the project, Domanique shows both a bold and vulnerable side. Like many of us, she shifted her focus during the Covid Pandemic towards further growth and self-care. And for her, that meant creating more music. She spent the last year reflecting, writing and recording.
WATCH VIDEO HERE
TORONTO, ON – October 27, 2022 – Killer Mike has just shared Talk’n That Shit!, his second single of 2022, the pair of which are his first solo releases since 2012’s R.A.P. Music. Featuring a dense, morphing production from DJ Paul (Three 6 Mafia) and TWhy Xclusive, the single arrives paired with a video directed by seck. that demonstrates Killer Mike’s standing as a community pillar, featuring cameos from a range of groups and organizations meaningfully connected to him, including PAW Kids, Bass Reeves Gun Club, Next Level Boys Academy, Youth Build, New Georgia Project, and more. Listen to Talk’n That Shit! and watch the video here.
"The song is self explanatory. With the video I wanted show the freedom and beauty in being able to turn up in spite of all the fuck-shit. That upsets the bourgeoisie even more- in spite of all your criticisms we're gonna live free and stay lit,” states Mike.
Talk’n That Shit! follows in the wake of his recent RUN single, which marked his first solo release in ten years and yielded immediate widespread acclaim from the likes of Apple Music’s Zane Lowe, The Guardian, Pitchfork, Complex, in addition to a moving performance on The Tonight Show With Jimmy Fallon that featured a stirring opening recitation from Tony Award Winner and poet, Georgiame. Ahead of the single’s release the song appeared in a Killer Mike-starring nationally televised Cadillac campaign, Black Future, for the Escalade V Series, that debuted in June. Watch the video for RUN here.
Mike was Billboard’s inaugural 2020 Change Maker Award recipient and continues to be an influential cultural commentator via his talk show Love and Respect (WPBA / Revolt), in addition to regular visits on Late Show with Stephen Colbert and Real Time with Bill Maher. More recently he has been making headlines via the Protect Black Art - Rap Lyrics Are Not A Crime initiative, which successfully petitioned for California and New York to pass laws halting the use of rap lyrics as evidence in criminal trials. His tenure with rap powerhouse Run The Jewels, who recently concluded a packed North American arena tour supporting Rage Against The Machine, has yielded four critically lauded albums (so far), achieving cultural ubiquity via their seamless blend of political incisiveness and brash hilarity.
DOWNLOAD - Press Photo by seck | DOWNLOAD - Talk'n That Shit! Artwork
LISTEN HERE
NEW SINGLE OFFERS A HAUNTING REIMAGINATION OF EMILY DICKINSON’S POEM
LATEST ALBUM INSIDE PROBLEMS OUT NOW
UPCOMING TOUR DATES INCLUDE SOLD-OUT RUN OF GEZELLIGHEID HOLIDAY CONCERTS, MEXICO CITY’S CORONA CAPITAL, LONDON’S O2 SHEPHERD’S BUSH EMPIRE, BIG EARS FESTIVAL AND MORE
TORONTO, ON – October 26, 2022 – Today, Andrew Bird and Phoebe Bridgers join forces to share a haunting reimagination of the Emily Dickinson poem, I felt a Funeral, in my Brain.
Sparse and spectral, the arrangement pairs chilling, swelling shrieks of strings with the slight strum of guitar, as Bird and Bridgers trade verses and soar in harmony over Dickinson’s words. Recorded this fall, the song further explores the mind-numbing thoughts, questions and obsessions that Bird brought to life across his new album, Inside Problems, soundtracking the inner demons that run amok when things get quiet: whistles echo in from a faraway realm, bass lines mirror the poem’s allusions to beating drums and boots of lead, while otherworldly sounds and a ghostly pizzicato transport the track to a liminal space.
“I came across this Emily Dickinson poem and found it to be the most vivid description of an inner world I’ve ever encountered,” says Bird. “It became an inspiration for the songs on Inside Problems. Who better to sing it with than Phoebe Bridgers? I sent her a demo and so, here we are. Thanks to Ms. Dickinson’s publisher at Harvard University Press for allowing us to use this poem. As I understand, her poems weren’t published as she intended them until the 1950s - that is, without the heavy hand of her male editors.”
Listen to the song here, out now on Loma Vista Recordings, and watch the visual here. Limited edition red 7” vinyl is available to pre-order exclusively at AndrewBird.Net.
I felt a Funeral, in my Brain is a rare duet in Andrew Bird’s deep discography, which includes standout collaborations such as 2016’s Left Handed Kisses (feat. Fiona Apple), and marks the latest addition to what has been another prolific year for the Grammy-nominated musician, songwriter and composer. Released this summer, Inside Problems saw him enter “previously uncharted territory” (Pitchfork), before his first tour in three years brought songs like Make a Picture and the Joan Didion-inspired Atomized to sold-out shows at the Greek Theatre, Red Rocks, NYC’s Pier 17 and Chicago’s Salt Shed, as well as performances on CBS Saturday Morning, NPR’s Tiny Desk and KCRW, and #1 on the NonComm, Americana and College radio charts. On the heels of acting in the latest season of Fargo on FX, Andrew Bird also scored Judd Apatow’s Netflix film, The Bubble, plus Peabody-nominated PBS documentary, Storm Lake, and will have more to share before the end of 2022 takes him to a sold-out run of seven holiday concerts in his Chicago hometown. Find the full list of annual Gezelligheid performances, plus upcoming shows at Mexico City’s Corona Capital, London’s O2 Shepherd’s Bush Empire, Big Ears Festival, a run of dates in Australia and beyond at andrewbird.net/#tour.
Praise for Inside Problems
"Andrew Bird transports listeners to a lush musical world” – NPR Music
"These 11 songs may be meant to chronicle a pointedly personal inner voyage, yet he's wound up with a warm, collaborative record that feels like a balm for fear and loneliness" - Pitchfork
"A heap of albums into Andrew Bird’s long-legged career, it’s easy to forget the unlikeliness of the figure he cut...the new album’s questing songs gaze inward" - The New Yorker
"Another gem in the artist's masterful collection of LPs...the album offers an inspiring, even whimsical take on contemporary life" - Salon
"It's perhaps unsurprising that Bird has managed to follow up an album — the somewhat winkingly titled My Finest Work Yet — with a record that might be even finer" - Grammy.com
"Inside Problems honors the constantly evolving internal self and finds solace in knowing that there is so much hiding underneath the surface that we may never understand" - Vinyl Me, Please
"Inside Problems tackles the demons that even Headspace can't deter" - Document Journal
"Andrew Bird’s virtuosity is no secret. It’s a disservice at this point to dip into adjectives of praise and find a new way to say as much" - Aquarium Drunkard
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TORONTO, ON – October 21, 2022 – Acclaimed jazz singer, Nikki Yanofsky, returns today with the release of her new album, Nikki By Starlight, via MNRK Music Group – a 15-track voyage through vintage jazz standards from storied musicians, Frank Sinatra, Chet Baker, Billie Holiday, Miles Davis, and more. Nikki By Starlight was co-produced with JUNO Award-winning producer/composer, Paul Shrofel, and features contributions from Stevie Wonder’s bandmate, Greg Phillinganes, Nathan East (Eric Clapton, Herbie Hancock, Michael Jackson) and the iconic Cuban-American jazz trumpeter, Arturo Sandoval. Listen to Nikki By Starlight here.
Of the release Yanofsky reflects, “This album is truly a homecoming. It’s me going back to my roots, but on my own terms. I co-produced this record, I chose each song and how it should be interpreted. In the past, when I had sung jazz, I was a kid and was really just emulating my heroes, singing their arrangements. This album is all original arrangements, the approach was “how would I have sung these songs if I were alive when they were being written?”. They needed to be different from anything I had heard in the past, yet true to the era in which they came from. ‘Nikki by Starlight’ is the first time I was able to have my own voice in the genre that really ignited my passion for music in the first place.”
In light of Yanofsky returning to her first love, she wrote a letter to jazz earlier this year. An excerpt from the letter reads: “They say your first love is the hardest to get over. I never really got over you. I drowned your sound. I held you down deep where your echo was faint and easy to ignore. I walked a different path. Yet still, after all this time, those giant steps let me to the foot of your door.” Nikki By Starlight aches with an inexplicable passion for all that is jazz and Yanofsky’s commitment to reimagining the standards rings true all throughout the album.
Recorded on a vintage RCA 77C – the microphone that was used by Ella Fitzgerald – Nikki By Starlight, and Yanofsky’s transportive musical touch, brings the Great American Songbook into the 21st century, providing a chance for new audiences and existing fans alike to fall in love with a refreshed style.
Ultimately, Nikki By Starlight is a mix of ballads, up-tempo tracks and sambas that make you believe in teleportation. Comes Love has a real slinky vibe reminiscent of an old-fashioned speakeasy; C’est Si Bon is a nod to 1960s Paris with a very classic French arrangement; West Coast Blues features a pocketed ensemble with Greg Phillinganes on organ and a Lalo Schifrin inspired horn solo; and Estate is an Italian classic featuring Arturo Sandovel’s signature trumpet.
With the new album, Yanofsky continues to prove her artistry – stemming all the way back to when she sang the National Anthem on live television at the 2010 Olympic Winter Games in Vancouver in front of 3.2 billion people. Her self-titled album, Nikki, released in 2010, gained the attention of the late prolific songwriter, Rod Temperton (Thriller, Rock With You, Boogie Nights), who took her under his wing becoming her mentor, creative coach and musical champion. Her sophomore release, Little Secret, found Yanofsky exploring the velvet-clad sweet spot between jazz and pop with bold sentiments that signaled a self-assured coming of age. In 2020 she released Turn Down The Sound, a 10-track LP (eOne Music) that showcases her independence and marks a newfound departure for her career as a young musician, earning praise upon release from Billboard, Uproxx, American Songwriter and more.
DOWNLOAD – album cover artwork | DOWNLOAD – press photo
Instagram: https://www.instagram.com/officialnikkiy
Facebook: https://www.facebook.com/officialnikkiy
Tik Tok: https://www.tiktok.com/@nikkiyanofsky
Twitter: https://twitter.com/officialnikkiy
Youtube: https://www.youtube.com/channel/UCZn1Ueo6cQ5TMCMTUur1mKA
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.
LISTEN HERE
BRAND NEW TRACK WRITTEN BY TANYA TUCKER AND BRANDI CARLILE IS THE LEGENDARY COUNTRY ARTIST’S FIRST ORIGINAL MUSIC SINCE 2020’S 2X GRAMMYâ-WINNING ALBUM WHILE I’M LIVIN’
READY AS I’LL NEVER BE IS THE END-TITLE OF SONY PICTURE CLASSIC’S THE RETURN OF TANYA TUCKER – FEATURING BRANDI CARLILE OPENING TODAY IN NY AND LA AND A THEATRE NEAR YOU NOVEMBER 4
TORONTO, ON – October 21, 2022 – Today, legendary country artist, Tanya Tucker (Fantasy Records), shared a brand-new single, Ready As I'll Never Be, her first original music since the release of her 2019 acclaimed 2X GRAMMY-winning album, While I’m Livin’. The poignant and moving track, written by Tucker and Brandi Carlile, serves as the end-title of the new documentary THE RETURN OF TANYA TUCKER – FEATURING BRANDI CARLILE (Sony Pictures Classics), which opens today in New York and Los Angeles. Listen to Ready As I’ll Never Be here.
Produced by Brandi Carlile and Shooter Jennings and mixed by Trina Shoemaker, the deeply moving Ready As I’ll Never Be, is a powerful reflection of gratitude and regret—with key contributions from Tucker (vocals), Carlile (piano, background vocal), Phil Hanseroth (bass, background vocal), Tim Hanseroth (background vocal), John Schreffler, Jr. (pedal steel), and Matt Chamberlain (drums, percussion).
Nominated earlier this week for Best Music Documentary by the Critics’ Choice Association, THE RETURN OF TANYA TUCKER – FEATURING BRANDI CARLILE, has wowed festival circuit audiences at the Telluride Film Festival, Toronto International Film Festival, SXSW Film Festival, and the Nashville Film Festival, among others. Taking stock of the past, while remaining vitally alive in the present, and keeping an eye on the future, THE RETURN OF TANYA TUCKER is a rousing exploration of an unexpected friendship built on the on the joy of a perfectly timed creative collaboration. Watch the official trailer here.
The feature-length film, directed by Kathlyn Horan, follows Tucker’s richly creative, utterly captivating, bumpy ride back to the top as Carlile encourages her to push past her fears to create a new sound and reach a new audience. The writing, the experimenting, and refining of this new music mixes with all that came before – using rare archival footage and photographs to delve into Tucker’s history, beginning in a single wide trailer in Seminole, Texas.
TORONTO, ON – October 21, 2022 – The Polaris Music Prize has announced albums from SNFU and Four the Moment have received 2022 Slaight Family Polaris Heritage Prize designation.
This Polaris hall of fame-minded critics prize/public polling campaign is meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations. Each year, one album is designated by a public vote and one by the Polaris Heritage Prize jury.
Vancouver-via-Edmonton punk band SNFU’s album, ...And No One Else Wanted to Play, from 1985, was chosen in the Heritage Prize public voting category, which ran this year from September 19 to October 14. Halifax, Nova Scotia-based a cappela gospel-folk group Four the Moment’s album, We’re Still Standing, from 1987, received Heritage designation by the 11-member Polaris Heritage Prize jury.
“Congratulations to SNFU and Four the Moment. The valuable, unique albums you created show the tremendous depth and quality of Canadian music. Thank you for making these important works of art,” said Gary Slaight, President and CEO of Slaight Communications.
Four the Moment’s recognition comes four decades after they began creating music together.
“We are so deeply honoured, humbled and thrilled to be receiving the Polaris Heritage Prize,” said Four the Moment’s Delvina Bernard, in a statement. “When Four the Moment started its journey 40 years ago, we could not have imagined that songs written as feminist and Afrocentric testimonials of gender and racial social justice issues in Nova Scotia performed a capella would still hold sway today. Ironically, the injustices chronicled on the We’re Still Standing recording are unfortunately still with us. Despite this, we are pleased and proud to celebrate along with those who’ve supported our music mission over the decades as collaborators, inspirators and patrons. We are grateful to the Polaris Heritage Prize organization and jurors and to all who voted for us. We are equally indebted to all nominees whose exceptional musical works make these awards possible… it just feels so uplifting to know we’re still standing, and that a new and younger generation might just take note.”
SNFU dedicated their win to two of their late members.
“We are honoured by Polaris's recognition of our first album …And No One Else Wanted to Play,” said SNFU’s Marc Belke and Brent Belke. “It’s humbling for SNFU to be mentioned in the same breath as the other nominees. It’s also gratifying that after almost 40 years the album’s impact is still being felt. We are thankful to our fans and friends who voted for this award. And we are thankful to Mark Stern, Shawn Stern and Gubby Svoboda, who, all those years ago, believed in us and pressed us to drive to Los Angeles to make the album. This award is dedicated to the lives of two people without whom this album would not exist: Mr. Chi Pig and Evan C. Jones. Love, respect, & 1, 2, SNFU.”
There were 12 nominated albums up for Heritage Prize consideration this year:
Lillian Allen - Revolutionary Tea Party
Bran Van 3000 - Glee
Leonard Cohen - Various Positions
Four the Moment - We’re Still Standing
k.d. lang - Ingénue
Kardinal Offishall - Quest for Fire: Firestarter, Vol 1
Martha and the Muffins - This is the Ice Age
Wayne McGhie & The Sounds of Joy - Wayne McGhie & The Sounds of Joy
Rascalz - Cash Crop
SNFU - ...And No One Else Wanted to Play
Stars - Set Yourself on Fire
The Weakerthans - Left and Leaving
Heritage Prize balloting was officially opened on Monday, September 19 during the 2022 Polaris Gala, where Pierre Kwenders’ José Louis And The Paradox Of Love album was awarded the 17th annual Polaris Music Prize.
This year’s Heritage list features six returning nominated albums (Revolutionary Tea Party, Glee, Ingénue, This is the Ice Age, Set Yourself on Fire, and Left and Leaving) and six first-time album nominations (Various Positions, We’re Still Standing, Quest for Fire: Firestarter, Vol 1, Wayne McGhie & The Sounds of Joy, Cash Crop and ...And No One Else Wanted to Play). Voters were able to submit ballots once per day.
Heritage Prize winners are commemorated with limited-edition artwork commissioned and inspired by the music on these designated albums. Examples of past winners’ works, including those honouring the likes of last year’s winners Nomeansno and Faith Nolan, can be found here.
The Heritage Prize campaign represents the final marquee event in a Polaris season that also included the return of the live Polaris Gala spectacular on September 19; the Polaris Music Prize 2022 Poster Launch & Exhibition, a month-long gallery takeover at Underscore Projects (1486 Dundas Street West, Toronto); the 40 album Polaris Long List reveal on June 14; and the 10 album Short List reveal on July 14.
This year’s Heritage Prize jury included Michael Barclay, Elizabeth Chorney-Booth, Erin McLeod, Phyllis Grant, DJ MelBoogie, Morgan Mullin, Darcy MacDonald, Shawn Conner, Sandra Sperounes, Rob Bowman, and, for the first time, an official guest musician juror, Danko Jones.
“It was a stone cold honour to be asked to serve as juror on this year’s Heritage Prize selection committee,” said Jones. “Going through the process, it was easy to see Canada isn’t short on superb records. This year’s winners, SNFU’s …And No One Else Wanted to Play and Four the Moment’s We’re Still Standing, were fully deserving, and it feels gratifying to help bestow them with this great distinction.”
Thirty-seven albums have received Heritage Prize designation since its introduction in 2015. Past winning albums include Peaches’ The Teaches Of Peaches, Harmonium’s L’Heptade, Glenn Gould’s Bach: The Goldberg Variations, Dream Warriors’ And Now the Legacy Begins and Buffy Sainte-Marie’s It’s My Way!
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
Polaris Music Prize 2022 Event Season
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
About Slaight Music
Slaight Music was started in 2011 with a mandate to support the Canadian Music community through a variety of initiatives, and to develop Canadian talent via strategic partnerships with industry peers. www.slaightmusic.com
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the
country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media
attention
20 Not-for-Profit and charity partners supported through the
Community Development Program
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
***
DÉVOILEMENT DES ALBUMS LAURÉATS DU PRIX DU PATRIMOINE POLARIS DE LA FAMILLE SLAIGHT 2022
TORONTO, ON – 21 octobre, 2022 – Le Prix de la musique Polaris a annoncé que les albums de SNFU et Four the Moment remportent le Prix du patrimoine Polaris de la famille Slaight 2022.
Créée dans l’esprit d’un temple de la renommée, cette récompense est à la fois une campagne de sondage publique et un prix de la critique qui célèbre les albums canadiens classiques parus avant la création du Polaris en 2006. À l’instar du Prix de musique Polaris, les albums en nomination ou gagnants du Prix du patrimoine se distinguent sur le plan artistique, sans égard aux ventes ou aux affiliations. Chaque année, un album est désigné par le vote du public et un autre, par le jury du Prix du patrimoine Polaris.
L’album …And No One Else Wanted to Play (1985) du groupe punk SNFU, issu d’Edmonton puis relocalisé à Vancouver, a été couronné du Prix du patrimoine à l’issue du vote du public, qui s’est déroulé cette année du 19 septembre au 14 octobre. L’album We're Still Standing (1987) du groupe de gospel-folk a cappella Four the Moment, d’Halifax, a pour sa part été choisi par les 11 membres du jury du Prix du patrimoine Polaris.
« Félicitations à SNFU et à Four the Moment. Les albums précieux et uniques que vous avez créés témoignent de la profondeur et de la qualité extraordinaires de la musique canadienne. Merci d’avoir réalisé ces importantes œuvres d’art! », a déclaré Gary Slaight, chef de la direction de Slaight Communications.
Le groupe Four the Moment est récompensé quatre décennies après sa fondation.
« Nous sommes si profondément honorées, touchées et ravies de recevoir le Prix du patrimoine Polaris », ont dit Delvina Bernard de Four the Moment, via une déclaration écrite. « Lorsque Four the Moment a entamé son périple il y a 40 ans, nous ne savions pas que nos chansons-témoignages féministes et afrocentriques sur les questions de justice sociale liées au genre et à la race en Nouvelle-Écosse, interprétées a capella, demeureraient aussi actuelles. Ironiquement, les injustices décrites dans We're Still Standing sont malheureusement toujours en cours. Malgré cela, nous sommes heureuses et fières de célébrer avec les personnes qui ont soutenu notre mission musicale au fil des décennies, en tant que collaborateurs, sources d’inspiration et mécènes. Nous remercions le Polaris, son jury du Prix du patrimoine et le public qui a voté pour nous. Nous sommes également redevables aux autres artistes en nomination, dont les œuvres musicales exceptionnelles rendent ces prix possibles… C’est tellement réconfortant de savoir que nous sommes “toujours debout”, et qu’une nouvelle et jeune génération est à l’affut. »
SNFU a dédié sa victoire à deux de ses membres qui ne sont plus.
« Nous sommes honorés que notre premier album, ...And No One Else Wanted to Play, ait été reconnu par le Polaris », ont déclaré Marc Belke et Brent Belke, de SNFU. « C’est très flatteur pour SNFU d’être mentionné aux côtés des autres artistes en nomination. C’est également gratifiant de constater qu’après presque 40 ans, l’impact de l’album se fait toujours sentir. Nous remercions nos amis et notre public qui a voté dans le cadre de ce prix. Nous sommes aussi reconnaissants à Mark Stern, Shawn Stern et Gubby Svoboda, qui, il y a toutes ces années, ont cru en nous et nous ont poussés à nous rendre à Los Angeles pour réaliser cet album. Ce prix est dédié à la vie de deux personnes sans qui cet album n’existerait pas : M. Chi Pig et Evan C. Jones. Amour, respect, et 1, 2, SNFU. »
Voici les 12 albums qui étaient en nomination pour le Prix du patrimoine cette année :
Lillian Allen – Revolutionary Tea Party
Bran Van 3000 – Glee
Leonard Cohen – Various Positions
Four the Moment – We’re Still Standing
k.d. lang – Ingénue
Kardinal Offishall – Quest for Fire: Firestarter, Vol 1
Martha and the Muffins – This is the Ice Age
Wayne McGhie & The Sounds of Joy – Wayne McGhie & The
Sounds of Joy
Rascalz – Cash Crop
SNFU – ...And No One Else Wanted To Play
Stars – Set Yourself on Fire
The Weakerthans – Left and Leaving
Le scrutin pour le Prix du patrimoine a officiellement été ouvert le lundi 19 septembre lors du gala Polaris 2022, au cours duquel l’album José Louis And The Paradox Of Love de Pierre Kwenders a remporté le 17e Prix de musique Polaris.
Cette année, la liste du Prix du patrimoine était composée de six albums ayant déjà été mis en nomination (Revolutionary Tea Party, Glee, Ingénue, This is the Ice Age, Set Yourself on Fire, et Left and Leaving) ainsi que de six nouveaux venus (Various Positions, We’re Still Standing, Quest for Fire: Firestarter, Vol 1, Wayne McGhie & The Sounds of Joy, Cash Crop et… And No One Else Wanted To Play). Le public pouvait soumettre un bulletin de vote une fois par jour.
Le Polaris rend hommage aux artistes ayant remporté le Prix du patrimoine en commandant des œuvres d’art en édition limitée inspirées par la musique des albums sélectionnés. Des exemplaires de ces affiches – notamment celles honorant Nomeansno et Faith Nolan, qui ont gagné l’année dernière – sont disponibles ICI.
La campagne de vote du Prix du patrimoine conclut la saison 2022 du Polaris, qui comprenait aussi : le retour en présentiel de l’incontournable gala Polaris (19 septembre), le vernissage d’une exposition d’un mois consacrée aux affiches officielles du Prix de musique Polaris 2022 (chez Underscore Projects, au 1486 Dundas Street West, Toronto), le dévoilement de la longue liste de 40 albums (14 juin) et celui de la courte liste de 10 albums (14 juillet).
Le jury du Prix du patrimoine 2022 était composé de Michael Barclay, Elizabeth Chorney-Booth, Erin McLeod, Phyllis Grant, DJ MelBoogie, Morgan Mullin, Darcy MacDonald, Shawn Conner, Sandra Sperounes, Rob Bowman et, pour la toute première fois, un musicien invité à faire partie du jury officiel : Danko Jones.
« C’était pour moi un immense honneur de faire partie du comité de sélection du Prix du patrimoine de cette année », a affirmé Danko Jones. « Ce processus m’a permis de constater à quel point le Canada ne manque pas de superbes albums. Les œuvres lauréates de 2022, ...And No One Else Wanted to Play de SNFU et We're Still Standing de Four the Moment, le méritaient amplement! Il est gratifiant de participer à leur conférer cette grande distinction. »
Trente-sept albums ont reçu le Prix du patrimoine depuis sa création en 2015. Parmi les albums récompensés se trouvent The Teaches Of Peaches (Peaches), L’Heptade (Harmonium), Bach : The Goldberg Variations (Glenn Gould), And Now the Legacy Begins (Dream Warriors) et It’s My Way! (Buffy Sainte-Marie).
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
Saison 2022 des événements du Prix de musique Polaris
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux événement de révélation des albums lauréats, le gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné·e·s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est un organisme à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans égard pour le genre musical ou la popularité commerciale. www.polarismusicprize.ca
À propos de Slaight Music
Slaight Music a été lancée en 2011 avec pour mandat de soutenir la communauté musicale canadienne par le biais de diverses initiatives et de développer les talents canadiens grâce à des partenariats stratégiques avec des pairs du secteur. www.slaightmusic.com
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant·e·s du prix secondaire de 3 000 $ offert par Slaight Music
2 gagnant·e·s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant·e·s au jury annuel
1 000 invité·e·s au gala annuel
831 000 $ en prix remis aux artistes
160 nommé·e·s de la courte liste bénéficient d’une attention
médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Matériel promo (logos du Polaris, pochettes d’albums, biographies, photos, audio):
polarismusicprize.ca/media
Mot de passe : m3d1a
WATCH A LIVE PERFORMANCE OF THE TRACK HERE
FIRST-EVER NORTH AMERICAN HEADLINE TOUR
KICKS OFF THIS WEEKEND
SHOW IN TORONTO ON NOVEMBER 8 AT VELVET UNDERGROUND
TORONTO, ON – October 21, 2022 – Today, singer/songwriter/multi-instrumentalist, Jack Kays, has released his new song, When It’s All Over, the latest offering from his forthcoming EP CESSATION. Kays wrote When It’s All Over from the perspective of an addict professing gratitude for a significant other in the early stages of sobriety and describes the track as “his first love song.” Listen here, and watch the accompanying live performance video here.
In speaking about When It’s All Over Jack says: "When I got sober, I quickly started to see the importance of relationships. With the proper support group, you can handle a lot more than you can on your own. I wrote this song with my girlfriend in the early months of my sobriety. It’s meant to exhibit how grateful I am for her support and it is my way of saying that I want to be there for her the way that she was for me."
Regarding CESSATION, he continues: “I've been writing this EP for the past two years. It means so many different things to me, and I could go on and on about it, but if there's one thing to take away from it, it's that in order for something to live, something else has to die. I think it’s so easy to hold on to old ideas but letting go is the best thing you can do for yourself. I learned that the hard way.”
Those years of writing proved to pay off as CESSATION came to fruition earlier this year during a transcendent two-week trip to Joshua Tree. The five-track project chronicles the lifespan of a man and his journey to sobriety starting at ages 10-17 with Wish You Well and continuing the story from age 17 to 21 with Finally Fine, followed by When It’s All Over, which encapsulates the next chapter ages 20 to 23. Releasing November 11, CESSATION is an extremely vulnerable collection of songs that shine the spotlight on Jack’s songwriting and vocal talent. See full tracklisting below and pre-save/order CESSATION here.
In celebration of his forthcoming EP and today’s release, Jack kicks off his first-ever headline tour titled The Man with a Guitar this weekend in Phoenix, AZ. Kays will bring his captivating live performance to 18 cities across North America including Los Angeles, Chicago, Toronto, New York, and more with sold out shows in Minneapolis and his hometown of Cincinnati. See full routing below and visit www.jackkays.com for tickets and more information.
DOWNLOAD - Album Artwork
Subscribe to Jack Kays' Newsletter
Follow Jack Kays on TikTok
LISTEN AND PURCHASE THE RECORD HERE
“A passion project with huge potential, INVICTUS gives an intriguing glimpse into the creative mind of one of death metal's greatest unsung heroes… the sound of honest endeavor and great songwriting are unmistakable.” – Blabbermouth
“Occupying a similar sonic space to Kataklysm on the new song, INVICTUS dig into exactly four minutes of fist-pumping, anthemic death metal.” – MetalSucks on Get Up
“If you’ve been in the mood for something that’ll kick your ass right into gear, then you’re going to dig the relentlessly driving nature of ‘Exiled.’ Because let’s face it – what else did you expect from Iacono?” – Metal Injection
“The riffing jolts, swirls, and blazes, and the music soars to extravagant heart-pounding heights, while the vocals themselves burn with unbridled passion, and they soar too, in spine-tingling fashion… The song’s melodies and vocal expressions seem in line with the song’s lyrical conception. Even at the zeniths of intensity, they seem to combine sorrow with resilience, both wistfulness and a drive to fight, and the brief but surprising softer moments in the track underscore the melancholy that’s there even behind the audio novas in the song…” - No Clean Singing on Bleed Me Out
“Solo projects can be hit and miss affairs but Unstoppable is just that. An aggressive, determined and pointedly focused record that once started is almost impossible to turn off. As much as the world of death metal needs Ex Deo and Kataklysm,
let’s hope this isn’t just a one-off.” – Ghost Cult
TORONTO, ON – October 20, 2022 – Unstoppable, the debut full-length by INVICTUS, is out today on MNRK Heavy. INVICTUS is the new project led by Maurizio Iacono. Well-respected as the singer of Kataklysm and Ex Deo, head of Hard Impact Artist Management, founder of Distortion Music Group, and co-owner of hard-and-heavy booking agency Continental Touring, Iacono delivers dynamic new layers of heaviness and melody with his latest creative vehicle.
Conceived as an unflinching examination of fury and determination, INVICTUS explores the depths of struggle, frustration, and perseverance that shaped Iacono into the man he is today. A Latin epithet for various Roman deities, “Invictus” translates to “unconquered” or “invincible,” a theme put forward throughout Iacono’s latest output.
“On the surface, Unstoppable owes plenty to big-budget melo-death and the scarred crunch of New Wave of American Heavy Metal bands like Chimaira and HIMSA,” writes Blabbermouth in part. “Dig a little deeper and these songs have a dark charm all their own, not least because Iacono seems to be delving into more personal and intimate subject matter than ever before.” Ghost Cult lauds, “an aggressive, determined and pointedly focused record that once started is almost impossible to turn off.” adding, “As much as the world of death metal needs Ex Deo and Kataklysm, let’s hope this isn’t just a one-off.”
Unstoppable is available on CD, LP, cassette, and digitally. Preview and purchase the record here. View the band’s previously released videos for Exiled, Get Up, and Bleed Me Out at the INVICTUS YouTube channel here.
The eleven songs that make up Unstoppable offer an unflinching view of an unbreakable spirit, examined through the lens of ambitious, unapologetic heavy music. Iacono executed his vision alongside longtime collaborator J-F Dagenais (guitarist for Kataklysm and Ex Deo) and producer/main songwriter Chris Clancy (Mutiny Within). Powerhouse drummer Jeramie Kling (Venom Inc., Inhuman Condition) rounded out the record with a blistering performance. Iacono got to know Clancy, who often works alongside Colin Richardson and Andy Sneap, while making Kataklysm’s fourteenth album, 2020’s Unconquered.
FEATURING FOUR NEW SONGS
BEGINS HEADLINE NORTH AMERICAN TOUR WITH SUPPORT FROM MSPAINT THIS SUNDAY AND SHOWS IN
TORONTO AND MONTREAL NEXT WEEK
Toronto, ON – October 21, 2022 – LA-based, Militarie Gun, releases All Roads Lead To The Gun (Deluxe) via Loma Vista Recordings. The 12-track project provides the perfect jumping-on point for those not yet initiated into the band’s world and expands Militarie Gun's existing sonic toolbox. All Roads Lead To The Gun (Deluxe) includes four brand new tracks, including the recently shared single, Let Me Be Normal, which arrived with a video directed by frontman Ian Shelton and animated by guitarist William Acuña, along with the tracks from the first two All Roads Lead To The Gun EPs, including the standouts, Ain't No Flowers, Don't Pick Up The Phone, and Big Disappointment. All Roads Lead To The Gun (Deluxe) features assistance from Vancouver's Woolworm vocalists, Giles Roy and Heather Black, on Can't Stand Busy People and Pull It Out and MSPAINT vocalist DeeDee on Can't Get None.
Formed in 2020, Militarie Gun is defined by the musical restlessness of vocalist Shelton. The band–whose lineup has expanded to include guitarists Nick Cogan and Acuña, drummer Vince Nguyen, and bassist Max Epstein–draw on a wide range of influences to make something that sounds combative yet accessible, and undeniably their own. Co-produced, engineered and mixed by Taylor Young, there are echos of the unhinged guitarwork of Born Against, the propulsive cadences of hip hop, the up-front bass of Fugazi–and most importantly, the hooks. Militarie Gun’s songs are instantly memorable, employing a melodic sensibility that’s just as informed by the work of Robert Pollard and Paul McCartney as it is by Black Flag.
For the month of October, Militarie Gun has been on tour with Citizen and Prince Daddy & The Hyena for 11 dates across the west coast and Canada interwoven with headline shows in Kelowna and Minneapolis. This weekend, Militarie Gun will embark on a 19-date run headline tour with support from MSPAINT, Pony, Dazy, Public Opinion and Entry on respective dates. Tickets available here.
Listen to the deluxe All Roads Lead To The Gun EP above, see deluxe details and full tour routing below, check out exclusive vinyl and t-shirts at the Loma Vista webstore and stay tuned for more music from Militarie Gun coming very soon.
Upcoming Live Dates
*= w/ Citizen, Prince Daddy & The Hyena
^= w/ Woolworm, Restraining Order, Breech Boys
#= w/ Restraining Order, New Primals
~= w/ MSPAINT
+= w/ Pony
**= w/ Dazy
^^= w/ Public Opinion
++= w/ Public Opinion + Entry
10/21 - Toledo, OH @ The Ottawa Tavern*
10/23 - Detroit, MI @ The Sanctuary~+
10/24 - Toronto, ON @ The Monarch~+
10/25 - Montreal, QC @ Turbo Haus~+
10/26 - Boston, MA @ Middle East Upstairs~**
10/27 - Brooklyn, NY @ Saint Vitus~**
10/28 - Amityville, NY @ Amityville Music Hall~**
10/29 - Philadelphia, PA @ Foto Club~**
10/30 - Baltimore, MD @ Ottobar Upstairs~**
11/1 - Charlotte, NC @ Snug Harbor~^^
11/2 - Columbia, SC @ New Brookland Tavern~^^
11/3 - Atlanta, GA @ 529~^^
11/4 - Nashville, TN @ DRKMTTR~^^
11/5 - Louisville, KY @ Mag Bar~^^
11/8 - St. Louis, MO @ Sinkhole~^^
11/9 - Omaha, NE @ Reverb~^^
11/10 - Denver, CO @ HQ~^^
11/11 - Salt Lake City, UT @ Beehive~++
11/12 - Las Vegas, NV @ American Legion Post 8++
11/13 - Reno, NV @ Holland Project++
DOWNLOAD - Press Photo | DOWNLOAD - Album Art
TikTok: @militariegun
LISTEN TO OJALÁ HERE | WATCH TIKTOK PREVIEW
TORONTO, ON – October 21, 2022 – GRAMMY© winning Colombian artists/producers, and Maluma’s long-time collaborators, The Rudeboyz (Hawaii, Felices los 4, Borró Cassette, & Chantaje), are stepping from behind the boards to become artists, tapping global Latin music idol, Maluma, for their debut single, Ojalá, and turning it into their dream collaboration by adding superstar, Adam Levine. The record is paired with a video directed by Diane Martel via talent incubator NEON16 & Sony Music Latin - watch it here.
Bryan Lezcano Chaverra, whose moniker is "Chan El Genio" and Kevin Mauricio Jiménez Londoño, whose moniker is "Kevin ADG" first met in 2008 while independently creating music. Shortly after becoming friends and frequent collaborators, the Medellin-born duo joined forces to become The Rudeboyz. The renowned duo has produced global hits and worked with world famed artists such as: Shakira, Arcangel, Yandel, Sech, Blessd, Rels b, Jennifer Lopez, Prince Royce, FEID, Sebastian Yatra, De La Ghetto, and Mau y Ricky, to name a few.
The Rudeboyz recently signed to NEON16, the company behind crossover hits such as Un Día (One Day) by Bad Bunny, Dua Lipa, J Balvin and Tainy, I Like It, by Cardi B, Bad Bunny & J Balvin, and Summer of Love by Shawn Mendes, and the global breakthrough of producer-turned-artist, Tainy. Together, they worked on developing the collaboration by tapping longtime Adam Levine collaborator J Kash who alongside Adam, The Rudeboyz and Lex Borrero crafted what would become Ojalá.
Yesterday, The Rudeboyz were invited to be panelists and discuss their transition from producers to artists at Spotify Casa Medallo in Medellin, Colombia to up and coming artists, producers, and media present at the event. They shared an exclusive peak of Ojalá to attendees, followed by Spotify amplifying the teaser across their social media.
Levine's love for Latin music and culture grew over his many years touring Latin America. He had been looking for a record to merge his sound and voice with the feel and movement of Latin music. On Maroon 5's recent album, JORDI, he collaborated with Anuel AA and Tainy on the track, Button, which sparked his desire to sing in Spanish on a Latin record, an opportunity that Ojalá provided by merging Maluma's sensual lyrics with Adam's iconic tone and melodies to create the perfect Latin pop record.
Ojalá by The Rudeboyz, Maluma & Adam Levine is available on all digital streaming platforms.
ABOUT NEON16:
NEON16 was founded by industry veteran Lex Borrero and iconic producer Tainy. Voted the #1 Most Innovative Music Company by Fast Company in 2021, the talent and idea incubator is one of the leading media and entertainment companies in the industry. Famed producer and artist Tainy, is the mastermind behind some of music's most iconic hits. A three-time GRAMMY© nominee, three-time Latin GRAMMY© and multiple BMI Award Winner, Tainy has been churning out career-defining hits for countless artists as well as his own. NEON16’s management roster includes Yandel, Kris Floyd, Manuel Lara, Rudeboyz, Jodosky and Alex Ponce.
Under NEON16’s live division the company has hosted several experiential events including The popular “Celebrity Basketball Game” series, which just held its 4th edition, Esports Celebrity Tournament, Kids that Grew Up Reggaeton Art Basel show, and NEON Cup, a celebrity soccer game. In addition, NEON16 remains steadfast in its commitment to give back and through its multimedia charity initiative HUMAN (X), launched in 2020, it looks to spotlight and fund important causes by creating tangible solutions. The philanthropic initiative launched Pa’ La Cultura a single benefiting NDLON (National Day Laborer Organizing Network) to help immigrants impacted by the COVID 19 pandemic and ART/WORKS fellowship program which lifts the voices, cultural expression, and profile of immigrants, refugees, and artists advancing migrant rights.
In 2021, Lex Borrero partnered with industry legend Tommy Mottola to launch NTERTAIN a multimedia company focused on creating content that portray Latin narratives. The company’s first production “Los Montaners” featuring Ricky Montaner and his famous family is coming to Disney+ Fall of 2022. Adding to the talent incubator’s television production credits is the upcoming Netflix talent competition series, La Firma (The Signing). The series stars heavy hitters Rauw Alejandro, Yandel, Nicki Nicole, Tainy and Borrero who is the show’s creator. Filming just wrapped and is slated for release at the end of the year. NTERTAIN has also launched its original programming channel on YouTube starting with the first series, El Plan with Eliane Gallero.
DOWNLOAD - Single Artwork | DOWNLOAD - Press Photos
TikTok: @papijuancho
LISTEN TO THE RISING SOUL SINGER’S MOVING NEW TRACK HERE
WATCH THE LYRIC VIDEO FOR LET THE WATER FLOW HERE
TORONTO, ON – October 21, 2022 – Just ahead of next month’s mid-term elections, acclaimed singer and songwriter, Devon Gilfillian has shared Let The Water Flow, a soulful plea for voting rights and democratic justice. Written by Devon Gilfillian, Ran Jackson, and Henry Brill, the brand-new track was inspired by the political transformation taking place in Georgia and the essential need for election integrity across America. Listen to Let The Water Flow here and watch the accompanying lyric video here.
Devon Gilfillian on the story behind Let The Water Flow: “It’s truly insane what people have had to go through to get their democratic voices heard in the United States. The inspiration for Let the Water Flow came when Georgia governor Brian Kemp was in the process of passing a bill into law that would create even more challenges for the people of Georgia (especially Black and poor Georgians) to make their voices heard. This song is not just about voter suppression in Georgia; it’s about voter suppression and inequity throughout this country. It’s about the belief that voting is a right and not a privilege. This song is a declaration that our voices will be heard no matter how many mountains we have to climb.”
Produced by Jeremy Lutitio (Joy Oladokun, NEEDTOBREATHE), Let The Water Flow, is Gilfillan’s second release for his new label home Fantasy Records, following last month’s sultry and raw, Brown Sugar Queen, featuring rising Swedish soul singer, Janice. Proceeds from Let The Water Flow generated via Bandcamp will benefit voting rights organizations, Fair Fight in Georgia and The Equity Alliance in Nashville, TN. For more information, please visit: Bandcamp, FairFight.com and TheEquityAlliance.org.
Gilfillian has been an active and energetic voice for voting rights and democratic justice. In 2020, following the murder of George Floyd, he released a song for song remake of Marvin Gaye’s iconic album, What’s Going On, donating the funds toward election-cycle resources and education for low-income communities of colour. That same year, Gilfillian hosted There's An Election Going On, a concert/livestream which also aided The Equity Alliance in Nashville and featured friends Jason Isbell, Grace Potter, Local Natives, Drew Holcomb, Marcus King, The War and Treaty, among others. Just last week, he performed at a fundraiser with Lucinda Williams in Nashville supporting Tennessee’s 5th Congressional District Democrat candidate, Senator, Heidi Campbell.
A musical polymath with a deep knowledge and love of vintage soul, R&B, rock and hip-hop, the Philadelphia born, Nashville based Gilfillian, has seen his profile rise steadily since bursting into view with his electrifying, self-titled debut EP in 2016 and the release of his much-admired, 2020 LP, Black Hole Rainbow. GRAMMY nominated (for Best Engineered Album), the recording received glowing notices from NPR, the New York Times, PASTE, The Tennessean, and Garden & Gun, spawned two Top 10 Triple A radio hits and numerous syncs across Apple TV+, HBO, CBS, Fox Sports, NASCAR, and the NFL.
Commanding club, theatre, and festival stages around the world, the in-demand musician has also supported artists such as Nathaniel Rateliff & The Night Sweats, Lake Street Dive, Anderson East, Keith Urban, Gladys Knight, Kaleo, The Fray, and Mavis Staples, to name a few. Dates this fall included several major festival appearances and a sold-out west coast run with Lake Street Dive. Find upcoming tour dates here and below.
DEVON GILFILLIAN ON TOUR:
November 15 – Majestic Theatre – San Antonio, TX *
November 16 – Tannahill’s Tavern & Music Hall – Fort Worth, TX *
November 17 – JJ’s Live – Fayetteville, AR – (supporting Trombone Shorty)
November 18 – Ryman Auditorium – Nashville, TN *
December 30 – College Street Music Hall – New Haven, CT +
December 31 – Roadrunner – Boston, MA +
February 10 - 17, 2023 - Cayamo Cruise - Miami, FL
* supporting Trombone Shorty & Orleans Avenue
+ supporting Lake Street Dive
US TOUR SUPPORTING HATEBREED TO COMMENCE NEXT WEEK
“BODYSNATCHER are clearly gifted with the power of the pummeling riff and hard-hitting, hardcore-infused lyrical prowess.” – Decibel Magazine
“…it rips…” – BrooklynVegan
“‘Value Through Suffering’ highlights the final tool in Bleed-Abide's arsenal: atmosphere. It comes sandwiched between eerie guitar strains, which give way to chilling tremolo picking and blast-beating. While BODYSNATCHER reverts back to its low-and-slow approach soon after, it's encouraging to hear them experimenting with their form without trying too hard.” – Metal Injection
“…their most comprehensive release to date. Stopping at nothing to absolutely obliterate the listener, BODYSNATCHER provides a robust full length record with practically no filler, steamrolling the listener between a cavalcade of crushing aggression.”
– New Transcendence
“These thirteen tracks of straight Floridian tough-guy deathcore are filled to the brim with unadulterated rage and hostility. There’s no shortage here of hairy knuckle slams, jarring grooves, and pit-stomping two-steps.” – New Noise Magazine
“Their skillset enables them to be just as comfortable getting down and dirty with the slower, beatdown elements as they are hitting you with rapid rounds of pure carnage.
There are also a lot of thought-provoking messages to be dissected within this release which helps elevate them beyond the usual blood and guts that this style of music tends to lean towards. A very impressive effort from one of the genre’s hottest prospects.”
– Distorted Sound
TORONTO, ON – October 20, 2022 - Florida deathcore outfit, BODYSNATCHER, today unleashes their video for Value Through Suffering. Now playing at MetalSucks, the crushing hymn comes by way of the band’s Bleed-Abide full-length, released earlier this year via MNRK Heavy. Watch BODYSNATCHER’s Value Through Suffering video, produced by Eric DiCarlo at Squared Up Studios, here and check out the MetalSucks feature here.
Comments drummer Chris Whited of the rousing song, "Value Through Suffering was written as a message to myself to not let the struggles in life bring you down, but rather allow them to build you into a better, stronger version of yourself. So really sit down and feel the horrible things you have been through and appreciate the person you are today.”
Adds MetalSucks, “The accompanying video is something we can all relate to: the struggle with mental health and the feeling that the walls are closing in around us. The video features actor Trey Torr, who at first is having a meltdown triggered by negative emotions and circumstances in his life but ends with Torr reclaiming control of his life. At the end of the video, a message of hope from drummer Chris Whited appears, promising the viewer that they can find their own Value Through Suffering.”
Watch BODYSNATCHER’s previously released videos for Wired For Destruction, Absolved Of The Strings And Stone, E.D.A., and Behind The Crowd at the band’s official YouTube page here.
Bleed-Abide was recorded by Whited at 1776 Recordings with drums engineered by Neil Westfall and Bud Phillips at The Unicorn Room, and guitars re-amped by Phil Pluskota at Sonic Assault Studio. The record is callously grim, ferocious, and threatening, crackling beneath the weight of its own fury and power. BODYSNATCHER’s Bleed-Abide truly puts the “core” back in deathcore.
Bleed-Abide is available now on CD, LP, cassette, and digital formats here.
BODYSNATCHER will support Hatebreed on their 20 Years Of Perseverance US tour. The journey – set to begin October 25th in Horseheads, New York and run through November 20th in San Diego, California – includes additional support from Gatecreeper and Dying Wish as well as Bleeding Through and Obituary on select dates. Tickets are on sale now! See all confirmed dates below.
BODYSNATCHER w/ Hatebreed, Gatecreeper, Dying Wish:
10/25/2022 The L - Horseheads, NY
10/26/2022 The Paramount - Huntington, NY
10/27/2022 Elevation 27 - Virginia Beach, VA
10/28/2022 The Webster - Hartford, CT
10/29/2022 HMAC - Harrisburg, PA
10/30/2022 Agora Theatre - Cleveland, OH
10/31/2022 The Machine Shop - Flint, MI
11/02/2022 Manchester Music Hall - Lexington, KY
11/03/2022 Bottom Lounge - Chicago, IL
11/04/2022 Pop's - Sauget, IL
11/05/2022 Diamond Ballroom -Oklahoma City, OK
11/07/2022 White Oak Music Hall - Houston, TX
11/08/2022 Vibes Event Center - San Antonio, TX
11/09/2022 Jakes Sports Cafe - Lubbock, TX
11/10/2022 El Rey Theater - Albuquerque, NM w/ Obituary
11/11/2022 The Black Sheep - Colorado Springs, CO
11/12/2022 Mesa Theater - Grand Junction, CO
11/14/2022 Roseland Theater - Portland, OR
11/15/2022 The Showbox - Seattle, WA
11/17/2022 The Regency Ballroom - San Francisco, CO **
11/19/2022 House Of Blues - Anaheim, CA w/ Bleeding Through **
11/20/2022 House Of Blues - San Diego, CA w/ Bleeding Through **
** No Gatecreeper
DOWNLOAD - press photo | DOWNLOAD - album art
DOWNLOAD - tour poster
BODYSNATCHER:
Kyle Medina – vocals
Kyle Carter – guitar
Kyle Shope – bass
Chris Whited – drums
EPIC 10-PIECE BAND HITTING CITIES ACROSS WESTERN CANADA THIS NOVEMBER
JUNO-NOMINATED LATEST ALBUM THE RECKLESS ONE OUT NOW
TORONTO, ON - October 20, 2022 - After being unable to tour around their JUNO-nominated 2020 album, The Reckless One, and then after having to cancel a January 2022 west coast Canadian tour, acclaimed soul-based group, Samantha Martin & Delta Sugar, are finally able to take their sound to stage. The band is thrilled to return to the road next month for their Love Is All Around tour, which kicks off November 13, and takes the epic 10-piece-band throughout western Canada. Full details can be found below and on the band’s website.
Offers Samantha: “This tour was originally supposed to take place back in January/February, but due to the omicron wave we were forced to postpone until now, and so many folks worked tirelessly to reschedule the tour. It brings me so much joy to be back on the road, especially with the 10-piece band which is how I have always envisioned the music to be performed. This tour is also going to be extra special for me personally as I am pregnant – so this will technically be baby’s first tour as well! It’s been a long time coming, but I promise it is a show you’ll never forget!”
The Love Is All Around tour is complete with a live horn section and Samantha is also four months pregnant, “so I guess technically it is baby's first tour as well,” adds Samantha. Steve Marriner will be opening the shows, and both groups have been nominated for JUNOs for their most recent records (Samantha Martin & Delta Sugar - The Reckless One 2020) (Steve Marriner - Hope Dies Last 2021).
With the worldwide pandemic wrecking utter havoc upon the careers of many musicians, Samantha Martin and Delta Sugar elected to use their time off the road to finish and release their latest tour-de-force, the astonishingly powerful, funky and deeply soulful The Reckless One (released in November 2020).
The follow up to 2018’s JUNO-nominated, Run To Me, The Reckless One represents another massive step forward for Samantha Martin as a songwriter, singer, arranger and band leader. Eleven of the album’s twelve songs were either co-written or solely composed by the multi-talented, multi-faceted artist. The one non-original, a funk infused cover of Bob Dylan’s, Meet Me in the Morning, fuses Dylan’s lyric in a cataclysmic clash with the sensibilities of the Meters and the hurricane force of Howlin’ Wolf and Tina Turner at their rawest. It simply has to be heard to be believed.
Produced by Darcy Yates and Renan Yildizdogan, The Reckless One demonstrably builds on the strengths of Samantha Martin and Delta Sugar’s last album. Martin’s lyrics, set to a panoply of intoxicating, ear worm melodies, tend to focus on the vicissitudes of love: desire, disappointment and, when everything works out, emotional and sexual satisfaction. The album’s twelve tracks cover a lot of ground, including 12/8 gospel infused soul ballads such as I’ve Got a Feeling and Better to Have Never; funk-inflected tracks like Love is All Around; stomping four-on-the-floor dance numbers epitomized by Don’t Have To; and the Wall of Sound influenced, Sacrifice, which was featured as pick of the week in Rolling Stone Magazine.
The album went on to earn the group a 2021 JUNO nomination for Blues Album of The Year, as well as several Maple Blues Award nods in both 2020 and 2021, it topped the Canadian Album, Blues Album, and Soul Blues Album charts with Roots Music Report for several months, hit #1 on the Living Blues Charts out of the US, and #1 on The International Blues Broadcasters Charts out of the UK.
Love Is All Around Tour Dates:
Nov 13 - Saskatoon, SK - The Bassment
Nov 14 - Swift Current, SK - The Lyric Theatre Swift Current
Nov 15 - Calgary, AB - Festival Hall
Nov 16 - Sherwood Park, AB - Festival Place
Nov 17 - Lethbridge, AB - Southminster United presented by Geomatic Attic
Nov 18 - Cranbrook, BC - Key City Theatre
Nov 19 - Golden, BC - Golden Civic Centre presented by Kicking Horse Culture - Engage, Energize, Enrich
Nov 21 - Campbell River, BC - Tidemark Theatre
Nov 23 - Victoria, BC - Hermann's Jazz Club presented by Victoria Jazz Society
Nov 24 - Burnaby, BC - Shadbolt Centre for the Arts
Nov 26 - Maple Ridge, BC - Maple Ridge ACT Theatre
DOWNLOAD – Hi Res Press Photo| DOWNLOAD - Love Is All Around Tour Poster
DOWNLOAD - The Reckless One Album Art
TORONTO, ON – October 19, 2022 – Today, Paquin Artists Agency (PAA) announce a new alliance with Blue Crane Agency Founder/Agent, Tao-Ming Lau. Emerging from a longstanding relationship and shared passions, the integration of Blue Crane and PAA will expand their industry impact by strengthening artist relations, sharing resources, and cultivating community on an international scale.
"I'm excited to join a larger team and network for this next chapter of Blue Crane Agency’s future – where I will continue its home with the allyship and support of Paquin Artists Agency,” Tao says.
“Tao’s long-standing commitment to building a community around her artists, and developing their careers is inspiring,” adds PAA President, Julien Paquin. “We look forward to Tao bringing her ‘Blue Crane’ spirit to our incredible team.”
As a music booking agency seeking to prioritize women, artists of colour, and LGBTQ2S+ musicians in North America and abroad, Blue Crane will integrate all bookings and operations into PAA. Blue Crane Artists, who’ll be joining Tao at PAA, include Priyanka, Clerel, Zaki Ibrahim, Vivek Shraya, Le Ren, and Myst Milano.
Tao will continue to pursue her ancillary activities, including panels, workshops, advocacy work, curatorial and programming initiatives, such as special events, festivals and showcases under the Blue Crane wing.
Since 2020, PAA has seen exponential growth among its team of agents with the addition of Vinny Cinquemani, Vesna Pejkovic, Andre Guerette and Jason Furman. PAA, Canada’s largest booking agency’s latest signings include The Offspring, Jann Arden, Johnny Reid, Simple Plan and Big Wreck.
DOWNLOAD – Julien Paquin Photo | DOWNLOAD – Tao-Ming Lau Photo
About Paquin Artists Agency and Paquin Entertainment Group:
Established in 1985, Paquin Entertainment Group is a leading, full-service North American arts and entertainment company with offices operating in Winnipeg, Toronto, Vancouver, and Nashville. Paquin Entertainment Group is home to a diverse portfolio including, artist representation, brand partnership, film and television, and touring theatrical & exhibitions. Since its inception, Paquin Entertainment Group's core vision remains unchanged: to foster a creative culture that seeks and develops the world’s premier artists and productions.
Website | Instagram | Facebook
DOWNLOAD – Paquin Entertainment Group Logo
About Tao-Ming Lau and Blue Crane Agency:
Tao-Ming Lau is the Founder/Agent at Blue Crane Agency (@bluecraneagency), a music booking agency seeking to prioritize women, artists of colour, and LGBTQ2S+ musicians in North America and abroad. The roster was founded with and includes artists like Priyanka, Zaki Ibrahim, Shay Lia, Clerel, DJ NDN (Co-Founder of A Tribe Called Red), Vivek Shraya, BAMBII, and more. The agency has programmed festivals such as Pride Toronto and curated events for Nuit Blanche, Royal Ontario Museum, Toronto International Film Festival (TIFF), and more. Tao is a board director at Polaris Music Prize and Canadian Live Music Association and was chosen as a Rising Star in Toronto Life Magazine's 50 Most Influential Torontonians of 2018. Previously, she was at Chicago-based touring agency Billions, Universal Music Canada, and got her start with Carly Rae Jepsen's management and label in Vancouver, on the traditional and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, where she was born and raised. Tao is a queer woman of colour seeking to open more doors and establish better infrastructure for underrepresented talent.
Website | Instagram | Facebook
DOWNLOAD – Blue Crane Agency Logo
LEAD SINGLE DID I MAKE YOU UP? OUT NOW ALONG WITH THE MUSIC VIDEO
WATCH HERE AND LISTEN HERE
TORONTO, ON – October 17, 2022 – Long-Beach based trio, half•alive, announce their sophomore album, Conditions Of A Punk, to be released December 2 via RCA Records. Through a collection of 18 tracks, this new body of work explores the breaking and mending of a heart, the realigning of a soul. Conditions Of A Punk embodies the band at their most vulnerable and most mature musically. Pre-order here.
As well, half•alive release their lead single, Did I Make You Up?, which was co-written with Scott Harris and produced by Ojivolta. Alongside the single comes the beautiful music video that returns to the familiar half•alive choreographed dance, one-take style, directed by Aidan Carberry of JA collective. Watch it here.
Josh Taylor from half•alive says, “Did I Make You Up? represents the moment of wonder; after a breakup and the dust settles, you wonder if the person you were with was the person you broke up with, or if you were simply muting their flaws & projecting who you wanted them to be… JA has been performing with us since our very first show, so naturally, this video is in some ways an extension of that show. Those who’ve seen it will recognize the dance integration as well as the giant sheet we often deploy throughout the show for shadow play, only this time, its five times as big.”
About half•alive:
The music of half•alive breathes, evolves, grows, and changes alongside the lives of the Long Beach trio—Josh Taylor [vocals], Brett Kramer [drums], and J Tyler Johnson [bass]. half•alive officially came to life on the 2017 3 EP, which sparked a palpable buzz on the strength of The Fall and Aawake At Night. Over the course of the next year, they crafted what became their massive breakout, still feel. which has been RIAA certified Gold, rocketed into the Top 10 at Alt Radio and has over 276 million worldwide streams to date. The video organically surpassed the 10 million mark within two months as the song garnered acclaim from NPR’s coveted All Songs Considered and more. The trio sold out their formal debut headlining tour in 2019 which included two sold out shows at The Fonda Theatre in LA. The tour also included stops at major music festivals including Lollapalooza, Outside Lands and Bumbershoot. Later that year the band made their late-night television debut with a very special performance of still feel. on Jimmy Kimmel Live!. They also performed Runaway on The Late Late Show with James Corden. In August 2019, they released their debut album Now, Not Yet which has amassed over 611 million streams worldwide to date. half•alive was named YouTube’s Artist on the Rise and their live Vevo DSCVR performances of RUNAWAY and arrow showcase their incredible creative artistry. In 2020, half•alive released their EP in Florescence, an audio and visual project that included orchestral arrangements of four tracks off their critically acclaimed debut album Now, Not Yet as well as videos for three of the four songs to accompany them. Earlier this year, the band shared their EP Give Me Your Shoulders, Pt. 1 featuring hit track, What’s Wrong, which was Most Added at Alt Radio around its launch and has garnered over 20.1 million streams worldwide. The band also performed the track on ABC’s Jimmy Kimmel Live!.
DOWNLOAD - hi res Conditions Of A Punk cover art | DOWNLOAD - hi res press photo
FATAL HORIZONS FULL-LENGTH OUT TODAY ON MNRK HEAVY
BAND TO KICK OFF US TOUR NEXT MONTH
Committed to unrelenting riffage, RHYTHM OF FEAR worships at the altar of thrash metal and crossover reinvigorating the timeless collision of speed, musicianship, and attitude. Unrepentant bruisers like Dark Energy and Ten Theories quickly became underground classics to a growing legion of like-minded supporters who snapped up the band’s 2011 demo, the Mass Illusion EP (2015), and full-length debut, Maze Of Confusion (2016). The appetite for devastation only intensified with the Ritual Dementia EP (2019), featuring Vortex Of Torment, and RHYTHM OF FEAR’s impassioned take on Over And Out, a deep cut from the early power metal years of Pantera.
Now the band returns with Fatal Horizons, a sophomore slab of expertly executed crossover fury. Produced, engineered, and mixed by Joey Jones (Royal Thunder, Cloak) with sci-fi/horror artwork from Mario Lopez (Toxik, Skeletal Remains, Evil Invaders), Fatal Horizons’ 13 tracks are richly thematic and devilishly accessible in equal measure.
Issues the band of the video: "Alien Synthesis is a bit of a continuation from an earlier track of ours called Fire In The Sky. We’re all somewhat obsessed with what else is out there as obviously tied into a lot of our overall imagery. For the video, we wanted to make something super visual, a short quick movie if you will. Of course we were leaning heavily towards a sci-fi horror vibe and wanted to tie in elements of our album art so we joined forces with Eric Ricter who is known to do killer work. We couldn’t be more excited with how it all turned out and hopefully people and aliens alike will be into it.”
Adds Metal Injection, “RHYTHM OF FEAR is here to groove their way right into your brain with ‘Alien Synthesis.’ I mean seriously, if you can get past the whole ‘AFTER! THE ABDUCTION!’ bit and not have this buried deep within your brain, then there's something wrong. This song rules and should cause headbanging to the point of soreness.”
Watch RHYTHM OF FEAR’s Alien Synthesis video here. View the band’s previously released videos for Tears Of Ecstasy here and Insidious System here. Fatal Horizons is available on CD, LP, cassette, and digitally. Find ordering options here.
RHYTHM OF FEAR will return to the road next month on a two-week US tour supporting labelmates I Am. The journey will commence on November 3rd in Corpus Christi, Texas and run through November 18th in Tulsa, Oklahoma. Additional support will be provided by Bodybox. Additionally, the band will be opening for Cavalera Conspiracy on October 20th in Orlando, Florida. See all confirmed dates below.
RHYTHM OF FEAR’s degree of excellence owes much to the more widely recognized genre forebearers. But perhaps just as crucially, the band – Jay Santiago (vocals), Cody James (guitar), Logan Miano (drums), and Justin Styron (bass) – devours a wide range of diverse and obscure metal bands to craft their own brew.
Chief among those influences is a crucial group of bands active from the late ‘80s to the early ‘90s, whom RHYTHM OF FEAR lovingly refers to as “the trinity,” namely Chicago’s Cyclone Temple (and the ashes of the band Znöwhite), Seattle powerhouse Forced Entry, and Slammer, from the UK. Rather than simply rehash the past however, RHYTHM OF FEAR absorbs and examines metal history’s greatest strengths, reassembling the parts into a fresh Frankenstein forged by the band’s unique identity and experience.
“On Fatal Horizons, we’ve come even more into our own,” notes Santiago. “Maze Of Confusion was very thrash metal and very hardcore driven. Aside from our lead guitar player, all of us grew up in the hardcore scene. We established ourselves as a true crossover band, with fast metal parts and funky hardcore grooves. There’s still a bit of groovy flavor, but Fatal Horizons is even thrashier.”
Thematically, Fatal Horizons delves deeper into the human psyche with relatable themes of depression, addiction, and anger. Alien abduction, magic rituals, and the occult pepper their songs with personality and spirit while the justice system and politics are targets within the framework of broader fantasy metaphors.
Album opener, Obsolescence, confronts addiction. Alien Synthesis is about the aftermath of the abduction. The title track puts the listener at the centre of a black hole. Parasomniac details Santiago’s struggles with the sleep disorder EHS, aka Exploding Head Syndrome, which awakens sufferers with imagined sounds. The simulation hypothesis is at the heart of Simulated Times, inspired by one of Santiago’s dreams. There are instrumental interludes throughout Fatal Horizons, synergizing the cosmic themes of mortality. Ceremony Of Sacrifice closes it all with an exploration of Mayan and Aztec mythology.
TOUR DATES:
10/20/22 The Beacham - Orlando, Fl w/ Cavalera Conspiracy, Bewitcher
w/ I Am, Bodybox:
11/03/2022 Boozerz – Corpus Christi, TX
11/04/2022 Vibes Underground – San Antonio, TX
11/05/2022 The End – Houston, TX
11/06/2022 Cheapstakes – Dallas, TX
11/07/2022 La Chelsea’s Live – Baton Rouge, LA
11/09/2022 Crowbar – Tampa, FL
11/10/2022 Respectables – West Palm, FL
11/11/2022 The Archetype – Jacksonville, FL
11/12/2022 The Haven – Orlando, FL
11/13/2022 New Brooklyn Tavern – West Columbia, SC
11/14/2022 The End – Nashville, TN
11/15/2022 Vino’s – Little Rock, AR
11/16/2022 The Odyssey – Springfield, MO
11/18/2022 Act Like You Know Fest – Tulsa, OK
DOWNLOAD - Fatal Horizons Artwork | DOWNLOAD - Press Photo by Marcus Marino
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.
EUROPEAN RUN OF WORLD WAR TOUR
KICKS OFF NEXT WEEK
TROUBLE THE WATER DUE OCTOBER 28
VIA LOMA VISTA RECORDINGS
TORONTO, ON – October 13, 2022 – New York City's own, Show Me The Body, shares WW4, the third offering from their forthcoming album, Trouble The Water, due October 28 via Loma Vista Recordings. Beginning with ominous banjo plucks and rhythmic vocals from frontman Julian Cashwan Pratt before an explosive finale, WW4 arrives coupled with the visuals directed by Oliver Shahery portraying a day in the life of Julian with his neighbour and close friend of CORPUS, Anthony. Listen to WW4 here and watch the music video here.
This Sunday, Show Me The Body will perform at Nothing Fest IV in California ahead of launching the European and UK leg of their continuing WORLD WAR TOUR, which begin next Friday in Vechta, Germany and feature support from Powerplant across the 15-dates with stops in Hamburg, Berlin, Zürich and Verona before wrapping up in London on November 7. Show Me The Body will also take the world tour to New Zealand for two dates, performing in Wellington and Auckland, along with Australia for four dates in December hitting Sydney, Brisbane, Melbourne and Perth. Tickets available here.
Recorded entirely at CORPUS studios in Long Island City and produced with Arthur Rizk (Power Trip, Turnstile, Municipal Waste), Trouble The Water is the culmination of nearly a decade of barrelling against New York City’s structural ambivalence and indifference; an invocation to a like-minded global community to consider the alchemy of family-building, and of turning water to blood. The 12-tracks of Trouble The Water both reference and pay homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate its true foundation, style, and spirit; while expanding upon and reckoning with the hyperlocal territory of 2019’s Dog Whistle, which features the standout track, Arcanum.
Although the title invokes the ancient alchemy Moses wielded to free and unite Israelite peoples, Trouble The Water refuses nostalgia or mimicry. Instead, it considers the sublime power of the unifying physical practices that can be enacted daily, to invoke immeasurable spiritual and collective reactions. Buoyed by moments of stinging stillness and compulsive, almost optimistic, malfunctioning rhythms, the work is literally a conjuration to dance, and move. If we are really living through the end of the world, maybe every movement we make, no matter how slight, is actually boundless and radical.
Show Me The Body is an ecclesiastical hardcore trio consisting of Julian Cashwan Pratt (founder; banjo and vocals), Harlan Steed (founder; bass), and Jackie McDermott (current drummer). The band, originally started in 2009, have released a handful of EPs and two groundbreaking studio albums in 2016's Body War and the aforementioned 2019 release Dog Whistle. They have organized non-traditional, intentional DIY spaces for NYC youth since 2015, and since expanded that work to a global capacity through their urgent, ceremonial live shows, subterranean punk and hip-hop mixed tours, and their CORPUS NYC platform. Through the intentional cultivation of their local and global chosen families, and a decade-long dedication to sustaining the New York Sound, Show Me The Body has solidified a legacy of confronting and permanently shifting the rigid limitations of the hardcore genre.
Check out WW4 and pre-order/save Trouble The Water above, find more album details and upcoming live dates below and stay tuned for more from Show Me The Body very soon.
Upcoming Live Dates
10/16 - Garden Grove, CA @ Nothing Fest IV
10/21 - Vechta, Germany @ Gulfhaus
10/22 - Kusel, Germany @ Schalander
10/24 - Hamburg, Germany @ Hafenklang
10/25 - Poznań, Poland @ Klub Muzyczny
10/26 - Dresden, Germany @ Chemiefabrik
10/28 - Dortmund, Germany @ Red Forest Festival
10/29 - Berlin, Germany @ Red Forest Festival
10/30 - Drachten, Netherlands @ Iduna
10/31 - Nijmegen, Netherlands @ Merleyn
11/01 - Zürich, Switzerland @ Dynamo
11/02 - Fribourg, Switzerland @ Café XXème
11/03 - Bologna, Italy @ Freakout Club
11/04 - Verona, Italy @ Colorificio Kroen
11/05 - Mezzago, Italy @ Bloom
11/07 - London, UK @ The Underworld
11/30 - Wellington, NZ @ Meow
12/03 - Auckland, NZ @ Neck Of The Woods
12/06 - Sydney, AU @ Oxford Art Factory
12/07 - Brisbane, AU @ The Brightside
12/08 - Melbourne, AU @ Stay Gold
12/09 - Perth, AU @ Bad Lands
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
DOWNLOAD - European Tour Poster | DOWNLOAD Australian Tour Poster
CO-HEADLINE TOUR WITH TAYLOR ASHTON
DATES KICK OFF THIS SATURDAY
“At just 22, Bella White is a songwriting prodigy and emotional alchemist.” – Grammy.com
“We very well may be talking about her being the ‘next one’ sooner than later.” – Saving Country Music
“Fantastic.” – Glide Magazine
“…her performance at The Optimist testified to the strength of her emergence in Americana music.” – Americana Highways
TORONTO, ON – October 12, 2022 – Today, Calgary-born singer-songwriter/multi-instrumentalist, Bella White, shares her new single, Rhododendron – a song that both encapsulates her stunning voice and her ability to pen a song that puts her own stamp on traditional country. Listen here.
Bella says, “I wrote Rhododendron on Mother’s Day while staying at my mum’s house during the middle of the pandemic. She was away and I was missing her. I looked out of her bedroom window and saw a robin building a nest. I began to think of the importance of mothers and daughters, and how hard our mothers -- or anyone who wears those shoes – works to keep us alive. I felt wistful and melancholy.”
Bella captured herself in the studio with her band recording Rhododendron for the song’s video, also released today. Watch the clip here.
Bella White’s live performances are as captivating as her music - Rolling Stone recently took notice and included her in their Best Things We Saw roundup of AmericanaFest. This Saturday (October 15) she heads off on a co-headlining tour with Taylor Ashton. The dates start in San Antonio, TX and conclude in Livermore, CA on October 29. All shows are listed below.
Today’s single is the follow up to The Way I Oughta Go, which was produced by Jonathan Wilson and features Buck Meek on guitar. White made her mark on the scene with the release of her debut album, Just Like Leaving. The LP caught the attention of Rounder Records, which signed her last year. While traditional bluegrass originated in Appalachia, the genre has surely found a safe and loving Canadian home via her songwriting. The twenty-two-year-old singer/songwriter and instrumentalist shies away from modern and fussy arrangements, and instead brings a traditional style of music into the contemporary moment by personalizing it to her own experiences. White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table. Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting.
UPCOMIMG TOUR DATES:
10/15 - Paper Tiger - San Antonio,TX *
10/16 - Mohawk - Austin, TX *
10/17 - Tulips - Fort Worth, TX *
10/19 - Goosetown Tavern - Denver, CO *
10/20 - Community House at Colorado Chautauqua - Boulder, CO
*
10/22 - Kilby Court - Salt Lake City, UT *
10/24 - Club Congress - Tucson, AZ *
10/25 - Last Exit Live - Phoenix, AZ *
10/27 - The Siren - Morro Bay, CA *
10/29 - Almost Famous Wine Lounge - Livermore, CA *
*= w/ Taylor Ashton
Additional praise for Bella White:
“Sublime Appalachian heartbreak.” - Rolling Stone
“White possesses an uncanny ability to capture the delicate nuances of heartache that’s often only mastered by veterans of the trade.” - Holler
“Just Like Leaving establishes White as a defining voice in the modern lineage of an heirloom musical tradition.” - American Songwriter
“On Just Like Leaving, we can feel White’s exquisite pain, her brimful sorrow, her tenacious joy in her lonesome, affecting vocals—which remind us, by turns, of Kitty Wells, Rhonda Vincent, and Donna Ulisse…White’s ingenious and playful lyrics fold into musical settings that capture the ragged ways we fall in and out of love.” - Folk Alley
“…beautiful and hauntingly penned songs and absolute control of her own and each song’s voice and narrative…There is just such a timeless quality to the subtle play between pain and optimism in White’s voice.” - Red Line Roots
“Shimmering with emotional purity, Bella White’s vocals invite us into her heart as she shares her miseries and her joys; even more, her resoundingly clear tone resonates with a vulnerability so that we feel as if she’s singing every song directly to us.” - Folk Alley
“Just Like Leaving is simultaneously old and new, retrospective and prescient, and everything in between. It’s the past, present and future, in other words, but not just of and for bluegrass, but of and for American music writ large.” - Old Grey Cat
bellawhitemusic.com
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ANNOUNCING UPCOMING PERFORMANCE SERIES AT THE MASONIC LODGE AT HOLLYWOOD FOREVER NOV 15 & 16, AN INTIMATE SONIC EXPLORATION OF LOCAL NATIVES’ PAST AND A GLIMPSE OF THEIR FUTURE THEIR MOST PROLIFIC PERIOD TO DATE
FOLLOWS SUMMER OF SOLD OUT SHOWS AND FESTIVAL DATES AT LOLLAPALOOZA, OUTSIDE LANDS, OGDEN TWILIGHT AND OUTLANDIA FESTIVAL
GIVE JUST BEFORE THE MORNING A LISTEN HERE
WATCH THE VIDEO HERE
Toronto, ON – October 12, 2022 – Today, Local Natives released their new single, Just Before The Morning, a swaggering and psychedelic track that features a deep bass groove against their iconic SoCal harmonies. Recorded across Valentine Recording Studio, 64Sound and Sargent Recorders, a strong sense of Los Angeles pervades – Just Before The Morning sees Local Natives venture into exciting new sonic territory, and is a dialogue between LA’s most iconic studios and their most emblematic band.
The band says of the song, “Just Before The Morning came from a burst of creativity after we finally reconnected in the studio. The song explores the cyclical nature of life and the many ways in which we begin again.”
With this sense of creative exploration Local Natives announce an upcoming set of intimate performances at the Masonic Lodge in Los Angeles on November 15th and 16th that will feature new takes on classics, deep cuts, rare covers, and live experimentation with forthcoming tracks from the bands most prolific period to date.
Just Before The Morning follows the recent release of double A-side singles, Desert Snow & Hourglass, and a sold out North American tour that included stops at Osheaga, Lollapalooza, Outsidelands, Ogden Twilight and Outlandia festival this past summer. Stay tuned for more tour dates to be announced.
In the span of one year the band performed twice on Jimmy Kimmel Live! For the first performance they were accompanied by Sharon Van Etten playing Lemon featuring Sharon Van Etten off the Sour Lemon EP. They closed out the year with a performance of Roxy Music’s More Than This from the Music From The Pen Gala 1983, an EP coinciding with their appearance in the Apple Original Series The Shrink Next Door starring Paul Rudd and Will Ferrell.
Based in Los Angeles, the group progressed their sound over the course of four full-length albums, Gorilla Manor [2009], Hummingbird [2013], Sunlit Youth [2016] and Violet Street [2019].
Local Natives have received praise from Pitchfork, Consequence of Sound, The Guardian and many more. In between countless sold out shows and festival appearances - including a standout Coachella 2017 set - they’ve graced the stages of Austin City Limits, The Tonight Show Starring Jimmy Fallon, The Late Late Show With James Corden, Jimmy Kimmel Live! and more.
UPCOMING ALBUM EL BUENO Y EL MALO OUT OCTOBER 28 VIA EASY EYE SOUND
“4 out of 5 stars.” - MOJO
“It’s a track that cements the brothers’ immense talent, and now is the time to get in on the ground floor, before Hermanos Gutiérrez are inevitably featured in the next Quentin Tarantino film.” - CONSEQUENCE
TORONTO, ON – October 12, 2022 – Today, Zurich-based duo, Hermanos Gutiérrez, comprised of brothers Estevan and Alejandro Gutiérrez, are thrilled to unveil another powerful instrumental track, Hermosa Drive, from their forthcoming new album. Hermosa Drive follows previously released acclaimed songs Los Chicos Tristes, Tres Hermanos, a song they recorded with The Black Keys’ Dan Auerbach, and El Bueno Y El Malo, the title track from their forthcoming album, which is set for release on October 28 via Auerbach’s label Easy Eye Sound. Listen to Hermosa Drive here and pre-order El Bueno Y El Malo here.
Earlier this year the band played sold out shows at New York’s Bowery Ballroom, LA’s the Hollywood Forever Masonic Lodge, and their set at Newport Folk Festival. The duo will also be opening for Jason Isbell in Nashville at the legendary Ryman later this month and Nathaniel Rateliff & The Night Sweats in Colorado in December.
“When Alejandro and I play together, it’s like we are driving a car,” says Estevan Gutiérrez. “It’s like we are taking a road trip. Sometimes we’re driving through a desert. Sometimes we’re traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets.” The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family—and whatever ghosts their listeners bring to the music.
El Bueno Y El Malo is their most epic journey yet: working with Dan Auerbach at his Easy Eye Sound studio in Nashville, they’ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a “deeper, darker energy” defined by complex arrangements, sophisticated playing, and most of all their very close relationship.
Started a few years earlier, Hermanos Gutiérrez began releasing music on their own, all of which gained traction in 2020. “My brother and I,” says Estevan, “we did everything by ourselves— all the music, even the artwork. But during Covid, our music was streamed all over the world,” especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were traveling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach’s Easy Eye Sound record label and started writing songs for their forthcoming album.
Setting up shop a few months later at Easy Eye Sound studio, El Bueno Y El Malo was recorded quickly and organically, despite it being the first time they’d ever met Auerbach in-person. They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they’re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments. In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it with them, even retitling that song, Tres Hermanos.
The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. “It’s every person, every moment, every situation. Everybody has these two faces.” It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas.
TOUR DATES:
10/12 Utrecht, NL @ TivoliVredenburg
10/13 Amsterdam, NL @ Paradiso
10/15 Helsinki, FI @ Korjaamon Kulmasali
10/16 Stockholm, SE @ Hus7
10/18 Zürich, CH @ Kaufleuten
10/22 Nashville, TN @ The Ryman Auditorium *
10/29 Los Angeles, CA @ Hollywood Forever - Dia de los Muertos Fest
10/31 Washington, D.C. @ Miracle Theatre
11/2 Philadelphia, PA @ World Café Live
11/3 Boston, MA @ Arts at the Armory
11/4 New York, NY @ Opera House
11/5 Montreal, QC @ PHI Centre
11/6 Toronto, ON @ The Drake
11/8 Minneapolis, MN @ Turf Club
11/9 Chicago, IL @ Sleeping Village
11/10 Denver, CO @ Globe Hall
11/12 Seattle, WA @ Crocodile
11/13 Portland, OR @ Mission Theater
11/14 San Francisco, CA @ Great American Music Hall
11/17 Pioneertown, CA @ Pappy & Harriet’s
11/18 Ventura, CA @ Ventura Music Hall
11/19 Phoenix, AZ @ Musical Instrument Museum
11/20 Santa Fe, NM @ St. Francis Auditorium
11/22 Austin, TX @ Antone’s
12/16 Denver, CO @ Ball Arena **
* Supporting Jason Isbell and the 400 Unit
** Supporting Nathaniel Rateliff & The Night Sweats
LISTEN TO NEW SINGLE THERAPY PT.2 FEATURING MAC MILLER
WORLD RENOWNED ROBTOBER RESIDENCY
AT BLUE NOTE NEW YORK THROUGH NOVEMBER 6
"Glasper continues to explore and refine that intricate marriage of sound with Black Radio III, an album that not only champions Black music, but also Black love and resilience in deeply troubled times." - NPR
“Love is a path Glasper has traveled often in the past,
but it’s never sounded as spacious or star-flecked as it does here.” - PITCHFORK
“Black Radio III — an expectedly dope meld of jazz, R&B and hip-hop.”
- ROLLING STONE
“A masterclass in hip-hop, R&B and jazz fusion.” - HYPEBEAST
“If an artist’s music is a reflection of their life, then Glasper’s hyper- collaborative approach to music and performance is no different than his hyper- gregarious life which continuously builds upon itself taking his career to extraordinary heights.” - POLLSTAR
“The title is not misleading: “Black Radio III” really does feel like listening to the Black radio station of your dream.” - VARIETY
“
The modern jazz icon.” - ESSENCE
“Glasper has a knack for building immersive sonics which whisk the listener into whatever world he desires.” -HIPHOP DX
TORONTO, ON – October 11, 2022 – 4x Grammy and Emmy winning artist, Robert Glasper, releases Therapy pt.2 featuring Mac Miller, the first new single and visual from Black Radio III: Supreme Edition, an extended digital version of his heralded 2022 album, Black Radio III. The Supreme Edition of Black Radio III, out Friday via Loma Vista Recordings, is a deluxe treatment of the third installment in the Black Radio series, based on the history changing album of the same name that celebrates a decade this year. Supercharged with a roster of R&B luminaries like PJ Morton, Estelle, India Arie, Luke James, Bilal, BJ The Chicago Kid, and more who join an already incredible roster of artists, Black Radio III: Supreme Edition is a true reflection of Glasper’s relationships and respect in the music community. Therapy pt.2 Ft Mac Miller premiered on Apple Music’s New Music Daily. Tune in here.
Glasper reminisces on the making of Therapy pt.2 Ft Mac Miller, “I was working with my friend. We were just finishing up this specific beat. I immediately sent it to him, and literally within an hour he sent me back that track. Everything was on there—both verses the choruses—and you could tell it was not something that he had written before. He sang the chord changes. You can tell he really came up with that in the moment.”
The estate of Mac Miller shares, "We're honored to support in sharing this beautiful song that Malcolm and Robert Glasper created together. The song is a reflection of the special friendship and musical gifts the two shared."
This month, dubbed Robtober, marks the return of Robert Glasper’s legendary Blue Note residency at the iconic New York City jazz club featuring yasiin bey, Lalah Hathaway, Terrace Martin, Alex Isley and more surprise guests. This week, Glasper celebrates the release of Black Radio III Supreme Edition with a livestream concert straight from the stage of his residency via Twitch. Tune in here at 8 pm EST on Wednesday, October 12. Also tune in throughout the month of October, as Glasper will be offering fans behind-the-scenes access during his residency via a new series of Green Room live streams on Twitch. Follow Rob’s Twitch channel here.
In its first week, the 4th annual Robtober drew crowds that included Miguel, Terrace Martin, comedian Jeff Ross, and more, kicking off what is just the beginning of the month-long super event. The residency will include tributes to Herbie Hancock and the late Meghan Stabile, a celebrated jazz promoter and friend of Glasper, in addition to nights with Lalah Hathaway and Dinner Party sets with Terrace Martin. In previous years, Glasper’s residency was amplified with guest performances from the likes of Stevie Wonder, J Dilla, Jill Scott, Questlove, Common, Q-Tip, Anderson Paak, Kamasi Washington, H.E.R., Chris Rock, and more. This summer, Glasper programmed the inaugural Blue Note Jazz Festival in Napa Valley—an offshoot of his annual residency—with headliners including Maxwell, Black Star, Snoop Dogg, Chaka Khan, Erykah Badu, Maxwell, Black Star, Dinner Party, Madlib, Corinne Bailey Rae and special guest host Dave Chappelle. The festival was glowingly covered in a VIBE cover story: “years of musical history and our ancestors’ wildest dreams rolled into one.”
Since its release, Black Radio III, which features a range of artists from Jennifer Hudson to Q-Tip, Killer Mike to Yebba, has landed on “Best of 2022 So Far” lists by Variety, OkayPlayer, and UPROXX. The release was launched with a special MLK Day performance on The Tonight Show Starring Jimmy Fallon (where Glasper will return on Thursday October 13 to sit in with The Roots), featuring Rhapsody, DJ Jazzy Jeff, BJ The Chicago Kid and Amir Sulaiman. An interview and Emmy-nominated performance on The Daily Show with Trevor Noah followed, as well Glasper’s official partnership with Record Store Day and FAMS, the coalition of Black-owned independent US record stores, as an ambassador for A Day of Action.
Robert Glasper’s accolades are a testament to his career which spans over two decades and several genres. He boasts 4 Grammys, an Emmy, a Peabody, and made history with Black Radio (2012), the first album to debut in the top 10 of 4 different genre charts simultaneously: Hip Hop, R&B, Urban Contemporary, Jazz and Contemporary Jazz—his follow-up Black Radio 2. Next month, Glasper will take the stage at Sony Hall with yasiin bey and Bilal before celebrating his groundbreaking album’s 10th anniversary by at The Kennedy Center in Washington D.C. on November 13—special guests yasiin bey, Lalah Hathaway, Bilal, and Meshell Ndegeocello will perform alongside a 32-piece orchestra of all Black musicians (the largest all-Black orchestra the venue has ever presented) led by Derrick Hodge. In addition to his musical releases, Glasper has composed scores for films and series like Peabody-winning Mr. SOUL! (2018), 2020’s The Photograph starring Issa Rae, Emmy-nominated documentary The Apollo, HBO’s 2022 series Winning Time: The Rise of the Lakers Dynasty and Peacock’s Fresh Prince reboot, Bel-Air.
BLACK RADIO III SUPREME EDITION TRACKLISTING
Disc 1:
1. In Tune ft. Amir Sulaiman
2. Black Superhero ft. Killer Mike + BJ The Chicago Kid + Big K.R.I.T.
3. Shine ft. D Smoke + Tiffany Gouché
4. Why We Speak ft. Q-Tip + Esperanza Spalding
5. Over ft. Yebba
6. Better Than I Imagined ft. H.E.R. + Meshell Ndegeocello
7. Everybody Wants To Rule the World ft. Lalah Hathaway + Common
8, Everybody Love ft. Musiq Soulchild + Posdnuos
9. It Don't Matter ft. Gregory Porter + Ledisi
10. Heaven's Here ft. Ant Clemons
11. Out of My Hands ft Jennifer Hudson
12. Forever ft. PJ Morton + India.Arie
13. Bright Lights (with Ty Dolla $ign)
Disc 2
1. Lemonade ft PJ Morton
2. Therapy pt.2 Ft Mac Miller
3. Something I Wouldn't Do ft Estelle
4. Lola Crying (Interlude)
5. My Queen ft Luke James
6. Hi ft India Arie (Interlude)
7. Invitation ft Emily King
8. Easy to See ft BJ the Chicago Kid (interlude)
9. Atlantis ft Bilal + Alex Isley
DOWNLOAD - Hi Res Press Photo of Mac Miller by Christian Weber
DOWNLOAD - Hi Res Press Photo by Mancy Gant
DOWNLOAD - Black Radio III Supreme Edition Artwork
FIRST TASTE OF MUSIC FROM LONG-AWAITED
SOPHOMORE ALBUM COMING IN 2023
TORONTO, ON – October 7, 2022 – Today, Toronto alt-rock anthem-makers, Birds of Bellwoods, share Videotape, the first taste of new music from their forthcoming long-awaited sophomore album. Fuelled by earworm melody, high-energy rhythm and raucous harmony-drenched vocals, Videotape is a tongue-in-cheek ode to bad habits and the mistakes that seem just a little too hard to stop making. Listen here.
“This song is one of the more frenetic and hard-hitting on the album," the band says of the track, which was produced with GRAMMY Award-winning producer, Dave Schiffman (Vampire Weekend, Haim, PUP). "It’s anxious, it’s desperate, it’s irreverent. We’re talking about bad habits and worse coping mechanisms. That moment when you see the mistakes you keep making, but can’t seem to change the pattern like the lyrics say, ‘with all the lights above me, I only see that shadow cast below.’ The song doesn’t ask for sympathy, it laughs at itself with blood on its lip.”
Since their award-winning 2018 debut album, Victoria, the group has topped Spotify’s Canada Viral 50 Chart and been a top 40 fixture on Canadian Alternative, with over 10 million combined streams. Completed by Adrian Morningstar (guitar), Chris Blades (guitar), and, Dylan Gowan (drums), they’ve organically evolved from frenetic folk to a harder-hitting yet profoundly healing alternative rock sound.
A 2019 Canadian arena tour saw Birds of Bellwoods perform to more than 100,000 people, with their rep further enhanced by sets at major fests including Osheaga, NXNE, and Festival D’été. These experiences echo in Everything You Want’s outsized choruses and cinematic sensibilities.
With more new music on the horizon, Birds of Bellwoods are ready to take 2023 by storm!
THE SINGLE BRINGS TOGETHER DEPECHE MODE’S ICONIC ENJOY THE SILENCE SAMPLE WITH ELLIE GOULDING’S HYPNOTIC VOCALS
LISTEN TO ALL BY MYSELF HERE
Toronto, ON – October 7, 2022 –Brazil’s biggest artist and internationally acclaimed DJ Alok, known for colossal collaborations with John Legend, Jason Derulo, Tove Lo, and most recently Ella Eyre for the #1 sound of the Summer, Deep Down, has joined forces with multi platinum singer/songwriter, Ellie Goulding, and British DJ/Producer, Sigala, to release their irresistible new track, All by Myself. The dance pop anthem brings the timeless sample of Depeche Mode’s Enjoy The Silence, who were notably impressed with the final result of the song and gave it the honour of its first clearance to be released; available on all digital streaming platforms here.
A rarity and an honour, Depeche Mode gave Alok, Sigala, and Ellie Goulding the first green light ever to use their Enjoy The Silence sample. The sample is used in the drop of All by Myself, which concentrates all the elements, including Goulding’s glossy vocals and Alok and Sigala’s flawless production, into a smash hit for the Fall season. The holy grail of samples, Alok wanted to use it with the respect the song deserves, and all artists are very pleased with the outcome, turning this release into a top priority for all; with big label support from B1 Recordings/Sony Music UK/RCA Records.
Brazilian superstar, voted #4 DJ in the world by DJ Mag with a remarkable 70 million social media followers, music producer and philanthropist, Alok, is best known for global hit singles like Hear Me Now and his chart topping remix of MEDUZA’s Piece of Your Heart, for which he won “Best Remix” at the 2020 International Dance Music Awards. Alok was recently in New York city to launch his remarkable climate change partnership with the United Nations’ Global Compact and the Alok Institute. The Future Is Ancestral project helped kickoff New York’s Climate Change Week with a series of informative, international panels and a historic first-ever performance on the rooftop of the United Nations headquarters. Alok’s newest track, Deep Down simultaneously hit #1 on Billboard’s Dance chart and is still climbing the streaming charts.
“It was a pleasure to work with Ellie and Sigala on this track and such a huge honor that the electronic music pioneers Depeche Mode liked it enough to give us the legendary “Enjoy The Silence” sample and let us officially release it. We are all so thrilled with how it came out!” - Alok
Ellie Goulding’s empowering vocals have made her a world-renowned artist and have led her to win such accolades as “Best British Female Solo Artist.” Goulding has become one of UK's best-selling female artists with over twenty-three Top 40 singles, including three number ones. Her biggest single, Love Me Like You Do, quickly climbed the U.K. charts to number one and has over 2.2 billion views on YouTube. Her fearless and ethereal vocals have made her the go-to artist for top charting collaborations with artists such as Calvin Harris, Diplo and Big Sean. The pop superstar also sang at the Royal Wedding Reception for Princess Kate Middleton and Prince William. Her latest album, Brightest Blue, became her fourth RIAA certified Platinum album. Recently, Ellie performed at The Tonight Show starring Jimmy Fallon with her new single, Easy Lover feat Big Sean.
“It was such an incredible experience to work with Alok and Sigala on this new track - they’re both such unique and amazing artists and coming together was a delight. I hope this song gives people the self-love and power that I felt when writing it. We need to make sure we’re loving and taking care of ourselves so we can receive the same from those around us.” - Ellie Goulding
Uniquely renowned for his cheerful dance-pop sound, British Artist, Producer and DJ, Sigala, has made a name for himself as one of the most played British DJs on UK radio. Sigala burst onto the scene with his single, Easy Love, a Jackson 5 sampled track that has over 150 million views on YouTube, which quickly topped the U.K. singles chart at number one. Sigala continued to release blazing bright tunes with artists such as Hailee Steinfeld, Craig David and Paloma Faith earning him over seven platinum singles, nine gold singles and ten million worldwide sales. In 2018, Sigala released his highly anticipated debut album Brighter Days, featuring collaborations with Kylie Minogue, Sean Paul, and Meghan Trainor among others. Sigala’s album became the highest charting dance album of 2018 and received the honor of a BRIT certified Silver certification.
“Such a pleasure to work with such talented individuals, I’ve been wanting to work with Ellie for a while so it’s great to finally collaborate” - Sigala
You can find lyrics to All By Myself here.
DOWNLOAD - All By Myself Art | DOWNLOAD - Alok Ellie Goulding Press Photo
ALOK is a bonafide dance music superstar, holding the title of the second biggest Instagram following of any electronic artist globally with 28 million followers. On Spotify, Alok concentrates more than 20 million monthly listeners and almost 5 billion streams, making him the most listened to Brazilian artist internationally. In 2021, he was named the 4th Best DJ in the world, according to the prestigious DJ Mag Top 100 DJ Poll. Performing some 320 yearly shows on five continents, Alok is widely regarded as one of the most influential Brazilian artists of all time and is experiencing his breakout moment in the US. From working with and lending his remix work to artists including The Rolling Stones to Zara Larsson, from Jason Derulo to Tove Lo and more, he won the “Best Remix” award at the 2020 International Dance Music Awards for his hit remix of the Meduza’s single Piece of Your Heart (over 223 million streams), also partnering with global pop sensation Dua Lipa for the official remix of her hit single Physical. Recently he collaborated with GRAMMY award-winning pop sensation John Legend on In My Mind, also with renegade vocalist John Martin, as well as lending his craft to remix multi-platinum, #1 artist Ed Sheeran. Alok is also a recognized brand and star, having achieved huge notoriety in the gaming world as a character, with his own name, in the wildly popular game Free Fire. Two years ago, he created the Instituto Alok, which manages high-impact philanthropy projects in Brazil and Africa. To date, the institute has donated 10 million dollars to social and environmental projects worldwide.
Sigala is the musical nom de plume of Bruce Fielder, a London-based house DJ, producer, and remixer. Launching his career with Easy Love, a Jackson 5-sampling track which topped the charts in the U.K. in 2015, he continued releasing bright, sunny dance-pop tunes featuring a variety of guest vocalists and producers. His 2018 full-length Brighter Days included collaborations with Kylie Minogue, Craig David, Sean Paul, and Nile Rodgers, among many others. Subsequent tracks featuring Becky Hill (Wish You Well) and James Arthur (Lasting Lover) continued his run of U.K. Top Ten hits. Stay the Night (with Talia Mar) appeared in 2022. Born and raised in Norfolk, England, Fielder started piano lessons as a child, and played in various bands after graduating university. He found work as a producer, and co-wrote Ella Eyre and Sigma's 2015 U.K. hit single, Good Times. His first solo single as Sigala was Easy Love, an energetic house tune built around a sample of the Jackson 5's iconic hit ABC. Released by Ministry of Sound, it entered the U.K. singles chart and shot up to number one in its second week. Fielder's second single, Sweet Lovin' (featuring singer/songwriter Bryn Christopher), hit number three and was certified gold or platinum in several countries. Several more hits followed in 2016, including Say You Do (featuring Imani and DJ Fresh), Give Me Your Love (featuring John Newman and Chic's Nile Rodgers), and Ain't Giving Up, a collaboration with Craig David that appeared on his sixth album, Following My Intuition. In 2017, Sigala co-produced the single, Show You Love, with Danish DJ Kato, sung by Hailee Steinfeld. He then paired with singer Paloma Faith for the 2018 single, Lullaby. Later that year, Sigala compiled ten of his previously released singles, as well as a handful of album tracks, to make up his debut studio album Brighter Days. Issued by Ministry of Sound, the LP reached number one on the U.K. Dance Albums chart. In 2019, he released the singles Wish You Well, with Becky Hill, and We Got Love, featuring Ella Henderson. Another song with Hill, Heaven on My Mind, appeared in 2020, and Lasting Lover (with James Arthur) became Sigala's eighth single to chart in the U.K. Top Ten. In 2021, Sigala released You for Me (with Rita Ora) and Runaway (with R3hab and JP Cooper). Solo single, Melody, and Talia Mar collaboration, Stay the Night appeared in 2022.
DOWNLOAD - Press Photo
Multi Platinum-selling singer/songwriter Ellie Goulding’s career to date includes two GRAMMY Award nominations, a Golden Globe nomination and two BRIT Awards. Her impact is reflected with incredible sales of 22 million albums, over 185 million singles, and 36 billion streams worldwide. Ellie has earned 4 consecutive RIAA certified albums and 20 RIAA certified singles (Gold & Platinum). With over 50 million followers combined on her social platforms, she also earned YouTube’s Diamond Award with 10 million subscribers on her YouTube channel and over 5 billion views globally.
DOWNLOAD - Press Photo
NORTH AMERICAN SNOW WALTZ TOUR KICKS OFF NOVEMBER 17TH IN GRAND PRAIRIE, TX
TORONTO, ON – October 7, 2022 – Today, dancing pop-violin sensation, Lindsey Stirling, releases her enchanting Christmas album, Snow Waltz, via Concord Records (out on vinyl November 18). Laced with immersive arrangements and mesmerizing melodies, Snow Waltz emerges as a remarkable new entry in the holiday-music canon, proving Stirling’s extraordinary gift as an instrumental storyteller. Listen to the album here and watch the visual for Snow Waltz here.
As Popdust puts it, “Lindsey Stirling refuses to make a boring holiday album.” All throughout Snow Waltz, Stirling matches the stunning complexity of her arrangements with warmly effusive energy. Rooted in her ineffably expressive violin work and graced with so many cinematic details (darkly sweeping percussion, lilting flute melodies, bright and sprightly glockenspiel tones), focus track Snow Waltz immediately conjures that delightfully eerie mood, wholly embodying the limitless imagination at the heart of Stirling’s artistry. On Joy to the World, for instance, another focus track, she joined forces with Gladius (longtime GRAMMY nominated producer with credits including Demi Lovato & Justin Bieber) and orchestrator Stephen Anderson to create a gloriously stomping, Celtic-inspired take on the 18th century Christmas carol.
“Celtic was always my favorite music to play when I was younger; the rhythms felt way more exciting to me than the classical music you tend to perform in violin lessons,” Stirling says. “As I was choosing songs for the album, Joy to the World really spoke to my Celtic soul, and it was so much fun to put together something that bounces so quickly from major to minor and back again.”
On God Rest Ye Merry Gentlemen, Stirling delivers an elegant violin performance adorned with a beat-heavy track sprinkled with her hypnotic and heavenly vocals. In perfect contrast, flamenco-infused, Feliz Navidad is romantic, fun and upbeat, featuring Mark Ballas’ guitar playing talents (a dancer/choreographer/musician/actor who served as her partner on the 25th season of ABC’s Dancing with the Stars).
Little Drummer Boy features a powerhouse performance from her longtime touring drummer Drew Steen, while O Come Emmanuel unfolds with a brooding intensity that instantly lends the album an irresistible touch of drama. And in reimagining Deck the Halls, Stirling deliberately pushed the boundaries of interpretation, weaving in elements of O Come, All Ye Faithful, We Wish You a Merry Christmas, and Silent Night to create a captivating medley that gracefully cycles through a dizzying whirlwind of time signatures. Magic ft. David Archuleta holds powerful significance for Stirling. The bittersweet but uplifting ballad was sparked from a profound moment of Stirling's life, when her sisters and mom shared loving and fun memories around her father’s passing.
The “theatrically whimsical violin shredder” (Stereogum) will embark on her North American Snow Waltz tour in November. Beginning in Grand Prairie, TX on November 17 and culminating in a special show on December 23 in Los Angeles, the 25+ run of dates sees Stirling performing in San Antonio, Orlando, Newark, Milwaukee and more. Stirling’s unique interpretation of beautifully nostalgic holiday music will be more dynamic than ever; Consequence says “the violinist has become a fixture of Christmastime concerts with her combination of cutting-edge performances that include dance, trapeze, lyra, and aerial work along with her signature genre-bending, amped-up orchestrations.” See below for Stirling’s full tour routing.
LINDSEY STIRLING TOUR ROUTING:
Nov 17 - Grand Prairie, TX - Texas Trust CU Theatre at Grand Prairie
Nov 18 - Lubbock, TV - Buddy Holly Hall of Performing Arts
Nov 19 - Amarillo, TX - Amarillo Civic Center Complex
Nov 21 - Midland, TX - Wagner Noël Performing Arts Center
Nov 22 - San Antonio, TX - Tobin Center for the Performing Arts
Nov 25 - Savannah, GA - Johnny Mercer Theater
Nov 26 - Jacksonville, FL - Jacksonville Center for the Performing Arts - Moran Theater
Nov 28 - Fort Myers, FL - Barbara B. Mann Performing Arts Hall
Nov 29 - Clearwater, FL - Ruth Eckerd Hall
Nov 30 - Orlando, FL - Walt Disney Theatre at Dr. Phillips Center for Performing Arts
Dec 2 - North Charleston, SC - North Charleston Coliseum & Performing Arts Center
Dec 3 - Asheville, NC - Thomas Wolfe Auditorium
Dec 5 - Hersey, PA - Hershey Theatre
Dec 6 - Albany, NY - The Palace Theatre
Dec 7 - Newark, NJ - NJPAC
Dec 9 - Mashantucket, CT - Premier Theater at Foxwoods Resort Casino
Dec 10 - Waterloo, NY - Del Lago Resort & Casino
Dec 12 - Ft Wayne, IN - Embassy Theatre
Dec 13 - Milwaukee, WI - The Riverside Theater
Dec 15 - Loveland, CO - Budweiser Events Center
Dec 16 - West Valley City, UT - Maverik Center
Dec 17 - Idaho Falls, ID - Mountain America Center
Dec 19 - Wheatland, CA - Hard Rock Live
Dec 20 - San Jose, CA - San Jose Civic
Dec 22 - Mesa, AZ - Ikeda Theater
Dec 23 - Los Angeles, CA - Pantages Theatre
ABOUT LINDSEY STIRLING
Lindsey Stirling is an electronic violinist, dancer, and artist who has humbly become one of the 21st century’s most innovative stars. Her groundbreaking vision has gained her millions of adoring fans worldwide, four Billboard chart-topping albums, and two Billboard Music Awards including Top Dance/Electronic Album for her third studio release, Brave Enough. Her holiday album, Warmer in Winter, catapulted to the #1 spot on Billboard, Amazon and iTunes Holiday Album charts upon release and lead single Carol of the Bells made history as the only instrumental song ever to reach the Top 10 at AC Radio. Lindsey has amassed over 12.5 million subscribers, nearly three billion views on YouTube, three million followers on TikTok, and over 500k user generated creations across TikTok and Instagram reels. In addition to this, Forbes placed her at #4 on its 2015 World’s Top-Earning YouTube Stars list and her fifth-studio album, Artemis, debuted at #1 on the Dance/Electronic Album Chart. Stirling has performed for more than 800,000 people on her headline tours, and her co-headline tour with Evanescence was named one of Live Nation’s best-selling amphitheater tours of 2018.
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
Lindsey Stirling on TikTok
PICK UP THREE MORE WESTERN CANADIAN MUSIC AWARDS THIS PAST WEEK
ON TOUR ACROSS NORTH AMERICA THIS FALL
TORONTO, ON – October 7, 2022 – Following the release of their undeniably confident track, I’M GOOD, and just ahead of Indigenous People’s Day in the U.S., Snotty Nose Rez Kids are back with their latest single, TRENDSETTER.
Featuring prolific artist, DillanPonders, and produced by Bay-area producer, KYRIGO, TRENDSETTER sees Yung Trybez and Young D acknowledging the ways that they have set trends in music, style and fashion – often going their own direction and staying true to who they are. Very much a part two to their 2019 hit, Boujee Natives, TRENDSETTER draws attention to all the way Trybez and D embody the ‘Boujee Native’ aesthetic: confidence, style, and talent. Listen here.
“We're always gonna’ keep evolving and doing new things,” says Young D. “Ultimately, we're trying to be the role models for future generations and if they can see us doing our thing, being unapologetically us, and that gives them hope and courage to go make something that's their own, then we're doing our job."
"We've always done our own thing, developing and evolving our music style and our look,” adds Yung Trybez. “We set out to be unapologetically ourselves in everything we do and we're starting to see people catching on, emulating what we're doin’. The hook says it all, 'I can see the future, man, I feel like Spike Lee. Rollin in my spaceship in my mid-fly Nikes. If you don't really like me why you look like me.’ That's what this song is about. We've always been doing us."
The tracks is the duo’s second collaboration with Dillan after the Toronto-based artist tapped SNRK and Nate Husser to join his King of the Town Remix in 2021. After Young D moved to Toronto just before the pandemic and befriended Dillan, the two kept in touch and slowly started working on music together, with TRENDSETTER becoming the end result.
"We respect Dillan, that's our big dog,” continues Trybez. “He's another artist that's doing his own thing and we respect his moves. For a song like this it just made sense to bring him on and he set the tone with a fire verse."
TRENDSETTER is the continuation of SNRK’s campaign of confidence coming out of the pandemic. With over 70 shows this year alone under their belt, two JUNO Award nominations, three Polaris Music Prize short list placements, and 10 Western Canadian Music Award wins – including three that were picked up just this past week – it’s clear that SNRK have much to be confident about! The band will be on tour bringing their new music to audiences across North America this fall, with Canadian dates coming in St. John’s, Victoria and Toronto.
UPCOMING TOUR DATES:
November 6 – Oakland, CA – Indigenous Red Market
November 26 – St. John’s, NL – Spring Song Festival
November 30 – Victoria, BC – Farqhuar Auditorium, UVic
December 7 & 8 – Brooklyn, NY – Purgatory
December 10 – Toronto, ON – Velvet Underground
DOWNLOAD – TRENDSETTER single artwork | DOWNLOAD – press photo
VIDEO MADE BROADCAST PREMIERE
ON MTV LIVE, MTVU AND MTV BIGGEST POP
NORTH AMERICAN HEADLINE TOUR HITS MONTREAL TOMORROW
TICKETS AVAILABLE NOW
TORONTO, ON – October 7, 2022 – Breakout singer and songwriter, Mimi Webb, has released her new single, Ghost of You, via EPIC Records. Listen here. The power-pop track posits Mimi’s rich vocals over hypnotic melodies that build into an anthemic chorus and contrast with lyrics that describe being haunted by a past love. The song was written by Mimi Webb and Phil Plested and produced by Stuart Price.
The single is accompanied by its music video, directed by Fa and Fon Watkins, which made its broadcast premiere today on MTV Live, MTVU and MTV Biggest Pop. The visual finds Mimi strutting throughout London from day to night in a series of stunning outfits, all while taking viewers on an empowering journey of letting go of an ex and overcoming the heartbreak. Watch here.
Mimi is currently on her first ever North American headline tour, which included a sold out stop last night at Toronto’s Velvet Underground, and will hit Montreal’s Théâtre Fairmount before concluding in Washington DC at Union Stage on October 13. Tickets are available at mimiwebb.com/tour.
The release of Ghost of You follows a massive summer for the UK-based emerging artist, which saw her perform at the Queen’s Platinum Jubilee in London, numerous festivals such as Capital FM’s Summertime Ball, Isle of Wight Festival, and Montreux Jazz Festival, and joined as support for Justin Bieber in Norway and Finland.
In just two years the rising star has racked up over 730 million global streams to date, and multiple hit tracks including House on Fire and Good Without. She has garnered praise from the likes of British Vogue, Rolling Stone, Harper’s BAZAAR, and Billboard, and has performed on The Tonight Show Starring Jimmy Fallon and ELLEN. Mimi shows no signs of slowing down as she gears up for the release of her debut full-length album.
UNSTOPPABLE TO SEE RELEASE OCTOBER 21
VIA MNRK HEAVY
“Occupying a similar sonic space to Kataklysm on the new song, INVICTUS dig into exactly four minutes of fist-pumping, anthemic death metal.” – MetalSucks on Get Up
“If you’ve been in the mood for something that’ll kick your ass right into gear, then you’re going to dig the relentlessly driving nature of ‘Exiled.’ Because let’s face it – what else did you expect from Iacono?” – Metal Injection
TORONTO, ON – October 7, 2022 – INVICTUS, the new solo project led by Maurizio Iacono, today unveils a lyric video for Bleed Me Out. Premiering today on No Clean Singing, the band’s latest single comes off their debut full-length, Unstoppable, set for release on October 21 via MNRK Heavy. Watch Bleed Me Out here and check out the No Clean Singing feature here.
Comments Iacono of the track, “Bleed Me Out is a song that deals with reopening old life wounds over and over and not being able to close them up. Eventually those turn into scars. I got plenty of them battle scars in my life time; the important thing is to keep moving forward. That's ultimately the message behind this song, a diverse track musically that has enormous hooks. It’s one of my faves on the album.”
Writes No Clean Singing in part, “The riffing jolts, swirls, and blazes, and the music soars to extravagant heart-pounding heights, while the vocals themselves burn with unbridled passion, and they soar too, in spine-tingling fashion. There may not be blast-beat fusillades in the song, but the rhythm section still punch damned hard. The song’s melodies and vocal expressions seem in line with the song’s lyrical conception. Even at the zeniths of intensity, they seem to combine sorrow with resilience, both wistfulness and a drive to fight, and the brief but surprising softer moments in the track underscore the melancholy that’s there even behind the audio novas in the song…”
View the band’s previously released video for Exiled here and Get Up here. Unstoppable will be released on CD, LP, cassette, and digitally. Find preorders here.
Well-respected as the singer of Kataklysm and Ex Deo, head of Hard Impact Artist Management, founder of Distortion Music Group, and co-owner of hard-and-heavy booking agency Continental Touring, Iacono delivers dynamic new layers of heaviness and melody with his latest creative vehicle. Conceived as an unflinching examination of fury and determination, INVICTUS explores the depths of struggle, frustration, and perseverance that shaped Iacono into the man he is today. A Latin epithet for various Roman deities, “Invictus” translates to “unconquered” or “invincible,” a theme put forward throughout Iacono’s latest output.
Indeed, the 11 songs that make up Unstoppable offer an unflinching view of an unbreakable spirit, examined through the lens of ambitious, unapologetic heavy music. Iacono executed his vision alongside longtime collaborator J-F Dagenais (guitarist for Kataklysm and Ex Deo) and producer/main songwriter Chris Clancy (Mutiny Within). Powerhouse drummer Jeramie Kling (Venom Inc., Inhuman Condition) rounded out the record with a blistering performance. Iacono got to know Clancy, who often works alongside Colin Richardson and Andy Sneap, while making Kataklysm’s 14th album, 2020’s Unconquered.
Lyrically, the singer reached further inward for INVICTUS, summoning a fearless power destined to provoke and inspire those disenfranchised by modern times. “It’s a record about everyday struggle because I’ve always been a fighter,” Iacono reasons. “It’s about the emotional impact of everything happening in our world, which inspired this anger in me and a need to express the importance of standing for what we know is true in our hearts. It’s a hybrid between that and revisiting things from my childhood that built me as a person.”
DOWNLOAD - Bleed Me Out Single Art | DOWNLOAD - Unstoppable Album Art
DOWNLOAD - Press Photo
SHARES NEW SINGLE/VIDEO LET ME BE NORMAL
PRE-ORDER/SAVE ALL ROADS LEAD TO THE GUN (DELUXE)
LISTEN & WATCH LET ME BE NORMAL
UPCOMING TOUR DATES IN VANOUVER, KELOWNA, CALGARY, EDMONTON, WINNIPEG, TORONTO AND MONTREAL
Formed in 2020, Militarie Gun is defined by the musical restlessness of vocalist Shelton. The band–whose lineup has expanded to include guitarists Nick Cogan and William Acuña, drummer Vince Nguyen, and bassist Max Epstein–draw on a wide range of influences to make something that sounds combative yet accessible, and undeniably their own. There’s the unhinged guitarwork of Born Against, the propulsive cadences of hip hop, the up-front bass of Fugazi–and most importantly, the hooks. Militarie Gun’s songs are instantly memorable, employing a melodic sensibility that’s just as informed by the work of Robert Pollard and Paul McCartney as it is by Black Flag.
Tomorrow, Militarie Gun kicks off their tour with Citizen and Prince Daddy & The Hyena for a string of 11 dates across the west coast and Canada interwoven with headline shows in Kelowna and Minneapolis. Directly following the tour with Citizen, Militarie Gun will embark on a 19-date run co-headlining with MSPAINT with support from Pony, Dazy, Public Opinion and Entry on respective dates. Tickets available here.
Pre-order/save the deluxe All Roads Lead To The Gun EP and check out Let Me Be Normal above, see deluxe details and full tour routing below and stay tuned for more music from Militarie Gun coming soon.
All Roads Lead To The Gun (Deluxe) Tracklisting:
1. Ain't No Flowers
2. Don't Pick Up The Phone
3. Fell On My Head
4. Stuck In A Spin
5. Big Disappointment
6. Disposable Plastic Trash
7. Background Kids
8. All Roads Lead To The Gun
9. Let Me Be Normal
10. Can't Get None feat. MSPAINT
11. I Can't Stand Busy People feat. Woolworm
12. Pull It Out feat. Woolworm
Upcoming Live Dates
*= w/ Citizen, Prince Daddy & The Hyena
^= w/ Woolworm, Restraining Order, Breech Boys
#= w/ Restraining Order, New Primals
~= w/ MSPAINT
+= w/ Pony
**= w/ Dazy
^^= w/ Public Opinion
++= w/ Public Opinion + Entry
10/7 - Los Angeles, CA @ The Regent Theater*
10/8 - Los Angeles, CA @ The Regent Theater*
10/9 - San Francisco, CA @ August Hall*
10/11 - Portland, OR @ Aladdin Theater*
10/12 - Seattle, WA @ The Crocodile*
10/13 - Vancouver, BC @ Rickshaw Theater*
10/14 - Kelowna, BC @ Jackknife Brewing^
10/15 - Calgary, AB @ Commonwealth Bar*
10/16 - Edmonton, AB @ The Starlite Room*
10/18 - Winnipeg, MB @ Park Theatre*
10/19 - Minneapolis, MN @ Underground Music Cafe#
10/20 - Madison, WI @ Majestic Theatre*
10/21 - Toledo, OH @ The Ottawa Tavern*
10/23 - Detroit, MI @ The Sanctuary~+
10/24 - Toronto, ON @ The Monarch~+
10/25 - Montreal, QC @ Turbo Haus~+
10/26 - Boston, MA @ Middle East Upstairs~**
10/27 - Brooklyn, NY @ Saint Vitus~**
10/28 - Amityville, NY @ Amityville Music Hall~**
10/29 - Philadelphia, PA @ Foto Club~**
10/30 - Baltimore, MD @ Ottobar Upstairs~**
11/1 - Charlotte, NC @ Snug Harbor~^^
11/2 - Columbia, SC @ New Brookland Tavern~^^
11/3 - Atlanta, GA @ 529~^^
11/4 - Nashville, TN @ DRKMTTR~^^
11/5 - Louisville, KY @ Mag Bar~^^
11/8 - St. Louis, MO @ Sinkhole~^^
11/9 - Omaha, NE @ Reverb~^^
11/10 - Denver, CO @ HQ~^^
11/11 - Salt Lake City, UT @ Beehive~++
11/12 - Las Vegas, NV @ American Legion Post 8++
11/13 - Reno, NV @ Holland Project++
DOWNLOAD - Press Photo | DOWNLOAD - Album Art
TikTok: @militariegun
LISTEN HERE AND WATCH THE BAND PERFORM THE SONG
LIVE AT THEIR SOLD OUT CONCERT AT HISTORY
ON TOUR NOW WITH UPCOMING CANADIAN DATES
IN FEBRUARY 2023
BAND TO APPEAR ON THIS SEASON OF TOP CHEF CANADA
TORONTO, ON – OCTOBER 3, 2022 – The Beaches are back with their new single, My People, out today. The track, with a kind of quirky, new-wave rock ennui, reveals the not-so-glamorous side of life in the city. Charged with an addictive guitar riff, inciting bass line, and punching percussion, My People favours The Beaches’ signature alt-rock flair. Despite being broke, tired, and drunk as a result of their illustrious attempts at scraping by, they return to the refrain, “I just know that I’m enjoying this.”
The bohemian pursuit begins, “I live up above of a McDonald’s,” and resigns that should the money run dry, “I’ll just do a GoFundMe / And have some web cam sex for money.” On My People, The Beaches find camaraderie in the unconventional lengths that they’ll go to make ends meet in their home base of Toronto. And yes, guitarist Kylie Miller has a friend who sent pictures of her feet to a man in Japan, which her sister, lead vocalist/bassist, Jordan, disguised in the line “Sold my panties to some guy in Austin.”
The Beaches say of the song, “My People is a song about being young and broke in Toronto. It’s a song about a collection of experiences that some of my friends and I have had in order to get by in the city.” Jordan says the track is about “enjoying this state of arrested development.”
My People follows the band’s previously released singles, Orpheus and Grow Up Tomorrow, which have amassed a combined 1M+ streams across all platforms. Grow Up Tomorrow has also spent the last two weeks at #1 at Alternative and Rock Radio in Canada. The band is currently on a North American tour where they recently celebrated two sold out hometown shows at Toronto's HISTORY. They've sold out additional shows across the country including Corona Theatre (Montreal, QC) and London Music Hall (London, ON).
UPCOMING TOUR DATES:
October 7 - Atlanta GA - Masquerade
October 8 - Ringold GA - Rabbit Valley Festival
October 9 - Nashville TN - The Basement
October 11 - Washington DC - Pearl Street Warehouse
October 12 - Philadelphia PA - Dolphin Tavern
October 21 - Chicago IL - Schubas
October 22 - Columbus OH - Ace of Cups
October 23 - Detroit MI - The Underground
November 12 - Boston MA - Brighton Music Hall
December 10 - Buffalo, NY - Iron Works
February 21, 2023 - Quebec City, QC - L’Anti Bar & Spectacles
February 24, 2023 - Halifax, NS - Light House Arts Centre
ABOUT THE BEACHES:
Named after the neighborhood they lived in, The Beaches is composed of lead vocalist/bassist, Jordan Miller, guitarist, Kylie Miller, keyboardist/guitarist, Leandra Earl, and drummer, Eliza Enman-McDaniel. As self-proclaimed lifers, The Beaches forfeited a typical university experience to pursue their careers in music - a topic that is often addressed in their lyrics.
Taking inspiration from artists like Muna, Dayglow, Coin, Olivia Rodrigo, Girl in Red, Wet Leg, Wolf Alice, and The Strokes, The Beaches believe their upcoming releases will be a new direction for them: “We’re not abandoning our rock ‘n ’roll roots, but for this next chapter of our career we wanted to take ourselves less seriously, have fun, and be less precious with the musical ideas we pursue.”
After releasing their self-titled EP in 2013, the group landed a major label deal with Island Records in 2016. Under Island Records they released their debut album, Late Show – which was described by Elton John as “The best rock album of last year” – as well as their next two EP’s, The Professional (2019) and Future Lovers (2021), which were later combined for a full-length release called Sisters Not Twins (The Professional Lovers Albums) in 2022.
The Beaches have garnered over 52 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with five #1 singles on Canadian Alternative Radio. They have been recognized with two JUNO Awards for Rock Album of the Year (2022) and Breakthrough Group of the Year (2018).
LONG JOURNEY HOME AND LIFE TO GO DEBUT TODAY
TORONTO, ON – October 3, 2022 – Today, on his 30th birthday, GRAMMY Award-winning singer, songwriter and musician, Billy Strings, announces Me/And/Dad, the first album he’s recorded with his father, Terry Barber, will be released November 18 via Rounder Records (pre-order here). The product of a longtime dream, the record features new versions of 14 bluegrass and country classics that the two have been playing together since Strings was a young child.
In advance of the release, the pair’s new versions of bluegrass traditional Long Journey Home and George Jones’ Life To Go are debuting today. Watch the official video for Long Journey Home, directed by Roger Pistole and Scott Mele, here.
Reflecting on the project, Strings shares, “As long as I can remember, I wanted to make a record with my dad. I’ve been burning up and down the highways the last 12 years, and as time slips away, you start thinking, ‘I need to make time.’ It’s been a bucket list thing for me, something I’ve been afraid I wouldn’t find the time to do. And that scared me; not doing this record scared me.”
Produced by Strings and Gary Paczosa and recorded at Nashville’s Sound Emporium Studio, the record finds Strings and Barber playing with familiar ease, naturally trading off leads both vocally and on guitar. In addition to Strings and Barber, the album features an all-star band including bassist Mike Bub, mandolinist Ron McCoury, banjo player Rob McCoury, and fiddler Michael Cleveland, as well as special guest appearances by Jerry Douglas, Jason Carter and Strings’ mother, Debra Barber, who sings on the final track, I Heard My Mother Weeping.
The new record follows Strings’ widely acclaimed album, Renewal, which landed on several “Best of 2021” lists including The Bitter Southerner, No Depression, Glide, The Boot, Folk Alley and was one of the Top 50 Most Played Albums at Americana Radio last year. Produced by Jonathan Wilson, the record was released to overwhelming praise with The New York Times declaring, “a premier bluegrass mind for this post-everything era…he has zigged and zagged between the form’s antediluvian traditions and rapid-fire improvisations that hit like hard bop, all within songs with hooks so sharp that he seems poised for crossover stardom.”
Raised in Michigan and now based in Nashville, Strings is known as one of music’s most compelling artists. Since his 2017 debut, he has been awarded Best Bluegrass Album at the 63rd GRAMMY Awards, Artist of the Year at the 2022 Americana Music Awards, Entertainer of the Year and Song of the Year at the 2022 International Bluegrass Music Association Awards, Best New Headliner at the 2022 Pollstar Awards, Breakthrough Artist of the Pandemic at the 2021 Pollstar Awards, named Entertainer of the Year and Guitar Player of the Year at the IBMA Awards and has performed on The Late Show with Stephen Colbert, Jimmy Kimmel Live!, PBS’ Austin City Limits and Bluegrass Underground. A respected figure across all genres, Strings has also collaborated with a wide variety of artists including Bill Kreutzmann, Luke Combs, Del McCoury, Fences, RMR and many more.
ME/AND/DAD TRACK LIST:
1. Long Journey Home (bluegrass traditional)
2. Life To Go (written by George Jones)
3. Way Downtown (written by Doc Watson)
4. Little Blossom (written by Hank Thompson)
5. Peartree (written by Arthel Lane “Doc” Watson, Gaither Carlton)
6. Stone Walls and Steel Bars (written by Ray Pennington, Roy Eugene Marcum)
7. Little White Church (written by Eugene Wellman)
8. Dig A Little Deeper (In The Well) (written by Jody Emerson, Roger Bowling)
9. Wandering Boy (written by A.P. Carter)
10. John Deere Tractor (written by Lawrence Hammond)
11. Frosty Morn (bluegrass traditional)
12. I Haven’t Seen Mary In Years (written by Damon Black)
13. Little Cabin Home On The Hill (written by Lester Flatt, Bill Monroe)
14. Heard My Mother Weeping (written by Carl Story, Lowell Blanchard)
BILLY STRINGS CONFIRMED TOUR DATES
October 6—Austin, TX—Stubb’s (SOLD OUT)
October 7-9—Austin, TX—Austin City Limits 2022
October 13—Austin, TX—Stubb’s (SOLD OUT)
October 14—Austin, TX—Austin City Limits 2022
October 15—Oklahoma City, OK—The Criterion (SOLD OUT)
October 29—Asheville, NC—ExporeAsheville.com Arena (SOLD OUT)
October 30—Asheville, NC— ExporeAsheville.com Arena (SOLD OUT)
October 31—Asheville, NC— ExporeAsheville.com Arena (SOLD OUT)
November 3—Kalamazoo, MI—Wings Event Center
November 4—Saginaw, MI—Dow Event Center
November 5—Pittsburgh, PA—Petersen Events Center
November 9—Rochester, NY—Blue Cross Arena
November 11—Uniondale, NY—Nassau Veterans Memorial Coliseum
November 12—Philadelphia, PA—The Met (SOLD OUT)
November 13—Philadelphia, PA—The Met (SOLD OUT)
November 16—Richmond, VA—Virginia Credit Union LIVE! (SOLD OUT)
November 18—Washington, DC—The Anthem (SOLD OUT)
November 19—Washington, DC—The Anthem (SOLD OUT)
November 29—Oslo, Norway—Rockefeller Music Hall
November 30—Copenhagen, Denmark—Vega
December 1—Stockholm, Sweden—Slaktkyrkan (SOLD OUT)
December 3—Berlin, Germany—Columbia Theater (SOLD OUT)
December 4—Amsterdam, Netherlands—Melkweg (SOLD OUT)
December 5—Cologne, Germany—Die Kantine
December 7—London, UK—O2 Forum Kentish Town (SOLD OUT)
December 8—Manchester, UK—O2 Ritz Manchester
December 9—Dublin, Ireland—The Academy (SOLD OUT)
December 11—Glasgow, UK—Galvanizers Yard (SOLD OUT)
December 30—New Orleans, LA—Lakefront Arena
December 31—New Orleans, LA—Lakefront Arena (SOLD OUT)
February 2—Broomfield, CO—1STBANK Center (SOLD OUT)
February 3—Broomfield, CO—1STBANK Center (SOLD OUT)
February 4—Broomfield, CO—1STBANK Center (SOLD OUT)
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
Billy Strings Bio
TORONTO, ON – October 3, 2022 — Can I Take My Hounds to Heaven?, the highly anticipated new album from Tyler Childers and his longtime band, The Food Stamps, is out today on Hickman Holler Records/RCA Records. Stream/purchase here. Conceptualized as a three-part project, the eight songs on the album are presented in a trio of distinct sonic perspectives—Hallelujah, Jubilee and Joyful Noise.
Produced by Childers and The Food Stamps, the collection features a mix of new and traditional songs and was primarily recorded in guitarist’s James Barker’s home studio, Dragline Studios. The Hallelujah version captures Tyler and the core band playing live in a single room over the course of two days, while the Jubilee version builds on it with the addition of strings, horns, background vocals and an array of worldly instruments such as dulcimer, mbira and sitar. The final version, Joyful Noise, consists of remixes created with DJ Charlie Brown Superstar (Brett Fuller) and includes samples from eclectic sources such as The Andy Griffith Show, theologist, Thomas Merton, and comedian, Jerry Clower, as well as church service excerpts pulled from the Kentucky Center for Traditional Music archives.
Reflecting on the album, Childers and The Food Stamps recently sat down with journalist Silas House to discuss the project in depth. Watch the interview here.
Ahead of its release, the Hallelujah and Jubilee versions of Angel Band debuted earlier this month, of which Rolling Stone praises, “soaring gospel country, an easygoing groove that gets layered with strings and horns until it sounds positively like a gig in the sweet hereafter,” while Consequence proclaims, “lushly orchestrated, with extra studio flourishes that make it sound full and vibrant” and Brooklyn Vegan declares, “a sweeping, six-minute dose of country rock and a very promising first taste.” Watch the official music video, directed by Bryan Schlam, here.
The Food Stamps are: Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle).
The new album is the first new music from Childers since 2020’s GRAMMY-nominated surprise release, Long Violent History, which NPR Music called an “explicit and remarkable stand in solidarity.” His two previous releases, 2019’s #1 Country Squire as well 2017’s RIAA Platinum debut, Purgatory, were released to overwhelming critical and commercial acclaim. In the years since his debut, Childers has earned two GRAMMY nominations and has been featured on CBS This Morning, The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, Late Night with Seth Meyers, NPR Music’s Tiny Desk Concert series and Anthony Bourdain: Parts Unknown.
CAN I TAKE MY HOUNDS TO HEAVEN? TRACKLIST:
HALLELUJAH
1. Old Country Church
2. Can I Take My Hounds to Heaven?
3. Two Coats
4. Purgatory
5. Way of the Triune God
6. Angel Band
7. Jubilee
8. Heart You Been Tendin’
JUBILEE
1. Old Country Church
2. Can I Take My Hounds to Heaven?
3. Two Coats
4. Purgatory
5. Way of the Triune God
6. Angel Band
7. Jubilee
8. Heart You Been Tendin’
JOYFUL NOISE
1. Old Country Church
2. Can I Take My Hounds to Heaven?
3. Two Coats
4. Purgatory
5. Way of the Triune God
6. Angel Band
7. Jubilee
8. Heart You Been Tendin’
THE SONG WAS PERFORMED LIVE FOR THE FIRST TIME
AT THE LOUDER THAN LIFE FESTIVAL - WATCH VIA INSTAGRAM
UK AND EUROPE HEADLINING TOUR STARTS IN NOVEMBER
Toronto, ON - October 3, 2022 - Hard rock group, Pop Evil, released their single, Paranoid (Crash & Burn), while they continue to finish their upcoming album due in early 2023 via MNRK Heavy. Following Eye of the Storm, which recently reached #1 at Active Rock, Paranoid (Crash & Burn) oscillates from something more melodic and rhythmic to pure aggression — that “get out of my head” scream is certainly going to resonate. “It’s about the voices in our head — we all have ‘em, but do we act on them?” says frontman Leigh Kakaty. “It’s a cautionary tale, about processing those voices in a positive way. It’s very aggro and uptempo, and I think it speaks to the depression and anxiety a lot of us have at this stage in our lives." Listen/stream and watch a clip of the song performed live for the first time at the Louder Than Life festival. Pop Evil teamed up with filmmaker Jensen Noen for the official music video that will be shared later, in the meantime, watch/enjoy the visualizer.
The band wrapped up their North American run with Daughtry and is set to begin their UK and Europe headlining tour on November 1 - see dates below.
Pop Evil has massive anthems and built a new rock’n’roll institution on a foundation of showmanship, raw relatability, and hard rock hooks, both forward-thinking and timeless from frontman, Leigh Kakaty, lead guitarist Nick Fuelling, rhythm guitarist Dave Grahs, bassist Joey "Chicago" Walser and drummer Hayley Cramer. No matter the headline-grabbing declarations from legendary icons, lamenting the changing of the guard, the slow-burning success of Pop Evil demonstrates the hunger for hard-hitting honest music persisting worldwide.
Their 2011 album, War of Angels debuted at #8 on Billboard Top Rock Albums with three singles landing on Billboard’s Mainstream Rock Top 10 including Last Man Standing, Monster You Made and Boss’s Daughter. The momentum continued with their 2013 album, Onyx, landing them on the Top 40 of the Billboard 200 for the first time, plus it was #9 on the Billboard Independent Albums in America and #25 on the Billboard 200. The album included three #1 Billboard Mainstream Rock singles, Trenches , Deal with the Devil and Torn to Pieces. In 2015, the band released their album, UP, which would make its way to #1 on Billboard Independent Albums, with four Top 5 Billboard Singles such as Ways to Get High, Take It All, and If Only for Now. The hit single, Footsteps, is still one of the biggest songs to date and returned Pop Evil to Billboard’s #1 spot for four weeks. Their 2018 self-titled album landed three singles on Billboard Mainstream Rock, Waking Lions at #1 with Be Legendary, peaking at #2, and A Crime to Remember, peaking at #7.
Pop Evil’s recent #1 single includes Survivor, which also topped Billboard’s Mainstream Rock Chart in late 2021, joining previous Top 10 single Work, and #1 single Breathe Again, from their album VERSATILE, out now via MNRK Heavy. Over the course of their career, the band has achieved four gold singles with Torn to Pieces, and Trenches from Onyx, Footsteps from UP, and, 100 in a 55 from their debut studio album, Lipstick on the Mirror.
UK and Europe Headling Tour:
11/01 – Glasgow, UK @ King Tuts Wah Wah Hut
11/02 – Manchester, UK @ Rebellion
11/03 – Birmingham, UK @ O2 Institute
11/05 – London, UK @ The Dome
11/07 – Paris, FR @ Trabendo
11/08 – Vosselaar, BE @ Biebob
11/09 – Hamburg, DE @ Logo
11/11 – Munich, DE @ Backstage Halle
11/12 – Stuttgart, DE @ Im Wizemann
11/14 – Köln, DE @ Luxor
11/15 – Frankfurt, DE @ Nachtleben
11/16 – Haarlem, NL @ Patronaat
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.
WELCOMES OVER 585 ATTENDEES BACK TO LIVE AND IN PERSON PROGRAMMING WITH 80+ CANADIAN SPEAKERS, PRESENTERS & MENTORS, 60+ INTERNATIONAL DELEGATES,
50+ CONFERENCE SESSIONS & 950+ ONE-ON-ONE MEETINGS
66 WESTERN CANADIAN + INTERNATIONAL ARTISTS SHOWCASED OVER THREE DAYS
WINNERS OF THE 2022 WESTERN CANADIAN MUSIC
INDUSTRY AWARDS REVEALED
VIVEK SHRAYA HONOURED WITH
KEYCHANGE INSPIRATION AWARD
KELOWNA, BC ANNOUNCED AS HOST CITY
OF BREAKOUT WEST 2023
CALGARY, AB – October 3, 2022 – Four days of immersive career development and international industry conference programming; three nights of show-stopping performances by some of the best artists coming out of western Canada and abroad; two events honouring the artistic and industry winners of the 2022 Western Canadian Music Awards; one unforgettable celebration of BreakOut West’s milestone 20th anniversary.
“Once again, we have been thrilled to host BreakOut West in Calgary and for this special anniversary," remarks Western Canadian Music Alliance Executive Director Robyn Stewart. “Thank you also to all of the incredible artists and innovators who joined us this week to celebrate and elevate creative careers in western Canada. The Calgary community embraced our event and participants, and we saw full venues of engaged music fans discovering new talent. Coming full circle from our first BreakOut West in Calgary twenty years ago, we are looking forward to the next twenty!”
Yesterday, BreakOut West wrapped its 2022 events after an exciting week filled with countless opportunities to connect and engage with professionals from across the music industry, while experiencing captivating live performances from the incredible talent coming out of the western provinces. In total, over 585 people attended the events, with delegates joining in from 15 different countries. 135 speakers were engaged across 50 conference sessions and over 950 one-on-one meetings, while attendees were able to take part in numerous meet up events and establish countless business opportunities. Music discovery was celebrated with 66 showcasing artists being featured on stages across Calgary’s downtown core and Music Mile.
Along with the conference programming, the winners of the 2022 Western Canadian Music Awards were revealed over two special celebrations. On Friday, September 23, the recipients of the artistic awards were honoured during a live broadcast and intimate watch party at Calgary’s Ship and Anchor, followed by the Industry Awards Brunch on Saturday, October 1 which unveiled the winners of the industry categories. The Industry Awards Brunch also formally honoured the recipients of this year’s Specialty Awards – Tegan and Sara (Western Canadian Music Hall of Fame inductees), Gerry Stoll (Kevin Walters Industry Builder Award) and Steve Wood & Northern Cree (Heritage Award). See below for a list of the 2022 Industry Award winners, and a full list of all the 2022 Western Canadian Music Award recipients.
Additionally, groundbreaking artist and writer, Vivek Shraya, was honoured during BOW’s Opening Reception on Wednesday, September 28 with Canada’s first-ever Keychange Inspiration Award. Created by Keychange – a global network and movement working towards gender equality in the music industry – the award honours and celebrates women and gender minorities who have made extraordinary and pioneering contribution to music. The Keychange Inspiration Award is selected by Keychange partners in each of their countries, with Shraya marking the first recipient for Canada.
BreakOut West 2022 saw incredible support from the Government of Alberta, City of Calgary and Tourism Calgary, as well as generous partnership from local and national sponsors, all of which generously invested in the week’s events, enthusiastically bringing BOW back to Calgary.
Looking ahead to the next year, BOW is thrilled to be returning to Kelowna, BC, where it was previously celebrated in 2018 and 2010.
Karma Lacoff Nieoczym, Creative and Executive Director with Creative Okanagan and Host chair, explains: "Kelowna has had massive success in hosting BreakOut West in the past,” says Karma Lacoff Nieoczym, Creative and Executive Director with Creative Okanagan and Host Chair. “The event has enabled us to showcase our local artists and unique venues and further establish Kelowna as a community that loves live music. MusicBC has strongly supported us in submitting the bid. We look forward to offering our local musicians opportunities to perform at the festival, attend the conference, and submit entries for the Western Canadian Music Awards."
2022 WESTERN CANADIAN MUSIC AWARDS INDUSTRY WINNERS:
Audio Engineering Award
Sheldon Zaharko - BC
Community Excellence Award
National Music Centre - AB
Excellence in Visual Design
Bronwin Parks - Feisty Creative - BC
Impact in Artist Development
Birthday Cake Records - MB
Impact in Live Music, Sponsored by Canadian Live Music Association
Times Change(d) High & Lonesome Club - MB
Impact in Music Marketing
Birthday Cake Records – MB
Recording of the Year and Stingray Rising Star, Presented by Stingray
Snotty Nose Rez Kids – BC
Video Director of the Year, Sponsored by Manitoba Film & Music
Amy Mantyka - Megan Nash, Chew Quietly / Clean Slate - SK
2022 Western Canadian Music Hall of Fame inductees – Tegan and Sara
2022 Kevin Walters Industry Builder Award – Gerry Stoll
2022 Heritage Award – Steve Wood and Northern Cree
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIAs) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 was held in Calgary, AB from September 28 to October 2, marking the 20th anniversary of the event. The 2022 Western Canadian Music Awards and Industry Awards were announced on September 23 and October 1, respectively.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
www.breakoutwest.ca
Use #BREAKOUTWEST and join in the conversation!
Facebook | Instagram | Twitter
DOWNLOAD – BreakOut West / WCMA Logos and Graphics
WATCH HERE & LISTEN HERE
ANNOUNCE SHOCKWAVE ALBUM OUT NOVEMBER 4
VIA MNRK MUSIC GROUP
CANADIAN ARENA TOUR WITH THREE DAYS GRACE
KICKS OFF IN NOVEMBER
TORONTO, ON – September 30, 2022 – Today, two-piece Oshawa guitar-driven outlaw rock n roll band, The Standstills, share their new single, Motherlode, from their upcoming album, Shockwave, due out November 4 via MNRK Music Group. The new single from the record features legendary rock/alt band, Eagles Of Death Metal. Listen to the track here and watch the visualizer here. Pre-order Shockwave here.
For more insight into the track and how it came together, you can watch The Standstills talk about it all with Jesse Hughes (Eagles Of Death Metal) and Neil Sanderson (Three Days Grace). Check it out here.
Further offers The Standstills’ Jonny Fox on working with Eagles of Death Metal's Jesse Hughes: “Renée and I spent some time in LA to get inspired to write what would eventually become our new album, Shockwave. If you are a musician and spend any significant time in Los Angeles you will run into the city’s unofficial mayor, Father Badass, Jesse Hughes. We instantly hit it off, loving similar styles of music and sharing the same outlook on creative arts. Before we knew it, we were at a Bar-B-Que at his place that turned into a full-tilt jam session in his living room that lasted a couple days. Unfortunately, we never stopped to record any of it. Fast forward a few months to when we completed Motherlode with Neil Sanderson of Three Days Grace; the song reminded us of our time out West with Jesse, and it just felt natural to as him and Josh Jove to be a part of it. Without a second’s hesitation, Jesse jumped at it. He is truly one of kind, not afraid to speak his mind, and we loved that.”
Over their career, The Standstills (comprised of husband-and-wife duo, Jonny Fox, on vocals/guitar, and Renée Couture, on drums/vocals), have built a reputation for transcendent anthem-making with an earnestly steadfast formula: gigantic hooks, unapologetically hypnotic grooves, and infectious unabashedly cool riffs, which can be heard in force on Shockwave. Produced by Neil Sanderson from Three Days Grace and mixed by two-time GRAMMY Award winner Howard Benson (My Chemical Romance, Santana, Daughtry), the album blends immediately accessible choruses with magnetic layers of depth revealed in repeated listens.
The Standstills signature sound first emerged on a pair of indie releases. From the Devil’s Porch, their 2015 EP, produced three successful Active Rock singles, resulting in a 2016 win for Best New Group or Solo Artist: Mainstream Rock at the Canadian Radio Music Awards, while their 2019 debut album, Badlands, produced the fastest charting Canadian single in the MNRK label’s history.
“We’ve completely opened and exposed who we are in a way that we’ve never done before,” says Fox. “It felt like the right time. We’ve always gone with our gut instincts. We felt ready to do it. This is the album we’ve been working towards. I hope it connects to people in a deep way, as much as it’s meant to us in the creation and the life experiences that it took to make the album.”
Beginning in November, after the release of Shockwave, The Standstills will embark on a Canadian arena tour with Three Days Grace. Kicking off November 8 in Vancouver, the tour will see the band make their way east with a final date in Toronto on November 27. Then in 2023, the duo will board the ShipRocked Cruise and rock passengers from Florida to Amber Cove, Half Moon Cay & Grand Turk. More tour details below and stay tuned for more as the Shockwave journey unfolds this fall.
The Standstills Tour Dates with Three Days Grace:
November 8 - Queen Elizabeth Theatre - Vancouver, BC
November 10 - South Okanagan Events Centre - Penticton, BC
November 11 - Grey Eagle Resort and Casino - Calgary, AB
November 12 - Edmonton Convention Centre - Edmonton, AB
November 14 - Bowes Event Centre at Revolution Place - Grande Prairie, AB
November 15 - Sasktel Centre - Saskatoon, SK
November 17 - Burton Cummings Theatre - Winnipeg, MB
November 20 - Place Bell - Laval, QC
November 22 - Tribute Communities Centre - Oshawa, ON
November 23 - Budweiser Gardens - London, ON
November 24 - Centre In The Square - Kitchener, ON
November 26 - Sadlon Arena - Barrie, ON
November 27 - History - Toronto, ON
January 22, 2023 - Shiprocked Cruise
Shockwave Track Listing:
1. Reset Party
2. Motherlode
3. Pretty Little Broken Thing
4. Get Right
5. Nervous Smile
6. Valhalla
7. Maple Sugar
8. Heavy Is The Reason
9. Shockwave
10. Interlude
11. Back To You
12. Hell Or The Highway
DOWNLOAD - Motherlode Single Art
"Atlanta's soon-to-be star" – Sidney Madden, NPR
“Vince Staples-esque detachment, acrobatic triplets in the vein of Lil Baby, and a dutch-angle chirp akin to recent Playboi Carti” – Entertainment Weekly
"Few artists are able to consistently generate this level of quality and effective storytelling…” – Tyler Borland, Ones To Watch
"The phrase “genre-bending” [has] never been used more appropriately than to describe the music of 25-year-old rapper Kenny Mason" – Jesica McKinny, COMPLEX
Toronto, ON – September 28, 2022 – Breakout Atlanta rapper, Kenny Mason, drops new mixtape, RUFFS, via RCA Records – listen here. The project includes the tracks from his recently released EP, PUP PACK, and new songs such as, SPIN N FLIP featuring Young Nudy and MINUTE FOREVER. Kenny’s new music comes on the heels of his buzzing single, Stick, a Dreamville collaboration with J. Cole, JID and Sheck Wes from the D-Day: A Gangsta Grillz Mixtape. The Stick visual, which has already racked up over three million views, featured Kenny alongside the other artists on the track. Recently, Kenny has been on the festival circuit with sets at Rolling Loud, Wireless Festival, Bonnaroo and more, in addition to making surprise appearances at Coachella on JID’s set and Governor’s Ball on J. Cole’s set.
Kenny first broke out in the rap space in 2019 with his buzzing single, Hit, which catapulted him from Atlanta's underground DIY scene to the national spotlight. As Kenny continued to release more music, he became increasingly known for his versatility and unique sound. His bars and genre-bending abilities that incorporates elements of 90's punk, grunge, hip-hop and more, sets him apart from the rest. Kenny Mason has received critical acclaim from press, being included on The FADER, Entertainment Weekly and more in addition to features with Rolling Stone, XXL, VMAN and FLAUNT. His 2019 single, G.O.A.T., was also featured in season one of HBO's hit show, Euphoria. Kenny released his debut album Angelic Hoodrat in 2020, followed by the alternative version Angelic Hoodrat: Supercut in 2021. The latter expanded upon the themes he set forth on the original debut album, showcasing his sweeping vocal range and well-earned reputation for stretching beyond the confines of rap. The new project continues the theme of duality inherent within its title, Angelic Hoodrat representing the concepts of light within darkness, beauty within ugliness, and hope within despair. Kenny Mason has been working on new music and continuing tocultivate his elevation. Listen to RUFFS Mixtape out now here.
RUFFS Mixtape Tracklist
1. ZOOMIES
2. HALOS
3. HALLOWEEN
4. DIP! feat. DavidTheTragic!
5. MINUTE FOREVER
6. DOUBLE UP
7. RX feat. Amindi
8. SPIN N FLIP feat. Young Nudy
9. MAMA DON'T KNOW
10. NOSEDIVE feat. Jean Dawson
11. 333 / ATOM
12. BOA
13. GIVENCHY
14. BLACK HEART
15. SHELL
16. WESTSIDE
TORONTO, ON – September 29, 2022 – Voting for the 2022 Slaight Family Polaris Heritage Prize has opened. This annual campaign encourages public voting to discover and support exceptional Canadian music albums from the past. The companion award to the Polaris Music Prize, winners and nominees for the Heritage Prize are also Canadian albums of artistic distinction, without regard to sales, genre or affiliation. This is our version of a hall of fame where we try to honour meritorious Canadian albums that pre-date when Polaris began in 2006.
Go here to vote.
This year there are 12 nominated albums up for consideration:
Lillian Allen - Revolutionary Tea Party
Bran Van 3000 - Glee
Leonard Cohen - Various Positions
Four The Moment - We’re Still Standing
k.d. lang - Ingénue
Kardinal Offishall - Quest for Fire: Firestarter, Vol 1
Martha and the Muffins - This is the Ice Age
Wayne McGhie & The Sounds of Joy - Wayne McGhie & The Sounds of Joy
Rascalz - Cash Crop
SNFU - ...And No One Else Wanted To Play
Stars - Set Yourself on Fire
The Weakerthans - Left and Leaving
Heritage Prize balloting was officially opened on Monday, September 19 during the 2022 Polaris Gala, where Pierre Kwenders’ José Louis And The Paradox Of Love album was awarded the 17th annual Polaris Music Prize.
Two of these albums will receive Heritage Prize designation this year. One album will be chosen by public vote campaign and a second will be determined by a Heritage Prize jury made up of music media and music historians.
This year’s Heritage list features six returning nominated albums (Revolutionary Tea Party, Glee, Ingénue, This is the Ice Age, Set Yourself on Fire, and Left and Leaving) and six first-time album nominations (Various Positions, We’re Still Standing, Quest for Fire: Firestarter, Vol 1, Wayne McGhie & The Sounds of Joy, Cash Crop and ...And No One Else Wanted To Play).
Voters will be able to submit ballots once per day. Voting closes Friday, October 14 at 8:00 p.m. ET / 5:00 p.m. PT. The new Heritage Prize designates will be revealed Friday, October 21.
Heritage Prize winners are commemorated with limited-edition artwork commissioned and inspired by the music on these designated albums. Examples of past winners’ works, including those honouring the likes of last year’s winners Nomeansno and Faith Nolan, can be found here.
The Heritage Prize campaign represents the final marquee event in a Polaris season that also included the return of the live Polaris Gala spectacular on September 19, the Polaris Music Prize 2022 Poster Launch & Exhibition, a month-long gallery takeover at Underscore Projects (1486 Dundas Street West, Toronto), the 40 album Polaris Long List reveal on June 14, and the 10 album Short List reveal on July 14.
This year’s Heritage Prize jury included Michael Barclay, Elizabeth Chorney-Booth, Erin McLeod, Phyllis Grant, DJ MelBoogie, Morgan Mullin, Darcy MacDonald, Shawn Conner, Sandra Sperounes, Rob Bowman, and, for the first time, an official guest musician juror, Danko Jones.
Thirty-five albums have received Heritage Prize designation since its introduction in 2015. Past winning albums include Peaches’ The Teaches Of Peaches, Harmonium’s L’Heptade, Glenn Gould’s Bach: The Goldberg Variations, Dream Warriors’ And Now the Legacy Begins and Buffy Sainte-Marie’s It’s My Way!
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
Polaris Music Prize 2022 Event Season
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
About Slaight Music
Slaight Music was started in 2011 with a mandate to support the Canadian Music community through a variety of initiatives, and to develop Canadian talent via strategic partnerships with industry peers. www.slaightmusic.com
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media
attention
20 Not-for-Profit and charity partners supported through the Community Development Program
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
***
OUVERTURE DU VOTE POUR LE PRIX DU PATRIMOINE POLARIS DE LA FAMILLE SLAIGHT 2022
TORONTO, ON – 29 septembre, 2022 – Il est maintenant possible de voter pour l’édition 2022 du Prix du patrimoine Polaris de la famille Slaight. Cette campagne annuelle incite le public à découvrir et à soutenir, par le biais de son vote, des albums musicaux exceptionnels ayant été créés au Canada dans le passé.
Le scrutin pour le Prix du patrimoine a officiellement été ouvert le lundi 19 septembre lors du gala Polaris 2022, au cours duquel l’album José Louis And The Paradox Of Love de Pierre Kwenders a remporté le 17e Prix de musique Polaris.
Les lauréat·e·s et les artistes en nomination pour le Prix du patrimoine, une distinction associée au Prix de musique Polaris, ont également produit des albums canadiens qui se démarquent artistiquement, sans égard pour les ventes, le genre ou l’affiliation. C’est notre version d’un temple de la renommée, grâce auquel nous essayons d’honorer les merveilleux albums canadiens qui datent d’avant les débuts du Polaris, en 2006.
Voici les 12 albums en nomination cette année :
Lillian Allen – Revolutionary Tea Party
Bran Van 3000 – Glee
Leonard Cohen – Various Positions
Four The Moment – We’re Still Standing
k.d. lang – Ingénue
Kardinal Offishall – Quest for Fire: Firestarter, Vol 1
Martha and the Muffins – This is the Ice Age
Wayne McGhie & The Sounds of Joy – Wayne McGhie & The Sounds of Joy
Rascalz – Cash Crop
SNFU – ...And No One Else Wanted To Play
Stars – Set Yourself on Fire
The Weakerthans – Left and Leaving
Deux de ces albums recevront le Prix du patrimoine 2022. L’un sera choisi par un vote du public et l’autre, par un jury du Prix du patrimoine composé de médias musicaux et d’historien·ne·s de la musique.
Cette année, la liste du Prix du patrimoine est composée de six albums ayant déjà été mis en nomination (Revolutionary Tea Party, Glee, Ingénue, This is the Ice Age, Set Yourself on Fire, et Left and Leaving) ainsi que de six nouveaux venus (Various Positions, We’re Still Standing, Quest for Fire: Firestarter, Vol 1, Wayne McGhie & The Sounds of Joy, Cash Crop et ...And No One Else Wanted To Play).
Vous pouvez voter ICI.
Il est possible de soumettre un bulletin de vote par jour. Le vote se terminera le vendredi 14 octobre à 20 h (HE) / 17 h (HP). Les albums gagnants du Prix du patrimoine seront révélés le vendredi 21 octobre.
Nous rendons hommage aux artistes ayant remporté le Prix du patrimoine en commandant des œuvres d’art en édition limitée inspirées par la musique des albums sélectionnés. Des exemplaires de ces affiches – notamment celles honorant Nomeansno et Faith Nolan, qui ont gagné l’année dernière – sont disponibles ICI.
La campagne de vote du Prix du patrimoine conclut la saison 2022 du Polaris, qui comprenait aussi : le retour en présentiel de l’incontournable gala Polaris (19 septembre), le vernissage d’une exposition d’un mois consacrée aux affiches officielles du Prix de musique Polaris 2022 (chez Underscore Projects, au 1486 Dundas Street West, Toronto), le dévoilement de la longue liste de 40 albums (14 juin) et celui de la courte liste de 10 albums (14 juillet).
Le jury du Prix du patrimoine 2022 est composé de Michael Barclay, Elizabeth Chorney-Booth, Erin McLeod, Phyllis Grant, DJ MelBoogie, Morgan Mullin, Darcy MacDonald, Shawn Conner, Sandra Sperounes, Rob Bowman et, pour la toute première fois, un musicien invité à faire partie du jury officiel : Danko Jones.
Trente-cinq albums ont reçu le Prix du patrimoine depuis sa création en 2015. Parmi les albums récompensés se trouvent The Teaches Of Peaches (Peaches), L’Heptade (Harmonium), Bach : The Goldberg Variations (Glenn Gould), And Now the Legacy Begins (Dream Warriors) et It’s My Way! (Buffy Sainte-Marie).
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
Saison 2022 des événements du Prix de musique Polaris
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux événement de révélation des albums lauréats, le gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné·e·s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est un organisme à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans égard pour le genre musical ou la popularité commerciale. www.polarismusicprize.ca
À propos de Slaight Music
Slaight Music a été lancée en 2011 avec pour mandat de soutenir la communauté musicale canadienne par le biais de diverses initiatives et de développer les talents canadiens grâce à des partenariats stratégiques avec des pairs du secteur. www.slaightmusic.com
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant·e·s du prix secondaire de 3 000 $ offert par Slaight
Music
2 gagnant·e·s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant·e·s au jury annuel
1 000 invité·e·s au gala annuel
831 000 $ en prix remis aux artistes
160 nommé·e·s de la courte liste bénéficient d’une attention médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Matériel promo (logos du Polaris, pochettes d’albums, biographies, photos, audio):
polarismusicprize.ca/media
Mot de passe : m3d1a
DAWSON WILL LEAD THE ORGANIZATION
AND PRODUCE BREAKOUT WEST, CANADA’S BOUTIQUE MUSIC DISCOVERY SHOWCASE FESTIVAL AND CONFERENCE
Winnipeg, MB | Treaty 1 Territory – September 27, 2022 – The Western Canadian Music Alliance (WCMA) is excited to announce that music industry leader, Michael Dawson, will be its new Executive Director, taking the helm of producing the BreakOut West festival and conference and the Western Canadian Music Awards.
"I am grateful for the opportunity to join BreakOut West as the executive director,” said Dawson, currently Executive Director of SaskMusic, artistic director of Gateway Festival, and an independent artist. “I've had the wonderful experience of participating in the organization in various capacities from artist and nominee, to conference speaker and board member, and now I look forward to working with the team and Board of Directors on the future of the organization."
“Mike has experience across all sides of the music business and intrinsically understands the opportunities and challenges facing our community. He is a proven leader with a quiet diplomacy and a style that puts values ahead of self in every decision,” said Sean McManus, WCMA President. “I know that Mike will continue to elevate the BreakOut West brand as a sector leader in connecting people, promoting new music, and celebrating successes in Western Canada. I look forward to Mike’s vision for BreakOut West, and for a healthier, more equitable music sector.”
Dawson began touring and promoting shows as a teenager. He’s since been the artistic director of the Saskatchewan Cultural Exchange, a talent buyer for multiple venues across Western Canada, an artist manager, and ran an independent record label. He is also an award nominated producer and recording artist with extensive international touring experience with his band Library Voices, and currently as a solo artist. He sits on several creative industry boards including executive roles with the CCMIA, WCMA, and local host committees.
“BreakOut West exemplifies many of my core values and I’m passionate about the mandate of the organization. I am acutely aware that the music industry is constantly changing in the face of evolving business models, and the success of BreakOut West is dependent on ensuring it remains progressive, innovative, and meets the objectives of the WCMA partners and members,” Dawson added. “I’m excited by that process.”
The Western Canadian Music Alliance thanks outgoing Executive Director, Robyn Stewart, for her many years of exemplary direction that puts the organization in a wonderful position to look to the future and continued successes producing BreakOut West, Canada’s boutique music discovery showcase festival and conference.
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIAs) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 will be held in Calgary, AB from September 28 to October 2, marking the 20th anniversary of the event.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
PERFORMING IN TORONTO ON SEPTEMBER 28
ANNOUNCES MELT MY EYEZ SEE YOUR FUTURE: THE EXTENDED EDITION
FEATURING THE COLD BLOODED SOUL BAND
WATCH MELT MY EYEZ: LIVE FROM THE KOMODO CITY CAFE LIVESTREAM THIS THURSDAY
PRE-SAVE MELT MY EYEZ SEE YOUR FUTURE PHYSICAL ALBUM OUT THIS FRIDAY VIA LOMA VISTA RECORDINGS
“He deserves your undivided attention” - Complex
“Denzel Curry is ready to make 2022 his best year yet”- HotNewHipHop
“Cutthroat lyricism over head-nodding percussion continues
to be Curry's bread and butter” - Miami New Times
"Any excuse to hear Denzel rapping.. is a good one" - Pitchfork
"Melt My Eyez See Your Future is a sprawling, ambitious record that makes good on Denzel Curry’s vision." - Stereogum
“A consistently intriguing presence” - The New Yorker
TORONTO, ON – September 26, 2022 – In the midst of the final leg of his nationwide Melt My Eyez tour, Denzel Curry shares a new video for X-Wing, from his critically acclaimed album, Melt My Eyez See Your Future, which sees him traversing over a Cyberpunk-like cityscape in an X-Wing Starfighter vehicle. Alongside the visual, Denzel also gears up to release the forthcoming Extended Edition of his album from earlier this year, kicking off with a special record release live performance on Thursday, September 29 and hitting DSPs worldwide at 12am EST on Friday, September 30. Additionally, Melt My Eyez See Your Future will see its much anticipated physical album release (LP, CD + Cassette) on Friday, September 30, as well, via Loma Vista Recordings.
The new project, Melt My Eyez See Your Future: The Extended Edition, celebrates the success of his album. However, Denzel carves his own path by releasing a version of his critically-acclaimed album reimagined with the 10-piece Cold Blooded Soul Band whom Denzel recently performed with for his NPR Tiny Desk Concert and The Tonight Show performances this summer. Rather than tacking on songs that didn't make the album the first go around, he delivers a special version performed live in one take, showcasing Denzel the storyteller and musician, and solidifying his status as a hip hop heavyweight for his generation. The Expanded Edition will premiere with a livestream concert in Melt My Eyez: Live From The Komodo City Cafe this Thursday including a special afterparty interview & Q+A with Denzel to follow.
Denzel is currently on his fall North American Melt My Eyez tour in support of the project with support from AG Club, PlayThatBoiZay and redveil at select dates including upcoming stops in Toronto on Wednesday, September 28, New York City, and Philadelphia before wrapping up in Boston on October 8th. The run of shows comes on the heels of a series of banner weeks for Curry that have seen him grace the stages of Governors Ball, Bonnaroo and Something In The Water festivals, and his Fall U.S. tour dates, including support for Kid Cudi on his To The Moon – 2022 World Tour.
Melt My Eyez See Your Future is the sound of the mercurial Miami rapper leveling up. His fifth album features singles, Troubles, with T-Pain, the samurai film-inspired, Zatoichi, and Walkin, which arrived with an epic Sci-Fi Western. The album was a communal effort featuring contributions from the likes of Thundercat, Kenny Beats, Robert Glasper, JPEGMAFIA, slowthai, J.I.D, 6LACK, Rico Nasty, 454 and more. On each of the fourteen sumptuous tracks, Denzel is operating with the force of a full Jedi master, slicing through bars with dexterity, magic and control. Throughout the project, he processes internal and external conflicts in brave, boundary-breaking detail. To his growing legions of fans, the intrepid soul-searching of this record will come as no surprise – after all, Curry’s music has always been confessional. From tracks like its eponymous opener, on which he pain-stakingly explores his own sex addictions, to the more outward-facing John Wayne, which addresses “gun violence in America and [his] community,” this is hip-hop truth-telling at its finest and most potent.
Watch X-Wing, and pre-save Melt My Eyez: The Extended Edition here, see full album details and upcoming tour dates below and stay tuned for more from Denzel Curry soon.
Upcoming Tour Dates:
9/27 - Detroit, MI @ Royal Oak Music Theatre
9/28 - Toronto, ON @ Rebel
9/30 - Cleveland, OH @ Agora Theater & Ballroom
10/1 - Columbus, OH @ KEMBA Live!
10/4 - Silver Spring, MD @ The Fillmore
10/6 - New York, NY @ Terminal 5
10/7 - Philadelphia, PA @ The Fillmore
10/8 - Boston, MA @ Roadrunner
Melt My Eyez See Your Future: The Extended Edition
Disc 1
1. Melt Session #1 (feat. Robert Glasper)
2. Walkin
3. Worst Comes To Worst
4. John Wayne (feat. Buzzy Lee)
5. The Last
6. Mental (feat. Saul Williams & Bridget Perez)
7. Troubles (feat. T-Pain)
8. Ain’t No Way (feat. 6LACK, Rico Nasty, J.I.D., Jasiah, Kitty Ca$h, Powers Pleasant)
9. X-Wing
10. Angelz (feat. Karriem Riggins)
11. The Smell of Death
12. Sanjuro (feat. 454)
13. Zatoichi (feat. slowthai)
14. The Ills
Disc 2
1. Melt Session #1 (Cold Blooded Soul Version)
2. Walkin (Cold Blooded Soul Version)
3. Worst Come To Worst (Cold Blooded Soul Version)
4. Mental (Cold Blooded Soul Version)
5. Troubles (Cold Blooded Soul Version)
6. Chrome Hearts (Cold Blooded Soul Version)
7. X-Wing (Cold Blooded Soul Version)
8. Angelz (Cold Blooded Soul Version)
9. Larger Than Life (extended edition)
10. The Ills (Cold Blooded Soul Version)
DOWNLOAD - Melt My Eyes See Your Future Extended Edition Art
DOWNLOAD - Melt My Eyez See Your Future Art
DOWNLOAD - Hi Res Press Photo
FROM FORTHCOMING ALBUM WHAT REMAINS
OUT OCTOBER 28 VIA MNRK MUSIC GROUP
LISTEN TO PREVIOUS SINGLE SMELLS LIKE TEEN SPIRIT
PERFORMING AT ORILLIA JAZZ FESTIVAL,
KENSINGTON MARKET JAZZ FESTIVAL AND MORE
Toronto, ON – September 23, 2022 – Today, acclaimed Toronto composer and pianist, Thompson Egbo-Egbo announces his forthcoming album, What Remains, set for release October 28 via MNRK Music Group. On this project, Thompson draws from themes of transition, rebirth, realignment, joy, and optimism for the future. The news arrives with a thematic new single, Anthem Rising, a high energy blend of Latin-infused Funk, ready for intimate venues and foreign excursions alike. Listen to the song here, and pre-order the album here.
Thompson says of the new album, "What Remains honours our live performance tradition, but also gives the listener a glimpse of where the music is going."
Partly inspired by the shifts and impact the last two years of the pandemic has placed on both a personal and professional level, What Remains shows the growth and depth of Thompson’s writing. It is an offering of sonic catharsis, reflecting on how an artist’s life and well-being can be deeply impacted by global circumstances. In turn, it captures how one can embody characteristics of a phoenix to - fittingly - rise from what remains.
Anthem Rising follows Thompson's signature cover of Nirvana's iconic Smells Like Teen Spirit. Whether performed in local spots - like Thompson's frequent haunt of The Rex in Toronto - to open air venues and concert halls, the jazz-infused, layered and virtuosic rendition is fresh, fun and resonant - much like the 90s grunge classic. The reimagined version shows that, no matter where it’s played or who it’s played for, it connects with people of all generations and cultures. Listen to the song here.
After rocking a festival performance at the Slaight Stage and RBC House for the premiere of Tyler Perry's A Jazzman's Blues at Toronto International Film Festival (TIFF) earlier this month, Thompson will perform at Kensington Market Jazz Festival on October 1 (solo set at Tom's Place) and October 2 (trio performance at Tapestry), and Orillia Jazz Festival on October 14. Find more details below and stay tuned for additional dates to be announced.
About Thompson Egbo-Egbo
Acclaimed Toronto composer and pianist Thompson Egbo-Egbo is always in key. Deeply rooted in his upbringing – moving to Canada from Nigeria at age four, commencing his dedication to playing the piano at the age of six – his innate aptitude and affection for the instrument resonates with him to this day. The key that keeps everything aligned is one where Thompson is in tune with his environment, collaborators, community and a signature approach to the art.
What Remains was recorded by Jeremy Darby and Julian Decorte at Canterbury Music Company, a favourite and frequented space for Thompson’s trio, Randall Hall on bass, and Jeff Halischuk on drums. Known for making their marks at notable venues in their homebase of Toronto and across North America, the group had the opportunity to record What Remains at a standstill due to lockdowns – a contrasting approach, as they would normally receive first take feedback from playing them in front of audiences before putting them to tape.
“With the world upside down, I find myself appreciating the chance just to be an artist and do what I love and to create something to share with the world. This album has brought the most satisfaction because of the time in which this was created,” Thompson says of the process.
The album has a wide range of inspiration, from classic rock to new wave jazz, Latin fusion, renditions of iconic songs of various eras and everything in between. Opening with Trinity – one of Thompson’s original cherished pieces and one the trio has had the pleasure of performing with alongside dancers – the album flows into Anthem Rising, a high energy blend of Latin and Funk, ready for intimate venues and foreign excursions.
A fresh element in the project is the inclusion of strings crafted by the Odin Quartet; Alex Toskov (violin), Tanya Charles Iveniuk (violin), Laurence Schaufele (viola) and Samuel Bisson (cello). Strings were always considered but never included until the opportunity presented itself. The Odin Quartet joins Thompson as the project moves into a stunning three-part suite that documents the pandemic journey in a contemplative and emotional arrangement. What Was Taken shows the challenges of change, What Remains is Thompson’s constant, a reminder to have gratitude for everything and everyone, and moving forward – the abundant and hopeful, What Possibilities, is a means to build and begin anew – with fresh perspective.
What Remains follows Thompson’s 2019 release, The Offering and 2018 album, A New Standard. While A New Standard sought to change the conversation, The Offering created a new dialogue about what audiences expect from a jazz trio. The recording process itself was an attempt to capture the essence of the live experience - the element that has been attracting an ever-growing audience to the trio’s concerts. A New Standard was Thompson’s debut on MNRK Music Group and sought to redefine the concept of the jazz standard, and included original takes on Radiohead, Bob Dylan and Laura Mvula tunes. It was recorded in the original trio format (Randall Hall on bass, and Jeff Halischuk on drums) marking a departure from the solo playing for which Thompson had become known.
Giving back is a trademark note of Thompson’s ethos. Thompson served as a member of the board at Dixon Hall for many years and is currently on the board at Jazz FM 91. His own organization, The Thompson T. Egbo-Egbo Arts Foundation, and Evolving Through the Arts program, supports elementary school students recognizing that a positive change and a sense of self-worth should be instilled in children early and they be afforded opportunities that all children should receive. The foundation aims to fill a void in the education of music and arts not found in many communities, and partners with talented Canadian musicians and artists to provide a well-rounded and focused curriculum.
With degrees in Music from Humber College, and music production at the Berklee College of Music in Boston, to releasing numerous works and collaborating with some of the world’s most renowned artists, Thompson’s involvement in music has seen many opportunities come his way. In 2021, Thompson portrayed a young Oscar Peterson in an episode of Historica Canada’s Heritage Minute, honouring the artist’s life and career. Last year, Thompson was set to cross the pond for a recording opportunity at Abbey Road Studios in London, UK, to write and record Oddly Familiar – an album released and archived with Audio Network’s sync library. Thompson didn't let postponed travel plans deter him, and proceeded at home in Toronto to share the music with international audiences.
In August, The Royal Canadian Mint honoured Oscar Peterson with a one dollar coin (loonie) with his likeness on it. The Céline Peterson and the Peterson family as well as the Royal Canadian Mint invited Thomson Egbo-Egbo to perform Peterson’s beloved composition, Hymn To Freedom, at the unveiling of the coin at Roy Thomson Hall. This marks a full-circle moment - in 2021, Thompson portrayed a young Oscar Peterson in an episode of Historica Canada’s Heritage Minute, honouring the artist’s life and career. Next year, Thompson will be performing Oscar Peterson's music for a special concert with the Windsor Symphony Orchestra on February 11, 2023. Looking ahead, listeners can expect to hear music from What Remains in a new docuseries project by Luminato Festival called Golden Hour, in the episode, Mighty Brave.
Thompson Egbo-Egbo shares his experience, ideas and vision with vibrant energy. The key to his success is not solely unlocked by memorable, harmonically complex compositions that have at their core a deep, abiding groove, but the connections they create and the doors they open within the listener.
WHAT REMAINS TRACKLISTING
1. Trinity
2. Anthem Rising
3. Smells Like Teen Spirit
4. What Was Taken
5. What Remains
6. What Possibilities
7. Eleanor Rigby
8. Nardis
9. Cola Cherry
TOUR DATES
October 1 (solo) - Kensington Market Jazz Festival - Tom's Place - Toronto, ON
October 2 (with trio) - Kensington Market Jazz Festival - Tapestry - Toronto, ON
October 14 - Orillia Jazz Festival - Orillia, ON - Tickets
February 11, 2023 - A Celebration Of Oscar Peterson - Windsor, ON - Tickets
DOWNLOAD - Press Photo | DOWNLOAD - Anthem Rising Artwork
About MNRK Music Group:
STREAM THE ALBUM HERE
FEATURES HIT SINGLE COASTIN WITH GRAMMY AWARD WINNING SINGER LALAH HATHAWAY
WATCH OFFICIAL MUSIC VIDEO FOR ALBUM TITLE TRACK DETOUR HERE
TORONTO, ON – September 23, 2022 – Chart-topping jazz/R&B sax player, Boney James, today released his 18th studio album, Detour, via Concord Records. Featuring the breezy current hit single, Coastin, with 5-time GRAMMY winner Lalah Hathway on vocals, the new 10-song collection is a subtle stylistic turn that builds on the commercial success of 2020’s Solid, James’ highest charting release ever on the pop charts, peaking in the Top 10 on the Billboard 200. Other standouts on Detour include the track Bring It Back, which released mid-summer and features critically acclaimed composer, conductor, orchestrator, arranger, and trumpeter, Dontae Winslow; and the album’s title track, Detour, a winding, playful duet between sax and piano that features some of Boney’s most adventurous playing to date.
"This song really reflects the overall feeling of the album title,” says Boney of the Detour track. “It evokes movement to me, and takes a left turn during the bridge." Watch the latest official music video for Detour here.
Detour was recorded largely at Boney’s L.A. home studio (live drums and percussion were tracked at venerable Sunset Sound). The album was produced by Boney with co-production from in-demand writer/producer, Jairus “J-Mo” Mozee (Anderson.Paak, Nicki Minaj, Anthony Hamilton) among others. Additional musicians on the album are keyboardist Tim Carmon (Eric Clapton), longtime drummer Omari Williams and bassist Alex Al, renowned percussionist Lenny Castro and guitarists Big Mike Hart and Paul Jackson Jr.
James will continue on the road for select dates across the U.S. which will take him well into 2023. Promising to bring James’ iconic 30-year career to the live stage, including selections from Detour, the multi-city trek will hit a number of major markets including NYC, NY, Detroit, MI, Alexandria, VA, and Annapolis, MD. For further information on the tour, dates, and on-sale info please visit https://boneyjames.com/.
During his 30-year career, Boney James has released a staggering 18 studio albums – including a pair of Christmas records -with 1995’s Seduction, 1997’s Sweet Thing and 1999’s Body Language all RIAA certified gold. In 2015, Boney’s futuresoul spent 11 weeks atop the Billboard Contemporary Jazz Chart and was the best-selling Contemporary Jazz Record of 2015. Boney has earned four GRAMMY nominations (“I’m not gonna lie... I’d still love a statue,” he says), two NAACP Image Award nominations and a Soul Train Award, while a dozen of his albums have landed at #1 on Billboard’s Contemporary Jazz Album chart. His collaborators in the past include a Who’s Who of R&B and soul: Raheem DeVaughn, Faith Evans, George Benson, George Duke, Dwele, Al Jarreau, Philip Bailey, Anthony Hamilton, Jaheim, Eric Benét, Dave Hollister, Stokley Williams, Kenny Lattimore and Angie Stone.
Boney James’ 18th studio album Detour is out today across all streaming platforms on Concord Records. Get the album here. Detour will also be released on vinyl on January 13, 2023, marking the first time in Boney James’ career that he will release an album on vinyl.
Detour Track Listing
1. Detour
2. Bring It Back featuring Dontae Winslow
3. Sway
4. Memphis
5. Tribute
6. Coastin’ featuring Lalah Hathaway
7. The Loop
8. Northern Lights
9. Intention
10. Blur
Boney James Tour Dates
Fri, OCT 14 - Rehoboth Beach Jazz Festival - Lewes, DE
Fri, OCT 21 - Arizona Jazz Fest - Phoenix, AZ
Sat, OCT 22 - Thornton Winery - Temecula, CA
Sun, OCT 23 - Hyatt Concerts - Newport Beach, CA
Thu, OCT 27 - Florida Theatre - Jacksonville, FL
Fri, OCT 28 - Miami Smooth Jazz Fest - Homestead, FL
Sun, NOV 6 - Cancun Jazz Fest - Cancún, Mexico
Fri, NOV 11 - Jazz Legacy Foundation Fest - Hampton, VA
Sat, NOV 12 - Carolina Theatre - Durham, NC
Sun, NOV 13 - Lexington Opera House - Lexington, KY
Tue, NOV 15 - Byham Theater - Pittsburgh, PA
Thu, NOV 17 - Birchmere - Alexandria, VA
Fri, NOV 18 - Rams Head - Annapolis, MD
Sun, NOV 20 - Sony Hall - New York, NY
Wed, NOV 23 - Rivers Casino Philadelphia - Philadelphia, PA
Fri, NOV 25 - Charleston Music Hall - Charleston, SC
Sun, NOV 27 - Koger Center for the Arts - Columbia, SC
Thu, DEC 8 - Motorcity Casino Hotel - Detroit, MI
Fri, DEC 16 - Jazz Alley - Seattle, WA
Sat, DEC 17 - Jazz Alley - Seattle, WA
Sun, DEC 18 - Jazz Alley - Seattle, WA
Sun, JAN 15, 2023 - Punta Cana Jazz Festival - Punta Cana, Dominican Republic
Mon, JAN 23, 2023 - Smooth Jazz Cruise 2023 - Miami Gardens, FL
Mon, JAN 30, 2023 - Smooth Jazz Cruise 2023 - Miami Gardens, FL
Sat, FEB 18, 2023 - The Palladium at the Center for the Performing Arts - Carmel, IN
LATEST MIXTAPE STOCK EXCHANGE WON
2022 JUNO AWARD FOR RAP ALBUM/EP OF THE YEAR
NOMINATED FOR A 2022 BET AWARD
FOR BEST INTERNATIONAL FLOW
PERFORMING AT THE DINAH SHORE FESTIVAL
IN PALM SPRINGS, CALIFORNIA TODAY
TORONTO, ON – September 23, 2022 – Toronto-born, Brampton-based artist, DJ and producer, Haviah Mighty, has been having a Mighty time. She just rocked the stage at Toronto's inaugural Rolling Loud festival after an extensive national summer tour. In May, Haviah made history as her 2021 mixtape, Stock Exchange, won a 2022 Juno Award for Rap Album/EP of the Year. The journey continues as Haviah shares her first sample of new music today. Honey Bun is a bona fide banger highlighting self validation, personal integrity and the growth that comes from ending toxic patterns and co-dependent relationships. Heavy beats produced by Grammy-nominated, Bizness Boi (Flo Milli, Wale, Tink), and Derelle Rideout (Kodak Black, Kevin Gates) are layered in the folds of Honey Bun, sweetened with guest bars by her father, Mr. Mighty, who shares truths we can all use. Listen to the song here.
"The end of this relationship, for me, was the end of stability and certainty for a time. It broke my trust. It meant that everything I thought I knew, no longer was. It meant that my value system around building relationships had completely changed. Where I once sought authenticity in a new connection, after that hardship and pain, I found my desires were only surface. It sparked the first line in the song, 'and another one - thought you was the one, you just another one,' followed by, 'thought I wasn’t nothing, but I’m number one. I’m like Lauryn Hill, I’m just a younger one.'
I pivoted hard to self-validation, recognizing my co-dependency on this person only after being left behind. I began to rely heavily on having multiple beautiful partners, money, designer clothes, drugs and any other way to escape the hurt. Honey Bun is a toxic part of my journey, but mixed with the internal conflict of knowing better deep down. I reflect on parental advice, 'don’t need nothing but yourself, that’s on my mama/father,' and while I’m still crooning about needing ‘another one’ through the outro, my father can be heard discrediting the entire song with his take on what beauty really is. In his reflection, you’re reminded that just as your true purpose is found from going within, the true purpose of another is found within them. Overall, this song is a reminder that nothing…is surface deep."
Earlier this year, Haviah launched her successful initiative, Black Entrepreneur Giveaway. Haviah awarded 10 rising business owners $1,000 each to help them further expand and thrive. The initiative arrives in alignment with Stock Exchange and its messaging to value systems of both economic and creative forms. Following Haviah's 2019 Polaris Music Prize winning album, 13th Floor, Stock Exchange features an array of highly acclaimed singles and guests. This year, Haviah celebrated her ever-evolving and progressive career with numerous accolades and a monumental return to live shows - defying all odds around a time of change worldwide. Listen to Stock Exchange everywhere you enjoy music.
Haviah is making her mark on an international scale and was just nominated for a 2022 BET Award in the category of Best International Flow - learn more here. Haviah is currently in Los Angeles and opened for local artist, J. Stone, at the Echoplex last night. Today, she'll rock The Dinah Music Festival at Margaritaville in Palm Springs.
Stay tuned for more from Haviah Mighty this fall.
About Haviah Mighty
Haviah Mighty didn’t need to change her birth name when she decided to dedicate her career to music. Mighty could not better describe Haviah’s craft of provocative challenges and uncompromising truths.
Based out of Brampton via Toronto, Haviah has spent a lifetime developing her skills as a songwriter, vocalist, producer, and performer, culminating in a style of profound introspection and incisive socio-political critique. Her dynamic combinations ofrap, song, and instrumental transition seamlessly from hip-hop to soul to afrobeats with a meticulous flow and cadence that transcends any traditional expectation of genre.
2019 saw Haviah earn break-out success with her album, 13th Floor, making her the first hip-hop artist and the first Black woman to win the Polaris Music Prize, celebrating the “Best Canadian Album of the Year” - but Mighty didn’t stop there.
With her JUNO Award-winning mixtape, Stock Exchange (Nov. 2021), Haviah made history once again as the first woman to ever win within the Rap Album of the Year category. Recognition has spread internationally, garnering praise from the likes of Rolling Stone, Pitchfork, GRM Daily, FADER, Hot New Hip Hop, and so many more.
From performance invitations by massive European tastemaker, COLORSxSTUDIOS, to BBC 1’s Jack Saunders proclaiming “I just cannot find anything as good as Haviah Mighty," to crushing the 5 Fingers of Death on the legendary show, Sway in the Morning - Haviah Mighty is unstoppable. Mighty pushes forward continuing to carve out spaces that boldly defy gendered expectations for women in hip- hop. Unyielding and irresistible – Haviah Mighty will be heard.
DOWNLOAD - Honey Bun Art
DOWNLOAD – Hi Res Press Photo by Yung Yemi (@yung.yemi)
WATCH THE DREAM-LIKE MUSIC VIDEO HERE
DIRECTED BY AUDREY ELLIS FOX
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TORONTO, ON - September 23, 2022 - In his first release of 2022, Q follows up his critically acclaimed debut project, The Shave Experiment, with the reflective new single, Stereo Driver. In true fashion, Q has self-produced and self-written the new single with hints of alt-R&B, Pop, & funk, saying of the track, "I wrote 'Stereo Driver' during a time of despair, and I had to lean on a higher power to help me through it. I wanted the lyrics to come off as a dialogue, and help people self reflect." Today's release is paired with the dreamy 80's inspired music video directed by Audrey Ellis Fox. Watch here.
Previously, Q's breakout single, Take Me Where Your Heart Is, was synced to hit-shows Gossip Girl, On My Block etc, and has amassed over 72 million streams to date, with over 150 million TikTok views to date. After topping multiple "Artists to Watch" lists, it becomes increasingly clear that Q is making a name for himself across genres.
DOWNLOAD - Single Art
WATCH HERE
FRANK IERO (MY CHEMICAL ROMANCE), ANTHONY GREEN
(CIRCA SURVIVE), TIM PAYNE (THURSDAY), TUCKER RULE, (THURSDAY) AND TRAVIS STEVER (COHEED & CAMBRIA)
DEBUT ALBUM PAST LIVES TO RELEASE NOVEMBER 11
U.S. TOUR KICKS OFF NOVEMBER 12 WITH STOP IN TORONTO ON NOVEMBER 22 AT VELVET UNDERGROUND
"Fiery... nonstop, dynamic fun" — Revolver
"Catchy, punky post-hardcore" — Brooklyn Vegan
"These guys all know what they are doing!" — Stereogum
"This is 100% real and no, you are not dreaming" — Ones to Watch
"Brimming with an urgency and plenty of energy" — Loudwire
TORONTO, ON – September 23, 2022 – L.S. Dunes: guitarist Frank Iero (My Chemical Romance), guitarist Travis Stever (Coheed & Cambria), vocalist Anthony Green (Circa Survive), bassist Tim Payne (Thursday), and drummer Tucker Rule (Thursday), have shared 2022, the blistering and dramatic new track off their upcoming debut album, Past Lives, due November 11 via Fantasy Records. Watch the track’s psycho-animated video here. Pre-order Past Lives here.
Anthony Green on 2022: “I wrote 2022 when I was struggling to communicate the pain that I was in during the pandemic. I survived an overdose the previous year and was feeling like I would never be free of the obsession to get high, or just get out of my own skin and that I was only going to continue to hurt everyone I loved. It was a cop-out and easier for me to write a song rather than get honest and real with the people in my life–cry for help in a way. If there’s a positive take away, it’s that it’s never a burden to the people you love to share your feelings no matter how dark or painful it might be.”
2022 follows the late August release of the band’s first single, Permanent Rebellion, which drew praise from Stereogum, NME, Consequence, Ones to Watch, Brooklyn Vegan, Revolver, Alternative Press, and Loudwire among many others.
L.S. Dunes made their highly anticipated debut performance this past weekend at Chicago’s RIOT FEST. Playing to a packed, early afternoon crowd, the band ran through several songs from the new album, a taste of the energetic, cathartic shows fans will experience on their upcoming tour.
The impetus for the trippy 2022 video has its own story. At the conclusion of the video shoot for Permanent Rebellion, Frank Iero, jet-lagged from a sold-out stadium show in Germany the night before with his other band, noticed that the shadow reflections playing on the white walls of the studio made the band look like a "hippy band that rips" and the concept for 2022 visual was born. The band shot footage with the esteemed My Good Eye Visuals (Clutch, GWAR, Killswitch Engage) and then sent it to director Robby Staebler (drummer extraordinaire for the mighty All Them Witches) with one piece of direction only: We want it to feel like "the song that saved your life, while you are on LSD… in the desert."
After the band’s next show at Sacramento’s AFTERSHOCK FESTIVAL on October 8, L.S. Dunes will hit the road for a U.S. tour this November, including a stop in Toronto on November 22 — all dates are below.
ABOUT L.S. DUNES:
L.S. DUNES super-charge their heavy anthems with punk energy into a sound unlike anything that has come before it. From the gripping, theatrical opener, 2022, and the crunchy, frenetic earworm, Like Forever, to the pummeling, expansive Permanent Rebellion, and the disarming album closer, Sleep Cult, Past Lives is an electrifying and emotional ride.
Past Lives was produced by Will Yip (Turnstile, Circa Survive, Quicksand) and recorded at his Studio 4 Recording in Philadelphia, PA. Going deep on issues of fearlessness, dependency, nonconformity, and impermanence, writing for the album was a collaborative effort.
After the shock of the pandemic shutdown, the close friends and mutual admirers urgently realized that "tomorrow" is not promised. "We never knew if we would ever get to play these songs together; in fact none of us lifelong musicians really knew if we'd ever be able to play music for a live audience ever again," Iero recounts. "'Permanent Rebellion' is about taking back what is rightfully yours."
Rule adds, "We wanted to do something where you can hear all our bands in it and yet, not have it sound like any one in particular. Our roots are punk rock and hardcore, and the vibe is hope for all the lost souls."
Original, aggressive, and intense, L.S. DUNES is the next great leap in rock's grand evolution.
L.S. DUNES ON TOUR:
October 8 — Sacramento, CA — AFTERSHOCK FESTIVAL
November 12 — Garden Grove, CA — Garden Amphitheater
November 13 — San Francisco, CA — Bimbo's 365
November 14 — Los Angeles, CA — Troubadour SOLD-OUT
November 18 — Mexico City, Mexico — Corona Capital
November 22 — Toronto, Ontario — Velvet Underground
November 25 — Asbury Park, NJ — Lanes
November 26 — Philadelphia, PA — First Unitarian Church SOLD-OUT
November 27 — Boston, MA — The Sinclair
November 29 — Brooklyn, NY — Music Hall of Williamsburg
November 30 — Baltimore, MD — Ottobar
CREDO CERTE NE CRAS FULL-LENGTH NEARS RELEASE VIA MNRK HEAVY
“...a nonstop onslaught of fiery blasts and throat-shredding screams, perfect for the Summertime. Blast it at a red light and at your next BBQ!
Only the true can hang, anyway.” – Metal Injection
“The vocals are shattering in their intensity… yet there’s also a sweeping, cascading quality to the music, which magnifies the scale of its feelings of tension and distress, and roots it even deeper in the mind…” – No Clean Singing on We Are Omega
“Credo Certe Ne Cras is a traditional blackened death metal offering, intertwining melodies with the blast beats and shrieked vocals. Anyone familiar with NOCTEM’s previous work, like 2019’s The Black Consecration, will immediately notice an upgrade in production quality.” - MetalSucks
TORONTO, ON – September 23, 2022 - Iberian blackened death metal behemoths, NOCTEM, today unleash their video for I Am Alpha. Now playing at BrooklynVegan, the icy, utterly ravenous track serves as the opening psalm to the band’s forthcoming new full-length, Credo Certe Ne Cras, scheduled to drop on October 28 via MNRK Heavy. Watch the I Am Alpha video here.
NOCTEM released their fifth full-length album, The Black Consecration, in 2019. New Transcendence accurately declared the output a “superb album, littered with secrets and enticing riffs,” making favourable comparisons to early Emperor and Dark Funeral while Metal Hammer Portugal wrote, “in this particular genre, it is perhaps one of the best Spanish works ever of its kind.”
Credo Certe Ne Cras broadens its old-school-sounding predecessor's raw, filthy fury with denser production and melody without sacrificing the frostbitten 200 mph winds of anger and blast beats. Indeed, Credo Certe Ne Cras – meaning “I Believe With Certainty That There is No Tomorrow” -- is a true master opus merging the crushing cacophony of angry, adrenaline-fueled lust with newfound sorrows and mournful melodic might. More than a mere listen, the album is a cerebral experience invoking ritualistic examination. In spirit, presentation, and philosophy, NOCTEM shares much in common with Watain, Rotting Christ, Belphegor, and Gorgoroth, while growing their own decaying branch of a wretched metal tree. Any extreme band with Spanish-style nylon string guitars in their arsenal owes a sizable debt to them.
Notes the band of crushing new single I Am Alpha: "Through its musical aspects and lyrical theme, this song delves deep into the depths of anguish, and embodies domination and the existential phenomenology of the human being. A transcendental journey, an awakening, and the realization that we are the beginning of the end."
Adds BrooklynVegan, "six and a half minutes of pure black and death metal fury. It never lets up on the attack once; even the slightly slower, more melodic bridge is ferocious.”
View NOCTEM’s previously released video for Credo Certe Ne Cras here and We Are Omega here. Credo Certe Ne Cras will be available on CD, LP, cassette, and digital formats. Find preorder options here.
Originating in Valencia, Spain, NOCTEM made their putrid presence felt with the rumble of 2002’s Unholy Blood demo. The God Among Slaves demo followed in 2007, building bloodthirsty anticipation for the band’s proper full-length debut, Divinity (2009), on Austria’s Noisehead Records. Metal Blade Records licensed Oblivion (2011) abroad, followed by a deal with Prosthetic Records, which issued Exilium (2014) and Haeresis (2016), a concept album centred on the Spanish Inquisition. (A special “rotten meat” scented LP edition of Haeresis sold all of its 666 copies in under a week). The Black Consecration (2019) expanded NOCTEM’s themes of ancient civilizations and dark rites to encompass more of Beleth’s philosophy, previously outlined in his first book, 2017’s Codex Ante-Mortem, released the same year as the band’s homemade beer, A Cruce Salus.
NOCTEM’s union with MNRK Heavy sees them stepping onto the world stage like never before, threatening a full assault. In 2022 and beyond, NOCTEM takes a massive leap forward on their thorn-ridden path, armed with blackened faith and righteous fury, thirsty with unquenchable bloodlust, and prepared to conquer. They arise again without redemption, embracing the chaos of modern times and unafraid of fate.
NOCTEM:
Beleth - vocals
Varu - bass
Voor - drums
Moss - guitars
Tobal - guitars
DOWNLOAD - press photo | DOWNLOAD - album art
CALGARY, AB – September 23, 2022 – Today, the Western Canadian Music Alliance (WCMA) is thrilled to announce the 2022 Western Canadian Music Award Artistic winners. Celebrated this evening during a livestreamed broadcast, and with a special in-person watch party in BreakOut West 2022 host city, Calgary, AB, the WCMAwards honour the outstanding artists and music industry professionals from across western Canada.
A special pre-awards show program aired this evening, ahead of the full winner reveal, with a live broadcast celebrating the 2022 recipients, as well as an official in-person watch party at Calgary’s Ship and Anchor. The broadcast featured performances by Pop Artist of the Year winner, Nuela Charles (AB), and The Garrys (SK), who won BreakOut Artist of the Year. Attendees at the watch party were treated to a special set by Electronic & Dance Artist of the Year, producer and DJ, OBLYVN (AB). Viewers worldwide can re-watch to the broadcast here.
The winners of the 2022 Western Canadian Music Industry Awards will be revealed at the Industry Awards Brunch on Saturday, October 1 at the Calgary TELUS Convention Centre.
A full list of 2022 WCMAward nominees, in both the artistic and industry categories, can be found here.
2022 WESTERN CANADIAN MUSIC AWARDS ARTISTIC WINNERS
Rock Artist of the Year – Royal Canoe (MB)
Indigenous Artist of the Year – Snotty Nose Rez Kids (BC)
Country Artist of the Year – Nice Horse (AB)
Classical Artist/Ensemble of the Year (Sponsored by Canadian Music Centre) – Standing Wave (BC)
Classical Composer of the Year – Dorothy Chang, Soaring Spirits (BC)
Metal & Hard Music Artist of the Year – Archspire (BC)
Pop Artist of the Year – Nuela Charles (AB)
Visual Media Composer of the Year – Mahogany Frog, Faust (MB)
Instrumental Artist of the Year – Astrocolor (BC)
Children’s Artist of the Year – The Oot n’ Oots (BC)
Blues Artist of the Year – The Harpoonist & The Axe Murderer (BC)
R&B Artist of the Year – Sargeant X Comrade (AB)
Rap & Hip Hop Artist of the Year – Snotty Nose Rez Kids (BC)
Francophone Artist of the Year – Sponsored by APCM (Association des professionnels de la chanson et de la musique) – Étienne Fletcher (SK)
Producer of the Year – Ryan Worsley (BC)
Spiritual Artist of the Year – Elenee (SK)
Jazz Artist of the Year – Al Muirhead Quintet (AB)
Roots Artist of the Year – Sweet Alibi (MB)
Songwriter(s) of the Year – Sponsored by The Society of Composers, Authors and Music Publishers of Canada (SOCAN) – Sam Lynch, Keeping Time (BC)
Global Artist of the Year – Andino Suns (SK)
BreakOut Artist of the Year (presented by FACTOR) – The Garrys (SK)
Electronic & Dance Artist of the Year – OBLVYN (AB)
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIAs) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 will be held in Calgary, AB from September 28 to October 2, marking the 20th anniversary of the event.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
www.breakoutwest.ca
Use #BREAKOUTWEST and join in the conversation!
Facebook | Instagram | Twitter
DOWNLOAD – BreakOut West / WCMA Logos and Graphics
ERNESTO CERVINI SHARES I'M FINE AS FINAL PREVIEW OF FORTHCOMING ALBUM JOY SET FOR RELEASE OCTOBER 7
WATCH PERFORMANCE OF ALBUM STANDOUT RUTH'S ROSA
ALBUM INSPIRED BY THE NY TIMES BESTSELLING
DETECTIVE NOVELS BY LOUISE PENNY
PERFORMANCES IN TORONTO, OTTAWA AND MONTREAL THIS FALL WITH MORE TO BE ANNOUNCED SOON
TORONTO, ON – September 23, 2022 – Today, JUNO Award-winning drummer and composer, Ernesto Cervini, shares I'm FINE - the final preview track from his forthcoming record, Joy – set for release on October 7 on Cervini’s own label, TPR Records. I'm FINE, is the name of Ruth Zardo’s book of poetry. Although the title sounds optimistic, it’s actually an acronym which stands for Fucked Up, Insecure, Neurotic and Egotistical. This piece captures the feeling of sighing, and saying "I’m Fine" when that might not be totally true. Listen to it here.
Joy, the album, draws inspiration from Louise Penny’s Armand Gamache Investigates, a series of detective novels (NY Times Best-Sellers), and the qualities of goodness, decency, courage and the love that permeate them, Cervini was moved to compose music that captures the characters, landscapes and relationships created by Penny. Pre-order Joy here.
Evocative of the sound of cool jazz, the laid-back and hard-swinging track I’m FINE features JUNO-winning drummer/composer Ernesto Cervini’s three-horn group, Turboprop. This track is inspired by the mercurial but ultimately kind and loving character Ruth Zardo, from the best-seller Gamache series of books by Louise Penny. As cool as a glass of lemonade on a hot summer’s day, the three-horn melody is followed by a soulful and bluesy saxophone solo and then a melodic acoustic bass solo before that infectious melody returns to end out the song.
To get a glimpse of the project in a live setting, watch Cervini's performance video of album standout, Ruth's Rosa, here. The song is a musical portrait of a duck and her cranky, poet laureate owner, further shaping the sonic narrative of Joy.
I'm FINE follows previous single and album opener, Three Pines. An evocative, accessible and beautiful modern jazz original,Three Pines, is named for the village where most of the books – that the new album was inspired by – take place. A refuge as well as a safe place, the song resonates as Ernesto captures the idyllic nature of the village.
The lead single, Surprised by Joy, is a riveting contemporary jazz song featuring Cervini’s beloved group, Turboprop. A churning drum solo opens the track and from the first strains of the rhythm section it is clear that this song is going to be a barn-burner, building up to an explosive entrance by the horn section and opening up into angular and swinging solos by pianist, Adrean Farrugia, and tenor saxophonist, Kelly Jefferson.
About Joy:
Featuring Cervini's Turboprop, Tune Town, Tetrahedron groups as well as other sonic surprises, Joy showcases Canada’s finest musicians and is the first of Cervini’s albums to include vocalists; two songs showcase Alex Samaras (Queer Songbook Orchestra), and an additional track features Felicity Williams (Bahamas, Bernice), Emilie-Claire Barlow (two time JUNO Award winner, six time nominee) and Amy Cervini (Duchess), who co-produced the album.
On September 3, Cervini delivered an extraordinary performance at Théâtre Lac-Brome, in Penny’s hometown of Knowlton, QC. Ernesto Cervini’s Joy: A Musical World inspired by Three Pines was the global premiere concert of the new record, bringing the songs and stories to life on stage. In addition, Cervini will perform in Toronto, Montreal and Ottawa this fall, with more dates to be announced soon. See below for full tour details.
Cervini’s music and personality beam with unbridled joy, and this record is a true reflection of that. Stay tuned for more to come this fall while we celebrate the release of Joy next month!
UPCOMING TOUR DATES:
November 2 - Toronto, ON - Alliance Francaise
November 3 - Montreal, QC - Société Jazz St Henri
November 4 - Ottawa, ON - National Arts Centre
*more to be announced soon!
DOWNLOAD – album cover artwork
DOWNLOAD – I'm FINE single artwork
DOWNLOAD – press photos
ABOUT ERNESTO CERVINI:
JUNO Award winner Ernesto Cervini is a sought-after drummer, composer and bandleader and an influential presence on Canada’s modern jazz scene and beyond. He has documented his vision with the Ernesto Cervini Quartet (featuring Joel Frahm), the innovative sextet Turboprop, numerous co- led trio projects including MEM3, Myriad3 and TuneTown, and also the quartet Tetrahedron, featuring acclaimed guitarist Nir Felder, electric bassist Rich Brown and alto saxophonist Luis Deniz. Cervini’s album Abundance won the 2020 JUNO Award for Jazz Album of the Year: Group. In addition to his performing career, he founded Orange Grove Publicity in 2014 and has quickly become one of the most sought-after jazz publicists in Canada. He is also co-founder of TPR. Cervini is on faculty at the University of Toronto.
NEW ORLEANS LEGEND’S MUSICAL FAREWELL
GARNERS TREMENDOUS CRITICAL PRAISE
Rebennack was in the process of realizing that goal when his life was unexpectedly cut short by a fatal heart attack three years ago. The resulting album – Things Happen That Way – is available today digitally and on CD. On October 14, the album will be released as a vinyl LP. Listen here.
As Executrix of his estate, Rebennack’s eldest daughter, Karla Pratt, was entrusted with the daunting – but keenly important – task of seeing the album through to completion. “Though it’s very sad that my father isn’t here to see this project that meant so much to him finally be out in the world, I take great comfort in knowing that we fulfilled his long-held wishes. During his lifetime he frequently stated his desire to record this album with his dear, lifelong friend Willie Nelson and Willie’s son Lukas Nelson as treasured guest artists - he felt having two generations would be very special, spanning past and future. Though he didn’t get to work with Lukas during his lifetime, I’m very happy to know we were able to make that happen. Another lifelong friend, Aaron Neville, lends the instantly recognizable, beautiful voice he always admired. We’re so grateful to the many musicians who contributed to this album, and I’m confident that Dad would be very proud of the final result.”
captures him in peak form.” – Hank Shteamer, New York Times
“With unusually vulnerable performances of classics like ‘I’m So Lonesome I Could Cry’ and ‘Funny How Time Slips Away,’ Things Happen That Way is the realization of the singer’s long-held dream of crafting a country-inspired album.”
– Jonathan Bernstein, Rolling Stone
“…a richly resonant farewelI from a maverick veteran.” – Sharon O’Connell, Uncut
****– Andrew Perry, Mojo
“As far as farewells go, it is at times bittersweet, at times triumphant, with enough nuance to convey that it came in the twilight of Rebennack’s remarkable life and career.” –Keith Spera, Times-Picayune
“Dr. John’s one-of-a-kind voice was stilled when he died a little over three years ago, on June 6, 2019, so this album — which includes three originals as well as covers of some standard country hits and one traditional song (“Gimme That Old Time Religion”) — arrives as a welcome surprise. It also demonstrates just how ingenious a song interpreter Rebennack always was.” – Henry Carrigan, No Depression
“When Dr. John passed in 2019 due to a heart attack, he was finishing a new album that would finally indulge his passion for country music. Now, fans get to hear the stunning results.” – Matt Hendrickson, Garden & Gun
“Things Happen That Way is solid, fun, and a bit sad, but a fitting, heartfelt sign-off from an American treasure. It's quite beautiful.” – Thom Jurek, AllMusic
“…a remarkable and powerful final statement from a musician facing the end by going back to where he started.” – Kevin E G Perry, The Independent
“Few musical legacies from New Orleans have touched the world in the way that Mac Rebennack, better known as Dr. John, touched the world…While Rebennack could sometimes be larger than life as the Night Tripper, this album showcases a man who feels more personable than ever as he meanders through covers of beloved traditionals and Hank Williams tunes.” – William Archambeault, ANTIGRAVITY
“Any opportunity to hear this will be the right place AND the right time.” – Gary Graff, Cleveland Plain Dealer
– Spill Magazine
ACCLAIMED SINGER-SONGWRITER STARS IN THE SAMUEL GOLDWYN COMPANY’S NEW MOTION PICTURE
A CHANCE ENCOUNTER IN SELECT THEATRES AND
ON-DEMAND OCTOBER 28
NEW 6-TRACK EP SET FOR RELEASE OCTOBER 21
FEATURES SONGS VON KAMPEN WROTE AND PERFORMS IN THE FILM
SHARES FIRST SINGLE LOVE HIM RIGHT
TORONTO, ON – September 23, 2022 – On October 21, 2022, rising singer-songwriter, Andrea von Kampen, will release the soundtrack to A Chance Encounter, a new independent film (distributed by The Samuel Goldwyn Company and directed by Alexander Jeffery) in which she also stars. Timed to arrive ahead of the film’s October 28 release date, the 6-track, digital-only EP, A Chance Encounter: An Original Motion Picture Soundtrack features songs that von Kampen wrote and performs in the film. Listen to the EP’s first single, Love Him Right here. Pre-Order A Chance Encounter: An Original Motion Picture Soundtrack here and watch the official trailer for A Chance Encounter here.
Andrea von Kampen on A Chance Encounter: "A Chance Encounter was a lesson of firsts for me. First time writing a soundtrack based on a script, first time acting in a feature film, first time going to Italy, first time eating pasta for twenty days straight and so much more. Having the ability to see this project from start to finish has been a huge honor and incredible learning experience for me. When I think about my time working on this film, I think about friends, pasta, lack of sleep, Padre Pio in the garden, acting in front of thousands of tourists, red wine, more pasta, and making art that we all believed in. Life as a songwriter can be lonesome at times and I’ll always look back on the month in Italy as a rare time where we worked together as artists to make something beautiful."
A romance explored through poetry and music, the songs in A Chance Encounter conveys the film’s tender narrative of inspiration, destiny, and connection. The film’s synopsis describes the intriguing subject matter further: Two Americans, one an aspiring poet and the other an established folk musician, cross paths in the scenic, coastal town of Taormina, Sicily. Their instant chemistry sparks collaboration, leading to an unexpected, weeklong writer's retreat at a beautiful villa in the Sicilian countryside. As they immerse themselves in the local culture, they challenge each other to express their thorniest secrets, growing closer all the while.
The soundtrack includes four von Kampen originals, written specifically for the film, along with Andrea’s exquisite readings of Stephen Foster’s 19th century classic, Hard Times, and Goodnight, Ladies, another timeless early folk tune attributed to Edwin Peace Christy.
Produced by Andrea, and co-produced by her brother David von Kampen, A Chance Encounter: An Original Motion Picture Soundtrack follows her much admired debut LP, 2021’s, That Spell. The emerging, Nebraska-raised singer-songwriter is a formidable talent with a deeply felt folk-indebted sound and inquisitive, empathetic lyrics. Gifted with a unique ability to transmit the subtle shades of human emotion, von Kampen’s intricate compositions and remarkable voice help bring these songs, and her debut as an actor, to life.
A Chance Encounter: An Original Motion Picture Soundtrack - Track List:
1. Love Him Right - (Andrea von Kampen)
2. Hard Times - traditional, arranged by Andrea Von Kampen
3. Liars (Song for Cady) - (Andrea von Kampen)
4. Goodnight, Ladies - traditional, arranged by Andrea von Kampen
5. Hadley’s Song - (Andrea von Kampen)
6. Time + Space (Molto Bella) - (Andrea von Kampen)
Andrea von Kampen On Tour:
10/7 - Brooklyn, NY - Union Pool *
10/9 - Philadelphia, PA - City Winery (Loft) *
10/12 - Washington, DC - DC9 *
10/13 - Carrboro, NC - Cat's Cradle Backroom *
10/14 - Charlotte, NC - Evening Muse *
10/16 - Nashville, TN - Lightning 100 presents @ 3rd & Lindsley +
10/17 - Decatur, GA - Eddie's Attic *
10/26 - Milly Valley, CA - Sweetwater Music Hall %
10/27 - Ashland, OR - Oregon Center for the Arts %
10/28 - Bend, OR - Volcanic Theater Pub %
10/29 - Portland, OR - Mississippi Studios %
* - w/Dead Horses
+ - w/Dead Horses & Vandoliers
% - w/Darlingside
20th ANNUAL FESTIVAL, CONFERENCE AND
WESTERN CANADIAN MUSIC AWARDS TAKING PLACE LIVE AND IN PERSON SEPTEMBER 28 – OCTOBER 2 IN CALGARY, AB
WESTERN CANADIAN MUSIC ARTISTIC AWARD WINNERS
TO BE REVEALED AT SPECIAL LIVE BROADCAST
AND IN-PERSON WATCH PARTY IN CALGARY
ON FRIDAY, SEPTEMBER 23
CALGARY, AB – September 21, 2022 – September 21, 2022 – In just over two weeks, BreakOut West will officially kick off its 20th annual event, celebrating and experiencing all that the western Canadian music industry has to offer! Taking place from September 28 – October 2 in Calgary, Alberta, BOW 2022 will play host to an outstanding lineup of festival performers, a stacked conference of international industry insiders, and the reveal of this year’s Western Canadian Music Award winners.
Ahead of the 28th, BOW will kick off the festivities early by celebrating the winners of the Western Canadian Music Artistic Awards on Friday, September 23, with a live broadcast revealing the 2022 recipients, as well as an official in-person watch party at Calgary’s Ship and Anchor. The broadcast will feature performances by Pop Artist of the Year nominee, Nuela Charles (AB), and The Garrys, who are up for BreakOut Artist of the Year. Attendees at the watch party will be treated to a special set by Edmonton producer and DJ, OBLYVN. Viewers worldwide can tune in to the broadcast at 6:00 p.m. MT here.
The winners of the 2022 Western Canadian Music Industry Awards will be revealed at the Industry Awards Brunch on Saturday, October 1 at the Calgary TELUS Convention Centre. A list of 2022 WCMA nominees, in both the artistic and industry categories, can be found here. Full details on both awards events can be found below.
BreakOut West officially begins on September 28th with the start of its four-day career development conference and international industry program. Offering immersive content, international market deep dives, one-on-one mentor meetings, workshops and more, the conference is a landmark event for both artists and industry alike looking to gain insight into the everchanging musical landscape, and make invaluable connections. BOW 2022 will continue to offer enriching online networking events, bringing attendees the opportunity to link with industry peers worldwide. Visit hereto register.
Three nights of music festival showcases kick off on Thursday, September 29th and will see artists take to stages in venues throughout Calgary’s downtown core and in the Music Mile. Over 50 western Canadian acts are set to perform, as well as two eastern Canadian friends, and ten guests from overseas, including musicians from Wales, Sweden, Iceland, the Nordics and other countries from across Europe. A special mini festival – Kinderfest – will take place on Saturday, October 1 at Central Library, giving the youngest of concertgoers (and their parents!) a taste of the outstanding children’s music coming out of western Canada.
“Calgary is growing as a music city,” says Jeff Hessel, a VP with Tourism Calgary who is also on the Host Committee for BOW. “The city takes great pride in highlighting its local talent and supporting both emerging and more established artists. We’re excited to see them perform and to welcome international artists who are joining us as well.”
The full lineup of BOW festival performers can be found here and the three-night schedule can be viewed here. Festival writsbands are available for $15 each and can be purchased online or at the participating venues, while supplies last, beginning September 29.
“With only 17 days to go, I could not be more excited to welcome everyone to Calgary!” exclaims BreakOut West Executive Director, Robyn Stewart. “As we tune up our final plans and make out weekend venue-hopping schedules, I reflect on 20 incredible years of gathering together for BreakOut West. Pack your carry-ons and make your way to us for an incredible weekend of live music, conversation, learning and Calgary hospitality. See you soon!”
BREAKOUT WEST 2022 AT A GLANCE:
Dates: Wednesday, September 28 – Sunday, October 2
Host City: Calgary, Alberta
Host Hotel: Marriott Downtown
Access: Conference REGISTRATION | Festival WRISTBANDS
Conference: Wednesday, September 28 – Sunday, October 2 | SPEAKERS |SCHEDULE
Festival: Thursday, September 29 – Saturday, October 1 | LINEUP | SCHEDULE
BreakOut West Kinderfest: REGISTRATION
For more information: breakoutwest.ca
2022 WCMA Artistic Awards Watch Party:
Date: Friday, September 23, 2022
Location: The Ship and Anchor, 534 17 Ave SW, Calgary, AB
Doors: 5:30 p.m.
Awards Presentation: 6:00 p.m.
Free entry
Live Broadcast: facebook.com/breakoutwest
Industry Awards Brunch:
Date: Sunday, October 2, 2022
Location: TELUS Convention Centre
Doors: 10:00 a.m.
Awards Presentation: 10:30 a.m.
Ticketed event for registered attendees
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIAs) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 will be held in Calgary, AB from September 28 to October 2, marking the 20th anniversary of the event. The 2022 Western Canadian Music Awards and Industry Awards will be announced in fall 2022.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
www.breakoutwest.ca
Use #BREAKOUTWEST and join in the conversation!
Facebook | Instagram | Twitter
DOWNLOAD – BreakOut West / WCMA Logos and Graphics
A RESILIENT PROCLAMATION OF FREEDOM
PRODUCED BY PRICE & JONATHAN WILSON
FEATURING SHARON VAN ETTEN, MIKE CAMPBELL & LUCIUS
WATCH THE MUSIC VIDEO FOR SINGLE CHANGE OF HEART
HEADLINE TOUR OF MORE THAN 30 NORTH AMERICAN DATES SET
FOR 2022/2023 WITH STOPS IN VANCOUVER AND TORONTO
MEMOIR OUT OCTOBER 4
Pre-Order Strays via Loma Vista Recordings, and watch the music video for new single, Change of Heart, out now here.
Produced by Margo Price and Jonathan Wilson (Angel Olsen, Father John Misty), Strays was primarily recorded in the summer of 2021, during a week spent at Fivestar Studio in California’s Topanga Canyon. While the songwriting began the summer prior – during a six-day, mushroom-filled trip that Price and her husband Jeremy Ivey took to South Carolina – it was amongst the hallucinatory hills of western Los Angeles that Price experienced the best recording sessions of her career. Instilled with a newfound confidence and comfortability to experiment and explore like never before, Margo Price and her longtime band of Pricetags channeled their telepathic abilities into songs that span rock n roll, psychedelic country, rhythm & blues, and glistening, iridescent pop. Having been together since the days before Midwest Farmer’s Daughter, her 2016 debut that Rolling Stone named one of the Greatest Country Albums of All Time, Price and her band tracked live in the same room, simultaneously expanding upon and completely exploding the notions of every other album they have made together. With additional vocals from Sharon Van Etten and Lucius, plus guitar from Mike Campbell, strings, synthesizers and a breadth of previously untapped sounds, Strays is also Price’s most collaborative record yet.
“I feel this urgency to keep moving, keep creating,” says Margo Price. “You get stuck in the same patterns of thinking, the same loops of addiction. But there comes a point where you just have to say, ‘I'm going to be here, I'm going to enjoy it, and I'm not going to put so much stock into checking the boxes for everyone else.’ I feel more mature in the way that I write now, I’m on more than just a search for large crowds and accolades. I’m trying to find what my soul needs.”
Out today, new single, Change of Heart, was one of the first tracks that Price, Wilson and her band cut for Strays, its hypnotic riff and internal battleground of lyrics laying the foundation for the rest of the LP. Accompanied by another mind-bending journey of a music video, directed by Courtney Hoffman, Change of Heart follows recently-released album preview, Been To The Mountain, a rollicking epic that delivers an unshakable showcase of Price’s “hard-living swagger” (The New York Times).
Strays marks Margo Price’s first new album since 2020’s acclaimed, That’s How Rumors Get Started, and during the two years in between, Price announced the impending publication of her debut memoir, launched her Sonos Radio podcast, Runaway Horses, with interviews from Emmylou Harris, Amythyst Kiah, Swamp Dogg, Bob Weir and more, became the first female artist elected to the Farm Aid Board of Directors, released collaborations with the likes of Mavis Staples, Adia Victoria and Allison Russell, wrote music for Big Mouth, and shared stages with Bob Weir, Brandi Carlile, Chris Stapleton, Lucinda Williams, Nathaniel Rateliff and Tyler Childers, but she’s not leaving the road anytime soon.
In a run of over 30 headline shows announced today, Margo Price will bring the music of Strays across North America from late November through early March, including stops at Los Angeles’ Fonda Theatre and New York’s Webster Hall, a return to Nashville’s Ryman Auditorium and much more. All of the newly added tour dates are on-sale at 10am local time this Friday, Sept 23rd, with presales beginning at 10am local time tomorrow. Find the full list of dates below, plus more information and tickets at margoprice.net/#tour.
Strays Tracklist
1.Been To The Mountain
2.Light Me Up (ft. Mike Campbell)
3.Radio (ft. Sharon Van Etten)
4.Change of Heart
5.County Road
6.Time Machine
7.Hell In The Heartland
8.Anytime You Call (ft. Lucius)
9.Lydia
10.Landfill
Margo Price Tour Dates
9/23 - Lewisburg, WV - Healing Appalachia
9/24 - Raleigh, NC - Farm Aid
10/4 - Nashville, TN - Grimey’s^
10/5 - New York, NY - P&T Knitwear^
10/6 - Brooklyn, NY - Greenlight Bookstore^
10/8 - York, PA - White Rose Music Festival
10/15-16 - Nashville, TN - Southern Festival of Books^
10/17 - Lexington, KY - Joseph Beth Booksellers^
10/18 - Louisville, KY - Carmichael’s Bookstore^
10/20 - Traverse City, MI - National Writer’s Series^
10/22 - Iowa City, IA - Prairie Lights^
10/23 - Chicago, IL - Chicago Humanities Festival^
10/24 - Winnetka, IL - The Book Stall^
10/27-30 - Live Oak, FL - Suwannee Hulaween
11/1 - San Francisco, CA - Green Apple Books on the Park^
11/2 - Santa Cruz, CA - Bookshop Santa Cruz^
11/3 - Los Angeles, CA - Vroman’s^
11/5 - Austin, TX - Texas Book Festival^
11/6 - Dallas, TX - Interabang Books^
11/16 - Nashville, TN - Parnassus Books^
11/29 - Fayetteville, AR - George’s Majestic Lounge*
11/30 - Baton Rouge, LA - Chelsea’s Live*
12/2 - Lake Wales, FL - Orange Blossom Revue
12/3 - Charleston, SC - Music Farm*
12/5 - Charlotte, NC - Neighborhood Theatre*
12/6 - Louisville, KY - Headliners Music Hall*
1/30 - Asheville, NC - Orange Peel%
1/31 - Atlanta, GA - Variety Playhouse%
2/2 - Houston, TX - White Oak Music Hall&
2/3 - Austin, TX - Scoot Inn&
2/4 - Dallas, TX - Granada Theater&
2/6 - Phoenix, AZ - Crescent Ballroom$
2/7 - San Diego, CA - The Observatory North Park$
2/9 - Los Angeles, CA - Fonda Theatre$
2/10 - San Francisco, CA - The Fillmore$
2/11 - Arcata, CA - Van Duzer Theatre$
2/13 - Portland, OR - Crystal Ballroom$
2/14 - Vancouver, BC - Commodore Ballroom$
2/15 - Seattle, WA - The Showbox$
2/17 - Bozeman, MT - The Elm$
2/19 - Minneapolis, MN - First Avenue$
2/20 - Madison, WI - Majestic Theatre$
2/21 - Chicago, IL - Vic Theatre$
2/22 - Indianapolis, IN - The Vogue$
2/24 - Toronto, ON - The Phoenix Concert Theatre#
2/25 - Detroit, MI - Majestic Theatre#
2/27 - Burlington, VT - Higher Ground Ballroom#
2/28 - Boston, MA - Paradise Rock Club#
3/2 - Washington, DC - 9:30 Club#
3/3 - Philadelphia, PA - Theatre of Living Arts#
3/4 - New York, NY - Webster Hall#
3/9 - Nashville, TN - Ryman Auditorium!
^Maybe We’ll Make It Book Tour
*w/ Kam Franklin (of The Suffers)
%w/ The Deslondes
&w/ Daniel Donato's Cosmic Country
$w/ Lola Kirke
#w/ Tre Burt
!w/ Jessi Colter
WATCH LIL JIT AND 90'S BABY REMIX
FEATURING DENZEL CURRY & ICECOLDBISHOP
DEBUT ALBUM ARRIVING NEXT YEAR
Toronto, ON – September 20, 2022 – Miami rapper, PlayThatBoiZay, shares a pair of new singles in LIL JIT, alongside its accompanying video, and 90'S BABY REMIX, featuring Denzel Curry and ICECOLDBISHOP, ahead of his debut album slated to arrive next year. Produced by Kwes Darko (slowthai, Pa Salieu, Sampa The Great), LIL JIT is an explosive track with distorted 808s, led by Zay's catchy hooks and a gritty verse as the visual showcases his high energy lifestyle. On 90'S BABY REMIX, the trio of rappers links up to lay new hard-hitting verses on the original 2021 freestyle.
Marking his first offering since last summer, the A/B tracks follow Zay and Denzel's most recent collaboration, Let It All Hangout, which appeared on the Baz Luhrman-directed film's ELVIS: The Original Motion Picture Soundtrack earlier this year. The duo previously linked up for P.A.T. from the critically acclaimed 2019 album, ZUU, and Curry's contribution as Executive Producer on his 2019 EP Nocturnal. The song and creative partnership came to be after Denzel heard Zay on Shoot the Moon and connected with the rapper to make P.A.T.
PlayThatBoiZay is currently joining Denzel Curry on his fall North American Melt My Eyez tour including upcoming stops in Toronto, New York City, and Philadelphia before wrapping up in Boston on October 8th. Watch LIL JIT and listen to 90'S BABY REMIX above and stay tuned for more from PlayThatBoiZay coming soon.
Upcoming Live Dates
9/20 - Saint Louis, MO @ The Pageant
9/22 - Milwaukee, WI @ The Rave / Eagles Club
9/23 - Chicago, IL @ The Riveria Theatre
9/24 - Minneapolis, MN @ Palace Theatre
9/27 - Detroit, MI @ Royal Oak Music Theatre
9/28 - Toronto, ON @ Rebel
9/30 - Cleveland, OH @ Agora Theater & Ballroom
10/1 - Columbus, OH @ KEMBA Live!
10/4 - Silver Spring, MD @ The Fillmore
10/6 - New York, NY @ Terminal 5
10/7 - Philadelphia, PA @ The Fillmore
10/8 - Boston, MA @ Roadrunner
TORONTO, ON – September 19, 2022 – Pierre Kwenders has won the 2022 Polaris Music Prize for the album José Louis And The Paradox Of Love.
This is Kwenders’ first Polaris Music Prize win.
The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 197 writers, editors, broadcasters, DJs and personalities from across the country. This was the 17th edition of the Polaris Music Prize.
“This is crazy, I don’t even know what to think. This is for all the kids from the diaspora, the African diaspora, moving in Canada. Sometimes you feel like you don’t know what you’re running into, or what you’re coming into. But there is hope, there is a place to live and dream and be yourself. This album, especially, is about being yourself and telling your own story. José Louis And The Paradox Of Love is there for you, you know, if you feel you can connect, connect! Let’s talk! Let’s have fun! Let’s be ourselves! Let’s love each other, while we are alive. Bisou!” – Pierre Kwenders
Kwenders’ victory came with a $50,000 monetary reward with the nine other Short List nominees each received $3,000 courtesy of Slaight Music. Additionally, Play MPE awarded Kwenders with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.
The 2022 Polaris Short List was:
Destroyer - LABYRINTHITIS
Pierre Kwenders - José Louis And The Paradox Of Love
Lisa Leblanc - Chiac Disco
Hubert Lenoir - PICTURA DE IPSE : Musique directe
Kelly McMichael - Waves
Ombiigizi - Sewn Back Together
Ouri - Frame of a Fauna
Shad - TAO
Snotty Nose Rez Kids - Life After
Charlotte Day Wilson - ALPHA
Kwenders’ name was revealed by Polaris 2021 winner Cadence Weapon, capping a night of musical performances at the Polaris Gala. The gala, which was held at The Carlu in Toronto, Ontario, also featured an evening-opening performance from Cadence Weapon as well as sets from Short List nominees Pierre Kwenders, Lisa Leblanc, Hubert Lenoir, Kelly McMichael, Ombiigizi, Ouri, Shad, Snotty Nose Rez Kids and Charlotte Day Wilson. Toronto act Fresh Pepper also interpreted two songs from Destroyer’s LABYRINTHITIS album.
Hosted by CBC Music’s Angeline Tetteh-Wayoe, the Polaris Gala was broadcast in Canada on the free CBC Gem, CBC Music’s Facebook, YouTube and Twitter pages and globally at cbcmusic.ca/polaris. The coverage was part of CBC Music’s Short List Summer, a massive editorial campaign across its services which included essays and videos focusing on this year’s Short List nominees as well as The Ten spotlight radio series. Devoting one episode to each of the Short List nominees, The Ten aired throughout the summer via CBC Music and CBC Listen. Episodes of The Ten are available on-demand here and you can re-watch the Polaris Gala on CBC Gem.
The Grand Jury who decided the winner included Jenny Feniak (Edmonton Journal), Dany Gallant (CISM), Élise Jetté (Freelance Journalist / Journaliste pigiste), Marc-Xavier Leblanc (Freelance Journalist / Journaliste pigiste), Brennan McCracken (Freelance Journalist / Journaliste pigiste), Daniel McIntosh (Freelance Journalist / Journaliste pigiste), Olivia Michalczuk (Freelance Journalist / Journaliste pigiste), Max Mohenu (Freelance Journalist / Journaliste pigiste), Marie-Lise Rousseau (Journal Métro), Melissa Tobin (CBC Radio 1) and Jasper Sloan Yip (CITR).
"It's always an incredible honour to oversee the Polaris Prize Grand Jury. After a hiatus from gathering in spaces of live music, the generous, heartfelt and astute discussion from our devoted Grand Jury matches the undeniable spirit of excitement in the air,” said Polaris Jury Foreperson Melissa Vincent. “Their zeal symbolizes the many, many excellent Canadian albums recognized. What a year! We couldn't be more pleased to congratulate Pierre and all the nominees!"
The return of Polaris’ signature live event wasn’t just a celebration of exceptional music, it was also a celebration of art and community. The night kicked off with the first-ever Official Gala Opening Reception presented by FACTOR. The reception was an opportunity for Canada's music industry to come together to connect and celebrate together and featured a guest list that included past Polaris winners as well as an array of Polaris Short List and Long List nominees from 2020 and 2021. Inspired by the mysterious music of Canada’s natural landscape, The Carlu was transformed into a large-scale light and sound installation by creative director Daniel Tal using creative 4D floral designs from Alex McLeod as well as installations from local artists Odessa Dobbie, Graham Teeple and Lauren Pirie, all produced by Vox Future. The official #Polaris2022 After-Party was in The Carlu’s magnificent Round Room immediately following the winner announcement.
The Polaris Gala capped a busy three months in the Polaris universe. Polaris released its 40 nominee album Long List on June 14 before narrowing down that to the 10 contender Short List on July 14. The Polaris Music Prize 2022 Poster Launch & Exhibition, a month-long gallery takeover at Underscore Projects (1486 Dundas Street West, Toronto) opened on Sept. 8. to showcase Polaris’ vast archive of silkscreen art posters inspired by its many past nominees. Additionally, the Polaris Gala marked the official reveal of the 12 albums being considered for the 2022 Slaight Family Polaris Heritage Prize, our hall of fame-minded critics prize/public polling campaign celebrating Canadian albums of the past. Two new Heritage Prize-winning albums will be announced on October 21.
Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.
The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).
Polaris Music Prize 2022 Event Season
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Cana dian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media attention
20 Not-for-Profit and charity partners supported through the Community Development Program
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages. We also deliver content in Spanish, Arabic Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
About CBC Music
CBC Music is the leading curator of emerging and diverse Canadian music talent across platforms, playing the most Canadian artists and genres on radio, CBC Listen and cbcmusic.ca. We prioritize Canadian artists in a wide variety of genres on over 200 playlists available on CBC Listen, and publish daily national music coverage. CBC Music Live features live music recordings from across the country. Our music partnerships and events include The JUNOS, the Polaris Music Prize, Searchlight, the CBC Music Festival, The Canadian Music Class Challenge and Canada Listens. www.cbcmusic.ca
About Play MPE
Play MPE is the leading global platform for music promotion distribution and discovery. The company now serves over 100 countries, is available in multiple languages, and has changed the way the music industry delivers and accesses content. Play MPE provides music promotion distribution for 1000s of record labels, promoters and artists connecting them to a growing community of vetted music industry decision makers. Play MPE’s coveted distribution lists include: radio, satellite, media/blogs, music supervisors, music curators and more. Long standing global clients include Universal Music Group, Warner Music , Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard and many more. www.plaympe.com
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
* * *
PIERRE KWENDERS
REMPORTE LE PRIX DE MUSIQUE POLARIS 2022 POUR SON ALBUM JOSÉ LOUIS AND THE PARADOX OF LOVE
TORONTO, ON – 19 septembre 2022 – Pierre Kwenders remporte le Prix de musique Polaris 2022 pour son album José Louis And The Paradox Of Love.
Il s’agit du premier Prix Polaris reçu par Kwenders.
Présenté par CBC Music, ce prix est remis au meilleur album canadien de l’année en fonction de son mérite artistique, sans égard au genre musical, aux ventes ou à l’affiliation commerciale. Il a été déterminé par un grand jury composé de 11 membres des médias musicaux, qui font partie du jury Polaris élargi rassemblant 197 personnes spécialisées en rédaction, édition, diffusion et animation en provenance de partout au pays. Il s’agissait de la 17e édition du Prix de musique Polaris.
« C'est fou, je ne sais même pas quoi penser. Ce prix est pour tous les enfants de la diaspora, la diaspora africaine, qui déménagent au Canada. Parfois, vous avez l'impression de ne pas savoir dans quoi vous vous heurtez ou dans quoi vous vous engagez. Mais il y a de l'espoir, il y a un endroit où vivre, rêver et être soi-même. Cet album, en particulier, parle d'être soi-même et de raconter sa propre histoire. José Louis And The Paradox Of Love est là pour vous, vous savez, si vous sentez une connexion, connectez-vous ! Discutons! Amusons-nous! Soyons nous-mêmes ! Aimons-nous, de notre vivant. Bisou ! » – Pierre Kwenders
Le prix remporté par Kwenders était accompagné d’une récompense de 50 000 $ en argent. Les neuf autres artistes figurant sur la courte liste ont aussi reçu 3 000 $ de Slaight Music. Play MPE a pour sa part remis à Kwenders un forfait mondial pour la distribution et la promotion d’une parution musicale (simple ou album) d’une valeur maximale de 3 025 $ CA, tandis que les neufs artistes en nomination ont obtenu des forfaits de distribution d’une valeur maximale de 1 000 $ CA.
La courte liste du Prix de musique Polaris 2022 était composée de :
Destroyer – LABYRINTHITIS
Pierre Kwenders – José Louis And The Paradox Of Love
Lisa Leblanc – Chiac Disco
Hubert Lenoir – PICTURA DE IPSE : Musique directe
Kelly McMichael – Waves
Ombiigizi – Sewn Back Together
Ouri – Frame of a Fauna
Shad – TAO
Snotty Nose Rez Kids – Life After
Charlotte Day Wilson – ALPHA
La victoire de Kwenders a été annoncée par Cadence Weapon, lauréat du prix en 2021, à l’issue d’un gala Polaris marqué par plusieurs performances musicales. Organisée au Carlu (Toronto, Ontario), cette soirée spéciale s’est amorcée par une prestation de Cadence Weapon, suivi de celles des artistes de la courte liste Pierre Kwenders, Lisa Leblanc, Hubert Lenoir, Kelly McMichael, Ombiigizi, Ouri, Shad, Snotty Nose Rez Kids et Charlotte Day Wilson. Le groupe torontois Fresh Pepper a également interprété deux chansons de l’album LABYRINTHITIS de Destroyer.
Animé par Angeline Tetteh-Wayoe de CBC Music, le gala Polaris a été diffusé gratuitement au Canada sur CBC Gem; sur les pages Facebook, YouTube et Twitter de CBC Music; et dans le monde entier sur cbcmusic.ca/polaris. Cette couverture s’inscrivait dans le cadre de la programmation Short List Summer (« l’été de la courte liste ») présentée par l’ensemble des divisions de CBC Music. Celle-ci comprenait du contenu éditorial et des vidéos portant sur les artistes de la courte liste de 2022, ainsi que la série radiophonique The Ten. Consacrant un épisode à chaque artiste en nomination, The Ten a été diffusée tout au long de l’été sur CBC Music et CBC Listen. Ces épisodes sont accessibles à la demande ici, et le gala Polaris peut être visionné via CBC Gem.
Le grand jury responsable de déterminer l’album gagnant était formé de Jenny Feniak (Edmonton Journal), Dany Gallant (CISM), Élise Jetté (journaliste pigiste), Marc-Xavier Leblanc (journaliste pigiste), Brennan McCracken (journaliste pigiste), Daniel McIntosh (journaliste pigiste), Olivia Michalczuk (journaliste pigiste), Max Mohenu (journaliste pigiste), Marie-Lise Rousseau (Journal Métro), Melissa Tobin (CBC Radio 1) and Jasper Sloan Yip (CITR).
« C’est toujours un honneur incroyable de superviser le grand jury du Prix Polaris. Après avoir connu une longue interruption des rassemblements musicaux en présentiel, l’enthousiasme de notre grand jury était palpable : les discussions étaient généreuses, sincères et profondes », a déclaré Melissa Vincent, qui préside le jury Polaris. « Le zèle des membres de notre jury est à l’image des nombreux excellents albums canadiens récompensés. Quelle année! Toutes nos félicitations à Pierre et aux artistes en nomination! »
Le retour en présentiel de l’événement emblématique du Polaris était non seulement une célébration de musiques exceptionnelles, mais aussi un hommage à l’art et à la communauté. La soirée a été entamée par la toute première réception d’ouverture officielle présentée par FACTOR. Pour l’industrie musicale canadienne, cette réception était l’occasion idéale pour se réunir, tisser des liens et célébrer. L’événement conviait des artistes ayant déjà remporté le Polaris, ainsi que de grands noms présents sur la courte liste de 2020 ou 2021. En écho à la musique mystérieuse des paysages naturels du Canada, le Carlu a été transformé en une installation lumineuse et sonore à grande échelle créée par le directeur créatif Daniel Tal, qui a utilisé les créations florales 4D d’Alex McLeod ainsi que les installations des artistes de Toronto Odessa Dobbie, Graham Teeple et Lauren Pirie, le tout produit par Vox Future. L’after-party officiel du #Polaris2022, présenté par Crown Royal, s’est tenu dans la magnifique Round Room du Carlu, immédiatement après l’annonce de l’album gagnant de l’année.
Le gala Polaris a été le point culminant de trois mois très actifs dans l’univers Polaris. Le 14 juin dernier, le Polaris a publié sa longue liste de 40 albums, avant de restreindre ce palmarès à 10 albums lors du dévoilement de sa courte liste, le 14 juillet. Le vernissage de l’exposition des affiches officielles du Prix de musique Polaris 2022, organisée pendant un mois à Underscore Projects (1486 Dundas Street West, Toronto), s’est tenu le 8 septembre. Cette exposition met aussi en valeur les vastes archives artistiques du Polaris, qui débordent de magnifiques sérigraphies inspirées des nombreux albums en nomination dans le passé. De plus, le gala Polaris a permis de dévoiler officiellement les 12 albums en lice pour l’édition 2022 du Prix du patrimoine Polaris de la famille Slaight, un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens qui ont marqué l’histoire. Les deux albums lauréats du Prix du patrimoine 2022 seront annoncés le 21 octobre.
Les albums admissibles au Prix de musique Polaris 2022 devaient être parus entre le 1er mai 2021 et le 31 mai 2022. Un jury indépendant composé de membres des médias musicaux de tout le Canada a déterminé la longue et la courte liste. Onze personnes parmi les membres du jury ont ensuite été choisies pour faire partie du grand jury. Ce grand jury s’est réuni lors du gala Polaris pour choisir l’album lauréat du Prix de musique Polaris.
Les gagnant.e.s antérieur.e.s sont Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) et Final Fantasy / Owen Pallett (2006).
Saison 2022 des événements du Prix de musique Polaris
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux événement de révélation des albums lauréats, le gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné.e.s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est un organisme à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans égard pour le genre musical ou la popularité commerciale. www.polarismusicprize.ca
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant.e.s du prix secondaire de 3 000 $ offert par Slaight Music
2 gagnant.e.s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant.e.s au jury annuel
1 000 invité.e.s au gala annuel
831 000 $ en prix remis aux musicien.ne.s
160 nommé.e.s de la courte liste bénéficient d’une attention
médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
À propos de CBC/Radio-Canada
CBC/Radio-Canada est le diffuseur public national du Canada. Grâce à notre mandat de renseigner, d’éclairer et de divertir, nous jouons un rôle central pour renforcer la culture canadienne. En tant que source d’information de confiance au pays, nous proposons un point de vue typiquement canadien sur les nouvelles, affaires publiques et affaires internationales. Notre programmation de divertissement, distinctive et créée par les talents d’ici, rassemble de larges auditoires partout au pays. Profondément enracinée dans les communautés, CBC/Radio-Canada offre des contenus diversifiés en français, en anglais et en huit langues autochtones. Nous présentons aussi des contenus en espagnol, en arabe, en chinois, en punjabi et en tagalog, en plus des deux langues officielles, par le biais de Radio Canada International (RCI). Nous demeurons à l’avant garde du changement pour répondre aux besoins des Canadien.ne.s à l’ère numérique.
À propos de CBC Music
CBC Music est le plus important curateur de musique canadienne émergente et diversifiée sur toutes ses plateformes et le plus grand diffuseur d’artistes du Canada de tous genres musicaux par le biais de la radio, de CBC Listen et cbcmusic.ca. Nous mettons l’accent sur un vaste éventail d’artistes canadien.ne.s dans plus de 200 listes de lecture offertes par CBC Listen, en plus de couvrir quotidiennement l’actualité musicale. CBC Music Live offre des captations de concerts musicaux réalisés dans toutes les régions du pays. La liste de nos partenaires musicaux et événementiels comprend les Prix JUNO, le Prix de musique Polaris, Searchlight, le CBC Music Festival, le Canadian Music Class Challenge et Canada Listens. www.cbcmusic.ca
À propos de Play MPE
Play MPE est la principale plateforme de distribution, de promotion et de découvertes musicales au monde. Desservant aujourd’hui plus de 100 pays et disponible en plusieurs langues, elle a transformé la façon dont l’industrie musicale diffuse les contenus et accède à ceux-ci. Play MPE assure la distribution et la promotion musicale pour des milliers de maisons de disques, promoteurs et artistes en les mettant en lien avec une communauté croissante d’instances décisionnelles de l’industrie musicale. Les listes de distribution convoitées de Play MPE comprennent : la radio, la diffusion satellite, les médias ou blogues, les superviseurs musicaux, les conservateurs musicaux et plus encore. Parmi sa clientèle internationale de longue date figurent Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard et plusieurs autres. www.plaympe.com
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Matériel promo (Logos du Polaris, pochettes d’albums, biographies, photos, audio):
polarismusicprize.ca/media
Mot de passe : m3d1a
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AT THE ROYAL ALBERT HALL
STREAM HERE
TORONTO, ON – September 16, 2022 – For decades, rumours have circulated among Creedence Clearwater Revival’s fans about a long-lost recording of their legendary 1970 show at London’s Royal Albert Hall. Today, the long-fabled performance is available in its entirety on multiple formats (details below) via Craft Recordings as Creedence Clearwater Revival at the Royal Albert Hall. The live album is available to stream and purchase here. Coinciding with the album launch, a new documentary concert film, titled Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall, is available today streaming on Netflix (in the US, Canada, United Kingdom, Australia, NZ, Latin America and Africa).
The stunning new concert album and film find CCR at the apex of their career, playing the most prestigious venue in London. Placing listeners front and centre at the show, the album features John Fogerty, Tom Fogerty, Doug Clifford, and Stu Cook performing such hits as Fortunate Son, Proud Mary, Bad Moon Rising, and more.
After spending roughly 50 years in storage, the original multitrack tapes were meticulously restored and mixed by the GRAMMY® Award-winning team of producer, Giles Martin, and engineer, Sam Okell, who have helmed countless acclaimed projects together, including the Beatles’ 50th-anniversary editions of Abbey Road and Sgt. Pepper’s Lonely Hearts Club Band, as well as audio for the Elton John biopic, Rocketman, and Peter Jackson’s The Beatles: Get Back series. The LP was mastered by the celebrated engineer, Miles Showell, at Abbey Road Studios using half-speed technology for the highest-quality listening experience.
The concurrent documentary concert feature film, Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall, out today, is directed by two-time GRAMMY® Award winner, Bob Smeaton (The Beatles Anthology and Jimi Hendrix Band of Gypsies), and narrated by Academy Award®-winning actor, Jeff Bridges. The film takes viewers from the band’s earliest years together in El Cerrito, CA through their meteoric rise to fame. Featuring a wealth of unseen footage, Travelin’ Band culminates with the band’s show at the Royal Albert Hall—marking the only concert footage of the original CCR lineup to be released in its entirety.
The film is a Craft Recordings, Concord Originals, and Marathan Films production and is produced by Sig Sigworth (R.E.M. by MTV), Jonathan Clyde (The Beatles: Get Back), Martin R. Smith (The Beatles: Sgt Pepper’s Musical Revolution) and John Beug (Tom Petty and The Heartbreakers: Runnin' Down a Dream). Concord’s Scott Pascucci (Martin Scorsese’s George Harrison: Living in the Material World), Bob Valentine and Concord Original’s Sophia Dilley (Billie) executive produce. Wesley Adams, Charles Hopkins, and Taylor Umphenour are serving as co-producers.
Creedence Clearwater Revival at the Royal Albert Hall is also now available to own on 180-gram vinyl, CD, and cassette, with select retail outlets offering a variety of exclusive colour variants, including Walmart (“Tombstone Shadow” vinyl) and Target (“Green River” vinyl). Additionally, the album is available across all digital platforms, including in hi-res and Dolby ATMOS® immersive audio formats.
On November 18, both the album and the film will be presented in a Super Deluxe Edition Box Set, available exclusively via CraftRecordings.com. The 2-LP/2-CD/1-Blu-ray collection includes Creedence Clearwater Revival at the Royal Albert Hall on two 45-RPM 180-gram vinyl LPs as well as on CD. A second CD features music from the film, including formative recordings from the band’s earliest incarnations (including Tommy Fogerty and the Blue Velvets and the Golliwogs), while the Blu-ray offers the complete Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall film, plus the digital album in hi-res and Dolby ATMOS® immersive audio. Limited to 5,000 copies worldwide and available to pre-order now, each individually numbered set is housed in a 12” x 12” box, with embossed gold foil detail, and includes a reproduction of the original 1970 tour program, a 17” x 24” poster, and a 16-page booklet, featuring an excerpt from Bridges’ voice-over script, which offers background on the band’s incredible path to the London show. View the unboxing trailer here.
When Creedence Clearwater Revival stepped onto the Royal Albert Hall’s stage on April 14, 1970—just days after the Beatles announced their breakup—the California rockers had arguably just become the biggest band in the world. Leading up to the show, CCR had enjoyed an unprecedented “magical year,” as Jeff Bridges narrates in the film. “In only 12 months the band had achieved five Top 10 singles and three Top 10 albums [Bayou Country, Green River, Willy and the Poor Boys] on the American charts, outselling the Beatles. They had appeared on the legendary Ed Sullivan Show and played to over a million people across America, including the hundreds of thousands gathered at Woodstock. John, Tom, Stu, and Doug may not have had the familiar ring to it of John, Paul, George, and Ringo, but Creedence were challenging the Beatles for the title of the biggest group in the world.” During their two-night sold-out residency at the iconic venue, CCR not only followed in the footsteps of acts like the Rolling Stones, Led Zeppelin, Jimi Hendrix, and the Beatles, but they proved they were equals.
While Creedence Clearwater Revival would go their separate ways just two years later, speculation around a live recording of that legendary concert began to permeate their fanbase in 1980. That same year, Fantasy Records had released a live album by the band, mistakenly titled The Royal Albert Hall Concert. It was quickly discovered that the audio was, in fact, from the Oakland Coliseum show, captured months earlier. While the label rushed to sticker the album with correctional information—and properly re-named the January 1970 performance as The Concert for later production runs—actual footage from the Royal Albert Hall remained the stuff of rock ’n’ roll lore…until now.
Click here to order Creedence Clearwater Revival at the Royal Albert Hall.
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res press photo
ABOUT CREEDENCE CLEARWATER REVIVAL
During their short time together as a band (1968 – 1972), Creedence enjoyed an unparalleled period of creativity—releasing seven studio albums (two of which went to Number One), playing over 150 tour dates around the world, including a headlining spot at Woodstock and scoring 14 Top Ten singles. A mainstay band till today, Creedence accrued 4 billion streams in 2021. Over the past 50-plus years, Creedence’s canon has become a part of the Great American Songbook. Songs like Bad Moon Rising, Down on the Corner, Fortunate Son, Have You Ever Seen the Rain, Proud Mary, Born on the Bayou, Travelin’ Band and Up Around the Bend have been ingrained into pop culture—not just as rock staples, but as timeless standards. With so many memorable compositions that continue to grace the radio waves, television and film screens, and lyrics that still resonate today, Creedence Clearwater Revival is, truly, America’s Greatest Rock Band.
WATCH THE OFFICIAL VIDEO HERE
FIRST-EVER NORTH AMERICAN HEADLINE TOUR KICKS OFF NEXT MONTH WITH SHOWS IN LA, CHICAGO, NYC, AND MORE
TORONTO SHOW NOVEMBER 8 AT VELVET UNDERGROUND
TORONTO, ON – September 16, 2022 – Today, rising star, Jack Kays, has released his new song, Finally Fine, the latest track from his forthcoming EP CESSATION. Inspired by his own personal experience, Kays begins Finally Fine from the perspective of an addict and then transitions midway through to the perspective of someone in recovery. Listen to the vulnerable new song here and watch the accompanying official video here.
In speaking about Finally Fine, Jack says: "Before I started my journey with recovery, I always questioned whether getting sober would make me lose the parts of myself that I loved most. Now that I have a clear head, I realize how irrational that fear was. I enjoy life more and more every day. Getting sober has truly made me into a person that I'm proud to be."
Regarding CESSATION, he continues: “I've been writing this EP for the past two years. It means so many different things to me, and I could go on and on about it, but if there's one thing to take away from it, it's that in order for something to live, something else has to die. I think it’s so easy to hold on to old ideas but letting go is the best thing you can do for yourself. I learned that the hard way.”
Those years of writing proved to pay off as CESSATION came to fruition earlier this year during a transcendent two-week trip to Joshua Tree. The 5-track project chronicles the lifespan of a man and his journey to sobriety starting at ages 10-17 with Wish You Well and continuing the story from age 17 to 21 with Finally Fine. Releasing November 11, CESSATION is an extremely vulnerable collection of songs that shine the spotlight on Jack’s songwriting and vocal talent. See full tracklisting below and pre-save/order CESSATION here.
Next month, Jack will embark on his first headline tour titled The Man with a Guitar. Kicking off October 1 at the All Things Go festival, Kays will bring his live show to 18 cities across North America including Los Angeles, Chicago, Toronto, New York, and more. See full routing below and visit www.jackkays.com for tickets and more information.
Tour Dates:
October 1 - All Things Go Festival - Columbus, OH
October 22 - The Rebel Lounge - Phoenix, AZ
October 23 - Constellation Room - Santa Ana, CA
October 25 - The Roxy Theatre - Los Angeles, CA
October 26 - The New Parish - Oakland, CA
October 28 - Chop Suey - Seattle, WA
October 29 - Holocene - Portland, OR
November 1 - Kilby Court - Salt Lake City, UT
November 3 - Marquis Theater - Denver, CO
November 5 - 7th Street Entry - Minneapolis, MN
November 6 - Lincoln Hall - Chicago, IL
November 8 - Velvet Underground - Toronto, ON
November 9 - The Shelter - Detroit, MI
November 11 - The Bowery Ballroom - New York, NY
November 13 - The Sinclair - Cambridge, MA
November 15 - The Foundry - Philedelphia, PA
November 19 - Vinyl at Centre Stage - Atlanta, GA
November 22 - Top Cats - Cincinnati, OH
DOWNLOAD - Album Artwork
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STREAM/BUY THE PROJECT HERE
WATCH THE EFFERVESCENT VIDEO FOR rewind FEATURING PAWPAW ROD HERE
TOUR WITH COIN KICKING OFF THIS MONTH + FIRST EVER
NYC HEADLINER @ BABY’S ALL RIGHT ON SEPTEMBER 25
“Transcendent” - NPR, Slingshot’s 2022 Artists to Watch
"Upbeat, effervescent track that celebrates love and joy" - Teen Vogue
"'Apt for dancing on a rooftop in Brooklyn as it is for sailing off the coast of Djerba."
- MTV
“Blissed out” - The FADER
"Indie rocker Miloe has been turning heads recently with his sun-soaked music."
- UPROXX
“Pure bliss” - Alt Press
“Lovely” - DORK
“Sublime” - Cool Hunting
“Standout” - Stereogum
TORONTO, ON – September 16, 2022 - Today, Minneapolis by way of Kinshasa, “blissed-out” (The FADER) singer-songwriter and guitarist, Miloe, releases his EP, gaps, via Loma Vista Recordings. gaps infuses traditional Congolese beats inspired by Soukous and ndombolo with American bedroom-pop. A poetic voice for the young African diaspora, Miloe created gaps to process his feelings of anxiety, inspired by a new sense of musical expression and how music can take listeners outside of their bodies and time itself.
To celebrate the release, the EP is accompanied by track, rewind, featuring PawPaw Rod, a bubbly track about accepting a breakup and embracing change; it comes with a rich video directed by Will Tooke (YG, J. Cole), buoyed by vivid shots invoking synesthesia. Watch the video here.
The release follows singles gaps, make ur way featuring 80purppp, floating, elastic and where u are, which received critical praise from Teen Vogue, MTV, UPROXX and more. Later this month, Miloe is heading out on tour with COIN, with a stop at Baby’s All Right on September 25th for his first ever headline show in NYC.
Miloe is the musical project of Bob Kabeya, a 21-year old artist based in Minneapolis. Growing up in the Democratic Republic of Congo, the sonic imprint of Miloe’s days there stayed palpable when his family made the 7000 mile journey to Minneapolis to join their father, who had been granted asylum three years prior. Suddenly dropped into the land of such punk legacies as Husker Dü, The Replacements, and Soul Asylum and Prince, Bobby’s musical destiny had perhaps unwittingly been cut out for him. While working his way through the Twin Cities’ basement show circuit, Kabeya chipped away at Miloe’s debut EP, Greenhouse. The project showcased a sunnier, pop-oriented side to Miloe.
Tour Dates:
9/20 - The Fillmore - Detroit, MI^
9/21 - Old National Creature - Indianapolis, IN^
9/23 - MGM Music Hall At Fenway - Boston, MA^
9/24 - The Dome @ Oakdale Theatre - Wallingford, CT^
9/25 – Brooklyn, NY @ Baby’s All Right*
9/26 - The National - Richmond, VA^
9/27 - The Norva - Norfolk, VA^
9/28 - Greenfield Lake Amphitheater - Wilmington, NC^
9/30 - The Ritz - Raleigh, NC^
10/1 - The Fillmore - Charlotte, NC^
10/03 - Atlanta, GA - Rooftop at The Eastern
10/4 - Jannus Live - St Petersburg, FL^
10/6 - Revolution Live - Fort Lauderdale, FL^
10/7 - Hard Rock Live Orlando - Orlando, FL^
10/08 - Athens, GA - Georgia Theatre Rooftop
10/09 - Nashville, TN - DRKMTTR
10/27 - Minneapolis, MN - Fine Line
2/14 - Brighton Dome - Brighton, UK !
2/15 - O2 Academy - Leeds, UK !
2/16 - O2 Academy - Birmingham, UK !
2/18 - O2 Apollo - Manchester, UK !
2/19 - Barrowland Ballroom - Glasgow, UK !
2/22 - Corn Exchange - Cambridge, UK !
^w/ COIN
*w/ The booyah! Kids and Christelle Bofale
!w/ Cavetown
DOWNLOAD - gaps EP Art | DOWNLOAD - Hi Res Press Photo
Miloe on TikTok
LISTEN TO THE RISING SOUL SINGER’S SEDUCTIVE NEW SINGLE HERE
WATCH THE BROWN SUGAR QUEEN VIDEO HERE
TORONTO, ON – September 16, 2022 – Today, soul singer and songwriter, Devon Gilfillian, has shared a seductive new single, Brown Sugar Queen (featuring Janice). Listen to Brown Sugar Queen here and watch the accompanying sultry video here.
An irresistible slice of Philly-soul, Brown Sugar Queen, featuring up-and-coming Swedish soul-sensation, Janice, was written by Devon Gilfillian, Danny Silberstein, and Ryan Linvill, and produced by Jeremy Lutitio (Joy Oladokun, NEEDTOBREATHE). The new track is Gilfillian’s first new release in almost two years, and first for his new label home, Fantasy Records.
Devon Gilfillian on Brown Sugar Queen (featuring Janice): “This song is very personal to me. Brown Sugar Queen is about my girlfriend - and an appreciation for all the beautiful, thick, black & brown women in the world. I want to celebrate black and brown joy, and connection and love-how beautiful it is to be brown, to be big, or small, or whatever size you are, and to feel sexy in that skin.”
With her high-profile starring role in Netflix’s upcoming mini-series The Playlist - based on the rise of Spotify - the cover of Swedish ELLE and a Swedish Best New Artist GRAMMY nomination to her credit, featured vocalist, Janice (full name Janice Kamya Kavander), is quickly becoming a major presence on the Scandinavian music scene.
A musical polymath with a deep knowledge and love of vintage soul, R&B, rock and hip-hop, the Philadelphia born, Nashville based Gilfillian, has seen his profile rise steadily since bursting into view with his electrifying, self-titled debut EP in 2016 and the release of his much-admired, 2020 LP, Black Hole Rainbow. GRAMMY nominated (for Best Engineered Album), the recording received glowing notices from NPR, the New York Times, PASTE, The Tennessean, and Garden & Gun, spawned two Top 10 Triple A radio hits and numerous syncs across Apple TV+, HBO, CBS, Fox Sports, NASCAR, and the NFL. In late 2020, Gilfillian also released a song for song remake of Marvin Gaye’s iconic album, What’s Going On, donating the funds toward low-income communities of colour for election-cycle resources and education around the democratic process.
Concurrently, the in-demand musician has burnished his growing reputation as a captivating, can’t-miss live performer. Commanding club, theatre, and festival stages around the world, while also supporting artists such as Nathaniel Rateliff & The Night Sweats, Lake Street Dive, Anderson East, Keith Urban, Gladys Knight, Kaleo, The Fray, and Mavis Staples, among many others, Gilfillian is building an enduring connection with a burgeoning audience both in the U.S and overseas. Dates this fall include several major festival appearances and a west coast run with Lake Street Dive. Check the full tour itinerary below.
Growing up in Philadelphia with a musician father, Gilfillian discovered that the towering icons of his musician dad’s era — Ray Charles, Stevie Wonder, Otis Redding, The Temptations, Hall & Oates — were just as foundational and exciting as the new sounds of his own generation: Wu-Tang Clan, Kanye West, the Notorious B.I.G. and Jay-Z, who inspired him in different ways.
On Brown Sugar Queen, (featuring Janice), Devon Gilfillian pays it forward, conjuring the raw, sexy emotions of his predecessors and the next-level production grooves of his R&B and hip-hop contemporaries, taking soul music into an exciting and restorative new future.
DEVON GILFILLIAN ON TOUR:
September 4 - Live on the Green (Nashville Square Park) - Nashville, TN
September 7 - SEP 10 - Park City Song Summit - Park City, UT
September 16 - SEP 18 - Telluride Blues & Brews Festival- Telluride, CO
September 27- Stubb's Indoors (Stubb's Bar-B-Q) - Austin, TX *
September 28 - The Tobin Center (Tobin Ctr. for the Perf. Arts) - San Antonio, TX *
September 30 - The Van Buren - Phoenix, AZ *
October 2 - Ohana Fest - Dana Point, CA
October 4 - 5 - Humphreys Concerts by the Bay - San Diego, CA *
October 7 - Edgefield Concerts (McMenamins Edgefield Amp.) - Troutdale, OR *
October 8 - The Cuthbert Amphitheater - Eugene, OR *
October 9 - Paramount Theatre - Seattle, WA *
October 11 - Orpheum Theatre - Vancouver, BC *
October 13 - Fox Theater - Oakland, CA *
February 10 - 17, 2023 - Cayamo Cruise - Miami, FL
*supporting Lake Street Dive
DOWNLOAD - Single Art | DOWNLOAD - Press Photo
SHARES LIVE PERFORMANCE VIDEO OF BREEVIN’
BUTCHER BROWN PRESENTS TRIPLE TREY
FEATURING TENNISHU AND R4ND4ZZO BIGB4ND
OUT NOW VIA CONCORD JAZZ
TORONTO, ON – September 16, 2022 – Richmond-based five-piece collective, Butcher Brown, releases their new big band album, Butcher Brown Presents Triple Trey, featuring Tennishu and R4ND4ZZO BIGB4ND, out now via Concord Jazz. Coupled with the release, the band also shares a live performance video for the album track, Breevin'. The full project arrives closely following their recent performances at DC JazzFest, and Afropunk Brooklyn last weekend, and includes the previously-released singles 777, Unbelievable and Liquid Light.
The new album was originally written and produced by the band’s MC and multi-instrumentalist, Tennishu, as a hip hop album, but has since evolved into Butcher Brown's own eclectic ode to big band jazz, their first foray into this format. Butcher Brown Presents Triple Trey is both trail-blazing in its approach to classic jazz, bringing the band and the TENNISHU & R4ND4ZZO BIGB4ND to lay down a collage of jazz suites for a hip-hop album, and simultaneously mashing together elements of the soul, funk, and rock influences that has formed the band's musical identity.
The band are fresh off of a collaborative set with Pink Siifu at Pitchfork Music Festival in Chicago this summer, the sold-out Blue Note Jazz Festival in Napa Valley, the DC Jazz Fest in Washington D.C., and their recent performance at Afropunk Fest in Brooklyn. In addition to their album release party in Charlottesville tonight, the band is also slated to play the Monterey Jazz Festival in California later this month. Vinyl of the new project will be available on November 11 in standard black and Opaque Blue as a limited pressing of 2000 for Indie Retail. The 12” Vinyl includes a 7” with two bonus tracks, Guitarmy, and, Peace. The album's cover art was created by famed designer Lou Beach (designer of Weather Report's 1977 classic, Heavy Weather and Butcher Brown's most recent album #KingButch).
The new project marks Butcher Brown's first body of work since they graced NPR's Tiny Desk (At Home) series with a performance straight from a Richmond rooftop last year, and collaborated with Alex Isley on a cover of Patrice Rushen's Remind Me. Following a tour run supporting Kamasi Washington in 2019, Butcher Brown released their eighth album #KingButch in 2020, which features the stand-out track Tidal Wave, and received praise from the likes of Bandcamp, OkayPlayer and NPR, which described the album as "a great marriage of hip-hop and jazz."
Listen to Butcher Brown Presents Triple Trey above, learn more about Butcher Brown below and stay tuned for more new music coming soon.
Upcoming Live Dates:
9/16 – Album Release Party – Charlottesville, VA
9/18 - Pittsburgh, PA @ Pittsburgh Jazz Festival
9/24 - Monterey, CA @ Monterey Jazz Festival
10/2 – Indianapolis, IN @ Indy Jazz Fest
10/30 - Live Oak, FL @ Suwannee Hulaween
01/14/2023 - Richmond, VA @ Richmond Symphony Orchestra
2/3/2023 - Miami, FL @ Jam Cruise 19 at MSC Divina
DOWNLOAD Press Photo | DOWNLOAD Album Art
More about Butcher Brown here
CHECK OUT ALL DETAILS HERE
FREE LIVE MUSIC, FAMILY ACTIVITIES, FOOD AND FUN FOR ALL AGES
PERFORMANCES BY AMAZING ARISTS FROM NEAR AND FAR: LA CHICA (VZ/FR), FAREED AYAZ & ABU MUHAMMAD QAWWALI (PK), TANGHETTO (AR), PANTAYO (CA), CLEREL (CA), VOX SAMBOU (CA), JOYCE N'SANA (CA) AND MANY MORE
TORONTO, ON – September 15, 2022 – Small World Music (SWM) has shared more details about the 2022 Small World Music Festival, including additional artists, activations, food and merchants. Kicking off tomorrow (Friday, September 16) and running through Sunday, September 18 at Fort York Garrison Common, the festival marks the end of the year-long festivities celebrating Small World Music's 25 years of presenting and supporting groundbreaking artists both near and far. The outdoor festival is free and accessible for all ages, featuring a range of live music, food, arts and crafts and more. Visit the website and see below for the complete daily lineup and more info about the sights and sounds to explore on-site this weekend.
Two stages will feature a range of sounds from near and far, including La Chica, a Franco-Venezuelan multi-instrumentalist combining electro, pop, chanson, and Latin influences, celebrated Pakistani qawwals, Fareed Ayaz & Abu Muhammad Qawwali, and electro-tango outfit, Tanghetto. Hear the sound of Toronto, from Polaris Prize short-listers, Pantayo; Women in Song: Summer Thunder, a showcase of vocalists and dancers presented by FabCollab; local classical Indian musician Hasheel’s RaagRani, combining Bollywood, electronica, Afrobeats, Indian classical music; an appearance by Bollywood Drag Queen, Sanjina, and more. Boundary-busting sounds from Indigenous artists include Odawa/Potawatomi (Wiikwemkoong, Unceded Territory, Manitoulin Islands) JUNO-nominated artist, Nimkii, who blends a passion for drumming and dance with hip hop and beyond; and Shauit, celebrating the traditional Innu music of his northeastern-Quebec home with folk and reggae inflections. Montreal’s vibrant scene is on display via Joyce N'Sana's Congolese-Canadian fusion, Funk Lion and Vox Sambou's unique takes on Haitian roots, the soulful Clerel, and more.
Meanwhile, mobile musical experiences cover Maracatu drumming, Balkan party music, and additional sounds to explore. Visit the website for more info and get to know the lineup on Small World Music's website and Instagram.
Activations include Mobile Sweat: a nomadic wood-fired sauna and mobile platform for contemporary art, featuring a unique program of sound and video art to be experienced while you sweat. Art Spin presents its latest foray into exhibiting art in unique and alternative spaces while celebrating the value of social connection and interaction; the experience is open on a first-come first-served basis and requires only a bathing suit and towel. See here to get a glimpse of the experience.
Small World Music Festival Schedule
Friday, September 16 | 5:00 pm to 11:00 pm
6:30 pm: NIMKII
7:00 pm: JER
8:00 pm: Vox Sambou
9:00 pm: La Chica
10:00 pm: Moneka Arabic Jazz
Saturday, September 17 | 11:00 am to 11:00 pm
1:00 pm: George Crotty Trio
2:00 pm: Beny Esguerra and New Tradition
3:00 pm: Polky
4:00 pm: Kazdoura
5:00 pm: Shauit
6:00 pm: Sina Salimi
7:00 pm: Clerel and Band
8:00 pm: Soukustek
9:00 pm: Funk Lion
10:00 pm: Joyce N'Sana
Sunday, September 18 | 11:00 am to 9:00 pm
1:00 pm: Pantayo
2:00 pm: Blisk
3:00 pm: Tanghetto
4:00 pm: HAWA B
5:00 pm: Fareed Ayaz & Abu Muhammad Qawwali
6:30 pm: RaagRani featuring Hasheel
7:30 pm: Women In Song: Summer Thunder
Mobile Sweat Sauna Hours:
Friday, September 16: 6:00 – 10:00 pm
Saturday, September 17: 1:00 pm – 10:00 pm
Sunday, September 18: 1:00 pm – 8:00 pm
About the Small World Music Festival:
Over three days, audiences of all ages, families, friends and pets, will experience over 20 performances across two stages - and beyond, with mobile performances - on-site animations and art activations, workshops, dance parties and more. A festival as vibrant as the city in which we live, the Small World Music Festival features a breadth of sounds, from new artists and established masters, guaranteed to inspire new perspectives, new favourite bands, and good times. In addition to music, a selection of vendors will cover the historic and beautiful Fort York's Garrison Common grounds. The open-air green space in the heart of Toronto will welcome artists and audiences alike to connect with the city's history, its present, and its future - through the power of music.
DOWNLOAD – Small World Music Festival 2022 Image Assets
Small World Music acknowledges the generous support of the Government of Canada, Ontario Arts Council, Ontario Creates, Canada Council for the Arts,
the Ontario Ministry of Tourism, Culture and Sport,
the City of Toronto, TD, and Toronto Arts Council.
In partnership with: Fort York National Historic Site, Toronto History Museums, FabCollab, Uma Nota, 50/50 Performing Arts Collective, Tkaronto Music Festival, Wavelength Music, Art Spin, Link Music, Aga Khan Museum and many more.
About Small World Music (SWM):
Since 1997, SWM has been celebrating cultural diversity and showcasing a range of local, domestic, and international talent to audiences across Toronto, and beyond. More than just presenting culturally-diverse artists, SWM works with, showcases, and supports equity-deserving professionals onstage and behind the scenes to encourage sustainable careers and industry-wide evolution. SWM encourages human connection through musical experiences: through public-facing programming (the annual Small World Music Festival and hundreds of year-round concerts), industry initiatives (Global Toronto music conference and showcase event), artist-driven projects (eMERGEnce Music Incubator), and more.
DOWNLOAD – Small World Music Logo
UPCOMING ALBUM EL BUENO Y EL MALO OUT OCTOBER 28 VIA EASY EYE SOUND
TORONTO, ON – September 14, 2022 – Today, Zurich-based duo, Hermanos Gutiérrez, comprised of brothers Estevan and Alejandro Gutiérrez, are excited to release their new song, Los Chicos Tristes, into the world. Los Chicos Tristes follows acclaimed songs, Tres Hermanos, a track they recorded with The Black Keys’ Dan Auerbach, and El Bueno Y El Malo, the title track from their forthcoming album, which is set for release on October 28 via Auerbach’s label Easy Eye Sound. Click here to listen to Los Chicos Tristes and pre-order El Bueno Y El Malo here.
About the song Hermanos Gutiérrez said, “Los Chicos Tristes is a reflection of us as musicians and trying to answer where our music comes from. Hearing the song now really made us acknowledge the sad part of ourselves, which we both share as brothers. Our grandfather always used to tell us that being sad doesn't mean something negative. He saw it as a powerful and inspiring emotion. And instead of turning down that side from our personalities we see now that this part has been so essential in our songwriting moments in the last few years. We wouldn’t be able to create our music without it.”
A video for the song has also been unveiled today. Opening with a Spanish proverb “sin la tristeza, la Felicidad perdería todo su significado,” meaning “without sadness, happiness would lose all meaning,” the video details the mundane everyday life of a street vendor concluding with the vendor’s simple but content dinner with his family.
The music of Hermanos Gutierrez evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family—and whatever ghosts their listeners bring to the music.
El Bueno Y El Malo is their most epic journey yet: working with Dan Auerbach at his Easy Eye Sound studio in Nashville, they’ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a “deeper, darker energy” defined by complex arrangements, sophisticated playing, and most of all their very close relationship.
Started a few years earlier, Hermanos Gutiérrez began releasing music on their own, all of which gained traction in 2020. “My brother and I,” says Estevan, “we did everything by ourselves— all the music, even the artwork. But during Covid, our music was streamed all over the world,” especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were traveling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach’s Easy Eye Sound record label and started writing songs for their forthcoming album.
Setting up shop a few months later at Easy Eye Sound studio, El Bueno Y El Malo was recorded quickly and organically, despite it being the first time they’d ever met Auerbach in-person. They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they’re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments. In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it with them, even retitling that song, Tres Hermanos.
The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. “It’s every person, every moment, every situation. Everybody has these two faces.” It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas.
TOUR DATES:
9/28 Munich, DE @ Werk7 Theater
9/30 Istanbul, TUR @ Blind
10/3 London, UK @ EartH (Evolutionary Arts Hackney)
10/5 Paris, FR @ Maroquinerie
10/6 Porto, PT @ Maus Hábitos - Porto, PT
10/7 Barcelona, ES @ Sala Apolo2
10/8 Madrid, ES @ Independance
10/11 Berlin, DE @ Festsaal Kreuzberg
10/12 Utrecht, NL @ TivoliVredenburg
10/13 Amsterdam, NL @ Paradiso
10/15 Helsinki, FI @ Korjaamon Kulmasali
10/16 Stockholm, SE @ Hus7
10/18 Zürich, CH @ Kaufleuten
10/22 Nashville, TN @ The Ryman Auditorium *
10/29 Los Angeles, CA @ Hollywood Forever - Dia de los Muertos Fest
10/31 Washington, D.C. @ Miracle Theatre
11/2 Philadelphia, PA @ World Café Live
11/3 Boston, MA @ Arts at the Armory
11/4 New York, NY @ Opera House
11/5 Montreal, QC @ PHI Centre
11/6 Toronto, ON @ The Drake
11/8 Minneapolis, MN @ Turf Club
11/9 Chicago, IL @ Sleeping Village
11/10 Denver, CO @ Globe Hall
11/12 Seattle, WA @ Crocodile
11/13 Portland, OR @ Mission Theater
11/14 San Francisco, CA @ Great American Music Hall
11/17 Pioneertown, CA @ Pappy & Harriet’s
11/18 Ventura, CA @ Ventura Music Hall
11/19 Phoenix, AZ @ Musical Instrument Museum
11/20 Santa Fe, NM @ St. Francis Auditorium
11/22 Austin, TX @ Antone’s
* Supporting Jason Isbell and the 400 Unit
SHARES NEW SINGLE WE CAME TO PLAY
KICKING OFF INTERNATIONAL LEG OF GLOBAL TOUR NEXT MONTH
TROUBLE THE WATER DUE OCTOBER 28 VIA LOMA VISTA RECORDINGS
TORONTO, ON – September 14, 2022 – New York City's own, Show Me The Body, announces their third full-length album, Trouble The Water, due October 28 via Loma Vista Recordings. Along with the album's announcement, Show Me The Body shares We Came To Play, the second offering from the forthcoming album, which arrives with a visualizer portraying the creation of the album artwork. Listen here and watch the music video here. Pre-order Trouble The Water here.
Recorded entirely at CORPUS studios in Long Island City and produced with Arthur Rizk (Power Trip, Turnstile, Municipal Waste), Trouble The Water is the culmination of nearly a decade of barrelling against New York City’s structural ambivalence and indifference; an invocation to a like-minded global community to consider the alchemy of family-building, and of turning water to blood. The 12-tracks of Trouble The Water both reference and pay homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate its true foundation, style, and spirit; while expanding upon and reckoning with the hyperlocal territory of 2019’s Dog Whistle, which features the standout track Arcanum.
Although the title invokes the ancient alchemy Moses wielded to free and unite Israelite peoples, Trouble The Water refuses nostalgia or mimicry. Instead, it considers the sublime power of the unifying physical practices that can be enacted daily, to invoke immeasurable spiritual and collective reactions. Buoyed by moments of stinging stillness and compulsive, almost optimistic, malfunctioning rhythms, the work is literally a conjuration to dance, and move. If we are really living through the end of the world, maybe every movement we make, no matter how slight, is actually boundless and radical.
Next month, Show Me The Body will continue their global tour off the heels of their inaugural, bi-coastal IN BROAD DAYLIGHT festival, North American leg, and explosive set at Sound & Fury. After performing at Desert Daze and Nothing Fest IV in California this October, Show Me The Body will begin the 15-date European run with support from Powerplant in Vechta, Germany on October 21 with stops in Hamburg, Berlin, Zürich and Verona before wrapping up in London on November 7. Show Me The Body will also take the world tour to Australia for four dates in December hitting Sydney, Brisbane, Melbourne and Perth. Tickets available here.
Show Me The Body is an ecclesiastical hardcore trio consisting of Julian Cashwan Pratt (founder; banjo and vocals), Harlan Steed (founder; bass), and Jackie McDermott (current drummer). The band, originally started in 2009, have released a handful of EPs and two groundbreaking studio albums in 2016's Body War and the aforementioned 2019 release Dog Whistle. They have organized non-traditional, intentional DIY spaces for NYC youth since 2015, and since expanded that work to a global capacity through their urgent, ceremonial live shows, subterranean punk and hip-hop mixed tours, and their CORPUS NYC platform. Through the intentional cultivation of their local and global chosen families, and a decade-long dedication to sustaining the New York Sound, Show Me The Body has solidified a legacy of confronting and permanently shifting the rigid limitations of the hardcore genre.
Pre-order/save Trouble The Water and check out We Came To Play above, find more album details and upcoming live dates below and stay tuned for more from Show Me The Body very soon.
Trouble The Water Track List:
1. Loose Talk
2. Food From Plate
3. Radiator
4. We Came To Play
5. War Not Beef
6. Out of Place
7. Boils Up
8. Buck 50
9. Demeanor
10. Using It
11. WW4
12. Trouble The Water
Upcoming Live Dates:
10/01 - Perris, CA @ Desert Daze
10/16 - Garden Grove, CA @ Nothing Fest IV
10/21 - Vechta, Germany @ Gulfhaus
10/22 - Kusel, Germany @ Schalander
10/24 - Hamburg, Germany @ Hafenklang
10/25 - Poznań, Poland @ Klub Muzyczny
10/26 - Dresden, Germany @ Chemiefabrik
10/28 - Dortmund, Germany @ Red Forest Festival
10/29 - Berlin, Germany @ Red Forest Festival
10/30 - Drachten, Netherlands @ Iduna
10/31 - Nijmegen, Netherlands @ Merleyn
11/01 - Zürich, Switzerland @ Dynamo
11/02 - Fribourg, Switzerland @ Café XXème
11/03 - Bologna, Italy @ Freakout Club
11/04 - Verona, Italy @ Colorificio Kroen
11/05 - Mezzago, Italy @ Bloom
11/07 - London, UK @ The Underworld
12/06 - Sydney, AU @ Oxford Art Factory
12/07 - Brisbane, AU @ The Brightside
12/08 - Melbourne, AU @ Stay Gold
12/09 - Perth, AU @ Bad Lands
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
DOWNLOAD - Tour Poster
CO-HEADLINING TOUR WITH DATES ACROSS EASTERN CANADA THROUGH NOVEMBER AND DECEMBER
RIA MAE TO RELEASE BRAND NEW SINGLE
PLEASE DON’T GO ON SEPTEMBER 23
THERAPY EP OUT NOW
TORONTO, ON – September 13, 2022 – Today, acclaimed pop artist, Ria Mae, is thrilled to announce she will be hitting the road with JUNO nominated singer-songwriter-producer, Virginia to Vegas (née Derik Baker), to co-headline The Rock, Paper, Scissors Tour. Kicking off on November 21 in Hamilton, ON, the tour will see the pair travel across Ontario, Quebec and the east coast through November and December, wrapping up with Ria’s hometown of Halifax, NS on December 8. Tickets go on sale this Friday (September 16) at 10:00 a.m. local time (see below for full details and ticket links).
With hundreds of millions of streams and multiple Platinum singles between ViiV and Ria Mae, the artists will bring the best of Canadian pop to the stage each night, battling in a friendly game of ‘rock paper scissors’ to decide who will close out the show.
“Looking forward to finally getting back on the road,” remarks Mae. “I’m so excited we get to share this one with Virginia to Vegas. I’ve been a huge fan for years.”
“I’m super excited to be back on the road, seeing all my friends after a few very long years away,” adds Baker. “Summer festivals were fun, but now it’s time for tour and Ria and I have something super epic and fun planned for everyone! Come out and kick it with us—it’s gonna be an experience!”
To help get fans even more excited for the upcoming concerts, Ria Mae will be sharing a brand new single on Friday, September 23rd – Please Don’t Go. "This is a song begging someone to stay. It should be sad, but we made it as uplifting as possible,” says Mae. The track follows the spring release of her deeply personal EP, Therapy; a curated batch of six swelling anthems that are both conversational and confessional. Keep your ears open for Please Don’t Go, and don’t miss Ria Mae and Virginia to Vegas when they come through your town this fall!
THE ROCK, PAPER, SCISSORS TOUR DATES:
November 21 – Hamilton, ON – Bridgeworks TICKETS
November 23 – Toronto, ON – Axis Club (1H) TICKETS
November 24 – Oshawa, ON – Biltmore Cabaret TICKETS
November 25 – London, ON – Run Runners TICKETS
November 26 – St Catharines, ON – Warehouse TICKETS
November 30 – Kingston, ON – The Broom Factory TICKETS
December 1 – Montreal, QC – Studio TD TICKETS
December 2 – Ottawa, ON – Saw Club TICKETS
December 3 – Quebec City, QC – L’Anti TICKETS
December 6 – Fredericton, NB – Farmer’s Market TICKETS
December 7 – Moncton, NB – Tide & Boar TICKETS
December 8 – Halifax, NS – Light House Arts Centre TICKETS
DOWNLOAD – The Rock, Paper, Scissors Tour poster
DOWNLOAD – Ria Mae photo | DOWNLOAD – Virginia to Vegas photo
ABOUT RIA MAE:
Since the June 2016 release of Mae’s full length, self-titled debut album, the three-time JUNO nominee has toured Europe with Tegan & Sara, North America with Dido, and Canada with Scott Helman and many other incredible musicians. She has performed with k.d. lang, Melissa Etheridge, Elle King, Xavier Rudd, Shawn Hook, Family of the Year, Francesco Yates, Coleman Hell and more. She has performed at various PRIDE festivals and events in Halifax, Vancouver, Calgary, Ottawa, and Montreal. Mae, whose songs have been streamed over 70 million times worldwide, has climbed the radio charts in Canada numerous times, with platinum certified singles, Clothes Off, Ooh Love, Too Close and Bend. A proud member of the LGBTQ2S+ community, Mae was recently nominated for a Queerty Award for Best New Artist by Queerty Media.
www.riamae.com
Facebook | Instagram | YouTube
ABOUT VIRGINIA TO VEGAS:
Virginia to Vegas aka Derik Baker, is a Canadian singer-songwriter best known for his indie-pop choruses and sticky electronic melodies, which have awarded him critical acclaim, including 4 SOCAN awards, JUNO Award nomination, INDIE Award, MMVA nomination, and Canadian Radio Music Award. He also has 4x Platinum singles and 5 Top 10 Radio Singles, 450 Million+ Global Streams to date, and has received the designation of 2020’s 2nd most played Canadian artist on the radio (behind the Weeknd). A truly independent artist with a clear vision of what he wants sonically, visually and emotionally, Baker continues to be recognized for his work, receiving praise from artists such as Taylor Swift. He’s also shared the stage with Post Malone, Ed Sheeran, Backstreet Boys, Kelly Clarkson, Maroon 5, Alessia Cara, Pitbull, and Imagine Dragons.
www.virginiatovegas.com
TikTok | Instagram | Facebook | Twitter
DATES THROUGHOUT SEPTEMBER AND OCTOBER
KICKING OFF IN HAMILTON ON SEPTEMBER 22
WATCH LIVE PERFORMANCE VIDEO OF PICKING FLOWERS
FROM ALBUM RELEASE CONCERT IN L.A.
“With folk tunes that will squeeze your heart, Kelly is bound to become an artist that will have you falling in love with her songs.” – eTalk
TORONTO, ON – September 12, 2022 – Following her current European tour, award-winning singer-songwriter, Jadea Kelly, is thrilled to return home to Ontario, where she will bring the songs from her latest release, Roses, to life on stages across the province. Kicking off on September 22 in Hamilton, Jadea will travel from west to east and back again throughout the month and in to October. See below for full details.
“I’m truly grateful to return to touring and my home province,” exclaims Jadea. “This pandemic time away has shown me how necessary, healing and meditative live music is. The European leg of the tour is going great too. Currently driving through the alps to a concert in Zermatt, Switzerland with Ryan O’Reilly. He’s based in Berlin and opening my Ontario dates.”
Jadea celebrated the spring release of her stunning new record with a special live performance at LA’s Desert 5 Spot. Taped in front of a live audience, the concert was Jadea’s first full band public performance in over two years. Have a look at Jadea’s live performance of Picking Flowers from the concert for a taste of what’s to come on her fall tour.
UPCOMING TOUR DATES:
September 13 – Denzlingen, Germany
September 14 – Ravensburg, Germany
September 15 – Mainz, Germany
September 16 – Diest, Belgium
September 17 – Karlsruhe, Germany
September 22 – Hamilton, ON – Mills Hardware
September 23 – Prince Edward County, ON – The Eddie
September 24 – Ottawa, ON – Redbird Live
September 25 – Cobourg, ON – House Concert
September 28 – Peterborough, ON – Jethros
September 29 – Napanee, ON – Elenas Cafe
September 30 – Toronto, ON – Revival
October 1 – Bracebridge, ON – Bracebridge Hall
October 2 – Oshawa, ON – Biltmore Theatre
w/special guest Ryan O’Reilly
DOWNLOAD – Roses cover artwork | DOWNLOAD – hi-res press photo
DOWNLOAD – tour poster
ABOUT JADEA KELLY
Described by CBC as “one of the shining jewels in the crown of Canadian songwriters” (Tom Power, CBC) Jadea Kelly spends her time writing and living between rural Ontario, Canada and Los Angeles, CA.
She has co-written and toured (as opener and backing vocalist) with the likes of Justin Rutledge, Whitehorse, Judy Collins, Catherine MacLellan, Royal Wood, Kelly Prescott, Sweet Alibi, Peter Katz, The Digging Roots, Leela Gilday and Joey Landreth. She has also performed and showcased her music across Canada, The United States and Europe, performing at the likes of Americana Fest (Nashville TN), Winnipeg Folk Festival, Calgary Folk Festival, Edmonton’s Interstellar Rodeo, Metal Toronto and Peterborough Folk Festival. Despite her Americana influence, she is also the featured vocalist with JUNO award winning metal group Protest the Hero (Kezia, Scurrilous and Volition).
In 2016 Jadea was awarded Contemporary Singer of the Year at the Canadian Folk Music Awards for her 2016 release, Love & Lust. Its featured single, Beauty, was placed on the Lifetime Network feature, No One Would Tell, and the 2017 CBC Rio Paralympics, a viral opening montage portraying the life and struggle of Terry Fox. Her most recent EP (MWI / 2019) received Best Score & Music accolades from the Hollywood Independent Documentary Awards. MWI is the official soundtrack for Met While Incarcerated the Film, which aired on the Documentary Channel and CBC in March 2019.
She spearheaded the 2018 collective, Canada Covers Tom Petty, featuring an impressive collection of tributes from Matt Mays, Terra Lightfoot, Dwayne Gretsky, Molly Brown and the Redhill Valleys. She also hosts a semi-annual Canadian songwriter showcase in Los Angeles through the celebrated Hotel Café, Monday Monday, concert series.
Following a pandemic pause, Jadea returned triumphantly in 2022 with her long-awaited fourth studio album – Roses (released March 4 on Darth Jadea Music / Tonetree). The album was produced by a collection of artists, including Aaron Goldstein (Matt Mays / Daniel Romano), Joel Schwartz (Dionne Taylor), Rich Jacques (Lisa Loeb), Joe Moralez (Skyler Day) and Tim Abraham (Royal Wood).
“I ended up tracking a majority of the album in Toronto with my Canadian friends and bandmates, in person and virtually. It felt full circle to record in Canada after 4 exploratory years in the US. I love California with all my heart. It is my new found home and has provided a playground to rediscover my confidence, my freedom, my voice and a collection of songs that truly reflects my journey to health.
I composed these songs between Ontario, Canada, Nashville, TN and Los Angeles, CA over the past four years. A massive musical delay and musical pause but a necessary one. Life, happiness and health came first. Including the pandemic. Feeding money and time into artistic pursuits can often feel like feeding coins into a broken parking metre. I hold so many incredible musical memories in my heart but it also took its toll. I therefore took my time with these songs, the production and processing of the emotions. Roses was a complete joy to compose and truly reflects my journey to a conscious and balanced state. To me, Los Angeles is a gift I gave myself. It was a blank slate to finally confront my emotional, physical and financial health. The result is Roses. The result is abundance and joy. I’m holding the light up now, and roses are falling all around”.
www.darthjadea.com
facebook.com/darthjadea
twitter.com/jadeakelly
instagram.com/jadeakelly
youtube.com/channel
ON TOUR ACROSS NORTH AMERICA THIS FALL
CANADIAN DATES IN NEW WESTMINSTER, VICTORIA AND TORONTO
TORONTO, ON – September 9, 2022 – Since releasing Life After – their monumental 2021 record which earned the band Album of the Year at the 2022 Indie Awards, a Contemporary Indigenous Artist/Group of the Year nod at the 2022 JUNO Awards, three 2022 Western Canadian Music Award nominations, and a coveted spot on the current Polaris Music Prize Short List (their third time to appear on the list) – Snotty Nose Rez Kids have been able to shed a lot of the heaviness they were carrying into that album, and have emerged more confident than ever. Finally able to hit the road again and do what they do best – perform on stage – the duo has found new energy and is eagerly anticipating their next musical phase.
That begins today with the release of their brand new single, I’M GOOD. Undeniably confident in its message, Yung Trybez and Young D take turns running the gamut of haters and distractions, pushing them off with lyrical dexterity. Clever references to Kyrie Irving, James Harden, Kenny vs. Spenny, and Scottie Pippen, are juxtaposed with heavier statements like Yung Trybez’s line, “my pops got over cancer, see. Who are you to cancel me?” indicating that there are more important things to focus on. I’M GOOD is a call for anyone to focus on themselves rather than others; do you; don’t talk about it; show them I’M GOOD. Listen to the explosive track here.
"We spent our last album working through the darker times we
experienced,” reflects Young D. “It was important for our new music to be positive and to show our fans that we needed Life After to talk about our experiences in 2020/2021, but that we're back touring, traveling the world, making new music, and ultimately, we're good!"
"We had to link with producer, KYRIGO, again for this one,” adds Yung Trybez. “He killed it on Uncle Rico and we love his work. He brought the energy we needed for this track."
Fans will get to experience I’M GOOD live, as SNRK embark on their Sink or Swim Tour, which will see them hitting venues across the U.S. and Canada through the rest of the year. The duo will be making Canadian stops in New Westminster, BC on September 10, Victoria, BC on November 30 and Toronto, ON on December 10. They are also set to perform at the Polaris Music Prize Gala on September 19 at The Carlu in Toronto, where they are one of the ten acts vying for the designation of best Canadian album of 2022, for Life After. Full tour details can be found below.
UPCOMING TOUR DATES:
September 10 – New Westminster, BC – Recovery Day (Uptown New West Neighbourhood @ 6th and 6th)
September 15 – Los Angeles, CA – The Moroccan Lounge
September 16 – Tucson, AZ – 191 Toole
September 17 – Albuquerque, NM – Launchpad
September 18 – Denver, CO – Summit Music Hall
September 21 – Las Vegas, NV – Rockstar Bar & Grill
September 22 – Sacramento, CA – The Starlet Room
September 23 – Reno, NV – Cypress Reno
September 29 – Regina, SK – Miyo-wîcîwitowin Day (Mosaic Stadium)
November 30 – Victoria, BC – Farqhuar Auditorium, UVic
December 7 & 8 – Brooklyn, NY – Purgatory
December 10 – Toronto, ON – Velvet Underground
LISTEN TO NEW SINGLE LET ME BE GREAT FEATURING ANGÈLIQUE KIDJO
UK/EU TOUR BEGINS IN OCTOBER
"the album both showcases Sampa's growth as an artist and delivers on fan expectation, taking them on a journey beyond bars into Africa's rich musical heritage" - Exclaim!
"Sampa the Great consistently keeps the listener peering eagerly around the corner for what she’ll pull out of her deep bag of talent next; there’s deep, introspective lyricism mirrored alongside endearing bravado and swagger that puts energy into the sails of whoever is experiencing the music" - Quip Magazine
“Sampa’s boldest album to date” - Evening Standard
“...a riveting statement of defiance…battle anthems for the spirit. " - DJ Mag
“Her voice is always unmistakable. Her uncompromising politics
never come at the expense of the music” - 4/5, Mojo
"The beautiful blends of genres and crisp production make ‘As Above, So Below’ an enthralling listen, and has Sampa raising the bar for herself once again"- 8/10, Clash
“As Above, So Below feels like Tembo at her best and most confident, free to make the music she’s always wanted to make with the artists of her choosing. It’s a rich, vibrant and carefully-curated record that successfully reveals the many sides of Tembo’s personality” -8/10, Loud and Quiet
Toronto, ON – September 9, 2022 – ARIA-Award winning, Zambian-born Botswana-raised poet and rapper, Sampa The Great, releases her long-awaited sophomore full-length album, As Above, So Below, out via Loma Vista Recordings today.
As a career-eclipsing record, anchored by Sampa The Great’s spoken word in the Zambian-rooted language of Bemba, As Above, So Below, traverses Sampa’s memories of Africa through a self-exposed lens of authenticity and womanhood, while looking to the future of Africa’s relationship to the world and its global communities. Sampa The Great invites an international roster of collaborators, including Angélique Kidjo, Denzel Curry, Joey Bada$$, Kojey Radical, WITCH, Chef 187, Tio Nason, Sampa’s own sister, Mwanjé, and more to contribute across 11 tracks spanning hip-hop, neo-soul, Zamrock, Amapiano and Southern African rap. A reflection of Sampa’s transitory upbringing, the record’s sonic hybridity throws recognition to the music coming out of the African diaspora today, while honouring the stories of those who tread previously. Consider As Above, So Below as Sampa’s musical encyclopaedia, each track grounding new modes of expression against various musical influences uncovered throughout her lifetime.
After relocating home to Zambia during the pandemic, Sampa reconnected with a different side of herself - one closer to the younger artistry that was nourished growing up in Africa. From collaborations with Southern Africa creatives, Rochelle Nembhard and Imraan Christian, to executive production by award winning producer and Zambian royalty, Mag44, to time spent recording with a long-established network of close friends and family, Sampa debuts a 360 Sampa to the world. As Above, So Below unveils the many sides of Sampa, throughout a sophomore album that fuses the serious to the sensual. As Above translates as Sampa's outside self, while So Below is the Sampa within, together uniting to reveal the highest version of herself, without a mask, or role to play. Anchoring the record, is Eve: Sampa’s blueprint of her ideal self who manifests within As Above, So Below’s lyrics, and visually appears throughout the album’s videos.
Sampa the Great says about As Above, So Below: “As Above, So Below is more personal than communal. The literal meaning is what is within me, is what is expressed outside of me. After years of feeling like I had to represent and be an ambassador for everyone, I finally feel like I get to be an ambassador and fully represent myself.
Relocating to Zambia and Botswana is significant to my story, because this is where my artist dreams began. I was able to reconnect to my younger self and remind me why I started making music in the first place, beyond outside pressure or influence.This album has become a full circle moment for me; I was able to create this project in the country of my birth and have it be the first project created in Zambia with a Zambian Executive Producer, African visual team and majority African producers and artists. This is my freeist project to date and it feels like the journey of my return has been completed and a new chapter begins.”
Executive Producer, Mag44, says about the album: “I think what the album means to me is, REVELATION. A self discovery album that just happened to go beyond the focus of an individual. Sampa always says how do you expect to show love out there when there’s no love within. Turns out that love within has resonated and inspired others around her. The country, the lineage and the spirit of a people is more than what you see on the surface. Revelation in the sense of, we now see the possibilities of who we can become. That has totally changed the DNA of how not only I carry myself but how I think Zambian people will begin to carry themselves.”
Launching the record is the captivating melody of timpanis against a smokey call-and-response from Sampa, on Shadows. Flourishes of brass add weight against Sampa’s low register message to be yourself. Previous single Lane featuring Denzel Curry, receiving global praise on release, is a call to creating and exploring your own lane both beyond prescription and without judgement. A vocoded voice leads alongside jilted organs and choral harmonies beneath a trap beat. Denzel Curry’s verse is a powerful statement of similar essence, further adding to the gravity of Lane’s message.
Never Forget ushers respect to the golden era of Zambia’s socially prolific genre, Zamrock. On previous release the single earned accolades from NME, The Guardian, Harper’s Bazaar, Fader, Stereogum, DJ Mag, Acclaim, and feature positions across Rage and community radio Australia-wide. A choral harmony from Sampa’s own sister Mwanjé joins triumphant hooks from Zambian songwriter, Tio Nason. Meanwhile, punchy verses from Sampa and Zambian MC Chef 187 weave between an array of Zambian percussion, from bongos, to hand claps, xylophones and timpanis (via Zambians Legendary producer Mag44, executive producer of the album). Next, Mask On, which samples a traditional Zambian nursery rhyme, brings back a trap beat to the fold, inviting a quickening and fiery collection of bars from US rapper and actor, Joey Bada$$ and Sampa’s poetic notes on the expectations of representation within the music industry.
Recent single and fifth track, Bona, takes influence from the music Sampa heard as a child, while raised in Botswana. Featuring co-production from Solomon Plate and Sampa herself (making this her first official producer credit), the track is influenced by Kwaito and Amapiano, fusing the genres into a hybrid hip hop blend with fiery tempo. A self-defined moment of Southern African Swag, Bona is Sampa’s wide-reaching message to be yourself and not succumb to the intimidation of others. Next, Can I Live invites rock organs and electric guitars to punctuate a down-tempo anthem that provides Sampa the space to deliver an affecting series of questions that questions the path of artistry, amid a backing choir, featuring Zamrock pioneers, W.I.T.C.H.
Imposter Syndrome features the soul soothing melodies of Zambian afro-jazz musician James Sakala, adding a hypnotic richness between Sampa’s defiant raps to serving her best self. Next, Tilibobo serves a colourful and vibrant Southern African bop derived from amapiano rhythms. Sampa’s verses bop and dart across the staccato melody, each spun in time between trumpets that are irresistibly catchy. Sampa’s sister appears for the second time on ninth track, Lo Rain as a melodic rainfall of harmonies and a soft backbeat delivers a gentler R&B-style of improvisation and tender raps from Sampa.
Penultimate track, DGAF featuring UK grime rapper, Kojey Radical, turns the heat back on over a cookpot of rolling and low-slung beats. Sampa and Radical both provide sharp jabs between a soft and sweetly delivered chorus, juxtaposed in mood and energy. The album’s final track and current single, Let Me Be Great captures Sampa’s journey to authenticity and enlightenment in an anthemic and returning collaboration with Black musical icon, Angélique Kidjo. An uplifting chorus simply states, ‘let me be great’ to echo the celebratory and empowering trajectory of Kidjo’s path influencing Sampa’s work, while pushing forward a community-led artistry that continues to redefine the musical output in the African diaspora today.
As Above, So Below, showcases Sampa’s first new music since 2019’s ARIA Award and Australian Music Prize winning debut album, The Return. Elsewhere this year, after the postponement of 2021’s inaugural and highly anticipated An Afro Future tour, Sampa delivered a spectacular run of rescheduled live performances across Eora/Sydney and Naarm/Melbourne, and travelled the globe to perform at Festival International Nuits d'Afrique and Osheaga in Montreal, QC, Philip's Backyard Weekender in Victoria, BC, Glastonbury, Primavera Sound and Lollapalooza Festivals, plus make her debut at Coachella 2022.
2019 saw tremendous achievements for Sampa The Great, taking home Best Hip Hop Release for Final Form at the ARIA Awards, alongside multiple other wins at the J Awards, the Music Victoria Music Awards, while breaking industry records by winning the prestigious Australian Music Prize twice in her career. The Return received praise from the likes of The Guardian, NPR, Pitchfork, The FADER, Billboard, OkayAfrica and countless others. In 2020 the appraisals continued, with Sampa taking home three more ARIA Awards for The Return, securing four wins at the Music Victoria Awards, becoming the first solo artist and female musician to win Best Live Act at the National Live Music Awards, and BET Amplified’s first-ever global artist. Most recently, Sampa's acclaimed single Energy feat. Nadeem Din-Gabisi was featured in Barack Obama's annual Summer playlist, following the appearance of Freedom in Michelle Obama's 2020 Summer playlist.
Sampa The Great makes an empowered return with her prodigious sophomore effort, As Above, So Below LP. While remaining one of the world’s most daring artists to continually challenge and connect visions of self, African womanhood and the African diaspora to a greater conversation in an eagerly listening global community, at its simplest, As Above, So Below is an engrossing, cathartic and joyous record to cherish today, and for years to come.
TOUR DATES
October 12- Gorilla - Manchester, UK
October 15 - Koko - London, UK
October 16 - Tranbendo - Paris, France
October 19 - Sala El Sol - Madrid, Spain
October 20 - TBA - Barcelona, Spain
October 22 - Le Grand Mix - Tourcoing, France
October 24 - Bird - Rotterdam, Netherlands
October 25 - Trix - Antwerp, Belgium
October 26 - Melkweg - Amsterdam, Netherlands|
October 28 - Die Kantine - Cologne, Germany
October 30 - Uebel & Gefährlich - Hamburg, Germany
October 31 - Small Vega - Copenhagen, Denmark
November 2- Huxley’s Neue Welt - Berlin, Germany
DOWNLOAD - Press Photo by Imraan Christian
DOWNLOAD - As Above So Below Artwork
WATCH I AM'S THE PRIMAL WAVE VIDEO
“‘Surrender To The Blade’ offers a solid preview of what’s in store for I AM’s third full-length, a strapping mix of deathly growls, thrashy riffs, and a concussive rhythm section. Eternal Steel is pretty much everything the title and cover promise. And there’s a fucking three-headed black panther on the cover!” – Decibel Magazine
“This might be an overall faster record, but first single ‘The Iron Gate’ largely finds I AM exploring their slower, doomier side, with just a small dose of thrash peppered in… It’s a very heavy, very Texas, very promising first taste of the LP.” –BrooklynVegan
“…the perfect recipe of anger and aggression, dead center of the pit destruction, damn memorable songs, and not one bad track amidst the bunch.” – Nine Circles
“…straight, no frills, heavy, and brutal…” – Ghost Cult
Toronto, ON – September 9, 2022 – Texas brutal death thrashers ,I AM, unleash a video for The Primal Wave. The latest bruiser comes off the band’s punishing Eternal Steel full-length, out today on MNRK Heavy!
Brandishing a unique fusion of ferocious thrash and death metal like a weapon of mass destruction, I AM is purely no-nonsense in their patented “Texas Death” assault. Armed with riffs, speed, and overwhelming power, the band channels discontent and anger into empowering anthems, as likely to inspire a grueling workout as to incite the pit.
Tracks like Iron Gate, Infernal Panther, Queen Incarnate, and Eternal Steel’s title track are demonstrative of the diverse extremes on offer as menacing moods, blistering thrash, and crushing death collide all over the record. The lyrics harness the power of dark subject matter in ways that serve and inspire the listener. “The topic of ‘fear’ is addressed in [latest single] The Primal Wave,” notes vocalist Andrew Hileman, “but in a way where that fear is used to fuel you to overcome obstacles.”
Hileman further elaborates of the track, "If I could describe this song into a few words I’d use 'furious power.' It’s very unrelenting and in your face the whole time leaving an uneasy feeling. Getting with Kevyn [Reece] to make this video happen brought our vision of filth to life."
View I AM’s The Primal Wave video, filmed and directed by Kevyn Reece, here. View the band’s previously released video for The Iron Gate here and Surrender To The Blade here.
Recorded, mixed, and mastered by Randy Leboeuf (Kublai Khan, Sentinels, The Acacia Strain), Eternal Steel combines the onslaught of the band’s well-received Hard 2 Kill (2018) full-length with the primal bite of Life Through Torment (2017) into a singular statement of intent. The death n’ roll groove of Obituary, the street-smart violence of Cro-Mags, it all coalesces into something fresh, exciting, and distinctly I AM.
Eternal Steel is available NOW on CD, LP, cassette, and digitally. Order yours today here.
I AM:
Andrew Hileman – vocals
Tom Reyes – guitar
Chris Burgess – guitar
Erik Rodriguez – bass
Brandon Busa – drums
DOWNLOAD - Eternal Steel Album Art
DOWNLOAD - I AM Press Photo by Kevyn Reece
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. www.mnrkheavy.com
ANGEL BAND (JUBILEE VERSION) OUT TODAY
WATCH THE OFFICIAL MUSIC VIDEO HERE
ALBUM OUT SEPTEMBER 30 ON HICKMAN HOLLER RECORDS/RCA RECORDS
TORONTO, ON – September 8, 2022 — Can I Take My Hounds to Heaven?, the highly anticipated new album from Tyler Childers and his longtime band, The Food Stamps, will be released September 30 on Hickman Holler Records/RCA Records (pre-save/pre-order here). Conceptualized as a three-part project, the eight songs on the album are presented in a trio of distinct sonic perspectives—Hallelujah, Jubilee and Joyful Noise.
In advance of the release, the Hallelujah and Jubilee versions of Angel Band are out today — listen to both versions here. Additionally, a new music video for the song directed by Bryan Schlam is out now. Watch here.
Produced by Childers and The Food Stamps, the eight-song collection features a mix of new and traditional songs and was primarily recorded in guitarist’s James Barker’s home studio, Dragline Studios. The Hallelujah version captures Tyler and the core band playing live in a single room over the course of two days, while the Jubilee version builds on it with the addition of strings, horns, background vocals and an array of worldly instruments such as dulcimer, mbira and sitar. The Joyful Noise version will be unveiled on release day.
Of the project, Childers shares: “I grew up Baptist and I was scared to death to go to hell. And a lot of that stuck with me. Filtering through that and trying to find the truth, and the beauty, and the things you should think about and expelling all that nonsense has been something I’ve spent a lot of time on. This is a collection that came together through those reflections. In a lot of ways, this is processing life experiences in the different philosophies and religions that have formed me, trying to make a comprehensive sonic example of that.
Working with the same song three different ways is a nod to my raising, growing up in a church that believes in the Holy Trinity: The Father, Son and Holy Ghost, and what that means. The Father being the root, the place from which everything comes from, and The Son coming to free up some of those things, allowing it to be more open and welcoming. And then you have the Holy Ghost once The Son is gone — that feeling that’s supposed to keep us sustained until we are reunited, in whatever way that looks.
Message wise, I hope that people take that it doesn't matter race, creed, religion and all of that like — the most important part is to protect your heart, cultivate that and make that something useful for the world.”
The Food Stamps are: Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle).
The new album is the first new music from Childers since 2020’s GRAMMY-nominated surprise release, Long Violent History, which NPR Music called an “explicit and remarkable stand in solidarity.” His two previous releases, 2019’s #1 Country Squire as well 2017’s RIAA Platinum debut, Purgatory, were released to overwhelming critical and commercial acclaim. In the years since his debut, Childers has earned two GRAMMY nominations and has been featured on CBS This Morning, The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, Late Night with Seth Meyers, NPR Music’s Tiny Desk Concert series and Anthony Bourdain: Parts Unknown.
CAN I TAKE MY HOUNDS TO HEAVEN? TRACKLIST:
HALLELUJAH
1. Old Country Church
2. Can I Take My Hounds to Heaven?
3. Two Coats
4. Purgatory
5. Way of the Triune God
6. Angel Band
7. Jubilee
8. Heart You Been Tendin’
JUBILEE
1. Old Country Church
2. Can I Take My Hounds to Heaven?
3. Two Coats
4. Purgatory
5. Way of the Triune God
6. Angel Band
7. Jubilee
8. Heart You Been Tendin’
JOYFUL NOISE
1. Old Country Church
2. Can I Take My Hounds to Heaven?
3. Two Coats
4. Purgatory
5. Way of the Triune God
6. Angel Band
7. Jubilee
8. Heart You Been Tendin’
EXTREME METAL UNIT TO RELEASE NEW LP MEMORY THEATER SEPTEMBER 30
BAND IN MIDST OF U.S. HEADLINING TOUR
"Whether you call what Escuela Grind does "power violence" or grindcore," there's no doubt the music the quartet creates together is pure fucking mayhem." - No Echo
"discombobulating drum patterns and staccato guitar chugs...
enough force to level an office park." - Revolver
"bursts of unthinkable sonic rage that still manage to keep the listeners rapt with their density and dynamics...Escuela Grind’s misanthropy as enjoyable and intelligent as it is unending." - Kerrang!
Toronto, ON – September 8, 2022 – New England extreme metal unit, Escuela Grind, will release its new LP, Memory Theater, on September 30. Produced by Kurt Ballou, the album - the band's first for MNRK Heavy (High on Fire, Crowbar) -features 9 tracks of sharp, scorching underground music that rages and rips in equal measure. Escuela Grind's Memory Theater is available for pre-order here.
Today, Escuela Grind releases a video for the new song, Forced Collective Introspection. Directed by Michael Jari Davidson (Alice in Chains), the barn-burning clip is an ode to the 1971 science fiction film, THX 1138, a work of sociological commentary set in a dystopian world where individuality and love are forbidden. Stream Escuela Grind's Forced Collective Introspection video here.
"We again teamed up with director Michael Jari Davidson to create the video for Forced Collective Introspection, says Escuela Grind vocalist, Katerina Economou. "The video references 1971's anti-authoritarian movie THX 1138, where the band is held in a white void by masked guards, and reduced to objectified numbers. Harassed in prison cells, the band makes their escape in a Shawshank fashion. The theme of the video runs throughout all of our music: we must resist and attempt to escape their control to regain our humanity."
While its music might be intimidating on first listen, the overwhelming spirit behind Escuela Grind is a message of empowerment. As it destroys musical boundaries, the quartet attacks the idea of “gatekeeping” with equal ferocity. Anytime Katerina Economou, Jesse Fuentes (drums), Kris Morash (guitar), and Tom Sifuentes (bass) convene, an aural apocalypse will ensue. Escuela Grind stitches together a new metallic hardcore monster from the rotten corpses of grindcore and power violence with gleefully unhinged blasts of percussive bombast and chaos. An architect by trade, Economou explores philosophy, politics, and experiential experimentation, building a kind of structure amidst the band's musical cacophony
Escuela Grind, which performed as one of the featured acts at the 2022 Psycho Las Vegas festival, is currently in the midst of a U.S. headlining tour. The 23-city Forced Collective Introspection tour launched on September 3 in Salem, MA and includes performances at New England's RPM Fest, Illinois' Full Terror Assault Open Air, and Cleveland's Hacked Up for BBQ death fest, as it criss-crosses the country. A full listing of upcoming Escuela Grind tour dates is below.
Memory Theater, Escuela Grind's sophomore album, is seven minutes shorter than Slayer’s Reign in Blood, but with a few songs running past the three-minute mark, it’s downright epic by grindcore norms. Delivering on the promise of several split records, a handful of EPs (including GGRRIINNDDCCOORREE and PPOOWWEERRVVIIOOLLEENNCCEE, both released in 2020), and the full-length, Indoctrination, the nine songs on Memory Theater offer a near-psychedelic trip to the genre’s soul. The album title references a specific historical concept, constructing a “space” from one’s internal ideas, knowledge, and perception.
Escuela Grind has also released a video for its rampaging new track, Cliffhanger, which adroitly showcases the kinetic energy of the group's much talked about live performances. Cliffhanger debuts via Decibel who proclaims, "The track showcases both sides of Escuela Grind’s sound: the firing-on-all-cylinders brand of grindcore that you would expect from a band called Grind School and a few two-step hardcore breakdowns that convert the energy into a more moshable state. Produced by Converge guitarist/GodCity producer Kurt Ballou, Memory Theater is the heaviest Escuela Grind have ever sounded." Stream Escuela Grind's Cliffhanger video here.
“Escuela Grind is super stoked to be out on the Forced Collective Introspection tour across the US with our friends in Test," says front person Katerina Economou. "We're so excited to play a bunch of new cities, cool festivals and killer clubs. You can expect to hear a bunch of material from the new album, and maybe even more upcoming stuff! Let's rage.” A ull listing of upcoming Escuela Grind tour dates is below.
Escuela Grind also released a video for the new song, All Is Forgiven, which the group calls "a skull cracker." The high-intensity clip blends reality with virtual reality. All is Forgiven premieres via Brooklyn Vegan who succinctly surmises, "This shit bangs." Experience Escuela Grind's All is Forgiven video here.
MEMORY THEATER - TRACKLISTING
1.Endowed With Windows
2. My Heart, My Hands
3. Cliffhanger (stream VIDEO)
4. Strange Creature
5. Faulty Blueprints
6. All Is Forgiven (stream VIDEO)
7. Forced Collective Introspection (stream VIDEO)
8. The Feed
9. Memory Theater
TOUR DATES
September 12 - Milwaukee, WI - Cactus Club
September 13 - Omaha, NE - Reverb Lounge
September 14 - Fort Collins, CO - The Lyric
September 15 - Salt Lake City, UT - Beehive Social Club
September 16 - Boise, ID - The Shredder
September 17 - Tacoma, WA - Hammerhead House
September 18 - Seattle, WA - The Funhouse
September 19 - Portland, OR - High Water Mark
September 20 - San Francisco, CA - Elbo Room
September 21 - Anaheim, CA - Chain Reaction
September 22 - San Diego, CA - Brick By Brick
September 23 - Scottsdale, AZ - Pub Rock Live
September 25 - Corpus Christi, TX - Boozers Rock Bar
September 26 - Dallas, TX - American Legion Post 672
September 27 - New Orleans, LA - TBA
DOWNLOAD - Tour Poster
DOWNLOAD - Album Art
DOWNLOAD - Press Photos
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com.
TEGAN AND SARA, GERRY STOLL,
AND STEVE WOOD & NORTHERN CREE TO BE HONOURED
AT THE 20th ANNUAL WCMAs THIS OCTOBER
BREAKOUT WEST CELEBRATES 20th ANNIVERSARY
LIVE AND IN PERSON SEPTEMBER 28 – OCTOBER 2
IN CALGARY, AB
Toronto, ON – September 8, 2022 – On September 28, BreakOut West will head back to Calgary, AB for the first time since 2013. Celebrating its milestone 20th year, the gathering continues to develop, support, and honour the best of Western Canadian music with its annual conference, festival and the Western Canadian Music Awards.
This year, the WCMAs are thrilled to be celebrating the 2022 Western Canadian Music Hall of Fame inductees – award-winning musicians, NYT best-selling authors, producers and activists, Tegan and Sara; recipient of The Kevin Walters Industry Builder Award – booking and entertainment management pillar, Gerry Stoll; and Heritage Award honourees – Northern Cree, led by educator, mentor and founding member, Steve Wood.
“We are thrilled to see these monumental Western Canadian Music Awards bestowed to such deserving Alberta artists and industry,” exclaims Alberta Music Interim Executive Director, Christine Rogerson. “The impact of each has been profound and far reaching. From Steve Wood and Northern Cree providing a voice and platform for Indigenous stories to be heard across Turtle Island and beyond, to Tegan and Sara's boundary pushing musicality that has inspired a chorus of voices and activists, to Gerry Stoll's advocacy in bringing international eyes to the Edmonton stages while developing the industry players who would take over from him... each honouree is remarkable and we are so proud to share in their recognition.”
The Western Canadian Music Hall of Fame annually recognizes an artist/band that has made a significant impact in their career; traditionally being awarded to an artist/band from the host province. Each year, The Kevin Walters Industry Builder Award is given to a person who has made a significant impact on the music industry through their mentorship, training, and/or leadership, and the Heritage Award is presented to a person who has made significant contributions to the music industry over the course of their career.
Tegan and Sara, Gerry Stoll, and Steve Wood and Northern Cree will be formally honoured and recognized at the WCMA Industry Awards Brunch on Saturday, October 1 during BreakOut West in Calgary. The full list of 2022 WCMA nominees can be found here. Winners of the artistic categories will be announced during a special broadcast presentation and reception in Calgary on Friday, September 23rd, ahead of BOW’s official kick-off.
The annual conference, showcase festival and awards celebration was previously hosted in Calgary in 2004 and 2013. The 2022 event will include a three-night music festival, showcasing talent from across western Canada, as well as special guests from eastern Canadian and internationally; a four-day career development conference and international industry program; awards programs honouring the best of western Canada’s artists and industry; and much more. For more information as the event develops, and for year-round opportunities supported by BreakOut West, visit www.breakoutwest.ca.
About Tegan and Sara
With nine studio albums to their credit, a tenth on the way, and millions of records sold, Tegan and Sara have used music as a way of storytelling throughout their 20-year career. With that storytelling at the core, they have built a multi-faceted media empire that stretches into TV, books, newsletter and public service, but is always deeply rooted in music.
Tegan and Sara have earned three JUNO Awards, two Polaris Music Prize nominations, a GRAMMY nomination, a Governor General’s Performing Arts Award and the 2018 New York Civil Liberties Union Award. Outspoken advocates for equality, in 2016 the duo created the Tegan and Sara Foundation, which fights for health, economic justice and representation for LGBTQ girls and women. They recently launched I Think We’re Alone Now, a Substack newsletter that includes both free and paid-tier content, spanning audio and text-message conversations as well as essays, lyric annotations and behind-the-scenes looks about their upcoming projects, including High School, the highly anticipated series based on their New York Times-bestselling memoir of the same name and the newly announced middle-grade graphic novel duology Tegan & Sara: Junior High and Tegan & Sara: Crush, written by the twins and illustrated by Eisner Award-winner Tillie Walden.
The multi-platinum duo will release their tenth studio album, Crybaby, on October 21, 2022, having recently shared the new singles, Fucking Up What Matters, Yellow and Faded Like A Feeling. Introducing the next exciting chapter in their musical career, these biting, propulsive slices of power pop reflect on the turbulence Tegan and Sara felt in both their own lives and the world at large over the past several years.
About Gerry Stoll
In a career that spanned more than 34 years, Gerry Stoll has been a true steward of the music scene in Alberta. Beginning his career at the University of Alberta as the General Manager of the Horowitz Theatre and the iconic Dinwoodie Lounge in 1982, Gerry booked the bands before they were the bands that we know and love. He was breaking acts and creating that cult of campus shows that subsequent University bookers would chase and never be able to recreate.
From 1995 through 2008, Gerry put Edmonton on the map for touring performers and international industry through his role as the booking and entertainment manager at Rexall Place (formerly Northlands Coliseum). Growing the arena's concert calendar from three to 43 shows over his tenure was a tremendous feat and accomplished through creativity, strong relationships, and shrewd negotiations.
As a community builder and industry leader, Gerry was part of the founding board for the Prairie Music Alliance, then carried on as the organization developed into the Western Canadian Music Alliance. He served on the board of directors and as President of the Alberta Recording Industry Association and as a director with the Canadian Country Music Awards. He was part of the team that brought the JUNO Awards to Edmonton in 2004.
About Northern Cree
Northern Cree is a nine-time GRAMMY nominated powwow and round dance group from Treaty Six territory with 50 albums to their credit. The group was formed in 1982 by Charles Wood Jr., Earl Wood, Randy Wood, and Steve Wood.
Northern Cree performs at festivals and hosts pow wows with eight to 20 singers. The group is led by Steve Wood and includes Joel Wood, Marlon Deschamps, Shane Dion, Marcus Denny, Leroy Whitstone, Marvin Deschamps, Jordon Fiddler, Emerson Samson, Penny McGilvery, Dezi Chocan, Randall Paskemin, Jamon Paskemin, Gilbert Buffalo, Desmond Redcalf, Jonas Tootoosis, Ben Cardinal, Kyle Pasquayak, Shaina McGilvery, and Jayzer Littlewolfe.
Since 1999, Northern Cree has earned a total of 44 nominations and 18 awards for their music.
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIAs) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 will be held in Calgary, AB from September 28 to October 2, marking the 20th anniversary of the event. The 2022 Western Canadian Music Awards and Industry Awards will be announced in fall 2022.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
Use #BREAKOUTWEST and join in the conversation!
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DOWNLOAD – BreakOut West / WCMA Logos and Graphics
LISTEN HERE
THE THIRD STUDIO ALBUM FEATURES STELLAR COLLABORATIONS WITH INTERNATIONAL ARTISTS ALEJANDRO SANZ, CAMILA CABELLO, EVALUNA MONTANER, GRUPO FIRME, MYKE TOWERS,
AND NICKI NICOLE
WITH DE ADENTRO PA AFUERA CAMILO DEMONSTRATES HIS MUSICAL RICHNESS AND COMPOSITIONAL INGENUITY ONCE AGAIN
AFTER HIS FIRST SOLD OUT CONCERT AT THE RADIO MUSIC HALL IN NEW YORK, CAMILO WILL CONTINUE THE SECOND PHASE OF HIS DE ADENTRO PA AFUERA TOUR THIS SATURDAY, SEPTEMBER 10 IN MIAMI
TORONTO, ON – September 7, 2022 – Two-time GRAMMY-nominated and five-time Latin GRAMMY-winning singer-songwriter, Camilo, just has released his long-awaited new album titled, De Adentro Pa Afuera, available now on all digital platforms under the Sony Music Latin/Hecho a Mano.
After his multi award-winning albums, Por Primera Vez, and, Mis Manos, the talented singer-songwriter and producer delivers De Adentro Pa Afuera, his third studio album and the most personal in his catalog, which captures and immortalizes a moment of feeling that awoke inside him with the arrival of his firstborn, Indigo.
As he describes it, #DAPA "is a blog of the valuable things that are inside me and come out to share it” and seeks to celebrate a new chapter in its history and explore all the corners of that internal diversity that it possesses. and genuinely share with The Tribe.
“I would like listeners to take away from this album doors into new rooms of who they are and their sensibilities. There are times when we are not sure we are capable of certain emotions, and we just need a key that opens the door to that new feeling. Sometimes those keys are songs and I like to think that mine can accompany La Tribu to those new places,” Camilo said.
Under the production of Camilo and Édgar Barrera, this album includes 11 songs composed by both along with other great composers and producers, and includes stellar collaborations with international artists deeply admired by Camilo such as Alejandro Sanz, Camila Cabello, Evaluna Montaner, Grupo Firme, Myke Towers, and Nicki Nicole.
Since October 2021, La Tribu and all those who follow Camilo have been able to enjoy six of the songs that make up this great musical production and that are already added to their list of hits, including Indigo, Pesadilla, Pegao, NASA, Naturaleza, and the most recent Alaska, which has more than 633 thousand videos on TikTok – listen to the sound here – and nine million views combined to date.
DE ADENTRO PA AFUERA Tracklist:
1. Aeropuerto
2. Ambulancia – con Camila Cabello
3. Bebiendo Sola – con Myke Towers
4. 5:24
5. De Adentro Pa Afuera
6. Alaska – con Grupo Firme
7. Naturaleza – con Nicki Nicole
8. NASA – con Alejandro Sanz
9. Pegao
10. Pesadilla
11. Índigo – con Evaluna Montaner
Along with this release, Camilo will continue his De Adentro Pa Afuera Tour, which began in May of this year and has already been presented in several countries including Mexico, Spain, Italy, and Switzerland. The tour, presented by the entertainment company Loud and Live, will arrive at the FTX Arena in the city of Miami on September 10 and then tour the main cities of the United States, the United Kingdom, France, Puerto Rico, and Colombia.
Tour Dates:
September 10 - Miami, Florida - FTX Arena
September 17 - Fort Myers, Florida - Hertz Arena
September 18 - Orlando, Florida - Amway Center
September 21 - Hidalgo, Texas - Bert Ogden Arena
September 22 - Houston, Texas - Smart Financial Centre
September 24 - Dallas, Texas - American Airlines Center
September 30 - El Paso, Texas - Don Haskins Center
October 2 - San Diego, California - Pechanga Arena
October 14 - Los Angeles, California - Microsoft Theater
October 15 - Sacramento, California - Golden 1 Center
October 16 - San José, California - SAP Center
October 22 - Laredo, Texas - Sames Auto Arena
October 23 - San Antonio, Texas - Freeman Coliseum
October 28 - Chicago, Illinois - Allstate Arena
October 30 - Boston, Massachusetts - Agganis Arena
November 4 - Washington, D.C. - EagleBank Arena
November 6 - Atlanta, Georgia - Gas South Arena
November 12 - San Juan, Puerto Rico - Coliseo de Puerto Rico
For more information about De Adentro Pa Afuera Tour visit www.camilolatribu.com.
DOWNLOAD - Album Art
Camilo on TikTok
FAREWELL TO CATHEDRAL ALBUM RELEASE SHOW WITH SPECIAL GUESTS ROBINSON KIRBY OCTOBER 5
TICKETS AVAILABLE HERE
TORONTO, ON – September 7, 2022 – Today, JUNO-nominated Toronto band, The Wilderness of Manitoba, announce they’ll be playing at The Legendary Horseshoe Tavern on October 5, with special guests Robinson Kirby. This special night will serve as a tribute to, and celebration of life, for the band’s drummer, Adam Balsam.
Last October, just days before the band’s album, Farewell To Cathedral (Popguru Sound & Vision) was due for release, Balsam passed away suddenly and the group had to cancel their album release show.
Offer The Wilderness of Manitoba: "The Wilderness of Manitoba's upcoming show at The Horseshoe Tavern comes with mixed emotions. Just a little under a year ago, the band was preparing to unveil their new record Farewell To Cathedral live on the very same stage when they received the tragic news that their beloved friend and bandmate, drummer Adam Balsam, had passed away. To honour Adam's memory, the band will be performing the same set list that they had planned to do before his passing which includes a number of songs from Farewell To Cathedral as well as a diverse selection of songs from The Wilderness of Manitoba's back catalogue."
Farewell To Cathedral was recorded in just two days at Revolution Recording in Toronto, which was completely unprecedented. In the past, the band’s Will Whitwham felt he laboured over a lot of the sonic details, often adding overdub after overdub. But for this album, the songs were captured at their most live and purest stage. The results show that, at the end of the day, the quality of the songs is not necessarily contingent on the recording process. This was made clear on the album singles The Alchemist, Sometimes, Oblivion and The Well Has Run Dry. Listen to the full record here.
Tickets for the October 5 show are available in advance here and more information can be found on the Wilderness of Manitoba’s website.
About The Wilderness of Manitoba:
In its twelve-year existence, the Wilderness of Manitoba’s strengths come as a direct result of the wealth of traveling and playing the group has done. They have played the End of the Road Festival and Peter Gabriel’s WOMAD Festival in the UK and toured the UK, US, Netherlands, Canada and Germany with such artists as Aimee Mann, Lord Huron and Other Lives among others. “The live show,” says Whitwham, “is an in-the-moment portrait of the band and its efforts.” Those efforts were recognized when the Wilderness of Manitoba was nominated for a JUNO and two Canadian Folk Music Awards.
DOWNLOAD - Show Poster
TORONTO, ON – September 7, 2022 – Women in Music Canada (WIMC) is happy to announce Robyn Stewart (she/her) as its Executive Director.
Stewart is welcomed into the association by Chair and Founder, Samantha Slattery, who has spent the past eight years administering the non-profit organization, since its 2014 inception. Stewart will oversee all aspects of WIMC, including its various educational, career development and networking events, as well as programming, industry engagement, research and advocacy initiatives. An accomplished veteran in the Canadian cultural industries, Stewart brings with her a wealth of knowledge from all facets of event management, partnership relations, fund development and beyond.
"I am excited to take on this role, bringing immense passion for the importance of culture and music and of supporting emerging talent,” says Stewart. “Following my tenure at the Western Canadian Music Alliance, I am thrilled to support gender equity in the Canadian music industry through WIMC programming, training support and community building. I look forward to learning the experiences of those struggling to reach their dreams and aspire to be a part of paving the way for a more equitable future for women and gender diverse artists and industry folks. I also look forward to working with fellow intersectional service organizations, IIMS, ADVANCE and others, to maximize the support we can provide for all under-represented creators and innovators."
Stewart is an accomplished 19-year Event Director, currently holding the role of Executive Director and CEO of the Western Canadian Music Alliance. Having started her career as a theatre Stage Manager, among other roles in the cultural industries, she is passionate about the creative process and the role culture plays in communities. Her experience reaches all areas of event management and talent buying, with her strongest skills lying in financial management, complex logistics, government relations and fund development, and partner relationship building.
Celebration Sites Coordinator for the Vancouver Olympic and Paralympic Winter Games 2010 and Entertainment Buyer for PanAmerican Games 2015 are among the projects Stewart is most proud of, as well as her work with the WCMA, which allowed her to support developing artists and engage in passion projects including working towards gender parity in the music industry on an international level. A travel enthusiast herself, Stewart is incredibly driven by her work supporting artists to showcase and develop business in international markets. Stewart holds positions on the Polaris Music Prize (national), Canadian Live Music Association (national) and KeyChange (international) Boards of Directors, and the Manitoba Heart and Stroke Foundation advisory board. Robyn is a mom to Jasper (9) and Ty (1), who are her greatest joys and challenge in life, to ensure they grow up to be good humans.
Slattery shares, "We are absolutely thrilled to have Robyn at the helm of Women in Music Canada! Her depth of experience, passion and knowledge will prove invaluable as we enter into the next chapter of the organization.”
Slattery, also a music industry veteran, has been working throughout North America and the UK for over two decades, primarily in the live sector on major music festivals (including Coachella Music Festival, Reading & Leeds Music Festivals, Virgin Festival and JUNOS to name a few), as well as spending several years on Nettwerk Management’s UK artist management team, working for major-label multi-platinum artists. She will continue on as the Chair of the WIMC Board of Directors.
Along with Stewart’s appointment to Executive Director, Women in Music Canada will be announcing the new members of its Board of Directors. Stay tuned for that news coming soon.
About Women in Music Canada
Women in Music Canada (WIMC) is a registered non-profit organization and one of the largest music industry associations in Canada. The organization is dedicated to fostering gender equality in the music industry through the support and advancement of female identifying professionals and creatives at every stage of their career. The goal is to strengthen the social-economic balance of the music industry by providing professional development, support and resources for our community. Women in Music hosts educational, career development and networking events alongside broader programming initiatives, industry engagement, research and advocacy to serve the needs of our diverse community. Our panels, seminars, webinars, workshops and performance serve to educate, empower, and celebrate female contributions to the music world, and strengthen community ties.
Women in Music Canada acknowledges that we are on the traditional territory of many nations throughout Canada, specifically our headquarters in the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect the Treaties that were made on these territories, we acknowledge the harms and mistakes of the past, and we dedicate ourselves to move forward in partnership with Indigenous communities in a spirit of reconciliation and collaboration. www.womeninmusic.ca
DOWNLOAD ROBYN STEWART HEADSHOTS
DOWNLOAD – WIMC Logo
STREAM ON ALL PLATFORMS HERE
8 UK Top 10 Singles
7 global Platinum Singles
9 global Gold Singles
8 Million UK sales
10 Million worldwide sales
4 Billion audio streams
Over 1 Billion video views
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DOWNLOAD - Press Photo | DOWNLOAD - Single Art
STREAM/WATCH PROUD MARY (AT THE ROYAL ALBERT HALL) OUT NOW
TAKEN FROM THE FORTHCOMING LIVE ALBUM
CREEDENCE CLEARWATER REVIVAL AT THE ROYAL ALBERT HALL THE FIRST-TIME RELEASE OF THE BAND'S LEGENDARY 1970 LONDON CONCERT
AFTER 50 YEARS THE METICULOUSLY RESTORED ALBUM
WILL BE RELEASED ALONGSIDE THE UPCOMING DOCUMENTARY CONCERT FILM TRAVELIN’ BAND: CREEDENCE CLEARWATER REVIVAL AT THE ROYAL ALBERT HALL
TORONTO, ON – September 2, 2022 — Craft Recordings have recently announced the forthcoming release of Creedence Clearwater Revival’s legendary long-lost recording of their 1970 show at London’s Royal Albert Hall, which will be available for the first time ever in multiple formats (detailed below) as Creedence Clearwater Revival at the Royal Albert Hall. The live album is set for release on September 16 and is available now for pre-order. Coinciding with the album launch, a new documentary concert film titled, Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall, will be available for streaming on Netflix, also beginning September 16 (in the US, Canada, United Kingdom, Australia, NZ, Latin America and Africa).
Today, ahead of the upcoming releases, CCR debuts the full live performance of their signature hit Proud Mary. The advance single is available now to stream or download here. The video captures bandmates, John Fogerty, Tom Fogerty, Doug Clifford, and Stu Cook, teaming up on stage for one of their biggest hits, a song that became an instant classic and has been covered by countless artists to date, including Tina Turner, Tom Jones, James Bay and even the cast of Glee. Proud Mary originally started as a phrase without a home in Fogerty’s notebook. When he received his honorable-discharge papers in the mail in 1968, the song flowed right out of him. Peaking at #2 on the Billboard Hot 100 in spring of 1969, Proud Mary became the first of five singles to reach #2 for the group. Watch the video here.
Creedence Clearwater Revival at the Royal Albert Hall will be available September 16 on 180-gram vinyl, CD, and cassette, while select retailers will offer a variety of exclusive colour variants, including Walmart (Tombstone Shadow vinyl) and Target (Green River vinyl). Additionally, the album will be available across digital platforms, including in hi-res and Dolby ATMOS® immersive audio formats. A limited Super Deluxe Edition Box Set will follow later in the year, more details below.
After spending roughly 50 years in storage, the original multitrack tapes were meticulously restored and mixed by the GRAMMY® Award-winning team of producer, Giles Martin, and engineer, Sam Okell, who have helmed countless acclaimed projects together, including the Beatles’ 50th-anniversary editions of Abbey Road and Sgt. Pepper’s Lonely Hearts Club Band, as well as audio for the Elton John biopic, Rocketman, and Peter Jackson’s The Beatles: Get Back series. The LP was mastered by the celebrated engineer Miles Showell at Abbey Road Studios using half-speed technology for the highest-quality listening experience.
Creedence Clearwater Revival at the Royal Albert Hall will be released concurrently with the documentary concert feature film, Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall. Directed by two-time GRAMMY® Award winner, Bob Smeaton (The Beatles Anthology and Jimi Hendrix Band of Gypsies), and narrated by Academy Award®-winning actor, Jeff Bridges, the film takes viewers from the band’s earliest years together in El Cerrito, CA through their meteoric rise to fame. Featuring a wealth of unseen footage, Travelin’ Band culminates with the band’s show at the Royal Albert Hall—marking the only concert footage of the original CCR lineup to be released in its entirety.
The film is a Craft Recordings, Concord Originals, and Marathan Films production and is produced by Sig Sigworth (R.E.M. by MTV), Jonathan Clyde (The Beatles: Get Back), Martin R. Smith (The Beatles: Sgt Pepper’s Musical Revolution) and John Beug (Tom Petty and The Heartbreakers: Runnin' Down a Dream). Concord’s Scott Pascucci (Martin Scorsese’s George Harrison: Living in the Material World), Bob Valentine and Concord Original’s Sophia Dilley (Billie) executive produce. Wesley Adams, Charles Hopkins, and Taylor Umphenour are serving as co-producers.
On November 18, both the album and the film will be presented in a Super Deluxe Edition Box Set, available exclusively via CraftRecordings.com. The 2-LP/2-CD/1-Blu-ray collection includes Creedence Clearwater Revival at the Royal Albert Hall on two 45-RPM 180-gram vinyl LPs as well as on CD. A second CD features music from the film, including formative recordings from the band’s earliest incarnations (including Tommy Fogerty and the Blue Velvets and the Golliwogs), while the Blu-ray offers the complete Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall film, plus the digital album in hi-res and Dolby ATMOS® immersive audio. Limited to 5,000 copies worldwide and available to pre-order now, each individually numbered set is housed in a 12” x 12” box, with embossed gold foil detail, and includes a reproduction of the original 1970 tour program, a 17” x 24” poster, and a 16-page booklet, featuring an excerpt from Bridges’ voice-over script, which offers background on the band’s incredible path to the London show. View the unboxing trailer here.
When Creedence Clearwater Revival stepped onto the Royal Albert Hall’s stage on April 14, 1970—just days after the Beatles announced their breakup—the California rockers had arguably just become the biggest band in the world. Leading up to the show, CCR had enjoyed an unprecedented “magical year,” as Jeff Bridges narrates in the film. “In only 12 months the band had achieved five Top 10 singles and three Top 10 albums [Bayou Country, Green River, Willy and the Poor Boys] on the American charts, outselling the Beatles. They had appeared on the legendary Ed Sullivan Show and played to over a million people across America, including the hundreds of thousands gathered at Woodstock. John, Tom, Stu, and Doug may not have had the familiar ring to it of John, Paul, George, and Ringo, but Creedence were challenging the Beatles for the title of the biggest group in the world.” During their two-night sold-out residency at the iconic venue, CCR not only followed in the footsteps of acts like the Rolling Stones, Led Zeppelin, Jimi Hendrix, and the Beatles, but they proved they were equals.
While Creedence Clearwater Revival would go their separate ways just two years later, speculation around a live recording of that legendary concert began to permeate their fanbase in 1980. That same year, Fantasy Records had released a live album by the band, mistakenly titled The Royal Albert Hall Concert. It was quickly discovered that the audio was, in fact, from the Oakland Coliseum show, captured months earlier. While the label rushed to sticker the album with correctional information—and properly re-named the January 1970 performance as The Concert for later production runs—actual footage from the Royal Albert Hall remained the stuff of rock ’n’ roll lore…until now.
ABOUT CREEDENCE CLEARWATER REVIVAL
During their short time together as a band (1968 – 1972), Creedence enjoyed an unparalleled period of creativity—releasing seven studio albums (two of which went to Number One), playing over 150 tour dates around the world, including a headlining spot at Woodstock and scoring 14 Top Ten singles. A mainstay band till today, Creedence accrued 4 billion streams in 2021. Over the past 50-plus years, Creedence’s canon has become a part of the Great American Songbook. Songs like Bad Moon Rising, Down on the Corner, Fortunate Son, Have You Ever Seen the Rain, Proud Mary, Born on the Bayou, Travelin’ Band and Up Around the Bend have been ingrained into pop culture—not just as rock staples, but as timeless standards. With so many memorable compositions that continue to grace the radio waves, television and film screens, and lyrics that still resonate today, Creedence Clearwater Revival is, truly, America’s Greatest Rock Band.
ALBUM ARRIVES ALONGSIDE MUSIC VIDEO FOR
SIN FIN WITH JUSTIN TIMBERLAKE – WATCH HERE
LISTEN TO THE ALBUM HERE
Toronto, ON – September 2, 2022 –Today, singer-songwriter and the ‘King of Bachata’ Romeo Santos released his highly anticipated new album Fórmula Vol. 3 via Sony Latin. Listen here.
Fórmula Vol. 3 highlights Romeo’s signature bachata tunes, showcasing his unique and iconic style. Following the massive success of both Fórmula Vol. 1 and Fórmula Vol. 2, the third installment, Fórmula Vol. 3 elevates bachata to new heights with its 21 tracks. The critically acclaimed lead single, Sus Huellas, was released earlier this year, debuting at No. 1 on Billboard’s Latin Airplay chart, earning 2x platinum certification in the U.S. and received praise from THE NEW YORK TIMES, THE FADER, and ROLLING STONE. The new album includes several star-studded features including ROSALÍA, Justin Timberlake, Christian Nodal, an introduction by comedian Katt Williams and vocals from all three of Romeo’s sons.
The album comes alongside the video for Sin Fin with Justin Timberlake. The song is a seamless fusion of Romeo’s contemporary Bachata rhythms and Timberlake’s soulful voice and pop sounds. Directed by Emil Nava, the video brought the two global superstars together in Los Angeles and gives life to the lyrics with their star presence, while also displaying their footwork as they dance to the beat of this promising pop-bachata.
The new album comes at an exciting time for Santos who recently appeared on the cover of Billboard and will take part in Billboard’s Latin Music Week in Miami later this month. Santos was featured in Rolling Stone’s “Hot” issue this past July, and earlier this summer, he took over Rockefeller Plaza for The TODAY Show’s Citi Summer Concert Series – watch here.
With 17 Billboard Latin Music Awards, 8 Premio Lo Nuestro Awards, 2 Premios Juventud Awards, 4 Guinness World Records, 2 Latin American Music Awards and more, Santos reigns as the King of Bachata. He’s collaborated with the likes of Drake, Usher, Nicki Minaj, Enrique Iglesias, Pitbull and Lil Wayne, and had 3 consecutive No. 1 albums with Fórmula Vol 1, Fórmula Vol 2 and Golden. He’s sold over 223 million singles and over 24 million records worldwide. Fórmula Vol. 1 & Fórmula Vol. 2 are also the highest selling albums in history for a Sony Latin artist, with Fórmula Vol. 2 certified 27X multi-platinum, the highest certification level for an album by a Latin male artist.
TRACKLIST:
1.Intro – ft. Katt Williams, My Kids
2.Bebo
3.Ayúdame
4.Bumerán
5.Sexo Con Ropa
6.Ciudadana
7.Estropear
8.El Pañuelo – ROSALÍA
9.15,500 Noches – Toño Rosario, Rubby Perez ft. Fernandito Villalona
10.Perro
11.Sin Fin – Justin Timberlake
12.Conmigo en solitario
13.Sus Huellas
14.SIRI – Chris Lebron
15.Sketch
16.Me Extraño – Christian Nodal
17.Suegra
18.Culpable – ft. El Lápiz Consciente
19.R.I.P
20.La Ultima Vez
21.Nirvana
DOWNLOAD - Formula Vol.3 Artwork
TORONTO, ON — Thursday, September 1, 2022 — The Polaris Music Prize, presented by CBC Music, will be unveiling the 12 newest additions to its signature Polaris poster series with a special gallery takeover happening at Underscore Projects in Toronto, Ontario throughout September.
Polaris will debut its 12 new poster commissions during the Polaris Music Prize 2022 Poster Launch & Exhibition at Underscore Projects (1486 Dundas Street West), in Toronto, happening between September 8-29. The reveal of the 12 new posters will take place during an invite-only reception happening September 8, with the accompanying online and social media rollout taking place September 9. The Polaris Music Prize 2022 Poster Launch & Exhibition will be viewable Wednesdays to Fridays from 6:00 – 9:00 p.m. and Saturdays 4:00 – 8:00 p.m. Admission for the exhibit is free. Off-hour private viewings of the exhibit are also available by appointment by contacting Underscore Projects.
The Polaris Music Prize 2022 Poster Launch & Exhibition is curated by Odessa Dobbie. The poster show will also feature an installation by Toronto-based artist, Lauren Pirie, whose work will be present at this year's Polaris Gala.
Each year 10 Canadian visual artists are commissioned to create a unique art piece inspired by a nominated album on the Polaris Music Prize Short List. These vivid graphic interpretations of the nominees’ music are then developed into limited edition, silk-screened prints. This year’s Short List poster creators are:
Sylvain Beaudry for Destroyer’s LABYRINTHITIS
Noel Nanton for Pierre Kwenders’ José Louis And The Paradox Of Love
Mathieu Dionne for Lisa Leblanc’s Chiac Disco
Stéphane Monnet for Hubert Lenoir’s PICTURA DE IPSE : Musique directe
Tallulah Fontaine for Kelly McMichael’s Waves
Josephine Guan for Ombiigizi’s Sewn Back Together
Mark Neil Balson for Ouri’s Frame of a Fauna
Ashley Floréal for Shad’s TAO
Dominic Ayre for Snotty Nose Rez Kids’s Life After
Kendra Yee for Charlotte Day Wilson’s ALPHA
Additionally, Polaris has commissioned two new works to honour its most recent hall of fame Slaight Family Polaris Heritage Prize winners — Faith Nolan’s Africville and Nomeansno’s Wrong — with their own commemorative posters. These works, by Yazmin Monet Butcher and Jean deMers, respectively, will also debut at Underscore Projects.
This will also be made possible by the generous support of Crown Royal. As a proudly Canadian whisky, Crown Royal is thrilled to raise a glass to the next generation of music royalty and celebrate Canadian artistry.
The poster artists were selected by Polaris and The Office of Gilbert Li and printed by Kid Icarus in Toronto.
This gallery takeover will be the first-ever large-scale exhibition of the Polaris poster archive. Prints of the 12 new works will be available for purchase throughout September at Underscore Projects along with a thorough selection of other posters from the Polaris archive. A limited quantity of these pieces will also be made available at the Polaris Gala and will be made available for pre-order September 9 on the Polaris Music Prize website.
Polaris has commissioned over 200 original artworks as part of its poster program. Since the organization began in 2006, Polaris founder, Steve Jordan, commissioned unique “gig” posters featuring artwork inspired by the nominated albums. The posters produced were given as a gift to each of the 10 acts on a given year’s Short List. Several of these works have gone on to win prizes of their own from the likes of the Society of Illustrators and Communication Arts Annual. Select pieces have been exhibited at the National Arts Centre, the Canada Council, the London Museum and were featured in Heritage Toronto’s Sounds Like Toronto digital music history project. Additionally, Polaris prints are prominently displayed in the offices of leading cultural and music institutions.
The Polaris Music Prize 2022 Poster Launch & Exhibition will serve as an excellent opportunity to build anticipation for the marquee event in the Polaris calendar, the Polaris Gala, happening September 19 at The Carlu in Toronto. The 2022 Polaris Gala will feature performances by a number of the musical artists nominated on this year’s Short List. One of these artists will be selected as this year’s Polaris Music Prize winner. General admission tickets to the Polaris Gala are currently available via Ticketmaster.
The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The nine other nominated acts whose albums make the 2022 Short List will receive $3,000 each courtesy of Slaight Music. Additionally, Polaris Music Prize has partnered with Play MPE to award the winning artist with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.
Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.
The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).
Polaris Music Prize 2022 Event Season
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media attention
20 Not-for-Profit and charity partners supported through the Community Development Program.
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages. We also deliver content in Spanish, Arabic Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
About CBC Music
CBC Music is the leading curator of emerging and diverse Canadian music talent across platforms, playing the most Canadian artists and genres on radio, CBC Listen and cbcmusic.ca. We prioritize Canadian artists in a wide variety of genres on over 200 playlists available on CBC Listen, and publish daily national music coverage. CBC Music Live features live music recordings from across the country. Our music partnerships and events include The JUNOS, the Polaris Music Prize, Searchlight, the CBC Music Festival, The Canadian Music Class Challenge and Canada Listens. www.cbc.ca/music
About Play MPE
Play MPE is the leading global platform for music promotion distribution and discovery. The company now serves over 100 countries, is available in multiple languages, and has changed the way the music industry delivers and accesses content. Play MPE provides music promotion distribution for 1000s of record labels, promoters and artists connecting them to a growing community of vetted music industry decision makers. Play MPE’s coveted distribution lists include: radio, satellite, media/blogs, music supervisors, music curators and more. Long standing global clients include Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, eOne Entertainment, Epitaph, Criteria, The Orchard and many more. www.plaympe.com
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
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LE PRIX DE LA MUSIQUE POLARIS
DÉVOILERA 12 NOUVELLES ŒUVRES D'ART VISUEL DANS LE CADRE DE SON EXPOSITION D'AFFICHES QUI AURA LIEU EN SEPTEMBRE, À TORONTO
TORONTO, le jeudi 1 septembre 2022 — Le Prix de musique Polaris, présenté par CBC Music, dévoilera sa plus récente série de 12 affiches signatures, exposées à la galerie Underscore Projects, à Toronto (Ont.) en septembre.
Les 12 nouvelles affiches commandées par Polaris seront présentées dans le cadre du Lancement des affiches et exposition du Prix de musique Polaris 2022, du 8 au 29 septembre à la galerie Underscore Projects (1486, rue Dundas Ouest), à Toronto (Ont.). Le dévoilement des 12 affiches aura lieu dans le cadre d'une réception sur invitation seulement, qui aura lieu le 8 septembre. Le grand public est invité entre 18 h 30 et 22 h. Le lancement se poursuivra en ligne et sur les médias sociaux dès le 9 septembre. L'exposition pourra être visitée du mercredi au vendredi, de 18 h à 21 h, et le samedi, de 16 h à 20 h. L'entrée est gratuite. Il sera également possible de planifier une visite privée de l'exposition sur rendez-vous, en communiquant avec Underscore Projects.
Lancement des affiches et exposition du Prix de musique Polaris 2022 est organisée par Odessa Dobbie. L'exposition d'affiches présentera également une installation de l'artiste torontoise Lauren Pirie, dont le travail sera aussi présenté au gala de cette année.
Chaque année, 10 artistes visuels du Canada sont choisis pour créer une œuvre d'art unique inspirée d'un album nominé sur la Courte liste du Prix de la musique Polaris. Ces représentations graphiques uniques de la musique des artistes en nomination sont ensuite sérigraphiées et offertes en quantités limitées. Cette année, les créateur·trice·s des affiches pour la Courte liste sont :
Sylvain Beaudry pour LABYRINTHITIS de Destroyer
Noel Nanton pour José Louis And The Paradox Of Love de Pierre Kwenders
Mathieu Dionne pour Chiac Disco de Lisa Leblanc
Stéphane Monnet pour PICTURA DE IPSE : Musique directe de Hubert Lenoir
Tallulah Fontaine pour Waves de Kelly McMichael
Josephine Guan pour Sewn Back Together de Ombiigizi
Mark Neil Balson pour Frame of a Fauna de Ouri
Ashley Floréal pour TAO de Shad
Dominic Ayre pour Life After de Snotty Nose Rez Kids
Kendra Yee pour ALPHA de Charlotte Day Wilson
De plus, Polaris a commandé deux œuvres supplémentaires pour honorer les plus récent·e·s lauréat·e·s du Prix du patrimoine Polaris de la famille Slaight - Faith Nolan avec l'album Africville et Nomeansno avec l'album Wrong. Ces affiches commémoratives, réalisées par Yazmin Monet Butcher et Jean deMers, seront aussi présentées à Underscore Projects.
Cet événement est également rendu possible grâce à l'appui généreux de Crown Royal. En tant que fabricant de whisky fièrement canadien, Crown Royal est fier de lever son verre à la prochaine génération de grands noms de la musique et de célébrer les talents artistiques canadiens.
Les artistes retenu·e·s pour la création des affiches ont été sélectionné·e·s par Polaris et The Office of Gilbert Li. Les impressions ont été réalisées par Kid Icarus, à Toronto.
Il s'agira de la première exposition d'envergure pour les affiches d'archive de Polaris. Il sera possible de se procurer des tirages des 12 nouvelles affiches, ainsi que d'une série d'affiches sélectionnées provenant des archives de Polaris. Les affiches seront en vente pendant tout le mois de septembre à Underscore Projects. Elles seront également offertes en quantités limitées lors du Gala Polaris et en précommande dès le 9 septembre sur le site Web du Prix de musique Polaris.
Depuis le début de l'organisation, en 2006, Polaris a commandé plus de 200 œuvres d'art originales dans le cadre de son programme d'affiches. L'objectif du fondateur, Steve Jordan, est d'offrir à chacun·e des 10 artistes en nomination sur la Courte liste une « affiche de concert » inspirée de l'album en lice. Plusieurs de ces œuvres ont par la suite elles-mêmes remporté des prix de la Society of Illustrators et de la Communication Arts Annual. Des pièces sélectionnées ont également été exposées au Centre national des arts, au Conseil des arts du Canada et au London Museum. Certaines d'entre elles apparaissent dans le projet numérique d'histoire de la musique Sounds Like Toronto, piloté par Heritage Toronto. Enfin, les affiches Polaris sont affichées bien en vue dans les bureaux de nombreuses institutions culturelles et musicales.
Le Lancement des affiches et exposition du Prix de musique Polaris 2022 constitue une excellente occasion pour promouvoir l'événement phare du calendrier Polaris, le Gala Polaris, qui aura lieu le 19 septembre, à The Carlu, à Toronto. Le Gala Polaris 2022 présentera les performances de plusieurs des artistes en nomination sur la Courte liste de cette année. Un·e de ces artistes sera sélectionné·e comme récipiendaire du Prix de musique Polaris 2022. Des billets pour le Gala Polaris sont actuellement en vente sur Ticketmaster.
Le Prix de musique Polaris remet 50 000 $ à l’artiste ayant créé l’album canadien de l’année, jugé uniquement sur sa valeur artistique et sans considération pour le genre musical ou la popularité commerciale. Les neuf autres artistes en nomination, dont les albums figurent sur la courte liste de 2022, recevront 3 000 $, une gracieuseté de Slaight Music. De plus, le Prix de musique Polaris s’est associé à Play MPE pour offrir à l’artiste derrière l’album lauréat un forfait mondial pour la distribution et la promotion d’une parution musicale (simple ou album) d’une valeur maximale de 3 025 $ CA. Play MPE offrira également aux neuf autres artistes de la courte liste des forfaits de distribution d’une valeur maximale de 1 000 $ CA.
Les albums admissibles au Prix de musique Polaris 2022 doivent être parus entre le 1er mai 2021 et le 31 mai 2022. Un jury indépendant composé de membres des médias musicaux de tout le Canada détermine la longue et la courte liste. Onze personnes parmi les membres du jury sont ensuite choisies pour faire partie du grand jury. Ce grand jury se réunit lors du gala Polaris pour choisir l’album lauréat du Prix de musique Polaris.
Les gagnant.e.s antérieur.e.s sont Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) et Final Fantasy / Owen Pallett (2006).
Saison 2022 des événements du Prix de musique Polaris
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux événement de révélation des albums lauréats, le gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné.e.s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est un organisme à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans égard pour le genre musical ou la popularité commerciale. www.polarismusicprize.ca/fr
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant.e.s du prix secondaire de 3 000 $ offert par Slaight Music
2 gagnant.e.s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant.e.s au jury annuel
1 000 invité.e.s au gala annuel
831 000 $ en prix remis aux musicien.ne.s
160 nommé.e.s de la courte liste bénéficient d’une attention médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
À propos de CBC/Radio-Canada
CBC/Radio-Canada est le diffuseur public national du Canada. Grâce à notre mandat de renseigner, d’éclairer et de divertir, nous jouons un rôle central pour renforcer la culture canadienne. En tant que source d’information de confiance au pays, nous proposons un point de vue typiquement canadien sur les nouvelles, affaires publiques et affaires internationales. Notre programmation de divertissement, distinctive et créée par les talents d’ici, rassemble de larges auditoires partout au pays. Profondément enracinée dans les communautés, CBC/Radio-Canada offre des contenus diversifiés en français, en anglais et en huit langues autochtones. Nous présentons aussi des contenus en espagnol, en arabe, en chinois, en punjabi et en tagalog, en plus des deux langues officielles, par le biais de Radio Canada International (RCI). Nous demeurons à l’avant-garde du changement pour répondre aux besoins des Canadien.ne.s à l’ère numérique.
À propos de CBC Music
CBC Music est le plus important curateur de musique canadienne émergente et diversifiée sur toutes ses plateformes et le plus grand diffuseur d’artistes du Canada de tous genres musicaux par le biais de la radio, de CBC Listen et cbcmusic.ca. Nous mettons l’accent sur un vaste éventail d’artistes canadien.ne.s dans plus de 200 listes de lecture offertes par CBC Listen, en plus de couvrir quotidiennement l’actualité musicale. CBC Music Live offre des captations de concerts musicaux réalisés dans toutes les régions du pays. La liste de nos partenaires musicaux et événementiels comprend les Prix JUNO, le Prix de musique Polaris, Searchlight, le CBC Music Festival, le Canadian Music Class Challenge et Canada Listens. www.cbcmusic.ca
À propos de Play MPE
Play MPE est la principale plateforme de distribution, de promotion et de découvertes musicales au monde. Desservant aujourd’hui plus de 100 pays et disponible en plusieurs langues, elle a transformé la façon dont l’industrie musicale diffuse les contenus et accède à ceux-ci. Play MPE assure la distribution et la promotion musicale pour des milliers de maisons de disques, promoteurs et artistes en les mettant en lien avec une communauté croissante d’instances décisionnelles de l’industrie musicale. Les listes de distribution convoitées de Play MPE comprennent : la radio, la diffusion satellite, les médias ou blogues, les superviseurs musicaux, les conservateurs musicaux et plus encore. Parmi sa clientèle internationale de longue date figurent Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard et plusieurs autres. www.plaympe.com
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Matériel promo (Logos du Polaris, pochettes d’albums, biographies, photos, audio):
polarismusicprize.ca/media
Mot de passe : m3d1a
LISTEN TO CALM FURY
TORONTO LAUNCH SHOW SEPTEMBER 8 AT CAMERON HOUSE
PURCHASE TICKETS HERE
"Songs have a timeless quality to them, as if they’ve always been there in your life, bringing comfort to difficult chapters." - She Does The City
"A high level of musicianship prevails throughout the record." - RootsMusic.ca "A passionate and striking performance." - Dusty Organ "Rich storytelling and moments of sonic tension and release." - Addicted Magazine "Serene and soothing." - Ottawa Life Magazine |
Everything kicks off Thursday, September 8 at the Cameron House in Toronto, where Sarah and Rebekah will be joined by Connor Walsh and Charlotte Cornfield, who played bass and drums on the album. Shows will follow in Winnipeg, Calgary, across British Columbia and Ontario into October. See all dates below.
Key album tracks, Calm Fury and Retching In The Wings, and May I Rage, May I Love are a sample of this powerful, cathartic collection of songs that reflect a sonic study. Select inspiration and references include Wisdom For Cooling The Flames by the late, great Thich Nhat Hanh, and footage of Sinead O’Connor getting booed at Madison Square Garden for ripping up a photo of the pope in protest of the Catholic Church’s history and perpetuation of child abuse.
Through interviewing experts, friends, family, and fellow artists to absorbing literature, articles and other sources of media, Sarah is pairing the music with The Fury Pod, her ancillary podcast series, that dives deeper into the topic. Season 2 launches in October - stay tuned for the Season 1 wrap-up episode launching September 12 here.
Calm Fury is a collection of songs inspired by Sarah’s research into the ways that Canadians experience, express and repress anger, along with Sarah’s own, and how others relate to anger. Sarah has dedicated a period of deep research around anger and its various origins and connections. Part of the research project involved attending a residency at the Banff Centre for Arts and Creativity in March 2019. The tracks on the album go deep, looking at: how anger is processed in the body, communication with others, women’s anger and men’s response to it, how it can be used as energy, self-directed anger, justified anger, creativity & anger, and spirituality & anger.
TOUR DATES:
September 8 - Toronto, ON - The Cameron House - Tickets
September 19 - Winnipeg, MB - FortWhyte Alive
September 21 - Nelson, BC - The Royal
September 22 - Kelowna, BC - Rustic Reel Taproom
September 23 - Vancouver, BC - House Concert (Cliff’s)
September 24 - Cobble Hill, BC - Merridale Cidery
September 28 - Invermere, BC - Arrowhead Brewing
September 29 - Calgary, AB - Venue TBA
September 30 - Red Deer, AB - The Velvet Olive
October 2 - Edmonton, AB - House Concert (Malcolm’s)
October 4 - Moose Jaw, SK - The Hive
October 6 - Morden, MB - Rendezvous Brewing
October 7 - Thunder Bay, ON - Algoma House
October 8 - Haileybury, ON - Live On Georgina
More on Calm Fury:
Calm Fury brings a variety of sounds, arrangements and awesome collaborators into the fold. Sarah was less fixated on capturing a particular sound or arrangement for each song and instead focused on working with people who she felt would honestly engage with the subject and reflect it in their own performance. The album was recorded in Montreal by Howard Bilerman (Leonard Cohen, Arcade Fire) and includes guests, Charlotte Cornfield (drums/percussion), Colleen Brown (keys/vocals – of Major Love), Tara Kannangara (trumpet/vocals), Connor Walsh (bass), Rachael Cardiello (vocals – of Zinnia). Shae Brossard also assisted in the studio, while Sarah Thawer sat in as drummer on a couple of songs. Bruce Cawdron (Godspeed You! Black Emperor) added vibraphone, marimba and tenor glockenspiel across the album, with a feature by Fats Kaplin, performing pedal steel on another track.
Retching In The Wings features: Sarah Hiltz (Vocals, electric, acoustic), Connor Walsh (electric bass), Charlotte Cornfield (drums, percussion), Fats Kaplin (pedal steel), Colleen Brown (piano, background vocals), Tara Kannangara (background vocals), Bruce Cawdron (Vibraphone, marimba).
Calm Fury features: Sarah Hiltz (vocals, acoustic guitar), Charlotte Cornfield (drums, percussion), Connor Walsh (bass), Colleen Brown (background vocals, organ).
Earlier this year, Sarah shared May I Rage, May I Love, waxing poetic on how anger connects with spirituality, and the concept of justified anger, and safe spaces. The video, directed by Sandi Barrett, captures stunning, monochromatic scenes of people in deep reflection, coming to terms with their anger and fears, meeting them in spaces with love and catharsis. Listen here and watch the visualizer here.
In 2021, Sarah kicked things off with Love & Retreat and Swim. On Love & Retreat, Sarah draws from the experience of fraught communication, using the setting of heated arguments and discussions, making this catalytic track the apex of the album as a whole. Listen here and watch the visualizer here. On Swim, Sarah looks at the experience of a lane swim as a method for diffusing anger in the body via a body of water. Listen to Swim and watch the lyric video here.
DOWNLOAD - Tour Graphics
DOWNLOAD – Hi Res Press Photos (by Nick Wong)
DOWNLOAD - Calm Fury Album Artwork
About Sarah Hiltz
Sarah Hiltz is a contemporary folk artist based in Toronto. Her current project has her researching the ways Canadians experience, express and suppress anger in modern society, especially women, and creating a song cycle in response.
Sarah’s last album, Beauty In The Blue, compiled songs and stories culled from her multiple journeys across Canada as a travelling musician on VIA Rail’s passenger train, “The Canadian." Beauty in the Blue features lush, nuanced vocals and jazz-influenced songwriting.
Sarah has independently released three full-length albums and two EPs since 2009. Her work over the last decade as a talented singer-songwriter has landed her Folk Music Ontario’s Songs From The Heart Award (Political Category), opening slots for Canadian icons Gordon Lightfoot and Ron Hynes, Top 3 placement in a nation-wide music competition (She’s The One), a Best Folk Album nomination (Toronto Independent Music Awards) and earned her an invitation to give a TEDx talk in 2014.
WATCH STUNNING VIDEO FILMED AT
COPACABANA BEACH, BRAZIL
Toronto, ON – August 29, 2022 – Canadian-born, New York City-based singer-songwriter and musician, Miranda Joan, brings alluring, soul-infused pop and R&B to the fore. Having grown up in Canada and being no stranger to the cold, one thing Miranda learned from New York summers is that you can’t fight the heat - and at some points, you must surrender to it. The summer may be winding down, but senses continue to rise in every degree of her new single - Overstimulated - a sultry track inspired by a multitude of locales and the ideas that arise in new places, in good company, with all the feelings. Listen to it on Bandcamp and all platforms here and read the lyrics here.
"I wrote this song when the doors to life had just reopened post-lockdown and I was, as I’m sure many of us were, ready to erupt. It was summer in New York City, I had just returned from nine months in Vancouver, and it was hot. We’re talking sweat dripping down the small of your back, sleeping on top of the sheets, too-hot-to-think kind of heat. In what felt like a blink of an eye, everything opened up and here we were, hermited heathens, given keys to the city. The energy was intense and, having spent so much time in isolation, when things finally came back and we were able to socialize again, I was overcome with urgency. I wanted to do it all, I wanted contact, I wanted to be around people, I wanted to be seen, I wanted to feel. I was vibrating and it was as overwhelming as it was exciting. Overstimulated is about the exhilarating part of reaching out and feeling it all again."
Overstimulated marks the first single from Miranda's forthcoming album, set to launch in 2023. It is accompanied by a cinematic visual filmed on Copacabana beach in Rio de Janeiro, Brazil by Vida Fodonaand styled by Brazilian fashion brand, Santa Maria. Watch Overstimulated and learn more about the experience below.
On the process, Miranda reflects: "I have many loved ones in Brazil and the reason I wanted to do the visuals for this single there was, for starters, it was during Carnival which feels like overstimulation personified. Also, Rio happens to be a place where surrender to heat is ritualized. I’ve learned a lot about the power of my femininity in the times I’ve spent in Brazil and it has been a place that has brought me closer to my body; to really be in my skin and to enjoy and celebrate it. Whatever that looks like for you, it’s yours. You define it; you own it."
Overstimulated captures a sense of wonder and shows Miranda fully committing to and embracing the sensual side of her personality and her music. From the stripped down production in the verses to the visuals, she wanted this song to capture emotions in a time of reopening, of new adventure, of feeling connection with people as a mirror for ourselves in ways we hadn’t been able to during lockdown; to not only fantasize about connection but to once again be able to go out and feel it. The track was produced by CARRTOONS, with additional synths by Jake Sherman.
The track is a sample of what audiences can expect to hear from Miranda as the seasons change - stay tuned!
About Miranda Joan:
Miranda Joan is a Canadian soul-pop singer and songwriter born in Montréal and raised in Vancouver. Currently based in Brooklyn, Joan maintains strong roots in Canada. Joan divides her time between countries and it was her university studies in jazz that originally brought her to New York, a city whose grittiness and intensity has influenced her artistry as profoundly as her bi-coastal upbringing. The fluidity that came with growing up along the Pacific ocean in Vancouver and the joy-de-vivre and creativity that Montréal exudes continue to shape Joan's personally, artistically and spiritually. Both her French and English backgrounds have made their way into her writing, which orients itself around story and lyrics and is largely influenced by her reverence for soul and pop music.
Miranda Joan was selected as one of First Up with RBCxMusic Emerging Artists in 2021, shared the virtual stage at CMW and has received radio airplay in Vancouver and Los Angeles. Living in NYC, Joan has performed on national tours and played sold-out shows as well as headlined well-known NYC venues. In 2019 she performed at the Montréal Jazz Festival with the Orchestre National de Jazz de Montréal, led by Sly5thAve in a tribute to Dr. Dre, and she is a co-host and co-founder of Brooklyn’s Femme Jam (NYC’s first all-female led jam session) which is a community initiative to create a womxn-led space with an emphasis on female musicians that fosters inclusively and creates community. Arts mentorship has been an important through-line in Joan’s career and for the past eight years she has been a music mentor with the non-profit SAY: The Stuttering Association for the Young where she works with youth 8-18 who stutter.
Joan has shared the stage singing background for high-profile artists such as Andy Grammar, Brandon Victor Dixon (Hamilton), Christopher Jackson (Hamilton), Surf Mesa, Lorde and Shawn Mendes.
DOWNLOAD - Hi Res Artwork
DOWNLOAD - Hi Res Press Photo
TikTok: @mirandajoanmusic
CELEBRITY THERAPIST TO DROP SEPTEMBER 2
VIA MNRK HEAVY/MODERN STATIC RECORDS
BAND TO KICK OFF U.S. TOUR WITH ROLO TOMASSI
Toronto, ON – August 26, 2022 – Atlanta, Georgia-based mathcore collective, THE CALLOUS DAOBOYS, today unleashes their delightfully sardonic video for The Elephant Man In The Room. Now playing courtesy of MetalSucks, the manic hymn comes off the band’s anticipated Celebrity Therapist full-length, set for release September 2 via MNRK Heavy and Modern Static Records. Watch the video here.
The band Kill Your Stereo crowned, “insane, intricate, and impressive,” introduced themselves to the underground with 2019’s Die On Mars. Mathcore Index noted of the group’s raucously volatile debut, “These Georgians have the skills to be the next boundary-pushers in the genre,” while Metal Injection insisted the offering would “make you punch everyone ever in the face” and they meant it in the best way possible. The music on Celebrity Therapist shockingly ups the ante with convulsive time shifts and sadistic precision.
The record is unapologetically dense and impenetrable yet confusingly inviting as each song deliriously swerves across stylistic lines. Chronically intriguing in both sound and execution, THE CALLOUS DAOBOYS is composed of charismatic frontman, Carson Pace, possessed like a young Mike Patton, guitarists Maddie Caffrey and Dan Hodsdon, bassist Jack Buckalew, drummer Sam Williamson, and violinist Amber Christman. Together the band revives noise rock like they’re summoning the dead delivering a vibrant and distinctly singular concoction of mathcore, sasscore, and post-hardcore — a sound that’s at once abrasive, chaotic, and curiously classy.
Every band claims to combine the most devastating of heavy riffs with the catchiest of melodies, but THE CALLOUS DAOBOYS do precisely that with a wrecking ball of unrestrained frenzy and total mayhem. Derived from the school of The Dillinger Escape Plan, Every Time I Die, and The Chariot, with a heightened degree of theatricality as one of the methods to their madness, think Panic! At The Disco and Fall Out Boy getting slapped around good-naturedly by Glassjaw. Celebrity Therapist even indulges in a bit of drone and avant-garde post-rock a la Sigor Rós and Radiohead.
Comments Pace of latest single, The Elephant Man In The Room, “Is this a third cryptic press release? Nah man, this one is just straight over the plate rock music. The kind you find in your dad’s tape deck. Thin Lizzy, Lynyrd Skynyrd, that kinda deal. Hope this song makes it into Stranger Things so our parents will think we’re a real band.”
Adds MetalSucks, "Lofty comparisons like 'Dillinger by way of Mr. Bungle' usually do nothing but make me think one thing: 'buuuullshit.' But you know what? I’m eating my words today, because the song you’re about to hear off of their fourth studio effort Celebrity Therapist easily pulls from those influences, plunges what they’ve extracted into a broken centrifuge, and force feeds you the twisted concoction they’ve created. If you like metalcore but think the genre needs better hooks and a violin, then you’ve found your new band.”
View the band’s previously released video for A Brief Article Regarding Time Loops here and What Is Delicious? Who Swarms? here. Celebrity Therapist will be released on CD, LP, cassette, and digital formats. Find preorders here.
Coinciding with the release of Celebrity Therapist, THE CALLOUS DAOBOYS will join MNRK Heavy labelmates Rolo Tomassi for a two-week run of U.S. live dates. The journey will commence September 1 in Allston, Massachusetts and run through September 15 in Brooklyn, New York. Additional support will be provided by Cryptodira.
Comments the band, “On a long Greyhound ride across California, the majority of the lyrics for our album Die On Mars were written while Carson listened to Rolo Tomassi’s Time Will Die And Love Will Bury It. We are incredibly honored to be included on their tour for Where Myth Becomes Memory alongside Cryptodira.”
See all confirmed dates below.
THE CALLOUS DAOBOYS w/ Rolo Tomassi, Cryptodira:
9/01/2022 Brighton Music Hall - Allston, MA
9/02/2022 Underground Arts - Philadelphia, PA
9/03/2022 The Lost Horizon - Syracuse, NY
9/04/2022 The Crafthouse Stage & Grill - Pittsburgh, PA
9/06/2022 Pyramid Scheme - Grand Rapids, MI
9/07/2022 Beat Kitchen - Chicago, IL
9/09/2022 Big Room Bar - Columbus, OH
9/10/2022 The End - Nashville, TN
9/11/2022 Purgatory @ The Masquerade - Atlanta, GA
9/12/2022 Will's Pub - Orlando, FL
9/13/2022 New Brookland Tavern - West Columbia, SC
9/14/2022 Metro Gallery - Baltimore, MD
9/15/2022 The Meadows - New York City, NY
“For every skronky guitar spasm and rhythmic tongue-twist, there’s a majestically catchy chorus or a destructively heavy breakdown that actually rewards the ear with something singable or moshable. It’s not just messy and weird for the hell of it, there’s an actual purpose and intentionality to its structure,
and so many sonic tidbits to sink your teeth into.” – Revolver
“Atlanta’s THE CALLOUS DAOBOYS make a frantic, freaked-out form of math-damaged metalcore. They recall the late-’90s insanity of The Dillinger Escape Plan and Botch, if either of those bands had ever messed around
with pop melodies or employed a violin player.” – Stereogum
“With three minutes of shapeshifting metalcore that sounds even more chaotic than anything on Die On Mars, ‘A Brief Article Regarding Time Loops’ already proves that the wait has been worth it. It continues the DAOBOYS’ knack for fusing Botch/Converge-style mathcore with Every Time I Die/The Chariot-style theatrics, but even that description can’t prepare you for this beast, which also incorporates white noise, a spoken word head trip, a deathcore-ish breakdown, and a complete disregard for traditional song structure.” – BrooklynVegan on A Brief Article Regarding Time Loops
THE CALLOUS DAOBOYS:
Carson Pace – vocals
Maddie Caffrey – guitar
Jackie Buckalew – bass
Amber Christman – violin
Sam Williamson – drums
Dan Hodsdon – guitar
Whitney Jordan – synthesizer, backing vocals
DOWNLOAD - press photo | DOWNLOAD - tour poster
DOWNLOAD - album art
FINAL CHAPTER OF THE BAND’S EPIC 4-LP AND 4-COMPANION ALBUM CYCLE OUT TODAY ON CD + DIGITAL
WATCH TTB PERFORM SOUL SWEET SONG
ON JIMMY KIMMEL LIVE! HERE
WATCH THEIR SPECIAL 3-SONG KIMMEL ‘OFF-AIR’ LIVESTREAM HERE
TORONTO, ON – August 26, 2022 - Tedeschi Trucks Band, the GRAMMY-winning rock and soul 12-piece led by Derek Trucks and Susan Tedeschi, have released I Am The Moon: Episode IV. Farewell, the final chapter of their acclaimed 4-LP and 4-Companion album cycle, I Am The Moon. Listen to/purchase, I Am The Moon here. Fans can also stream the album-length companion visual from filmmaker Alix Lambert on the band's YouTube Channel.
An astonishing amalgamation of soul, rock, blues, funk, psyche, roots and Eastern influences, the project’s sweeping artistic ambition—and the sheer quality of its songwriting and musicianship—makes I Am The Moon one of the year’s most essential recordings. This week, the groundswell of excitement reached a crescendo in anticipation of the journey’s concluding episode as enthusiastic fans from all over the globe have embraced this project like no other in the band’s history.
In his bio notes, esteemed music journalist David Fricke summarized Farewell beautifully: “Farewell – the final record in the groundbreaking studio release by Tedeschi Trucks Band, I Am The Moon – concludes a remarkable adventure and new beginning for the group, now in its 12th year as America's premier rock & roll big band: four distinct and, at the same time, deeply connected albums with a total of 24 original songs capturing the power of devotion in a time of crisis and separation, with a renewed energy in collective songwriting and performance. Opening with the lusty confrontation of Last Night In The Rain and ending with the rousing benediction Another Day, Farewell is "a wish of well-being at parting," as one dictionary defines that word – with more road and love ahead.”
On Monday, August 22, Tedeschi Trucks Band performed their uplifting and poignant new single, Soul Sweet Song, on Jimmy Kimmel LIVE!, watch it here. TTB also performed three additional songs from I Am The Moon for a special KIMMEL ‘off-air’ livestream, watch it here.
TTB began the west coast run of their Wheels of Soul tour this past week with triumphant performances at The Greek Theatre in Los Angeles and Berkeley. In their glowing show review, Glide Magazine raved, “The night of glorious soul, rock, and blues included guest sit-ins, powerful new music, and exceptional performances.” See full dates below.
TTB’s Mike Mattison recently sat down with PRX The World to discuss Persian poet Nizami Ganjavi’s Layla & Majnun, the influential epic romance poem that was the thematic throughline of I Am The Moon. Listen to the interview here. In addition, Derek Trucks spoke with Rick Beato for a far-reaching interview that delves into Derek’s one-of-kind guitar/audio technique, his deep-rooted jazz influences. Watch here.
Purchase I AM THE MOON here and watch the project trailer here. All vinyl configurations, including individual LPs and the 4-LP I Am The Moon Deluxe Box will be available on September 9, 2022. (The TTB store has sold-out, please order EXCLUSIVELY through the Fantasy Records store).
See below for the complete list of Tedeschi Trucks Band tour dates. For ticket information, please visit tedeschitrucksband.com.
Tedeschi Trucks Band Tour Dates:
August 26 / Auburn, WA / White River Amphitheater
August 27 / Bend, OR / Hayden Homes Amphitheater
August 28 / Reno, NV / Grand Sierra Resort & Casino
August 31 / Boise, ID / Outlaw Field at the Idaho Botanical Garden
September 1 / Bonner, MT / Kettlehouse Amphitheater
September 3 / Moorhead, MN / Bluestem Center for the Arts Amphitheater
September 29 – Oct 8 / New York, NY / Beacon Theatre
October 17 / Copenhagen, DK / Amager Bio
October 18 / Copenhagen, DK / Amager Bio
October 20 / Randers, DK / Vaerket
October 21 / Oslo, NO / Sentrum Scene
October 22 / Stockholm, SE / Annexet
October 25 / Berlin, DE / Verti Music Hall
October 26 / Hamburg, DE / Edel-optics.de Arena
October 27 / Prague, CZ / Forum Karlin
October 30 / Rotterdam, NL / RTM Stage
November 2 / Dublin, IE / The Helix
November 4 / London, UK / The London Palladium
November 5 / London, UK / The London Palladium
November 6 / London, UK / The London Palladium
November 9 / Manchester, UK / Manchester Academy
November 10 / Glasgow, UK / O2 Academy Glasgow
November 12 / Paris, FR / Le Trianon
November 13 / Paris, FR / Le Trianon
November 15 / Paris, FR / Bataclan
PRAISE FOR TEDESCHI TRUCKS BAND + I AM THE MOON:
“One of the strongest pieces of music they’ve ever done…Who even dares to do anything like this anymore?”
— Rolling Stone
“Stinging, dexterous, raga-blues brilliance.”
— MOJO
“I Am the Moon is dazzling in concept and execution. Tedeschi Trucks Band embrace this narrative with ambition, and expose its lessons with creative imagination, emotionally intelligent songwriting, and mind-blowing musicality.”
— AllMusic
“There aren't enough complimentary adjectives in the thesaurus to describe
Tedeschi Trucks Band.”
— WFUV
“We hear TTB capturing in the studio what it does so well on stage, namely engaging every member of the 12-piece band in a beautifully conversational way."
— Glide
“As it slowly pulls back the curtain on the full reveal of I Am the Moon, TTB is dispensing an astonishing amount of detail and design to consider and appreciate. The band is cultivating anticipation in a way that feels more genuine than gimmicky."
— The Arts Fuse
“Musically, the Tedeschi Trucks Band is at their most compelling here: weaving through the seamless blend of blues, rock, jazz, raga, gospel, soul, folk, and even classical for which they’re known.”
— No Depression
“The group's combination of musical excellence and daring won't be denied, which makes I Am the Moon, in all of its unapologetically indulgent grandeur, a career-defining work.”
— Ultimate Classic Rock
TEDESCHI TRUCKS BAND - I AM THE MOON: ALBUM + FILM RELEASE DATES:
I Am The Moon: I. Crescent
Film Premiere: May 31st
Album Release: June 3rd
I Am The Moon: II. Ascension
Film Premiere: June 28th
Album Release: July 1st
I Am The Moon: III. The Fall
Film Premiere: July 26th
Album Release: July 29th
I Am The Moon: IV. Farewell
Film Premiere: August 23rd
Album Release: August 26th
I Am The Moon vinyl configurations: individual LPs + the 4-LP Deluxe Box
Available September 9, 2022.
Tedeschi Trucks Band:
Susan Tedeschi: Guitar and Vocals
Derek Trucks: Guitar
Gabe Dixon: Keys and Vocals
Brandon Boone: Bass Guitar
Tyler Greenwell: Drums and Percussion
Isaac Eady: Drums and Percussion
Mike Mattison: Guitar and Vocals
Mark Rivers: Vocals
Alecia Chakour: Vocals
Kebbi Williams: Saxophone
Ephraim Owens: Trumpet
Elizabeth Lea: Trombone
DOWNLOAD - Press Photo
DOWNLOAD - Farewell Album Art | DOWNLOAD - I Am The Moon Album Art
Tedeschi Trucks Band TikTok: @tedeschitrucksband
FEATURING FREDDIE GIBBS, A-TRAK, BUSTA RHYMES,
DENZEL CURRY, BLACK THOUGHT AND MORE
SHARES FIRST EPISODE OF EVERYBODY EATS
FEAT. DENZEL CURRY & DOT DA GENIUS
US TOUR DATES KICK OFF IN NOVEMBER
WITH TORONTO SHOW ON NOVEMBER 28
"“On God” begins with a grandiose flourish but settles into a groove that’s still propulsive, but also subtle and unsettling in its own ways. Meechy Darko and Freddie Gibbs trade sprawling, heavy, and brutally honest verses on the five-minute track, while A-Trak arrives at the end to show off his signature scratching skills."
- Rolling Stone
"Meechy Darko has everything it takes to be a star, and his vivid imagery laid out with his deep voice that takes on countless mutations make his forthcoming
solo debut Gothic Luxury a must-listen." - Paste Magazine
"a gritty new single" - Billboard on Get Lit or Die Tryin’
"Over a suitably menacing backdrop, Meechy ruminates on America’s seemingly endless campaign of terror of Black American citizens, from derailing the Black Panther movement of the 1960s to the media framing Blaming
people as inherently violent." - Uproxx on Kill Us All (K.U.A.)
"a firm reminder of his irreplicable presence in hip-hop. Laced with a subtle sample from 50 Cent's "Hustler's Ambitions," Meechy Darko comes through with a smooth yet high-energy banger that sets the tone for what's to come off of Gothic Luxury"
- Hot New Hip Hop on Get Lit or Die Tryin’
Toronto, ON – August 26, 2022 – Today, Meechy Darko has released his long awaited debut, Gothic Luxury, via Loma Vista Recordings. Focus track Lost Souls, comes on the heels of previous singles On GOD, Get Lit or Die Tryin’ and Kill Us All (K.U.A.), and comes paired with the first episode of EVERYBODY EATS, a roundtable discussion between Meechy Darko, Denzel Curry, and executive producer Dot Da Genius. This first instalment of the three-course series explores Meech and Denzel's family ties, the making of Lost Souls (originally intended for Denzel’s own album Melt My Eyez See Your Future), Meech and Dot Da Genius’ first encounter, how Denzel earned a production credit on Gothic Luxury, and more. Along with the album release, Meechy Darko has announced a massive run of US tour dates to kick off this November, with a stop in Toronto on November 28.
Listen to and buy Gothic Luxury here and check out previously singles, On GOD (featuring Freddie Gibbs and A-Trak), Get Lit Or Die Tryin' and Kill Us All (K.U.A.).
For Meechy, who is one third of Brooklyn’s critically acclaimed hip hop group Flatbush Zombies, stepping out of his comfort zone to create this extremely personal debut was a fait accompli decided for him by external forces, after the killing of his father in early 2020 at the hands of the Miami police. Working with Dot Da Genius shook up his usual creative process resulting in an album that includes drawn-out piano intros and laid-back funk melding with dark mini-symphonies. There’s a through line of brutal honesty and catharsis that continues to find Meechy Darko among the rawest and most candid rappers in the game.
This November, Meechy Darko will embark on a massive headlining tour of the States. Tickets available here.
NORTH AMERICAN TOUR DATES
Nov 10 - San Diego, CA @ House of Blues
Nov 11 - Phoenix, AZ @ Crescent Ballroom
Nov 12 - Albuquerque, NM @ Sunshine Theater
Nov 14 - Austin, TX @ Emo’s
Nov 15 - Houston, TX @ House of Blues
Nov 16 - Dallas, TX @ House of Blues
Nov 18 - Asheville, NC @ Orange Peel
Nov 19 - Atlanta, GA @ Center Stage
Nov 20 - Carrboro, NC @ Cat’s Cradle
Nov 22 - Silver Spring, MD @ Fillmore
Nov 23 - New York, NY @ Irving Plaza
Nov 25 - Philadelphia, PA @ Theatre of Living Arts
Nov 26 - Boston, MA @ Paradise
Nov 28 - Toronto, ON @ Phoenix
Nov 29 - Detroit, MI @ El Club
Dec 1- Chicago, IL @ Metro
Dec 2 - Milwaukee, WI @ The Rave
Dec 3 - Minneapolis, MN @ Varsity
Dec 6 - Salt Lake City, UT @ The Complex
Dec 7 - Boise, ID @ Knitting Factory
Dec 9 - Portland, OR @ Wonder Ballroom
Dec 10 - Vancouver, BC @ Commodore
Dec 11 - Seattle, WA @ Showbox
Dec 13 - San Francisco, CA @ August Hall
Dec 14 - Santa Ana, CA @ Observator
DOWNLOAD - Press Photo by ZEITWEITZ
DOWNLOAD - Gothic Luxury Art
EIGHT-TRACK EP UNDER COVER FEATURES SONGS WRITTEN BY FRANK OCEAN, JOHN LENNON, NICK CAVE, GILLIAN WELCH, BOB DYLAN, JOE SOUTH, MAZZY STAR AND NICK DRAKE
TORONTO, ON – August 26, 2022 – Today, acclaimed GRAMMY-nominated singer-songwriter and multi-instrumentalist, Valerie June, released Under Cover – a specially curated eight-track covers collection, available digitally and on CD + vinyl via Fantasy Records. Listen to and/or purchase Under Cover here.
Under Cover features extraordinary interpretations of songs by some of June’s favourite artists including previously unreleased versions of Frank Ocean’s Godspeed, Joe South’s Don’t It Make You Want To Go Home, Gillian Welch’s Look At Miss Ohio, and Nick Cave & The Bad Seeds’ Into My Arms. The EP also includes two tracks that appeared on June’s (digital only) The Moon and Stars: Prescriptions For Dreamers Deluxe Edition: John Lennon’s Imagine, and Nick Drake’s Pink Moon. Bob Dylan’s transcendent Tonight I’ll Be Staying Here with You, (previously available as an Amazon Original exclusive). June’s captivating reading of Mazzy Star’s Fade Into You rounds out the set; its live performance video has garnered over 1 million views on YouTube to date.
One of American music’s most admired sonic experimentalists, June approaches these carefully chosen songs with both reverence and child-like freedom. It’s a one-of-kind balance between modern and traditional influences that makes her such a unique artistic force and these timeless songs her own.
Valerie June on her love of Gillian Welch and Look at Miss Ohio: “The modulation of intonation and pitch of her voice made me rush to the store to buy every record she'd ever made. The course of study only gets deeper with every record and each listen. I found myself noticing the sound of the room in the recordings. That's when I became a fan of T. Bone Burnett's production, and I lost myself in the masterful musicianship on the records with David Rawlings. Luckily, I shared the stage with them at a show in Nashville at Bridgestone Arena where I was able to tell them both thank you for their music. I have so many music teachers that I've never gotten to meet. Usually, I just study their records. It's also a high honor and blessing when you get to meet one of your faves.”
Valerie June’s most recent full-length album, 2021’s acclaimed The Moon and Stars: Prescriptions for Dreamers, was one of the year’s most celebrated releases. Produced by June and Jack Splash, the album is “a psychedelic tour de force” that is “powerfully, elegantly subversive” (UNCUT) and “a stunning song cycle of redemption and reclamation” (Rolling Stone). June’s spellbinding vocals and infectious sense of wonder ground the record, and “her every quiver bespeaks emotional honesty” (New Yorker).
The follow-up to her 2013 breakthrough, Pushin’ Against A Stone, and the widely adored The Order of Time — a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists — The Moon and Stars: Prescriptions For Dreamers is a landmark work for the Memphis-born, Brooklyn-based auteur. The album’s Call Me A Fool, featuring Stax legend, Carla Thomas, was nominated for Best American Roots Song at this year’s GRAMMY Awards, the first nomination of June’s illustrious career.
TOUR DATES:
8/26 – London, England – All Points East Festival
9/2 – George, WA – The Gorge Amphitheatre
9/10 – New Haven, CT – CT Folk Fest
9/17 – Camden, NJ - XpoNential Music Festival
10/16 – Greenville, SC – Fall For Greenville
11/4 – Port Washington, NY – Landmark on Main Street (solo show)
11/5 – Mamaroneck, NY – Emelin Theatre Mamaroneck (solo show)
11/6 – Bethel, NY – Bethel Woods Center for the Arts (solo show)
11/8 – Bethlehem, PA - Musikfest Café (solo show)
11/9 – State College, PA – The State Theatre (solo show)
11/11 – Homer, NY – Center for the Arts of Homer (solo show)
11/12 – Saratoga Springs, NY – Universal Preservation Hall (solo show)
11/13 – Rockport, MA – Shalin Liu Performance Center (solo show)
DOWNLOAD – Hi Res Press Photo | DOWNLOAD – Under Cover Art
Valerie June on TikTok
Toronto, ON – August 26, 2022 – Incredible LA-and-Austin-based singer/songwriter, Zella Day, is thrilled to announce the details of her forthcoming sophomore album. Entitled Sunday In Heaven, the record, which was written and performed by Day, will be released on October 14 via Concord Records. Sunday In Heaven was produced by Jay Joyce (Cage The Elephant, Emmylou Harris), with additional production by John Velasquez and Alex Casnoff, and features additional playing by the likes of Autolux’s Carla Azar and Cage The Elephant’s Daniel Tichneor. The album also includes the acclaimed songs Day released in 2021 – Golden, Dance For Love, and Girls – as well as her recently released, pro-reproductive rights track, Radio Silence.
Sunday In Heaven kicks off with what is destined to be one of the most loved songs of 2022 – a little tune called Mushroom Punch, which is also out today. Described as a “psychedelic trip for the heart” by Day, Mushroom Punch is a full-throttle explosion, a song that showcases Day’s expansive voice like no other. An instantly-iconic video for the track, directed by acclaimed director Sophie Muller, is out now. Watch it here.
With every new album an artist makes, there’s an evolution, another chapter. For Zella Day, Sunday In Heaven, is a whole other book. It’s not so much that it’s a step away from her debut, Kicker—although this new record’s richness, ambition, and bare-bones intimacy is significant. It’s that Zella has entered a new era personally, and the effect of this on her music is pronounced and powerful, creating an album that is lightyears forward in sound and scope from its predecessor.
When she began working on the album, Day penned some 70 songs for Sunday In Heaven that were ultimately whittled to ten tracks steeped in Cali blue skies and golden hour light. Some were written on a tablecloth in Ojai (Almost Good), some scribbled at her kitchen table, others came in a car driving down to Chino, where she spent the summer of 2019 demoing the album with her friend, producer/engineer John Velasquez. Eventually, in the middle of quarantine, the pair jumped in a Jeep Wrangler, driving cross-country to record with producer Jay Joyce, at his Nashville studio, The Neon Church.
Hence, Sunday in Heaven was bred at the base of an altar. It’s a record that shrugs off any modern pop production flourishes that could tie it to a specific era by design. Jay Joyce’s expertise in effortlessly blending elements of all different genres helped Zella to home in on the voice she had developed - a distinctly Los Angeles inflection combining ease and beauty stretching from the pangs of self-growth and resilience. The album’s additional production by John Velasquez and Alex Casnoff allowed Zella to continue to stretch herself musically in new ways.
Sunday In Heaven is liberally sprinkled with ear-worm melodies (the sunny stomp of Am I Still Your Baby?; a kiss off to those who dared doubt her on Last Time; the skippy “Drink too much / Think too much” refrain of Mushroom Punch). Elsewhere, both Girls and Golden, with their breezy, 70s soft-focus sashay, emerged during two fertile days writing just outside Muscle Shoals, AL with John Paul White (Civil Wars), whom she had met ten years prior as a teenager. Dance for Love, a joyous ode to Roy Orbison, was inspired by a fleeting twilit moment where Zella danced down an empty street listening to Orbison with only her dog to bear witness. Elsewhere is her Easy Like Sunday Morning-meets Sgt Pepper’s-era Beatles love-letter to Long Beach, California, where she partly grew up. At the album’s beating, tender centre stands Bunny. Over sparse piano chords, a reflective Zella pushes through the swirl of self-doubt. As Bunny builds to a climax, her voice cracks, both bruised and defiant, “Let it all go, everything’s different now.”
Truly, if Sunday In Heaven is anything, it is the pure sound of a woman choosing how and who she wants to be in the world on her own terms; a record for moving forward out of darkness into light; for creating your own beautiful, sparkling reality exactly as you are. Heaven, indeed.
Sunday In Heaven track listing:
1. Mushroom Room
2. Am I Still Your Baby?
3. Dance For Love
4. Girls
5. Golden
6. I Don’t Know How To End
7. Radio Silence
8. Bunny
9. Real Life
10. Almost Good
11. Last Time
12. Sunday In Heaven
DOWNLOAD - Hi Res Press Photo | DOWNLOAD - Sunday In Heaven Artwork
TikTok: @ZellaDay
WATCH AND LISTEN HERE
BUTCHER BROWN PRESENTS TRIPLE TREY FEATURING TENNISHU AND R4ND4ZZO BIGB4ND DUE SEPTEMBER 16 VIA CONCORD JAZZ
PRE-ORDER/SAVE ALBUM HERE
TORONTO, ON – August 25, 2022 – Ahead of their upcoming performance at Afropunk Fest in Brooklyn next month, Richmond-based five-piece collective Butcher Brown shares a new song and official performance video, 777. The track is the latest offering from Butcher BrownPresents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND, their forthcoming big band album out September 16 via Concord Jazz. Watch and listen to 777 here.
The new track comprises a sweeping jazz arrangement infused with hop hop percussion over which Marcus "Tennishu" Tenney glides with an uplifting verse while the video sees an intimate live rendition by the full band and their supporting jazz orchestra. 777 follows the previously released singles Unbelievable and Liquid Light, which arrived alongside an animated video and standalone track, BLACK MAN, featuring fellow Richmond rapper and songwriter Michael Millions which XXL included in their Best New Hip Hop Songs of the Week list.
The new album was originally written and produced by the band's MC and multi-instrumentalist, Tennishu, as a hip hop album, but has since evolved into Butcher Brown's own eclectic ode to big band jazz, their first foray into this format. Butcher Brown Presents Triple Trey is both trail-blazing in its approach to classic jazz, bringing the band and the R4ND4ZZO BIGB4ND to lay down a collage of jazz suites for a hip-hop album, and simultaneously mashing together elements of the soul, funk, and rock influences that has formed the band's musical identity.
The band are fresh off of a collaborative set with Pink Siifu at Pitchfork Music Festival in Chicago earlier this summer and the sold-out Blue Note Jazz Festival in Napa Valley. Next month, they will perform at Afropunk Fest in Brooklyn in addition to the DC Jazz Fest in Washington D.C., the Monterey Jazz Festival in California and their album release party in Charlottesville. Vinyl of the new project will be available on November 11 in standard black and Opaque Blue as a limited pressing of 2000 for Indie Retail. The 12” Vinyl includes a 7” with two bonus tracks Guitarmy and Peace. The album's cover art was created by famed designer Lou Beach (designer of Weather Report's 1977 classic, Heavy Weather and Butcher Brown's most recent album #KingButch).
The new project marks Butcher Brown's first body of work since they graced NPR's Tiny Desk (At Home) series with a performance straight from a Richmond rooftop last year, and collaborated with Alex Isley on a cover of Patrice Rushen's Remind Me. Following a tour run supporting Kamasi Washington in 2019, Butcher Brown released their eighth album #KingButch in 2020, which features the stand-out track Tidal Wave, and received praise from the likes of Bandcamp, OkayPlayer and NPR, which described the album as "a great marriage of hip-hop and jazz."
Check out 777 here and pre-save Butcher Brown Presents Triple Trey here. Learn more about Butcher Brown below and stay tuned for more new music coming soon.
Upcoming Live Dates:
8/27 - Richmond, VA @ Crab Festival at Brown's Island
9/4 – DC Jazz Fest – Washington, D.C.
9/11 - Brooklyn, NY @ Afropunk Fest
9/16 – Album Release Party – Charlottesville, VA
9/24 - Monterey, CA @ Monterey Jazz Festival
10/2 – Indy Jazz Fest – Indianapolis, IN
10/30 - Live Oak, FL @ Suwannee Hulaween
2/3/2023 - Miami, FL @ Jam Cruise 19 at MSC Divina
DOWNLOAD Press Photo | DOWNLOAD Album Art
SONOS RADIO LAUNCHES ORIGINAL PODCAST RUNAWAY HORSES TODAY FEATURING HOST MARGO PRICE IN CONVERSATION WITH EMMYLOU HARRIS, AMYTHYST KIAH, SWAMP DOGG, BOB WEIR, BETTYE LAVETTE AND LUCIUS – LISTEN HERE
DEBUT MEMOIR MAYBE WE’LL MAKE IT OUT OCTOBER 4
UPCOMING PERFORMANCES INCLUDE RED ROCKS
WITH WILCO, FARM AID, BOOK TOUR AND MORE
TORONTO, ON – August 25, 2022 - Margo Price has got nothing to prove, and nothing to promote but the truth. Today, with the release of new single and video, Been To The Mountain, she takes both a hard look at the past and a firm step into the future. She has been a lover, a queen and a drifter; a cowboy devil, a bride and a boxer; a child, mother and even a number. Over a flurry of fuzzed-out guitar, she belts about being on food stamps, rolling in dirty dollars and standing in the welfare line. But across five and half minutes of the song’s unflappable groove, underlined by organ, harpsichord, and a soul-stirring, spoken-word breakdown in the bridge, Price previews another stronger, freer side of herself that will soon be seen.
Been To The Mountain was produced by Jonathan Wilson (Angel Olsen, Father John Misty), written by Margo Price and Jeremey Ivey, and recorded during a blissful week they spent at Fivestar Studios in California’s Topanga Canyon. With a scorching sound that expands upon the rock n roll roots Price showcased on 2020’s widely acclaimed, That’s How Rumors Get Started, the song is accompanied by a mind-altering, mushroom trip of a music video directed by Courtney Hoffman and shot in Los Angeles.
Listen to Been To The Mountain out now on Loma Vista Recordings, and watch the video here.
“Been To The Mountain is part one of an introspective trip into our subconscious. It is the perfect continuation of my search for freedom in my art and freedom in the modern age,” says Margo Price. “I have a lot of high hopes for this next chapter and truly believe this is the most exciting music I’ve ever made in the studio with my band. We have all grown so much, we operate like one single organism - it’s telepathic. Courtney Hoffman brought my wild visions to life with the help of an incredible cast and crew in the music video. I wanted the story’s hypothetical 8 to 12-hour window to feel like a mini-lifetime. We also wanted to portray how an intense psychedelic experience has the potential to become a spiritual experience, and how that can change your perception of the world around you.”
In addition to unveiling Been To The Mountain, Margo Price is proud to announce her own Sonos Radio podcast, Runaway Horses. Beginning today with an inspiring interview from Emmylou Harris, the series will see Price host raw, cathartic conversations with artists who aren’t afraid to break the mold and follow their own path. All six of the episodes in this first season are about the search for freedom through music and the shared human experience, featuring influences, heroes and contemporaries like Amythyst Kiah, Swamp Dogg, Bob Weir, Bettye LaVette and Lucius. New installments of Runaway Horses will be released weekly for the next five Thursdays, and are available on Sonos Radio in the Sonos app, the Sonos Radio website and all major podcast platforms. Listen to Runaway Horses, and see a special on-camera, in-studio edition of the first episode with Emmylou Harris here.
On the launch of Runaway Horses, which evolved out of an internet radio program she started live-streaming in the earliest days of the COVID-19 lockdown, Margo Price says, “The thing about runaway horses is that you can really never truly break them. They are incredibly unpredictable. You never know what they’re going to do next. I'm calling this show ‘Runaway Horses’ because wild freedom is exactly what I crave from music — I just want a complete and total release. I hope that the conversations on this show help you feel a sense of freedom, too.”
In the coming months, Margo Price will continue a busy year of touring with performances at Sacred Rose, Born and Raised and other festival appearances, plus Red Rocks with Wilco, and Farm Aid, where she recently became the first-ever female artist elected to the Board of Directors. She will also embark on a national book tour throughout October and November, in support of her forthcoming, debut memoir, Maybe We’ll Make It. Out October 4 on University of Texas Press, it tells a story of loyalty, loss, grief and forgiveness, from moving to Nashville with $57, to losing one of her newborn twin boys, pawning her wedding ring and facing rejection by almost every record label in town, to eventually reclaiming her power, freeing herself from substance abuse, and fighting for the opportunity to be herself in the music business. “Margo’s book hits you right in the gut – and the heart – just like her songs,” says Willie Nelson.
UPCOMING TOUR DATES:
8/26 - Bridgeview, IL - Sacred Rose Festival
9/4 - Weston, CO - Caveman Music Festival
9/8 - Park City, UT - Park City Song Summit
9/14 - Morrison, CO - Red Rocks Amphitheatre w/ Wilco
9/17 - Pryor Creek, OK - Born and Raised
9/23 - Lewisburg, WV - Healing Appalachia
9/24 - Raleigh, NC - Farm Aid
10/4 - Nashville, TN - Grimey’s*
10/5 - New York, NY - P&T Knitwear*
10/6 - Brooklyn, NY - Greenlight Bookstore*
10/7 - York, PA - White Rose Music Festival
10/15-16 - Nashville, TN - Southern Festival of Books*
10/17 - Lexington, KY - Joseph Beth Booksellers*
10/18 - Louisville, KY - Carmichael’s Bookstore*
10/20 - Traverse City, MI - National Writer’s Series*
10/22 - Iowa City, IA - Prairie Lights*
10/23 - Chicago, IL - Chicago Humanities Festival*
10/24 - Winnetka, IL - The Book Stall*
10/27 - Live Oak, FL - Suwannee Hulaween
11/1 - San Francisco, CA - Green Apple Books on the Park*
11/2 - Santa Cruz, CA - Bookshop Santa Cruz*
11/3 - Los Angeles, CA - Vroman’s*
11/5 - Austin, TX - Texas Book Festival*
11/6 - Dallas, TX - Interbang Books*
11/16 - Nashville, TN - Parnassus Books*
12/2 - Lake Wales, FL - Orange Blossom Revue
*Maybe We’ll Make It Book Tour
DOWNLOAD – single artwork | DOWNLOAD – press photo
About Sonos Radio:
Sonos Radio is the premiere radio experience on Sonos. Available for free to all Sonos customers, Sonos Radio is built for and inspired by Sonos listeners and represents the broadest selection of radio available around the world, bringing together more than 60,000 broadcast radio stations from long-time partners along with over 100 exclusive original stations and shows from Sonos. Sonos Radio HD offers an upgraded, ad-free Sonos Radio experience that delivers an expanded catalog of exclusive original content in high-definition, lossless CD-quality audio (16-bit/44.1 kHz FLAC). Sonos original content is available in the United States, Canada, United Kingdom, Germany, France, Italy, Sweden, Ireland, Netherlands, Australia, New Zealand, Belgium, Austria, Switzerland, Norway, and Denmark. Sonos Radio HD is available in the United States, United Kingdom, Germany, The Netherlands, Canada, Austria and France.
NEW FESTIVE SINGLE ICE STORM OUT TODAY
TORONTO, ON – August 25, 2022 – Today, award-winning pop-violinist, Lindsey Stirling, announces her new Christmas album Snow Waltz (out digitally October 7 and on vinyl November 18 via Concord Records). Featuring eight classic covers and five original tracks, Snow Waltz delivers Stirling’s immersive arrangements and mesmerizing melodies but with a seasonal twist, featuring songs that promise to be the perfect soundtrack for the holiday season.
“I wanted to give the songs a whimsical, pixie-like feeling that’s quintessentially me,” says Stirling about the new record. “It’s always a challenge to put your own stamp on a classic song that’s been recorded hundreds of times, and I really loved experimenting with different approaches and making sure that every song felt completely unique to who I am as an artist.”
To accompany the announcement, Stirling shares the project's first single, Ice Storm. An original guitar-fuelled and wildly rousing instrumental, the song shines a new light on the multi-faceted musician’s rock-leaning sensibilities. The Ice Storm video features a paper-cut-like collage of a pack of wolves chasing a young deer, running for its life to escape danger. Listen to Ice Storm here and watch the music video here. Pre-order/pre-save Snow Waltz here.
Recorded in Los Angeles with Gladius (longtime GRAMMY nominated producer with credits including Demi Lovato & Justin Bieber) executive producing, Snow Waltz conjures a delightfully eerie mood, wholly embodying the limitless imagination at the heart of Stirling’s artistry. The album’s title came from thinking about the period of time between Halloween and Christmas where the two seasons overlap. “I wanted to create something in the same world as The Nightmare Before Christmas or the Harry Potter movies, where there’s sort of a Christmas-y feeling alongside all the spookiness,” Lindsey explains. And the song Snow Waltz is just that, rooted in her ineffably expressive violin work and graced with many cinematic details including darkly sweeping percussion, lilting flute melodies, and bright and sprightly glockenspiel tones.
When it came to reinterpreting timeless holiday songs, Stirling tapped into her own boundless and unfettered ingenuity. On Joy to the World, she joined forces with Gladius and orchestrator Stephen Anderson to create a gloriously stomping, Celtic-inspired take on the 18th century Christmas carol. One of the album’s most left-of-centre moments, the beat-heavy God Rest Ye Merry Gentlemen showcases Stirling’s frenetic violin alongside her hypnotic, heavenly vocals and was produced with Mark Maxwell. For her flamenco-infused rendition of José Feliciano’s Feliz Navidad, she enlisted the guitar-playing talents of fellow multi-hyphenate Mark Ballas (a dancer/ choreographer/ musician/actor who served as her partner on the 25th season of ABC’s Dancing with the Stars).
Although all of Snow Waltz bears a potent emotionality, songs like Magic ft. David Archuleta, holds a particularly powerful significance for Stirling. One of several vocally driven original numbers on the album (along with Crazy For Christmas ft. Bonnie McKee and Christmas Time With You ft. Frawley), the bittersweet but uplifting ballad was sparked from a profound moment of Stirling's life, when her sisters and mom shared loving and fun memories around her father’s passing.
The follow-up to her debut holiday album Warmer in the Winter — which earned a #1 spot on Billboard’s Holiday Albums Chart, and #1 on Amazon and iTunes Holiday Album Charts — Snow Waltz emerges as a singular new entry in the holiday-music canon, once again proving Stirling’s extraordinary gift as an instrumental storyteller.
Lindsey started an annual drive, The Upside Fund, around each holiday season to help families in dire need of support during a medical crisis and has partnered with medical companies including, RIP Medical Debt, Resolve Medical Bills, and Dollar For to pay off over $4.5 million in medical debt and bills nationally. Stay tuned for more information about this year’s drive and find more info here.
Since the release of her debut album in 2012, Lindsey Stirling has established a successful career as an electronic music impresario, violinist, dancer, and artist. Stay tuned for additional information on Snow Waltz.
SNOW WALTZ TRACKLIST
1. Sleigh Ride
2. God Rest Ye Merry Gentlemen
3. Crazy for Christmas ft. Bonnie McKee
4. Feliz Navidad
5. Joy to the World Intro
6. Joy to the World
7. Snow Waltz
8. Christmas Time With You ft. Frawley
9. Little Drummer Boy
10. Oh Come Emmanuel
11. Oh Holy Night
12. Magic ft. David Archuleta
13. Deck the Halls
14. Ice Storm
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
Lindsey Stirling on TikTok
FOLLOWS PREVIOUSLY-RELEASED GROW UP TOMORROW
ON TOUR NOW
TORONTO, ON – August 24, 2022 – Following the release of their perfect song-of-summer, Grow Up Tomorrow, award-winning four-piece, The Beaches, return with their next single, Orpheus. A cleverly-spun ode to the Greek mythological figure, Orpheus, the versatile alt-rockers infuse the song with dreamy synths and an energetic beat, introducing an indie-pop inflection to their catalogue. Listen here.
In Orpheus, The Beaches reimagine their lover as the ill-fated musician of the same name. Gleaning glimpses of mythos over a familiar backdrop, vocalist, Jordan Miller relates: “Orpheus played his favourite songs when we were in his basement / We would fool around and chill out on his couch while he played his mustang.” A vibrating beat and memorable guitar line thread together memories from a long-lost romance.
The song’s propulsive beat is emphasized by the repeating mantra, “There’s no point in looking back if there is something you cannot get back to / Time moves faster than you know it feel those things than let them go right past you.” The Beaches learn from Orpheus’ retrogressive fatal mistake of turning back and instead, they choose to push forward.
Of the track, Miller says, “I’ve always been interested in Greek myths. One of my favourites is the Orpheus legend, a story about an artist who is so in love with his deceased wife that he tries to bring her back to life, only to lose her again. There’s a lot about the story that resonates with me, especially when I think about past loves. It’s tempting to look back and put people on pedestals, but when you always look back you can never look forward and see what beautiful things might be coming for you.”
The Beaches are currently on a North American tour where they recently celebrated two sold out hometown shows at Toronto's HISTORY. They've sold out additional shows across the country including Corona Theatre (Montreal, QC) and London Music Hall (London, ON). This North American venture follows experience opening for iconic acts such as The Rolling Stones and Foo Fighters, as well as many other critically acclaimed artists (Avril Lavigne, Alanis Morisette, The Aces, Passion Pit, and Eagles of Death Metal).
The Beaches have garnered over 52 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with five #1 singles on Canadian Alternative Radio. Their debut 2022 release, Grow Up Tomorrow, has already seen over 477k streams across all platforms, and is currently at #10 at Alt Radio and climbing.
UPCOMING TOUR DATES:
October 7 - Atlanta, GA @ Masquerade
October 8 - Ringold, GA @ Rabbit Valley Festival
October 9 - Nashville, TN @ The Basement
October 11 - Washington, DC @ Pearl Street Warehouse
October 12 - Philadelphia, PA @ Dolphin Tavern
October 21 - Chicago, IL @ Schubas
October 22 - Columbus, OH @ Ace of Cups
October 23 - Detroit, MI @ The Underground
November 12 - Boston MA - Brighton Music Hall
December 10 - Buffalo, NY - Iron Works
ABOUT THE BEACHES:
Named after the neighborhood they lived in, The Beaches is composed of lead vocalist/bassist, Jordan Miller, guitarist, Kylie Miller, keyboardist/guitarist, Leandra Earl, and drummer, Eliza Enman-McDaniel. As self-proclaimed lifers, The Beaches forfeited a typical university experience to pursue their careers in music - a topic that is often addressed in their lyrics.
Taking inspiration from artists like Muna, Dayglow, Coin, Olivia Rodrigo, Girl in Red, Wet Leg, Wolf Alice, and The Strokes, The Beaches believe their upcoming releases will be a new direction for them: “We’re not abandoning our rock ‘n ’roll roots, but for this next chapter of our career we wanted to take ourselves less seriously, have fun, and be less precious with the musical ideas we pursue.”
After releasing their self-titled EP in 2013, the group landed a major label deal with Island Records in 2016. Under Island Records they released their debut album, Late Show – which was described by Elton John as “The best rock album of last year” – as well as their next two EP’s, The Professional (2019) and Future Lovers (2021), which were later combined for a full-length release called Sisters Not Twins (The Professional Lovers Albums) in 2022.
The Beaches have garnered over 52 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with five #1 singles on Canadian Alternative Radio. They have been recognized with two JUNO Awards for Rock Album of the Year (2022) and Breakthrough Group of the Year (2018).
FINAL CHAPTER OF THE BAND’S EPIC 4-LP AND 4-COMPANION FILM SERIES PREMIERES TONIGHT VIA BAND’S YOUTUBE CHANNEL AT 9:00 PM ET
BAND PERFORMED NEW SINGLE SOUL SWEET SONG
LAST NIGHT ON JIMMY KIMMEL LIVE! – WATCH HERE
WATCH THE SPECIAL 3-SONG ‘OFF-AIR’ KIMMEL LIVE STREAM HERE
TORONTO, ON – August 23, 2022 - Tonight, Tedeschi Trucks Band, the GRAMMY-winning rock and soul 12-piece led by Derek Trucks and Susan Tedeschi, will premiere I Am The Moon: Episode IV. Farewell, the final chapter of their monumental four-LP project, I Am The Moon.
Fans can stream the album-length companion visual from filmmaker Alix Lambert on the band's YouTube Channel, beginning tonight at 9:00PM ET / 6:00PM PT, ahead of its digital and CD release this Friday, August 26, 2022.
Last night, Tedeschi Trucks Band performed their uplifting and poignant new single, Soul Sweet Song, on Jimmy Kimmel LIVE!, watch it here. TTB also performed three additional songs from I Am The Moon for a special KIMMEL ‘off-air’ live stream, watch it here.
In his bio notes, esteemed music journalist David Fricke summarized Farewell: “Farewell – the final record in the groundbreaking studio release by Tedeschi Trucks Band, I Am The Moon – concludes a remarkable adventure and new beginning for the group, now in its 12th year as America's premier rock & roll big band: four distinct and, at the same time, deeply connected albums with a total of 24 original songs capturing the power of devotion in a time of crisis and separation, with a renewed energy in collective songwriting and performance. Opening with the lusty confrontation of Last Night In The Rain and ending with the rousing benediction Another Day, Farewell is ‘a wish of well-being at parting,’ as one dictionary defines that word – with more road and love ahead.”
The groundswell of excitement surrounding each new I Am The Moon release reaches a crescendo this week in anticipation of the journey’s final chapter. As the band has rolled out the rich, new I Am The Moon material this summer, ecstatic fans, eager for the communal experience–both live in-concert and online– have embrace this project like no other in the band’s history.
This past week, TTB began the west coast run of their Wheels of Soul tour with triumphant shows at The Greek Theatre in Los Angeles and Berkeley. As a recent review at Live Music Daily noted: “Why do we love live music? For me, it is the journey that a band can take you on and the feeling that the audience is on that ride with the band, hand-in-hand. Riding the waves, hitting the peaks, enjoying the journey. To me, there is no better band to take the universal trip with than Tedeschi Trucks Band.” See full dates below.
TTB’s Mike Mattison recently sat down with PRX The World to discuss Persian poet Nizami Ganjavi’s Layla & Majnun, the influential epic romance poem that was the thematic throughline of I Am The Moon. Listen to the interview here.
Last month, Derek Trucks spoke with Rick Beato for a far-reaching interview that delves into Derek’s one-of-kind guitar/audio technique, his deep-rooted jazz influences, and much more. Watch here.
Purchase I AM THE MOON here and watch the project trailer here. All vinyl configurations, including individual LPs and the four-LP I Am The Moon Deluxe Box will be available on September 9, 2022. (The TTB store has sold-out, please order EXCLUSIVELY through the Fantasy Records store).
See below for the complete list of Tedeschi Trucks Band tour dates. For ticket information, please visit tedeschitrucksband.com.
Tedeschi Trucks Band Tour Dates:
August 23 / Sacramento, CA / Sacramento Memorial Auditorium
August 24 / Eugene, OR / Cuthbert Amphitheater
August 26 / Auburn, WA / White River Amphitheater
August 27 / Bend, OR / Hayden Homes Amphitheater
August 28 / Reno, NV / Grand Sierra Resort & Casino
August 31 / Boise, ID / Outlaw Field at the Idaho Botanical Garden
September 1 / Bonner, MT / Kettlehouse Amphitheater
September 3 / Moorhead, MN / Bluestem Center for the Arts Amphitheater
September 29 – Oct 8 / New York, NY / Beacon Theatre
October 17 / Copenhagen, DK / Amager Bio
October 18 / Copenhagen, DK / Amager Bio
October 20 / Randers, DK / Vaerket
October 21 / Oslo, NO / Sentrum Scene
October 22 / Stockholm, SE / Annexet
October 25 / Berlin, DE / Verti Music Hall
October 26 / Hamburg, DE / Edel-optics.de Arena
October 27 / Prague, CZ / Forum Karlin
October 30 / Rotterdam, NL / RTM Stage
November 2 / Dublin, IE / The Helix
November 4 / London, UK / The London Palladium
November 5 / London, UK / The London Palladium
November 6 / London, UK / The London Palladium
November 9 / Manchester, UK / Manchester Academy
November 10 / Glasgow, UK / O2 Academy Glasgow
November 12 / Paris, FR / Le Trianon
November 13 / Paris, FR / Le Trianon
November 15 / Paris, FR / Bataclan
PRAISE FOR TEDESCHI TRUCKS BAND + I AM THE MOON:
“One of the strongest pieces of music they’ve ever done…Who even dares to do anything like this anymore?”
— Rolling Stone
“Stinging, dexterous, raga-blues brilliance.”
— MOJO
“Dazzling in concept and execution.”
— AllMusic
“There aren't enough complimentary adjectives in the thesaurus to describe
Tedeschi Trucks Band.”
— WFUV
“We hear TTB capturing in the studio what it does so well on stage, namely engaging every member of the 12-piece band in a beautifully conversational way."
— Glide
“As it slowly pulls back the curtain on the full reveal of I Am the Moon, TTB is dispensing an astonishing amount of detail and design to consider and appreciate. The band is cultivating anticipation in a way that feels more genuine than gimmicky."
— The Arts Fuse
“Musically, the Tedeschi Trucks Band is at their most compelling here: weaving through the seamless blend of blues, rock, jazz, raga, gospel, soul, folk, and even classical for which they’re known.”
— No Depression
“Operatic in scope, Tedeschi Trucks Band explores romantic relationships, collective struggle, faith and the human condition all through the lens of their communal mix of rock,
soul, blues, jazz, and world beat.”
— Music Connection
“The group's combination of musical excellence and daring won't be denied, which makes I Am the Moon, in all of its unapologetically indulgent grandeur, a career-defining work.”
— Ultimate Classic Rock
TEDESCHI TRUCKS BAND - I AM THE MOON: ALBUM + FILM RELEASE DATES:
I Am The Moon: I. Crescent
Film Premiere: May 31st
Album Release: June 3rd
I Am The Moon: II. Ascension
Film Premiere: June 28th
Album Release: July 1st
I Am The Moon: III. The Fall
Film Premiere: July 26th
Album Release: July 29th
I Am The Moon: IV. Farewell
Film Premiere: August 23rd
Album Release: August 26th
I Am The Moon vinyl configurations: individual LPs + the 4-LP Deluxe Box
Available September 9, 2022.
Tedeschi Trucks Band:
Susan Tedeschi: Guitar and Vocals
Derek Trucks: Guitar
Gabe Dixon: Keys and Vocals
Brandon Boone: Bass Guitar
Tyler Greenwell: Drums and Percussion
Isaac Eady: Drums and Percussion
Mike Mattison: Guitar and Vocals
Mark Rivers: Vocals
Alecia Chakour: Vocals
Kebbi Williams: Saxophone
Ephraim Owens: Trumpet
Elizabeth Lea: Trombone
DOWNLOAD - Press Photo
DOWNLOAD - Farewell Album Art | DOWNLOAD - I Am The Moon Album Art
Tedeschi Trucks Band TikTok: @tedeschitrucksband
SHARE MUSIC VIDEO FOR ALBUM STANDOUT TRACK
GETAWAY CAR
HOSTING FACEBOOK LIVE EVENT TONIGHT
To further celebrate the release of A Family Curse, Kandle and Neil will be going live on their Facebook page this afternoon to play some songs and interact with fans. Tune in today at 2:00 p.m. PST / 5:00 p.m. EST.
A bar robbery, Kandle determined and reckless as ever, Neil’s given up and waiting outside with the engine running. An escape ala Bonnie & Clyde? Or Jed and Elly May? Or just everybody’s favourite father daughter duo digging a hole they can’t get out of.
A family cursed indeed!
Getaway Car started on a 1970s Hammond organ at grandmother's house, just a voice note and a drum machine. Add Kandle's smoky sultry vocals and Neil's double highway harmonica and the result is a perfect combination of modern and retro. An intoxicating sound that you'd expect to hear in a Tarantino movie playing on the jukebox in a dive where shit is about to hit the fan. Equally groovy, haunting, and hypnotic; Getaway Car is not a track one easily forgets.
The psychedelic blues-rock duo of Papa Niz and Baby Kiz, a taurus and a libra, armed with nothing more than a slide guitar, microphone and a beat up old drum, bears little to no resemblance to either well known artist's musical style and dives deep into a tasty collection of dirty, desert-drenched gutter blues rock. This powerful musical duo and their tickle trunk of costumes and props set out to make an album that is fun, raw, rocking and 100 per cent by their own rules.
Offers A Family Curse on their debut album: "Well well well, it's finally here, the 35 minutes you've all been waiting for. We love to play every song on this album and now you can too! In your headphones or whatever. We have CDs available for the Neil crowd, Kandle is still pushing for the vinyl for the youngsters. We are kin. We make our music from experimenting with various audio scraps and acting on our emotions. We have A LOT of emotions! The music is pure folk-art, worked from found objects (something old, something new) transformed into music. We are one-take wonders, DIY, bluesy swampy geniuses, and we've made you a raw and rocking record filled with curses BUT we never use curse words because mom would kill us. Best listened under the moonlight with a glass of whiskey and a python. ENJOY"
UPCOMING TOUR DATES:
September 3 - Sooke, BC - Sooke Music & Arts Festival
The A Family Curse collaboration began a few years ago when Neil and fellow songwriter, Danny Michel, recorded some instrumental jams together. But due to their busy schedules, the songs were left to collect dust until one lonely Christmas, Neil sent them to Kandle who then brought newfound inspiration with fresh new melody and lyrics. From there, Kandle and Neil decided to complete a whole DIY album where the two played and recorded everything at home.
Their live show dialogue and antics play out the millennial version of “A Father Knows Best” story that reveals their creative infection and family affection. Their first show ever was in June at Toronto’s infamous El Mocambo for Canadian Music Week and thereafter the group toured across Ontario for a slew of shows that included stops at Fenelon Falls’ Grove Theatre, Owen Sound’s Heartwood Hall and back in Toronto at The Dakota Tavern. A Family Curse is often joined on stage by a support cast of various cousins, uncles and aunts of the Osborne clan which leads to their signature sound and performance.
About Neil Osborne:
As lead singer and chief songwriter of 54•40, Neil Osborne has achieved critical acclaim, released more than a dozen albums and weathered the fickle music business for more than four decades. As a songwriter, Osborne has penned such fabulous signature 54•40 songs as I Go Blind, One Day In Your Life, One Gun, Since When and Ocean Pearl, which have crossed from the realm of rock to a broader base.
About Kandle Osborne:
Kandle has established a strong independent career and has made her mark as a powerful songwriter as evidenced on her latest album, Set The Fire. Her Bond-inspired masterpiece for Lock and Load was nominated for a Canadian Independent Video Award. Her debut album, In Flames, was an instant success and went on to gain a JUNO nomination and win a Prism Prize Award.
DR. JOHN’S FINAL STUDIO ALBUM
THINGS HAPPEN THAT WAY DUE SEPTEMBER 23
TORONTO, ON – August 19, 2022 – There are few artists who are as closely associated with New Orleans as Malcolm John “Mac” Rebennack Jr., known to music fans the world over as Dr. John. His Nite Tripper persona was, for many, their introduction to the music and culture of New Orleans, and Rebennack was the ultimate ambassador for his hometown’s artistic heritage.
When Rebennack set out to record Things Happen That Way, one of the featured guest artists he invited to participate in the sessions was fellow New Orleanian Aaron Neville, whose friendship with Mac dates back to their teen years. Today, their jubilant, joyful rendition of The Traveling Wilburys’ classic End of the Line, on which they are also joined by rising star Katie Pruitt, is released. Listen to the track here.
Rebennack was planning future projects when his life was unexpectedly cut short in 2019. Now, three years after his untimely passing, in a world complicated by COVID-19, Things Happen That Way will see the light of day. The album, which features three brand new original compositions, a mesmerizing reworking of Dr. John’s 1968 classic, I Walk on Guilded Splinters, and new interpretations of songs by Willie Nelson, Cowboy Jack Clement, Hank Williams, and The Traveling Wilburys will be released on September 23. The album is available for pre-order here.
Things Happen That Way marks the fulfillment of a longtime goal of the six-time GRAMMY-winning singer/songwriter/pianist and Rock & Roll Hall of Famer, who first began plotting a country-inspired album decades ago. In bringing his album’s songs to life, Dr. John drew on a lineup of musicians befitting of a universally beloved luminary. Along with an elite cadre of New Orleans session players, the album also features guest appearances by his longtime friend and frequent musical collaborator Willie Nelson and Lukas Nelson & Promise of the Real.
TRACKLISTING:
1.Funny How Time Slips Away
2.Ramblin’ Man
3.Gimme That Old Time Religion (feat. Willie Nelson)
4.I Walk On Guilded Splinters (feat. Lukas Nelson & Promise of The Real)
5.I’m So Lonesome I Could Cry
6.End Of The Line (feat. Aaron Neville)
7.Holy Water
8.Sleeping Dogs Best Left Alone
9.Give Myself A Good Talkin’ To
10.Guess Things Happen That Way
ANNOUNCES JIMMY KIMMEL LIVE! & GRAMMY MUSEUM®
LOS ANGELES PERFORMANCES
"Sophie Allison finds new sonic frontiers...Throughout the album, Soccer Mommy staves off despair with musical craftsmanship" - The New York Times (Critic's Pick)
"Throughout Sometimes, Forever, she and Lopatin expand on the ’90s palette that has characterized previous Soccer Mommy releases. Bolstering the lingering imprints of Liz Phair, Sheryl Crow, and Sleater-Kinney is a healthy dose of Loveless worship: glide guitars and tendrils of haze." - Pitchfork (8/10)
“[Soccer Mommy] is Soccer Mommy’s gnarliest and most resplendent, fashioning poppy melodies, disarming lyrics, and twisted sounds into dismayed songs of young adulthood.” - The New Yorker
“You get some Pixies, you get some Nirvana you get a little bit of Nine Inch Nails, and Portishead here and there. It’s just interesting how much music is reflected on this record while still sounding very current…she is just really good at mining those influences and making it sound extremely of the moment.” - NPR Music
“Soccer Mommy Hits the Perfect Balance…the easy melodicism of Sophie Allison’s emotive rock acquires new dynamism”
- Wall Street Journal
""by far the band’s most sophisticated and adventurous body of work to date. Allison’s inner turmoil has never sounded so spectacular — or so well-rounded." - Stereogum (Album of the Week)
"sharp indie rock" - Vulture
“A love song that’s grunged up with feedback and distortion that slightly obscure its head-over-heels emotionalism, “Shotgun” recalls the glory days of Nineties indie rock while sounding firmly grounded in 2022.”
- Rolling Stone (Best Songs of 2022 So Far)
"Allison has made a bold move that paid off better than we’d ever have expected." - Variety
Today, Soccer Mommy shares a new remix of Shotgun, courtesy of Magdalena Bay here, as well as a slowed and reverbed edit of the song here. Additionally, she announces that next week she will perform an intimate, sold-out solo show for GRAMMY Museum® Los Angeles on Monday evening, just before she returns to Jimmy Kimmel Live! on Tuesday, August 23nd. Tune in at 11:35 ET/10:35 CT to watch the performance.
Soccer Mommy recently announced a massive U.S. tour in support of Sometimes, Forever, and her European tour kicks off later this month. See below to find a Touring, Forever show near you, and get tickets here. For a taste of what to expect on the road, watch the band’s recent performance on The Tonight Show Starring Jimmy Fallon here.
Sometimes, Forever is Soccer Mommy’s boldest and most aesthetically adventurous work yet, and it cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album sees Allison once again tapping into the turn-of-the-millenium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever.
Sometimes, Forever is out now via Loma Vista
LISTEN/WATCH: Shotgun | Unholy Affliction | Bones | newdemo
Tour Dates - Tickets Here
8/22/22 - Los Angeles, CA @ GRAMMY Museum®
8/31/22 - Nottingham, UK @ Rescue Rooms *
9/01/22 - Brighton, UK @ Chalk *
9/02/22 - Salisbury, UK @ End of the Road Festival
9/03/22 - Bristol, UK @ Trinity *
9/05/22 - Köln, DE @ Bumann & Sohn *
9/06/22 - Hamburg, DE @ Molotow *
9/08/22 - Stockholm, SE @ Slaktkyrkan *
9/09/22 - Oslo, NO @ John Dee *
9/10/22 - Copenhagen, DK @ Loppen *
9/12/22 - Berlin, DE @ Frannz Club *
9/13/22 - Bremen, DE @ Lagerhaus *
9/15/22 - Amsterdam, NL @ Bitterzoet
9/16/22 - Nijmegen, NL @ Merleyn
9/17/22 - Brussels, BE - Rotonde @ Botanique *
9/18/22 - Paris, FR @ Petit Bain *
9/20/22 - Manchester, UK @ O2 Ritz *
9/21/22 - Cardiff, UK @ Tramshed *
9/22/22 - London, UK @ O2 Forum *
9/23/22 - Birmingham, UK @ The Castle & Falcon
9/24/22 - Glasgow, UK @ Queen Margaret Union
10/28/22 - Indianapolis, IN @ Hi-Fi Annex &
10/29/22 - Madison, WI @ Majestic Theatre &
10/30/22 - Minneapolis, MN @ First Avenue &
11/01/22 - Chicago, IL @ Metro &
11/04/22 - Buffalo, NY @ Town Ballroom &
11/05/22 - North Adams, MA @ Mass MOCA &
11/06/22 - Boston, MA @ House of Blues &
11/08/22 - Brooklyn, NY @ Brooklyn Steel ^
11/11/22 - Philadelphia, PA @ Franklin Music Hall ^
11/12/22 - Washington, DC @ 9:30 Club ^
11/14/22 - Saxapahaw, NC @ Haw River Ballroom ^
11/16/22 - Charlotte, NC @ Neighborhood Theatre ^
11/17/22 - Atlanta, GA @ Masquerade Heaven Stage ^
11/18/22 - Birmingham, AL @ Saturn ^
11/19/22 - Nashville, TN @ Brooklyn Bowl ^
11/30/22 - St. Louis, MO @ Pageant #
12/02/22 - Ft. Collins, CO @ Washington's #
12/03/22 - Denver, CO @ Ogden Theatre #
12/04/22 - Salt Lake City, UT @ The Depot #
12/06/22 - Seattle, WA @ Moore Theatre #
12/07/22 - Vancouver, BC @ Commodore #
12/08/22 - Portland, OR @ Crystal Ballroom #
12/10/22 - Oakland, CA @ Fox Theater #
12/11/22 - Santa Ana, CA @ The Observatory #
12/13/22 - Los Angeles, CA @ The Wiltern #
12/14/22 - Phoenix, AZ @ The Van Buren #
12/16/22 - Austin, TX @ Emo's East #
12/17/22 - Dallas, TX @ House of Blues #
& with support from Lightning Bug
^ with support from Helena Deland
# with support from TOPS
* with support from Francis Delirium
PRE-SAVE SPIRIT OF HIP HOP: ELEMENTS OUT NEXT FRIDAY, AUGUST 26 VIA MNRK MUSIC GROUP
NEW ALBUM CONTINUES DAVID'S JOURNEY OF BRINGING
NORTH AMERICA'S INDIGENOUS MUSIC AND
HIP HOP COMMUNITIES TOGETHER WITH FEATURES FROM
ERICK SERMON, OUTLAW BY NATURE, SAUKRATES, CHOCLAIR, HELLNBACK, JULIAN TAYLOR, POOKY G, DIVINE BROWN, JRDN, BLESSED, QUE ROCK, DREZUS, ASPECTS, PROGNOSIS & MORE
TORONTO, ON – August 19, 2022 – As renowned Canadian-Indigenous artist, record producer and engineer, David Strickland, prepares to release his forthcoming album, Spirit Of Hip Hop: Elements, next Friday, August 26 (MNRK Music Group), he shares the final preview. LVL Up arrives as the motivator to keep pushing forward and progress with agility, determination and focus - be it your music career, personal life and beyond. Calgary-based Indigenous rapper and activist, Drezus, Ottawa artist and Outlaw By Nature member, Aspects, and Six Nations-based artist Prognosis come together to deliver fierce rhyme and verse as David gets behind the boards to bring forth a foundation of fluid, key-driven, bass-booming, brooding beats. Listen here and pre-save the album here.
“In life, there Are always stages and levels, and it’s always about levelling up to the next level! In order to be great, one must strive for greatness. And that’s what this song is about, along with getting high as a MF...Hahahah," adds Aspects. Drezus notes: "Level up is about celebrating life, family and natural medicine. Inspiration comes easy when working with this team, I’m blessed!
From his hustle in studios across North America, working with industry greats on Grammy and JUNO-winning projects, to exploration in the world of NFTs, and giving back to Indigenous communities through charitable endeavours, David blazes his own path.
Spirit Of Hip Hop: Elements continues the journey of 2020 acclaimed project, Spirit Of Hip Hop, and its 2021 counterpart, Spirit Of Hip Hop (Remixes) and is a comprehensive project highlighting North America’s most promising Indigenous rappers, and represents the connection between the Indigenous community and the Hip-Hop community. In addition to a powerful opener by David's long-time mentor and iconic photographer, Ernie Paniccioli, you can hear an incredible lineup of guests including: Artson, Stenn Jodi, J25, Wolf Castle, JRDN, Stump Gets, Skye Stoney, Jace Martin, Kalem Moses, Wolf Castle, Stun, Crystal Shawanda, Joey Stylez, Q052, & Tribe NO GANG, Violent Ground, Choclair, Kingcon and Julian Taylor. See the full tracklist below.
David's previous single, Firekeepers, features longtime collaborators, Toronto/New York Anishinaabe rapper and visual artist, Que Rock, and Toronto-based conscious reggae/dancehall artist, Blessed. The track is a massive summer jam that raises the bar and temperature with Que Rock's sharp rhymes, Blessed's signature lyrics and David's prose highlighted on the second verse, layered as the trio come together to carry a collective torch. In May, David released Beastmode, featuring JUNO Award-winning R&B/Soul singer and theatre performer, Divine Brown, and Alberta-based Indigenous artist, model and actress, Pooky G. The three come together to create a soundtrack piece to life's A-game moments and when you need an extra boost.
Last year, David and rap legend, Erick Sermon, released Messenger, a collaboration with Sermon, Toronto rap veteran, Saukrates, and Outlaw by Nature. To launch the track, they teamed up with The NFT Agency to release an official non-fungible token (NFT) collection celebrating the hip-hop luminary’s esteemed career. The six-piece collection featuring original artwork by Strickland — highlighting moments from Sermon’s career as a member of EPMD, the founder of Def Squad and as a solo artist— saw 291 NFTs sold within 24 hours as a curated drop at Crypto.com/NFT, the global cryptocurrency platform’s NFT marketplace. Erick and David donated $10K of the net sales to Indian Residential School Survivors Society.
A Grammy-winning engineer who has worked on projects by artists including Sermon, EPMD, Drake, Method Man, Redman, Pete Rock and Keith Murray as well as a who’s who of both the Toronto and Indigenous hip-hop communities, Strickland is also an accomplished visual artist who connects with his Mi'kmaq ancestry — as well as his passion for music and hip-hop culture — to create works that have been displayed at major galleries including the McMichael Canadian Art Collection. In 2021, Strickland won three International Indigenous Hip Hop Awards for his acclaimed 2020 album, Spirit Of Hip Hop. The album brought together artists from various North American hip-hop communities while continuing to champion Indigenous hip-hop artists.
Learn more about David's career below, and stay tuned for Spirit of Hip Hop: Elements next week!
Spirit Of Hip Hop: Elements - Tracklisting
1. Elements - David Strickland & Ernie Paniccioli
2. Firekeepers - David Strickland, Que Rock & Blessed
3. Messenger - David Strickland & Erick Sermon, Outlaw By Nature, feat. Saukrates
4. 2 The Stars - David Strickland & Artson
5. Blessings On Blessings - David Strickland, Stenn Jodi & J25
6.LVL Up -David Strickland, Drezus, Aspects & Prognosis
7.Payback - David Strickland & Wolf Castle
8.Beastmode - David Strickland, Pooky G & Divine Brown
9. Certainmans - David Strickland, JRDN, Stump Gets & Skye Stoney
10.East, West Or Southcoast - David Strickland
11. Stand Up - David Strickland, Jace Martin, Kalem Moses, Wolf Castle, Stun, Crystal Shawanda
12. Hope - David Strickland, Joey Stylez, Q052, & Tribe NO GANG
13.Violent Ground - David Strickland & Violent Ground
14.Brighter Dayz - David Strickland, Choclair, Kingcon & Julian Taylor
DOWNLOAD - LVL Up Art
Photo by Ernie Paniccioli
DOWNLOAD – Press Photo | DOWNLOAD – Album Art
About David Strickland
David "Gordo" Strickland is an Indigenous, Toronto born and based award-winning engineer, mixer, producer and DJ. Known for being behind the boards on iconic Hip-Hop and R&B records for over two decades, his work has graced seminal tracks by the likes of Pete Rock, Erick Sermon, EPMD, Keith Murray, Redman and Method Man, to records by ground-breaking Toronto hip-hop acts, including k-os, Ghetto Concept, Jelleestone, Kardinal Offishall, Jully Black, Choclair and Drake.
David's previous album, Spirit Of Hip Hop (June 29, 2020, Entertainment One), highlights some of North America's Hip Hop progenitors and innovative Indigenous artists alike to share an embodiment of the teachings, art, traditions, and music of the community, aligned with his Indigenous heritage. Spirit Of Hip Hop (Remixes) arrived on November 20, 2020 as a follow-up featuring fresh takes on the album tracks by Gordo himself, and some of his esteemed colleagues. From control room to canvas, David is also a prolific visual artist that has been featured at many galleries across Canada. He continues to be a positive force in music, the arts and an inspiration to First Nations Youth across North America.
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. www.mnrk.com
PERFORMANCE TO APPEAR AS PART OF NEW LIVE ALBUM
CREEDENCE CLEARWATER REVIVAL AT THE ROYAL ALBERT HALL THE FIRST-TIME RELEASE OF THE BAND'S LEGENDARY 1970 LONDON CONCERT
AFTER 50 YEARS, THE METICULOUSLY RESTORED ALBUM WILL BE RELEASED ALONGSIDE THE UPCOMING DOCUMENTARY CONCERT FILM TRAVELIN’ BAND: CREEDENCE CLEARWATER REVIVAL AT THE ROYAL ALBERT HALL
STREAM/WATCH THE PERFORMANCE OF FORTUNATE SON (AT THE ROYAL ALBERT HALL) OUT TODAY
TORONTO, ON – August 19, 2022 — Recently, Craft Recordings announced the forthcoming release of Creedence Clearwater Revival’s legendary long-lost recording of their 1970 show at London’s Royal Albert Hall, which will be available for the first time ever in multiple formats (detailed below) as Creedence Clearwater Revival at the Royal Albert Hall. The live album is set for release on September 16 and is available now for pre-order.
Today, ahead of the album release, CCR debuts the full live performance of their major hit, Fortunate Son. The advance single is available now to stream or download, while fans can also get a first peak at the concert footage from that night, with the launch of a full performance clip for Fortunate Son (at the Royal Albert Hall). The video captures bandmates, John Fogerty, Tom Fogerty, Doug Clifford, and Stu Cook, fully engrossed in the high-energy performance for one of their most beloved tracks, a song that’s been covered far and wide by artists including Pearl Jam, Rise Against, U2, Foo Fighters, and more, as well as being recognized by Rolling Stone as one of the 500 Greatest Songs of All Time and by Pitchfork as #17 on their list of The 200 Greatest Songs of the 1960s. Watch the video here.
Creedence Clearwater Revival at the Royal Albert Hall will be available September 16 on 180-gram vinyl, CD, and cassette, while select retailers will offer a variety of exclusive colour variants, including Walmart (Tombstone Shadow vinyl) and Target (Green River vinyl). Additionally, the album will be available across digital platforms, including in hi-res and Dolby ATMOS® immersive audio formats. A limited Super Deluxe Edition Box Set will follow later in the year, more details below.
After spending roughly 50 years in storage, the original multitrack tapes were meticulously restored and mixed by the GRAMMY® Award-winning team of producer, Giles Martin, and engineer, Sam Okell, who have helmed countless acclaimed projects together, including the Beatles’ 50th-anniversary editions of Abbey Road and Sgt. Pepper’s Lonely Hearts Club Band, as well as audio for the Elton John biopic, Rocketman, and Peter Jackson’s The Beatles: Get Back series. The LP was mastered by the celebrated engineer Miles Showell at Abbey Road Studios using half-speed technology for the highest-quality listening experience.
Creedence Clearwater Revival at the Royal Albert Hall will be released concurrently with the documentary concert feature film, Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall. Directed by two-time GRAMMY® Award winner, Bob Smeaton (The Beatles Anthology and Jimi Hendrix Band of Gypsies), and narrated by Academy Award®-winning actor, Jeff Bridges, the film takes viewers from the band’s earliest years together in El Cerrito, CA through their meteoric rise to fame. Featuring a wealth of unseen footage, Travelin’ Band culminates with the band’s show at the Royal Albert Hall—marking the only concert footage of the original CCR lineup to be released in its entirety. The film will rollout internationally on September 16—stay tuned for more details coming soon.
On November 14, both the album and the film will be presented in a Super Deluxe Edition Box Set, available exclusively via CraftRecordings.com. The 2-LP/2-CD/1-Blu-ray collection includes Creedence Clearwater Revival at the Royal Albert Hall on two 45-RPM 180-gram vinyl LPs as well as on CD. A second CD features music from the film, including formative recordings from the band’s earliest incarnations (including Tommy Fogerty and the Blue Velvets and the Golliwogs), while the Blu-ray offers the complete Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall film, plus the digital album in hi-res and Dolby ATMOS® immersive audio. Limited to 5,000 copies worldwide and available to pre-order now, each individually numbered set is housed in a 12” x 12” box, with embossed gold foil detail, and includes a reproduction of the original 1970 tour program, a 17” x 24” poster, and a 16-page booklet, featuring an excerpt from Bridges’ voice-over script, which offers background on the band’s incredible path to the London show. View the unboxing trailer here.
When Creedence Clearwater Revival stepped onto the Royal Albert Hall’s stage on April 14, 1970—just days after the Beatles announced their breakup—the California rockers had arguably just become the biggest band in the world. Leading up to the show, CCR had enjoyed an unprecedented “magical year,” as Jeff Bridges narrates in the film. “In only 12 months the band had achieved five Top 10 singles and three Top 10 albums [Bayou Country, Green River, Willy and the Poor Boys] on the American charts, outselling the Beatles. They had appeared on the legendary Ed Sullivan Show and played to over a million people across America, including the hundreds of thousands gathered at Woodstock. John, Tom, Stu, and Doug may not have had the familiar ring to it of John, Paul, George, and Ringo, but Creedence were challenging the Beatles for the title of the biggest group in the world.” During their two-night sold-out residency at the iconic venue, CCR not only followed in the footsteps of acts like the Rolling Stones, Led Zeppelin, Jimi Hendrix, and the Beatles, but they proved they were equals.
While Creedence Clearwater Revival would go their separate ways just two years later, speculation around a live recording of that legendary concert began to permeate their fanbase in 1980. That same year, Fantasy Records had released a live album by the band, mistakenly titled The Royal Albert Hall Concert. It was quickly discovered that the audio was, in fact, from the Oakland Coliseum show, captured months earlier. While the label rushed to sticker the album with correctional information—and properly re-named the January 1970 performance as The Concert for later production runs—actual footage from the Royal Albert Hall remained the stuff of rock ’n’ roll lore…until now.
Click here to pre-order or pre-save Creedence Clearwater Revival at the Royal Albert Hall.
TRACKLIST (DELUXE EDITION):
Creedence Clearwater Revival at the Royal Albert Hall (CD):
1. Born on the Bayou
2. Green River
3. Tombstone Shadow
4. Travelin’ Band
5. Fortunate Son
6. Commotion
7. Midnight Special
8. Bad Moon Rising
9. Proud Mary
10. The Night Time Is the Right Time
11. Good Golly Miss Molly
12. Keep on Chooglin’
Music from the Motion Picture: Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall (CD):
1. Come On Baby – Tommy Fogerty and the Blue Velvets
2. Brown Eyed Girl – The Golliwogs
3. Porterville – The Golliwogs
4. Suzie Q.
5. I Put a Spell on You
6. Proud Mary
7. Born on the Bayou
8. Bad Moon Rising
9. Green River
10. The Night Time Is the Right Time
11. Down on the Corner
12. Who’ll Stop the Rain?
Blu-ray: Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall
Creedence Clearwater Revival at the Royal Albert Hall (45-RPM Vinyl):
A1. Born on the Bayou
A2. Green River
A3. Tombstone Shadow
B1. Travelin’ Band
B2. Fortunate Son
B3. Commotion
B4. Midnight Special
C1. Bad Moon Rising
C2. Proud Mary
C3. The Night Time Is the Right Time
D1. Good Golly Miss Molly
D2. Keep on Chooglin’
Creedence Clearwater Revival at the Royal Albert Hall tracklist (CD, Digital):
1. Born on the Bayou
2. Green River
3. Tombstone Shadow
4. Travelin’ Band
5. Fortunate Son
6. Commotion
7. Midnight Special
8. Bad Moon Rising
9. Proud Mary
10. The Night Time Is the Right Time
11. Good Golly Miss Molly
12. Keep on Chooglin’
Creedence Clearwater Revival at the Royal Albert Hall tracklist (Vinyl, Cassette):
A1. Born on the Bayou
A2. Green River
A3. Tombstone Shadow
A4. Travelin’ Band
A5. Fortunate Son
A6. Commotion
A7. Midnight Special
B1. Bad Moon Rising
B2. Proud Mary
B3. The Night Time Is the Right Time
B4. Good Golly Miss Molly
B5. Keep on Chooglin’
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res press photo
ABOUT CREEDENCE CLEARWATER REVIVAL
During their short time together as a band (1968 – 1972), Creedence enjoyed an unparalleled period of creativity—releasing seven studio albums (two of which went to Number One), playing over 150 tour dates around the world, including a headlining spot at Woodstock and scoring 14 Top Ten singles. A mainstay band till today, Creedence accrued 4 billion streams in 2021. Over the past 50-plus years, Creedence’s canon has become a part of the Great American Songbook. Songs like Bad Moon Rising, Down on the Corner, Fortunate Son, Have You Ever Seen the Rain, Proud Mary, Born on the Bayou, Travelin’ Band and Up Around the Bend have been ingrained into pop culture—not just as rock staples, but as timeless standards. With so many memorable compositions that continue to grace the radio waves, television and film screens, and lyrics that still resonate today, Creedence Clearwater Revival is, truly, America’s Greatest Rock Band.
Follow Creedence Clearwater Revival on:
Facebook, Twitter, Instagram, YouTube and TikTok
WATCH KAYS’ LIVE PERFORMANCE OF THE TRACK HERE
FIRST-EVER NORTH AMERICAN HEADLINE TOUR SLATED FOR THE FALL - SHOWS IN LA, CHICAGO, NYC AND MORE
TORONTO SHOW NOVEMBER 8
TORONTO, ON – August 19, 2022 – Today, rising star, Jack Kays, has released the first song from his forthcoming EP CESSATION titled Wish You Well. A reflection on childhood friendships, the song explores the intricacies of growing older alongside someone you have known since you were young. Listen here and watch the accompanying live performance video here.
In speaking about Wish You Well, Jack says: “It's really hard to grow apart from childhood friends, but there's something beautiful about the idea of becoming a new person and blossoming on your own. I don't think it's good to hold contempt for anybody but recognizing that you're different people now is okay.”
Regarding CESSATION, he continues: “I've been writing this EP for the past two years. It means so many different things to me, and I could go on and on about it, but if there's one thing to take away from it, it's that in order for something to live, something else has to die. I think it’s so easy to hold on to old ideas but letting go is the best thing you can do for yourself. I learned that the hard way.”
Those years of writing proved to pay off as CESSATION came to fruition earlier this year during a transcendent two-week trip to Joshua Tree. The 5-track project chronicles the lifespan of a man and his journey to sobriety starting at ages 10-17 with Wish You Well. Releasing November 11, CESSATION is an extremely vulnerable collection of songs that shine the spotlight on Jack’s songwriting and vocal talent. See full tracklisting below and pre-save/order CESSATION here.
Ahead of the EP release, Jack will embark on his first headline tour titled The Man with a Guitar. Kicking off October 1 at the All Things Go festival, Kays will bring his live show to 18 cities across North America including Los Angeles, Chicago, Toronto, New York, and more. See full routing below and visit www.jackkays.com for tickets and more information.
CESSATION Tracklist
1.Wish You Well
2.Finally Fine
3.When It’s All Over
4.28
5.The Walk
Tour Dates:
October 1 - All Things Go Festival - Columbus, OH
October 22 - The Rebel Lounge - Phoenix, AZ
October 23 - Constellation Room - Santa Ana, CA
October 25 - The Roxy Theatre - Los Angeles, CA
October 26 - The New Parish - Oakland, CA
October 28 - Chop Suey - Seattle, WA
October 29 - Holocene - Portland, OR
November 1 - Kilby Court - Salt Lake City, UT
November 3 - Marquis Theater - Denver, CO
November 5 - 7th Street Entry - Minneapolis, MN
November 6 - Lincoln Hall - Chicago, IL
November 8 - Velvet Underground - Toronto, ON
November 9 - The Shelter - Detroit, MI
November 11 - The Bowery Ballroom - New York, NY
November 13 - The Sinclair - Cambridge, MA
November 15 - The Foundry - Philedelphia, PA
November 19 - Vinyl at Centre Stage - Atlanta, GA
November 22 - Top Cats - Cincinnati, OH
DOWNLOAD - Album Artwork
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FREE LIVE MUSIC, FAMILY ACTIVITIES,
FOOD AND FUN FOR ALL AGES
INTERNATIONAL ARTISTS INCLUDE LA CHICA (VENEZUELA/FRANCE), TANGHETTO (ARGENTINA)
AND FAREED AYAZ & ABU MUHAMMAD QAWWALI (PAKISTAN)
CANADIAN ARTISTS INCLUDE PANTAYO, MONEKA ARABIC JAZZ, CLEREL, FUNK LION, JER, JOYCE N'SANA, SHAUIT
SOUKUSTEK, FABCOLLAB AND HAWA B
MORE INFO HERE
TORONTO, ON – August 18, 2022 – Summer ends on a high note as Small World Music (SWM) sings into the autumn season in vibrant fashion at the 2022 Small World Music Festival! Kicking off Friday, September 16 and running through Sunday, September 18 at Fort York Garrison Common in Toronto, the festival culminates the organization's celebration of 25 years of delivering high-quality, groundbreaking performances by artists both domestic and international, that resonate with a range of communities and culture lovers. The outdoor festival is free and accessible for all ages, featuring a range of live music, food, arts and crafts and more. Visit the website for additional info and stay tuned for the full schedule to be announced.
"For 25 years, Small World has been dedicated to ensuring that Toronto audiences experience all of the amazing music that makes our city move," says Small World Music Executive Director, Umair Jaffar. "That amazing music is the result of the diverse communities that have gathered here. I can’t think of a better way to wrap up a year of Small World anniversary celebrations, and one last summertime blast of fun, than with the party in the park that we’re planning.”
This year's international artists include La Chica, a Franco-Venezuelan multi-instrumentalist combining electro, pop, chanson, and influences of their Latin heritage; Argentina's Tanghetto, an award-winning ensemble blending futuristic Electronic elements with Tango influences, will get Toronto audiences moving; and one of Pakistan's best-loved Qawwali ensembles, Fareed Ayaz & Abu Muhammad Qawwali, will be making a special Toronto appearance.
Domestic highlights include an array of Toronto locals: Polaris Music Prize short-listers (2020), Pantayo, will deliver their electro-synth-pop rooted in southern Philippine Kulintang (gong ensemble) traditions; Moneka Arabic Jazz celebrates Afro-Arabic jazz from the Middle East and North Africa with signature flair; Toronto-based Bahia, Brazil native, JER, merges electronic, ska, rock, dub, Brazilian fusion and more; Cartagena, Colombia/Toronto group, Soukustek, combines traditional soukous, a style of dance music derived from Congolese rumba, with Colombian folklore; local collective, FabCollab, presents Women in Song: Summer Thunder, a collaboration celebrating women from across the musical spectrum.
The Festival will also welcome a stellar list of Quebec artists: Funk Lion, a Montreal-based band fusing funk and psych-rock with their Haitian roots; Clerel shares his soulful tunes and sweet vocals; HAWA B showcases powerhouse vocals via soul, alt-rock, jazz, R’n’B and beyond; Joyce N'Sana will share her unique "Afrobluehop" sound, melding Afroblues and hip-hop into an infectious and captivating live experience. Shauit celebrates the traditional Innu music of his home with folk and reggae inflections.
Small World Music Festival Schedule
(more details to be announced in September):
Friday, September 16 | 7:00 pm to 11:00 pm
Saturday, September 17 | Doors open at 1:00 pm with performances until 11:00 pm
Sunday, September 18 | Doors open at 1:00 pm with performances until 8:00 pm
About the Small World Music Festival:
Over three days, audiences of all ages, families, friends and pets, will experience over 20 performances across two stages - and beyond, with mobile performances - on-site animations and art activations, workshops, DJ sets, dance parties and more. A festival as vibrant as the city in which we live, the Small World Music Festival features a breadth of sounds, from new artists and established masters, guaranteed to inspire new perspectives, new favourite bands, and good times. A plethora of food, drink and merchandise will be available on site - the historic and beautiful Fort York's Garrison Common grounds. The open-air green space in the heart of Toronto will welcome artists and audiences alike to connect with the city's history, its present, and its future - through the power of music.
Small World Music acknowledges the generous support of the Government of Canada, Ontario Arts Council, Ontario Creates, Canada Council for the Arts,
the Ontario Ministry of Tourism, Culture and Sport,
The City of Toronto, TD, and Toronto Arts Council.
In partnership with: Fort York National Historic Site, Toronto History Museums, FabCollab, Uma Nota, 50/50 Performing Arts Collective, Tkaronto Music Festival, Wavelength Music, Art Spin, Link Music, Aga Khan Museum and many more.
DOWNLOAD – Small World Music Festival 2022 Image Assets
About Small World Music (SWM):
Since 1997, SWM has been celebrating cultural diversity and showcasing a range of local, domestic, and international talent to audiences across Toronto, and beyond. More than just presenting culturally-diverse artists, SWM works with, showcases, and supports equity-deserving professionals onstage and behind the scenes to encourage sustainable careers and industry-wide evolution. SWM encourages human connection through musical experiences: through public-facing programming (the annual Small World Music Festival and hundreds of year-round concerts), industry initiatives (Global Toronto music conference and showcase event), artist-driven projects (eMERGEnce Music Incubator), and more.
DOWNLOAD – Small World Music Logo
UPCOMING ALBUM EL BUENO Y EL MALO OUT OCTOBER 28 VIA EASY EYE SOUND
TICKETS TO HEADLINING NORTH AMERICAN TOUR
WITH STOPS IN MONTREAL AND TORONTO SELLING FAST
TORONTO, ON – August 17, 2022 – Today, Zurich-based duo, Hermanos Gutiérrez, comprised of brothers Estevan and Alejandro Gutiérrez, are thrilled to unveil Tres Hermanos, the newest song from their forthcoming new album. Recorded in Nashville, the song marks the first outside collaboration the duo have released, featuring a performance from the “third brother” himself, The Black Keys’ Dan Auerbach. Listen to Tres Hermanos here and pre-order El Bueno Y El Malo here.
About the song Hermanos Gutiérrez said, “We wanted to reconnect with our Latin roots and share that feeling of hanging out with friends in a 'Barrio' somewhere in a city in Latin America.
While recording this song in the studio, Dan suggested playing a specific melody over the bridge. We remember trying a few things, but it was not what he envisioned. We invited him to play over the song, and it was such a connecting moment between the three of us, Creating this song together and talking through music with each other. Since it has always just been the two of us, we felt honored and grateful to have Dan playing with us on this song.”
Entitled El Bueno Y El Malo, the new record from the brothers is set for release on October 28, 2022 via Easy Eye Sound, Auerbach’s acclaimed label he founded and runs. Click here to listen to the stunning, stirring first single and the album’s title track.
Tres Hermanos release follows the band’s sold out shows at New York’s Bowery Ballroom, LA’s the Hollywood Forever Masonic Lodge, and their set at Newport Folk Festival. The duo will also be opening for Jason Isbell in Nashville at the legendary Ryman in October. Their shows in Montreal and Toronto are selling fast with the former being nearly sold out already.
“When Alejandro and I play together, it’s like we are driving a car,” says Estevan Gutiérrez. “It’s like we are taking a road trip. Sometimes we’re driving through a desert. Sometimes we’re traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets.” The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family—and whatever ghosts their listeners bring to the music.
El Bueno Y El Malo is their most epic journey yet: working with Dan Auerbach at his Easy Eye Sound studio in Nashville, they’ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a “deeper, darker energy” defined by complex arrangements, sophisticated playing, and most of all their very close relationship.
Started a few years earlier, Hermanos Gutiérrez began releasing music on their own, all of which gained traction in 2020. “My brother and I,” says Estevan, “we did everything by ourselves— all the music, even the artwork. But during Covid, our music was streamed all over the world,” especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were travelling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach’s Easy Eye Sound record label and started writing songs for their forthcoming album.
Setting up shop a few months later at Easy Eye Sound studio, El Bueno Y El Malo was recorded quickly and organically, despite it being the first time they’d ever met Auerbach in-person. They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they’re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments. In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it for them, even retitling that song, Tres Hermanos.
The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. “It’s every person, every moment, every situation. Everybody has these two faces.” It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas.
TOUR DATES:
9/3 - Col du Becs de Bosson, CH @ Palp Festival
9/28 - Munich, DE @ Werk7 Theater
9/30 - Istanbul, TUR @ Blind
10/3 - London, UK @ EartH (Evolutionary Arts Hackney)
10/5 - Paris, FR @ Maroquinerie
10/6 - Porto, PT @ Maus Hábitos - Porto, PT
10/7 - Barcelona, ES @ Sala Apolo2
10/8 - Madrid, ES @ Independance
10/11 - Berlin, DE @ Festsaal Kreuzberg
10/12 - Utrecht, NL @ TivoliVredenburg
10/13 - Amsterdam, NL @ Paradiso
10/15 - Helsinki, FI @ Korjaamon Kulmasali
10/16 - Stockholm, SE @ Hus7
10/18 - Zürich, CH @ Kaufleuten
10/22 - Nashville, TN @ The Ryman Auditorium *
10/29 - Los Angeles, CA @ Hollywood Forever - Dia de los Muertos Fest
10/31 - Washington, D.C. @ Miracle Theatre
11/2 - Philadelphia, PA @ World Café Live
11/3 - Boston, MA @ Arts at the Armory
11/4 - New York, NY @ Opera House
11/5 - Montreal, QC @ PHI Centre
11/6 - Toronto, ON @ The Drake
11/8 - Minneapolis, MN @ Turf Club
11/9 - Chicago, IL @ Sleeping Village
11/10 - Denver, CO @ Globe Hall
1//12 - Seattle, WA @ Crocodile
11/13 - Portland, OR @ Mission Theater
11/14 - San Francisco, CA @ Great American Music Hall
11/17 - Pioneertown, CA @ Pappy & Harriet’s
11/18 - Ventura, CA @ Ventura Music Hall
11/19 - Phoenix, AZ @ Musical Instrument Museum
11/20 - Santa Fe, NM @ St. Francis Auditorium
11/22 - Austin, TX @ Antone’s
* Supporting Jason Isbell and the 400 Unit
DOWNLOAD - Press Photo | DOWNLOAD - Single Art
EXTREME METAL UNIT TO RELEASE NEW LP
MEMORY THEATER ON SEPTEMBER 30
BAND TO PERFORM AT PSYCHO LAS VEGAS FESTIVAL
U.S. HEADLINING TOUR DATES ANNOUNCED
"Whether you call what Escuela Grind does "power violence" or grindcore," there's no doubt the music the quartet creates together is pure fucking mayhem." - No Echo
"discombobulating drum patterns and staccato guitar chugs...
enough force to level an office park." - Revolver
"bursts of unthinkable sonic rage that still manage to keep the listeners rapt with their density and dynamics...Escuela Grind’s misanthropy as enjoyable and intelligent as it is unending." - Kerrang!
Toronto, ON – August 16, 2022 – New England extreme metal unit, Escuela Grind, will release its new LP, Memory Theater, on September 30. Produced by Kurt Ballou, the album - the band's first for MNRK Heavy (High on Fire, Crowbar) -features nine tracks of sharp, scorching underground music that rages and rips in equal measure. Escuela Grind's Memory Theater is available for pre-order here.
Today, Escuela Grind releases a video for the new song, All is Forgiven, which the group calls "a skull cracker." Directed by Michael Jari Davidson (Alice in Chains), the high-intensity clip blends reality with virtual reality. Experience Escuela Grind's All is Forgiven video here.
Escuela Grind will perform as one of the featured acts at the 2022 Psycho Las Vegas festival on August 19. Following the festival performance, Escuela Grind will continue its current run which will lead directly into a U.S. headlining tour. The 23-city "Forced Collective Introspection" tour will launch on September 3 in Salem, MA and include performances at New England's RPM Fest, Illinois' Full Terror Assault Open Air, and Cleveland's Hacked Up for BBQ death fest, as it criss-crosses the country. Support on the tour will come from Brazilian band, Test.
"Escuela Grind is super stoked to be heading out on the Forced Collective Introspection tour across the US with our friends in Test," says front person Katerina Economou. "We're so excited to play a bunch of new cities, cool festivals and killer clubs. You can expect to hear a bunch of material from the new album, and maybe even more upcoming stuff! Let's rage.” A full listing of upcoming Escuela Grind tour dates is below.
The music might be terrifying, but the overwhelming spirit behind Escuela Grind is a message of empowerment. As it destroys musical boundaries, the quartet attacks the idea of “gatekeeping” with equal ferocity. Anytime Katerina Economou, Jesse Fuentes (drums), Kris Morash (guitar), and Tom Sifuentes (bass) convene, an aural apocalypse will ensue. Escuela Grind stitches together a new metallic hardcore monster from the rotten corpses of grind and power violence with gleefully unhinged blasts of percussive bombast and chaos.
Memory Theater, Escuela Grind's sophomore album, is seven minutes shorter than Slayer’s Reign in Blood, but with a few songs running past the three-minute mark, it’s downright epic by grindcore norms. Delivering on the promise of several split records, a handful of EPs (including GGRRIINNDDCCOORREE and PPOOWWEERRVVIIOOLLEENNCCEE, both released in 2020), and the full-length, Indoctrination, the nine songs on Memory Theater offer a near-psychedelic trip to the genre’s soul. The album title references a specific historical concept, constructing a “space” from one’s internal ideas, knowledge, and perception. An architect by trade, Economou explores philosophy, politics, and experiential experimentation, building a kind of structure amidst the band's musical cacophony.
Escuela Grind has also released a video for its rampaging new track, Cliffhanger, which adroitly showcases the kinetic energy of the group's much talked about live performances. Cliffhanger debuts via Decibel who proclaims, "The track showcases both sides of Escuela Grind’s sound: the firing-on-all-cylinders brand of grindcore that you would expect from a band called “Grind School” and a few two-step hardcore breakdowns that convert the energy into a more moshable state. Produced by Converge guitarist/GodCity producer Kurt Ballou, Memory Theater is the heaviest Escuela Grind have ever sounded." Stream Escuela Grind's Cliffhanger video here.
Escuela Grind Tour Dates:
August 16 - Wichita, KS - The Wave
August 17 - Colorado Springs, CO - Black Sheep (w/ Sanguisugabogg, No/Más)
August 19 - Las Vegas, NV - Resorts World Las Vegas (as part of Psycho Las Vegas Fest w/ GZA, Cephalic Carnage, Nuclear Assault)
August 20 - Tucson, AZ - TBA
August 21 - El Paso, TX - Altopiano
August 22- Tulsa, OK- TBA
Forced Collective Introspection Tour Dates:
September 3 - Salem, MA - Old Town Hall
September 4 - Montague, MA - Millers Falls Rod and Gun Club (as part of RPM Fest)
September 6 - Philadelphia, PA - Kung Fu Necktie
September 7 - Pittsburgh, PA - Black Forge Coffee
September 8 - Hamtramck, MI - The Sanctuary
September 9 - Cave-in-Rock, IL - Full Terror Assault Festival (w/ Pig Destroyer, Suicidal Tendencies)
September 10 - Rock Island, IL - Wake Brewing
September 11 - Cleveland, OH - No Class (as part of Hacked Up for BBQ Fest w/Mortician)
September 12 - Milwaukee, WI - Cactus Club
September 13 - Omaha, NE - Reverb Lounge
September 14 - Fort Collins, CO - The Lyric
September 15 - Salt Lake City, UT - Beehive Social Club
September 16 - Boise, ID - The Shredder
September 17 - Tacoma, WA - Hammerhead House
September 18 - Seattle, WA - The Funhouse
September 19 - Portland, OR - High Water Mark
September 20 - San Francisco, CA - Elbo Room
September 21 - Anaheim, CA - Chain Reaction
September 22 - San Diego, CA - Brick By Brick
September 23 - Scottsdale, AZ - Pub Rock Live
September 25 - Corpus Christi, TX - Boozers Rock Bar
September 26 - Dallas, TX - American Legion Post 672
September 27 - New Orleans, LA - TBA
DOWNLOAD - Tour Poster
DOWNLOAD - Album Art
DOWNLOAD - Press Photo
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com.
WATCH THEM DANCE FROM THE WAREHOUSE TO THE FOREST FLOOR IN ECHO PARTY MUSIC VIDEO HERE
AMELIA MEATH & NICK SANBORN KICK OFF AMPHITHEATER TOUR WITH ODESZA
INCLUDING DATES IN TORONTO, MONTREAL AND VANCOUVER NEXT MONTH
ANNOUNCE PSYCHIC HOTLINE BLOCK PARTY WITH THE A’S, AROOJ AFTAB, BARTEES STRANGE, GRRL X MADE OF OAK, INDIGO DE SOUZA & MORE
"It's uniquely thrilling to witness the way Meath and Sanborn see each other in every song" – NPR Music
"A bold and defiant example of what could happen when you walk back into the world, 'wilder and stranger' than before" – NME, ★★★★
"Their most creatively fulfilling project yet" – Consequence
TORONTO, ON – August 12, 2022 – Today, Sylvan Esso let their freak selves shine with the release of a resounding new album, No Rules Sandy. Created primarily over the course of three weeks that Amelia Meath and Nick Sanborn spent in a small Los Angeles rental home at the beginning of 2022, it is both the fastest the band has ever made a record, and the most uninhibited.
“Even if we weren't feeling good, we would just sit down and try to make something,” Meath says. “Pretty much every day that we did that, we got a song that we liked.”
Out now on Loma Vista Recordings, No Rules Sandy is accompanied by a thrilling music video for the standout Echo Party. Directed by Lindsey Nico Mann, the visual follows Meath as she raves from a downtown, warehouse dancefloor to the mossy ground of an otherworldly forest. Over wobbling bass, warbling vocals and the ecstatic promise of a party you may never be able to leave, an exhilarating tension emerges between the lightness and darkness of a good time. Listen to No Rules Sandy, and watch the video for Echo Party here.
Echo Party follows a series of similarly enthralling, emotionally complex singles, including Sunburn, Your Reality and Didn’t Care, and across the rest of No Rules Sandy, Sylvan Esso continue to leap from the frameworks of pop and electronic music into a wilder unknown. Between the band’s most frenetic production, cathartic hooks and strangest sounds to date, Sanborn says, “I want everything to feel like something you've heard before, but presented in a way you've never heard.”
Produced and written by Sylvan Esso, with additional recording taking place at their own Betty's studio in Chapel Hill, NC, No Rules Sandy also features contributions from drummer TJ Maiani, string arrangements by Gabriel Kahane, and saxophone from Sam Gendel, plus an acoustic closing track unlike anything the band has done before, and a collection of six, intimate sonic diary entries tying everything together.
The music of No Rules Sandy has earned praise from The New York Times, NPR Music, NME, Consequence and beyond, in addition to appearances on NPR’s All Things Considered and more to be revealed soon. Since surprising the audience and announcing the album with a full performance at Newport Folk Festival, Sylvan Esso have brought the new songs to special DJ Nights in NYC and LA, sold-out arenas on the first leg of their massive summer and fall tour with ODESZA, and even the stripped-down studio of Tim Heidecker’s Office Hours Live, where Meath and Sanborn played alongside a slideshow of tasteful Steely Dan photos.
In the coming months, the band will not only return to the road with ODESZA – including stops in Toronto, Montreal and Vancouver in September – but will make their Austin City Limits debut in an episode airing on PBS on October 15. That same day, they will also host their second annual Psychic Hotline Block Party at North Carolina’s Cat’s Cradle and Artscenter, featuring a lineup of The A’s, Arooj Aftab, Bartees Strange, GRRL x Made of Oak, Indigo De Souza, Joe Rainey, Joe Westerlund, Lambchop and more, in addition to a pop-up shop and record fair. Find tickets and more info here, plus all Sylvan Esso tour dates at sylvanesso.com/tour.
SYLVAN ESSO 2022 TOUR DATES:
8/17 - Phoenix, AZ - Ak-Chin Pavilion*
8/19 - Austin, TX - Germania Insurance Amphitheater* SOLD OUT
8/20 - Dallas, TX - Dos Equis Pavilion* SOLD OUT
8/21 - Dallas, TX - Dos Equis Pavilion*
8/23 - Atlanta, GA - Lakewood Amphitheatre* SOLD OUT
8/25 - Columbia, MD - Merriweather Post Pavilion* SOLD OUT
8/26 - Forest Hills, NY - Forest Hills Stadium* SOLD OUT
8/27 - Forest Hills, NY - Forest Hills Stadium* SOLD OUT
8/30 - Philadelphia, PA - TD Pavilion at The Mann* SOLD OUT
9/1 - Toronto, ON - Budweiser Stage*
9/2 - Montreal, QC - Parc Jean-Drapeau*
9/3 - Gilford, NH - Bank of New Hampshire Pavilion* SOLD OUT
9/4 - Boston, MA - Xfinity Center*
9/7 - Cincinnati, OH - The ICON Festival Stage at Smale Park* SOLD OUT
9/8 - Detroit, MI - Pine Knob Music Theatre* SOLD OUT
9/9 - Chicago, IL - Huntington Bank Pavilion* SOLD OUT
9/10 - Chicago, IL - Huntington Bank Pavilion* SOLD OUT
9/14 - St. Louis, MO - Hollywood Casino Amphitheatre*
9/16 - Denver, CO - Fiddler's Green Amphitheatre* SOLD OUT
9/17 - Denver, CO - Fiddler's Green Amphitheatre* SOLD OUT
9/18 - Las Vegas, NV - Life is Beautiful Festival
9/20 - Salt Lake City, UT - USANA Amphitheatre*
9/22 - Ridgefield, WA - RV Inn Style Resorts Amphitheater*
9/23 - Vancouver, BC - PNE Amphitheatre* SOLD OUT
9/24 - Vancouver, BC - PNE Amphitheatre* SOLD OUT
9/26 - Bend, OR - Hayden Homes Amphitheater* SOLD OUT
9/27 - Boise, ID - Fort Idaho Center Amphitheater*
9/29 - Sacramento, CA - Heart Health Park*
9/30 - San Francisco, CA - Shoreline Amphitheatre* SOLD OUT
10/1 - San Francisco, CA - Shoreline Amphitheatre* SOLD OUT
10/27-30 - Live Oak, FL - Suwannee Hulaween
^DJ Set w/ GRRL x Made of Oak
*w/ ODESZA
DOWNLOAD – press photo | DOWNLOAD – album artwork
DOWNLOAD - Echo Party BTS photo
CHAINED TO THE RHYTHM COMPLETES HER FOUR-TRACK EP
PENSIVE POP STREAMING NOW
TORONTO, ON – August 12, 2022 – Today, Amythyst Kiah shares her brooding spin on Katy Perry’s Chained To The Rhythm. In a stark contrast to the infectiously-bubbly original, Amythyst’s more contemplative arrangement brings forward the track’s powerful inspection of American culture. Watch the video for Chained To The Rhythm here.
This track completes her latest EP, Pensive Pop (available digitally today via Rounder Records). With Pensive Pop, Amythyst further illuminates how her artistic prowess cannot be defined in a single style. This four-track release – which features her renditions of Tori Amos’ standard Sugar, Joy Division’s Love Will Tear Us Apart, and Green Day’s Hitchin’ A Ride – highlights the iconoclastic alt-rock and hard-hitting, diary-like songwriting that first sparked her artistic passion and shaped her musical palate. Listen to Pensive Pop here.
“I remember watching the Chained to the Rhythm music video and being blown away by a kind of infectious, self-medicated joy within an ever-colorful dystopia,” says Amythyst. “It actually inspired the poem that would later become Fancy Drones (Fracture Me). I’ve always been fascinated by songs that you can shut your brain off to and dance, while also pointing out that something is terribly wrong. Breaking free of the cycle of mindless consumerism and incessant comparison and creating a life of meaning and some sense of purpose is a difficult task. And while the irony of a famous pop star on a Major Label singing and performing a song that questions the very listener that is dancing is not lost on me, we do each have to ask ourselves, ‘When will we have enough?’”
The tracks of Pensive Pop and of her 2021 Rounder Records debut, Wary + Strange – which was lauded by The New York Times, NPR Morning Edition, Pitchfork, Rolling Stone and more - are just a selection of her setlist for her U.S. and European tours this Summer and throughout the rest of the year. Kiah – who was recently named one of CMT’s Next Women of Country - just recently capped a run of shows with The Who and will be headed out on the road with CAM this year.
Kiah – a GRAMMY-nominated songwriter – was recently featured in Amazon Music’s For Love & Country documentary and one of the faces of Gibson’s Sister Rosetta Tharpe & Generation Acoustic campaigns.
UPCOMING TOUR DATES:
Saturday, August 13 - Guster's On The Ocean Weekend - Portland, ME
Wednesday, August 17 - Paradiso - Amsterdam, Netherlands
Friday, August 19 - Rootsy Summer Fest - Falkenberg, Sweden
Saturday, August 20 - Osterlen Americana Festival - Loderup, Sweden
Sunday, August 21 - Purbeck Valley Folk Festival - Wareham, UK
Monday, August 22 - The Black Box - Belfast, UK
Tuesday, August 23 - Whelan’s - Dublin, Ireland
Thursday, August 25 - Tønder Festival - Tønder, Denmark
Friday, August 26 - Tønder Festival - Tønder, Denmark
Saturday, August 27 - The Long Road Festival - Bottesford, UK
Sunday, August 28 - Shrewsbury Folk Festival - Shrewsbury, UK
Monday, August 29 - Shrewsbury Folk Festival - Shrewsbury, UK
Thursday, Sept. 8 - Hopscotch Music Festival - Raleigh, NC
Saturday, Sept. 10 - Mountain Song Festival - Brevard, NC
Thursday, Sept. 15 - Scoot Inn - Austin, TX&
Friday, Sept. 16 - The Echo Lounge and Music Hall - Dallas, TX&
Friday, Sept. 23 - Neighborhood Theatre - Charlotte, NC&
Saturday, Sept. 24 - Variety Playhouse - Atlanta, GA&
Sunday, Sept. 25 - Ryman Auditorium - Nashville, TN&
Thursday, Sept. 29 - World Cafe Live - Philadelphia, PA&
Wednesday, Oct. 5 - Patricia Reser Center for the Arts - Beaverton, OR
Friday, Oct. 21 - Brooklyn Folk Festival - Brooklyn, NY
Saturday, Oct. 22 - Kennedy Center - Washington, DC
Sunday, Oct. 23 - Metro Gallery - Baltimore, MD
Monday, Oct. 24 - Webster Hall - New York, NY&
Friday, Nov. 4 - Carnegie Hall - New York%
Friday, Nov. 11 - EFG London Jazz Festival: Jazz Voice, Royal Festival Hall - London UK
Saturday, Nov. 12 - EFG London Jazz Festival: Bush Hall - London, UK
Sunday, Nov. 13 - The Jam Jar - Bristol, UK
Tuesday, Nov. 15 - The Voodoo Rooms - Edinburgh, UK
Wednesday, Nov. 16 - Day & Night - Manchester, UK
Friday, Nov. 18 - Privatclub - Berlin, Germany
Saturday, Nov. 19 - Kranhalle - Munich, Germany
Sunday, Nov. 20 - Legend Club - Milan, Italy
Tuesday, Nov. 22 - Point Ephemere - Paris, France
Friday, Dec. 2 - Only The Wild Ones Weekend 2022 - Puerto Morelos, MX
& denotes show with CAM
% denotes show with Our Native Daughters
DOWNLOAD – Hi Res Press Photo | DOWNLOAD - Pensive Pop Artwork
ALBUM INSPIRED BY THE NY TIMES BESTSELLING DETECTIVE NOVELS BY LOUISE PENNY
LISTEN TO LEAD SINGLE SURPRISED BY JOY TODAY
LIVE CONCERT PREMIERE OF THE ALBUM TO TAKE PLACE ON SEPTEMBER 3 IN PENNY’S HOMETOWN OF KNOWLTON, QC FOLLOWED BY PERFORMANCES IN TORONTO AND OTTAWA THIS FALL WITH MORE TO BE ANNOUNCED SOON
TORONTO, ON – August 12, 2021 – Today, JUNO Award-winning drummer and composer, Ernesto Cervini, excitedly announces the forthcoming release of his latest record, Joy – set for release on October 7 on Cervini’s own label, TRP. Inspired by Louise Penny’s Armand Gamache Investigates series of detective novels (NY Times Best-Sellers), and the qualities of goodness, decency, courage and the love that permeate them, Cervini was moved to compose music that captures the characters, landscapes and relationships created by Penny. As a sneak peek at the album, Cervini shares the lead single, Surprised By Joy. Listen here.
“About five years ago, I discovered the universe of Three Pines,” reflects Cervini. “I was literally captivated by Louise Penny's incredible stories and characters, by her storytelling talent, by the kindness and joy that emanates from her books. I immediately wanted to compose music inspired by the series.”
Featuring Ernesto's Turboprop, Tune Town, Tetrahedron groups as well as other sonic surprises, Joy showcases Canada’s finest musicians and is the first of Cervini’s albums to include vocalists; two songs showcase Alex Samaras (Queer Songbook Orchestra), and an additional track features Felicity Williams (Bahamas, Bernice), Emilie-Claire Barlow (two time JUNO Award winner, six time nominee) and Amy Cervini (Duchess), who co-produced the album.
From the opening track, Three Pines, that sets up this voyage, to a musical portrait of a duck and her cranky, poet laureate owner in Ruth’s Rosa, from the mercurial Beauvoir to the beautiful love story of Sandalwood and Rosewater, the album is a musical journey through the heart of Three Pines, and the characters who inhabit it, guided by an adoring fan.
The lead single, Surprised by Joy, is a riveting contemporary jazz song featuring Cervini’s beloved group, Turboprop. A churning drum solo opens the track and from the first strains of the rhythm section it is clear that this song is going to be a barn-burner, building up to an explosive entrance by the horn section and opening up into angular and swinging solos by pianist Adrean Farrugia and tenor saxophonist Kelly Jefferson.
To celebrate the release, Cervini will be giving an extraordinary performance on September 3 at Théâtre Lac-Brome, in Penny’s hometown of Knowlton, QC. Ernesto Cervini’s Joy: A Musical World inspired by Three Pines will be the global premiere concert of the new record, bringing the songs and stories to life on stage. For more information and tickets, visit here. Following the premiere concert, Ernesto will perform in Toronto and Ottawa this fall, with more dates to be announced soon. See below for full tour details.
Cervini’s music and personality beam with unbridled joy, and this record is a true reflection of that. Stay tuned for more to come this fall while we celebrate Joy!
JOY TRACKLISTING:
1. Three Pines
2. Surprised By Joy
3. Myrna
4. Sandalwood and Rosewater
5. Clara
6. Roar and Havoc
7. Ruth’s Rosa
8. The Moth
9. Olivier & Gabri
10. Bella Bella
11. Peter Morrow
12. The Beautiful Mystery
13. Lacoste
14. Beauvoir
15. I’m FINE
September 3 - Knowlton, QC - Théâtre Lac-Brome
November 2 - Toronto, ON - Alliance Francaise
November 4 - Ottawa, ON - National Arts Centre
*more to be announced soon!
ABOUT ERNESTO CERVINI:
JUNO Award winner Ernesto Cervini is a sought-after drummer, composer and bandleader and an influential presence on Canada’s modern jazz scene and beyond. He has documented his vision with the Ernesto Cervini Quartet (featuring Joel Frahm), the innovative sextet Turboprop, numerous co- led trio projects including MEM3, Myriad3 and TuneTown, and also the quartet Tetrahedron, featuring acclaimed guitarist Nir Felder, electric bassist Rich Brown and alto saxophonist Luis Deniz. Cervini’s album Abundance won the 2020 JUNO Award for Jazz Album of the Year: Group. In addition to his performing career, he founded Orange Grove Publicity in 2014 and has quickly become one of the most sought-after jazz publicists in Canada. He is also co-founder of TPR. Cervini is on faculty at the University of Toronto.
DOWNLOAD – album cover artwork | DOWNLOAD – press photos
DOWNLOAD – Surprised By Joy single artwork
ernestocervini.com
facebook.com/ErnestoCerviniMusic
instagram.com/ernesto.cervini
twitter.com/ernestocervini
youtube.com/c/ErnestoCervini
LISTEN TO SMELLS LIKE TEEN SPIRIT
FIRST SAMPLE OF NEW PROJECT SET TO RELEASE VIA MNRK MUSIC GROUP THIS FALL
PERFORMING AT UNION STATION IN TORONTO SATURDAY, AUGUST 13
Toronto, ON – August 12, 2022 – Today, acclaimed Toronto composer and pianist, Thompson Egbo-Egbo unveils his first sample of new music. Known for his prolific work and performances both at home and abroad, audiences may be familiar with the track - it is Thompson's signature cover of Nirvana's iconic Smells Like Teen Spirit. Whether performed in local spots - like Thompson's frequent haunt of The Rex in Toronto - to open air venues and concert halls, the jazz-infused, layered and virtuosic rendition is fresh, fun and resonant - much like the 90s grunge classic. Listen to the song here.
"Smells Like Teen Spirit is that tune no matter where it’s played or who it’s played for, it connects with people of all generations and cultures," Thompson says. It was recorded by Jeremy Darby and Julian Decorte at Canterbury Music Company, with Thompson’s trio, Randall Hall on bass, and Jeff Halischuk on drums, and mastered by João Carvalho.
Last night (Thursday, August 11), The Royal Canadian Mint honoured Oscar Peterson with a one dollar coin (loonie) with his likeness on it. The Céline Peterson and the Peterson family as well as the Royal Canadian Mint invited Thomson Egbo-Egbo to perform Peterson’s beloved composition, Hymn To Freedom, at the unveiling of the coin at Roy Thomson Hall. This marks a full-circle moment - in 2021, Thompson portrayed a young Oscar Peterson in an episode of Historica Canada’s Heritage Minute, honouring the artist’s life and career.
Tomorrow - Saturday, August 13 - Toronto audiences can find Thompson and the trio performing at Union Station at 12:30 p.m. as part of their free outdoor Union Summer series. Find more details here and additional tour dates below.
About Thompson Egbo-Egbo
Thompson Egbo-Egbo is always in key. Deeply rooted in his upbringing – moving to Canada from Nigeria at age four, commencing his dedication to playing the piano at the age of six – his innate aptitude and affection for the instrument is as strong as ever to this day. The key that keeps everything alignedis one where Thompson is in tune with his environment, collaborators, community and a signature approach to the art.
On his forthcoming project, set for release via MNRK Music Group this fall, Thompson will draw from themes of transition, rebirth, realignment, joy, and optimism for the future. Partly inspired by the shifts and impact the last two years of the pandemic has placed on both a personal and professional level, audiences will experience the growth and depth of Thompson’s writing, as an offering of sonic catharsis and hope.
The album will follow Thompson’s 2019 release, The Offering and 2018 album, A New Standard. While A New Standard sought to change the conversation, The Offering created a new dialogue about what audiences expect from a jazz trio. The recording process itself was an attempt to capture the essence of the live experience - the element that has been attracting an ever-growing audience to the trio’s concerts. A New Standard was Thompson’s debut on MNRK Music Group and sought to redefine the concept of the jazz standard, and included original takes on Radiohead, Bob Dylan and Laura Mvula tunes. It was recorded in the original trio format, with Randall Hall on bass, and Jeff Halischuk on drums, marking a departure from the solo playing for which Thompson had become known.
Before Thompson began playing his way through landmark venues across the city, he honed his skill in the heart of his community. At Dixon Hall, a community centre down the street from where he grew up in Toronto's Regent Park, he was able to take piano lessons at two dollars a session. Growing up in subsidized government development area of Toronto, Egbo-Egbo was awed by the fact a group of people thought enough of the residences to build a musical school so that the children of the neighbourhood could enjoy the access of affordable music lessons.
As this experience struck a chord in his youth, giving back is a trademark note of Thompson’s ethos. Thompson served as a member of the board at Dixon Hall for many years and is currently on the board at Jazz FM 91. His own organization, The Thompson T. Egbo-Egbo Arts Foundation, and Evolving Through the Arts program, targets elementary school students recognizing that a positive change and a sense of self-worth should be instilled in children early and they be afforded opportunities that all children should receive. The foundation strives to fill a void in the education of music and arts not found in many communities, and partners with talented Canadian musicians and artists to provide a well-rounded and focused curriculum.
With degrees in Music from Humber College, and music production at the Berklee College of Music in Boston, to releasing numerous works and collaborating with some of the world’s most renowned artists, Thompson’s involvement in music has seen many opportunities come his way. Last year, Thompson was set to cross the pond for a recording opportunity at Abbey Road Studios in London, UK, to write and record Oddly Familiar – an album released and archived with Audio Network’s sync library. Thompson didn't let postponed travel plans deter him, and proceeded at home in Toronto to share the music with international audiences.
Looking ahead, listeners can expect to hear music from What Remains in a new docuseries project by Luminato Festival called Golden Hour, in the episode, Mighty Brave. The trio will perform at a selection of Ontario festival dates including Toronto International Film Festival, Kensington Market Jazz Festival, and Orillia Jazz Festival. Next year, Thompson will be performing Oscar Peterson's music for a special concert with the Windsor Symphony Orchestra on February 11, 2023. See info below and stay tuned for more details to be announced.
Thompson Egbo-Egbo shares his experience, ideas and vision with vibrant energy. The key to his success is not solely unlocked by memorable, harmonically complex compositions that have at their core a deep, abiding groove, but the connections they create and the doors they open within the listener.
TOUR DATES
August 13 - Union Station - Toronto, ON - Info
September 9 - Toronto International Film Festival
October 2 - Kensington Market Jazz Festival - Toronto, ON
October 14 - Orillia Jazz Festival - Orillia, ON
February 11, 2023 - A Celebration Of Oscar Peterson - Windsor, ON - Tickets
DOWNLOAD - Press Photo | DOWNLOAD - Smells Like Teen Spirit Artwork
About MNRK Music Group:
THE SUPERSTARS BRING A MESSAGE OF UNITY AND EQUALITY OVER INFECTIOUS BEATS SAMPLING ICONIC TRACK RICH GIRL BY BRITISH DUO LOUCHIE LOU AND MICHIE ONE
TORONTO, ON – August 11, 2022 - Multi-award-winning singer-songwriter and global Latin music idol, OZUNA, joins forces with the unapologetic and multi-faceted Dominican rapper, TOKISCHA, in his new single, Somos Iguales; a contagious danceable track that invites the listener to lose their inhibitions to the sound of a fusion of hot Caribbean rhythms. Somos Iguales is available now on all digital streaming platforms and is accompanied by a music video, which was filmed in the city of Madrid, Spain. Listen to and watch Somos Iguales here.
In the narrative of Somos Iguales both performers call for equality and inclusion, highlighting music and dance as a unifying entity that transcends social and cultural barriers. With his unmistakable style and powerful voice, Ozuna lays the foundation by stating that, "On the dance floor anything goes; here we are all the same..." Tokischa adds magic with their stamp of authenticity and provocative lyrics, free of censorship and stereotypes.
Somos Iguales revives a classic reggae dancehall, incorporating parts of the original track of Rich Girl (1993) by the British duo Louchie Lou and Michie One. The song was produced by DJ Luian, Mambo Kingz, Jowny, and Hydro, resulting in an intense combination that fuses the contemporary sounds of reggaetón and dembow.
The creative concept of the music video for Somos Iguales, directed by Nuno Gomes, captures the central message of the song from another perspective. In it, the artists are presented breaking into a room where a meeting with leaders of different nations is held. Mesmerized by the music of Ozuna and Tokischa, everyone in the room, leaders, law enforcement, and the artists, all end up dancing to the same rhythm.
Ozuna, one of today’s most listened to Latin artists in the world, will kick off the U.S. leg of his world tour on September 30 at the Barclays Center in Brooklyn, NY. Prior to the U.S. tour launch, the Puerto Rican singer-songwriter will appear on Good Morning America, performing as a part of their Summer Concert Series on August 26 at the emblematic Central Park in New York. For information on concert itineraries and ticket purchases visit: www.ozunaworldtour.com.
About OZUNA
The multi-award-winning Puerto Rican singer and songwriter Ozuna is one of Latin music’s most iconic and listened-to artists around the world. Since launching his career in 2015, Ozuna has won countless accolades, including making Time Magazine’s Most Influential People list (2019), and winning BMI’s Contemporary Latin Songwriter of the Year (2019, 2021) and Contemporary Latin Song of the Year for Taki Taki (2020). He won his first two Latin GRAMMYs® in November 2020, for his collaboration Yo x Ti, Tú x Mí, with ROSALÍA. He also took home the Extraordinary Evolution Award at the 2021 Latin American Music Awards. In the Dominican Republic, Ozuna recently received the Soberano Solidario award at the 2021 edition of Premios Soberano for his humanitarian work. In addition, he holds four Guinness World Records™.
About TOKISCHA:
Tokischa is a rising talent who deconstructs the perceptions and norms surrounding women’s roles. Her style is raw, authentic trap that few artists dare to pursue. In her world, there is no fear of showing society what she does, what she likes and who she is. She promotes a way of life that’s free from hypocrisy and gender stereotypes. Her vocal tone is instantly identifiable and is another major factor in making her songs distinctive. In addition to her own pioneering dembow tracks that have already become hits throughout her native Dominican Republic and other Spanish language countries, attracting millions of YouTube views over the last three years, Tokischa has now come to the attention of wider international fans through two critically acclaimed collaborations with Rosalia (Linda and La combi Versace), work with J Balvin, and now the new release of Estilazo with Marshmello. According to Billboard: “Dembow is gaining global recognition… [as] the genre’s iconoclastic up-and-comer, Tokischa has shined with her groundbreaking and unapologetic music, bringing the Dominican Republic’s thriving local scene to the forefront.” In April, the spotlight on Tokischa turned even brighter, with a recent New York Times profile declaring: “Latin Music’s Latest Rebel Isn’t Holding Back… & Speaking Her Truth… a fearless feminist whose insurgent spirit is breaking ground... a necessary agitator & sex-positive queer cultural figure whose performances gesture toward liberation.”
Follow Ozuna on:
www.instagram.com/ozuna
www.twitter.com/ozuna
www.facebook.com/ozuna
www.youtube.com/ozuna
Follow Tokischa on
www.instagram.com/tokischa.popola
www.twitter.com/tokischa_
www.facebook.com/tokischamusic
WATCH THE LYRIC VIDEO FOR REAL LOW DOWN LONESOME
NEW DAN AUERBACH-PRODUCED ALBUM STRANGE TIME TO BE ALIVE IS OUT AUGUST 19 VIA EASY EYE SOUND
AFTER ALBUM RELEASE SHOW NEXT FRIDAY AT STATION INN IN NASHVILLE, EARLY JAMES WILL OPEN THE NEXT LEG OF THE BLACK KEYS SUMMER TOUR
AMERICANAFEST, AUSTIN CITY LIMITS FESTIVAL DEBUT
AND FALL HEADLINING TOUR STILL TO COME
TORONTO, ON – August 11, 2022 – For his upcoming Dan Auerbach-produced second album, Strange Time To Be Alive, out next Friday, (August 19) via Easy Eye Sound, Early James tapped fellow old-soul Sierra Ferrell for a smouldering, time-bending duet on album standout, Real Low Down Lonesome. The song documents a fictional doomed love affair, with the two otherworldly voices careening through the track’s lush arrangement of Cuban percussion, piano and gut-string guitar. Watch the lyric video for Real Low Down Lonesome here.
“This one was a little exercise in creative writing,” explains Early James. “Imagining these two lonely narcissists that keep using each other for a moment’s reprieve only to end up with nothing again. Sierra’s vocals are so drenched in reverb, and I love how strange it sounds—it’s almost operatic.”
Strange Time To Be Alive is the sound of an artist sublimely out of step with the world. With all the charmed eccentricity of a true poet conjuring the ghosts of great southern gothic writers from Eudora Welty to William Faulkner, Early James takes in the endless absurdity he sees around him, then alchemizes his unease into a glorious patchwork of musical idioms: forsaken blues and contemplative folk songs, brooding murder ballads and lovestruck piano tunes. Early James ultimately extracts a certain magic from the madness, imbuing even the most painful truth-telling with a wild-eyed joie de vivre.
The follow-up to 2020’s Singing For My Supper (hailed by MOJO as a “luminous debut”), Strange Time To Be Alive came to life in three whirlwind days at Easy Eye Sound in Nashville, TN. Early James joined forces with such esteemed musicians as guitarist Tom Bukovac (Willie Nelson, Keb’ Mo’), drummer Jay Bellerose (Sharon Van Etten, Allen Toussaint), keyboardist Mike Rojas (Tyler Childers, Yola) as well as Early James’ longtime bandmate, Adrian Marmolejo on upright bass.
EARLY JAMES - 2022 TOUR DATES
Aug 12 - Nashville, TN - Vinyl Tap (in-store performance)
Aug 16 - Birmingham, AL - Seasick Records (in-store performance)
Aug 19 - Nashville, TN - Station Inn
Aug 24 - West Palm Beach, FL - iThink Amphitheater ***
Aug 25 - Tampa, FL - MIDFLORIDA Credit Union Amphitheatre ***
Aug 27 - Atlanta, GA - Ameris Bank Amphitheater ***
Aug 28 - Huntsville, AL - Orion Amphitheater ***
Aug 30 - Charleston, SC – Credit One Stadium ***
Sept 1 - Raleigh, NC - Coastal Credit Union Music Park ***
Sept 3 - Cincinnati, OH - Riverbend Music Center ***
Sept 6 - Toronto, ON - Budweiser Stage ***
Sept 7 - Detroit, MI – Pine Knob Music Theater ***
Sept 9 - Cleveland, OH - Blossom Music Center ***
Sept 11 - Roswell, GA - Chattahoochee Nature Center
Sept 15-17 - Nashville, TN - AmericanaFest
Oct 2 - Athens, GA - Wildwood Revival Festival
Oct 14 - Austin, TX - Austin City Limits Music Festival
Oct 16 - Little Rock, AR - The White Water Tavern
Oct 18 - Atlanta, GA - Vinyl
Oct 21 - Washington, DC - Jammin Java
Oct 22 - Philadelphia, PA - World Café (Upstairs)
Oct 23 - Boston, MA - Atwood’s Tavern
Oct 25 - Brooklyn, NY - Union Pool
Oct 27 - Pittsburgh, PA - Club Café
Oct 28 - Columbus, OH - Ace of Cups
Oct 29 - Chicago, IL - Golden Dagger
Oct 30 - Davenport, IA - Racoon Motel
*** supporting The Black Keys
DOWNLOAD – press photo | DOWNLOAD – album artwork
NEW TRACK AND VIDEO PREVIEWS I AM THE MOON: EPISODE IV. FAREWELL – THE FINAL INSTALLMENT OF THE BAND’S EPIC 4-ALBUM AND 4-COMPANION FILM SERIES – OUT AUGUST 26
SET FOR AUGUST 22 PERFORMANCE ON JIMMY KIMMEL LIVE!
TORONTO, ON – August 10, 2022 - Today, Tedeschi Trucks Band — the GRAMMY-winning 12-piece rock group headed by Derek Trucks and Susan Tedeschi — share the poignant and uplifting Soul Sweet Song, the first look at I Am The Moon: Episode IV. Farewell, the final chapter in their epic, four-part album series I Am The Moon.
Commenting on the track, Trucks explains, "That was Gabe," he says of keyboardist Gabe Dixon, who co-wrote this song with the guitarist and TTB vocalist Mike Mattison. "He had the idea of writing about Kofi." (Original TTB keyboardist Kofi Burbridge died in February 2019.) Trucks continues, "Gabe’s lyrics: I feel your rhythm moving me/'Cause your soul's sweet song's still singing – that hit me between the eyes."
Soul Sweet Song rides a sun-dappled groove and Susan Tedeschi’s sparkling lead vocal with a message of connection and hope, listen here. The video for the track is taken from the album’s full-length companion film which debuts on the band’s YouTube channel Tuesday, August 23. Watch the Soul Sweet Song video here. I Am The Moon Part IV: Farewell is out digitally and on CD Friday, August 26, 2022- Pre-order here.
Additionally, on Monday, August 22, Tedeschi Trucks Band will make a rare, live television appearance on Jimmy Kimmel LIVE! performing music from I Am The Moon on TV for the first time. This performance comes in the middle of a West Coast run that includes dates at the Greek Theaters in Los Angeles and Berkeley, before the band gears up for their near-mythic annual run of dates at the Beacon Theatre in New York City at the end of September. See full tour dates below.
Few groups are capable of the uniquely nuanced amalgamation of American music — jazz, blues, rock, soul, funk, roots, and psych that TTB integrate on a nightly basis and, on I Am The Moon, they take those studied forms and construct their own language out of it.
Excitement and anticipation around this project continues to build as each film and LP is released and the band unveil fresh performances of this new music on the road. Recognizing I Am the Moon’s unusual scope and depth, fans have validated the band’s ambitious strategy absorbing the new material with rapturous approval, giving each release a ‘can’t miss’ atmosphere.
In this thrilling new and creative chapter for TTB, the four albums that comprise I Am The Moon — I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — feature staggered release dates over four successive months. In addition, each installment of I Am The Moon is accompanied by its own album-length companion film that will debut three days prior to each audio release. The immersive films offer fans the chance to experience the music as the band intended, in an unbroken, communal setting. Full film and audio release dates below.
TTB’s Mike Mattison recently sat down with PRX The World to discuss Persian poet Nizami Ganjavi’s “Layla & Majnun,” the influential epic romance poem that was the thematic throughline of I Am The Moon. Listen to the interview here.
Last month, Derek Trucks spoke with Rick Beato for a far-reaching interview that delves into Derek’s one-of-kind guitar/audio technique, his deep-rooted jazz influences, and so much more. Watch here.
Pre-Order I AM THE MOON here and watch the project trailer here. All vinyl configurations, including individual LPs and the 4-LP I Am The Moon Deluxe Box will be available on September 9, 2022. (The TTB store has sold-out, please order EXCLUSIVELY through the Fantasy Records store.
See below for the complete list of Tedeschi Trucks Band tour dates. For ticket information, visit tedeschitrucksband.com.
Tedeschi Trucks Band Tour Dates:
August 18 / San Diego, CA / Cal Coast Credit Union Amphitheater
August 19 / Los Angeles, CA / The Greek Theatre
August 20 / Berkeley, CA / The Greek Theatre
August 23 / Sacramento, CA / Sacramento Memorial Auditorium
August 24 / Eugene, OR / Cuthbert Amphitheater
August 26 / Auburn, WA / White River Amphitheater
August 27 / Bend, OR / Hayden Homes Amphitheater
August 28 / Reno, NV / Grand Sierra Resort & Casino
August 31 / Boise, ID / Outlaw Field at the Idaho Botanical Garden
September 1 / Bonner, MT / Kettlehouse Amphitheater
September 3 / Moorhead, MN / Bluestem Center for the Arts Amphitheater
September 29 – Oct 8 / New York, NY / Beacon Theatre
October 17 / Copenhagen, DK / Amager Bio
October 18 / Copenhagen, DK / Amager Bio
October 20 / Randers, DK / Vaerket
October 21 / Oslo, NO / Sentrum Scene
October 22 / Stockholm, SE / Annexet
October 25 / Berlin, DE / Verti Music Hall
October 26 / Hamburg, DE / Edel-optics.de Arena
October 27 / Prague, CZ / Forum Karlin
October 30 / Rotterdam, NL / RTM Stage
November 2 / Dublin, IE / The Helix
November 4 / London, UK / The London Palladium
November 5 / London, UK / The London Palladium
November 6 / London, UK / The London Palladium
November 9 / Manchester, UK / Manchester Academy
November 10 / Glasgow, UK / O2 Academy Glasgow
November 12 / Paris, FR / Le Trianon
November 13 / Paris, FR / Le Trianon
November 15 / Paris, FR / Bataclan
TEDESCHI TRUCKS BAND - I AM THE MOON: ALBUM + FILM RELEASE DATES:
I Am The Moon: I. Crescent
Film Premiere: May 31st
Album Release: June 3rd
I Am The Moon: II. Ascension
Film Premiere: June 28th
Album Release: July 1st
I Am The Moon: III. The Fall
Film Premiere: July 26th
Album Release: July 29th
I Am The Moon: IV. Farewell
Film Premiere: August 23rd
Album Release: August 26th
I Am The Moon vinyl configurations: individual LPs + the 4-LP Deluxe Box available September 9, 2022.
Tedeschi Trucks Band:
Susan Tedeschi: Guitar and Vocals
Derek Trucks: Guitar
Gabe Dixon: Keys and Vocals
Brandon Boone: Bass Guitar
Tyler Greenwell: Drums and Percussion
Isaac Eady: Drums and Percussion
Mike Mattison: Guitar and Vocals
Mark Rivers: Vocals
Alecia Chakour: Vocals
Kebbi Williams: Saxophone
Ephraim Owens: Trumpet
Elizabeth Lea: Trombone
DOWNLOAD - press photo | DOWNLOAD - I Am The Moon album art
Tedeschi Trucks Band TikTok: @tedeschitrucksband
“FLUTTERING, INTIMATE” (UPROXX)
GAPS EP OUT SEPTEMBER 16
VIA LOMA VISTA RECORDINGS
HEAR THE EXPANSIVE, PERCUSSION-SOAKED TRACK HERE
CONFIRMED FOR MAJOR LEAGUE SOCCER ALL-STAR CONCERT PERFORMANCE WITH KHALID IN MINNEAPOLIS + TOUR WITH COIN KICKING OFF IN SEPTEMBER
PRE-ORDER/SAVE gaps HERE
“Transcendent” - NPR, Slingshot’s 2022 Artists to Watch
"Upbeat, effervescent track that celebrates love and joy" - Teen Vogue
"'Apt for dancing on a rooftop in Brooklyn as it is for sailing off the coast of Djerba" - MTV
“Blissed out” - The FADER
"Indie rocker Miloe has been turning heads recently with his sun-soaked music"
- UPROXX
“Pure bliss” - Alt Press
“Lovely” - DORK
“Sublime” - Cool Hunting
“Standout” - Stereogum
“Exciting, emotional” - Paste
TORONTO, ON – August 9, 2022 - Today, Minneapolis by way of Kinshasa singer-songwriter and guitarist, Miloe, releases the title track off his forthcoming EP, gaps, out September 16th via Loma Vista Recordings. gaps is an addictive and sonically playful song about music allowing us to enter a flow state that separates us from our anxieties. The EP is a succinct collection of deftly-produced indie-pop layered with Afrobeats, making Miloe a poetic voice for the young African diaspora. Listen to gaps here and watch the video here.
gaps follows singles, make ur way ft. 80purppp and floating, that was accompanied by a trippy video filmed in The Tunnel of Terror in Minnesota. Both tracks were preceded by singles, elastic, which UPROXX described as “flittering [and] intimate” and where u are which received critical praise from Teen Vogue and MTV, and hit single, Winona, that was later reimagined featuring Jamila Woods and Vagabon.
Miloe is the musical project of Bob Kabeya, a 21-year old artist based in Minneapolis. Growing up in the Democratic Republic of Congo, the sonic imprint of Miloe’s days there stayed palpable when his family made the 7000 mile journey to Minneapolis to join their father, who had been granted asylum three years prior. Suddenly dropped into the land of such punk legacies as Husker Dü, The Replacements, and Soul Asylum and Prince, Bobby’s musical destiny had perhaps unwittingly been cut out for him. While working his way through the Twin Cities’ basement show circuit, Kabeya chipped away at Miloe’s debut EP, Greenhouse. The project showcased a sunnier, pop-oriented side to Miloe.
Tour Dates:
9/20 - The Fillmore - Detroit, MI^
9/21 - Old National Creature - Indianapolis, IN^
9/23 - MGM Music Hall At Fenway - Boston, MA^
9/24 - The Dome @ Oakdale Theatre - Wallingford, CT^
9/25 – Brooklyn, NY @ Baby’s All Right*
9/26 - The National - Richmond, VA^
9/27 - The Norva - Norfolk, VA^
9/28 - Greenfield Lake Amphitheater - Wilmington, NC^
9/30 - The Ritz - Raleigh, NC^
10/1 - The Fillmore - Charlotte, NC^
10/4 - Jannus Live - St Petersburg, FL^
10/6 - Revolution Live - Fort Lauderdale, FL^
10/7 - Hard Rock Live Orlando - Orlando, FL^
# w/ Khalid
*w/ The booyah! Kids and Christelle Bofale
*w/ Goth Babe
^w/ COIN
DOWNLOAD - Gaps EP Art | DOWNLOAD - Hi Res Press Photo
Miloe on TikTok
TORONTO, ON – August 8, 2022 – Hot on the heels of their latest single release, At Least I Got Your Pretty Face, Montreal riff-heavy and venue-ready rockers, The Flamingos Pink, excitedly announce the release of their sophomore record, Free Livin. Set to drop on September 2 via LL Artists, this agile album immerses the listener, with explosive energy, into the sonic inner realm of The Flamingos Pink.
"Free Livin is about living your life the way you want to - not the way you are expected to, not the way you are conditioned to. THIS is rock'n'roll," exclaims the band.
Recorded at Studio Latraque in Montreal by David Laurendau, the new songs have girth; the band's songwriting is emboldened and descriptive. There's a 'ride-or-die' vibe to Free Livin. This is a more intense and introspective rock'n'roll record, with the occasional acoustic breather that will take you down a countryside lane to get your head back together again.
For a taste of the new record, listen to the previously released singles, At Least I Got Your Pretty Face, No Fear, Covered in Roses, I Don’t Care, and the title track, Free Livin.
While the band’s undeniable sound shines through out speakers and headphones, Julien “Julz” Corrado (drums) and Sacha Gubany (guitar/vocals) bring their songs to life with an insanely high-energy live show that immediately captivates audiences. Tour dates through the fall will be announced soon, but in the meantime, fans in Ontario and Quebec can catch The Flamingos Pink in concert through August and September. After being named one of Montreal’s Best Bands last year in Cult MTL, these concerts are truly a can’t-miss! See below for full touring details, and check out the Free Livin exposé for a look into the rock'n'roll world of The Flamingos Pink.
FREE LIVIN TRACKLIST
1. Free Livin
2. I Don't Care
3. At Least I Got Your Pretty Face
4. Covered in Roses
5. No Fear
6. Head Fulla Gold
7. Hello Byebye
8. Lips Turned Blue
9. At the Altar
10. City Slicker
UPCOMING TOUR DATES:
August 12 – Ottawa, ON – House of Targ
September 16 – Toronto, ON – Handlebar
September 17 – Montreal, QC – Turbo Haus
*more to be announced soon
ABOUT THE FLAMINGOS PINK:
The Flamingos Pink is a two-man gang hailing from Montreal, Canada with a penchant for the 'live rocknroll / pedal to the metal' type of vibe. Pound-for-pound vocally, Sacha Gubany (guitar/vocals) is a powerhouse, and as for Julz Corrado (drums), he’s been dipped in groove.
Think The New York Dolls meets Iggy and the Stooges. A White Stripes / The Hives’ sound partying with The Stones in the 70’s. Picture Wolf Alice and The Kills drag racing to AC/DC or maybe even Idles sipping tea with Bo Diddley.
DOWNLOAD – hi-res press photo | DOWNLOAD – album cover art
DOWNLOAD – At Least I Got Your Pretty Face single artwork
PREMIERES VIA DECIBEL MAGAZINE
NEW MUSIC FROM TEXAS DEATH THRASH OUTFIT
ETERNAL STEEL FULL-LENGTH NEARS RELEASE
VIA MNRK HEAVY
Across three full-length slabs of bludgeoning intensity and snarling rage, I AM puts a Southern stamp and revitalized swagger into deathcore, a subgenre rarely as raw, energized, and diverse as this band. In the spirit of fellow Southern icons Pantera and newer Texan heroes, Power Trip, the band channels discontent and anger into empowering anthems, as likely to inspire a gruelling workout as to incite the pit. Reminiscent of the combination of death metal heaviness and thrash metal speed found in the early catalog of Sepultura, I AM mines the heaviness of Morbid Angel and the dexterity of the Big 4 to create something groundbreaking of their own.
Comments guitarist Tom Reyes of the band’s latest single, Surrender To The Blade, “When I sat down and that first riff came out, immediately the idea was to just make a metal head banging anthem. Nothing flashy or complex, we just wanted it to sound huge and capture a good groove. [First single] ‘The Iron Gate’ was a newer direction for us, so with each step in that direction, we wanted to compliment a twist on our heavy roots. Actually, the verse riff was meant for a song on Hard 2 Kill -- hats off to anyone who can guess which one -- but it ended up being a much better fit for this song. Then [founding vocalist] Andrew [Hileman]’s lyrical concept fit perfectly with the instrumental. You hear the first riff and it’s a no brainer; it’s a raising-your-sword-for-battle-type of anthem.”
Adds Decibel Magazine, “Surrender To The Blade’offers a solid preview of what’s in store for I AM’s third full-length, a strapping mix of deathly growls, thrashy riffs, and a concussive rhythm section. Eternal Steel is pretty much everything the title and cover promise. And there’s a fucking three-headed black panther on the cover!”
View the band’s previously released video The Iron Gate here. Recorded, mixed, and mastered by Randy Leboeuf (Kublai Khan, Sentinels, The Acacia Strain), Eternal Steel combines the onslaught of the band’s well-received Hard 2 Kill (2018) full-length with the primal bite of Life Through Torment (2017) into a singular statement of intent. Eternal Steel will be released on CD, LP, cassette, and digitally. Find preorders here.
Brandishing a unique blend of furious thrash and death metal like a weapon of mass destruction, I AM is purely no-nonsense in their patented “Texas Death” assault. Armed with riffs, speed, and overwhelming power, “I AM writes songs that make you want to move” (Decibel Magazine).
I AM has earned a reputation for devastation in the live environment, converting doubters and curious onlookers alike into diehard believers with sweat and determination. And across the two most recent records, they established themselves as a band who never writes the same song twice. Eternal Steel songs like Iron Gate, Infernal Panther, Queen Incarnate, and the title track are demonstrative of the diverse extremes on offer. Menacing moods, blistering thrash, and crushing death collide all over the record. The lyrics harness the power of dark subject matter in ways that serve and inspire the listener. “For example, the topic of ‘fear’ is addressed in the song ‘The Primal Wave,’ but in a way where that fear is used to fuel you to overcome obstacles,” Hileman explains.
The death n’ roll groove of Obituary, the street-smart violence of Cro-Mags, it all coalesces into something fresh, exciting, and distinctly I AM. Hearkening to the past of classic metal with a hard shove forward into
I AM:
Andrew Hileman – vocals
Tom Reyes – guitar
Chris Burgess – guitar
Erik Rodriguez – bass
Brandon Busa – drums
THE THEME PREMIERES WITH ITS OWN OFFICIAL VIDEO CLIP AVAILABLE ON ALL DIGITAL PLATFORMS
The song, Sin Novia, composed by Nicky Jam, along with Juan Diego Medina, Jorge Alberto Erazo, Luis A. O'Neill and Andrés Jael Correa, with the production of Jorge Milliano, promises to be the new musical success of the singer. The theme includes an urban Latin melody that will make the whole world enjoy at the best style of the reggaeton idol.
“I feel happy with the result of this song and the video, I hope you feel identified and share it. I thank the people who always support me and take me to the highest levels, thank you for motivating me to continue creating music." Nicky Jam expressed.
Sin Novia premieres together with its official video clip, directed by Willy Rodríguez, produced by Adiela Marie Arroyo and the production company, La Tara. The audiovisual piece was filmed in several locations in Miami, it tells the story of a couple who are always in parties and trips, and at the same time enjoying with their friends, but in the end they decide to be just “friends”. The video has a visual proposal adapted to the 90s movies with the vibrant colors of that time. Watch it here.
Recently, the artist collaborated with the Puerto Rican Jay Wheeler on Prince Royce's latest single entitled, Si Te Preguntan.., being the first time for both of them to perform a bachata, their great voices already melted the audience's hearts with this romantic theme. Likewise, Sin Novia from Nicky Jam is available on all digital platforms
FEATURED TODAY ON CBS MORNINGS
TORONTO, ON – August 5, 2022 – Something Borrowed, Something New: A Tribute to John Anderson, a new tribute album celebrating the songs and career of legendary country artist, John Anderson, is out now via Easy Eye Sound. Stream/purchase here. In celebration of the release, Anderson was featured on CBS Mornings earlier today speaking with correspondent Anthony Mason, alongside the album’s producers Dan Auerbach and David Ferguson. Watch the full profile here.
Produced by Auerbach and Ferguson, the record features new versions of some of Anderson’s most beloved songs, performed by Brothers Osborne, Tyler Childers, Eric Church, Brent Cobb, Luke Combs, Sierra Ferrell, Sierra Hull, Jamey Johnson, Ashley McBryde, Del McCoury, John Prine, Nathaniel Rateliff, Sturgill Simpson and Gillian Welch & David Rawlings.
In celebration of the release, Anderson and several special guests from the album—including Tyler Childers, Gillian Welch & David Rawlings and Sierra Hull—will perform this Saturday night at the Grand Ole Opry. More info and tickets available here.
Already receiving critical acclaim, Billboard praises Cobb’s version of Wild and Blue, saying, “Cobb’s worthy rendition veers slightly from Anderson’s banjo-inflected original, leaning more heavily on relaxed acoustic guitars and a fiddle-laced, jam band groove, helmed by Cobb’s warm, unhurried vocals,” while Wide Open Country calls Ferrell’s version of Years, “phenomenal,” and Brooklyn Vegan proclaims, “Sierra’s voice shines on the cover, and she subtly reinvents it.” Additionally, Americana Highway praises, “Something Borrowed, Something New does a remarkable job of highlighting Anderson’s music across decades…all of these songs – even those dating back more than 30 years ago, still resonate today and hold up remarkably well.”
Reflecting on the record, Anderson shares, “Listening to everybody do their own takes on the songs shows how the songs really come through. And I thought to myself, ‘You might have been young and foolish back then, but you sure did pick some good songs.’ It’s very gratifying to know that some things really do not change, and a great country song remains a great country song. Any one person on the record would be a real tribute, but all of them together? It’s a pretty big deal for me personally.”
Additionally, Auerbach shares, “We weren’t trying to piddle around and make the normal tribute record. It had to be the best singers with the best songs and the best arrangements, and they had to come into the studio. This wasn’t like, ‘Mail me the song, and we’ll put it together.’ I think it makes this record unique. I don’t think most tribute records are done like this. I think that's why it sounds like a cohesive album. It feels like an amazing mix tape.”
Something Borrowed, Something New further celebrates a triumphant career for Anderson, who is one of country music’s most respected and beloved figures. Most recently, Anderson released his 22nd studio album, Years, in April of 2020 (stream/purchase here). Also produced by Auerbach and Ferguson, the record was created in the midst of a serious health crisis and is the testimony of his remarkable recovery.
Released to overwhelming critical acclaim, Rolling Stone praised, “Years finds Anderson at his most convincing, and moving, since his hit-making heyday. It’s the type of record that should cast his entire discography in a new light, an inspired offering that shows a forgotten legend pulling off a new trick just as effectively as his old ones,” while Billboard declared, “Years is putting Anderson firmly in the spotlight again” and The Tennessean proclaimed, “With his warming baritone—familiar to four decades of country music listeners—Years plays like a soundtrack to creative deliverance; sincere messages that often sounds resilient and at times tender-hearted.”
A Nashville Songwriters Hall of Fame inductee, Anderson has enjoyed 60 charting singles in four consecutive decades including five No. 1 songs: Wild and Blue, Swingin’, Black Sheep, Straight Tequila Night and Money in the Bank. Originally from Apopka, Florida, Anderson now lives outside of Nashville with his wife of over 25 years, with whom he shares two daughters.
DOWNLOAD - Album Art | DOWNLOAD - Press Photo
TICKETS AVAILABLE HERE
SHARES MEDITATIVE NEW VIDEO FOR ALBUM TRACK
THE (NEVER) END
TORONTO, ON – August 4, 2022 – Following the spring release of her stunning debut full-length album, Sentimental Ballad, Toronto-based singer-songwriter, Teagan Johnston (formerly known as Little Coyote), is thrilled to now share her new songs in a live setting. On September 8th, Teagan will take to the stage at the Monarch Tavern to celebrate the record and bring Sentimental Ballad to life.
“This show will be my first time playing with a full band since August 2019,” says Teagan. “The songs on my recently released album have never been played with a band live, and I’m really looking forward to properly sharing these songs for the first time, in this wonderful intimate Toronto venue.”
Carrying on with the hometown theme, Teagan today shares a video for the evocative album track, The (Never) End. Filmed at the corner of Bloor Street West and Avenue Road in Toronto, the fast-paced cityscape video begins to feel nearly hypnotic, mirroring the rhythmic nature of the song.
“Dzesika Devic filmed me for about an hour as I continuously crossed the street circling the four corners of the intersection,” reflects Teagan. “It was a really meditative exercise, similar to the song itself in that it’s very repetitive, but never the same which I find lends a lot of space for thought.”
Watch The (Never) End here and find full details/purchase tickets for the September 8th concert here.
ABOUT TEAGAN JOHNSTON AND SENTIMENTAL BALLAD:
Formerly known as Little Coyote, Teagan Johnston (she/they), is a singer-songwriter who drives the genre beyond its current borders, bringing a radical rawness to her work that hits you in your heart. Born in the Yukon, raised between South Africa, Spain, Switzerland and the West Coast of Canada, Teagan brings a vast and ever layered perspective to her work.
Compared to the likes of Fiona Apple, Regina Spektor, and Nick Cave, Tegan’s debut ‘The Trouble with Teeth’ was released in October 2017 with the enthusiastic support of EggHunt Records. Her following 2019 EP, Stay Gold, received many accolades and acclaims from various media outlets, such as VICE’s Noisey, PopMatters & more. A seasoned and experienced live performer, at home playing solo or backed by a band, Teagan has toured North America and Europe, including performing a special set at David Lynch’s prestigious private Paris nightclub Silencio.
Sentimental Ballad is a raw expression of heartache, told through minimalistic piano and lyrically driven songs, accentuated by Johnston’s stunning vocals. A deeply personal record, Sentimental Ballad is perhaps Johnston’s most honest artistic expression that she has ever been able to share. The songs are both strong and powerful while also holding space for softness and vulnerability. Combining Johnston’s delicately detailed piano playing with lyrics full of love and longing, she seeks to explore human darkness and the fabric of our dreams.
The album was created and released entirely independently, and exactly the way she has always wanted – free from the opinions and agendas of anyone but Johnston. Playing every part in creating the record, she teamed up with friend and recording engineer, Devon Lougheed, to help mix and produce.
Teagan partakes in several art forms outside of music as a means of communication and creative expression. She has modelled for Canadian fashion designer Evan Biddell, and written OP ED articles for The Toronto Star and She Does The City. In 2019 Teagan played her breakout acting role as Catherine in a Canadian Indie Horror movie The Strings as well as composing original music for the film. Outlets such as The New York Times, The A.V. Club, Bloody Disgusting and more have called Johnston’s performance and music in the film “commanding” and “magnetic.”
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res photo
teaganjohnston.com
instagram.com/littlecoyotemusic
facebook.com/teagsjohnston
twitter.com/teagsjohnston
spotify.com/artist/0RHysVgRczmEPciDxfOG3H
INCLUDES STOPS IN MONTREAL AND TORONTO
US HEADLINING TOUR UNDER WAY
TORONTO, ON – August 4, 2022 - Progressive deathcore road dogs, ENTERPRISE EARTH, will support Shadow Of Intent on a month-long North American tour this Fall. The journey kicks off October 5th in Montreal, Quebec and runs through November 4th in Hartford, Connecticut. Additional support will be provided by Inferi and Wormhole.
ENTERPRISE EARTH is currently in the midst of a US headlining tour. The Chosen Tour commenced July 22nd in Seattle, Washington and concludes on August 20th in Salt Lake City, Utah with support from Within Destruction, Sentinels, and label mates Great American Ghost. See all confirmed dates below.
ENTERPRISE EARTH released their latest full-length, The Chosen, early this year via MNRK Heavy. Distorted Sound crowns The Chosen the band’s, “heaviest album to date,” adding, “the Washington quartet have rather significantly developed their sound and style that has made them take one more step towards asserting their rightful place amongst death metal royalty. The genre has always been about breaking the norm, creating something that will pummel everything in its path, and The Chosen has done that.” Blabbermouth observes, “ENTERPRISE EARTH come pretty close to transcending deathcore altogether on The Chosen, instead pursuing a new and often electrifying hybrid of modern (and not so modern) metallic styles, replete with far bigger tunes than on any previous record. From the opening seconds of ‘Where Dreams Are Broken,’ the sheer, shiny weight of this thing is abundantly apparent. The Chosen sounds huge and definitive.”
Watch the band’s previously released video for new track, Psalm Of Agony, featuring recently recruited singer, Travis Worland (Aethere, Bite//Down, The Willow) as well as videos for You Couldn’t Save Me, Where Dreams Are Broken, Reanimate // Disintegrate, Legends Never Die, and a variety of visualizers and play throughs from The Chosen at the ENTERPRISE EARTH YouTube channel here.
The Chosen is available on CD, LP, cassette, and digitally. Find ordering options here.
ENTERPRISE EARTH w/ Within Destruction, Sentinels, Great American Ghost [remaining dates]:
7/26/2022 Chain Reaction – Anaheim, CA
7/27/2022 Nile Theater – Mesa, AZ
7/28/2022 Rockhouse – El Paso, TX
7/29/2022 Club Dada – Dallas, TX
7/30/2022 Come & Take It Live – Austin, TX
7/31/2022 The Secret Group – Houston, TX
8/02/2022 The Brass Mug – Tampa, FL
8/03/2022 Respectables – West Palm, FL
8/04/2022 The Haven – Orlando, FL
8/05/2022 Masquerade – Atlanta, GA
8/06/2022 Neighborhood Theater – Charlotte, NC
8/07/2022 The End – Nashville, TN
8/09/2022 Planet Trog – Allentown, PA
8/10/2022 Webster Underground – Hartford, CT
8/11/2022 Knitting Factory – Brooklyn, NY
8/12/2022 The Outpost – Kent, OH
8/13/2022 The Sanctuary – Detroit, MI
8/14/2022 WC Social Club – Chicago, IL
8/16/2022 Emerson Theater – Indianapolis, IN
8/17/2022 Skylark – Rock Island, IL
8/18/2022 The Marquee – Sioux City, IA
8/19/2022 HQ – Denver, CO
8/20/2022 Kilby Court – Salt Lake City, UT
w/ Shadow Of Intent, Inferi, Wormhole:
10/05/2022 Club Soda – Montreal, QC
10/06/2022 Lee's Palace – Toronto, ON
10/07/2022 St. Andrews Hall – Detroit, MI
10/08/2022 King Of Clubs – Columbus, OH
10/09/2022 Bottom Lounge – Chicago, IL
10/10/2022 The Varsity Theater – Minneapolis, MN
10/12/2022 Oriental Theater – Denver, CO
10/13/2022 Urban Lounge – Salt Lake City, UT
10/15/2022 El Corazon – Seattle, WA
10/16/2022 Hawthorne Theater – Portland, OR
10/18/2022 Goldfield Trading Post – Roseville, CA
10/19/2022 The Regent – Los Angeles, CA
10/20/2022 Brick By Brick – San Diego, CA
10/21/2022 The Nile Theater – Phoenix, AZ
10/23/2022 Whiskey Nights – Oklahoma City, OK
10/24/2022 Vibes Event Center – San Antonio, TX
10/25/2022 Tulips – Ft Worth, TX
10/27/2022 Orpheum – Tampa, FL
10/28/2022 Masquerade – Atlanta, GA
10/29/2022 Ground Zero – Spartanburg, SC
10/30/2022 Neighborhood Theatre – Charlotte, NC
10/31/2022 Canal Club – Richmond, VA
11/01/2022 Baltimore Soundstage – Baltimore, MD
11/03/2022 Gramercy Theatre – New York, NY
11/04/2022 Webster Theater – Hartford, CT
DOWNLOAD - The Chosen Hi Res Album Art | DOWNLOAD - Press Photo
DOWNLOAD - Shadow of Intent Tour Poster | DOWNLOAD - The Chosen Tour Poster
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. mnrk.com
CANADIAN SINGER-SONGWRITER SHARES NEW SINGLE + VIDEO THE WAY I OUGHTA GO
TRACK PRODUCED BY JONATHAN WILSON
AND FEATURES BUCK MEEK ON GUITAR
ON TOUR THROUGH AUGUST AND SEPTEMBER
TORONTO, ON – August 4, 2022 – Ahead of a string of August and September tour dates, Calgary-born singer-songwriter/multi-instrumentalist, Bella White, has released her new single The Way I Oughta Go. Produced by Jonathan Wilson and featuring Buck Meek on guitar, the song exemplifies Bella’s ability to put her own stamp on traditional country and bluegrass tones, all the while showcasing her captivating and stunning voice. Listen to The Way I Oughta Go here and watch the video here.
Bella shares, “The Way I Oughta Go is a song about not being sure where you should land, when you should take off, or even knowing how. Writing while staring at the ceiling of my Nashville bedroom amidst the late summer heat, I felt stifled. I wrote a song about love and the lack thereof that I was experiencing -- where to find it, or if I even believed that it was out there after one profound disappointment on top of another. It’s a song about self, and moving around until you find your place in the world.”
This Saturday (August 6), Bella will kick off a short U.S. tour with a slot at this year’s Pickathon Festival in Happy Valley, OR. She plays there again the following day and then heads to the East Coast for a run of dates that commence August 18 in Washington, DC. All shows are listed below with more to be announced soon.
UPCOMING TOUR DATES:
August 6 - Pickathon Music Festival - Happy Valley, OR
August 7 - Pickathon Music Festival - Happy Valley, OR
August 18 - Hill Country BBQ - Washington, DC
August 19 - Rockwood Music Hall - New York, NY
August 20 - The Music Hall - Portsmouth, NH
August 21 - Green Mountain Bluegrass & Roots - Manchester, VT
September 1 - Terminal West - Atlanta, GA
September 2 - Music Farm, Charleston, SC
September 3 - Earl Scruggs Music Festival - Mill Spring, NC
September 4 - Cat’s Cradle - Carrboro, NC
September 16 - Americana Festival / Station Inn - Nashville, TN
DOWNLOAD – single artwork | DOWNLOAD – hi-res photo
ABOUT BELLA WHITE
Bella White made her mark on the scene with the release of her debut album, Just Like Leaving. The LP caught the attention of Rounder Records, which signed her last year. While traditional bluegrass originated in Appalachia, the genre has surely found a safe and loving Canadian home via her songwriting. The 22-year-old singer/songwriter and instrumentalist shys away from modern and fussy arrangements, and instead brings a traditional style of music into the contemporary moment by personalizing it to her own experiences. Bella has shown herself to be a star student of the bluegrass genre, with something new to bring to the table. Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting.
“Sublime Appalachian heartbreak.” – Rolling Stone
“White possesses an uncanny ability to capture the delicate nuances of heartache that’s often only mastered by veterans of the trade.” – Holler
“Just Like Leaving establishes White as a defining voice in the modern lineage of an heirloom musical tradition.” – American Songwriter
“On Just Like Leaving, we can feel White’s exquisite pain, her brimful sorrow, her tenacious joy in her lonesome, affecting vocals—which remind us, by turns, of Kitty Wells, Rhonda Vincent, and Donna Ulisse…White’s ingenious and playful lyrics fold into musical settings that capture the ragged ways we fall in and out of love.” – Folk Alley
“beautiful and hauntingly penned songs and absolute control of her own and each song’s voice and narrative…There is just such a timeless quality to the subtle play between pain and optimism in White’s voice.” – Red Line Roots
“Shimmering with emotional purity, Bella White’s vocals invite us into her heart as she shares her miseries and her joys; even more, her resoundingly clear tone resonates with a vulnerability so that we feel as if she’s singing every song directly to us.” – Folk Alley
“Just Like Leaving is simultaneously old and new, retrospective and prescient, and everything in between. It’s the past, present and future, in other words, but not just of and for bluegrass, but of and for American music writ large.” – Old Grey Cat
bellawhitemusic.com
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OFF LONG AWAITED SOLO DEBUT GOTHIC LUXURY OUT AUGUST 26 VIA LOMA VISTA RECORDINGS
SHARES COVER ART AND TRACKLIST, INCLUDING FEATURES WITH BUSTA RHYMES, DENZEL CURRY
BLACK THOUGHT AND MORE
AVAILABLE FOR PRE-ORDER ON CD/CASSETTE NOW
PLAYS SOLD OUT NEW YORK SHOW TONIGHT
Toronto, ON – August 3, 2022 – Freddie Gibbs and Montreal's own A-Trak join Meechy Darko on a new track released today. The hard driving song, On GOD, is found on his long awaited debut album, Gothic Luxury, out August 26th on Loma Vista Recordings. The track was co-produced by Jay Versace and Dot Da Genius and finds Darko trading verses with the legendary rapper Gibbs while Montreal's own A-Trak adds a sweeping cinematic energy to the beat. Listen to On GOD featuring Freddie Gibbs and A-Trak here and watch the video here.
Meechy Darko has also shared the cover art and tracklist for his long awaited debut Gothic Luxury. He has already released two other album tracks, Get Lit or Die Tryin', and Kill Us All (K.U.A.), and the remaining include features with Denzel Curry, Black Thought, Busta Rhymes, Kirk Knight, and VITA. The album, executive produced by Dot Da Genius and mixed by GRAMMY Award-winning Neal Pogue, will be released on August 26th via Loma Vista Recordings. Pre-save / pre-add Gothic Luxury now here. Gothic Luxury is available to pre-order now on CD/Cassette including limited edition deluxe t-shirt and gold chain box sets here.
For Meechy, who is one third of Brooklyn’s critically acclaimed hip hop group Flatbush Zombies, stepping out of his comfort zone to create this extremely personal debut was a fait accompli decided for him by external forces, after the killing of his father in early 2020 at the hands of the Miami police. Working with Dot Da Genius shook up his usual creative process resulting in an album that includes drawn-out piano intros and laid-back funk melding with dark mini-symphonies. There’s a through line of brutal honesty and catharsis that continues to find Meechy Darko among the rawest and most candid rappers in the game.
Meechy returns to his hometown of Brooklyn tonight for a sold out show at Baby’s All Right. This follows his electrifying set in front of another sold out crowd at LA’s Peppermint Club. Stay tuned for more tour dates.
TRACKLISTING
1. The Genesis
2. CURSED (feat. Kirk Knight & VITA)
3. Never Forgettin’
4. Kill Us All (K.U.A.)
5. LAVÏ$H HABiTS (Gothika)
6. Get Lit or Die Tryin’
7. On GOD (feat. Freddie Gibbs & A-Trak)
8. The MoMA (feat. Black Thought)
9. PRADA U
10. What If?
11. Hennessy & Halos
12. Lost Souls (feat. Denzel Curry & Busta Rhymes)
13. BLK Magic
DOWNLOAD - On GOD Art
DOWNLOAD - Press Photo by ZEITWEITZ
DOWNLOAD - Gothic Luxury Art
Follow Meechy Darko on TikTok
THE THIRD INSTALMENT OF THEIR EPIC
4-ALBUM AND 4-COMPANION FILM SERIES
I AM THE MOON: EPISODE III. THE FALL
OUT TODAY ON CD/DIGITAL
“Who even dares to do anything like this anymore?” – Rolling Stone
TORONTO, ON – July 29, 2022 - Tedeschi Trucks Band — the GRAMMY-winning 12-piece rock and soul group headed by Derek Trucks and Susan Tedeschi — has released I Am The Moon: Episode III. The Fall, the third record in their monumental 4-album/4-film project, I Am The Moon. (Earlier this week, fans once again tuned in for the premiere of The Fall's companion film via the band's YouTube Channel).
Inspired by the 12th century poem about lovers Layla and Majnun, The Fall continues I Am The Moon's portrait of passion and despair, with band members Susan Tedeschi, Mike Mattison and Gabe Dixon taking the lead on songwriting. It opens with "the vivid hurt and explicit challenge of Somehow, an easy-rolling groove that soon turns into full-blown soul power," explains noted music journalist, David Fricke, in his bio notes - with Tedeschi demanding "How many times will you walk away?/How many times is the price I pay too high?"
From there, the next chapter in this love-and madness story unfolds in American-music technicolor – from the hymn-like None Above, (written by Mattison and Tedeschi) to Tedeschi’s bluesy, determined Yes We Will, and Dixon’s Gravity, a New-Orleans/R&B-flavoured appraisal of love’s grip and pull (co-written with Oliver Wood). Mattison’s waltz-time ballad Emmaline offers a beautiful reflection on departed friends and loved ones (inspired in part by the loss of long-time keyboardist Kofi Burbridge, who passed away in 2019), before the slow-dance poignant plea of Take Me As I Am, the album’s closer.
Few groups are capable of the uniquely nuanced amalgamation of American music — jazz, blues, rock, soul, funk, roots, and psych that TTB integrate on a nightly basis and, on I Am The Moon, they take those studied forms and construct their own language out of it.
Excitement and anticipation around this project continues to build as each film and LP is released and the band unveil fresh performances of this new music on the road. Recognizing I Am the Moon’s unusual scope and depth, fans have validated the band’s ambitious strategy absorbing the new material with rapturous approval, giving each release a ‘can’t miss’ atmosphere. Live Music Daily recently noted: “Why do we love live music? For me, it is the journey that a band can take you on and the feeling that the audience is on that ride with the band, hand-in-hand. Riding the waves, hitting the peaks, enjoying the journey. To me, there is no better band to take the universal trip with than Tedeschi Trucks Band.” See full dates below.
I Am The Moon: I. Crescent — the highly-anticipated project’s first release — has been called “one of the strongest pieces of music they’ve ever done” by Rolling Stone, who go on to marvel at the album’s ambitious scope by asking, “Who even dares to do anything like this anymore?” A 4-star MOJO review praises Derek’s guitar playing on Pasaquan, Crescent’s instrumental climax, as “stinging, dexterous, raga-blues brilliance,” while AllMusic deems it “dazzling in concept and execution.”
On I Am The Moon: II. Ascension, “We hear TTB capturing in the studio what it does so well on stage, namely engaging every member of the 12-piece band in a beautifully conversational way," says Glide. The Arts Fuse adds: “As it slowly pulls back the curtain on the full reveal of, I Am The Moon, TTB is dispensing an astonishing amount of detail and design to consider and appreciate. The band is cultivating anticipation in a way that feels more genuine than gimmicky."
In this thrilling new and creative chapter for TTB, the four albums that comprise I Am The Moon — I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — feature staggered release dates over four successive months. In addition, each instalment of I Am The Moon is accompanied by its own album-length companion film that will debut three days prior to each audio release. The immersive films offer fans the chance to experience the music as the band intended, in an unbroken, communal setting. Full film and audio release dates below.
Last week, Derek Trucks sat down for a fascinating, far-reaching interview with Rick Beato for his highly popular YouTube show that delves into Derek’s one-of-kind guitar/audio technique, his deep-rooted jazz influences, and so much more. Watch here. Purchase/Pre-Order I Am The Moon here and watch the project trailer here. All vinyl configurations, including individual LPs and the 4-LP I Am The Moon Deluxe Box will be available on September 9, 2022. The TTB store has sold-out, please order EXCLUSIVELY through the Fantasy Records store.
For Tedeschi Trucks Band’ extensive 2022 tour dates, see below. For ticket information, please visit tedeschitrucksband.com.
TEDESCHI TRUCKS BAND - I AM THE MOON: ALBUM + FILM RELEASE DATES:
I Am The Moon: I. Crescent
Film Premiere: May 31st
Album Release: June 3rd
I Am The Moon: II. Ascension
Film Premiere: June 28th
Album Release: July 1st
I Am The Moon: III. The Fall
Film Premiere: July 26th
Album Release: July 29th
I Am The Moon: IV. Farewell
Film Premiere: August 23rd
Album Release: August 26th
I Am The Moon vinyl configurations: individual LPs + the 4-LP Deluxe Box available September 9, 2022.
Tedeschi Trucks Band Tour Dates:
July 29-30 / Morrison, CO / Red Rocks Amphitheatre
August 18 / San Diego, CA / Cal Coast Credit Union Amphitheater
August 19 / Los Angeles, CA / The Greek Theatre
August 20 / Berkeley, CA / The Greek Theatre
August 23 / Sacramento, CA / Sacramento Memorial Auditorium
August 24 / Eugene, OR / Cuthbert Amphitheater
August 26 / Auburn, WA / White River Amphitheater
August 27 / Bend, OR / Hayden Homes Amphitheater
August 28 / Reno, NV / Grand Sierra Resort & Casino
August 31 / Boise, ID / Outlaw Field at the Idaho Botanical Garden
September 1 / Bonner, MT / Kettlehouse Amphitheater
September 3 / Moorhead, MN / Bluestem Center for the Arts Amphitheater
September 29 – Oct 8 / New York, NY / Beacon Theatre
October 17 / Copenhagen, DK / Amager Bio
October 18 / Copenhagen, DK / Amager Bio
October 20 / Randers, DK / Vaerket
October 21 / Oslo, NO / Sentrum Scene
October 22 / Stockholm, SE / Annexet
October 25 / Berlin, DE / Verti Music Hall
October 26 / Hamburg, DE / Edel-optics.de Arena
October 27 / Prague, CZ / Forum Karlin
October 30 / Rotterdam, NL / RTM Stage
November 2 / Dublin, IE / The Helix
November 4 / London, UK / The London Palladium
November 5 / London, UK / The London Palladium
November 6 / London, UK / The London Palladium
November 9 / Manchester, UK / Manchester Academy
November 10 / Glasgow, UK / O2 Academy Glasgow
November 12 / Paris, FR / Le Trianon
November 13 / Paris, FR / Le Trianon
November 15 / Paris, FR / Bataclan
Tedeschi Trucks Band:
Susan Tedeschi: Guitar and Vocals
Derek Trucks: Guitar
Gabe Dixon: Keys and Vocals
Brandon Boone: Bass Guitar
Tyler Greenwell: Drums and Percussion
Isaac Eady: Drums and Percussion
Mike Mattison: Guitar and Vocals
Mark Rivers: Vocals
Alecia Chakour: Vocals
Kebbi Williams: Saxophone
Ephraim Owens: Trumpet
Elizabeth Lea: Trombone
DOWNLOAD - I Am The Moon album art
DOWNLOAD - The Fall album art | DOWNLOAD - press photo
Tedeschi Trucks Band TikTok: @tedeschitrucksband
LISTEN HERE
TORONTO, ON - July 29, 2022 - In the midst of a massive 2022, multi-platinum singer-songwriter, Bishop Briggs, reveals an explosive and energetic new single entitled Revolution today via Arista Records. Listen to Revolution here.
The track’s breathy verses give way to a rapid cadence on the bridge in lockstep with a military-style drum march. As the momentum reaches a breaking point, she screams, “Welcome to my revolution,” while guitar and 808s wail beneath her strong declaration. The vocals swing from what resembles a manic internal dialogue to a pure cathartic howl.
About the song, Bishop commented, “Revolution is the answer to my feverish desire to find strength wherever I can amidst this painful time. I have found it deeply healing to project power into my music even if I’m feeling powerless in my own life. My goal is for someone out there to hear this song and feel not only capable but invincible!”
Bishop kicked off this latest wave with the emotionally charged one-two punch of High Water and Art of Survival, which both garnered more than seven million combined streams, and she enraptured viewers with a stirring rendition of High Water on CBS’ The Late Late Show with James Corden. In case you missed it, watch it here.
Stay tuned for more as Bishop’s Revolution gets underway.
ABOUT BISHOP BRIGGS:
Bishop Briggs is known for emotional and cathartic songs that blur the boundaries between alternative, pop, and electronic. Born in London to Scottish parents, Bishop grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track Wild Horses reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads. She followed up with the 3x Canadian Platinum single, River, a searing and cathartic track that captured the attention of tastemakers and gatekeepers and rose to #3 on the Alternative chart with over 680 million global streams while Bishop’s videos have 524M overall views on YouTube and she has 1 million YouTube subscribers. After her critically acclaimed debut album Church of Scars, multiple sold-out tours, live performance slots opening for Coldplay, Kaleo, alt-J, and Bleachers, and with more music on the way, Bishop Briggs is set to have her most incredible year yet. It began with the double dose of emotion on the 2022 singles, High Water and Art of Survival. New single, REVOLUTION, only continues this momentum, living up to its name as Bishop ignites her most fearless, focused, and fiery era yet.
NEW TRACK PREVIEWS JUNE'S UPCOMING UNDER COVER EP OUT AUGUST 26 VIA FANTASY RECORDS
PERFORMING AT KASLO JAZZ FEST TODAY
AND VICTORIA, BC'S CAPITAL BALLROOM ON AUGUST 2
TORONTO, ON – July 29, 2022 – Today, acclaimed GRAMMY-nominated singer-songwriter and multi-instrumentalist, Valerie June, shared a stunning cover of Gillian Welch and David Rawling’s masterful character study, Look At Miss Ohio. Watch the visualizer here. The track is the second release ahead of June’s specially curated upcoming 8-track covers collection, Under Cover, available digitally and on CD + vinyl, August 26th, 2022, via Fantasy Records.
June’s version wrings every bit of emotion out of Welch’s mini epic, expanding on the original’s arrangement, adding dreamy pedal steel, soft drums, and her of course, her remarkable, Southern drawl. When she slowly intones the song’s unforgettable refrain: “She’s a running around with the rag top down / She says I wanna do right but not right now” you can practically see the steam rising off the asphalt -- a flawless match between cover song and artist."
Under Cover features extraordinary interpretations of songs by some of June’s favourite artists including previously unreleased versions of Frank Ocean’s Godspeed, Joe South’s Don’t It Make You Want To Go Home, Nick Cave & The Bad Seeds’ Into My Arms, and the aforementioned Look At Miss Ohio, by Gillian Welch. The EP also includes two tracks that appeared on June’s (digital only) The Moon and Stars: Prescriptions For Dreamers Deluxe Edition: John Lennon’s Imagine, and Nick Drake’s Pink Moon. Bob Dylan’s transcendent Tonight I’ll Be Staying Here with You, (previously available as an Amazon Original exclusive) and June’s captivating reading of Mazzy Star’s Fade Into You, released earlier this year, rounds out the set. Pre-Order Under Cover here.
As one of American music’s most admired sonic voyagers, June approaches these carefully chosen songs with equal parts reverence and child-like freedom. It’s her one-of-kind balance between modern and traditional influences that makes June a such special artistic force and these timeless songs her own.
Valerie June’s most recent full-length album, 2021’s acclaimed The Moon and Stars: Prescriptions for Dreamers, was one of last year’s most celebrated releases. Produced by June and Jack Splash, the album is “a psychedelic tour de force” that is “powerfully, elegantly subversive” (UNCUT) and “a stunning song cycle of redemption and reclamation” (Rolling Stone). June’s spellbinding vocals and infectious sense of wonder ground the record, and “her every quiver bespeaks emotional honesty” (New Yorker).
The follow-up to her 2013 breakthrough, Pushin’ Against A Stone, and the widely adored The Order of Time — a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists — The Moon and Stars: Prescriptions For Dreamers is a landmark work for the Memphis-born, Brooklyn-based auteur. The album’s Call Me A Fool, featuring Stax legend Carla Thomas, was nominated for Best American Roots Song at this year’s GRAMMY Awards, the first nomination of June’s illustrious career.
TRACKLIST
1.Pink Moon (Nick Drake)
2.Fade Into You (Mazzy Star)
3.Look At Miss Ohio (Gillian Welch)
4.Godspeed (Frank Ocean)
5.Imagine (John Lennon)
6.Don’t It Make You Want To Go Home (Joe South)
7.Tonight I’ll Be Staying Here With You (Bob Dylan)
8.Into My Arms (Nick Cave & The Bad Seeds)
TOUR DATES:
7/29 – Kaslo Jazz Fest – Kaslo, Canada
7/31 – Knitting Factory – Spokane, WA
8/2 – Capital Ballroom – Victoria, BC
8/3 – Alma Mater – Tacoma, WA
8/4 – Hult Center for the Performing Arts – Eugene, OR
8/5-8/7 – Pickathon – Happy Valley, OR
8/18-8/21 – Green Man 2022 – Crickhowell, UK
8/23 – Blues Kitchen – Manchester, UK
8/24 – Thekla – Bristol, UK
8/26 – All Points East Festival, London, UK
9/2 – George, WA – The Gorge Amphitheatre
9/10 – CT Folk Fest – New Haven, CT
9/16 – The Big Climate Thing – New York, NY
9/17 – XpoNential Music Festival – Camden, NJ
11/5 – Emelin Theatre Mamaroneck, Mamaroneck, NY – SOLO SHOW
11/8 – Musikfest Café – Bethlehem, PA – SOLO SHOW
11/9 – The State Theatre – State College, PA – SOLO SHOW
11/11 – Center for the Arts of Homer – Homer, NY – SOLO SHOW
11/12 – Universal Preservation Hall – Saratoga Springs, NY – SOLO SHOW
11/13 – Shalin Liu Performance Center – Rockport, MA – SOLO SHO
DOWNLOAD – Hi Res Press Photo | DOWNLOAD – Under Cover Art
Valerie June on TikTok
COILS VIDEO UNVEILED
Among other hustles, hitting the pavement and providing a cannabis delivery service was one of the main catalysts in SOMNURI’s infant stages and a DIY ethos was adopted early on. The grind it takes to survive in New York City seeps into their music and it’s hard not to hear elements of the city throughout: sludge, atmosphere, and at times brutal dissonance, layered with pounding and entrancing rhythms and low-end frequencies that make your guts rattle. SOMNURI’s sound weaves in and out of hauntingly infectious melodies and bludgeoning riffs and grooves that shift time and tempo often.
Comments the band of their MNRK Heavy signing, “SOMNURI is beyond stoked to be a part of the MNRK Heavy family. Joining the ranks of this roster is an absolute honor and we look forward to bringing our flavor of heavy to the mix.”
In celebration of their signing, the band is pleased to unveil their new single, Coils. The track seamlessly fuses rugged heaviness with epic and melodic instrumentals. Their groove-forward, bludgeoning riffs, and psychedelic atmosphere is in spirit with the likes of High On Fire, Mastodon, and Torche.
Notes the band, “The song Coils is about getting stuck in loops. It’s about repeating the same mistakes and searching deep within to overcome them.”
SOMNURI Live:
8/9/2022 Saint Vitus Bar - Brooklyn, NY w/ Crowbar, Spirit Adrift, Stabbed
8/26/2022 Tattoo The Earth Festival Pre-Party @ The Palladium - Worcester, MA w/ Unearth, Sworn Enemy, Boundaries, Hazing Over
About SOMNURI:
SOMNURI started when two multi-instrumentalists joined forces after sharing the stage and practice spaces in previous Brooklyn-based bands. Justin Sherrell (Guitar/Vocals) had guitar ideas he wanted to develop further and soon linked up with drummer, Phil SanGiacomo. The ability for both founding members to explore ideas on guitar, bass, drums and vocals continues to be the band’s lifeblood.
The band’s first and second LPs were very well-received with BrooklynVegan championing, “a familiar, nostalgic sound,” that, “SOMNURI genuinely breathe new life into.” With a willingness to venture into new sonic spaces of heavy music, SOMNURI’s upcoming full-length is in the works and due out in 2023 via MNRK Heavy. Further info will be unveiled in the coming months.
Justin Sherrell - guitar, vocals
Phil SanGiacomo - drums
Mike G - bass
DOWNLOAD - Press Photo
DELUXE VERSION OF BLACK RADIO III COMING THIS FALL
HEADLINING SOLD OUT BLUE NOTE FESTIVAL IN NAPA VALLEY THIS WEEKEND FEATURING SNOOP DOGG, CHAKA KHAN, ERYKAH BADU, BLACK STAR, MAXWELL, DINNER PARTY, THUNDERCAT, FLYING LOTUS, MADLIB & MORE
WITH GUEST HOST DAVE CHAPPELLE
RETURNING TO ICONIC BLUE NOTE RESIDENCY IN NYC THIS FALL AND CELEBRATING 10 YEAR ANNIVERSARY OF
GRAMMY WINNING ALBUM BLACK RADIO
TORONTO, ON – July 28, 2022 – Robert Glasper has left an indelible impression in music history and 2022 is already proving to be a highlight year in his career, looking forward today as the multi-GRAMMY and EMMY winning artist and producer teases “Robtober”. In addition to commemorating the 10 year anniversary of Glasper’s history-shaping album, Black Radio, Glasper celebrates the critically lauded release of his 2022 album, Black Radio III with the new track All Masks featuring Masego, out today and included in the deluxe album this fall! Listen here.
Speaking on the single, Glasper recalls: "The song is simple and speaks to the fact that because of COVID smiles were taken away. The very simple thing of looking at someone and smiling or smirking was gone. Who knew that at some point in the world smiles could be taken away. That's how so many relationships were started because of a smile or smirk. A simple smile was a gift that would brighten someone's day and would change someone's day and those small little gestures were wiped away because we all had to wear masks. So I wrote that in the height of when people were wearing masks."
Already celebrated with a Grammy win (2021 Best R&B Song for Better Than I Imagined, BRIII has earned early nods for of “Best of 2022 So Far” from Variety, OkayPlayer, and UPROXX. Glasper kicked off release month with a special MLK Day performance on The Tonight Show Starring Jimmy Fallon, performing a medley of In Tune and Black Superhero featuring Rapsody, DJ Jazzy Jeff, BJ The Chicago Kid and Amir Sulaiman and followed with an appearance on The Daily Show with Trevor Noah, with both a couch interview and performance of Heaven’s Here with Ant Clemons (the performance is nominated for an EMMY for Outstanding Technical Direction, Camerawork, Video Control For A Series). Features on the album range from Jennifer Hudson and Q-Tip to Killer Mike and Yebba. Glasper rounded out release month with an official partnership with Record Store Day and FAMS, the coalition of Black-owned independent US record stores, as an ambassador for A Day of Action. Glasper led a call to consciousness for consumers to support the less than 30 Black-owned independent record stores in the US. He has performed globally in 2022, with European festivals and US dates across the country, including participating in a Red Rocks performance with Erykah Badu in June.
Glasper also headlines the sold out three-day inaugural Blue Note Jazz Festival, an outdoor, multi-stage event at Charles Krug Winery in California’s Napa Valley, as their artist in residence with featured performances from Snoop Dogg, Chaka Khan, Erykah Badu, Maxwell, Black Star, Dinner Party, Madlib, Thundercat, Flying Lotus, Corinne Bailey Rae and more plus special guest host Dave Chappelle. The festival will host a Black Radio pop-up store where Glasper will be doing daily signings.
In addition to the fall deluxe release of Black Radio III, Glasper is gearing up for his world famous, record breaking “Robtober” October residency @ Blue Note in NYC. In 2018, Glasper became just the 4th musician to hold a month-long residency at Blue Note, joining a short list that includes jazz legends Dizzy Gillespie, Chick Corea and Chris Botti - in 2021, he performed an unprecedented 66 shows across 33 nights. The residency, highlighted in the New York Times, proclaims that Glasper is “probably the most prominent jazz musician of his generation” and is frequented by unannounced special guests such as Dave Chappelle, Kanye West, Chris Rock, Questlove, H.E.R., Anderson.Paak, Yasiin Bey, Common, Talib Kweli and Yebba.
All Masks is out now on Loma Vista Recordings - stay tuned for upcoming information on Black Radio III (Deluxe), 2022 Blue Note residency dates and more Robtober details to come!
DOWNLOAD - Hi Res Press Photo | DOWNLOAD - Black Radio III Artwork | DOWNLOAD - All Masks Artwork
ABOUT ROBERT GLASPER
Robert Glasper is a premiere example of musical aptitude and a proven champion of Black music - boasting nine Grammy nominations and four wins for Best R&B Album, Best R&B Song, Best Traditional R&B Performance, and Best Compilation Soundtrack for Visual Media, and an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins. The 43-year old Houston native has a rich history contributing his artistry across both music and film, all the while carrying a consistent cultural message. In 2012, Glasper delivered his album Black Radio that hit the scene as the first album in history to debut in the top 10 of 4 different genre charts simultaneously: Hip Hop R&B, Urban Contemporary, Jazz and Contemporary Jazz. The feat was then repeated by Black Radio 2. The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Kanye West, Jill Scott, and Erykah Badu.
TAKEN FROM FORTHCOMING ALBUM
AS ABOVE, SO BELOW LP OUT SEPTEMBER 9 VIA LOMA VISTA PRE-ORDER HERE
PERFORMING AT OSHEAGA IN MONTREAL ON JULY 30
SHOW AT PHILLIP'S BACKYARD WEEKENDER
IN VICTORIA, BC ON AUGUST 13
Toronto, ON – July 27, 2022 – ARIA-Award winning, Zambian-born Botswana-raised poet and rapper, Sampa The Great, today shares her newest single, Bona, taken from her impending sophomore full-length album, As Above, So Below, arriving on September 9 via Loma Vista Recordings. Listen to Bona and watch the video here.
Much like its recent predecessor Never Forge, Bona takes further influence from the music Sampa heard as a child, while raised in Botswana. Produced by Zambian royalty in Mag44, with co-production from Solomon Plate and Sampa herself (making this her first official producer credit), the track is influenced by Kwaito and Amapiano, fusing the genres into a hybrid hip hop blend. A slowly descending swipe of chimes opens the song with ethereal beauty, before a bouncing bassline tos-and-fros setting a fiery tempo. Sampa raps utop the frenetic pace, before a dynamic and majestic chorus of call and response unfolds. A self-defined moment of Southern African Swag, Sampa’s wide-reaching message of Bona to be yourself and not succumb to the intimidation of others, unveils more from the narrative of her forthcoming album, As Above, So Below.
Sampa says of Bona: "I haven’t yet shown the influence Botswana has had on me musically; this is the style, language and swag of Batswana youth. Bona is a chance for me to shine light on other elements of music that I was influenced by when growing up, outside of Zambian music. I want to bring a Southern African anthem to the mix and DJ desks, and show that there’s an array of music coming out of Africa, on top of Afrobeats."
After relocating home to Zambia during the pandemic, Sampa reconnected with a different side of herself - one closer to the younger artistry that was nourished growing up in Africa. From collaborations with South Africa-based creatives Rochelle Nembhard and Imraan Christian, to time spent recording with a long-established network of close friends and family, Sampa unlocks an age of authenticity, and debuts a 360 Sampa to the world. As Above, So Below unveils the many sides of Sampa, throughout a sophomore record that fuses the serious to the sensual. As Above translates as Sampa's outside self, while So Below is the Sampa within, together uniting to reveal the highest version of herself, without a mask, or role to play. Anchoring the record, is Eve: Sampa’s blueprint of her ideal self who manifests within As Above, So Below’s lyrics, and visually appears throughout the album’s forthcoming videos. Across 11 tracks, the record throws recognition to the music coming out of the African diaspora today, while honouring the stories of those who tread previously.
Sampa’s prior single, Never Forget featuring Chef 187, Tio Nason and Mwanjé has seen widespread coverage globally since its release, including gracing the cover of NME plus praise The Guardian, Harper’s Bazaar, Fader, Stereogum, DJ Mag, Acclaim, and feature positions across Rage and community radio Australia-wide. The track and its accompanying video joined As Above, So Below’s first single, Lane, featuring US rapper Denzel Curry. Together, both have ushered in a new era, showcasing Sampa’s first new music since 2019’s ARIA Award and Australian Music Prize winning debut album, The Return. Elsewhere this year, after the postponement of 2021’s inaugural and highly anticipated An Afro Future tour, Sampa delivered a spectacular run of rescheduled live performances across Sydney and Melbourne in May and June. The tour marked the first opportunity for fans to see Sampa in live format with her full band from Zambia, performing from The Return, alongside previewing new music to the energetic crowds.
2019 saw tremendous achievements for Sampa The Great, taking home Best Hip Hop Release for “Final Form” at the ARIA Awards, alongside multiple other wins at the J Awards, the Music Victoria Music Awards, while breaking industry records by winning the prestigious Australian Music Prize twice in her career. The Return received praise from the likes of The Guardian, NPR, Pitchfork, The FADER, Billboard, OkayAfrica and countless others. In 2020 the appraisals continued, with Sampa taking home three more ARIA Awards for The Return, securing four wins at the Music Victoria Awards, becoming the first solo artist and female musician to win Best Live Act at the National Live Music Awards, and BET Amplified’s first-ever global artist. As a highly applauded live performer, Sampa The Great performed for the first time at Coachella 2022, followed by an appearance at Primavera Sound, and a return to Glastonbury Festival.
Sampa will perform in Canada on Saturday (July 30), at Osheaga Music And Arts Festival in Montreal, QC, followed by a set at Phillip's Backyard Weekender in Victoria, BC on August 13.
Don’t miss unlocking the next side to Sampa The Great, as she reveals her connection to her young Southern African swagger via prodigious raps in Bona today, and ahead of her highly-anticipated album As Above, So Below landing in September.
AS ABOVE, SO BELOW TRACKLIST
1. Shadows
2. Lane feat. Denzel Curry
3. Never Forget feat. Chef 187, Tio Nason, Mwanjé
4. Mask on feat. Joey Bada$$
5. BONA
6. Can I Live feat. W.I.T.C.H
7. Imposter Syndrome feat. James Sakala
8. Tilibobo
9. Lo Rain feat. Mwanjé
10. IDGAF feat. Kojey Radical
11. Let Me Be Great feat Angélique Kidjo
WATCH HERE & LISTEN HERE
BUTCHER BROWN PRESENTS TRIPLE TREY FEATURING TENNISHU AND R4ND4ZZO BIGB4ND
DUE SEPTEMBER 16 VIA CONCORD JAZZ
PRE-ORDER/SAVE ALBUM HERE
TORONTO, ON – July 27, 2022 – Richmond-based five-piece collective, Butcher Brown, shares a new song, Unbelievable, from their forthcoming big band album. Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND is out September 16 via Concord Jazz.
The new track comprises a dynamic jazz reimagining of the Notorious B.I.G song of the same name and is accompanied by a rousing visual of the band performing the song live. Unbelievable follows the previously released single Liquid Light, which arrived alongside an animated video and standalone track BLACK MAN, featuring fellow Richmond rapper and songwriter, Michael Millions, which XXL included in their Best New Hip Hop Songs of the Week list.
Speaking on the new track, Marcus "Tennishu" Tenney shares: "This is one of my favorites from B.I.G.'s catalog. This record to me is an example of what makes rap music special. This beat by DJ Premier is one of the greatest beats of all time and the way that the lyrics lay inside of the sections of the beat made it lock into a classic as soon as I heard it.”
The new album was originally written and produced by the band's MC and multi- instrumentalist Tennishu as a hip hop album, but has since evolved into Butcher Brown's own eclectic ode to big band jazz, their first foray into this format. Butcher Brown Presents Triple Trey is both trail-blazing in its approach to classic jazz, bringing the band and the R4ND4ZZO BIGB4ND to lay down a collage of jazz suites for a hip-hop album, and simultaneously mashing together elements of the soul, funk, and rock influences that has formed the band's musical identity.
The band are fresh off a collaborative set with Pink Siifu at Pitchfork Music Festival in Chicago earlier this month, and will be playing the sold out Blue Note Jazz Festival in Napa Valley this weekend and Afropunk Fest in Brooklyn in September. Vinyl of the new project will be available on November 11th in standard black and “Opaque Blue” as a limited pressing of 2000 for Indie Retail. The 12” Vinyl includes a 7” with two bonus tracks, Guitarmy and Peace. The album's cover art was created by famed designer Lou Beach (designer of Weather Report's 1977 classic, Heavy Weather and Butcher Brown's most recent album #KingButch).
The new project marks Butcher Brown's first body of work since they graced NPR's Tiny Desk (At Home) series with a performance straight from a Richmond rooftop last year, and collaborated with Alex Isley on a cover of Patrice Rushen's Remind Me. Following a tour run supporting Kamasi Washington in 2019, Butcher Brown released their eighth album #KingButch in 2020, which features the stand-out track Tidal Wave, and received praise from the likes of Bandcamp, OkayPlayer and NPR, which described the album as "a great marriage of hip-hop and jazz."
Check out Unbelievable here and pre-save Butcher Brown Presents Triple Trey here. Learn more about Butcher Brown below and stay tuned for more new music coming soon.
Upcoming Live Dates:
7/30 - Napa, CA @ Blue Note Jazz Festival
8/5 - Martinsville, VA @ The Big What at Pop's Farm
8/6 - Fayetteville, GA @ Mad South Jazz Fest at City Center Park
8/27 - Richmond, VA @ Crab Festival at Brown's Island
9/11 - Brooklyn, NY @ Afropunk Fest
9/24 - Monterey, CA @ Monterey Jazz Festival
10/30 - Live Oak, FL @ Suwannee Hulaween
2/3/2023 - Miami, FL @ Jam Cruise 19 at MSC Divina
DOWNLOAD Press Photo | DOWNLOAD Album Art
More about Butcher Brown:
“We get daps from the jazz cats, the rap scene, the indie scene, and everyone else,” says drummer Corey Fonville. Every Butcher Brown album, show, and improvisational leap therein stems from the synergy, vision, and inexhaustible musical curiosity of him and his bandmates: producer/multi-instrumentalist DJ Harrison; bassist/composer Andrew Randazzo; trumpeter/saxophonist/MC Marcus “Tennishu” Tenney; and guitarist Morgan Burrs.
The band’s latest album, Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND, deconstructs big band jazz and reshapes it in the band’s eclectic image. With all due respect to Count Basie, the album sounds nothing like your grandparents’ 45s. Randazzo adapted Tennishu’s rap beats for Butcher Brown and 10 other Richmond musicians, turning them into bold and blaring suites for Tennishu to bless with his smooth baritone. Tennishu finds new pockets of rhyme between resonant brass, smacking percussion, warm guitar, funky bass, and more. Amidst party-starting originals, the ensemble delivers a reverent yet inventive Notorious B.I.G. cover that will move crowds in every New York borough. Think of Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND as an alternate score to Baz Lurhman’s Great Gatsby adaptation, a brilliant blend of contemporary genre-smashing injected into the past.
The band’s past begins in Richmond, where several members attended VCU’s jazz program, and everyone mixed in the city’s vibrant music scene. Between classes and performances at local clubs, all congregated at Harrison’s home studio: Jellowstone. Jam sessions bled into blunt-passing smoke sessions soundtracked by beat tapes from renowned Richmond producer Ohbliv, D’Angelo’s sensual, funky and forward-thinking neo-soul, and saxophonist Joe Henderson’s, Power to the People. All culminated in Butcher Brown’s 2014 debut, All Purpose Music, a 76-minute jazz-driven odyssey into every genre at the band’s disposal.
That spark fueled a beat tape (Grown Folk, 2015), southern-inflected soul and rock excursions (The Healer, 2015 and Virginia Noir, 2016), a raucous live album (Live at Vagabond, 2017), jazz-funk fusion (Camden Session, 2018), and an Afrobeat tribute (Afrokuti, 2018). After tours with Galactic, Lettuce, and jazz giant Kamasi Washington, Butcher Brown turned a corner with their Concord Jazz debut, 2020’s #KingButch. They recorded at Jellowstone and abandoned worries about creating songs that would be easily replicable live, blurring the lines between soul-jazz and boom-bap, eliminating the divide between P-funk and modern funk, and transforming rap-meets-bossa nova amalgams into kaleidoscopic psychedelia. With Tennishu rapping, the band was in new territory and closer to their roots than ever. Their catalog-spanning NPR Tiny Desk Concert, crowd- packing European tour, and inspired, Alex Isley-assisted cover of Patrice Rushen’s Remind Me in 2021 proved their range remained limitless, unbound by genre and time.
Describing the group's journey for this project, bassist Andrew Randazzo says, “Over the years, everything about this band has become more refined and mature — from the playing and producing to recording — but the soul was there from the beginning... We already had the spark.”
Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND continues the band’s backward-gazing leap into the future. Following their appearance at 2022’s Blue Note Jazz Festival in Napa, they have planned collaborations with critically- acclaimed rappers and other artists. For now, look for Butcher Brown to bring the big band, the spirit of Jellowstone, and their latest iteration of solar music to the world.
US HEADLINING TOUR UNDER WAY
“The Chosen sounds huge and definitive.” – Blabbermouth
“…the most memorable ENTERPRISE EARTH release to date…” - New Transcendence
“The Chosen is ENTERPRISE EARTH’s most-everything record to date: it’s the heaviest, the most vicious, the most technical, and, not for nothing, the catchiest offering in the band’s already-impressive repertoire, and it’s already destined to be one of 2022’s must-hear metal releases.” – MetalSucks
“The title track unleashes some absolutely beautiful soloing and breathtaking vocal harmonies. That sounds weird for this genre, especially for those of us over 40. But ENTERPRISE EARTH makes it work.” - Metal Injection
“...the Washington quartet have rather significantly developed their sound and style that has made them take one more step towards asserting their rightful place amongst death metal royalty. The genre has always been about breaking the norm, creating something that will pummel everything in its path, and The Chosen has done that.”
- Distorted Sound
TORONTO, ON – July 26, 2022 - Progressive deathcore behemoths, ENTERPRISE EARTH, today unveil their brand new video for You Couldn’t Save Me. The punishing track comes off the band’s The Chosen full-length, released early this year via MNRK Heavy. The accompanying video fully encapsulates the band’s unrelenting onstage dominance.
“If we could capture the live energy from one song off of The Chosen it would easily be ‘You Couldn’t Save Me,’"comments guitarist Gabe Mangold. “This song is a blast to perform and always gets the crowd energy way up, especially at the end. Filmed on our winter 2022 US tour, Nick Chance captured some of the best 'YCSM' moments and compiled them into one live video. Enjoy!”
View and share ENTERPRISE EARTH’s You Couldn’t Save Me here. Watch the band’s previously released video for Psalm Of Agony, featuring recently recruited singer, Travis Worland (Aethere, Bite//Down, The Willow), here.
ENTERPRISE EARTH’s You Couldn’t Save Me video fittingly drops during their US headlining tour which commenced last week. The Chosen Tour runs through August 20th in Salt Lake City, Utah with support from Within Destruction, Sentinels, and labelmates Great American Ghost. See all confirmed dates below.
The Chosen is available on CD, LP, cassette, and digitally. Find ordering options here. View the band’s previously released videos for Where Dreams Are Broken, Reanimate // Disintegrate, Legends Never Die, and a variety of visualizers and playthroughs from The Chosen at the ENTERPRISE EARTH YouTube channel here.
ENTERPRISE EARTH
w/ Within Destruction, Sentinels, Great American Ghost
7/26/2022 Chain Reaction – Anaheim, CA
7/27/2022 Nile Theater – Mesa, AZ
7/28/2022 Rockhouse – El Paso, TX
7/29/2022 Club Dada – Dallas, TX
7/30/2022 Come & Take It Live – Austin, TX
7/31/2022 The Secret Group – Houston, TX
8/02/2022 The Brass Mug – Tampa, FL
8/03/2022 Respectables – West Palm, FL
8/04/2022 The Haven – Orlando, FL
8/05/2022 Masquerade – Atlanta, GA
8/06/2022 Neighborhood Theater – Charlotte, NC
8/07/2022 The End – Nashville, TN
8/09/2022 Planet Trog – Allentown, PA
8/10/2022 Webster Underground – Hartford, CT
8/11/2022 Knitting Factory – Brooklyn, NY
8/12/2022 The Outpost – Kent, OH
8/13/2022 The Sanctuary – Detroit, MI
8/14/2022 WC Social Club – Chicago, IL
8/16/2022 Emerson Theater – Indianapolis, IN
8/17/2022 Skylark – Rock Island, IL
8/18/2022 The Marquee – Sioux City, IA
8/19/2022 HQ – Denver, CO
8/20/2022 Kilby Court – Salt Lake City, UT
DOWNLOAD - Psalm of Agony Art
DOWNLOAD - Hi Res Album Art | DOWNLOAD - Press Photo
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com
LATEST SINGLE DIDN’T CARE FOLLOWS YESTERDAY’S SURPRISE PERFORMANCE OF ENTIRE RECORD AT NEWPORT FOLK FESTIVAL
LISTEN TO DIDN’T CARE HERE
EXPERIENCE NO RULES SANDY AT PIONEER WORKS ON JULY 27 AND GOLD DIGGERS ON AUGUST 4
PLUS MAJOR SUMMER/FALL TOUR DATES WITH ODESZA INCLUDING STOPS IN TORONTO, MONTREAL AND VANCOUVER
TORONTO, ON – July 25, 2022 – On August 12, Sylvan Esso will release their most fearless and frenetic, intimate and enigmatic album to date: No Rules Sandy. After surprising the audience of Newport Folk Festival yesterday, with a live performance of the project in its entirety, Amelia Meath and Nick Sanborn have marked the official launch and full embrace of their next, unpredictable chapter. Defined by a mentality of directness and disregard for preconceptions, Meath says that No Rules Sandy “feels like who we actually are. It just feels like us. We’re not trying to fit into the mold, just happily being our freak selves.”
“I think that the ultimate effect of our last record and the pandemic has been the feeling of like, ‘Fuck that, I know what I want,’” adds Sanborn. “And it's now, or never. So let's get out there and do it.”
Listen to new single Didn’t Care, out now via Loma Vista Recordings, and watch the visual here. Pre-order No Rules Sandy here.
Tracing the emotional journey from a humble meeting to life-changing love, Didn’t Care builds on recent singles Sunburn and Your Reality. Like much of No Rules Sandy, the song leaps from the framework of pop music into a wilder unknown, full of the loose, live-wire energy that inspired the album’s unforeseen creation.
Sylvan Esso had never been a band who could make a record on short-term writing jags, let alone the best of their career. But at the beginning of 2022, they drove from their home of Durham, NC to Los Angeles, CA, where they set up a makeshift studio in a small rental house and wrote a song. Then another, and another, until a full record took shape and they found themselves impressing each other like never before.
Describing their first three albums as a trilogy that is now complete – following multiple GRAMMY nominations and countless other crowning milestones – No Rules Sandy marks the beginning of a new era that is stranger and more cathartic than Meath and Sanborn have ever been. Produced and written by Sylvan Esso, with additional recording taking place at their own Betty’s studio in Chapel Hill, NC, No Rules Sandy coalesces as an unbroken ribbon of sound, featuring drummer, TJ Maiani, on Your Reality and Alarm; a string arrangement from Gabriel Kahane on Your Reality; and saxophone by Sam Gendel on How Did You Know and Coming Back to You, the LP’s haunting, acoustic closer that’s unlike any song in the Sylvan Esso catalog. From the glitchy Moving to the delicate Coming Back to You, to all the ecstatic, inspiring pieces in between, No Rules Sandy’s most private moments come as interstitial diary entries, filling the spaces between tracks with voicemails from loved ones, birdsong from outside Betty’s, children and other life sounds.
At a pair of free DJ Nights at Brooklyn’s Pioneer Works on July 27, and Los Angeles’ Gold Diggers on August 4, Sylvan Esso will present an early experience of No Rules Sandy in its full, seamless completion. Then the band will head out to play more than 30 of their biggest shows yet, joining ODESZA on a national tour of amphitheaters throughout the summer and fall, which arrive after Meath and Sanborn have headlined multiple festivals, hosted a sold-out residency at their hometown’s Historic Durham Athletic Park, appeared on Ellen and Jimmy Kimmel Live!, taped an episode of Austin City Limits, expanded their own Psychic Hotline record label and Betty’s studio, launched additional duos such as The A’s and GRRL x Made of Oak, and more in this prolific year alone. Find the full list of dates here.
NO RULES SANDY TRACKLIST:
1. Moving
2. Look at Me
3. (Bad Fills)
4. Echo Party
5. How Did You Know
6. (Betty's, May 4, 2022)
7. Didn't Care
8. (Vegas // Dad)
9. Your Reality
10. (#1vm)
11. Cloud Walker
12. Sunburn
13. (?)
14. Alarm
15. (No Rules Sandy)
16. Coming Back to You
SYLVAN ESSO 2022 TOUR DATES:
7/27 - Brooklyn, NY - Pioneer Works^ SOLD OUT
7/29 - Seattle, WA - Climate Pledge Arena* SOLD OUT
7/30 - Seattle, WA - Climate Pledge Arena* SOLD OUT
7/31 - Seattle, WA - Climate Pledge Arena* SOLD OUT
8/4 - Los Angeles, CA - Gold Diggers^ SOLD OUT
8/17 - Phoenix, AZ - Ak-Chin Pavilion*
8/19 - Austin, TX - Germania Insurance Amphitheater* SOLD OUT
8/20 - Dallas, TX - Dos Equis Pavilion* SOLD OUT
8/21 - Dallas, TX - Dos Equis Pavilion*
8/23 - Atlanta, GA - Lakewood Amphitheatre* SOLD OUT
8/25 - Columbia, MD - Merriweather Post Pavilion* SOLD OUT
8/26 - Forest Hills, NY - Forest Hills Stadium* SOLD OUT
8/27 - Forest Hills, NY - Forest Hills Stadium* SOLD OUT
8/30 - Philadelphia, PA - TD Pavilion at The Mann* SOLD OUT
9/1 - Toronto, ON - Budweiser Stage*
9/2 - Montreal, QC - Parc Jean-Drapeau*
9/3 - Gilford, NH - Bank of New Hampshire Pavilion* SOLD OUT
9/4 - Boston, MA - Xfinity Center*
9/7 - Cincinnati, OH - The ICON Festival Stage at Smale Park*
SOLD OUT
9/8 - Detroit, MI - Pine Knob Music Theatre* SOLD OUT
9/9 - Chicago, IL - Huntington Bank Pavilion* SOLD OUT
9/10 - Chicago, IL - Huntington Bank Pavilion* SOLD OUT
9/14 - St. Louis, MO - Hollywood Casino Amphitheatre*
9/16 - Denver, CO - Fiddler's Green Amphitheatre* SOLD OUT
9/17 - Denver, CO - Fiddler's Green Amphitheatre* SOLD OUT
9/18 - Las Vegas, NV - Life is Beautiful Festival
9/20 - Salt Lake City, UT - USANA Amphitheatre*
9/22 - Ridgefield, WA - RV Inn Style Resorts Amphitheater*
9/23 - Vancouver, BC - PNE Amphitheatre* SOLD OUT
9/24 - Vancouver, BC - PNE Amphitheatre* SOLD OUT
9/26 - Bend, OR - Hayden Homes Amphitheater* SOLD OUT
9/27 - Boise, ID - Fort Idaho Center Amphitheater*
9/29 - Sacramento, CA - Heart Health Park*
9/30 - San Francisco, CA - Shoreline Amphitheatre* SOLD OUT
10/1 - San Francisco, CA - Shoreline Amphitheatre* SOLD OUT
10/27-30 - Live Oak, FL - Suwannee Hulaween
^DJ Set w/ GRRL x Made of Oak
*w/ ODESZA
SONG FEATURED ON NEW ALBUM TARA RARA
WATCH BRUNO'S CAPTIVATING STAGE PRESENCE
WITH LIVE RENDITION OF MEU PRETO
Toronto, ON – July 22, 2022 – Audiences in Canada and abroad have been enjoying Tara Rara, the long-awaited album of internationally acclaimed dynamic Toronto-based singer-songwriter, Bruno Capinan (Broo-noh Cap-ee-nan, they/them). Released on May 13 (distributed via Lulaworld Records, Tara Rara (Portuguese for 'Rare Desire') is a full circle, spiritual collection of songs, resonant with sonic elements embedded with Bruno's Brazilian heritage. Today, Bruno shares a stunning video for standout track, Mafuá, filmed in Praia, Cabo Verde, with many scenes filmed during Bruno Capinan's performances at Atlantic Music Expo in June 2022. Watch Mafuá here.
The video for Mafuá shows Bruno revelling in their recent travels to Cabo Verde with highlights of standout concerts amongst captivated audiences. Candid scenes filmed with camcorder-style aesthetic deliver cinematic magic and a nostalgia that mirrors the song's essence. It was produced by Kristyn Gelfand and Bruno Capinan, filmed and directed by Paul Schoendoerffer alongside assistant director, Amanda Gutiérrez Gomes. Featured musicians include Bruno's frequent collaborators, João Leão and Rudy Ray, and Vivian Kuczynski, a producer on the album.
Mafuá was written by Bruno Capinan & Luisão Pereira, and captures the essence of a beach party and seaside celebrations amongst family and friends. A narrative of summer, the song echoes these sentiment as Bruno sings, "Vai ter um mafuá/ Venha pode chegar/ Seja o que Deus quiser," translating to "There’ll be a bash / Come by/ You can show up It’s in God’s hands." Read the lyrics for Mafuá here. Listen to the track and the rest of Tara Rara via all streaming platforms and Bandcamp.
Tara Rara was named one of Exclaim!'s Can't-Miss Albums To Discover in June 2022, "brimming with yearning (via Capinan's smoky, seductive vocals) and celebration (heard in the many layers of upbeat instrumentation), using memory and nostalgia as the catalyst for imagining a better future and knowing you deserve it," with praise from V13 who proclaim, "as a non-binary individual, Capinan goes to great lengths to ensure that gender and racial justice are in prime focus throughout Tara Rara."
In France, RFI praised, "Sparkling crown, elegant suit, extravagant shoes, Bruno Capinan could be the character of a science fiction film shot in another galaxy, but above all he is a sacred voice." Marianne adds "Voice of an angel, extravagant pageantry, he claims tropicalism as a musical influence but also James Baldwin, Nina Simone and Albert Camus for the political part."
On the air, Tara Rara has received love from CBC Music's Big City Small World, Frequencies, and q, where Bruno recently shared the album process in-depth with host, Tom Power. Bruno also spoke with CJRU 1280 am program and podcast, The Cool Table, and SoundMojo's Innersleeve podcast to expand further.
For a preview of Bruno's live show, check out their stunning performance for album highlight, Meu Preto. The song is a sombre, yet romantic, ode about two Black lovers delivered with lingering prose. Watch Bruno's captivating performance here, and read the lyrics (with English translation) here. Meu Preto follows the stunning visual for Qualquer Lugar, filmed in Brazil. Watch the video here, and read the lyrics for Qualquer Lugar, in English and Portuguese, here.
More About Tara Rara
Tara Rara encompasses Bruno’s deep exploration of some of their two greatest influences; Afro-Sambas and reinterpretations of Bossa Nova. While all tracks are performed in Portuguese, they are accompanied by lush arrangements made for dancing and movement. Tara Rara is a mix of vocal layers, percussive Brazilian instruments, acoustic guitar, synthesizers, programming, and a string orchestra composed of four violins, two cellos and one viola, as well as trombone, trumpet, French horn, flutes and sax.
As a non-binary person, Bruno ensured gender and racial justice was in focus when cultivating the stellar personnel lineup for Tara Rara. The album highlights an orchestra of seven string musicians, 90% BIPOC and LGBTQI+, an elder percussionist, and musicians from different cultural backgrounds.
Working with acclaimed Ukrainian-Brazilian producer and songwriter, 17-year-old, Vivian Kuczynski (Pabllo Vittar, SCALENE, Alice Caymmi) the album was recorded from July 2021 until December 2021, primarily in Toronto (at Union Sound Company), with additional recordings in Rio de Janeiro, São Paulo, Bahia and Melbourne. Vocals were recorded in Bahia overlooking the ocean, and brass in Melbourne, Australia. Bruno worked with guitarist Bem Gil (son of Brazilian singer Gilberto Gil), percussionist Marcelo Costa, a string orchestra from Toronto, arranger Graham Campbell, and others.
Learn more about Bruno's stellar career to date below and stay tuned for more.
DOWNLOAD - Tara Rara Album Cover (by Daryan Dornelles)
DOWNLOAD - Press Photos (by RONCCA)
About Bruno Capinan
A fierce performer, Bruno’s approach to music making is rooted in the Brazilian tropicalia influence, which is to embrace all the vast possibilities of sound. Their music blends traditional Brazilian sounds, also known as MPB, with other global influences, and features Portuguese lyrics that are both personal and sensitive.
They gained international recognition with the album Divina Graça (2016), including reviews in French newspaper Libération, as well as Brazil’s largest publications, O Globo, Folha de São Paulo, and Rolling Stone Brazil. Bruno has collaborated with artists around the globe, including Japanese composer Jun Miyake.
Most recently, the artist released Tara Rara, recorded between Canada, Australia and Brazil. Bruno Capinan has received two nominations to the prestigious APCA (São Paulo Association of Art Critics). In June of 2022, they performed at Atlantic Music Expo in Cape Verde.
About Lulaworld Records
Bridging the contemporary and the traditional, Lulaworld Records brings the Latin, Brazilian and global roots sounds of the most diverse city in the world to music adventurers around the globe.
Having grown out of the vibrant live music scene at the Toronto venue Lula Lounge and the associated Lulaworld Festival, the label's debut release by Mexican Canadian singer songwriter Quique Escamilla won the 2015 JUNO Award in the world music category and the Canadian Folk Music award. Subsequent releases by OKAN have also earned Independent Music Awards and JUNO wins and nominations.
With a focus on salsa, tropical and Latin jazz, the label is now expanding its scope to include artists from beyond Toronto, including Brazilian, spoken word and Indigenous artists.
Like the venue that inspired its creation, the Lulaworld Records has a musical range that spans Mexican reggae, Cuban jazz folk fusion, New Orleans inspired funk, classic Tumbao and electro samba. Stay tuned for single, albums and compilation releases coming soon. www.lulawordrecords.ca
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“A dreamy 14-track album of covers, including a track featuring Wilson himself.” – VULTURE
“They have recorded a sublime covers album, Melt Away, which dives deep into Wilson’s back catalogue, drawing on tracks from across his storied career.” – The Sun
“[She & Him’s music] is restorative, an escape, and a language altogether. It’s the fabric of their creative fates. And it’s paid off more than they could have asked over the past 15-plus years.” – American Songwriter
TORONTO, ON – July 22, 2022 – Zooey Deschanel (She) & M. Ward (Him)’s highly-anticipated new album, Melt Away: A Tribute to Brian Wilson is out now via Fantasy Records. Listen to the record here and watch the official video for Darlin’ here.
She & Him’s seventh studio album is a loving, LP-length tribute to one of the greatest living American songwriters and singers, Brian Wilson. Melt Away: A Tribute to Brian Wilson finds Zooey Deschanel and M. Ward diving deep into the legendary artist’s extensive songbook, offering fascinating and delectable new spins on time-honoured classics and overlooked gems alike. These fourteen covers are infused with the familiar magic that She & Him fans know and love, opening a new window into Wilson’s iconic catalog. Wilson even features on a song with Zooey and M. Ward for the album: Do It Again. The band have enjoyed a friendship, and mutual appreciation with Wilson over the years and She & Him was previously a guest vocalist on his 2015 album, No Pier Pressure.
“In the spring of 2020, we started a list of our favorite Brian songs — a very long list,” the duo explains. “We chose songs without any regard to their chart performance. The obscure ones hit us just as hard as the more popular songs — and all are ripe for re-imagining, re-interpreting, and re-inventing. Brian writes songs of beauty and loneliness and vulnerability better than anyone — and by sequencing them next to popular songs of confidence and love and fun, it creates a more complete picture of life on earth.”
Brian Wilson comments on Melt Away: “Zooey and Matt did such mind-blowing versions of our songs. The harmonies are beautiful and right on. I love this record!”
LONG-AWAITED EIGHTH STUDIO ALBUM ARRIVES
EVERYWHERE TODAY VIA ROUNDER RECORDS
HISTORIC AND RECORD-BREAKING LIVE PERFORMANCE OF
SOMEONE ELSE’S CAFÉ / DOOMSCROLLER TRIES TO RELAX
ON CBS SATURDAY MORNING AIRS TOMORROW
LIVE PERFORMANCE OF ENTIRE ALBUM
FROM EASTWEST STUDIOS STREAMING NOW – WATCH HERE
UPCOMING LIVE SCHEDULE INCLUDES
HEADLINE DATES, FESTIVAL PERFORMANCES,
SUMMER RUN WITH THE HEAD AND THE HEART,
AND CO-HEADLINE COLLABORATIVE TOUR WITH BAHAMAS
“Dawes have created something which wrestles with contemporary themes in an eloquent and thoughtful matter…Taylor Goldsmith’s vocals are the most nuanced they have ever sounded, perfectly equipped to take on the task of handling the big lyrical themes of the album.” – LOUDER THAN WAR
“The album leaves no doubt that these four Angelenos can play their instruments. Doomscroller’s seven tracks—six of which are at least five and a half minutes long — give the band plenty of room for key changes, tempo changes, slick solos and grooves as smooth as top-shelf scotch.” – RIFF MAGAZINE
TORONTO, ON – July 22, 2022 – Acclaimed Los Angeles-based rockers, Dawes, have announced today’s long-awaited arrival of their eighth studio album, MISADVENTURES OF DOOMSCROLLER, available everywhere now via Rounder Records.
This weekend will see Dawes marking the arrival of MISADVENTURES OF DOOMSCROLLER with a historic and record-breaking performance of Someone Else’s Café / Doomscroller Tries to Relax on CBS Saturday Morning – at 10 minutes and five seconds, the longest live performance of a single song in US TV history. CBS Saturday Morning airs tomorrow morning (Saturday, July 23).
Produced by longtime collaborator, Jonathan Wilson (Billy Strings, Father John Misty, Angel Olsen), MISADVENTURES OF DOOMSCROLLER represents an adventurous new turn for Dawes, evincing a more ambitious, exploratory approach towards recording than ever before. The album includes such recently released singles as Ghost In The Machine, Everything Is Permanent, Comes In Waves, and the epic opening track, Someone Else’s Café / Doomscroller Tries to Relax, all available now at all DSPs and streaming services. Official performance videos – directed by Caitlin Gerard at Hollywood, CA’s historic EastWest Studios – are streaming now via YouTube. The live performance of the entire album filmed at EastWest, which was available exclusively for the first weekend when the album was initially announced, is back online and streaming now.
In addition, a number of exclusive bundles – including Limited Edition Preferred Pink Vinyl w/Optional Exclusive 11x11 Signed Band Photo, Turntable Slipmat, Black Hoodie, White Pocket T, and Socks – are available now at the official Dawes webstore.
Dawes will further celebrate MISADVENTURES OF DOOMSCROLLER with a non-stop live schedule including headline shows, festival performances, a summer run with The Head and The Heart, and a very special co-headline tour with Bahamas. An Evening with Dawes and Bahamas will see both acts performing together for two unique live sets, with Dawes backing Bahamas and Bahamas then joining Dawes for an unprecedented collaborative performance. The tour begins September 7 at Knoxville, TN’s Bijou Theatre and then travels the U.S. through the month. Other highlights include a very special solo performance by Dawes frontman Taylor Goldsmith at this weekend’s Newport Folk Festival in Newport, RI (Sunday, July 24) as well as a once-in-a-lifetime Tom Petty Dreamset at Indianapolis, IN’s All In Music & Arts Festival, led by Dawes and featuring a surprise lineup of special guests (Sunday, September 4). The band will later head to Toronto for a show at The Phoenix on September 16. For complete details and ticket availability, please visit dawestheband.com/tour.
UPCOMING TOUR DATES:
July 24 – Newport, RI – Newport Folk Festival (Taylor Goldsmith Solo Performance) *
July 29 – Yuzawa, JP – Fuji Rock Festival *
August 1 – Austin, TX – ACL Live at The Moody Theater ^
August 2 – Austin, TX – ACL Live at The Moody Theater ^ (SOLD OUT)
August 4 – Houston, TX – Lawn at White Oak ^
August 5 – Dallas, TX – The Pavilion at Toyota Music Factory ^
August 6 – Oklahoma City, OK – The Criterion ^
August 7 – Arvada, CO – Arvada Center for the Arts
August 8 – Salt Lake City, UT – Red Butte Garden Amphitheatre ^
August 9 – Boise, ID – Outlaw Field at the Idaho Botanical Garden ^
August 11 – Missoula, MT – KettleHouse Amphitheater ^
August 12 – Seattle, WA – Marymoor Park ^ (SOLD OUT)
August 13 – Seattle, WA – Marymoor Park ^
August 16 – Portland, OR – McMenamins Edgefield Amphitheater ^
August 18 – Santa Barbara, CA – Santa Barbara Bowl ^
August 19 – Berkeley, CA – Greek Theatre ^
August 20 – Los Angeles, CA – Greek Theatre ^
August 22 – San Diego, CA – Humphreys Concerts By The Bay ^ (SOLD OUT)
August 23 – San Diego, CA – Humphreys Concerts By The Bay ^
August 27 – Tisbury, MA – Beach Road Weekend *
August 28 – Bridgeview, IL – Sacred Rose *
August 28 – Chicago, IL – Chop Shop (Sacred Rose After Party)
September 4 – Indianapolis, IN – All In Music & Arts Festival *
September 7 – Knoxville, TN – Bijou Theatre #
September 8 – Richmond, VA – Brown's Island #
September 9 – Winston-Salem, NC – Gears and Guitars #
September 10 – Charleston, SC – The Windjammer #
September 11 – Wilmington, NC – Greenfield Lake Amphitheater #
September 13 – Baltimore, MD – Soundstage #
September 14 – Patchogue, NY – Patchogue Theatre for the Performing Arts #
September 16 – Toronto, ON - Phoenix Concert Theatre
September 17 – Hammondsport, NY – Point of the Bluff Vineyards #
September 18 – Columbus, OH – Athenaeum Theatre #
September 19 – Iowa City, IA – Englert Civic Theatre #
September 21 – Bloomington, IL – Castle Theatre #
September 22 – Lexington, KY – The Burl Outdoors #
September 23 – Memphis, TN – Overton Park Shell #
September 24 – Franklin, TN – Pilgrimage Music & Cultural Festival *
* Festival Performance
^ Supporting The Head and The Heart
# An Evening with Dawes and Bahamas
ABOUT DAWES AND MISADVENTURES OF DOOMSCROLLER:
MISADVENTURES OF DOOMSCROLLER marks Dawes’ first new LP following 2020’s Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner, Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit), at Nashville’s famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it “their liveliest, most visceral set yet.” Dawes celebrated with a range of high-profile TV appearances, including ABC’s Jimmy Kimmel Live! and CBS’ The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.
Dawes is: T.Z. Goldsmith (guitar, primary vocal), W.Q. Gelber (handmade bass), G.W. Goldsmith (drums, percussion, background vocals), and L.M. Pardini (piano, organ, synthesizers, clavinet, Wurlitzer, guitar, background vocals).
WE ARE OMEGA VIDEO PLAYING AT METAL INJECTION
PRE-ORDERS NOW AVAILABLE
TORONTO, ON – July 22, 2022 - Iberian black/death metal outfit and recent MNRK Heavy signees, NOCTEM, will unleash their maniacal Credo Certe Ne Cras full-length October 28. Today they unveil the record’s first single, artwork, and preorders. Watch We Are Omega here. Credo Certe Ne Cras will be available on CD, LP, cassette, and digital formats. Find preorders options here.
In spirit, presentation, and philosophy, NOCTEM shares much in common with Watain, Rotting Christ, Belphegor, and Gorgoroth, while sprouting their own decaying branch of a rotten metal tree. Any extreme band with Spanish-style nylon string guitars in their arsenal owes a sizable debt to them. The band unveiled its fifth full-length studio album, The Black Consecration, in 2019. New Transcendence declared, “The Black Consecration is a superb album, littered with secrets and enticing riffs,” making favourable comparisons to early Emperor and Dark Funeral. Metal Hammer Portugal wrote, “in this particular genre, it is perhaps one of the best Spanish works ever of its kind.”
NOCTEM follows that career landmark with a new, definitive masterpiece, merging the crushing cacophony of angry, adrenaline-fueled lust with newfound sorrows and mournful melodic might. Credo Certe Ne Cras (“I Believe With Certainty That There is No Tomorrow”) is a work of art. The album demands to be experienced as much as listened to, invoking ritualistic examination.
As emphasized in the brilliant album opener, I Am Alpha, vocalist Beleth conceived of NOCTEM over twenty years ago. It grew to monstrous proportions, embodied in the album closer, We Are Omega, which celebrates the unstoppable lineup completed by Moss (guitars), Tobal (guitars), Varu (bass), and Voor (drums). Credo Certe Ne Cras broadens its old-school-sounding predecessor's raw, filthy fury with bigger production and melody without sacrificing the frostbitten 200 mph winds of anger and blast beats.
In advance of the Credo Certe Ne Cras’ official unveiling this Fall, today the band unleashes a video for first single, the aforementioned, We Are Omega, now playing at Metal Injection. Notes the band, “It gives us divine pleasure, and great delight to finally be able to present the first single from our next full-length album to our faithful horde of devils. We Are Omega represents a new dawn, and the oncoming album - a new era.”
Adds Metal Injection, “The single is a nonstop onslaught of fiery blasts and throat-shredding screams, perfect for the summertime. Blast it at a red light and at your next BBQ! Only the true can hang, anyway.”
Credo Certe Ne Cras Track Listing:
1. I Am Alpha
2. Sovereign Providence
3. Sanctum Of Anguish
4. Credo Certe Ne Cras
5. Homilia Of Punishment
6. The Pale Moon Rite
7. The Tolling Of The Nine Bells
8. Chalice Of Turpitude
9. Ceremonial Miasma
10. We Are Omega
About NOCTEM:
The blood and fire spewed forth onstage by NOCTEM are visceral, fitting companions to their unrivalled sound, a vicious black metal assault enhanced with a signature Iberian flourish. Arguably the best-known extreme metal export from Spain, NOCTEM’s ungodly path put them in front of cult audiences around the world, across Europe, Asia, Russia, and North America. Frontman and founder Beleth graced the cover of the Spanish edition of Metal Hammer in 2018 as a “Héro” of the genre.
The first metal band from Spain to perform in China, NOCTEM’s unrelenting touring saw them team up with the likes of Marduk, Batushka, Napalm Death, Immolation, and many more over the years. Dozens of prestigious extreme festivals added them to their lineups, including Bloodstock Open Air (UK), Metal Embrace (Germany), Metaldays (Slovenia), and Festimetal Santa Catarina (Mexico).
Originating in Valencia, Spain, NOCTEM made their putrid presence felt with the rumble of 2002’s Unholy Blood demo. The God Among Slaves demo followed in 2007, building bloodthirsty anticipation for the band’s proper full-length debut, Divinity (2009), on Austria’s Noisehead Records.
Metal Blade Records licensed Oblivion (2011) abroad, followed by a deal with Prosthetic Records, which issued Exilium (2014) and Haeresis (2016), a concept album centered on the Spanish Inquisition. (A special “rotten meat” scented LP edition of Haeresis sold all of its 666 copies in under a week). The Black Consecration (2019) expanded NOCTEM’s themes of ancient civilizations and dark rites to encompass more of Beleth’s philosophy, previously outlined in his first book, 2017’s Codex Ante-Mortem, released the same year as the band’s homemade beer, A Cruce Salus.
NOCTEM’s deal with MNRK Heavy sees them stepping onto the world stage like never before, threatening a full assault. In 2022 and beyond, NOCTEM takes a massive leap forward on their thorn-ridden path, armed with blackened faith and righteous fury, thirsty with unquenchable bloodlust, and prepared to conquer. They arise again without redemption, embracing the chaos of modern times and unafraid of fate.
NOCTEM:
Beleth - vocals
Varu - bass
Voor - drums
Moss - guitars
Tobal - guitars
DOWNLOAD - press photo | DOWNLOAD - album art
DR. JOHN’S FINAL STUDIO ALBUM
THINGS HAPPEN THAT WAY DUE SEPTEMBER 23
TORONTO, ON – July 22, 2022 – Growing up in New Orleans, Malcolm John “Mac” Rebennack, Jr. – known to countless music fans around the world as Dr. John – developed a deep and abiding love for traditional Gospel music that stayed with him throughout his lifetime. During his remarkable six-decade run as one of the most original, distinctive, and influential voices in popular music, Rebennack put his inimitable stamp on many spirituals and Gospel-influenced songs.
During the sessions for Things Happen That Way, Rebennack invited a few old friends to lend their voices to the project. Among those who happily obliged was Willie Nelson, one of Mac’s close friends and most treasured musical collaborators. Today, their soul-stirring, exuberant rendition of the beloved Gospel standard, Gimme That Old Time Religion, is released. Listen to it here.
As Nelson observed, “Dr. John had the most unique musical style and language that would take me to another place whenever I heard him play and sing.”
Rebennack was planning future projects when his life was suddenly cut short in 2019. Now, three years after his untimely passing, in a world complicated by COVID-19, Things Happen That Way will see the light of day. The album, which features three brand new original compositions, a mesmerizing reworking of Dr. John’s 1968 classic I Walk on Guilded Splinters, and new interpretations of songs by Willie Nelson, Cowboy Jack Clement, Hank Williams, and the Traveling Wilburys will be released on September 23. The album is available for pre-order here.
Things Happen That Way marks the fulfillment of a longtime goal of the six-time GRAMMY-winning singer/songwriter/pianist and Rock & Roll Hall of Famer, who first began plotting a country-inspired album decades ago. In bringing his album’s songs to life, Dr. John drew on a lineup of musicians befitting of a universally beloved luminary. Along with an elite cadre of New Orleans session players, the album’s personnel include icons Nelson and Aaron Neville, and rising stars Lukas Nelson & Promise of the Real.
DOWNLOAD - Press Photo | DOWNLOAD - Album Art
LISTEN TO THE TITLE TRACK HERE
ANNOUNCES FIRST HEADLINING NORTH AMERICAN TOUR WITH STOPS IN MONTREAL AND TORONTO
TORONTO, ON – July 20, 2022 – Today, Zurich-based duo, Hermanos Gutiérrez, comprised of brothers Estevan and Alejandro Gutiérrez, are thrilled to announce the details of their forthcoming new album. Entitled El Bueno Y El Malo, the record is set for release on October 28 via Easy Eye Sound, the acclaimed label founded and run by the Black Keys’ Dan Auerbach. The stunning, stirring first single from the record, the album’s title track, is available to hear now. Listen to the single here and pre-order El Bueno Y El Malo here.
The band is also happy to announce their first North American headline tour to support El Bueno Y El Malo, following select sold out shows at New York’s Bowery Ballroom and LA’s the Hollywood Forever Masonic Lodge. Canadian stops include Montreal and Toronto in November. As well, the duo will also be appearing at the Newport Folk Festival this weekend, in addition to opening for Jason Isbell in Nashville at the legendary Ryman.
“When Alejandro and I play together, it’s like we are driving a car,” says Estevan Gutiérrez. “It’s like we are taking a road trip. Sometimes we’re driving through a desert. Sometimes we’re traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets.” The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family—and whatever ghosts their listeners bring to the music.
El Bueno Y El Malo is their most epic journey yet: working with Dan Auerbach at his Easy Eye Sound Studio in Nashville, they’ve crafted 10 vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a “deeper, darker energy” defined by complex arrangements, sophisticated playing, and most of all their very close relationship.
Started a few years earlier, Hermanos Gutiérrez began releasing music on their own, all of which gained traction in 2020. “My brother and I,” says Estevan, “we did everything by ourselves— all the music, even the artwork. But during Covid, our music was streamed all over the world,” especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were travelling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach’s Easy Eye Sound Records and started writing songs for their forthcoming album.
Setting up shop a few months later at Easy Eye Sound Studio, El Bueno Y El Mal was recorded quickly and organically despite it being the first time they’d ever met Auerbach in-person. They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they’re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments. In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it for them, even retitling that song, Tres Hermanos.
The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western, The Good, the Bad, and the Ugly, and especially its score by Ennio Morricone. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. “It’s every person, every moment, every situation. Everybody has these two faces.” It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas.
TOUR DATES:
7/21 - New York, NY @ Bowery Ballroom
7/24 - Newport, RI @ Newport Folk Festival
8/1 - Geneva, CH @ Musique en Été
9/3 - Col du Becs de Bosson, CH @ Palp Festival
9/28 - Munich, DE @ Werk7 Theater
9/30 - Istanbul, TUR @ Blind
10/3 - London, UK @ EartH (Evolutionary Arts Hackney)
10/5 - Paris, FR @ Maroquinerie
10/6 - Porto, PT @ Maus Hábitos - Porto, PT
10/7 - Barcelona, ES @ Sala Apolo2
10/8 - Madrid, ES @ Independance
10/11 - Berlin, DE @ Festsaal Kreuzberg
10/12 - Utrecht, NL @ TivoliVredenburg
10/13 - Amsterdam, NL @ Paradiso
10/15 - Helsinki, FI @ Korjaamon Kulmasali
10/16 - Stockholm, SE @ Hus7
10/18 - Zürich, CH @ Kaufleuten
10/22 - Nashville, TN @ The Ryman Auditorium *
10/29 - Los Angeles, @ Hollywood Forever - Dia de los Muertos Fest
10/31 - Washington, D.C. @ Miracle Theatre
11/2 - Philadelphia, PA @ World Café Live
11/3 - Boston, MA @ Arts at the Armory
11/4 - New York, NY @ Opera House
11/5 - Montreal, QC @ PHI Centre
11/6 - Toronto, ON @ The Drake
11/8 - Minneapolis, MN @ Turf Club
11/9 - Chicago, IL @ Sleeping Village
11/10 - Denver, CO @ Globe Hall
11/12 - Seattle, WA @ Crocodile
11/13 - Portland, OR @ Mission Theater
11/14 - San Francisco, CA @ Great American Music Hall
11/17 - Pioneertown, CA @ Pappy & Harriet’s
11/18 - Ventura, CA @ Ventura Music Hall
11/19 - Phoenix, AZ @ Musical Instrument Museum
11/20 - Santa Fe, NM @ St. Francis Auditorium
11/22 - Austin, TX @ Antone’s
* Supporting Jason Isbell and the 400 Unit
WATCH THE COLOURFUL MUSIC VIDEO HERE
ON TOUR ACROSS NORTH AMERICA NOW
WITH TWO HOMETOWN TORONTO SHOWS
AT HISTORY ON AUGUST 5 AND 6
TORONTO, ON – July 20, 2022 – Today, award-winning alt-pop four piece, The Beaches, release their brand new single, Grow Up Tomorrow. Perfectly encompassing what it feels like to be young, carefree, and reckless, “Grow Up Tomorrow is a summer banger about being in a state of arrested development but enjoying the hell out of it.” Listen here.
Co-produced by Gus Van Go (Arkells, Whitehorse) and artist/songwriter, Lowell (Charlie XCX, Madison Beer, Hailee Steinfeld) – who also co-wrote the song with the band – Grow Up Tomorrow is a big, bright, ultra-catchy anthem in solidarity with all young adults still borrowing money, delaying doing laundry for weeks, and living in a basement, while their friends are buying their first homes, getting married, even having babies. The track begins with a captivating guitar line that is later joined by high-tempo percussion and an occasional whistle that, when paired with lyrics like, “God I think I lost my cellphone / Don’t know how I’m gonna find my way home,” revels in the feeling of consequence-free youth.
The accompanying music video, directed by Ievy Stamatov, depicts a hazy, late night, no-boys-allowed party scene complete with red solo cups, glittery eyeshadow, and a view through rose-colored glasses.
The Beaches describe their vision for the music video: “Since the song is such a fun bop we wanted to represent it in the only way we know how: by throwing a house party with all of our closest friends. I’ve recently come into my own in the queer community (Leandra), who have welcomed me with open arms, so I wanted to make sure we represented this new, big part of my life in the video.”
The band is currently on their North American Future Lovers tour that culminates with two hometown Toronto shows at History (August 5 and 6). They've already played sold out shows across Canada including Corona Theatre (Montreal, QC), London Music Hall (London, ON) and two sold out shows at the famous Commodore (Vancouver, BC). This North American venture follows experience opening for iconic acts such as The Rolling Stones and Foo Fighters, as well as many other critically acclaimed artists (Avril Lavigne, Alanis Morisette, The Aces, Passion Pit, and Eagles of Death Metal).
UPCOMING TOUR DATES:
July 30 - Niagara on the Lake, ON @ Jackson Triggs
August 5 - Toronto, ON @ History
August 6 - Toronto, ON @ History
August 9 - Brooklyn, NY @ Elsewhere Rooftop
August 10 & 11 - Nantucket, MA @ The Gaslight
August 13 - Boston, MA @ Brighton Music Hall
August 14 - Bethlehem, PA @ Musikfest
October 7 - Atlanta, GA @ Masquerade
October 8 - Ringold, GA @ Rabbit Valley Festival
October 9 - Nashville, TN @ The Basement
October 11 - Washington, DC @ Pearl Street Warehouse
October 12 - Philadelphia, PA @ Dolphin Tavern
October 21 - Chicago, IL @ Schubas
October 22 - Columbus, OH @ Ace of Cups
October 23 - Detroit, MI @ The Underground
ABOUT THE BEACHES:
Named after the neighbourhood they lived in, The Beaches is composed of lead vocalist/bassist, Jordan Miller, guitarist, Kylie Miller, keyboardist/guitarist, Leandra Earl, and drummer, Eliza Enman-McDaniel. As self-proclaimed lifers, The Beaches forfeited a typical university experience to pursue their careers in music - a topic that is often addressed in their lyrics.
Taking inspiration from artists like Muna, Dayglow, Coin, Olivia Rodrigo, Girl in Red, Wet Leg, Wolf Alice, and The Strokes, The Beaches believe their upcoming releases will be a new direction for them: “We’re not abandoning our rock ‘n ’roll roots, but for this next chapter of our career we wanted to take ourselves less seriously, have fun, and be less precious with the musical ideas we pursue.”
After releasing their self-titled EP in 2013, the group landed a major label deal with Island Records in 2016. Under Island Records they released their debut album, Late Show – which was described by Elton John as “The best rock album of last year” – as well as their next two EP’s, The Professional (2019) and Future Lovers (2021), which were later combined for a full-length release called Sisters Not Twins (The Professional Lovers Albums) in 2022.
The Beaches have garnered over 52 million streams across Spotify, Apple and Amazon Music. Having sold 30,000 albums in Canada alone, it’s no surprise that they have found themselves awarded with five #1 singles on Canadian Alternative Radio. They have been recognized with two JUNO Awards for Rock Album of the Year (2022) and Breakthrough Group of the Year (2018).
“A new song just in time for the current uprising political climate in regards to abortion rights. Radio Silence voices the concerns of all women around America living today."
- MXDWN
Toronto, ON – July 20, 2022 – Today, Los Angeles-based Zella Day has released a brilliant new video, directed by Alex Casnoff, for her song Radio Silence, which she released three weeks ago to rapturous response. Radio Silence - written in fall of 2021 - details the experience of a young woman forced to reckon with the choices surrounding an unintended pregnancy. Combining sonic elements of college radio-era R.E.M. with haunting synths and drums, as well as some of the most pointed, evocative lyrics Day has ever written, Radio Silence is raw, candid, and universally resonant. Listen to Radio Silence and watch the music video for the song here.
Says Day about the video, ““It was on a Monday that we decided we were going to shoot a music video that was coming Friday before I left for Texas. We ended up shooting until 4AM, I was on a plane two hours later with beach sand in my shoes leftover from the Santa Monica Pier. There was a frantic energy in the air that night as we moved through the city with our shot list, we found some of our best scenes in an In-And-Out bathroom and while running down side streets in Simi Valley. I’ll be keeping the Bunny head as a memento from our iPhone thriller. We really want the viewer to feel the energy that we felt creating this psychological chase through Los Angeles.“
Radio Silence was written by Day and Alex Casnoff (Jonathan Wilson, Harriet), and features backing vocals from fellow LA musician, Miya Folick. Lyrics for the song - prescient in their ability to match our current political reality months after they were penned - are below.
Radio Silence is a bold sonic step forward for Day, and a fitting welcome to the next chapter of her musical journey. In 2021, Day released a handful of tracks that racked up millions and millions of streams, including Golden, Dance For Love, Girls, a duet with Weyes Blood called Holocene, and a remix of Golden by Twin Shadow. Day also appeared on Lana Del Rey’s Chemtrails Over the Country Club last year, covering Joni Mitchell with Del Rey and Weyes Blood in a symbolic passing of the sonic torch from one great LA singer/songwriter to the new generation.
Lyrics for Radio Silence
Born in the valley ’85
You took me to the guest house
Where your friends would all skip class and get high
Rolling up the windows
Now you're pouring me wine in your jacuzzi
You want your sex more like the movies
So I bought a book on Kamasutra
To get you screaming hallelujah
Hold my body
Can you feel it
I’ve been trying to keep this secret down
I’m trying to shake the spirit out
Radio Radio Radio Radio into Silence
You sent me a picture of your doorstep
Of your key and where to find it
Back of your closet
In your best pants
The cash inside your wallet
You have anxiety over pregnancy
So you bought this fucking pill for me
Now it’s Friday night and you’re out
My head is inside the toilet
I love how you told me to calm down
And I’m screaming hallelujah
Hold my body
Can you feel it
I’ve been trying to keep this secret down
I’m trying to shake the spirit out
Radio Radio Radio Radio into Silence
How could this happen to me
I happen to be holding on
How could this happen to me
I happen to be strong
What I couldn’t see
It was happening to me all along
Hold my body
Can you feel it
I’ve been trying to keep this secret down
I’m trying to shake the spirit out
Radio Radio Radio Radio into Silence
DOWNLOAD - Hi Res Press Photo | DOWNLOAD - Radio Silence Artwork
TikTok: @ZellaDay
WATCH CAPTIVATING VISUALS FOR ALBUM STANDOUTS SO IT GOES, MY HEART, ONE MORE DAY IN LOVE, HOME GROUND, DREAM DANCE, AND TIME
PERFORMING AT CLOUD 9 MUSIC FESTIVAL IN SEPTEMBER
"..entwining captivating soundscapes with spell-binding vocal lines... the airy guitar lines and decisive percussion build a contrasting sonic support that ebbs and flows like a midnight dance between two free-spirited souls." – This Song Is Sick
"Flõstate create a mesmerizing downtempo number with Home Ground. Beginning with gentle chimes and warm piano tones, the song seduces from the get-go, as Florence's sultry and sinuous vocals enter into the mix alongside mellow beats." – Pop Matters
"Creating music building out from intimate jam sessions, Flõstate create songs which
“happen in the moments that we’re not looking." - Live In Limbo
Toronto, ON – July 18, 2022 – Canadian fantasy R&B duo, Flõstate, continue to unravel the stories behind their debut full-length album, Moments Of Feeling. Released on May 19 via Lekker Collective, Moments Of Feeling is inspired by connecting with others, connection to self, romance, surrealism and etherealism, being in a flow state while navigating life experiences. This summer, the group has been unveiling captivating and emotive visuals that provide the perfect backdrop to tracks that encapsulate the collaborative album, which highlights themes of escapism and the return to our natural state as humans in the universe, taking you through a dream before returning to reality. Listen to Moments Of Feeling here watch the visuals here and read on to learn more about the songs.
The most recent visual captures the essence of So It Goes , a song that was recorded while sitting by a fire, “in a moment of acceptance of it all" and is an example of the group’s recording/production process within natural environments. Watch it here. The visualizer for standout track, My Heart, embodies textures, images and emotions of the song evoking the song's essence of contrast within soft and gentle between hard and soft. One More Day In Love is a synth-heavy, fluid and nostalgic piece centred on gaining clarity in solitude.
Home Ground has the sense of urgency to be somewhere familiar with a fresh perspective. The feeling that you are not in the right place at that moment but you are sure you know where to go. The windchimes in the beginning of Home Ground Interlude and Home Ground were recorded in group member and vocalist, Avery Florence’s cabin one morning which turned out to be the most prominent and memorable element.
Dream Dance is the first song Flõstate ever wrote, so this is a nostalgic piece for the group. The track is about the longing for love in its purest form, which can borderline obsession. Wanting this eternal love that we all hope exists. “We only exist together” is the idea that love itself is an idea, a feeling, a fantasy. “Dream Dance is a ballad about two distant lovers. Just like how dreams can be light and warm hearted to dark and intense, we wanted this song to be a breathing journey that flows in and out of those states,” the group adds.
Tracks from Moments Of Feeling have been getting some love from various playlists including Apple Music's Vinyasa Chill, Yoga, and Spotify's Outliers, New Music Friday Canada, Montreal Chill, Fresh Finds, Fresh Finds: Pop, Fresh Finds: The Wave, RADAR Canada, and Stations: Today's R&B.
Flõstate is a fantasy R&B duo from Canada. Consisting of producer MKSTN and songwriter/multi-instrumentalist Avery Florence, two worlds collide creating multi-instrumental soundscapes and virtuous vocals. Inspired by a wide variety of artists and genres, the duo site acts such as Beach House, Galimatias, Tame Impala, Jimi Hendrix, Lana Del Rey, Bon Iver, Enya, Jeff Buckley and Pink Floyd as key influences to their sound.
Blending chill, washed-out, electronic, R&B, dream pop and psychedelic pop with meaningful lyrics, Moments Of Feeling aims to capture the depth of one's internal world as it’s influenced by the external world we each navigate. "Each song embodies it’s own world of emotion, a snapshot of a feeling we try to hold onto, grasping at its depth, only to feel it fade away into memory. The album is a reflection; inner thoughts from a non-egoistic state. The musicality and production of the album breathes a deep sense of aliveness," says group members, Avery Florence and MKSTN. "This album is an exploration of our emotional worlds. Through the lyrics and sound, our music evokes our internal world to the external, the only way to connect deeply with ourselves & those around us."
This fall, Flõstate will perform at Cloud 9 Music Festival in Rideau Lakes, Ontario. Their set is on September 10. Cloud 9 is hosted by No.9 Gardens, Canada’s First Cultural Center for Sustainability and Reconciliation, and celebrates art, food, music, and community with a dedication to a sustainable future. More tickets and info can be found here.
For more on Flõstate, check out Moments Of Feeling, catch them on the road and connect with them online at the links below.
DOWNLOAD – Hi Res Press Photos
DOWNLOAD – Hi Res Album Artwork
BELOVED ROCK AND SOUL GROUP ANNOUNCE NEW 6-TRACK COVERS EP FEATURING SONGS BY THE POINTER SISTERS, DIONNE WARWICK, SHANIA TWAIN, CAROLE KING, THE CRANBERRIES AND BONNIE RAITT
WATCH THE VISUAL FOR NICK OF TIME
(BONNIE RAITT COVER) HERE
WATCH THE PROJECT TRAILER HERE
PERFORMING AT VANCOUVER'S ORPHEUM THEATRE
ON OCTOBER 11
Collectively, the band describes the EP: "Imagine you walk into your favorite local dive bar and Lake Street Dive is on stage, doing our regular weekly gig for $5 a head. These are the songs we'd be covering there and how we'd be playing them. Some deep cuts, some sentimental favorites and some (hopefully) epic crowd pleasers.”
For Lake Street Dive, the prospect of covering some of their favourite songs in the studio isn’t merely an exercise in breathless adoration. It’s an opportunity for artful re-invention, a way to acknowledge their inspirations while also advancing their own musical foundation all in hopes of inspiring a new generation of fans along the way. On Fun Machine: The Sequel, they do just that – spinning these carefully chosen and beloved songs to new places in their own, entirely original way.
Produced by Robin MacMillan and recorded at Figure 8 Recording in Brooklyn and Lucy’s Meat Market in Los Angeles (with contributions from touring guitarist/background vocalist, James Cornelison), Fun Machine: The Sequel is the band’s second set of distinctive cover songs. While 2012’s Fun Machine paid homage to their classic R&B, neo-soul, and jazz roots, Fun Machine: The Sequel expands the aperture a little wider, featuring selections ranging from R&B and pop favourites like Dionne Warwick’s (Burt Bacharach/Hal David penned) classic Anyone Who Had A Heart, and The Pointer Sisters’ funky Automatic, to works by introspective singer-songwriters such as The Cranberries’ gorgeous Linger, Carole King’s classic So Far Away, Bonnie Raitt’s era-defining Nick Of Time, and even Shania Twain’s suddenly resurgent pop-country anthem, You’re Still The One.
Ten years ago, a deliciously syncopated cover of The Jackson Five’s I Want You Back performed on a street corner in Boston, Massachusetts, helped propel Lake Street Dive’s remarkable journey. With tens of millions of streams, an acclaimed discography including seven celebrated studio LPs, two EPs, a slew of much-loved singles and an enduring worldwide fanbase to their credit, the genre-busting group has become a dynamic and exhilarating force in popular music. And on Fun Machine: The Sequel, it’s Lake Street Dive’s signature combination of immaculate musicianship, exceptional, inventive chops, and free-wheeling sense of fun that leads the way.
Fun Machine: The Sequel will be available in additional configurations including vinyl (with bonus tracks) on December 9th, 2022. Find special offers and fan exclusives here. Catch Lake Street Dive in concert throughout 2022, full itinerary below. Find tickets here.
TRACKLIST:
1.Automatic (Brock Patrick Walsh / Mark Goldenberg) - The Pointer Sisters
Lake Street Dive On Tour:
JUL 28 - FloydFest 22~Heartbeat - Floyd, VA
JUL 29 - Rock the Ruins at The Vogue Outdoors - Indianapolis, IN w/ The Brook & The Bluff – SOLD OUT
JUL 30 - Xcel Energy Center - St. Paul, MN with Brandi Carlile SOLD OUT
AUG 2 - Outdoors at Fargo Brewing - Fargo, ND with Madison Cunningham
AUG 3- The Pablo Center at the Confluence - Eau Claire, WI
AUG 5 - Fiserv Forum - Milwaukee, WI with Brandi Carlile
AUG 6 - Hinterland Festival - St. Charles, IA
AUG 7 - Lake Superior Big Top Chautauqua - Bayfield, WI with Madison Cunningham
AUG 9 - Foellinger Theatre - Fort Wayne, IN with Madison Cunningham
AUG 10 - Michigan Theater - Ann Arbor, MI with Madison Cunningham SOLD OUT
AUG 12- Frederik Meijer Gardens & Sculpture Park -Grand Rapids, MI w/ Madison Cunningham SOLD OUT
AUG 13 - Salt Shed at Morton Salt - Chicago, IL with Madison Cunningham SOLD OUT
AUG 14- Chesterfield Amphitheater - St. Louis, MO
AUG 16 - The Andrew J. Brady Music Center - Cincinnati, OH
AUG 17- Rose Music Center at The Heights - Huber Heights, OH with Madison Cunningham
AUG 19 -State Theatre - Portland, ME - LSD Presents Side Streets featuring Rachael & Vilray, Bridget Kearney, Benjamin Lazar Davis and Will Graefe, Michael Calabrese, Akie Bermiss, and James Cornelison
AUG 20- Thompson's Point - Portland, ME with Madison Cunningham SOLD OUT
AUG 21- Thompson's Point - Portland, ME with Madison Cunningham
SEP 9- The Anthem - Washington, DC with Allen Stone
SEP 10- Radio City Music Hall - New York, NY with Allen Stone SOLD OUT
SEP 11- Radio City Music Hall - New York, NY with Allen Stone
SEP 13- Virginia Credit Union LIVE! - Richmond, VA with The Dip
SEP 14- North Carolina Museum of Art - Raleigh, NC with The Dip
SEP 16- Live Oak Bank Pavilion at Riverfront Park - Wilmington, NC
SEP 17- Charlotte Metro Credit Union Amphitheatre - Charlotte, NC
SEP 24- Pilgrimage Music & Cultural Festival - Franklin, TN
SEP 27- Stubb's Waller Creek Amphitheater - Austin, TX with Devon Gilfillian
SEP 28- Tobin Center for the Performing Arts - San Antonio, TX with Devon Gilfillian
SEP 30 - The Van Buren - Phoenix, AZ with Devon Gilfillian
OCT 1- Hollywood Bowl - Los Angeles, CA with Jack Johnson
OCT 2- Hollywood Bowl - Los Angeles, CA with Jack Johnson
OCT 4- Humphreys Concerts By The Bay - San Diego, CA with Devon Gilfillian
OCT 5- Humphreys Concerts By The Bay - San Diego, CA with Devon Gilfillian
OCT 7- Edgefield - Troutdale, OR with Devon Gilfillian
OCT 8 – Cuthbert Amphitheater – Eugene, OR
OCT 9 – Paramount Theatre – Seattle, WA with Devon Gilfillian
OCT 11 – Orpheum Theatre – Vancouver, BC – with Devon Gilfillian
OCT 13 – Fox Theater – Oakland, CA with Devon Gilfillian SOLD OUT
OCT 14 – Fox Theater – Oakland, CA with The Altons
CURRENTLY ON “THE VORTEX TOUR” JOINING |
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AND FESTIVAL APPEARANCES AT THE BLUE RIDGE |
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FROM FORTHCOMING VISUAL ALBUM
AND ANIMATED SERIES EMURGENCY!
TORONTO, ON – July 15, 2022 – Today, Toronto-based group and movement, Amai Kuda et Les Bois, debut the second animated visual from their album, EmUrgency!, for new single, Oshun. The song draws its title from the orisha (deity) of 'sweet water,' which includes all rivers, lakes, and streams, in the Yoruba cosmology of West Africa and the African diaspora. Listen to Oshun here and watch the visual, created in collaboration with Nigeria's Spoof Animation, here.
"Joy, love, beauty, magic and riches are all her domain. She is also a fearsome warrior," Amai adds. "We give thanks to her for all the sweet things and bounty in life, and also call upon her for help in matters of love or money. This praise song for her was born on the shores of her waters and is a gift both from and for her."
The music video for Oshun is the second of three teaser videos for the pilot episode of EmUrgency!, an animated series based on the album. Each teaser is soundtracked to a song from EmUrgency!, and the release of the pilot episode will introduce the full EP to the world. Amai Kuda et Les Bois are tapping into a rising animation community evolving in Africa and addressing the need for more Black animated content, and more popular media dealing with African Spirituality and mythology in positive ways. Both the album and show, EmUrgency!, speak to current social issues while addressing timeless themes contained in traditional mythology.
Following its 2021 pre-release as a limited-edition vinyl LP, the digital version and its accompanying narrative animated videos are unfolding this summer. In May, the group released Eshu. A prayer, an invocation, a Soca-Caiso jam and a work of political resistance all in one, the song Eshu, was featured on the playlist, Ones to Watch, as well as several Spotify editorial playlists, CBC Radio One's Big City Small World, Tinnitist, Rhythm Passport and Wildfire Music. Listen to Eshu here and watch the video here.
EmUrgency! was recorded, mixed and mastered at Quantum Vox Music with co-producer, Jimmy Kiddo, and reflects Amai’s vast influences: Afrohouse, Motown, alt rock, hip hop and downtempo, with inflections of Amai’s Trinidadian heritage and Toronto upbringing in the mix. The album speaks to the struggles, wisdoms, and joys of Amai’s journey, being guided by ancestors and Orishas, and staying true to her calling as mother, healer, warrior and artist, despite the many obstacles facing Black, queer women in the music industry and society at large. On the songs, Amai delves into African Indigenous spiritual traditions, connecting with gods and deities of Yoruba cosmology, the anti-colonial war for survival, unconditional love, honouring elders, as well as the inner child and how to preserve it in times of struggle.
Amai is also passionate about their initiative, the Sankofa Maroon Village (SMV), currently raising funds (see GoFundMe page) to establish the first Black eco-village in Canada. Sankofa Maroon Village is a physical and metaphysical space for African descended folk to rebuild healthy, ROOTED, sustainable community. You can find out more and support this powerful project here.
Learn more about Amai Kuda et les Bois below, find a limited edition copy of EmUrgency! on vinyl here, and stay tuned for more episodes to be released this summer.
DOWNLOAD – Press Photo by Samuel Engelking
DOWNLOAD – Oshun Single Artwork
DOWNLOAD – EmUrgency! Album Art
About Amai Kuda et Les Bois
Amai Kuda et Les Bois don’t fit into the usual boxes. Breaking boundaries is part of their superpower. Not a band or a solo act, they prefer to call themselves ‘a movement.’ Led by Amai Kuda, their shows and albums always begin with the pouring of libations and the invocation of ancestors. This spiritual element weaves its way throughout all their music, whether that be soothing acoustic ballads, dancy electronic grooves or alt-rock-hip-hop-infused political tracks. Ecouché, for example, the “stunning new single” (Indie88) off the new album EmUrgency! is sung entirely in a language of ancestral communication and can’t be delivered the same way twice. It embodies what NOW magazine has called the group’s “tantalizing Afro-soul” fusion sound, "earthy and rootsy and good for your ears" (Errol Nazareth CBC in reference to AfroSoul Volume II: MaZai). Indeed, it is the genre-defying nature of their work which led their debut album, Sand from the Sea, to be named “one of the year's most exciting discoveries” (Nicholas Jennings - Canada's foremost music journalist).
Since that early accolade Amai Kuda et Les Bois have slogged away in Toronto’s music scene, performing at venues like the Jane Mallett Theatre, Harbourfront, The Rivoli, and festivals such as Luminato, Kultrun, and Small World, as well as at venues and community centres on four continents. Amai Kuda et Les Bois have certainly paid their dues, and they haven’t gone unnoticed. They’ve been featured in NOW magazine and on CBC’s Canada Live and Big City Small World, while a single from their 2019 release with Version Xcursion, Holding Back, premiered on Strombo Show. The group also won the Best Folk/Roots award as well as placing second for the Best Song at the Toronto Independent Music Awards. They’ve opened for Joel Plaskett, Kellylee Evans and Sarah Slean, and collaborated with M1 of the legendary Hip-Hop duo, Dead Prez on a call-to-action song called We Can Do It.
All that said, the group is acutely aware of, and quite angered by, the glass ceiling in the music industry that keeps artists like themselves from reaching wider audiences. Their new album, EmUrgency! is largely about pushing back against this, and in the coverage it’s received thus far (The Strombo Show, CTV National News, RX Music Live, UMFM and CJRU), they’ve made a point of talking about it. For Amai Kuda et Les Bois, music is about healing - ourselves, our society and the earth, and that can’t happen unless we listen to the voices that have for too long been ignored. It is truly a ‘listening EmUrgency!’
PRE-ORDER HERE
FIRST SINGLE BRING IT BACK OUT ON ALL STREAMING SERVICES TODAY FEATURING ACCLAIMED COMPOSER AND TRUMPETER DONTAE WINSLOW LISTEN HERE
SUMMER AND FALL U.S. TOUR DATES INCLUDE UPCOMING AUGUST 28 HEADLINE SHOW AT THE LEGENDARY HOLLYWOOD BOWL ALL TICKETS AVAILABLE NOW – MORE INFO HERE
TORONTO, ON – July 15, 2022 – Chart-topping jazz/R&B sax player, Boney James, releases his new single, Bring It Back, today, featuring critically-acclaimed composer, conductor, orchestrator, arranger, and trumpeter, Dontae Winslow. The track is available now on all streaming services and marks the first release from James’ forthcoming 18th studio album, Detour, out September 23 on Concord Records. Listen to Bring It Back here and pre-order the album here. Detour will be released on vinyl on January 13, 2023, marking the first time in Boney James’ career that he will release an album in the format.
The new 10-song collection is a subtle stylistic turn that builds on the commercial success of 2020’s Solid, James’ highest charting release ever on the pop charts, peaking in the Top 10 on the Billboard 200.
Also featuring vocals from five-time Grammy winner, Lalah Hathway, Detour was recorded largely at Boney’s L.A. home studio (live drums and percussion were tracked at venerable Sunset Sound). The album was produced by Boney with co-production from in-demand writer/producer, Jairus “J-Mo” Mozee (Anderson.Paak, Nicki Minaj, Anthony Hamilton) among others. Additional musicians on the album are keyboardist, Tim Carmon (Eric Clapton), longtime drummer, Omari Williams, and bassist, Alex Al, renowned percussionist, Lenny Castro, and guitarists, Big Mike Hart and Paul Jackson Jr.
“We’ve all been on a detour these last few years,” says Boney. “This album reflects how my music and I have been affected by the times we’re in.”
James is currently on the road for select dates across the U.S. which will take him well into 2023. Promising to bring James’ iconic 30-year career to the live stage, including selections from Detour, the multi-city trek will hit a number of major markets including Detroit, Hartford, Dallas, Nashville, and Los Angeles, where he is scheduled to headline the legendary Hollywood Bowl on August 28. For further information on the tour, dates, and on-sale info please visit boneyjames.com.
During his 30-year career, Boney James has released a staggering 18 studio albums – including a pair of Christmas records, with 1995’s Seduction, 1997’s Sweet Thing and 1999’s Body Language all RIAA certified gold. In 2015, Boney’s futuresoul spent 11 weeks atop the Billboard Contemporary Jazz Chart and was the best-selling Contemporary Jazz Record of 2015. Boney has earned four Grammy nominations (“I’m not gonna lie... I’d still love a statue,” he says), two NAACP Image Award nominations and a Soul Train Award, while a dozen of his albums have landed at #1 on Billboard’s Contemporary Jazz Album chart. His collaborators in the past include a Who’s Who of R&B and soul: Raheem DeVaughn, Faith Evans, George Benson, George Duke, Dwele, Al Jarreau, Philip Bailey, Anthony Hamilton, Jaheim, Eric Benét, Dave Hollister, Stokley Williams, Kenny Lattimore and Angie Stone.
DETOUR TRACK LIST:
1. Detour
2. Bring It Back Featuring Dontae Winslow
3. Sway
4. Memphis
5. Tribute
6. Coastin’ Featuring Lalah Hathaway
7. The Loop
8. Northern Lights
9. Intention
10. Blur
TOUR DATES:
July 15 - Greater Hartford Festival Of Jazz - Hartford, CT
July 20 - The Aretha Franklin Amphitheatre - Detroit, MI
July 21 - Rose Music Center at The Heights - Huber Heights, OH
July 22 - Akron Civic Theatre - Akron, OH
July 23 - Jazz And Rib Fest - Columbus, OH
August 11 - Brandon Amphitheater - Brandon, MS
August 28 - Hollywood Bowl - Los Angeles, CA
September 3 - Gulf Coast Summer Fest Jazz Edition 2022 - Pensacola, FL
September 4 - Riverfront Jazz Festival - Dallas, TX
September 17 - The Factory - Chesterfield, MO
September 18 - Schermerhorn Symphony Center - Nashville, TN
October 14 - Rehoboth Beach Jazz Festival - Lewes, DE
October 27 - Florida Theatre - Jacksonville, FL
November 6 - Cancun Jazz Fest - Cancún, Mexico
November 11 - Jazz Legacy Foundation Fest - Hampton, VA
November 17 – Birchmere - Alexandria, VA
November 18 - Rams Head Early Show - Annapolis, MD
November 18 - Rams Head Late Show - Annapolis, MD
January 15 - Punta Cana Jazz Festival - Punta Cana, Dominican Republic
January 23 - Smooth Jazz Cruise 2023 - Miami Gardens, FL
January 30 - Smooth Jazz Cruise 2023 - Miami Gardens, FL
February 18 - The Palladium at the Center for the Performing Arts – Carmel, IN
TORONTO, ON – July 14, 2022 – The Polaris Music Prize, presented by CBC Music, has unveiled the 10 albums on the 2022 Short List.
One of these albums will win the 2022 Polaris Prize, which is being determined at the Polaris Gala, taking place September 19 at The Carlu in Toronto, Ontario. General admission tickets to the Polaris Gala are currently available via Ticketmaster.
The 2022 Polaris Music Prize Short List is:
Destroyer - LABYRINTHITIS
Pierre Kwenders - José Louis And The Paradox Of Love
Lisa Leblanc - Chiac Disco
Hubert Lenoir - PICTURA DE IPSE : Musique directe
Kelly McMichael - Waves
Ombiigizi - Sewn Back Together
Ouri - Frame of a Fauna
Shad - TAO
Snotty Nose Rez Kids - Life After
Charlotte Day Wilson - ALPHA
The new nominees were revealed during the Polaris Prize Short List Special, which aired earlier today across Canada via CBC Music and CBC Listen. Hosted by A. Harmony, the special featured music from the Short List nominees as well as in-depth interviews with CBC personalities and Polaris jurors.
“This year's 2022 Short List captures the ambition, creativity, and boundless potential of Canadian music from coast to coast. Bravo to our 10 nominees, and a huge thank you to our esteemed jury for offering their time and expertise. For the first time in a few years, I'm thrilled to suggest that if you have the opportunity to see any of the artists on this Short List live, you should. We're all long overdue,” said Polaris jury foreperson Melissa Vincent.
With the announcement of the 10 nominated albums, CBC Music is kicking off Short List Summer: a sprawling, season-long deep dive into the nominated records and the artists who made them. Short List Summer will be anchored by CBC Music’s THE TEN, a series of one-hour weekly radio specials hosted by A. Harmony, broadcasting each Sunday on CBC Music and CBC Listen at 6:00 p.m. (6:30 NT) starting Sunday, July 17, until Sunday, September 18. Each week, THE TEN will take an in-depth look at one of the 10 nominated albums in the lead up to the 2022 Polaris Prize winner announcement. The first episode of THE TEN will feature Shad, the only artist to have ever made the Polaris Short List on five separate occasions.
Short List Summer will also include Shortlist Shortcuts, a cbcmusic.ca editorial series beginning Monday, July 18, that highlights one important gateway song from each of the nominated albums, as told by the short-listed artists. This will be accompanied by an artist-led video series that delves into each gateway song, and will be shared to CBC Music's TikTok and Instagram pages. Follow CBC Music on Instagram, TikTok, Twitter and Facebook for more Polaris Music Prize content that will explore the Short List albums and the artists behind them.
THE TEN Calendar:
Sunday, July 17 - The Ten: Shad broadcast on CBC Music and CBC Listen
Sunday, July 24 - The Ten: Kelly McMichael broadcast on CBC Music and CBC Listen
Sunday, July 31 - The Ten: Ombiigizi broadcast on CBC Music and CBC Listen
Sunday, August 7 - The Ten: Lisa Leblanc broadcast on CBC Music and CBC Listen
Sunday, August 14 - The Ten: Snotty Nose Rez Kids broadcast on CBC Music and CBC Listen
Sunday, August 21 - The Ten: Hubert Lenoir broadcast on CBC Music and CBC Listen
Sunday, August 28 - The Ten: Ouri broadcast on CBC Music and CBC Listen
Sunday, September 4 - The Ten: Pierre Kwenders broadcast on CBC Music and CBC Listen
Sunday, September 11 - The Ten: Charlotte Day Wilson broadcast on CBC Music and CBC Listen
Sunday, September 18 - The Ten: Destroyer broadcast on CBC Music and CBC Listen
For the first time since 2019, the winning album will be revealed live at the Polaris Gala. The Gala will once again be held at The Carlu in Toronto, the venue that has hosted the likes of Glenn Gould, Billie Holiday, Frank Sinatra, and multiple Polaris events.
The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The nine other nominated acts whose albums make the 2022 Short List will receive $3,000 each courtesy of Slaight Music. Additionally, Polaris Music Prize has partnered with Play MPE to award the winning artist with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.
Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.
The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).
Polaris Music Prize 2022 Event Season:
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the
country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media attention
20 Not-for-Profit and charity partners supported through the
Community Development Program
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages. We also deliver content in Spanish, Arabic Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
About CBC Music
CBC Music is the leading curator of emerging and diverse Canadian music talent across platforms, playing the most Canadian artists and genres on radio, CBC Listen and cbcmusic.ca. We prioritize Canadian artists in a wide variety of genres on over 200 playlists available on CBC Listen, and publish daily national music coverage. CBC Music Live features live music recordings from across the country. Our music partnerships and events include The JUNOS, the Polaris Music Prize, Searchlight, the CBC Music Festival, The Canadian Music Class Challenge and Canada Listens. www.cbcmusic.ca
About Play MPE
Play MPE is the leading global platform for music promotion distribution and discovery. The company now serves over 100 countries, is available in multiple languages, and has changed the way the music industry delivers and accesses content. Play MPE provides music promotion distribution for 1000s of record labels, promoters and artists connecting them to a growing community of vetted music industry decision makers. Play MPE’s coveted distribution lists include: radio, satellite, media/blogs, music supervisors, music curators and more. Long standing global clients include Universal Music Group, Warner Music , Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard and many more. www.plaympe.com
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
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VOICI LA COURTE LISTE DU PRIX DE MUSIQUE POLARIS 2022
TORONTO, ON – 14 juillet 2022 – Le Prix de musique Polaris, présenté par CBC Music, a révélé les 10 albums de sa courte liste 2022.
L’un de ces albums remportera le Prix Polaris 2022, qui sera déterminé lors du gala Polaris organisé le 19 septembre au Carlu à Toronto (Ontario). Des billets sans place assignée pour assister à ce gala sont actuellement en vente sur le site de Ticketmaster.
La courte liste du Prix de musique Polaris 2022 est la suivante :
Destroyer – LABYRINTHITIS
Pierre Kwenders – José Louis And The Paradox Of Love
Lisa Leblanc – Chiac Disco
Hubert Lenoir – PICTURA DE IPSE : Musique directe
Kelly McMichael – Waves
Ombiigizi – Sewn Back Together
Ouri – Frame of a Fauna
Shad – TAO
Snotty Nose Rez Kids – Life After
Charlotte Day Wilson – ALPHA
Les 10 albums en nomination ont été dévoilés lors de l’émission Polaris Prize Short List Special, diffusée aujourd’hui au Canada par CBC Music et CBC Listen. Animée par A. Harmony, cette présentation spéciale mettait en vitrine la musique des artistes figurant sur la courte liste ainsi que des entretiens approfondis avec des personnalités de CBC et des membres du jury du Polaris.
« La courte liste de cette année reflète l’ambition, la créativité et le potentiel illimité de la musique canadienne créée d’un océan à l’autre. Bravo aux 10 artistes en nomination, et un grand merci à notre précieux jury, qui a offert son temps et son expertise! Pour la première fois depuis quelques années, je suis heureuse de pouvoir vous encourager à découvrir ces artistes en concert, si vous en avez l’occasion. Il était grand temps de renouer avec les spectacles », a déclaré Melissa Vincent, représentante du jury du Polaris.
À la suite du dévoilement des 10 albums en nomination pour le Prix Polaris 2022, CBC Music lancera bientôt son « été de la courte liste » avec une vaste programmation consacrée aux œuvres finalistes et aux artistes qui les ont créées. Tous les dimanches du 17 juillet au 18 septembre, à 18 h (18 h 30 HT), A. Harmony animera la série radio THE TEN, qui proposera chaque semaine une heure spéciale axée sur l’un des 10 albums finalistes, en prévision de l’annonce de l’œuvre gagnante. Le premier épisode de THE TEN présentera Shad, le seul artiste à avoir figuré sur la courte liste du Polaris à cinq reprises.
À compter du lundi 18 juillet, CBC Music diffusera également Shortlist Shortcuts, une série éditoriale de cbcmusic.ca dont chaque épisode mettra en lumière une chanson importante tirée d’un album finaliste, telle que racontée par l’artistes qui l’a créée. Cette série sera accompagnée de vidéos animées par les artistes qui se pencheront sur chaque chanson, et sera partagée sur les pages TikTok et Instagram de CBC Music. Suivez CBC Music sur Instagram, TikTok, Twitter et Facebook pour découvrir plus de contenu associé au Prix de musique Polaris ainsi qu’aux albums et artistes en nomination sur la courte liste.
Calendrier de diffusion de THE TEN:
Dimanche 17 juillet – Diffusion de The Ten: Shad sur CBC Music et CBC Listen
Dimanche 24 juillet – Diffusion de The Ten: Kelly McMichael sur CBC Music et CBC Listen
Dimanche 31 juillet – Diffusion de The Ten: Ombiigizi sur CBC Music et CBC Listen
Dimanche 7 août – Diffusion de The Ten: Lisa Leblanc sur CBC Music et CBC Listen
Dimanche 14 août – Diffusion de The Ten: Snotty Nose Rez Kids sur CBC Music et CBC Listen
Dimanche 21 août – Diffusion de The Ten: Hubert Lenoir sur CBC Music et CBC Listen
Dimanche 28 août – Diffusion de The Ten: Ouri sur CBC Music et CBC Listen
Dimanche 4 septembre – Diffusion de The Ten: Pierre Kwenders sur CBC Music et CBC Listen
Dimanche 11 septembre – Diffusion de The Ten: Charlotte Day Wilson sur CBC Music et CBC Listen
Dimanche 18 septembre – Diffusion de The Ten: Destroyer sur CBC Music et CBC Listen
Pour la première fois depuis 2019, l’album gagnant sera dévoilé en direct lors du gala Polaris qui se tiendra au Carlu de Toronto, une salle ayant accueilli des artistes comme Glenn Gould, Billie Holiday, Frank Sinatra et de multiples événements Polaris.
Le Prix de musique Polaris remet 50 000 $ à l’artiste ayant créé l’album canadien de l’année, jugé uniquement sur sa valeur artistique et sans considération pour le genre musical ou la popularité commerciale. Les neuf autres artistes en nomination, dont les albums figurent sur la courte liste de 2022, recevront 3 000 $, une gracieuseté de Slaight Music. De plus, le Prix de musique Polaris s’est associé à Play MPE pour offrir à l’artiste derrière l’album lauréat un forfait mondial pour la distribution et la promotion d’une parution musicale (simple ou album) d’une valeur maximale de 3 025 $ CA. Play MPE offrira également aux neuf autres artistes de la courte liste des forfaits de distribution d’une valeur maximale de 1 000 $ CA.
Les albums admissibles au Prix de musique Polaris 2022 doivent être parus entre le 1er mai 2021 et le 31 mai 2022. Un jury indépendant composé de membres des médias musicaux de tout le Canada détermine la longue et la courte liste. Onze personnes parmi les membres du jury sont ensuite choisies pour faire partie du grand jury. Ce grand jury se réunit lors du gala Polaris pour choisir l’album lauréat du Prix de musique Polaris.
Les gagnant.e.s antérieur.e.s sont Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) et Final Fantasy / Owen Pallett (2006).
Saison 2022 des événements du Prix de musique Polaris :
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux événement de révélation des albums lauréats, le gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné.e.s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est un organisme à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans égard pour le genre musical ou la popularité commerciale. www.polarismusicprize.ca
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant.e.s du prix secondaire de 3 000 $ offert par Slaight
Music
2 gagnant.e.s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au
pays
Plus de 200 participant.e.s au jury annuel
1 000 invité.e.s au gala annuel
831 000 $ en prix remis aux musicien.ne.s
160 nommé.e.s de la courte liste bénéficient d’une attention médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
À propos de CBC/Radio-Canada
CBC/Radio-Canada est le diffuseur public national du Canada. Grâce à notre mandat de renseigner, d’éclairer et de divertir, nous jouons un rôle central pour renforcer la culture canadienne. En tant que source d’information de confiance au pays, nous proposons un point de vue typiquement canadien sur les nouvelles, affaires publiques et affaires internationales. Notre programmation de divertissement, distinctive et créée par les talents d’ici, rassemble de larges auditoires partout au pays. Profondément enracinée dans les communautés, CBC/Radio-Canada offre des contenus diversifiés en français, en anglais et en huit langues autochtones. Nous présentons aussi des contenus en espagnol, en arabe, en chinois, en punjabi et en tagalog, en plus des deux langues officielles, par le biais de Radio Canada International (RCI). Nous demeurons à l’avant garde du changement pour répondre aux besoins des Canadien.ne.s à l’ère numérique.
À propos de CBC Music
CBC Music est le plus important curateur de musique canadienne émergente et diversifiée sur toutes ses plateformes et le plus grand diffuseur d’artistes du Canada de tous genres musicaux par le biais de la radio, de CBC Listen et cbcmusic.ca. Nous mettons l’accent sur un vaste éventail d’artistes canadien.ne.s dans plus de 200 listes de lecture offertes par CBC Listen, en plus de couvrir quotidiennement l’actualité musicale. CBC Music Live offre des captations de concerts musicaux réalisés dans toutes les régions du pays. La liste de nos partenaires musicaux et événementiels comprend les Prix JUNO, le Prix de musique Polaris, Searchlight, le CBC Music Festival, le Canadian Music Class Challenge et Canada Listens. www.cbcmusic.ca
À propos de Play MPE
Play MPE est la principale plateforme de distribution, de promotion et de découvertes musicales au monde. Desservant aujourd’hui plus de 100 pays et disponible en plusieurs langues, elle a transformé la façon dont l’industrie musicale diffuse les contenus et accède à ceux-ci. Play MPE assure la distribution et la promotion musicale pour des milliers de maisons de disques, promoteurs et artistes en les mettant en lien avec une communauté croissante d’instances décisionnelles de l’industrie musicale. Les listes de distribution convoitées de Play MPE comprennent : la radio, la diffusion satellite, les médias ou blogues, les superviseurs musicaux, les conservateurs musicaux et plus encore. Parmi sa clientèle internationale de longue date figurent Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard et plusieurs autres. www.plaympe.com
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Matériel promo (Logos du Polaris, pochettes d’albums, biographies, photos, audio) :
polarismusicprize.ca/media
Mot de passe : m3d1a
HELLRAISER-INSPIRED TEARS OF ECSTASY VIDEO NOW PLAYING AT DECIBEL
PRE-ORDERS AVAILABLE NOW
“...few possess the songwriting smarts and technical proficiency of RHYTHM OF FEAR.”
– No Echo
Toronto, ON – July 15, 2022 – Crossover thrash metal outfit and recent MNRK Heavy signees, RHYTHM OF FEAR, will unleash their first new full-length album in five years with Fatal Horizons on October 14th, revealing the record’s cover art, track listing, first single, and pre-orders. View RHYTHM OF FEAR’s Tears Of Ecstasy video, now playing at Decibel Magazine, here. Fatal Horizons will be available on CD, LP, cassette, and digitally. Find preordering options here.
RHYTHM OF FEAR worships at the altar of thrash metal and crossover. Summoned from the sadistic swamps of Jacksonville, in the heavy metal-rich soil of the state of Florida, the masters of gargantuan groove conjure a reverence for the form unrivaled by their peers. Committed to unrelenting riffage, RHYTHM OF FEAR gleefully reinvigorates the timeless collision of speed, musicianship, and attitude.
Unapologetic bangers like Dark Energy and Ten Theories quickly became underground classics to a growing legion of like-minded supporters who snapped up the band’s 2011 demo, the Mass Illusion EP (2015), and full-length debut, Maze Of Confusion (2016). The appetite for devastation only intensified with the Ritual Dementia EP (2019), featuring Vortex Of Torment, and RHYTHM OF FEAR’s impassioned take on Over And Out, a deep cut from the early power metal years of Pantera.
Now the band threatens to conquer the hearts and minds of all in metaldom with the vitriolic, thrashtastic, circle-pit-inciting Fatal Horizons, a sophomore slab of cleverly crafted crossover frenzy. Produced, engineered, and mixed by Joey Jones (Royal Thunder, Cloak) with sci-fi/horror artwork from Mario Lopez (Toxik, Skeletal Remains, Evil Invaders), Fatal Horizons’ thirteen-tracks are richly thematic and devilishly accessible in equal measure.
With the record’s first single, the aptly titled, Tears Of Ecstasy, now playing at Decibel Magazine, the band gleefully reinvigorates the timeless collision of speed, musicianship, and attitude. The track is loosely based on Clive Barker’s Hellraiser, and holds nothing back while racing forward in a full-frontal assault.
Comments the band, “When writing the music for Tears Of Ecstasy, we felt we had a song that took us in a new direction. We were careful not to force anything but allowed ourselves to naturally flow into the overall vibe. When we felt the structure was ready for lyrics we took inspiration from Hellraiser. We summoned the spirit of the Hell Priest himself while channeling our inner Cenobites and put together some words of violence, aggression, and seduction. It’s a little homage to a favorite film of ours while asking the age old question: ‘are you willing to die for pleasure?’ Are you?”
RHYTHM OF FEAR’s degree of excellence owes much to the more widely recognized genre forebearers. But perhaps just as crucially, the band – Jay Santiago (vocals), Cody James (guitar), Logan Miano (drums), and Justin Styron (bass) – devours a wide range of diverse and obscure metal bands to craft their own brew. “Sanctuary, Sacrifice, Midas Touch, I could go on and on,” Santiago gushes. “Of course, there are the Big 4 bands everybody gravitates toward, but we tend to go for the stuff not as many people know.”
Chief among those influences is a crucial group of bands active from the late ‘80s to the early ‘90s, whom RHYTHM OF FEAR lovingly refers to as “the trinity,” namely Chicago’s Cyclone Temple (and the ashes of the band Znöwhite), Seattle powerhouse Forced Entry, and Slammer, from the UK. “On Fatal Horizons, we’ve come even more into our own,”Santiago notes. “Maze Of Confusion was very thrash metal and very hardcore driven. Aside from our lead guitar player, all of us grew up in the hardcore scene. We established ourselves as a true crossover band, with fast metal parts and funky hardcore grooves. There’s still a bit of groovy flavour, but Fatal Horizons is even thrashier.”
Alien abduction, magic rituals, and the occult pepper their songs with personality and spirit. Fatal Horizons delves deeper into the human psyche with relatable themes of depression, addiction, and anger. The justice system and politics are targets within the framework of broader fantasy metaphors.
Album opener, Obsolescence, confronts addiction. Alien Synthesis is about the aftermath of the abduction. The title track puts the listener at the center of a black hole. Parasomniac details Santiago’s struggles with the sleep disorder EHS, aka Exploding Head Syndrome, which awakens sufferers with imagined sounds. The simulation hypothesis is at the heart of Simulated Times, inspired by one of Santiago’s dreams. There are instrumental interludes throughout Fatal Horizons, synergizing the cosmic themes of mortality. Ceremony Of Sacrifice closes it all with an exploration of Mayan and Aztec mythology.
Rather than simply rehash the past, RHYTHM OF FEAR absorbs and examines metal history’s greatest strengths, reassembling the parts into a fresh Frankenstein forged by the band’s unique identity and experience. “A barrage of distinctive thrash metal and heavy metal rhythms,” wrote The New Fury. Or, as Metal Crypt put it even more succinctly, “This is straightforward, merciless, [and] in-yer-face.”
Fatal Horizons Track Listing:
1. Obsolescence
2. Alien Synthesis
3. Disintegration Of Reality
4. Fatal Horizon
5. Atrocities Beyond The Structures Of The Mind
6. Parasomniac
7. Insidious System
8. Self Destructive Brain
9. Dissolution Of Time In Space
10. Simulated Times
11. Tears Of Ecstasy
12. Oath Made In Hell
13. Ceremony Of Sacrifice
RHYTHM OF FEAR Live:
9/03/2022 Archetype - Jacksonville, Fl w/ Fulci
9/04/2022 Brass Mug - Tampa, Fl w/ Fulci
9/07/2022 Will's Pub - Orlando, Fl w/ Fulci
9/08/2022 Lodge Of Sorrow - Savannah, GA w/ Fulci
9/20/2022 1904 Music Hall – Jacksonville, FL w/ Exodus, Death Angel
RHYTHM OF FEAR:
Jay Santiago – vocals
Cody James – guitar
Justin Styron – bass
Logan Miano – drums
DOWNLOAD - Fatal Horizons Artwork | DOWNLOAD - Press Photo by Marcus Marino
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. mnrk.com.
WATCH THE MUSIC VIDEO HERE
DEBUT ALBUM NOW SET TO BE RELEASED AUGUST 19
On the new single, Kandle and Neil offer: “Shake N’ Shudder is an Americana groovy number about Baby K’s lover moving on and leaving her in the dust like a lonely withered cactus in the desert. Written on the fly via dad and daughter sending voice notes across the country and tracking DIY in the basement - It’s a Texas blues inspired shuffle with a little San Antonio slide guitar!”
Kandle further adds: "My director said to me the other day that Neil’s style of directing and editing (which is completely self taught) is basically what every young hipster is trying to achieve by going super weird and lofi and Neil somehow just creates it effortlessly without giving a damn about rules or trends.”
Is it a dance? Is it an emotion
Is it physical? Is it whimsical?
Yes, yes, yes, yes & yes.
Q: Why is love so is tough?
A: Because it makes you Shake n’ Shudder.
‘Mama says I’m fine I’m just low and feeling rough.’” – Neil Osborne
Their live show dialogue and antics play out the millennial version of “A Father Knows Best” story that reveals their creative infection and family affection through stage antics and banter that's as hilarious as it is rock n roll - the perfect melting pot for desert rock earworms. Their first show ever was in June at Toronto’s infamous El Mocambo for Canadian Music Week and thereafter the group toured across Ontario for a slew of shows that included stops at Fenelon Falls’ Grove Theatre, Owen Sound’s Heartwood Hall and back in Toronto at The Dakota Tavern.
A Family Curse is often joined on stage by a support cast of various cousins, uncles and aunts of the Osborne clan which leads to their signature sound and performance… stay tuned for more from A Family Curse as their journey unfolds and gathers steam this summer!
About Neil Osborne:
As lead singer and chief songwriter of 54•40, Neil Osborne has achieved critical acclaim, released more than a dozen albums and weathered the fickle music business for more than four decades. As a songwriter, Osborne has penned such fabulous signature 54•40 songs as I Go Blind, One Day In Your Life, One Gun, Since When and Ocean Pearl, which have crossed from the realm of rock to a broader base.
About Kandle Osborne:
Kandle has established a strong independent career and has made her mark as a powerful songwriter as evidenced on her latest album, Set The Fire. Her Bond-inspired masterpiece for Lock and Load was nominated for a Canadian Independent Video Award. Her debut album, In Flames, was an instant success and went on to gain a JUNO nomination and win a Prism Prize Award.
ANNOUNCES GAPS EP OUT SEPTEMBER 16 VIA LOMA VISTA RECORDINGS
HEAR THE ELECTRONIC-INFUSED TRACK WITH
CONGOLESE INSPIRED BEATS HERE
CONFIRMED FOR MAJOR LEAGUE SOCCER ALL-STAR CONCERT PERFORMANCE WITH KHALID IN MINNEAPOLIS + TOUR WITH COIN KICKING OFF IN SEPTEMBER
PERFORMING @ BABY’S ALL RIGHT W/ BOOYAK KIDS
& CHRISTELLE BOFALE ON SEPTEMBER 25
TICKETS GO ON SALE THIS FRIDAY @ 10AM EST
“Transcendent” - NPR, Slingshot’s 2022 Artists to Watch
“The kind of music you can imagine beaming out from a festival stage during the twilight time slot” - GQ AU’s 21 Breakout Musicians to Know in 2021
"Upbeat, effervescent track that celebrates love and joy" - Teen Vogue
"'Apt for dancing on a rooftop in Brooklyn as it is for sailing off the coast of Djerba" - MTV
“Blissed out” - The FADER
"Indie rocker Miloe has been turning heads recently with his sun-soaked music"
- UPROXX
“Pure bliss” - Alt Press
“Lovely” - DORK
“Sublime” - Cool Hunting
“Standout” - Stereogum
“Exciting, emotional” - Paste
TORONTO, ON – July 13, 2022 - Today, Miloe who makes deftly-produced tracks uniting traditional Congolese beats of his roots with American bedroom-pop announces his upcoming EP Gaps alongside single, make ur way, via Loma Vista Recordings. 80purppp lends a silky smooth verse to the track, blending seamlessly with Miloe’s harmonically rich vocals – both fit to make for a carefree Summer hit. Listen to make ur way featuring 80purppp here.
Of the track, Miloe says “Make ur way your way came through exploring dance hall and EDM vibes in garageband in early lockdown. The organic nature of the instrumental and sounds made me think of 80purppp. I was blown away by the beautiful chorus of harmonies and the gentleness in his delivery when he sent me his verse.”
make ur way follows singles, floating, that was accompanied by a trippy video filmed in The Tunnel of Terror in Minnesota. Both tracks were preceded by singles, elastic, which UPROXX described as “flittering [and] intimate” and where u are, which received critical praise from Teen Vogue and MTV, and hit single, Winona, that was later reimagined featuring Jamila Woods and Vagabon.
Miloe is the musical project of Bob Kabeya, a 21-year old artist based in Minneapolis. Growing up in the Democratic Republic of Congo, the sonic imprint of Miloe’s days there stayed palpable when his family made the 7000 mile journey to Minneapolis to join their father, who had been granted asylum three years prior. Suddenly dropped into the land of such punk legacies as Husker Dü, The Replacements, and Soul Asylum and Prince, Bobby’s musical destiny had perhaps unwittingly been cut out for him. While working his way through the Twin Cities’ basement show circuit, Kabeya chipped away at Miloe’s debut EP. After a member of Beach Bunny discovered his music, Miloe was asked to open for the skyrocketing Chicago band at a Minneapolis gig. Following a marathon three-day studio session with Hippo Campus’ Jake Luppen transformed a handful of demos Kabeya had stashed away into the Greenhouse EP, which was eventually released in October 2020. The project showcased a sunnier, pop-oriented side to Miloe. He nabbed a hit with lead single, Winona, which was later gilded with vocals from Jamila Woods and Vagabon on a 2021 remix.
Gaps Tracklist:
1.where u are
2.elastic
3.rewind ft. Paw Paw Rod
4.gaps
5.floating
6.make ur way ft. 80purppp
Tour Dates:
8/8 – Minneapolis, MN - 8/8 MLS All Star Game#
9/20 - The Fillmore - Detroit, MI^
9/21 - Old National Creature - Indianapolis, IN^
9/23 - MGM Music Hall At Fenway - Boston, MA^
9/24 - The Dome @ Oakdale Theatre - Wallingford, CT^
9/25 – Brooklyn, NY @ Baby’s All Right*
9/26 - The National - Richmond, VA^
9/27 - The Norva - Norfolk, VA^
9/28 - Greenfield Lake Amphitheater - Wilmington, NC^
9/30 - The Ritz - Raleigh, NC^
10/1 - The Fillmore - Charlotte, NC^
10/4 - Jannus Live - St Petersburg, FL^
10/6 - Revolution Live - Fort Lauderdale, FL^
10/7 - Hard Rock Live Orlando - Orlando, FL^
# w/ Khalid
^w/ COIN
*w/ The booyah! Kids and Christelle Bofale
*w/ Goth Babe
^w/ COIN
DOWNLOAD - Gaps EP Art | DOWNLOAD - Hi Res Press Photo
Miloe on TikTok
OFF LONG AWAITED SOLO DEBUT GOTHIC LUXURY OUT AUGUST 26 VIA LOMA VISTA RECORDINGS
TWO INTIMATE SHOWS IN LA AND NY SOLD OUT
Toronto, ON – July 13, 2022 – Having recently announced the release of his debut album, Meechy Darko, one third of Brooklyn’s critically acclaimed hip hop group Flatbush Zombies, shares another powerful new track, Get Lit or Die Tryin’, featuring Meechy’s signature raspy vocals flowing alongside a serpentine beat. The song was co-produced by Dot Da Genius and theycallmeParker. Its accompanying video was directed by Meechy Darko and Ancillary Fund (Megan Thee Stallion, Machine Gun Kelly, Flatbush Zombies). Listen to Get Lit or Die Tryin’ and watch the video here.
Get Lit or Die Tryin’ follows the previously released, Kill Us All (K.U.A.), both found on Meechy’s long awaited debut solo album Gothic Luxury. The album, executive produced by Dot Da Genius and mixed by GRAMMY Award-winning Neal PoguI, will be released on August 26th via Loma Vista Recordings. Pre-save / pre-add Gothic Luxury now here. Listen to Kill Us All (K.U.A.) and watch the video here.
For Meechy, stepping out of his comfort zone to create this extremely personal debut was a fait accompli decided for him by external forces, after the killing of his father in early 2020 at the hands of the Miami police. Working with Dot Da Genius shook up his usual creative process resulting in an album that includes drawn-out piano intros and laid-back funk melding with dark mini-symphonies. There’s a through line of brutal honesty and catharsis that continues to find Meechy Darko among the rawest and most candid rappers in the game.
Meechy also recently announced two intimate shows in Los Angeles and New York, both now sold out, with more tour dates to be announced soon.
Meechy Darko / The Not So Secret Secret Shows
July 20 - Los Angeles, CA @ The Peppermint Club - SOLD OUT
August 3 - Brooklyn, NY @ Baby’s All Right - SOLD OUT
DOWNLOAD - Press Photo by ZEITWEITZ | DOWNLOAD - Get Lit Or Die Tryin' Art
Follow Meechy Darko on TikTok
NEW ALBUM LET ME OUT TO RELEASE THIS FALL
ON TOUR THIS SUMMER ACROSS CANADA THE UNITED STATES AND EUROPE
SUPPORTING MARTIN GARRIX WITH PERFORMANCE
AT COLOURS OF OSTRAVIA ON JULY 16
TORONTO, ON – July 13, 2022 – Prolific Ukrainian Canadian folk-noir band, Balaklava Blues, unveil a powerful new single called SWALLOW today. The song is accompanied by a video, which is the second in a series of moving, cinematic B&W visual pieces they have released since the beginning of Russia's invasion of Ukraine. Continuing their path in creating an unparalleled signature sound, the track blends traditional "white voice" polyphony with a diverse array of sonic elements, heavy prose, 808s and other electronic influences.
The song takes its name from its hero, a songbird who is trying to survive in a dangerous predatory world. The message is straightforward: "we WILL fly; you WILL NOT land here." SWALLOW follows the band’s trajectory of drawing inspiration from folk tradition and experiences of revolution and war. Listen to SWALLOW and watch the video here.
"We (Ukrainians) have a deep tradition of turning tragedy into self-expression, beauty and empowerment. When war doesn’t let you sleep, you scream your lullabies in your enemy’s face," adds Balaklava Blues.
SWALLOW follows their March release, Shelter Our Sky; both were filmed and directed by Pedja Milosavljević of Balkanada. Both tracks are highlights of what is to follow on their forthcoming sophomore full length album, LET ME OUT, set to release this fall. The release also marks an exclusive preview to Balaklava Blues' biggest performance ever— a Saturday night main stage slot at Colours of Ostrava, the biggest Czech festival, supporting Dutch DJ Martin Garrix, where an audience of 40K people has gathered in previous years of the event. An extensive summer tour leading up to release of LET ME OUT will follow - see below for all details.
Mark and Marichka Marczyk met during the Revolution of Dignity in 2014 and left the eastern front after combat medic training to fight on the cultural front showcasing Ukrainian music, language and culture globally. Known for their steadfast support and fundraising efforts, they launched their ONLY FARE refugee aid campaign with Toronto photographer, Peter Lusztyk, at the start of the 2022 Russian invasion of Ukraine. To date, they have raised over $75K with t-shirt and print sales. In addition, they have helped raise over $1/2 million in fundraising shows all over North America —the band pledges to continue this until the war is over.
Balaklava Blues' repertoire and live show is motivated and inspired by a deep connection of Ukrainian roots and its relationship to/reaction against Russian aggression. They recently won a Stingray Rising Star Award for best showcase at Mundial Montreal and enjoyed 4 sold out shows at the Barbican Centre in London, where they wrote and performed the live score to Belarus Free Theatre's Dogs of Europe, a dystopian epic based on a scenario not dissimilar to what has been unfolding in Ukraine.
Balaklava Blues just rocked two Ontario festival performances at Northern Lights Festival Borealis - Sudbury, and Kultrun World Music Festival in St. Jacobs and won the Jackie Washington award for contribution to Northern Ontario's arts scene and embodiment of the spirit of the 50th year old Northern Lights Festival. See below for all upcoming dates and don't miss Balaklava Blues when they perform in your city!
DOWNLOAD - Summer 2022 Tour Posters
Balaklava Blues Tour Dates
July 16 - Colours of Ostrava - Ostrava, Czechia
July 17 - Harrison Festival of the Arts - Harrison Hot Springs, BC
July 18 - Folk Night for Ukraine - San Diego, CA
July 20 - Balaklava Blues & Puuluup - Puuluup Vancouver, BC
July 21 - Balaklava Blues at Victoria Event Centre - Victoria, BC
July 24 - Surrey Fusion Festival - Surrey, BC
August 26 - Pop Montréal - Montréal, QC
August 27 - Tam Tam Macadam - Alma, QC
September 1 - Festival De Musique Émergente - Rouyn-noranda, QC
September 2 - Festi Jazz international de Rimouski - Rimouski, QC
September 4 - Mondo Karnaval - Québec City, QC
September 18 - Balaklava Blues at The Cedar Center - Minneapolis, MN
September 20 - Balaklava Blues at Heyde Center - Chippewa Falls, WI
DOWNLOAD - SWALLOW Artwork
DOWNLOAD - Balaklava Blues Press Photos by Zahra Saleki (@zahrasaleki)
HEADLINING HOMETOWN SHOW IN TORONTO ON AUGUST 9 AT THE DRAKE HOTEL
NEW EP THE CEILING COULD COLLAPSE
OUT THIS FRIDAY VIA FANTASY
TORONTO, ON – July 12, 2022 – Today, emerging Toronto-based artist, Rachel Bobbitt, shares Watch and See, a fantastic and rippling track that features scorched guitar lines frayed underneath an aching chorus. This song follows the previously released More, What About The Kids, Gemini Ties, and Bandages, and serves as the final preview before the release of her forthcoming EP, The Ceiling Could Collapse, out this Friday, July 15 on Fantasy Records. Watch the visualizer for Watch and See here and pre-order The Ceiling Could Collapse here.
“Watch and See is a song about attempting to connect through moments of dissociation,” Bobbitt explains. “Trying to use bits of phrases, visual landmarks & physical sensations to bring myself back to the present moment.”
The Ceiling Could Collapse, which Bobbitt co-produced with Justice Der and was mixed by GRAMMY-nominee, Jorge Elbrecht, was a long time coming. Bobbitt made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired. “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” She soon found herself at a jazz program, before leaving it during the pandemic to focus on her own music.
The EP centres on the cycles of life and how we find meaning in extremes: pain, joy, wonder, love. “Every woman I’ve ever talked to is in some amount of pain almost all the time,” she says. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.”
In addition to music, Bobbitt draws those same feelings from horror films—and actually pulled the title to this EP while reading the script to 2018’s Hereditary. A deleted scene offered a revelation: “We need to accept that we can’t have our minds fixated on all these things that could happen, and we need to move on—but also the ceiling could just collapse,” Bobbitt says and laughs. More than unpredictability, it’s the endless repetition of life that suggests both things are true, that there’s no reason to worry and something terrible is about to happen. The ceiling collapse may be inescapable, but once it’s gone, there’s just more room for the sunrise to peek through.
After recently wrapping up tour dates supporting Indigo De Souza and Sunflower Bean, Bobbitt will perform a run of shows in support of Men I Trust, followed by her first headlining concert at home in Toronto on August 9 at The Drake Hotel. See below for all tour details.
TOUR DATES:
8/4 - Woodstock, NY @ Colony *
8/6 - New York, NY @ Mercury Lounge ~
8/7 - S. Burlington, VT @ Higher Ground Ballroom *
8/9 – Toronto, ON @ The Drake Hotel
* w/ Men I Trust
~ w/ Bad Bad Hats
SUFFER VIDEO NOW PLAYING AT METAL INJECTION
TORONTO, ON – July 8, 2022 – Detroit death thrashers, PLAGUE YEARS, today drop a surprise EP, All Will Suffer, via MNRK Heavy alongside a new video for the track, Suffer!
PLAGUE YEARS is a band every devotee of thrash, crossover, and death metal should know. Citing the group's Kreator, Sodom, and Slayer vibe with "a touch of evil," tastemaker metal magazine Revolver gushed that the band is "genuinely mean." In nuclear-sized fusion with thrash throwbacks like Dark Angel, the unrelentingly crushing quartet pays homage to hardcore-punk Michigan forebearers' Negative Approach in attitude and gritty local gangster rappers in spirit.
A self-titled EP filled with spite and furious anger introduced PLAGUE YEARS to the world in 2017. Metal Temple declared the following year's Unholy Infestation EP the best modern thrash record of 2018. Both early outbursts laid the brutal foundation for 2020's gargantuan full-length and debut for MNRK Heavy, Circle Of Darkness. In a glowing 10/10 review, Metal Injection called it "nothing short of a modern thrash classic,” serving as a stern reminder of why support from the band's peers was swift and decisive. (Fellow Great Lakes metalhead, the late Trevor Strnad of The Black Dahlia Murder, posted about the band on Instagram, which caught the attention of Toxic Holocaust mastermind Joel Grind. Soon after, PLAGUE YEARS signed with MNRK Heavy).
That following year, vocalist Tim Engelhardt, guitarist Eric Lauder, bassist Rian Staber, and drummer Mike Jurysta buckled down in the midst of a real-world plague and did what they do best. Conjuring four new cuts of death thrashing mania, PLAGUE YEARS returns with a vicious EP called All Will Suffer.
All Will Suffer’s guitars, bass, and vocals were tracked by Lauder while Shaun O'Shaughnessy (Sanguisugabogg) engineered the drums. Mixing duties were handled by Roger Camero (Night Demon, Grave Maker, The Warriors) and mastering by Erol Ulug (Sleeping Giant, Teeth, The Great Commission). The EP boasts the same ripping intensity familiar to PLAGUE YEARS fans lucky enough to have seen them on tour, alongside bands including The Black Dahlia Murder, Skeletal Remains, Exhorder, and Somnuri.
Comments Lauder, “We wanted this record to be a darker and heavier version of ourselves, trying to blur the line even more between thrash and death metal. All Will Suffer is relentless from start to finish and is a prelude of what’s to come.”
All Will Suffer is available now on CD, LP, and digitally. Find all ordering options here.
All Will Suffer EP Track Listing:
1. Make You Mortal
2. Suffer
3. Reality Of Filth
4. Cursed
Like the beloved neo-thrashers Power Trip, PLAGUE YEARS mines the glory days of thrash. But their postmodern version adds down-tuned guitars, death metal elements, hardcore vocals, and massively muscular riffage. It's like the noisy rage of classic Sepultura combined with the might of Obituary. The devilish, down-tuned, death-worship of PLAGUE YEARS serves as a demonic calling card for the Motor City foursome. It's a brutal counterbalance to their otherwise like-minded metal revivalists.
Tim Engelhardt – vocals
Eric Lauder – guitar
Rian Staber – bass
Mike Jurysta – drums
OUT JULY 22 ON FANTASY RECORDS
TORONTO, ON - July 8, 2022 - Today, Zooey Deschanel (She) & M. Ward (Him) released the fourth single, Don’t Worry Baby, from their upcoming album, Melt Away: A Tribute to Brian Wilson, out July 22, 2022 via Fantasy Records. Don't Worry Baby appeared on The Beach Boys’ March 1964 album, Shut Down Volume 2. Written by Brian Wilson and Roger Christian, Wilson's lead vocal on the track is considered one of his defining performances, and he later referred to Don't Worry Baby as perhaps the Beach Boys' finest record. Darlin', Wouldn't It Be Nice & Til I I Die were the first three singles to be released from Melt Away.
Watch the Visualizer for She & Him’s Don’t Worry Baby here. Pre-order Melt Away: A Tribute To Brian Wilson here.
“Don't Worry Baby is one of the greatest songs of all time. As with all the other songs on our tribute record, we had no interest in copycatting the original production - our version began with stripping the song down to just vocals and a drop-tuned acoustic guitar and building from there. The inspiration for our version comes from a lot of different places but the biggest ones would be some of Chet Atkins guitar ideas, some drum ideas from Mick Fleetwood, and some synth inventions by Dave Smith (RIP),” Zooey and Matt shared about the single.
She & Him’s seventh studio album is a loving, LP-length tribute to one of the greatest living American songwriters and singers, Brian Wilson. Melt Away: A Tribute to Brian Wilson finds Zooey Deschanel and M. Ward diving deep into the legendary artist’s extensive songbook, offering fascinating and delectable new spins on time-honoured classics and overlooked gems alike. These fourteen covers are infused with the familiar magic that She & Him fans know and love, opening a new window into Wilson’s iconic catalog. Wilson even features on a song with Zooey and M. Ward for the album, Do It Again. The band have enjoyed a friendship, and mutual appreciation, with Wilson over the years and She & Him was previously a guest vocalist on his 2015 album, No Pier Pressure.
“In the spring of 2020, we started a list of our favorite Brian songs — a very long list,” the duo explains. “We chose songs without any regard to their chart performance. The obscure ones hit us just as hard as the more popular songs — and all are ripe for re-imagining, re-interpreting, and re-inventing. Brian writes songs of beauty and loneliness and vulnerability better than anyone — and by sequencing them next to popular songs of confidence and love and fun, it creates a more complete picture of life on earth.”
Brian Wilson comments on Melt Away: “Zooey and Matt did such mind-blowing versions of our songs. The harmonies are beautiful and right on. I love this record!”
TRACK LIST:
1.Darlin’
2.Wouldn’t It Be Nice
3.Til I Die
4.Deirdre
5.Melt Away
6.Good To My Baby
7.Don’t Talk (Put Your Head On My Shoulder)
8.Don’t Worry Baby
9.This Whole World
10.Kiss Me, Baby
11.Do It Again ft. Brian Wilson
12.Heads You Win, Tails I Lose
13.Please Let Me Wonder
14.Meant For You
Melt Away is Deschanel and Ward’s follow-up to 2016’s holiday album Christmas Party, and it marks their second record of non-holiday covers since 2014’s Classics, which topped Billboard’s U.S. Folk Albums chart on release. It’s the latest display of remarkable talent from She & Him, who have wowed listeners for over 15 years with their gorgeous and warm indie-pop. As Deschanel’s maintained a successful acting career and Ward’s continued his own singular solo career as a producer and singer-songwriter, the duo continues to sound like the perfect match in the studio—with Deschanel’s dramatic vocals pairing with Matt’s textured, tuneful arrangements and production.
Tickets for She & Him’s upcoming Fall tour are available at sheandhim.com.
NEW FALL TOUR DATES
09.09.22 - Vienna, VA - Wolf Trap
09.10.22 - Boston, MA - House of Blues
09.11.22 - Portland, ME - State Theatre
09.13.22 - Brooklyn, NY - Brooklyn Steel
09.14.22 - Philadelphia, PA - The Fillmore
09.16.22 - Grand Rapids, MI - Meijer Gardens
LATEST SINGLE FROM UPCOMING EIGHTH STUDIO ALBUM
JOINED BY OFFICIAL PERFORMANCE VIDEO – WATCH
UPCOMING LIVE SCHEDULE INCLUDES HEADLINE DATES,
FESTIVAL PERFORMANCES, SUMMER RUN WITH THE HEAD AND THE HEART, AND CO-HEADLINE COLLABORATIVE TOUR WITH BAHAMAS
TORONTO SHOW ON SEPTEMBER 16
MISADVENTURES OF DOOMSCROLLER
ARRIVES VIA ROUNDER RECORDS ON FRIDAY, JULY 22
TORONTO, ON - July 8, 2022 - Acclaimed Los Angeles-based rockers, Dawes, have shared Ghost In The Machine, available now via Rounder Records at all DSPs and streaming services. An official performance video – directed by Caitlin Gerard at Hollywood, CA’s historic EastWest Studios – premieres today via YouTube. Listen to Ghost In The Machine, and watch the official performance video here.
Ghost In The Machine heralds the long awaited arrival of Dawes’ upcoming eighth studio album, MISADVENTURES OF DOOMSCROLLER, due everywhere on Friday, July 22. Pre-orders are available now. In addition, a number of exclusive bundles – including Limited Edition Preferred Pink Vinyl w/Optional Exclusive 11x11 Signed Band Photo, Turntable Slipmat, Black Hoodie, White Pocket T, and Socks – are available now at the official Dawes webstore. Pre-order MISADVENTURES OF DOOMSCROLLER here.
“The words to this song are about the early days of a band,” says Dawes frontman Taylor Goldsmith. “Playing small clubs and going on small tours. As hard as it is in the moment, it’s hard not to look back at those times through rose colored glasses. It’s all a lot more romantic now. And it’s also what built our foundational faith in what we do.
“It’s the first time we’ve ever had a song with this kind of feel. We got Jonathan Wilson to play a second drum kit for the live take. Griffin and he switch off taking those drum breaks at the end. The solos were live on the floor and there’s no BGVs so other than extra percussion, a rhythm guitar, and an extra keyboard part, it’s all one live take…Feels like it’s gonna be a mainstay in the live show for a long time to come.”
Dawes will celebrate MISADVENTURES OF DOOMSCROLLER with a non-stop live schedule including headline shows, festival performances, a summer run with The Head and The Heart, and a very special co-headline tour with GRAMMY® Award-nominated Canadian artist Bahamas. “An Evening with Dawes and Bahamas” will see both acts performing together for two unique live sets, with Dawes backing Bahamas and Bahamas then joining Dawes for an unprecedented collaborative performance. The tour begins September 7 at Knoxville, TN’s Bijou Theatre and then travels the US through the month. Other highlights include a once-in-a-lifetime “Tom Petty Dreamset” at Indianapolis, IN’s All In Music & Arts Festival, led by Dawes and featuring a surprise lineup of special guests (September 3-4). For complete details and ticket availability, please visit dawestheband.com/tour.
Produced by longtime collaborator Jonathan Wilson (Billy Strings, Father John Misty, Angel Olsen), MISADVENTURES OF DOOMSCROLLER represents an adventurous new turn for Dawes, evincing a more ambitious, exploratory approach towards recording than ever before. The album includes such recently released singles as Everything Is Permanent, Comes In Waves, and the epic opening track, Someone Else’s Café / Doomscroller Tries to Relax, all available now at all DSPs and streaming services. Official performance videos are streaming now via YouTube.
Listen to Everything Is Permanent, watch the official performance video. Listen to Comes In Waves and watch the official performance video. Listen to Someone Else’s Café / Doomscroller Tries to Relax and watch the official performance video.
JULY
29 – Yuzawa, JP – Fuji Rock Festival *
AUGUST
1 – Austin, TX – ACL Live at The Moody Theater ^
2 – Austin, TX – ACL Live at The Moody Theater ^ (SOLD OUT)
4 – Houston, TX – Lawn at White Oak ^
5 – Dallas, TX – The Pavilion at Toyota Music Factory ^
6 – Oklahoma City, OK – The Criterion ^
7 – Arvada, CO – Arvada Center for the Arts
8 – Salt Lake City, UT – Red Butte Garden Amphitheatre ^
9 – Boise, ID – Outlaw Field at the Idaho Botanical Garden ^
11 – Missoula, MT – KettleHouse Amphitheater ^
12 – Seattle, WA – Marymoor Park ^ (SOLD OUT)
13 – Seattle, WA – Marymoor Park ^
16 – Portland, OR – McMenamins Edgefield Amphitheater ^
18 – Santa Barbara, CA – Santa Barbara Bowl ^
19 – Berkeley, CA – Greek Theatre ^
20 – Los Angeles, CA – Greek Theatre ^
22 – San Diego, CA – Humphreys Concerts By The Bay ^ (SOLD OUT)
23 – San Diego, CA – Humphreys Concerts By The Bay ^
27 – Tisbury, MA – Beach Road Weekend *
28 – Bridgeview, IL – Sacred Rose *
28 – Chicago, IL – Chop Shop (Sacred Rose After Party)
SEPTEMBER
3-4 – Indianapolis, IN – All In Music & Arts Festival *
7 – Knoxville, TN – Bijou Theatre #
8 – Richmond, VA – Brown's Island #
9 – Winston-Salem, NC – Gears and Guitars #
10 – Charleston, SC – The Windjammer #
11 – Wilmington, NC – Greenfield Lake Amphitheater #
13 – Baltimore, MD – Soundstage #
14 – Patchogue, NY – Patchogue Theatre for the Performing Arts #
16 – Toronto, ON - Phoenix Concert Theatre
17 – Hammondsport, NY – Point of the Bluff Vineyards #
18 – Columbus, OH – Athenaeum Theatre #
19 – Iowa City, IA – Englert Civic Theatre #
21 – Bloomington, IL – Castle Theatre #
22 – Lexington, KY – The Burl Outdoors #
23 – Memphis, TN – Overton Park Shell #
24 – Franklin, TN – Pilgrimage Music & Cultural Festival *
* Festival Performance
^ Supporting The Head and The Heart
# “An Evening with Dawes and Bahamas”
About Dawes:
MISADVENTURES OF DOOMSCROLLER marks Dawes’ first new LP following 2020’s Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it “their liveliest, most visceral set yet.” Dawes celebrated with a range of high profile TV appearances, including ABC’s Jimmy Kimmel Live! and CBS’ The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.
Dawes is: T.Z. Goldsmith (guitar, primary vocal), W.Q. Gelber (handmade bass), G.W. Goldsmith (drums, percussion, background vocals), and L.M. Pardini (piano, organ, synthesizers, clavinet, Wurlitzer, guitar, background vocals).
EXPANDED VERSION OF THEIR ACCLAIMED 2021 LP OUT TODAY
SWITCHFOOT ON TOUR THIS SUMMER WITH COLLECTIVE SOUL
Switchfoot’s interrobang (deluxe edition) includes the album’s 11 original tracks along with three b-sides, youth of the young, interrobang, and the sound of holding breath. The deluxe also features two recently released album track remixes, i need you (to be wrong), remixed by the indie-pop group lovelytheband and wolves, remixed by indie-rock band, Sir Sly.
“The making of interrobang, written and recorded during the chaotic uncertainty of 2020, was an experience unlike any that we’ve ever had as a band,” Switchfoot said in a collective statement. “To say that there was a lot to write about would be a laughable understatement. But hard times are often the most inspiring ones, and the making of interrobang was certainly a season of growth and creativity for us as band, yielding a large collection of songs — too many for one album. Or maybe not. interrobang (deluxe) is our chance to include some of our favorite b-sides from the album, and also a couple remixes from friends. We’re so proud of these tunes, and we hope you dig them too.”
Produced by Tony Berg (Phoebe Bridgers, Paul McCartney, Andrew Bird) and mixed by Tchad Blake (Fiona Apple, Arctic Monkeys, Sheryl Crow) Switchfoot’s 12th studio album, interrobang, has been featured by Vulture, Stereogum and Under The Radar who asserted, “A series of nuanced and deeply musical arrangements show that this band once known as punk-infused surf-rockers have matured into something more vital.” The band has previously shared videos for album tracks if I were you, i need you (to be wrong), lost ‘cause, fluorescent and the bones of us which premiered via Alternative Press upon its release last year.
Switchfoot: Jon Foreman (vocals, guitar), Tim Foreman (bass), Jerome Fontamillas (keys, guitar) and Chad Butler (drums) will hit the road this summer for a major tour across America—for the very first time—with Collective Soul. Fans can expect to hear favourites that span Switchfoot’s illustrious 20+ year career and selections from interrobang, released in August of last year.
The shows kick off in Gary, IN on July 15 and includes a hometown date at Cal Coast Credit Union Open Air Theatre in San Diego, CA on August 24. In addition, the tour stops at the YouTube Theatre in Inglewood, CA, and Palladium Times Square in New York. The 40+ date tour wraps up on September 25 in Dallas, TX.
SWITCHFOOT AND COLLECTIVE SOUL SUMMER TOUR:
Fri 7/15 - Gary, IN - Hard Rock Casino
Sat 7/16 - Council Bluffs, IA - Harrah’s Council Bluffs – Stir Cove
Sun 7/17 - Maryland Heights, MO - Saint Louis Music Park
Tue 7/19 - Cleveland, OH - Jacobs Pavilion at Nautica
Wed 7/20 - Columbus, OH - KEMBA Live! – Indoor Music Hall
Sat 7/23 - Fond du Lac, WI - Fond du Lac Fair
Sun 7/24 - Wabash, IN - Honeywell Center
Tue 7/26 - Newport, KY - PromoWest Pavilion at OVATION
Wed 7/27 - Midlothian, VA - Chesterfield AfterHours
Sat 7/30 - Grantville, PA - Penn National Racecourse – Hollywood Casino
Sun 7/31 - Hampton, NH - Hampton Beach Casino Ballroom
Tue 8/2 - Silver Spring, MD - The Fillmore Silver Spring
Wed 8/3 - Huntington, NY - The Paramount
Thu 8/4 - New York, NY - Palladium Times Square
Sat 8/6 - Webster, MA - Indian Ranch
Sun 8/7 - Pittsburgh, PA - Stage AE
Mon 8/8 - Jackson, MI - Jackson County Fairgrounds
Sat 8/13 - Billings, MT - MetraPark – First Interstate Arena
Sun 8/14 - Denver, CO - The Mission Ballroom
Mon 8/15 - Sandy, UT - Sandy City Amphitheater
Sat 8/16 - Boise, ID - Knitting Factory *
Wed 8/17 - Jacksonville, OR - Britt Pavilion
Sat 8/20 - Paso Robles, CA - Vina Robles Amphitheatre
Sun 8/21 - Saratoga, CA - The Mountain Winery
Tue 8/23 - Inglewood, CA - YouTube Theater
Wed 8/24 - San Diego, CA - Cal Coast Credit Union Open Air Theatre
Fri 8/26 - Henderson, NV - Sunset Station Outdoor Amphitheater
Sat 8/27 - Flagstaff, AZ - Fort Tuthill Park – Pepsi Amphitheater
Sat 8/28 - Ventura, CA - Ventura Music Hall *
Sat 9/3 - Asheville, NC - The Orange Peel *
Sat 9/4 - Grundy County, TN - The Caverns *
Mon 9/5 - New Haven, KY - The Amphitheater at Dant Crossing
Wed 9/7 - Cary, NC - Koka Booth Amphitheatre at Regency Park
Fri 9/9 - Charleston, SC - The Riviera Theater – Sottile Ballroom
Sat 9/10 - Atlanta, GA - Cadence Park Amphitheatre at Chastain Park
Sun 9/11 - Nashville, TN - Grand Ole Opry House
Tue 9/13 - Jacksonville, FL - Florida Theatre
Wed 9/14 - Clearwater, FL - Ruth Eckerd Hall
Fri 9/16 - Orlando, FL - Hard Rock Live
Sat 9/17 - Pompano Beach, FL - Pompano Beach Amphitheatre
Sun 9/18 - Tallahassee, FL - Donald L Tucker County Civic Center
Tue 9/20 - New Orleans, LA - Mahalia Jackson Theater
Wed 9/21 - Sugar Land, TX - Smart Financial Centre
Fri 9/23 - Austin, TX - Austin City Limits Live
Sat 9/24 - San Antonio, TX - Majestic Theatre
* = Switchfoot solo dates
DOWNLOAD - Artist Photos
ARTISTS FROM WALES, THE NORDICS AND ACROSS EUROPE SET TO SHOWCASE AT THE FESTIVAL
TAKING PLACE SEPTEMBER 28 – OCTOBER 2, 2022 IN CALGARY, ALBERTA
INTERNATIONAL INDUSTRY INSIDERS
TO SPEAK AT THE CONFERENCE
REGISTER FOR BREAKOUT WEST 2022 NOW
RE-WATCH BREAKOUT WEST 2022 HOME EDITION
CALGARY, AB – July 7, 2022 – Western Canada, their neighbours to the east, and friends from overseas will be heading to Calgary, Alberta from September 28 to October 2 for BreakOut West 2022! Together with partners from Wales, Sweden, Iceland, the Nordics and other countries from across Europe, international artists will take to Calgary stages for the music festival this fall.
This marks the first year (and second time in 2022!) that BreakOut West has partnered with Future Echoes – Sweden’s new showcase festival, which kicked off in February 2022 – and Nordic Bridges (supported by Iceland Air), an initiative to support Nordic creative industry and artists from Nordic countries performing in Canada throughout 2022. Aimed at raising the profile of Nordic culture abroad and strengthening the interaction between Nordic cultural sectors and the rest of the world, Toronto's Harbourfront Centre is curating a series of unique experiences that highlight contemporary Nordic arts and culture. This year, performing artists include Kid Vicious (Sweden), Kitka (Sweden), BSÍ (Iceland) and The Magnettes (Sweden).
"Harbourfront Centre is delighted to continue our Nordic Bridges partnership with BreakOut West,” says Laura McLeod, Director of Cultural Engagement at Harbourfront Centre & Lead Producer, Nordic Bridges. “There is an incredible, diverse array of popular music coming out of the Nordics, and BreakOut West is the perfect place to showcase artists that may be new to Canadian artists and audiences, and to encourage musical collaboration between Canada and the Nordic region.”
BreakOut West continues to build their six year-long partnership with FOCUS Wales, which sees western Canadian artists showcasing each year in Wales, and Welsh artists, in turn, showcasing at BreakOut West, thanks to FOCUS Wales, Wales Arts International and the Welsh Consulate. The organizations will bring their Welsh artists, including N'famady Kouyate, Seazoo, Adwaith and Eadyth to perform and will also host a reception. In turn, BreakOut West will exchange their artists to participate and connect through programming, performances and events.
In partnership with the Welsh Government, BreakOut West will soon be announcing Indigenous programming highlighting the start of the UNESCO International Decade of Indigenous Languages (2022-2023). More information on this program will be announced soon.
"We're delighted to continue our important partnership with BreakOut West, ensuring our most exciting new artists are able to reach new audiences globally, and through the process develop their industry networks through our respective showcase festivals," adds Andy Jones, Founder & Music Programmer at FOCUS Wales.
This is the fourth event at which BreakOut West will welcome East Coast artists as part of their East Meets West partnership with the East Coast Music Association (ECMA) – an initiative which aims to unite the far coasts of Canada, to open new markets for artists touring the country.
As part of BreakOut West’s ongoing commitment to gender parity at the annual conference and festival, their partnership with KeyChange – presented by PRS Foundation, FACTOR and SOCAN Foundation – launches the second edition of three in their program featuring performances by The Magnettes of Sweden (also on the Nordic Bridges lineup), Arya (Italy), The Rodeo (France) and Cell7 (Iceland).
BreakOut West is thrilled to welcome international KeyChange innovators, who will be bringing their expertise to the conference on panels and in one-on-one sessions. Participating international innovators are Sofie Søndervik Sæther of JM Norway and Aslı Kaymaz of AZLAY with many other international industry delegates to be announced leading up to the festival.
In February, BreakOut West returned to festival programming with an at-home winter edition, which can be experienced online here. The annual music festival and conference with be safely returning to live this fall, with events taking place in Calgary, AB from September 28 to October 2. Acts from all across western Canada will perform at venues throughout the city, along with special international guests. The annual Western Canadian Music Awards will be given out during BreakOut West. In addition, the Western Canadian Music Alliance will present the Western Canadian Music Awards during BreakOut West. Nominees were announced in June – find a complete list here.
Registration is available now. More performers will be announced soon and a full schedule of events will be available at breakoutwest.ca.
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIA’s) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, WCMA annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 will be held September 28 to October 2, in Calgary Alberta, including a six-day music conference, a three-night multi-genre music festival and special events. The 2022 Western Canadian Music Awards and Industry Awards will be announced in October 2022.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
Use #BREAKOUTWEST and join in the conversation!
Website | Facebook | Instagram | Twitter
DOWNLOAD – BreakOut West / WCMA Logos and Graphics
FAST-RISING MASSACHUSETTS BAND
SIGNS TO MNRK HEAVY
WATCH NEW VIDEO FOR CLIFFHANGER
"Whether you call what Escuela Grind does "power violence" or grindcore," there's no doubt the music the quartet creates together is pure fucking mayhem." - No Echo
"discombobulating drum patterns and staccato guitar chugs...
enough force to level an office park." - Revolver
"bursts of unthinkable sonic rage that still manage to keep the listeners rapt with their density and dynamics...Escuela Grind’s misanthropy as enjoyable and intelligent as it is unending." - Kerrang!
Toronto, ON – July 7, 2022 –New England extreme metal unit, Escuela Grind, will release its new LP, Memory Theater, on September 30. Produced by Kurt Ballou, the album - the band's first for MNRK Heavy (High on Fire, Crowbar)- features nine tracks of sharp, scorching underground music that rages and rips in equal measure. Escuela Grind's Memory Theater is available for pre-order now here.
Get a sneak peek at what the new Escuela Grind album promises right now as the band releases a video for its rampaging new track, Cliffhanger, which adroitly showcases the kinetic energy of the group's much talked about live performances. Cliffhanger debuts via Decibel who proclaims, "The track showcases both sides of Escuela Grind’s sound: the firing-on-all-cylinders brand of grindcore that you would expect from a band called “Grind School” and a few two-step hardcore breakdowns that convert the energy into a more moshable state. Produced by Converge guitarist/GodCity producer Kurt Ballou, Memory Theater is the heaviest Escuela Grind have ever sounded." Stream Escuela Grind's Cliffhanger video at here.
"Cliffhanger is us branching out and including all of our influences into a heavy, danceable song. It’s a perfect representation of all the new things to expect from Escuela Grind," says vocalist, Katerina Economou. "The lyrics are about the people that try to play both sides of the fence, play devil's advocate and drag you down with them. It’s about fighting crab mentality. This is just a taste of all the killer stuff coming on Memory Theater!
The music might be terrifying, but the overwhelming spirit behind Escuela Grind is a message of empowerment. As it destroys musical boundaries, the quartet attacks the idea of “gatekeeping” with equal ferocity. Anytime Katerina Economou, Jesse Fuentes (drums), Kris Morash (guitar), and Tom Sifuentes (bass) convene, an aural apocalypse will ensue. Escuela Grind stitches together a new metallic hardcore monster from the rotten corpses of grind and power violence with gleefully unhinged blasts of percussive bombast and chaos.
Memory Theater, Escuela Grind's sophomore album, is seven minutes shorter than Slayer’s Reign in Blood, but with a few songs running past the three-minute mark, it’s downright epic by grindcore norms. Delivering on the promise of several split records, a handful of EPs (including GGRRIINNDDCCOORREE and PPOOWWEERRVVIIOOLLEENNCCEE, both released in 2020), and the full-length, Indoctrination, the nine songs on Memory Theater offer a near-psychedelic trip to the genre’s soul. The album title references a specific historical concept, constructing a “space” from one’s internal ideas, knowledge, and perception. An architect by trade, Economou explores philosophy, politics, and experiential experimentation, building a kind of structure amidst the band's musical cacophony.
Tracklisting:
1.Endowed With Windows
2.My Heart, My Hands
3.Cliffhanger (stream VIDEO)
4. Strange Creature
5.Faulty Blueprints
6.All Is Forgiven
7.Forced Collective Introspection
8.The Feed
9. Memory Theater
DOWNLOAD - Album Art
DOWNLOAD - Press Photo
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com.
TORONTO, ON — Thursday, July 7, 2022 — Short List Summer is back.
For the second consecutive year, CBC Music, Polaris’ presenting sponsor, will launch its signature Short List Summer programming to showcase the 10 nominated albums on the 2022 Polaris Short List, which will be revealed July 14 on CBC Music. This programming includes 10 separate Polaris radio specials which will take an in-depth look at each of this year’s Short List nominees, all leading up to the 2022 Polaris Music Prize winner announcement, which will take place on Monday, September 19 at the Polaris Gala in Toronto, Ontario.
The 10 album Polaris Short List will be announced live on Thursday, July 14 as part of a two-hour event hosted by A. Harmony starting at 3 p.m. local time (4 p.m. AT, 4:30 NT) and available across Canada on CBC Music and CBC Listen. The special will reveal one nominee every 12 minutes along with music from the nominated albums and insight from Polaris jurors. The Short List comes a month after the reveal of the 40-album 2022 Polaris Long List, which was revealed June 14 in Toronto and was determined by the 197 members of the Polaris jury.
Following the unveiling of the 10 nominees, Short List Summer will be anchored by CBC Music’s THE TEN, a series of one-hour weekly radio specials hosted by A. Harmony, broadcasting each Sunday on CBC Music and CBC Listen at 6 p.m. (6:30 NT) starting Sunday, July 17, until Sunday, September 18. Each week, THE TEN will take an in-depth look at one of the 10 nominated albums in the lead up to the 2022 Polaris Prize winner announcement. A more detailed radio schedule will be announced along with the reveal of the 10 nominated Short List albums on July 14.
CBC Music will also kick into high gear with "Shortlist Shortcuts," a cbcmusic.ca editorial series beginning Monday, July 18, that highlights one important gateway song from each of the nominated albums, as told by the short-listed artists. This will be accompanied by an artist-led video series that delves into each gateway song, and will be shared to CBC Music's TikTok and Instagram pages. Follow CBC Music on Instagram, TikTok, Twitter and Facebook for more Polaris Music Prize content that will explore the Short List albums and the artists behind them.
For the first time since 2019, the winning album will be revealed live at the Polaris Gala. To celebrate our return to The Carlu, the venue that has hosted the likes of Glenn Gould, Billie Holiday, Frank Sinatra, and multiple Polaris events, a very limited number of early-bird general admission Polaris Gala tickets remain available at the special price of $45.20 via Ticketmaster while quantities last. General admission ticket prices will increase to $67.80 on July 14.
The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The nine other nominated acts whose albums make the 2022 Short List will receive $3,000 each courtesy of Slaight Music. Additionally, Polaris Music Prize has partnered with Play MPE to award the winning artist with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.
Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.
The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).
Polaris Music Prize 2022 Event Season
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media attention
20 Not-for-Profit and charity partners supported through the Community Development Program.
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages. We also deliver content in Spanish, Arabic Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
About CBC Music
CBC Music is the leading curator of emerging and diverse Canadian music talent across platforms, playing the most Canadian artists and genres on radio, CBC Listen and cbcmusic.ca. We prioritize Canadian artists in a wide variety of genres on over 200 playlists available on CBC Listen, and publish daily national music coverage. CBC Music Live features live music recordings from across the country. Our music partnerships and events include The JUNOS, the Polaris Music Prize, Searchlight, the CBC Music Festival, The Canadian Music Class Challenge and Canada Listens. www.cbc.ca/music
About Play MPE
Play MPE is the leading global platform for music promotion distribution and discovery. The company now serves over 100 countries, is available in multiple languages, and has changed the way the music industry delivers and accesses content. Play MPE provides music promotion distribution for 1000s of record labels, promoters and artists connecting them to a growing community of vetted music industry decision makers. Play MPE’s coveted distribution lists include: radio, satellite, media/blogs, music supervisors, music curators and more. Long standing global clients include Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, eOne Entertainment, Epitaph, Criteria, The Orchard and many more. www.plaympe.com
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
***
LE PRIX DE MUSIQUE POLARIS ET CBC MUSIC
ANNONCENT LE RETOUR DE
L’ÉTÉ DE LA COURTE LISTE
TORONTO, le jeudi 7 juillet 2022 — C’est le retour de l’été de la courte liste!
Pour la deuxième année consécutive, CBC Music, le commanditaire de présentation du Polaris, lancera une programmation estivale afin de mettre en vedette les 10 albums de la courte liste du Prix de musique Polaris 2022, qui seront dévoilés sur CBC Music le 14 juillet. Cette programmation spéciale comprendra 10 émissions radio spéciales axées sur le Polaris, qui exploreront en profondeur les albums de la courte liste de 2022. Elle se poursuivra jusqu’à l’annonce de l’album lauréat du Prix de musique Polaris 2022, qui aura lieu le lundi 19 septembre lors du gala Polaris à Toronto.
La courte liste de 10 albums du Polaris sera annoncée en direct le jeudi 14 juillet dans le cadre d’une émission de deux heures animée par A. Harmony. Elle sera diffusée à travers le Canada à partir de 15 h (16 h HAA ou 15 h 30 HAT) sur CBC Music et CBC Listen. Lors de cet événement, un album en nomination sera révélé toutes les 12 minutes, avec des extraits musicaux et des commentaires du jury. La courte liste de 10 albums sera ainsi annoncée un mois après la longue liste du Prix Polaris 2022, qui a été dévoilée le 14 juin à Toronto après avoir été élaborée par les 197 membres du jury du Polaris.
À la suite de ce dévoilement, l’été de la courte liste sera souligné par une émission radio hebdomadaire spéciale d’une heure animée par A. Harmony, The Ten, diffusée tous les dimanches sur CBC Music et CBC Listen à 18 h (18 h 30 HAT) du dimanche 17 juillet au dimanche 18 septembre. Chaque semaine, l’émission offrira un regard approfondi sur l’un des 10 albums en nomination, en prévision de l’annonce de l’album gagnant du Prix de musique Polaris 2022. Une programmation radio plus détaillée sera annoncée en même temps que le dévoilement des 10 albums de la courte liste le 14 juillet.
CBC Music passera également en vitesse supérieure avec Shortlist Shortcuts, une série éditoriale de cbcmusic.ca qui débutera le lundi 18 juillet et qui mettra en lumière une chanson importante de chacun des albums en nomination, racontée par les artistes de la courte liste. Cette série sera accompagnée de vidéos animées par les artistes, qui se pencheront sur chaque chanson, et sera partagée sur les pages TikTok et Instagram de CBC Music. Suivez CBC Music sur Instagram, TikTok, Twitter et Facebook pour découvrir plus de contenu associé au Prix de musique Polaris ainsi qu’aux albums et artistes en nomination sur la courte liste.
Pour la première fois depuis 2019, l’album gagnant sera dévoilé en direct lors du gala Polaris. Afin de célébrer notre retour dans la salle qui a accueilli des artistes comme Glenn Gould, Billie Holiday, Frank Sinatra et de multiples événements Polaris, un nombre très limité de billets sans place assignée pour le gala Polaris est offert en prévente au prix spécial de 45,20 $ via Ticketmaster, jusqu’à épuisement des stocks. Le prix de ces billets passera à 67,80 $ le 14 juillet.
Le Prix de musique Polaris remet 50 000 $ à l’artiste ayant créé l’album canadien de l’année, jugé uniquement sur sa valeur artistique et sans considération pour le genre musical ou la popularité commerciale. Les neuf autres artistes en nomination, dont les albums figurent sur la courte liste de 2022, recevront 3 000 $, une gracieuseté de Slaight Music. De plus, le Prix de musique Polaris s’est associé à Play MPE pour offrir à l’artiste derrière l’album lauréat un forfait mondial pour la distribution et la promotion d’une parution musicale (simple ou album) d’une valeur maximale de 3 025 $ CA. Play MPE offrira également aux neuf autres artistes de la courte liste des forfaits de distribution d’une valeur maximale de 1 000 $ CA.
Les albums admissibles au Prix de musique Polaris 2022 doivent être parus entre le 1er mai 2021 et le 31 mai 2022. Un jury indépendant composé de membres des médias musicaux de tout le Canada détermine la longue et la courte liste. Onze personnes parmi les membres du jury sont ensuite choisies pour faire partie du grand jury. Ce grand jury se réunit lors du gala Polaris pour choisir l’album lauréat du Prix de musique Polaris.
Les gagnant.e.s antérieur.e.s sont Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) et Final Fantasy / Owen Pallett (2006).
Saison 2022 des événements du Prix de musique Polaris
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux événement de révélation des albums lauréats, le gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné.e.s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est un organisme à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans égard pour le genre musical ou la popularité commerciale.www.polarismusicprize.ca
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant.e.s du prix secondaire de 3 000 $ offert par Slaight Music
2 gagnant.e.s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant.e.s au jury annuel
1 000 invité.e.s au gala annuel
831 000 $ en prix remis aux musicien.ne.s
160 nommé.e.s de la courte liste bénéficient d’une attention médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
À propos de CBC/Radio-Canada
CBC/Radio-Canada est le diffuseur public national du Canada. Grâce à notre mandat de renseigner, d’éclairer et de divertir, nous jouons un rôle central pour renforcer la culture canadienne. En tant que source d’information de confiance au pays, nous proposons un point de vue typiquement canadien sur les nouvelles, affaires publiques et affaires internationales. Notre programmation de divertissement, distinctive et créée par les talents d’ici, rassemble de larges auditoires partout au pays. Profondément enracinée dans les communautés, CBC/Radio-Canada offre des contenus diversifiés en français, en anglais et en huit langues autochtones. Nous présentons aussi des contenus en espagnol, en arabe, en chinois, en punjabi et en tagalog, en plus des deux langues officielles, par le biais de Radio Canada International (RCI). Nous demeurons à l’avant-garde du changement pour répondre aux besoins des Canadien.ne.s à l’ère numérique.
À propos de CBC Music
CBC Music est le plus important curateur de musique canadienne émergente et diversifiée sur toutes ses plateformes et le plus grand diffuseur d’artistes du Canada de tous genres musicaux par le biais de la radio, de CBC Listen et cbcmusic.ca. Nous mettons l’accent sur un vaste éventail d’artistes canadien.ne.s dans plus de 200 listes de lecture offertes par CBC Listen, en plus de couvrir quotidiennement l’actualité musicale. CBC Music Live offre des captations de concerts musicaux réalisés dans toutes les régions du pays. La liste de nos partenaires musicaux et événementiels comprend les Prix JUNO, le Prix de musique Polaris, Searchlight, le CBC Music Festival, le Canadian Music Class Challenge et Canada Listens. www.cbcmusic.ca
À propos de Play MPE
Play MPE est la principale plateforme de distribution, de promotion et de découvertes musicales au monde. Desservant aujourd’hui plus de 100 pays et disponible en plusieurs langues, elle a transformé la façon dont l’industrie musicale diffuse les contenus et accède à ceux-ci. Play MPE assure la distribution et la promotion musicale pour des milliers de maisons de disques, promoteurs et artistes en les mettant en lien avec une communauté croissante d’instances décisionnelles de l’industrie musicale. Les listes de distribution convoitées de Play MPE comprennent : la radio, la diffusion satellite, les médias ou blogues, les superviseurs musicaux, les conservateurs musicaux et plus encore. Parmi sa clientèle internationale de longue date figurent Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, eOne Entertainment, Epitaph, Criteria, The Orchard et plusieurs autres. www.plaympe.com
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Matériel promo (Logos du Polaris, pochettes d’albums, biographies, photos, audio):
polarismusicprize.ca/media
Mot de passe : m3d1a
NEW ALBUM SPIRIT OF HIP HOP: ELEMENTS OUT AUGUST 26
FOLLOWS PREVIOUS SINGLES, BEASTMODE FEATURING
DIVINE BROWN AND POOKY G AND MESSENGER FEATURING ERICK SERMON, SAUKRATES AND OUTLAW BY NATURE
TORONTO, ON – July 7, 2022 – Renowned Canadian-Indigenous artist, record producer and engineer, David Strickland, announces his forthcoming album, Spirit Of Hip Hop: Elements, set for release August 26 via MNRK Music Group. From his hustle in studios across North America, working with industry greats on Grammy and Juno-winning projects, to exploration in the world of NFTs, and giving back to Indigenous communities through charitable endeavours, David blazes his own path.
Tomorrow (Friday, July 8), David will share new single, Firekeepers, featuring longtime collaborators, Toronto/New York Anishinaabe rapper and visual artist, Que Rock, and Toronto-based conscious reggae/dancehall artist, Blessed. The track is a massive summer jam that raises the bar and temperature with Que Rock's sharp rhymes, Blessed's signature lyrics and David's prose highlighted on the second verse, layered as the trio come together to carry a collective torch. Pre-save Firekeepers here.
On the collab with David and Blessed, Que Rock says: “We back my natives. Firekeepers of Hip Hop Culture – From Ready To Rock it’s The Toronto Bronx Native.”
Spirit Of Hip Hop: Elements continues the journey of 2020 acclaimed project, Spirit Of Hip Hop, and its 2021 counterpart, Spirit Of Hip Hop (Remixes) and is a comprehensive project highlighting North America’s most promising Indigenous rappers, & represents the connection between the Indigenous community and the Hip-Hop community.
In May, David released Beastmode, featuring Juno Award-winning R&B/Soul singer and theatre performer, Divine Brown, and Alberta-based Indigenous artist, model and actress, Pooky G. The three come together to create a soundtrack piece to life's A-game moments and when you need an extra boost. Listen to Beastmode here.
Last year, David and rap legend, Erick Sermon, teamed up with The NFT Agency to release an official non-fungible token (NFT) collection celebrating the hip-hop luminary’s esteemed career. On October 20, 2021 the six-piece collection featuring original artwork by Strickland — highlighting moments from Sermon’s career as a member of EPMD, the founder of Def Squad and as a solo artist— saw 291 NFTs sold within 24 hours as a curated drop at Crypto.com/NFT, the global cryptocurrency platform’s NFT marketplace. Erick and David donated $10K of the net sales to Indian Residential School Survivors Society. The collection was released in promotion of Strickland’s single, Messenger, a collaboration with Sermon, Toronto rap veteran, Saukrates, and Outlaw by Nature — a supergroup consisting of Treach from Naughty by Nature and the late Hussein Fatal of the Outlawz, a collective famously founded by Tupac Shakur.
A Grammy-winning engineer who has worked on projects by artists including Sermon, EPMD, Drake, Method Man, Redman, Pete Rock and Keith Murray as well as a who’s who of both the Toronto and Indigenous hip-hop communities, Strickland is also an accomplished visual artist who connects with his Mi'kmaq ancestry — as well as his passion for music and hip-hop culture — to create works that have been displayed at major galleries including the McMichael Canadian Art Collection. In 2021, Strickland won three International Indigenous Hip Hop Awards for his acclaimed 2020 album, Spirit Of Hip Hop. The album brought together artists from various North American hip-hop communities while continuing to champion Indigenous hip-hop artists.
Learn more about David's career below, and stay tuned for more around Spirit of Hip Hop: Elements.
DOWNLOAD – Press Photo by Photo by Ernie Paniccioli | DOWNLOAD – Firekeepers Art
About David Strickland
David "Gordo" Strickland is an Indigenous, Toronto born and based award-winning engineer, mixer, producer and DJ. Known for being behind the boards on iconic Hip-Hop and R&B records for over two decades, his work has graced seminal tracks by the likes of Pete Rock, Erick Sermon, EPMD, Keith Murray, Redman and Method Man, to records by ground-breaking Toronto hip-hop acts, including k-os, Ghetto Concept, Jelleestone, Kardinal Offishall, Jully Black, Choclair and Drake.
David's album, Spirit Of Hip Hop (June 29, 2020, Entertainment One), highlights some of North America's Hip Hop progenitors and innovative Indigenous artists alike to share an embodiment of the teachings, art, traditions, and music of the community, aligned with his Indigenous heritage. Spirit Of Hip Hop (Remixes) arrived on November 20, 2020 as a follow-up featuring fresh takes on the album tracks by Gordo himself, and some of his esteemed colleagues. From control room to canvas, David is also a prolific visual artist that has been featured at many galleries across Canada. He continues to be a positive force in music, the arts and an inspiration to First Nations Youth across North America.
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. www.mnrk.com.
HIGHLY ANTICIPATED EXPANDED 22-TRACK DELUXE EDITION INCLUDES 5 PREVIOUSLY UNRELEASED TRACKS - ORDER HERE
ON TOUR THIS SUMMER
Toronto, ON – July 4, 2022 - Seether releases the highly anticipated deluxe edition of their acclaimed 2020 album, Si Vis Pacem, Para Bellum. This expanded version features 22 tracks in all, five of which are previously unreleased, along with four tracks from last year’s Wasteland – The Purgatory EP. Order Si Vis Pacem, Para Bellum Deluxe Edition here.
Teeming with the band’s signature combination of melody and cathartic release, the wealth of exceptional songs that encompasses the deluxe edition, all taken from the original SVPPB sessions, bolsters Seether leader Shaun Morgan’s status as one of rock’s most prolific and successful songwriters.
Produced by Shaun Morgan and engineered and mixed by Matt Hyde (Deftones, AFI), the acclaimed Si Vis Pacem Para Bellum, (“If you want peace, Prepare for war”) was originally released in August 2020, spawned three #1 singles on the Billboard Mainstream Rock Chart and at Active Rock radio and garnered some of the best reviews of the band’s storied career.
Listen to the lashing Deliver Me here, and watch the recently released official video for What Would You Do? here. The expanded deluxe edition includes all twenty-one songs recorded during the SVPPB sessions along with the alternate version of Wasteland, originally featured on last year’s The Purgatory EP.
Since forming in Pretoria, South Africa in 1999, Seether (Shaun Morgan, Dale Stewart, John Humphrey, and Corey Lowery) has amassed a global, devoted fan base with an unbroken sense of purpose and commitment. Their impressive sales and chart history includes three platinum and two gold albums, 18 #1 singles, 21 Top 5 multi-format hits, single sales topping 17 million and over 2 billion streams world-wide across all platforms. SEETHER is Billboard’s #8 All-Time Mainstream Rock Artist, which covers the 40-year history of the chart’s existence.
Si Vis Pacem Para Bellum Deluxe Edition – Track List:
1. Dead and Done
2. Bruised and Bloodied
3. Wasteland
4. Dangerous
5. Liar
6. Can't Go Wrong
7. Buried in the Sand
8. Let It Go
9. Failure
10. Beg
11. Drift Away
12. Pride Before the Fall
13. Written in Stone
14. What Would You Do?
15. Will It Ever End?
16. Feast or Famine
17. Wasteland (alternate version)
18. Leech*
19. Deliver Me*
20. On My Way*
21. Leave Me Be*
22. Crossed The Line*
*Previously unreleased
SEETHER ON TOUR:
July 16 Q Casino - Dubuque, IA
July 17 Inkcarceration Festival - Mansfield, OH
July 22 Fond Du Lac County Fair - Fond Du Lac, WI
July 23 Waukesha County Fair - Waukesha, WI
August 19 Brown County Fairgrounds - Aberdeen, SD
September 3 Rocklahoma Festival - Prior, OK
September 11 Blue Ridge Rock Festival 2022 - Alton, VA
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www.seether.com
SEETHER on TikTok
WATCH THE VIDEO FOR RUN FEATURING A MONOLOGUE FROM DAVE CHAPPELLE HERE
TORONTO, ON – July 4, 2022 – Killer Mike has released his first solo music in over ten years with RUN; a song and video that reframes American history to include Black history as a part of the nation's history. The song, which features a verse from Young Thug and an iconic production by NO I.D., arrives paired with a stunning visual, portraying the fight for freedom in a captivating, visceral context, augmented by an intro monologue from Dave Chappelle inspired by the song’s themes. Directed by Montreal's Adrian Villagomez, RUN represents the Just against the tyrannical, Black people and allied people up in arms together rising against the Nazi-esque secessionists that want to take the country back into the confederacy. Listen to RUN here.
RUN, which has already seen widespread support via airings on BET and MTV, a Zane Lowe interview along with features in The Guardian and Complex and more, marks Mike’s first solo material since his breakout solo album R.A.P. Music in 2012 which was followed by a collaboration with indie-rap powerhouse El-P that inspired the duo to team up as Run The Jewels who have gone on to create four wildly acclaimed albums and near cultural ubiquity. Mike has also frequently surfaced as a cultural commentator in high regard, from his own shows Love and Respect (WPBA / Revolt) and Trigger Warning (Netflix), to regular appearances on Late Show with Stephen Colbert and Real Time with Bill Maher, to his stint as a campaign surrogate for Bernie Sanders, to viral moments addressing the public in the wake of the Ferguson verdict and the police killing of George Floyd. Mike was also the recipient of Billboard’s inaugural 2020 Change Maker Award.
Killer Mike is currently on tour as half of Run The Jewels, supporting Rage Against The Machine. They will make stops in Ottawa for Bluesfest on July 15, Hamilton, ON on July 19 and Toronto, ON on July 21 and 23.
DOWNLOAD - Hi Res Press Photo by Jonathan Mannion | DOWNLOAD - RUN Artwork
WATCH PLAYING WITH MY EMOTIONS FROM ASCENSION’S COMPANION FILM HERE
I AM THE MOON: EPISODE II. ASCENSION
AVAILABLE NOW ON CD/DIGITAL
“Who even dares to do anything like this anymore?” – Rolling Stone
TORONTO, ON – July 4, 2022 - Tedeschi Trucks Band — the GRAMMY-winning 12-piece rock and soul group headed by Derek Trucks and Susan Tedeschi — released I Am The Moon: Episode II. Ascension, July 1, the second of their epic, four-part album series, I Am The Moon. Listen/purchase here.
On Tuesday, June 28, the band premiered Ascension and its album length companion visual to their flourishing online community via their YouTube Channel, watch it here.
In his illuminating bio notes, celebrated music journalist David Fricke explains, “Ascension – the second record in I Am The Moon is rightly named. From the opening Memphis-soul churn of Playing With My Emotions, to the country-church stomp So Long Savior and the exhilarating slide-guitar climax Hold That Line, Ascension continues the unique fusion of ancient narrative and highly personal reflection in I Am The Moon with the urge to soar that is second nature to the best rock and roll big band in America."
Critics have taken note. “We hear TTB capturing in the studio what it does so well on stage, namely engaging every member of the 12-piece band in a beautifully conversational way," commented Glide while The Arts Fuse added, “As it slowly pulls back the curtain on the full reveal of I Am the Moon, TTB is dispensing an astonishing amount of detail and design to consider and appreciate. The band is cultivating anticipation in a way that feels more genuine than gimmicky."
Released June 3, I Am The Moon: Episode I. Crescent — the highly-anticipated project’s first installment has been called “one of the strongest pieces of music they’ve ever done” by Rolling Stone, who go on to marvel at the album’s ambitious scope by asking, “Who even dares to do anything like this anymore?” A 4-star MOJO review praises Derek’s guitar playing on Pasaquan, Crescent’s instrumental climax, as “stinging, dexterous, raga-blues brilliance,” while AllMusic deems it “dazzling in concept and execution.” (Kicking off their annual Wheels of Soul tour last Friday in Jacksonville, Florida, TTB thrilled the home-town crowd mid-set playing Crescent in its entirety for the first time ever). Watch Crescent’s companion film here.
I Am The Moon was a collaborative band effort crossing blues, soul, funk, country, jazz, and gospel — that coalesced into an expansive, experimental, and emotive whole. Taken together, it’s a meditation on love, life, and our shared humanity—an unabashedly grand and masterful statement.
In this thrilling new and creative chapter for TTB, the four albums that comprise I Am The Moon — I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — will be released in successive months. In addition, each installment of I Am the Moon features its own album length companion film that will debut three days prior to each audio release. The immersive films offer fans the chance to experience the music as the band intended, in an unbroken, communal setting. Full film and audio release dates below.
Pre-Order I AM THE MOON here and watch the project trailer here. All vinyl configurations, including individual LPs and the 4-LP I Am The Moon Deluxe Box will be available on September 9, 2022. (Deluxe Boxes are sold out in the TTB store, but can still be ordered exclusively through the Fantasy Records store).
Tedeschi Trucks Band have extensive tour dates planned for 2022. See below for the complete list. For ticket information, please visit tedeschitrucksband.com.
TEDESCHI TRUCKS BAND - I AM THE MOON: ALBUM + FILM RELEASE DATES:
I Am The Moon: III. The Fall
Film Premiere: July 26
Album Release: July 29
I Am The Moon: IV. Farewell
Film Premiere: August 23
Album Release: August 26
I Am The Moon vinyl configurations: individual LPs + the 4-LP Deluxe Box available September 9, 2022.
Tedeschi Trucks Band Tour Dates:
July 6 / New Haven, CT / Westville Music Bowl
July 8 / Philadelphia, PA / The Mann Center for the Performing Arts
July 9 / Essex Junction, VT / Midway Lawn
July 10 / Patchogue, NY / Great South Bay Music Festival
July 12 / Lewiston, NY / ArtPark
July 13 / Cincinnati, OH / PNC Pavilion at Riverbend
July 15-16 / Atlanta, GA / Fox Theatre
July 19 / Vienna, VA / Wolf Trap
July 20 / Richmond, VA / Virginia Credit Union LIVE!
July 21 / Raleigh, NC / Coastal Credit Union Music Park
July 23 / Charlotte, NC / PNC Music Pavilion
July 24 / Huber Heights, OH / Rose Music Center at The Heights
July 26 / Aurora, IL / RiverEdge Park
July 27 / St. Louis, MO / Fabulous Fox Theatre
July 29-30 / Morrison, CO / Red Rocks Amphitheatre
August 18 / San Diego, CA / Cal Coast Credit Union Amphitheater
August 19 / Los Angeles, CA / The Greek Theatre
August 20 / Berkeley, CA / The Greek Theatre
August 23 / Sacramento, CA / Sacramento Memorial Auditorium
August 24 / Eugene, OR / Cuthbert Amphitheater
August 26 / Auburn, WA / White River Amphitheater
August 27 / Bend, OR / Hayden Homes Amphitheater
August 28 / Reno, NV / Grand Sierra Resort & Casino
August 31 / Boise, ID / Outlaw Field at the Idaho Botanical Garden
September 1 / Bonner, MT / Kettlehouse Amphitheater
September 3 / Moorhead, MN / Bluestem Center for the Arts Amphitheater
September 29 – Oct 8 / New York, NY / Beacon Theatre
October 17 / Copenhagen, DK / Amager Bio
October 18 / Copenhagen, DK / Amager Bio
October 20 / Randers, DK / Vaerket
October 21 / Oslo, NO / Sentrum Scene
October 22 / Stockholm, SE / Annexet
October 25 / Berlin, DE / Verti Music Hall
October 26 / Hamburg, DE / Edel-optics.de Arena
October 27 / Prague, CZ / Forum Karlin
October 30 / Rotterdam, NL / RTM Stage
November 2 / Dublin, IE / The Helix
November 4 / London, UK / The London Palladium
November 5 / London, UK / The London Palladium
November 6 / London, UK / The London Palladium
November 9 / Manchester, UK / Manchester Academy
November 10 / Glasgow, UK / O2 Academy Glasgow
November 12 / Paris, FR / Le Trianon
November 13 / Paris, FR / Le Trianon
November 15 / Paris, FR / Bataclan
Tedeschi Trucks Band:
Susan Tedeschi: Guitar and Vocals
Derek Trucks: Guitar
Gabe Dixon: Keys and Vocals
Brandon Boone: Bass Guitar
Tyler Greenwell: Drums and Percussion
Isaac Eady: Drums and Percussion
Mike Mattison: Guitar and Vocals
Mark Rivers: Vocals
Alecia Chakour: Vocals
Kebbi Williams: Saxophone
Ephraim Owens: Trumpet
Elizabeth Lea: Trombone
DOWNLOAD - I Am The Moon album art
DOWNLOAD - Asension album art | DOWNLOAD - press photo
Tedeschi Trucks Band TikTok: @tedeschitrucksband
NEW TRACK FEATURED ON UPCOMING EP THE CEILING COULD COLLAPSE OUT JULY 15 VIA FANTASY
HEADLINING HOMETOWN SHOW IN TORONTO ON AUGUST 9 AT THE DRAKE HOTEL
UPCOMING TOUR DATES INCLUDES SUPPORT DATES
WITH MEN I TRUST AND BAD BAD HATS
TORONTO, ON – June 30, 2022 – Today, emerging Toronto-based artist, Rachel Bobbitt, shares Bandages, another dazzling, deeply personal track from her upcoming EP, The Ceiling Could Collapse, out July 15th on Fantasy Records. Listen to Bandages and pre-order The Ceiling Could Collapse.
“Bandages is about the helpless feeling of loving someone who is struggling,” Bobbitt explains. “It’s a very hard pill to swallow that sometimes loving someone is not enough to make them better.”
Her piercing and profound new EP, The Ceiling Could Collapse, (which Bobbitt co-produced with Justice Der and was mixed by GRAMMY-nominee, Jorge Elbrecht,) centres on the cycles of life and how we find meaning in extremes: pain, joy, wonder, and love.
“Every woman I’ve ever talked to is in some amount of pain almost all the time,” she says. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.”
In addition to music, Bobbitt draws those same feelings from horror films—and pulled the title to this EP while reading the script to 2018’s Hereditary. A deleted scene offered a revelation: “We need to accept that we can’t have our minds fixated on all these things that could happen, and we need to move on—but also the ceiling could just collapse,” Bobbitt says and laughs.
More than unpredictability, it’s the endless repetition of life that suggests both things are true, that there’s no reason to worry and something terrible is about to happen. The ceiling collapse may be inescapable, but once it’s gone, there’s just more room for the sunrise to peek through.
Bobbitt is hitting the road this summer for solo shows and dates supporting Men I Trust and Bad Bad Hats, and will also be playing her first headlining show at home in Toronto, on August 9th at The Drake Hotel. See below for all dates.
TOUR DATES:
8/4 - Woodstock, NY @ Colony *
8/6 - New York, NY @ Mercury Lounge ~
8/7 - S. Burlington, VT @ Higher Ground Ballroom *
8/9 – Toronto, ON, Canada @ The Drake Hotel
~ w/ Bad Bad Hats
* w/ Men I Trust
Follow Rachel Bobbitt:
Website | Instagram | YouTube | Twitter | TikTok | Spotify | Apple Music
BUTCHER BROWN PRESENTS TRIPLE TREY
FEATURING TENNISHU AND R4ND4ZZO BIGB4ND
DUE SEPTEMBER 16 VIA CONCORD JAZZ
SHARES LEAD SINGLE LIQUID LIGHT
WATCH HERE AND LISTEN HERE
PRE-ORDER/SAVE HERE
TORONTO, ON – June 29, 2022 – Richmond-based five-piece collective, Butcher Brown, officially announces their forthcoming big band album, Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND, due September 16 via Concord Jazz. The album was originally written and produced by the band's MC and multi-instrumentalist, Tennishu, as a hip hop album, complete with an ode to The Notorious B.I.G., and has since evolved into Butcher Brown's own eclectic ode to big band jazz, their first foray into this format. Butcher Brown Presents Triple Trey is both trail-blazing in its approach to classic jazz, bringing the band and the R4ND4ZZO BIGB4ND together to lay down a collage of jazz suites for a hip-hop album, and simultaneously mashing together elements of the soul, funk, and rock influences that has formed the band's musical identity.
Alongside the announcement, the band shares the project's smooth lead single, Liquid Light, which follows their one-off single, BLACK MAN, featuring fellow Richmond rapper and songwriter, Michael Millions, released last month, which XXL included in their Best New Hip Hop Songs of the Week list. The new song is coupled with an accompanying video directed and animated by Oriane Rondeau.
Describing the group's journey for this project, bassist Andrew Randazzo says, “Over the years, everything about this band has become more refined and mature — from the playing and producing to recording — but the soul was there from the beginning... We already had the spark.”
The new project marks Butcher Brown's first body of work since they graced NPR's Tiny Desk (At Home) series with a performance straight from a Richmond rooftop last year, and collaborated with Alex Isley on a cover of Patrice Rushen's, Remind Me. Following a tour run supporting Kamasi Washington in 2019, Butcher Brown released their eighth album, #KingButch in 2020, which features the stand-out track Tidal Wave, and received praise from the likes of Bandcamp, OkayPlayer and NPR, which described the album as "a great marriage of hip-hop and jazz."
More recently, they wrapped up a European tour to end 2021 and will be touring throughout the US this year, including a set at this year's Blue Note Jazz Festival in Napa in July. Vinyl will be available on November 11 in standard black and Opaque Blue as a limited pressing of 2000 for Indie Retail. The 12” Vinyl includes a 7” with two bonus tracks, Guitarmy and Peace. The album's cover art was created by famed designer Lou Beach (designer of Weather Report's 1977 classic, Heavy Weather and Butcher Brown's most recent album #KingButch).
Listen to Liquid Light and pre-save Butcher Brown Presents Triple Trey here. Learn more about Butcher Brown below and stay tuned for more new music coming soon.
Upcoming Live Dates:
7/17 - Chicago, IL @ Pitchfork Music Fest (w/ Pink Siifu)
7/30 - Napa, CA @ Blue Note Jazz Festival
8/5 - Martinsville, VA @ The Big What at Pop's Farm
8/6 - Fayetteville, GA @ Mad South Jazz Fest at City Center Park
8/27 - Richmond, VA @ Crab Festival at Brown's Island
9/11 - Brooklyn, NY @ Afropunk Fest
9/24 - Monterey, CA @ Monterey Jazz Festival
10/30 - Live Oak, FL @ Suwannee Hulaween
2/3/2023 - Miami, FL @ Jam Cruise 19 at MSC Divina
Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND Track Listing:
1. Triple Trey (Intro / How Much A Dollar Cost)
2. Freeze Me
3. Liquid Light
4. Lawd Why
5. Git Along
6. 777 (Intro)
7. 777
8. 777 (Outro)
9. Breevin'
10. Cusian
11. Unbelievable
12. Triple Trey (Outro / How Much A Dollar Cost)
DOWNLOAD - Album Art | DOWNLOAD Press Photo
More about Butcher Brown:
Miles Davis once quipped, “I’ll play it first and tell you what it is later.” Butcher Brown has released forward-thinking and expansive hybrids of jazz and hip-hop since 2013. Today, they have an apt descriptor for their songs: solar music. Drawing inspiration from every sound under the sun, the Richmond, VA band adds elements of funk, soul, and rock to their foundational mix. The result is a Southern-leaning, sometimes psychedelic fusion that feels fresh yet familiar. Simultaneously working within and defying genre conventions, Butcher Brown is a jazz festival mainstay that could tour with Tyler the Creator as easily as Khruangbin.
“We get daps from the jazz cats, the rap scene, the indie scene, and everyone else,” says drummer Corey Fonville. Every Butcher Brown album, show, and improvisational leap therein stems from the synergy, vision, and inexhaustible musical curiosity of him and his bandmates: producer/multi-instrumentalist DJ Harrison; bassist/composer Andrew Randazzo; trumpeter/saxophonist/MC Marcus “Tennishu” Tenney; and guitarist Morgan Burrs.
The band’s latest album, Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND, deconstructs big band jazz and reshapes it in the band’s eclectic image. With all due respect to Count Basie, the album sounds nothing like your grandparents’ 45s. Randazzo adapted Tennishu’s rap beats for Butcher Brown and 10 other Richmond musicians, turning them into bold and blaring suites for Tennishu to bless with his smooth baritone. Tennishu finds new pockets of rhyme between resonant brass, smacking percussion, warm guitar, funky bass, and more. Amidst party-starting originals, the ensemble delivers a reverent yet inventive Notorious B.I.G. cover that will move crowds in every New York borough. Think of Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND as an alternate score to Baz Lurhman’s Great Gatsby adaptation, a brilliant blend of contemporary genre-smashing injected into the past.
The band’s past begins in Richmond, where several members attended VCU’s jazz program, and everyone mixed in the city’s vibrant music scene. Between classes and performances at local clubs, all congregated at Harrison’s home studio: Jellowstone. Jam sessions bled into blunt-passing smoke sessions soundtracked by beat tapes from renowned Richmond producer Ohbliv, D’Angelo’s sensual, funky and forward-thinking neo-soul, and saxophonist Joe Henderson’s Power to the People. All culminated in Butcher Brown’s 2014 debut, All Purpose Music, a 76-minute jazz-driven odyssey into every genre at the band’s disposal.
That spark fueled a beat tape (Grown Folk, 2015), southern-inflected soul and rock excursions (The Healer, 2015 and Virginia Noir, 2016), a raucous live album (Live at Vagabond, 2017), jazz-funk fusion (Camden Session, 2018), and an Afrobeat tribute (Afrokuti, 2018). After tours with Galactic, Lettuce, and jazz giant Kamasi Washington, Butcher Brown turned a corner with their Concord Jazz debut, 2020’s #KingButch. They recorded at Jellowstone and abandoned worries about creating songs that would be easily replicable live, blurring the lines between soul-jazz and boom-bap, eliminating the divide between P-funk and modern funk, and transforming rap-meets-bossa nova amalgams into kaleidoscopic psychedelia. With Tennishu rapping, the band was in new territory and closer to their roots than ever. Their catalog-spanning NPR Tiny Desk Concert, crowd packing European tour, and inspired, Alex Isley-assisted cover of Patrice Rushen’s Remind Me in 2021 proved their range remained limitless, unbound by genre and time.
Butcher Brown Presents Triple Trey featuring Tennishu and R4ND4ZZO BIGB4ND continues the band’s backward-gazing leap into the future. Following their appearance at 2022’s Blue Note Jazz Festival in Napa, they have planned collaborations with critically acclaimed rappers and other artists. For now, look for Butcher Brown to bring the big band, the spirit of Jellowstone, and their latest iteration of solar music to the world.
WATCH THE OFFICIAL MUSIC VIDEO
SOMETHING BORROWED, SOMETHING NEW: A TRIBUTE TO JOHN ANDERSON OUT AUGUST 5
NEW ALBUM PRODUCED BY DAN AUERBACH AND DAVID FERGUSON FEATURING BROTHERS OSBORNE, TYLER CHILDERS, ERIC CHURCH, BRENT COBB, LUKE COMBS, SIERRA FERRELL, SIERRA HULL,
JAMEY JOHNSON, ASHLEY McBRYDE, DEL McCOURY, JOHN PRINE, NATHANIEL RATELIFF, STURGILL SIMPSON AND
GILLIAN WELCH & DAVID RAWLINGS
TORONTO, ON – June 29, 2022 – A new version of legendary country artist John Anderson’s song, Years, performed by acclaimed singer, songwriter and musician, Sierra Ferrell, is debuting today. Watch/share the official music video here.
Reflecting on the song, Ferrell shares: “I grew up listening to John Anderson on country music radio, so I was honored…almost like a pinch yourself moment, when I was asked to contribute to this album. Years is such a great song, and it spoke to me from the first time I heard it. The lyrics and John’s unmistakably haunting voice immediately flooded my brain with that universal truth…that life is so precious and so brief. I felt called to that song, and I’ve always thought that if you feel a song in your bones, you can bring it to life. From that point, everything becomes almost effortless.”
Years—the title track of Anderson’s acclaimed 2020 album—is the third song unveiled from Something Borrowed, Something New: A Tribute to John Anderson, the anticipated tribute record celebrating Anderson’s songs and career, set for release August 5 via Easy Eye Sound (pre-order here).
Produced by Dan Auerbach and David Ferguson, the record features new versions of some of Anderson’s most beloved songs, performed by Ferrell, Brothers Osborne, Tyler Childers, Eric Church, Brent Cobb, Luke Combs, Sierra Hull, Jamey Johnson, Ashley McBryde, Del McCoury, John Prine, Nathaniel Rateliff, Sturgill Simpson and Gillian Welch & David Rawlings. Ahead of the release, two additional album tracks recently debuted: I Just Came Home to Count the Memories, performed by Gillian Welch & David Rawlings, and Wild and Blue, performed by Brent Cobb. Of Cobb’s rendition, Brooklyn Vegan praises, “He makes it his own without losing the charm of the original, and it's a genuinely lovely rendition.”
Of the record, Anderson shares: “Listening to everybody do their own takes on the songs shows how the songs really come through. And I thought to myself, ‘You might have been young and foolish back then, but you sure did pick some good songs.’ It’s very gratifying to know that some things really do not change, and a great country song remains a great country song. Any one person on the record would be a real tribute, but all of them together? It’s a pretty big deal for me personally.”
Additionally, Auerbach shares, “We weren’t trying to piddle around and make the normal tribute record. It had to be the best singers with the best songs and the best arrangements, and they had to come into the studio. This wasn’t like, ‘Mail me the song, and we’ll put it together.’ I think it makes this record unique. I don’t think most tribute records are done like this. I think that's why it sounds like a cohesive album. It feels like an amazing mix tape.”
Something Borrowed, Something New further celebrates a triumphant career for Anderson, who is one of country music’s most respected and beloved figures. Most recently, Anderson released his 22nd studio album, Years, in April of 2020 (stream/purchase here). Also produced by Auerbach and Ferguson, the record was created in the midst of a serious health crisis and is the testimony of his remarkable recovery.
Released to overwhelming critical acclaim, Rolling Stone praised, “Years finds Anderson at his most convincing, and moving, since his hit-making heyday. It’s the type of record that should cast his entire discography in a new light, an inspired offering that shows a forgotten legend pulling off a new trick just as effectively as his old ones,” while Billboard declared, “Years is putting Anderson firmly in the spotlight again” and The Tennessean proclaimed, “With his warming baritone—familiar to four decades of country music listeners—Years plays like a soundtrack to creative deliverance; sincere messages that often sounds resilient and at times tender-hearted.”
A Nashville Songwriters Hall of Fame inductee, Anderson has enjoyed 60 charting singles in four consecutive decades including five No. 1 songs: Wild and Blue, Swingin’, Black Sheep, Straight Tequila Night and Money in the Bank. Originally from Apopka, Florida, Anderson now lives outside of Nashville with his wife of over 25 years, with whom he shares two daughters.
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OUT JULY 22 ON FANTASY RECORDS
TORONTO, ON - June 29, 2022 - Today, Zooey Deschanel (She) & M. Ward (Him) released the third single, Til I Die, off their upcoming album, Melt Away: A Tribute to Brian Wilson, out July 22 via Fantasy Records. Til I Die first appeared on the Beach Boys’ 1971 album, Surf’s Up. Darlin' and Wouldn't It Be Nice were the first two singles to be released from Melt Away. Watch the visualizer for Til I Die here and pre-order Melt Away: A Tribute To Brian Wilson here.
With Deschanel’s vocals atop fluttering trumpet and Ward’s lovingly languid slide guitar figures, She & Him’s gorgeous take on Til I Die re-imagines the Beach Boys’ dazzling ballad while losing none of the original’s oceanic depth.
“Matt introduced that one to me,” Deschanel explains while talking about the song’s radiant glow. “I didn’t know it but loved it instantly. The melodies are stunning.” “It’s incredibly complex—the more you get into it, it’s like a labyrinth, but one you enjoy being in,” Ward adds.
She & Him’s seventh studio album is a loving tribute to one of the greatest living American songwriters and singers: Brian Wilson. Melt Away: A Tribute to Brian Wilson finds Zooey Deschanel and M. Ward diving deep into the legendary artist’s extensive songbook, offering fascinating and delectable new spins on time-honoured classics and overlooked gems alike. These 14 covers are infused with the familiar magic that She & Him fans know and love, opening a new window into Wilson’s iconic catalog. Wilson even features on a song with Deschanel and Ward for the album – Do It Again. The band has enjoyed a friendship, and mutual appreciation, with Wilson over the years and She & Him was previously a guest vocalist on his 2015 album, No Pier Pressure.
“In the spring of 2020, we started a list of our favorite Brian songs — a very long list,” the duo explains. “We chose songs without any regard to their chart performance. The obscure ones hit us just as hard as the more popular songs — and all are ripe for re-imagining, re-interpreting, and re-inventing. Brian writes songs of beauty and loneliness and vulnerability better than anyone — and by sequencing them next to popular songs of confidence and love and fun, it creates a more complete picture of life on earth.”
Brian Wilson comments on Melt Away: “Zooey and Matt did such mind-blowing versions of our songs. The harmonies are beautiful and right on. I love this record!”
Melt Away is Deschanel and Ward’s follow-up to 2016’s holiday album, Christmas Party, and it marks their second record of non-holiday covers since 2014’s Classics, which topped Billboard’s U.S. Folk Albums chart on release. It’s the latest display of remarkable talent from She & Him, who have wowed listeners for over 15 years with their gorgeous and warm indie-pop. As Deschanel’s maintained a successful acting career and Ward’s continued his own singular solo career as a producer and singer-songwriter, the duo continues to sound like the perfect match in the studio—with Deschanel’s dramatic vocals pairing with Ward’s textured, tuneful arrangements and production.
Tickets for She & Him’s upcoming fall tour are available at sheandhim.com.
NEW FALL TOUR DATES
9.9.22 - Vienna, VA - Wolf Trap
9.10.22 - Boston, MA - House of Blues
9.11.22 - Portland, ME - State Theatre
9.13.22 - Brooklyn, NY - Brooklyn Steel
9.14.22 - Philadelphia, PA - The Fillmore
9.16.22 - Grand Rapids, MI - Meijer Gardens
Keep up with She & Him:
Web/ Instagram/ YouTube/ Twitter/ Facebook
JUNE'S 8-TRACK EP UNDER COVER FEATURES SONGS WRITTEN BY FRANK OCEAN, JOHN LENNON, NICK CAVE, GILLIAN WELCH, BOB DYLAN, JOE SOUTH, MAZZY STAR AND NICK DRAKE
LISTEN TO JUNE'S DAZZLING COVER OF
FRANK OCEAN'S GODSPEED HERE
TORONTO, ON – June 28, 2022 – Acclaimed GRAMMY-nominated singer-songwriter and multi-instrumentalist, Valerie June, will release Under Cover – a specially curated 8-track covers collection, available digitally and on CD + vinyl, August 26th, 2022, via Fantasy Records.
Under Cover features extraordinary interpretations of songs by some of June’s favourite artists including previously unreleased versions of Frank Ocean’s Godspeed, Joe South’s Don’t It Make You Want To Go Home, Gillian Welch’s Look At Miss Ohio, and Nick Cave & The Bad Seeds’ Into My Arms. The EP also includes two tracks that appeared on June’s (digital only) The Moon and Stars: Prescriptions For Dreamers Deluxe Edition: John Lennon’s Imagine, and Nick Drake’s Pink Moon. Bob Dylan’s transcendent Tonight I’ll Be Staying Here with You, (previously available as an Amazon Original exclusive) and June’s captivating reading of Mazzy Star’s Fade Into You, released last month, rounds out the set. Listen to Godspeed (Frank Ocean cover) here. Pre-order Under Cover here.
As one of American music’s most admired sonic experimentalists, June approaches these carefully chosen tracks with a sense of both reverence and freedom. It’s a one-of-kind balance between modern and traditional influences that makes her a special artistic force and these timeless songs her own.
Valerie June’s most recent full-length album, 2021’s acclaimed The Moon and Stars: Prescriptions for Dreamers, was one of the year’s most celebrated releases. Produced by June and Jack Splash, the album is “a psychedelic tour de force” that is “powerfully, elegantly subversive” (UNCUT) and “a stunning song cycle of redemption and reclamation” (Rolling Stone). June’s spellbinding vocals and infectious sense of wonder ground the record, and “her every quiver bespeaks emotional honesty” (New Yorker).
The follow-up to her 2013 breakthrough, Pushin’ Against A Stone, and the widely adored The Order of Time — a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists — The Moon and Stars: Prescriptions For Dreamers is a landmark work for the Memphis-born, Brooklyn-based auteur. The album’s Call Me A Fool, featuring Stax legend Carla Thomas, was nominated for Best American Roots Song at this year’s GRAMMY Awards, the first nomination of June’s illustrious career.
Under Cover Track List:
1.Pink Moon (Nick Drake)
2.Fade Into You (Mazzy Star)
3.Look At Miss Ohio (Gillian Welch)
4.Godspeed (Frank Ocean)
5.Imagine (John Lennon)
6.Don’t It Make You Want To Go Home (Joe South)
7.Tonight I’ll Be Staying Here With You (Bob Dylan)
8.Into My Arms (Nick Cave & The Bad Seeds)
Catch Valerie June On Tour:
7/9 – Palomino Festival – Pasadena, CA
7/10 – Henry Miller Memorial Library – Big Sur, CA
7/11 – Lagunitas Brewing Company – Petaluma, CA
7/24 – Newport Folk Festival – Newport, RI
7/29 – Kaslo Jazz Fest – Kaslo, Canada
7/31 – Knitting Factory – Spokane, WA
8/2 – Capital Ballroom – Victoria, BC
8/3 – Alma Mater – Tacoma, WA
8/4 – Hult Center for the Performing Arts – Eugene, OR
8/5-8/7 – Pickathon – Happy Valley, OR
8/18-8/21 – Green Man 2022 – Crickhowell, UK
8/23 – Blues Kitchen – Manchester, UK
8/24 – Thekla – Bristol, UK
9/2 – George, WA – The Gorge Amphitheatre
9/17 – XpoNential Music Festival – Camden, NJ
DOWNLOAD – Hi Res Press Photo | DOWNLOAD – Under Cover Art
Valerie June on TikTok
AWARD TO HONOUR AND RECOGNIZE CANADIAN MANAGERS OR SELF-MANAGED ARTISTS WHO ARE CARVING NEW PATHS WITHIN THE INDUSTRY LANDSCAPE
NOMINATIONS CAN BE MADE HERE
WITH DEADLINE TO SUBMIT BY SUNDAY, JULY 24
AT 11:59 P.M. PST
CALL FOR NOMINATIONS TO THE
MMF CANADA BOARD OF DIRECTORS NOW OPEN HERE
Toronto, ON – June 28, 2022 – MMF Canada is thrilled to announce the launch of the new Trailblazer Award, recognizing Canadian managers or self-managed artists who are carving new paths within the industry landscape. The recipient of the award will be celebrated during the annual MMF Canada Honour Roll Awards, taking place both in-person in Toronto and online in the fall. Nominations for the Trailblazer Award are now open, with MMF Canada members encouraged to put forth deserving candidates (including themselves) for consideration. The nomination deadline is Sunday, July 24 at 11:59 p.m. PST. Guidelines and the nomination form can be found here.
"The entire music industry has shown their creativity, perseverance and resilience through the challenges and opportunities presented over the last couple of years,” reflects Amie Therrien, Executive Director, MMF Canada. “We wanted to find a way to celebrate people working in music management who exemplify those traits and are doing something unique that is driving the industry forward whether they've been in the business for two or 20 years. Opening up nominations to all MMF Canada members is different from how we've done things in the past but is crucial to ensuring we hear about people doing great work from across the country, from various backgrounds, in all genres, and from all experience levels."
The MMF Canada Honour Roll, now in its 15th year, is a flagship event in the industry calendar. The annually sold-out event brings together the award recipients and their guests, with past honourees, MMF’s Board of Directors, and other industry personnel, to celebrate the achievements of Canadian music managers and self-managed artists. Along with the newly introduced Trailblazer Award is the Honour Roll Award, which recognizes a Canadian music manager for outstanding career achievements; the Brian Chater Builder Award, which celebrates those who have had significant impact in building the Canadian music industry; and the Banner Year Award, which honours the success of an artist and their management for an exceptional year.
Additionally, MMF Canada opens the call for nominations to its Board of Directors. Eight of the 12 seats are up for election this year, with four directors being elected to full three-year terms, and four directors to two-year terms, in order to allow for the organization to get back into an equal rotation after updating the length of terms last year. More information about the board and how to submit a nomination can be found here.
The past few years have seen the 25-year-old organization grow in significant and meaningful ways. In addition to hiring an Executive Director and several staff, MMF Canada launched the Bespoke Mntrship Program, as well as multiple programs, including webinars, masterclasses, and networking events, both online and in-person on international platforms. MMF Canada will also be launching a fresh spin on the in-person Honour Roll Awards event in 2022.
“The board for the last two years has been the most diverse ever,” says Board Chair, Helen Britton. “The variety of voices at the table have a huge impact in strategic planning, priorities, advocacy, board, staff and membership training activities, and the overall growth and direction of the organization. We want to continue this work and are looking for a strong slate of nominees to take us into the next phase of the organization.”
ABOUT MMF CANADA
MMF Canada is the national, collective voice for Canadian music managers, their artists, and self-managed artists working at all levels and in all genres. The non-profit organization provides professional development, networking and mentorship opportunities for its members and other industry professionals, ensuring that all can have access to the support and tools necessary for success. MMF Canada is also a fierce advocate, working alongside partner associations, ensuring that government and industry programs and policies best serve artists and managers.
mmfcanada.ca
instagram.com/MMFCANADA
facebook.com/MMFCANADA
twitter.com/MMFCANADA
Radio Silence was written by Day and Alex Casnoff (Jonathan Wilson, Harriet), and features backing vocals from fellow LA musician, Miya Folick. Lyrics for the song - prescient in their ability to match our current political reality months after they were penned - are below.
Says Day about the song, “I had life-threatening complications with a pregnancy three years ago, and I can’t even imagine what it would have been like had I not been given the freedom to make my own choices for myself and my body at that time. As Simone de Beauvoir wrote, ‘The body is not a thing, it’s a situation.’ It’s as if the world has turned its back on us at our most vulnerable, when we are faced with a decision that will change our lives forever.”
Radio Silence is a bold sonic step forward for Day, and a fitting welcome to the next chapter of her musical journey. In 2021, Day released a handful of tracks that racked up millions and millions of streams, including Golden, Dance For Love, Girls, a duet with Weyes Blood called Holocene, and a remix of Golden by Twin Shadow. Day also appeared on Lana Del Rey’s Chemtrails Over the Country Club last year, covering Joni Mitchell with Del Rey and Weyes Blood in a symbolic passing of the sonic torch from one great LA singer/songwriter to the new generation.
Lyrics for Radio Silence
Born in the valley ’85
You took me to the guest house
Where your friends would all skip class and get high
Rolling up the windows
Now you're pouring me wine in your jacuzzi
You want your sex more like the movies
So I bought a book on Kamasutra
To get you screaming hallelujah
Hold my body
Can you feel it
I’ve been trying to keep this secret down
I’m trying to shake the spirit out
Radio Radio Radio Radio into Silence
You sent me a picture of your doorstep
Of your key and where to find it
Back of your closet
In your best pants
The cash inside your wallet
You have anxiety over pregnancy
So you bought this fucking pill for me
Now it’s Friday night and you’re out
My head is inside the toilet
I love how you told me to calm down
And I’m screaming hallelujah
Hold my body
Can you feel it
I’ve been trying to keep this secret down
I’m trying to shake the spirit out
Radio Radio Radio Radio into Silence
How could this happen to me
I happen to be holding on
How could this happen to me
I happen to be strong
What I couldn’t see
It was happening to me all along
Hold my body
Can you feel it
I’ve been trying to keep this secret down
I’m trying to shake the spirit out
Radio Radio Radio Radio into Silence
NEW TOUR DATES ANNOUNCED
TORONTO, ON – June 24, 2022 — Hound Dog is one of those timeless rock and roll songs that feels indelibly etched on our collective consciousness. While Elvis Presley’s cover of the song is likely more widely known than Big Mama Thornton’s original, the latter was a game-changer that sounds as bold and alluring now as it did when it was first released in 1952.
Chris Vos, Alex Stiff, and Marc Carzola of blues-rock powerhouse, The Record Company, drew inspiration from both versions for their inspired reimagining of the song, released today. Listen to it here.
“I love the song ‘Hound Dog.’ I grew up with the Elvis version and found the Big Mama Thornton version later in life, so when we got together to do this track, we took the lyric inspiration from Thornton’s original and some of the attitude inspiration from the Elvis version, twisted it together, changed the chords around, and made something that doesn’t sound very much like either,” laughs Chris Vos.
He recalls, “We recorded the version you’re hearing in 2020 as part of our Side Project EP, but we didn’t release it then. With this Elvis film coming out, we thought it would be the perfect time to put our version out into the world, and we’re excited about it.”
Accompanying today’s announcement is a video that captures a rousing live performance of the song. Watch it here.
"The video that we did was super simple: we just wanted to take it into one room and show the energy of the band playing the song,” explains Vos. “And of course, we had to have our buddy and recording companion – Alex’s dog Seeger – in the room with us. You can’t have a hound dog song without the dog in the room! So, there you have it.”
“I would encourage everybody to go listen to the original Big Mama Thornton version, especially one that she did in the ‘60s when they were over in Germany,” says Vos. “She had a version with Buddy Guy that you can easily find on YouTube that’s just a swinging, phenomenal rendition. It’s really something, and I listen to it often. And of course, the Elvis version will always go down in history as one of the great moments in rock and roll.”
The Record Company will be on tour throughout 2022. This summer, they will appear at festivals in the US and Canada including Milwaukee’s Summerfest (taking place this weekend), Black Dirt Music Festival, CityFolk, and Harvest Jazz & Blues Festival. They have confirmed a new run of dates for fall that includes stops in St. Louis, Nashville, Washington DC, New York City, Philadelphia, Boston, Minneapolis, Seattle, Portland, San Francisco, San Diego, Los Angeles, and others. A full list of shows is below.
The Record Company is guitarist/lead vocalist Chris Vos, bassist Alex Stiff, and drummer Marc Cazorla. Last spring, they released the Side Project EP, which features reimagined and reconstructed renditions of songs by some of their favorite artists, including the aforementioned Big Mama Thornton, Cypress Hill, INXS, and Willie Dixon.
In October of 2021, their third studio album, Play Loud (produced by Dave Sardy, known for his work with Oasis, The Head and The Heart, LCD Soundsystem, and The Who), was released to critical praise and yielded a top-five Triple-A radio hit in, How High. In December, the band performed their hit Never Leave You on Jimmy Kimmel Live!
The band’s debut, Give It Back to You, earned them a GRAMMY nomination for Best Contemporary Blues Album. The record produced three top ten hits at Triple-A radio, including lead single Off the Ground, which reached #1 on Billboard’s Adult Alternative Songs chart. Entertainment Weekly described their debut album as a “soul scorcher.” The Record Company has also appeared on The Late Show with Stephen Colbert, CBS This Morning, and NPR’s World Café, and has shared bills with John Mayer, My Morning Jacket, Nathaniel Rateliff, and the Zac Brown Band.
The Record Company – 2022 Tour
6/25 Milwaukee, WI Summerfest
7/23 Bloomington, IL Black Dirt Music Festival
8/11 Ketchum, ID Sun Valley Museum of Art
8/14 Bend, OR Oregon Spirit Distillers
9/15 Ottawa, ON CityFolk
9/17 Fredericton, NB Harvest Jazz & Blues Festival
10/2 Raleigh, NC Red Hat Amphitheater
10/20 St. Louis, MO Delmar Hall
10/21 Nashville, TN Brooklyn Bowl
10/22 Covington, KY Madison Theater
10/24 Washington, DC The Howard
10/25 Jersey City, NJ White Eagle Hall
10/27 New York, NY Bowery Ballroom
10/28 Philadelphia, PA Union Transfer
10/29 Boston, MA Royale
10/31 Holyoke, MA Race Street Live
11/1 Buffalo, NY Buffalo Iron Works
11/3 Columbus, OH Newport Music Hall
11/4 Chicago, IL Park West
11/5 Madison, WI Majestic Theatre
11/7 Minneapolis, MN First Avenue
11/8 Des Moines, IA Wooly's
11/10 Englewood, CO Gothic Theatre
11/11 Aspen, CO Belly Up Aspen
11/12 Jackson, WY The Center
11/15 Seattle, WA The Crocodile
11/16 Portland, OR Wonder Ballroom
11/18 San Francisco, CA August Hall
11/19 Los Angeles, CA El Rey Theatre
DOWNLOAD - press photo
SUMMER TOUR CONTINUES WITH HEADLINE SET AT ELECTRIC FOREST TOMORROW, PLUS NEWPORT FOLK FEST, LIFE IS BEAUTIFUL AND 32 DATES WITH ODESZA INCLUDING STOPS IN TORONTO, MONTREAL AND VANCOUVER
“Let me remember how to live my life, were there rules originally, or are we learning how to be?”
TORONTO, ON – June 23, 2022 – Today, with the release of a surreal new song called Your Reality, Sylvan Esso enter their next era. Describing their first three albums as a trilogy that is now complete, Amelia Meath and Nick Sanborn stand at the start of a period that is stranger and more cathartic than the band has ever been. Featuring a string arrangement from Gabriel Kahane, and delicately frenetic drums by TJ Maiani, the slippery, complexly layered single serves as the opening to a chapter, a reference point “for how weird we can take it,” says Sanborn. “How bare and strange something can be.”
Over a sparse, skittering pattern of percussive synth, Meath remembers how to live. She swims in the air and walks in the sky, while asking a question that has preoccupied the post-pandemic world: “Were there rules originally, or are we learning how to be?” From the depths of the mix an echoing bed of backing vocals answers, “No rules.”
Listen to Your Reality, out now on Loma Vista Recordings, and watch the visual here.
Your Reality follows the scorching arrival of recent single, Sunburn, which The New York Times praised as “bouncy and pointillistic,” and Rolling Stone described as “a study in contrasts, detailing the exhilaration of pursuing pleasure and pushing the envelope.” After debuting the track for tens of thousands of fans across three nights at the Historic Durham Athletic Park, as well as an Austin City Limits taping, spring tour, and a stop at Wilco’s Solid Sound Festival last month, Sylvan Esso will bring both of the new songs to a headlining set at Electric Forest Festival this weekend.
Over the coming months, summer will also see Sylvan Esso play Newport Folk Festival, Life is Beautiful and more than 30 arena and amphitheater shows with ODESZA, including Canadian stops in Toronto, Montreal and Vancouver. Find information for all upcoming tour dates at sylvanesso.com/#tour.
UPCOMING TOUR DATES:
6/24 - Rothbury, MI - Electric Forest Festival
7/24 - Newport, RI - Newport Folk Festival
7/29 - Seattle, WA - Climate Pledge Arena* SOLD OUT
7/30 - Seattle, WA - Climate Pledge Arena* SOLD OUT
7/31 - Seattle, WA - Climate Pledge Arena* SOLD OUT
8/17 - Phoenix, AZ - Ak-Chin Pavilion*
8/19 - Austin, TX - Germania Insurance Amphitheater* SOLD OUT
8/20 - Dallas, TX - Dos Equis Pavilion* SOLD OUT
8/21 - Dallas, TX - Dos Equis Pavilion*
8/23 - Atlanta, GA - Lakewood Amphitheatre*
8/25 - Columbia, MD - Merriweather Post Pavilion*
8/26 - Forest Hills, NY - Forest Hills Stadium* SOLD OUT
8/27 - Forest Hills, NY - Forest Hills Stadium*
8/30 - Philadelphia, PA - TD Pavilion at The Mann*
9/1 - Toronto, ON - Budweiser Stage*
9/2 - Montreal, QC - Parc Jean-Drapeau*
9/3 - Gilford, NH - Bank of New Hampshire Pavilion*
9/4 - Boston, MA - Xfinity Center*
9/7 - Cincinnati, OH - The ICON Festival Stage at Smale Park*
9/8 - Detroit, MI - Pine Knob Music Theatre*
9/9 - Chicago, IL - Huntington Bank Pavilion* SOLD OUT
9/10 - Chicago, IL - Huntington Bank Pavilion*
9/14 - St. Louis, MO - Hollywood Casino Amphitheatre*
9/16 - Denver, CO - Fiddler's Green Amphitheatre* SOLD OUT
9/17 - Denver, CO - Fiddler's Green Amphitheatre*
9/18 - Las Vegas, NV - Life is Beautiful Festival
9/20 - Salt Lake City, UT - USANA Amphitheatre*
9/22 - Ridgefield, WA - RV Inn Style Resorts Amphitheater*
9/23 - Vancouver, BC - PNE Amphitheatre* SOLD OUT
9/24 - Vancouver, BC - PNE Amphitheatre*
9/26 - Bend, OR - Hayden Homes Amphitheater*
9/27 - Boise, ID - Fort Idaho Center Amphitheater*
9/29 - Sacramento, CA - Heart Health Park*
9/30 - San Francisco, CA - Shoreline Amphitheatre*
10/1 - San Francisco, CA - Shoreline Amphitheatre*
10/27-30 - Live Oak, FL - Suwannee Hulaween
*w/ ODESZA
DOWNLOAD – press photo | DOWNLOAD – single artwork
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Official Site
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Facebook
YouTube
GOOD COMPANY ALBUM OUT EVERYWHERE NOW
WATCH THIS LIFE LIVE ACOUSTIC VIDEO
TOUR PROMO VIDEO HERE
TORONTO, ON - June 22, 2022 - Nomadic indie-folk musician, Tennyson King, is hitting the Canadian highways this summer for a cross country tour and it all kicks off July 7 in Kamloops, BC, at Music In The Park. The tour will see the Hong-Kong Canadian musician bring his latest album, Good Company, to life in British Columbia, Alberta, Saskatchewan, Manitoba and Ontario. Watch the tour promo video here.
"I feel that a big part of the reason I perform so much and tour so much around the country is not only because I love it, but to also really represent the Asian/Chinese community in the live performance setting," says Tennyson. "Growing up I rarely saw any one that looked like me on stage which made it hard to really imagine myself in the place that I am today. Even today, it is still rare to see Chinese musicians on stage in Canada. So part of my performing in front of people is to bring that awareness and inspire young asian artists. It's why I think it's important for me to play so much and definitely fuels me to keep at it."
Nature is also something Tennyson holds dear to his heart and plays a big part in his writing process which can be heard throughout his debut album that was released in January this year. Life On Shore (Carry Me Away) comes from a state of interconnectedness with nature and water, Slow Down is an elemental and earthy take on acknowledging our surroundings and appreciating nature, Share This Moment is an ode to sharing experiences with other humans through travel and vulnerability, It Ain’t Easy is a catchy, rhythmic and upbeat track that sounds light in nature, but was written from an emotionally difficult time when Tennyson felt pressured to fit in with white Canadian music, while What Am I Doing is a reflection of the path Tennyson has chosen and the highs and lows of being a musician.
"I'll be playing at some new venues and lots of outdoor shows which will give concert goers a chance to listen to me serenade them while they have the mountains and water as the backdrop," adds Tennyson. "I'm just so excited to hit the road this summer and perform songs from my new album Good Company with people all over British Columbia, Alberta, Saskatchewan, Manitoba and Ontario."
In May 2021, Tennyson released his first Chinese language single, 生命的进度, in support of Asian Heritage Month and to represent a voice for Asian artists in Canada, followed up by 自在 in June. In September, Tennyson performed at the largest Asian music festival in the world, Joy Ruckus Club 4. Throughout the rest of 2021 and into March, Tennyson toured across the country in support of Good Company. His music was supported by SiriusXM’s North Americana channel, Stingray Music, several Spotify playlists, CBC Radio, and has been featured in various publications, such as: Eat North, BYTA: Method To My Music, Post City Magazine, Exclaim!, Toronto Life, Nature Canada, The RepresentASIAN Project, and OMNI News. You can also listen to his third Chinese language single, a rendition of Life On Shore (Carry Me Away), which was released in May 2022 for Asian Heritage Month.
“I'm grateful to be playing at the Steamboat Mountain Festival and Peak Music Festival for the first time this summer,” adds Tennyson. “Part of the tour will be performed as a duo with Chris Noble playing keyboards and adding an electronic rhythmic element to my show. I haven't brought this set-up on tour and I'm excited to share with everyone. I’m really looking forward to connecting with everyone this summer!”
More information on tour dates and tickets can be found here and full tour dates are listed below. As well, you can learn more about Tennyson in his bio here.
Tennyson King’s Summer 2022 Tour Dates:
7.2 - Creston, BC - Good Company Coffee
7.7 - Kamloops, BC - Music In The Park
7.8 - Golden, BC - Whitetooth Brewing Company
7.9 - Edgewater, BC - Steamboat Mountain Festival
7.10 - Edgewater, BC - Steamboat Mountain Festival
7.11 - Revelstoke, BC - REVY. Live Outside
7.12 - Salmon Arm, BC - Shuswap Cider
7.13 - Ashcroft, BC - UniTea Cafe & Lounge
7.14 - Williams Lake, BC - Performances In The Park
7.15 - Hope, BC - Concerts In the Park
7.16 - Kelowna, BC - Lakesider Brewing Co
7.18 - Vancouver, BC - Sofar Sounds
7.21 - Kelowna, BC - Red Bird Brewing
7.22 - Castlegar, BC - Tailout Brewing
7.23 - Kimberley, BC - Bohemian Spirits
7.24 - Lethbridge, AB - The Slice
7.25 - Swift Current, SK - Railway North Social House
7.26 - Gravelbourg, SK - Cafe De Paris
7.27 - Regina, SK - Bushwakker Brewing Company
7.28 - Portage La Praire, SK - Mr Mikes
7.29 - Winnipeg, MB - Trans Canada Brewing Co.
8.1 - Lafleche, SK - Wood River Inn
8.2 - Calgary, AB - Cafe Koi
8.12 - 100 Mile House, BC - Outdoor Concert Series (Centennial Park)
8.14 - Golden, BC - Golden Skybridge Summer Concert Series
8.18 - Kelowna, BC - Parks Alive!
8.19 - Nelson, BC - TBA
8.20 - Kaslo, BC - Kaslo Hotel
8.25 - Edmonton, AB - The Backyard (For The Love Of Downtown Concert Series)
8.26 - Red Deer, AB - The Velvet Olive Lounge
8.27 - Calgary, AB - Cafe Koi - Bus-Boats, Beach N’ Bands Festival
8.31 - Calgary, AB - Heritage Park Historical Village
9.1 - Invermere, BC - Arrowhead Brewing Company
9.2 - Creston, BC - Frisky Whisky
9.3 - Cranbrook, BC - Peak Music Festival
9.8 - Kenora, ON - Bobs Burger Bar
9.9 - Thunder Bay, ON - TBA
9.10 - Sault Ste. Marie, ON - The Water Tower Inn
9.12 - Mississauga, ON - Living Arts Centre - Opening for Tommy Emmanuel
9.15 - Mississauga, ON - MCS Amphitheatre - #LoveLocal Series
9.16 - Mississauga, ON - Mississauga Music Awards
9.18 - Cookstown, ON - Gussapolooza Music Festival
DOWNLOAD – Live Show Photo
DOWNLOAD – Hi Res Press Photo| DOWNLOAD - Summer 2022 Tour Poster
About Tennyson King:
A nomadic indie-folk musician from Hong Kong and Canada and traveller at heart, TK has captured audiences worldwide with his reverberant and earthy folk-rock sound, jovial personality, and intimately humorous lyrical storytelling. Good Company, produced by Juno nominee, Ross Hayes Citrullo, is an encapsulation of Tennyson’s adventures on the road. With a vintage vibe as inviting as a cosy cabin, he welcomes us to “Share This Moment” in his natural habitat, as the opening track suggests. He writes chill soundtracks to rich, diverse landscapes as he explores the world's beauty, making connections with people, nature, and wildlife along the way. Having toured in Canada, Australia, China, Hong Kong, Brasil and Southeast Asia, his raw, gritty, and organic sound makes the soul feel wild and the heart comforted.
LISTEN TO SPACE AND TIME | WATCH SPACE AND TIME
The video for SPACE AND TIME is a huge interstellar on-the-ground dance party – in transit! Kyle Laurin's editing takes us back in time with PowerPoint style transitions and other 90's sensibilities. Piotr Dudek, Sharon and Joseph Roberts were behind the cameras, while a cast of J3M's friends from in town and beyond joined in for a virtual dance party.
"SPACE AND TIME is AFRONAUT deciding that maybe both he and The Alien need to take a step back from the situation. After all, it takes two people to create a conflict in the first place. Though it’s easy to pick sides in any dispute, sometimes we must agree to disagree," J3M says of this chapter in the story. "Flying back to earth in his ship alone, AFRONAUT realizes that self love is the most important kind of love. And that love in action, is showing up for himself and asking for what he needs."
SPACE AND TIME follows MOONLESS, a woefully romantic, track blends retro synth pop, mid 80’s R&B and 90’s boy bands with a signature touch. Listen to MOONLESS and experience J3M's live performance in this amazing unplugged rendition here, and a lyric video, created by by Gabriel Altrows and Gergana Peeva, here.
AFRONAUT marks an evolution from J3M's previous work with more intricate production and a clearer vision. The pop-driven EP is abundant with piano, synthesizers, guitar, bass and even live strings. On one occasion, J3M and producer, Mike Tompa, travelled to Chalet Studios in Uxbridge, ON to find the perfect piano (a Yamaha C3) to have on select tracks, which is the same piano J3M used for his 2019 standout single, Stuck To My Heart. Other tracks feature a vintage John Brinsmead piano from Miloco Studios in London, UK, The Roland Juno 106 synth and the Prophet Rev 2.
J3M's previous single, Show Me, was the catalyst for J3M to realize he had other songs and fragments of ideas that mirrored the same sound, theme and concept. Alas, space was made for AFRONAUT to fully soar. Show Me, another retro-synth ballad in its own right (Produced by Matthew Fudge), sees AFRONAUT getting into his ship and leaving earth, embarking on a mission to find the Alien. Upon finding them, a confession is given from the Alien to AFRONAUT. The Alien explains that they are having a hard time connecting and communicating, and this has nothing to do with AFRONAUT.
Tune in as the rest of the AFRONAUT EP story unfolds with more on the way in the coming months!
Get to know J3M (he/they):
Blending pop, disco, soul and R&B, J3M is ready to paint pictures, tell stories, and share melodies that will live in your head rent-free. The award-winning singer/songwriter/pianist has backed powerhouse artists such as Tanika Charles, TiKA, Zaki Ibrahim, Amaal, The OBGMs, James Baley and more, both locally and internationally. Sharing stages with Kehlani, Weezer, Brandy, July Talk and the Arkells (just to name a few), J3M is no stranger to the industry. He's played everywhere from POP Montreal, Toronto Pride, Afropunk Paris, Osheaga, SXSW and even on Carnival cruise lines.
Based in Toronto, but born in Ottawa with Guyanese roots, J3M has been playing and singing for as long as he can remember. So, whether it’s lighting up rooms with his sharp writing, production and arranging skills or bringing down the house with a vivacious live performance, the queer artist is aimed and ready to take the world by storm!
DOWNLOAD - J3M Press Photo
DOWNLOAD - SPACE AND TIME Art
Connect with J3M below and on TikTok
TORONTO, ON – June 17, 2022 - Progressive deathcore practitioners, ENTERPRISE EARTH, recently welcomed singer Travis Worland (Aethere, Bite//Down, The Willow) to their lineup. Today, the band is pleased to unveil Psalm Of Agony, their first new track featuring Worland. Stream ENTERPRISE EARTH’s Psalm Of Agony here.
Comments guitarist Gabe Mangold, "Psalm Of Agony, the first song with Travis Worland on vocals, is here and the next chapter of ENTERPRISE EARTH has officially begun. In addition to showcasing Travis' vocal capabilities, this song is also a journey instrumentally. We hope you enjoy it as much as we do.”
ENTERPRISE EARTH will begin their US headlining tour next tour month. The Chosen Tour begins July 22 in Seattle, Washington and runs through August 20th in Salt Lake City, Utah. Support will be provided by Within Destruction, Sentinels, and labelmates Great American Ghost. See all confirmed dates below.
ENTERPRISE EARTH continues to tour in support of their latest full-length, The Chosen, released early this year via MNRK Heavy. Distorted Sound crowns The Chosen the band’s, “heaviest album to date,” adding, “the Washington-quartet have rather significantly developed their sound and style that has made them take one more step towards asserting their rightful place amongst death metal royalty. The genre has always been about breaking the norm, creating something that will pummel everything in its path, and The Chosen has done that.” Blabbermouth observes, “ENTERPRISE EARTH come pretty close to transcending deathcore altogether on The Chosen, instead pursuing a new and often electrifying hybrid of modern (and not so modern) metallic styles, replete with far bigger tunes than on any previous record. From the opening seconds of Where Dreams Are Broken, the sheer, shiny weight of this thing is abundantly apparent. The Chosen sounds huge and definitive.” Adds MetalSucks, “The Chosen is ENTERPRISE EARTH’s most-everything record to date: it’s the heaviest, the most vicious, the most technical, and, not for nothing, the catchiest offering in the band’s already-impressive repertoire, and it’s already destined to be one of 2022’s must-hear metal releases.”
The Chosen is available on CD, LP, cassette, and digitally. Find ordering options here. View the band’s previously released videos for Where Dreams Are Broken, Reanimate // Disintegrate, Legends Never Die, and a variety of visualizers from The Chosen at the ENTERPRISE EARTH YouTube channel here.
ENTERPRISE EARTH w/ Within Destruction, Sentinels, Great American Ghost:
7/22/2022 El Corazon – Seattle, WA
7/23/2022 Dantes – Portland, OR
7/25/2022 Goldfields – Roseville, CA
7/26/2022 Chain Reaction – Anaheim, CA
7/27/2022 Nile Theater – Mesa, AZ
7/28/2022 Rockhouse – El Paso, TX
7/29/2022 Club Dada – Dallas, TX
7/30/2022 Come & Take It Live – Austin, TX
7/31/2022 The Secret Group – Houston, TX
8/02/2022 The Brass Mug – Tampa, FL
8/03/2022 Respectables – West Palm, FL
8/04/2022 The Haven – Orlando, FL
8/05/2022 Masquerade – Atlanta, GA
8/06/2022 Neighborhood Theater – Charlotte, NC
8/07/2022 The End – Nashville, TN
8/09/2022 Planet Trog – Allentown, PA
8/10/2022 Webster Underground – Hartford, CT
8/11/2022 Knitting Factory – Brooklyn, NY
8/12/2022 The Outpost – Kent, OH
8/13/2022 The Sanctuary – Detroit, MI
8/14/2022 WC Social Club – Chicago, IL
8/16/2022 Emerson Theater – Indianapolis, IN
8/17/2022 Skylark – Rock Island, IL
8/18/2022 The Marquee – Sioux City, IA
8/19/2022 HQ – Denver, CO
8/20/2022 Kilby Court – Salt Lake City, UT
DOWNLOAD - Psalm of Agony Art
DOWNLOAD - Hi Res Album Art | DOWNLOAD - Press Photo
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com
MISADVENTURES OF DOOMSCROLLER
ARRIVES VIA ROUNDER RECORDS ON FRIDAY, JULY 22
NEW SINGLE FROM UPCOMING EIGHTH STUDIO ALBUM – LISTEN
WATCH LIVE PERFORMANCE VIDEO
BUSY LIVE SCHEDULE INCLUDES HEADLINE DATES,
FESTIVAL PERFORMANCES, SUMMER RUN WITH THE HEAD AND THE HEART, AND CO-HEADLINE COLLABORATIVE TOUR WITH BAHAMAS
TORONTO SHOW ON SEPTEMBER 16 AT PHOENIX CONCERT THEATRE
TORONTO, ON - June 17, 2022 - Acclaimed Los Angeles-based rockers, Dawes, have shared Everything Is Permanent, available now via Rounder Records at all DSPs and streaming services. An official performance video – directed by Caitlin Gerard at Hollywood, CA’s historic EastWest Studios – premieres today via YouTube. Listento Everything Is Permanent.
Everything Is Permanent marks the latest single from Dawes’ upcoming eighth studio album, MISADVENTURES OF DOOMSCROLLER, arriving everywhere on Friday, July 22. Pre-orders are available now. In addition, a number of exclusive bundles – including Limited Edition Preferred Pink Vinyl w/Optional Exclusive 11x11 Signed Band Photo, Turntable Slipmat, Black Hoodie, White Pocket T, and Socks – are available now at the official Dawes webstore.
“This is a song (about how everything about us is tracked, documented, recorded, filed, mined, bought, sold, etc. etc. on some level) that is wrapped around a molten core of a breakdown/freakout/majorminorinterweave that is probably the moment I’m most proud of on the whole record,” says singer/guitarist Taylor Goldsmith. “After showing you the blood and guts, we gently sew the song back together again and end with what could be the tagline for all of social media and the screen-life-culture that we subscribe to these days to varying degrees: ‘Did you really need to cry? Or be seen crying?’”
Dawes will celebrate MISADVENTURES OF DOOMSCROLLER with a non-stop live schedule getting underway with a very special Independence Day event with Phil Lesh & Friends, set for Monday, July 4 at Asbury Park, NJ’s Stone Pony Summer Stage. A jam-packed international itinerary follows, including headline shows, festival performances, a summer run with The Head and The Heart, and a just-announced co-headline tour with GRAMMY® Award-nominated Canadian artist Bahamas. “An Evening with Dawes and Bahamas” will see both acts performing together for two unique live sets, with Dawes backing Bahamas and Bahamas then joining Dawes for an unprecedented collaborative performance. The tour begins September 7 at Knoxville, TN’s Bijou Theatre and then travels the US through the month. For complete details and ticket availability, please visit dawestheband.com/tour.
Produced by longtime collaborator Jonathan Wilson (Billy Strings, Father John Misty, Angel Olsen), MISADVENTURES OF DOOMSCROLLER represents an adventurous new turn for Dawes, evincing a more ambitious, exploratory approach towards recording than ever before. The album includes such recently released singles as Comes In Waves and the epic opening track, Someone Else’s Café / Doomscroller Tries to Relax, both available now at all DSPs and streaming services. Official performance videos are streaming now via YouTube.
DAWES TOUR 2022
JULY
4 – Asbury Park, NJ – Stone Pony Summer Stage †
29 – Yuzawa, JP – Fuji Rock Festival *
AUGUST
1 – Austin, TX – ACL Live at The Moody Theater ^
2 – Austin, TX – ACL Live at The Moody Theater ^ (SOLD OUT)
4 – Houston, TX – Lawn at White Oak ^
5 – Dallas, TX – The Pavilion at Toyota Music Factory ^
6 – Oklahoma City, OK – The Criterion ^
7 – Arvada, CO – Arvada Center for the Arts
8 – Salt Lake City, UT – Red Butte Garden Amphitheatre ^
9 – Boise, ID – Outlaw Field at the Idaho Botanical Garden ^
11 – Missoula, MT – KettleHouse Amphitheater ^
12 – Seattle, WA – Marymoor Park ^ (SOLD OUT)
13 – Seattle, WA – Marymoor Park ^
16 – Portland, OR – McMenamins Edgefield Amphitheater ^
18 – Santa Barbara, CA – Santa Barbara Bowl ^
19 – Berkeley, CA – Greek Theatre ^
20 – Los Angeles, CA – Greek Theatre ^
22 – San Diego, CA – Humphreys Concerts By The Bay ^ (SOLD OUT)
23 – San Diego, CA – Humphreys Concerts By The Bay ^
27 – Tisbury, MA – Beach Road Weekend *
28 – Bridgeview, IL – Sacred Rose *
SEPTEMBER
3-4 – Indianapolis, IN – All In Music & Arts Festival *
7 – Knoxville, TN – Bijou Theatre #
8 – Richmond, VA – Brown's Island #
9 – Winston-Salem, NC – Gears and Guitars #
10 – Charleston, SC – The Windjammer #
11 – Wilmington, NC – Greenfield Lake Amphitheater #
13 – Baltimore, MD – Soundstage #
14 – Patchogue, NY – Patchogue Theatre for the Performing Arts #
16 – Toronto, ON - Phoenix Concert Theatre
17 – Hammondsport, NY – Point of the Bluff Vineyards #
18 – Columbus, OH – Athenaeum Theatre #
19 – Iowa City, IA – Englert Civic Theatre #
21 – Bloomington, IL – Castle Theatre #
22 – Lexington, KY – The Burl Outdoors #
23 – Memphis, TN – Overton Park Shell #
24 – Franklin, TN – Pilgrimage Music & Cultural Festival *
25- Baton Rouge, LA – Manship Theatre
* Festival Performance
† w/Phil Lesh & Friends
^ Supporting The Head and The Heart
# “An Evening with Dawes and Bahamas”
About Dawes:
MISADVENTURES OF DOOMSCROLLER marks Dawes’ first new LP following 2020’s Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it “their liveliest, most visceral set yet.” Dawes celebrated with a range of high profile TV appearances, including ABC’s Jimmy Kimmel Live! and CBS’ The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.
Dawes is: T.Z. Goldsmith (guitar, primary vocal), W.Q. Gelber (handmade bass), G.W. Goldsmith (drums, percussion, background vocals), and L.M. Pardini (piano, organ, synthesizers, clavinet, Wurlitzer, guitar, background vocals).
STREAM THE 10-SONG COLLECTION AND
PRE-ORDER THE VINYL & CD HERE
TORONTO, ON – June 17, 2022 – Grey Daze, the band that birthed a modern rock icon, Chester Bennington, release The Phoenix, today via Loma Vista Recordings (stream it here). The 10-song bookend to 2020’s Amends, the newly-recorded album is a celebration of both Bennington and a testament to both the tenacity and talent of the surviving band members.
As news of the album’s existence was shared, Grey Daze founder, drummer and songwriter Sean Dowdell said: “Amends was more emotional and reflective. We felt sad when we were writing it. Now that we’re a couple of years removed, it’s very clear what we were going through. We were at a different stage of grief. We went through the shock and the sadness. Now, we’re back to gratitude.”
Dowdell, accompanied by bass player, Mace Beyers, and guitar player, Cristin Davis, with producer, Esjay Jones, and with the blessing of Bennington’s family, reconvened in late 2020, re-recording, and re-working the songs which initially appeared, in a very different form, on the band’s largely unknown mid-‘90s releases. A group of special guests also played on the powerful new collection, with Dave Navarro and Richard Patrick featured on Holding You and Believe Me (respectively), and Bennington’s daughters, Lily and Lila, paying homage to their dad on Hole. The band documented the process via a YouTube series which can be seen here.
The Phoenix’s arrival is marked with the debut of a Heidi Gadd directed video for Drag. Dowdell explains the themes behind the song: “Drag is a very dark and droning heavy track, but the underlying message is really special. Chester is telling us, literally, that life is too short to be intoxicated, life is too short to be a drag. It is a song that gives any listener with a substance abuse past something to feel good about, something to help pull themselves out of that dark place.”
Reception for the newly released album reflects the band’s upbeat and joyful tone, with Brooklyn Vegan calling it a “’90s alt-metal banger that finds Chester’s voice as unmistakable as ever,” Revolver describing it as “soaring,” and Rolling Stone dubbing the single Starting to Fly, a “rock anthem.”
Over the course of Grey Daze’s first incarnation, which ran 1994 to 1997, the group recorded and released two albums. It is those albums that serve as a foundation for both Amends and The Phoenix. Prior to Bennington’s passing he publicly announced the Grey Daze’s return, which included re-recording the band’s largely undiscovered discography. With Talinda Bennington’s blessing, and working with Producer Esjay Jones, the surviving band members: Dowdell, Beyers, and Davis, moved forward, as both a way to pay tribute to their fallen brother and bandmate, but also to expose his fans to another dimension of the dynamic singer. Amends arrived in 2020, with Rolling Stone, Revolver, Billboard, and Kerrang! praising the collection. NME summed it up best, saying Amends is “a great modern rock record fronted by one of the best vocalists in the game.”
The album is available to stream now, with the physical release, including several limited-edition vinyl variants, available on July 1.
PREORDERS AVAILABLE HERE
EXILED VIDEO NOW PLAYING
TORONTO, ON – June 17, 2022 – INVICTUS, the new solo project led by Maurizio Iacono, will release their debut full-length, Unstoppable, on September 23 via MNRK Heavy today unveiling the record’s artwork, track listing, and preorders.
Well-respected as the singer of Kataklysm and Ex Deo, head of Hard Impact Artist Management, founder of Distortion Music Group, and co-owner of hard-and-heavy booking agency, Continental Touring, Iacono delivers dynamic new layers of heaviness and melody with his latest creative vehicle. A Latin epithet for various Roman deities, “Invictus” translates to “unconquered” or “invincible,” a theme put forward throughout Iacono’s latest output. The 11 songs that comprise Unstoppable offer an unflinching view of an unbreakable spirit, examined through the lens of ambitious, unapologetic heavy music. Iacono executed his vision alongside longtime collaborator J-F Dagenais (guitarist for Kataklysm and Ex Deo) and producer/main songwriter Chris Clancy (Mutiny Within). Powerhouse drummer Jeramie Kling (Venom Inc., Inhuman Condition) rounded out the record with a blistering performance. Iacono got to know Clancy, who often works alongside Colin Richardson and Andy Sneap, while making Kataklysm’s fourteenth album, 2020’s Unconquered. “Chris is an excellent songwriter and vocalist with a lot of talent,” Maurizio says. “We have a lot in common with our musical tastes.”
The sound of INVICTUS resonates deeply with all those who forged themselves in the fire of life’s obstacles. Conceived as an unflinching examination of fury and determination, INVICTUS explores the depths of struggle, frustration, and perseverance that shaped Iacono into the man he is today.
Comments Iacono, “Today we unleash the preview to a record we worked so very hard on. The first single Exiled has a great start-to-finish that really touches a lot of elements this album represents. My whole career has been about overcoming obstacles and reaching the light while keeping true to myself. This is a project that, regardless of the outcome, needed to be done for my soul. I’m very honored to have had Chris Clancy, J-F Dagenais and Jeramie Kling by my side in this new endeavor. Unstoppable is the gateway to self-preservation and perseverance and I hope you all enjoy it!”
Adds Clancy, “I was really honored to have Maurizio reach out to me and ask me to be a part of everything when decided it was time he did a solo project. It’s not often I have the chance to be so heavily involved in writing and working alongside people I look up to, so I jumped at the chance. We put some ideas together between us and everything just worked. I couldn’t believe how easily it all fell into place; how every idea we had just worked and fueled another idea. The music has gone from strength to strength, and I’ve never had so much fun. I think the music is absolutely brutal with a solid dose of anthemic moments scattered throughout. Exiled is a perfect example of what this album is about. It’s everything I’ve wanted to hear from a band for years and I’m stoked to be in it.”
View INVICTUS’ Exiled video, directed by David Brodsky (Cannibal Corpse, Goatwhore, Clutch), here. Unstoppable will be released on CD, LP, cassette, and digitally. Find preorders here.
Unstoppable Track Listing:
1. You Will Know Who I Am
2. Eagles
3. Bleed Me Out
4. Exiled
5. Get Up
6. Weaponized
7. 3656
8. Ghost Of My Father
9. Darkest Of Enemies
10. American Outcast
11. Keeping The Wolves At Bay
DOWNLOAD - Exiled Single Art
DOWNLOAD - Unstoppable Album Art
DOWNLOAD - Press Photo
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.
BROTHER OUT NOW
WATCH THE LIVE VIDEO HERE
HEADLING DUBLIN’S MALAHIDE CASTLE TOMORROW
TORONTO, ON – June 16, 2022 - When Kodaline stepped on stage at Dublin’s cozy, sold-out Olympia Theatre in early March 2022, vocalist/multi-instrumentalist, Steve Garrigan; bassist/vocalist, Jason Boland; guitarist/vocalist, Mark Prendergast; and drummer/vocalist, Vinny May, felt a deep sense of renewal – of their friendship, their brotherhood, and their musical community.
The beloved Irish quartet also felt a sense of release. Two years of pandemic-related separation – from each other, and the audience they had meticulously built since 2011 – had underscored how essential that symbiotic relationship really is.
It's that sense of release that permeates Our Roots Run Deep, Kodaline’s brand-new, stripped-down, 17-track live album, and Fantasy Records debut, due October 14th. Pre-order the album here, and watch the live performance video of Brother here.
Produced with pristine clarity by fellow Irish cohort, Phillip Magee, Our Roots Run Deep features a cross-section of the group’s most treasured tunes and three illuminating covers in over 80-minutes of music.
“This album is something we’ve wanted to do for a very long-time, it’s also something entirely new to us,” explain the band. “It’s a stripped-down acoustic show with no click, which basically means, it’s very raw and unfiltered. We wanted to try and capture the energy and atmosphere of the night as best we could. It was an intimate show recorded in one of our favourite venues in the world, in Dublin City at home in Ireland. We hope you enjoy it as much as we enjoyed playing it.”
Known for the soaring, sing-along pop-rock anthems and lush, yearning ballads that have topped radio and streaming charts around the globe, for these special intimate performances Kodaline utilized largely acoustic instruments including cellist, David Doyle and keyboardist/vocalist, David Prendergast who help give the warm, living room sound added layers of texture and depth.
The quieter musical beds pushed the band’s emotionally driven lyrics and intricately woven harmonies to the forefront, deepening their poignant resonance even further. It also left room for the voices of their ecstatic fans, who filled the open spaces every chance they could!
While too plentiful to list in full, the set’s highlights include the highly apropos opener Wherever You Are, the lead track from their latest LP, 2020’s One Day At A Time; High Hopes, the lead single from the band’s debut album, 2013’s In A Perfect World; and Brother, a moving cut from the group’s third studio album, Politics of Living, which is now being released as the first track from Our Roots Run Deep.
The band include three interesting and revealing covers here as well: a brooding, dramatic turn on Michael Jackson’s Billie Jean, a mostly-a cappella performance of Sam Cooke’s soul classic, Bring It On Home To Me, and a taste of Dirty Old Town, the near Irish standard popularized by The Dubliners and The Pogues.
It can be argued that in some ways the international chart-topping hitmakers, and world-wide concert draws, who are massively synched on film and television, have been hiding in plain sight. Our Roots Run Deep is a spectacular showcase for the purity of their artistry and the profound musical impact they’ve had on a generation. Their next step is around the corner, till then, this is Kodaline—unguarded, simple, essential.
Our Roots Run Deep will be released digitally and in an array of physical formats including CD / Standard Cream LP / Limited Indie & HMV Maroon LP / Irish Exclusive Green LP as well as special fan bundles available at kodaline.com including limited signed prints and exclusive double cassette.
Kodaline have announced an extensive Our Roots Run Deep European headline tour running through October and November 2022. Ahead of this, they will play several shows this month, including Malahide Castle tomorrow (June 17), Sea Sessions in Donegal, Ireland on June 18 and Lytham Festival on June 30. Full dates are listed below, and tickets are on sale now at kodaline.com.
OUR ROOTS RUN DEEP TRACKLIST:
1. Wherever You Are
2. Ready
3. Brother
4. Brand New Day
5. Billie Jean
6. The One
7. Moving On
8. The Answer
9. Dirty Old Town
10. Love Like This
11. Sometimes
12. Love Will Set You Free
13. High Hopes
14. Bring It On Home To Me
15. Perfect World
16. Everything Works Out In The End
17. All I Want
UPCOMING TOUR DATES:
June 17 - Dublin - Malahide Castle
June 18 - Donegal - Sea Sessions
June 30 - Lancashire - Lytham Festival
October 5 - Strasbourg - La Laiterie
October 6 - Brussels - Ancienne Belgique
October 7 - Tilburg - 013
October 8 - Cologne - Carlswerk Victoria
October 10 - Hamburg - Fabrik
October 12 - Stockholm – Slaktkyrkan
October 13 - Oslo - Rockefeller
October 14 - Copenhagen - Vega Main Hall
October 15 - Berlin - Astra
October 17 - Poznan - Tama
October 18 - Warsaw - Stodola
October 19 - Vienna - Gasometer
October 20 - Krakow - Studio
October 22 - Budapest - Akvarium Klub
October 24 - Prague - Forum
October 25 - Munich - Tonhalle
October 26 - Frankfurt - Batschkapp
November 11 - Madrid - Riviera
November 13 - Milan - Fabrique
November 14 - Bologna - Estragon
November 15 - Rome - Orion
November 17 - Lyon - Le Transbordeur
November 18 - Stuttgart - Longhorn
November 19 - Luxembourg - Den Atelier
November 20 - Zurich - X-Tra
November 22 - Paris - Bataclan
November 23 - Amsterdam - Paradiso
MEECHY DARKO ANNOUNCES LONG AWAITED SOLO DEBUT GOTHIC LUXURY OUT AUGUST 26 VIA LOMA VISTA RECORDINGS
"I had no choice but to make this the most personal thing I’ve ever done because fortunately or unfortunately, I'm in an extremely soul-stirring part of my life right now,” he says. “Who I was yesterday may not be who I am tomorrow. I'm not who I was last week. There's no telling who I'll be next year or the year after, so it's very important to capture this while I can still feel.”
The first single off of the new album, Kill Us All (K.U.A.), finds Meechy bringing his “Tupac back-against-the-wall energy,” touching on everything from conspiracy theories to government and corporate overreach to the role of media in shaping public perception. Kill Us All was co-produced by Tyler Dopps and Joshua "Budo" Karp, with additional production from Dot Da Genius. The single is accompanied by a frenzied video directed by Meechy Darko and Tyler Serebreni.
DOWNLOAD - Press Photo by ZEITWEITZ | DOWNLOAD - Kill Us All (K.U.A.) Art
Follow Meechy Darko on TikTok
TORONTO, ON – June 14, 2022 – The Polaris Music Prize, presented by CBC Music, has revealed its 40 album Long List.
This year’s Long List is presented by Canada Council for the Arts.
The 2022 Polaris Music Prize Long List is:
AHI - Prospect
Arcade Fire - WE
Backxwash - I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
BADBADNOTGOOD - Talk Memory
Jean-Michel Blais - aubades
Basia Bulat - The Garden
Tanika Charles - Papillon de Nuit: The Night Butterfly
Chiiild - Hope For Sale
Destroyer - LABYRINTHITIS
Julie Doiron - I Thought Of You
The Garrys - Get Thee To A Nunnery
The Halluci Nation - One More Saturday Night
Joyful Joyful - Joyful Joyful
Adria Kain - When Flowers Bloom
Lydia Képinski - Depuis
Pierre Kwenders - José Louis And The Paradox Of Love
Ada Lea - one hand on the steering wheel the other sewing a
garden
Lisa Leblanc - Chiac Disco
Hubert Lenoir - PICTURA DE IPSE : Musique directe
Luna Li - Duality
Les Louanges - Crash
LOONY - soft thing
Kelly McMichael - Waves
Men I Trust - Untourable Album
Haviah Mighty - Stock Exchange
myst milano. - Shapeshyfter
Cedric Noel - Hang Time
Ombiigizi - Sewn Back Together
Orville Peck - Bronco
Ouri - Frame of a Fauna
P'tit Belliveau - Un homme et son piano
PUP - THE UNRAVELING OF PUPTHEBAND
SATE - The Fool
Shad - TAO
Sister Ray - Communion
Snotty Nose Rez Kids - Life After
Stars - From Capelton Hill
Tanya Tagaq - Tongues
The Weeknd - Dawn FM
Charlotte Day Wilson - Alpha
In total, 223 albums were considered for the Long List by the 197 member jury this season.
“As the recovery of the sector has begun, music and the arts continue to be central in uplifting our spirits and moving us forward. The Canada Council for the Arts is extremely proud to partner with the Polaris Prize in recognizing the contributions by this year's Long List of musicians. We celebrate their spirit and applaud their creations.” — Carolyn Warren, Director General, Arts Granting Programs Division, Canada Council for the Arts
This year’s Long List was revealed at the Numbers event space in Toronto’s downtown west end with a video directed by Daniel Tal and produced by Vox Future. This was the first public Polaris-related gathering in 33 months. The Long List reveal video also premiered simultaneously on the Polaris Facebook page and YouTube channels.
The 10 album Short List will be unveiled live on July 14 as part of a two-hour special during Drive on CBC Music. An encore broadcast of the special will be available on CBC Music, Sunday, July 17. The 2022 Polaris Music Prize-winning album will be revealed in the fall via CBC Music. More details on this will be announced in the coming weeks.
The winning album will be revealed during the Polaris Gala, taking place Monday, September 19 at The Carlu in Toronto. To celebrate our return to the venue that has hosted the likes of Glenn Gould, Billie Holiday, Frank Sinatra, and multiple Polaris events, Polaris has just opened up 100 early-bird general admission Polaris Gala tickets for sale to the public. These specially priced tickets ($40 plus tax) are available now via Ticketmaster while quantities last.
The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The nine other nominated acts whose albums make the 2022 Short List will receive $3,000 each courtesy of Slaight Music. Additionally, Polaris Music Prize has partnered with Play MPE to award the winning artist with a global music promotion distribution package for one release (single or album) worth up to $3,025 CAD. Play MPE will also gift all nine remaining Short List artists with distribution packages worth up to $1,000 CAD each.
Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.
The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).
Polaris Music Prize 2022 Event Season:
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media
attention
20 Not-for-Profit and charity partners supported through the Community Development Program
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages. We also deliver content in Spanish, Arabic Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
About CBC Music
CBC Music is the leading curator of emerging and diverse Canadian music talent across platforms, playing the most Canadian artists and genres on radio, CBC Listen and cbcmusic.ca. We prioritize Canadian artists in a wide variety of genres on over 200 playlists available on CBC Listen, and publish daily national music coverage. CBC Music Live features live music recordings from across the country. Our music partnerships and events include The JUNOS, the Polaris Music Prize, Searchlight, the CBC Music Festival, The Canadian Music Class Challenge and Canada Listens. www.cbcmusic.ca
About Play MPE
Play MPE is the leading global platform for music promotion distribution and discovery. The company now serves over 100 countries, is available in multiple languages, and has changed the way the music industry delivers and accesses content. Play MPE provides music promotion distribution for 1000s of record labels, promoters and artists connecting them to a growing community of vetted music industry decision makers. Play MPE’s coveted distribution lists include: radio, satellite, media/blogs, music supervisors, music curators and more. Long standing global clients include Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard and many more. www.plaympe.com
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
***
DÉVOILEMENT DE LA LONGUE LISTE DU PRIX DE MUSIQUE POLARIS 2022
TORONTO, ON – 14 juin 2022 – Le Prix de Musique Polaris, présenté par CBC Music, a révélé sa longue liste de 40 albums.
Cette année, la longue liste est une présentation du Conseil des arts du Canada.
La longue liste du Prix de musique Polaris 2022 est la suivante :
AHI – Prospect
Arcade Fire – WE
Backxwash - I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
BADBADNOTGOOD – Talk Memory
Jean-Michel Blais – aubades
Basia Bulat – The Garden
Tanika Charles – Papillon de Nuit : The Night Butterfly
Chiiild – Hope For Sale
Destroyer - LABYRINTHITIS
Julie Doiron – I Thought Of You
The Garrys – Get Thee To A Nunnery
The Halluci Nation – One More Saturday Night
Joyful Joyful – Joyful Joyful
Adria Kain – When Flowers Bloom
Lydia Képinski – Depuis
Pierre Kwenders – José Louis And The Paradox Of Love
Ada Lea – one hand on the steering wheel the other sewing a garden
Lisa Leblanc – Chiac Disco
Hubert Lenoir – PICTURA DE IPSE : Musique directe
Luna Li – Duality
Les Louanges – Crash
LOONY – soft thing
Kelly McMichael – Waves
Men I Trust – Untourable Album
Haviah Mighty – Stock Exchange
myst milano. – Shapeshyfter
Cedric Noel – Hang Time
Ombiigizi – Sewn Back Together
Orville Peck – Bronco
Ouri – Frame of a Fauna
P'tit Belliveau – Un homme et son piano
PUP – THE UNRAVELING OF PUPTHEBAND
SATE – The Fool
Shad – TAO
Sister Ray – Communion
Snotty Nose Rez Kids – Life After
Stars – From Capelton Hill
Tanya Tagaq – Tongues
The Weeknd – Dawn FM
Charlotte Day Wilson – Alpha
Cette année, 223 albums ont été pris en considération lors du processus de sélection de la longue liste par un jury de 197 membres.
« À mesure que le secteur se rétablit, la musique et les arts continuent de nous remonter le moral et de nous motiver à aller de l’avant. Le Conseil des arts du Canada est extrêmement fier de collaborer avec le Prix Polaris pour reconnaître l’apport des musicien.ne.s figurant sur la longue liste de cette année. Nous saluons leur esprit et applaudissons leurs créations. » – Carolyn Warren, directrice générale des Programmes de subventions aux arts du Conseil des arts du Canada.
La longue liste de 2022 a été dévoilée chez Numbers, un espace événementiel situé dans le quartier West End de Toronto, par le biais d’une vidéo réalisée par Daniel Tal et produite par Vox Future. Il s’agissait du premier rassemblement public organisé par le Polaris depuis 33 mois. La vidéo de dévoilement de la longue liste a également été diffusée simultanément sur la page Facebook et les chaînes YouTube du Polaris.
La courte liste de 10 albums sera dévoilée en direct le 14 juillet dans le cadre d’une émission spéciale de deux heures via Drive sur les ondes de CBC Music. Une rediffusion de l’émission spéciale sera proposée sur CBC Music le dimanche 17 juillet. Cet automne, l’album lauréat du Prix de musique Polaris 2022 sera également dévoilé sur CBC Music. Plus de détails à ce sujet seront annoncés dans les prochaines semaines.
L’album lauréat sera révélé lors du Gala Polaris le lundi 19 septembre, au Carlu, à Toronto. Pour célébrer son retour dans la salle qui a accueilli Glenn Gould, Billie Holiday, Frank Sinatra et de nombreux événements Polaris, le Prix de musique Polaris vient de mettre en vente 100 billets d’admission générale pour son Gala. Ces billets à prix spécial (40 $ plus taxes) sont disponibles dès maintenant sur Ticketmaster en quantité limitée.
Le Prix de musique Polaris remet 50 000 $ à l’artiste ayant créé l’album canadien de l’année, jugé uniquement sur sa valeur artistique et sans considération pour le genre musical ou la popularité commerciale. Les neuf autres artistes en nomination, dont les albums figurent sur la courte liste de 2022, recevront 3 000 $, une gracieuseté de Slaight Music. De plus, le Prix de musique Polaris s’est associé à Play MPE pour offrir à l’artiste derrière l’album lauréat un forfait mondial pour la distribution et la promotion d’une parution musicale (simple ou album) d’une valeur maximale de 3 025 $ CA. Play MPE offrira également aux neuf autres artistes de la courte liste des forfaits de distribution d’une valeur maximale de 1 000 $ CA.
Les albums admissibles au Prix de musique Polaris 2022 doivent être parus entre le 1er mai 2021 et le 31 mai 2022. Un jury indépendant composé de membres des médias musicaux de tout le Canada détermine la longue et la courte liste. Onze personnes parmi les membres du jury sont ensuite choisies pour faire partie du grand jury. Ce grand jury se réunit lors du Gala du Polaris pour choisir l’album lauréat du Prix de musique Polaris.
Les gagnant.e.s antérieur.e.s sont Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) et Final Fantasy / Owen Pallett (2006).
Nous avons hâte de donner le coup d’envoi d’une nouvelle année incroyable grâce à notre personnel, notre jury, notre conseil d’administration, nos artistes, nos commanditaires et les membres de la communauté.
Saison 2022 des évènements du Prix de musique Polaris :
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux évènement de révélation des albums lauréats, le Gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné.e.s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est une organisation à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans considération pour le genre musical ou la popularité commerciale. www.polarismusicprize.ca
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant.e.s du prix secondaire de 3 000 $ offert par Slaight Music
2 gagnant.e.s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant.e.s au jury annuel
1 000 invité.e.s au gala annuel
831 000 $ en prix remis aux musicien.ne.s
160 nommé.e.s de la courte liste bénéficient d’une attention
médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
À propos de CBC/Radio-Canada
CBC/Radio-Canada est le diffuseur public national du Canada. Grâce à notre mandat de renseigner, d’éclairer et de divertir, nous jouons un rôle central pour renforcer la culture canadienne. En tant que source d’information de confiance au pays, nous proposons un point de vue typiquement canadien sur les nouvelles, affaires publiques et affaires internationales. Notre programmation de divertissement, distinctive et créée par les talents d’ici, rassemble de larges auditoires partout au pays. Profondément enracinée dans les communautés, CBC/Radio-Canada offre des contenus diversifiés en français, en anglais et en huit langues autochtones. Nous présentons aussi des contenus en espagnol, en arabe, en chinois, en punjabi et en tagalog, en plus des deux langues officielles, par le biais de Radio Canada International (RCI). Nous demeurons à l’avant-garde du changement pour répondre aux besoins des Canadien.ne.s à l’ère numérique.
À propos de CBC Music
CBC Music est le plus important curateur de musique canadienne émergente et diversifiée sur toutes ses plateformes et le plus grand diffuseur d’artistes du Canada de tous genres musicaux par le biais de la radio, de CBC Listen et cbcmusic.ca. Nous mettons l’accent sur un vaste éventail d’artistes canadien.ne.s dans plus de 200 listes de lecture offertes par CBC Listen, en plus de couvrir quotidiennement l’actualité musicale. CBC Music Live offre des captations de concerts musicaux réalisés dans toutes les régions du pays. La liste de nos partenaires musicaux et évènementiels comprend les Prix JUNO, le Prix de musique Polaris, Searchlight, le CBC Music Festival, le Canadian Music Class Challenge et Canada Listens. www.cbcmusic.ca
À propos de Play MPE
Play MPE est la principale plateforme de distribution, de promotion et de découvertes musicales au monde. Desservant aujourd’hui plus de 100 pays et disponible en plusieurs langues, elle a transformé la façon dont l’industrie musicale diffuse les contenus et accède à ceux-ci. Play MPE assure la distribution et la promotion musicale pour des milliers de maisons de disques, promoteurs et artistes en les mettant en lien avec une communauté croissante d’instances décisionnelles de l’industrie musicale. Les listes de distribution convoitées de Play MPE comprennent : la radio, la diffusion satellite, les médias ou blogues, les superviseurs musicaux, les conservateurs musicaux et plus encore. Parmi sa clientèle internationale de longue date figurent Universal Music Group, Warner Music, Sony Entertainment, BMG, Big Machine, [PIAS], Curb I Word, Broken Bow, MNRK Music Group, Epitaph, Criteria, The Orchard et plusieurs autres. www.plaympe.com
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Play MPE
Cate Horsley
cateh@plaympe.com
Matériel promo (Logos du Polaris, pochettes d’albums, biographies, photos, audio) :
polarismusicprize.ca/media
Mot de passe : m3d1a
FINAL STUDIO ALBUM THINGS HAPPEN THAT WAY
SET FOR RELEASE SEPTEMBER 23
TORONTO, ON – June 10, 2022 – Legendary musician Malcolm John “Mac” Rebennack Jr – known to music fans the world over as Dr. John – packed a lot of living into his 77 years, including a six-decade run as one of the most original, distinctive, and influential voices to ever come out of New Orleans. He was in the midst of recording a new studio album and planning future projects when his life was suddenly cut short in 2019.
Now, three years after his untimely passing, in a world complicated by COVID-19, Things Happen That Way will see the light of day. The album, which features three brand new original compositions, a mesmerizing reworking of Dr. John’s 1968 classic, I Walk on Guilded Splinters, and new interpretations of songs by Willie Nelson, Cowboy Jack Clement, Hank Williams, and the Traveling Wilburys will be released on September 23. The album is available for pre-order here.
Today, a new, original song, Sleeping Dogs Best Left Alone, written by Rebennack with Shane Theriot, is released. Listen to it here and via YouTube.
The lyrics impart some hard-won wisdom drawn from Rebennack’s own experiences, delivered in his trademark growl:
Don’t try and go backwards,
the hands been already dealt
Don’t try and laugh at the same old jokes,
pain that’s already felt
Don’t try and drive with one eye closed,
one tire in the ditch
Walk around with your head in the sand,
sayin’ life ain’t nuthin’ but a bitch
What’s seen is seen
And what’s heard is heard
Done is done in this great big world
One thing I know is life has shown
Sleeping dogs best left alone
Things Happen That Way marks the fulfillment of a longtime goal of the six-time GRAMMY-winning singer/songwriter/pianist and Rock & Roll Hall of Famer, who first began plotting a country-inspired album decades ago. In bringing his album’s songs to life, Dr. John drew on a lineup of musicians befitting of a universally beloved luminary. Along with an elite cadre of New Orleans session players, the album’s personnel include icons Willie Nelson and Aaron Neville, and rising stars Lukas Nelson & Promise of the Real.
Karla R. Pratt, Dr. John’s daughter and the album’s executive producer, spoke with Rolling Stone’s David Browne about what inspired Rebennack’s choice of cover songs, calling them “a musical tip of the hat to the greats who preceded him,’ like Williams, Cash, and Nelson.”
“Years ago he talked about how hip Hank Williams was,” she told Browne. “He loved how simple yet emotionally complex Hank’s songs are, that they have a hook with a twist. For this album inspired by listening to the Louisiana Hayride [radio show] and icons of country and western, he was excited to do songs in a way that evokes emotion that sticks with you long after one of the songs — done his soulful way — is played.”
Things Happen That Way Track Listing:
1.Funny How Time Slips Away
2.Ramblin’ Man
3.Gimme That Old Time Religion (feat. Willie Nelson)
4.I Walk On Guilded Splinters (feat. Lukas Nelson & Promise of The Real)
5.I’m So Lonesome I Could Cry
6.End Of The Line (feat. Aaron Neville)
7.Holy Water
8.Sleeping Dogs Best Left Alone
9.Give Myself A Good Talkin’ To
10.Guess Things Happen That Way
WATCH THE VISUALIZER FOR NEW B-SIDE youth of the young
SWITCHFOOT’S ANNUAL BENEFIT BRO-AM BEACHFEST '22
SET FOR SATURDAY JUNE 18
SWITCHFOOT ON TOUR THIS SUMMER WITH COLLECTIVE SOUL
Toronto, ON – June 10, 2022 — Today, GRAMMY Award-winning rock band, Switchfoot, announces the July 8, 2022, release of an expanded, 16-track deluxe edition of their 2021 acclaimed album, interrobang.
Pre-order interrobang (deluxe edition) here. Watch the visualizer for the previously unreleased B-side, youth of the young here.
Switchfoot’s interrobang (deluxe edition) will include the album’s 11 original tracks along with three b-sides, the aforementioned youth of the young, interrobang, and the sound of holding breath. The deluxe also features two recently released album track remixes, “ need you (to be wrong), remixed by the indie-pop group lovelytheband and wolves, remixed by indie-rock band, Sir Sly.
“The making of interrobang, written and recorded during the chaotic uncertainty of 2020, was an experience unlike any that we’ve ever had as a band,” Switchfoot said in a collective statement. “To say that there was a lot to write about would be a laughable understatement. But hard times are often the most inspiring ones, and the making of interrobang was certainly a season of growth and creativity for us as band, yielding a large collection of songs — too many for one album. Or maybe not. interrobang (deluxe) is our chance to include some of our favorite b-sides from the album, and also a couple remixes from friends. We’re so proud of these tunes, and we hope you dig them too.”
Commenting on the new single, youth of the young, Switchfoot’s Jon Foreman stated, “The difference between what you want and what you need is a line you never choose to find. The very path that could save us from ourselves is hidden from our eyes. We simply can’t see what we can’t see. Our postmodern dilemma our own creation, a crisis of our own devises.”
Produced by Tony Berg (Phoebe Bridgers, Paul McCartney, Andrew Bird) and mixed by Tchad Blake (Fiona Apple, Arctic Monkeys, Sheryl Crow) Switchfoot’s 12 studio album, interrobang met with wide acclaim on release and featured by Vulture, Stereogum and Under The Radar who asserted, “A series of nuanced and deeply musical arrangements show that this band once known as punk-infused surf-rockers have matured into something more vital.” The band has previously shared videos for album tracks, if I were you, i need you (to be wrong), “lost ‘cause, fluorescent and the bones of us, which premiered via Alternative Press upon its release last year.
Switchfoot’s annual multi-artist benefit concert, BRO-AM BEACH FEST ’22 will take place this year on Saturday June 18th, at San Diego’s Moonlight Beach. The SWITCHFOOT BRO-AM Foundation is dedicated to giving back to the San Diego community by heightening the profile of and providing grants to nonprofit organizations that provide services to homeless, at-risk, and disadvantaged youth, with a special focus on programs related to music, art, and surfing. For more info, visit: broam.org.
Switchfoot: Jon Foreman (vocals, guitar), Tim Foreman (bass), Jerome Fontamillas (keys, guitar) and Chad Butler (drums) will hit the road this summer for a major tour across America—for the very first time—with Collective Soul. Fans can expect to hear favorites that span Switchfoot’s illustrious 20+ year career and selections from interrobang, released in August of last year.
The shows kick off in Gary, IN on July 15, and includes a hometown date at Cal Coast Credit Union Open Air Theatre in San Diego, CA on August 24. In addition, the tour stops at the YouTube Theatre in Inglewood, CA, and Palladium Times Square in New York. The 40+ date tour wraps up on September 25 in Dallas, TX.
SWITCHFOOT AND COLLECTIVE SOUL SUMMER TOUR:
Fri 7/15 Gary, IN Hard Rock Casino
Sat 7/16 Council Bluffs, IA Harrah’s Council Bluffs – Stir Cove
Sun 7/17 Maryland Heights, MO Saint Louis Music Park
Tue 7/19 Cleveland, OH Jacobs Pavilion at Nautica
Wed 7/20 Columbus, OH KEMBA Live! – Indoor Music Hall
Sat 7/23 Fond du Lac, WI Fond du Lac Fair
Sun 7/24 Wabash, IN Honeywell Center
Tue 7/26 Newport, KY PromoWest Pavilion at OVATION
Wed 7/27 Midlothian, VA Chesterfield AfterHours
Sat 7/30 Grantville, PA Penn National Racecourse – Hollywood Casino
Sun 7/31 Hampton, NH Hampton Beach Casino Ballroom
Tue 8/2 Silver Spring, MD The Fillmore Silver Spring
Wed 8/3 Huntington, NY The Paramount
Thu 8/4 New York, NY Palladium Times Square
Sat 8/6 Webster, MA Indian Ranch
Sun 8/7 Pittsburgh, PA Stage AE
Mon 8/8 Jackson, MI Jackson County Fairgrounds
Sat 8/13 Billings, MT MetraPark – First Interstate Arena
Sun 8/14 Denver, CO The Mission Ballroom
Mon 8/15 Sandy, UT Sandy City Amphitheater
Sat 8/16 Boise, ID Knitting Factory *
Wed 8/17 Jacksonville, OR Britt Pavilion
Sat 8/20 Paso Robles, CA Vina Robles Amphitheatre
Sun 8/21 Saratoga, CA The Mountain Winery
Tue 8/23 Inglewood, CA YouTube Theater
Wed 8/24 San Diego, CA Cal Coast Credit Union Open Air Theatre
Fri 8/26 Henderson, NV Sunset Station Outdoor Amphitheater
Sat 8/27 Flagstaff, AZ Fort Tuthill Park – Pepsi Amphitheater
Sat 8/28 Ventura, CA Ventura Music Hall *
Sat 9/03 Asheville, NC The Orange Peel *
Sat 9/04 Grundy County, TN The Caverns *
Mon 9/5 New Haven, KY The Amphitheater at Dant Crossing
Wed 9/7 Cary, NC Koka Booth Amphitheatre at Regency Park
Fri 9/9 Charleston, SC The Riviera Theater – Sottile Ballroom
Sat 9/10 Atlanta, GA Cadence Park Amphitheatre at Chastain Park
Sun 9/11 Nashville, TN Grand Ole Opry House
Tue 9/13 Jacksonville, FL Florida Theatre
Wed 9/14 Clearwater, FL Ruth Eckerd Hall
Fri 9/16 Orlando, FL Hard Rock Live
Sat 9/17 Pompano Beach, FL Pompano Beach Amphitheatre
Sun 9/18 Tallahassee, FL Donald L Tucker County Civic Center
Tue 9/20 New Orleans, LA Mahalia Jackson Theater
Wed 9/21 Sugar Land, TX Smart Financial Centre
Fri 9/23 Austin, TX Austin City Limits Live
Sat 9/24 San Antonio, TX Majestic Theatre
* = Switchfoot solo dates
DOWNLOAD - Interrobang (deluxe) Artwork | DOWNLOAD - Hi Res Press Photo
Switchfoot on TikTok
WATCH MUSIC VIDEO FOR FOCUS TRACK
NOS COMEMOS VIVOS WITH CHENCHO CORLEONE
TORONTO, ON – June 10, 2022 – Global Latin music idol, Maluma, has just released his new album, The Love & Sex Tape, a production permeated with urban swagger that is a rollercoaster of emotions underscoring love, heartbreak, lust, passion and adrenaline, all flowing with irresistible dembow grooves. In The Love & Sex Tape, we hear a more urban, street and explicit Maluma, with the essence as well as the beat with which the Colombian star jump-started his outstanding career. To stream and/or download Maluma's new album The Love & Sex Tape, click here.
"More than a decade into my career, I was missing that essence that inspired me from the beginning and I felt a need to communicate with the streets as well as fans who love the urban rhythm that has defined me from the start; that's why I decided to make this album. The Love & Sex Tape represents my duality and a 2022 version of my original sound,” Maluma expressed.
The new album includes 8 tracks, of which, 3 are recently released singles: Cositas de la USA, Mojando Asientos with Feid and focus track, Nos Comemos Vivos with Chencho Corleone, along with other collabs such as Sexo Sin Título with Jay Wheeler & Lenny Tavarez; and Tsunami featuring Arcangel & De La Ghetto.
The superstar also premiered the music video for Nos Comemos Vivos with Chencho Corleone, produced and directed by his very own Royalty Films. Watch the music video here.
The Love & Sex Tape was produced by The Rude Boyz and composed by Juan Luis Londoño Arias (Maluma), Edgar Barrera, Andrés Uribe, René Cano, Kevin Mauricio Jiménez, Bryan Snaider Lezcano, Justin Quiles, Lenin Yorney Palacios, Julio González Tavares, José Ángel López Martínez, Jonathan Rivera, Giencarlos Rivera, Orlando Javier Valle Vega (Chencho Corleone), Rafael E. Castillo, Austin Agustín Santos, Salomon Villada, Mauricio Jiménez.
The album cover features an image of his beloved dog, Buda, who the artist says represents his own shadow. Buda has been his faithful adventure companion with whom Maluma has shared many life experiences. He is artistically depicted on the cover designed by renowned contemporary artist, Joseph Klibansky.
Fulfilling one of his lifetime dreams, Maluma recently performed a historic concert at the iconic Atanasio Girardot Stadium in his hometown of Medellin, in front of more than 53,000 people and a global audience via livestream on Amazon Prime. He continues his Papi Juancho Maluma World Tour in Mexico this month, performing last Saturday at a sold-out VFG Arena in Guadalajara, Jalisco. The spectacular tour continues with two consecutive shows, today and tomorrow June 11th at the Palacio de los Deportes in Mexico City, before returning to Europe with more dates, including a second date at the WiZink Center in Madrid, where he recently set an all-time audience assistance record.
The Love & Sex Tape Tracks List:
1.Cositas de la USA
2.Sexo Sin Titulo ft. Jay Wheeler, Lenny Tavarez
3.Nos Comemos Vivos ft. Chencho Corleone
4.Tsunami ft Arcangel, De La Ghetto
5.Mojando Asientos ft. Feid
6. La Vida Es Bella
7.Mal de Amores
8.Happy Birthday
About MALUMA
Maluma is one of the leading voices in Latin music and a bona fide global youth idol. Born Juan Luis Londoño in Medellin, Colombia, he formulated his artistic moniker Maluma from the first two letters of the names of his mother, father and sister.
The 2018 Latin GRAMMY award winner for Best Contemporary Pop Vocal Album (for F.A.M.E.) is one of social media’s most popular artists with over 25 million Facebook fans, 8 million Twitter followers, and a whopping 62 million Instagram followers, making him the leading Latin male artist on Instagram and the first and only one to surpass 50 million followers. His official YouTube/VEVO channel has more than 28.1 million subscribers, having earned him a YouTube Diamond Play Button Award.
With his Maluma World Tour he has achieved unparalleled success, having sold over one million tickets in 105 worldwide concerts in 2017 alone and becoming the top concert-selling Latin artist in the world. In 2018 and 2019, he broke records achieving full houses in all of his shows throughout the United States and Europe selling out Madison Square Garden (New York), the American Airlines Arena (Miami) and two The Forums (Los Angeles), among others. With his 11:11 World Tour he also sold out Israel's largest venue, Yarkon Park in Tel Aviv (60,000+ audience); made history at the 18th annual Mawazine Festival in Rabat, Morocco, setting an all-time attendance record with his headlining concert in front of 200,000 people; and performed for the first time ever in Riyadh, Saudi Arabia in front of 25,000.
Since joining Sony Music Latin in 2015, Maluma has released five albums Pretty Boy Dirty Boy (2015), F.A.M.E. (2018), 11:11 (2019), Papi Juancho (2020) and 7DJ (2021). Maluma is the youngest artist to simultaneously hold both the #1 and #2 spots on Billboard's Latin Airplay chart and only the sixth act to ever achieve the feat he has now repeated three times. To date Maluma has had twenty-one #1 singles on Billboard's Latin Airplay chart.
In 2018, Maluma entered the fashion scene with his edgy, youthful and authentic look, and style. He has been named a “Menswear Icon in the Making” and “Men’s Fashion’s Newest Muse” by Vogue. In addition, he was one of GQ’s “Men of the Year” in 2019 and continues to gain the fashion support of designers such as Kim Jones (Dior), Jeremy Scott (Moschino), Olivier Rousteing (Balmain), Donatella Versace, Calvin Klein, Christian Louboutin, Louis Vuitton and more. In 2019, he attended the Met Gala for the first time, being one of the first Latin urban artists of this generation to be invited by Anna Wintour. Maluma has also released top campaigns and commercials as the face of global brands such as Moet Hennessy, Michelob and Adidas.
Maluma's altruistic spirit is outstanding for the community work he leads with his foundation, El Arte de Los Sueños, based in Medellín, Colombia. Founded in 2016, the Foundation's mission is to transform at-risk youth through art and music education. In 2021, Maluma acted in his first Disney animation movie, Encanto, 2022 Oscar winner for Best Animation Feature. Earlier this year, Maluma debuted in Hollywood with his starring role as Bastian in the movie, Marry Me, alongside Jennifer Lopez and Owen Wilson.
DOWNLOAD - Album Artwork | DOWNLOAD - Press Photos
TikTok: @papijuancho
12-SONG ALBUM PRODUCED BY DAN AUERBACH SET FOR RELEASE JUNE 17 VIA EASY EYE SOUND
TORONTO, ON – June 9, 2022 – As Hank Williams Jr. readies fans for Rich White Honky Blues, set for next Friday, June 17 via Easy Eye Sound, the Country Music Hall of Famer debuts his take on R.L. Burnside’s Fireman Ring The Bell, a high-tempo blues burner, driven by punchy slide guitar punctuated by the longtime legendary country outlaw’s dynamic vocals.
A 12-song collection reprising classics from Robert Johnson, Lightnin’ Hopkins, Burnside, Muddy Waters, Big Joe Turner and a few from Bocephus himself, captured live over the course of just three days by GRAMMY-winning producer Dan Auerbach, Rich White Honky Blues finds Williams making good on his legacy with a turpentine and rough wood take on the hill country blues that informed his father’s raw-boned style.
Today’s release follows Jesus, Won’t You Come By Here, which premiered exclusively with CMT and CMT.com. With Kenny Brown’s electric guitar, Auerbach on dobro and Bobbie Wood’s churchy piano and organ, the Country Music Hall of Famer sings with a robust conviction that suggests the larger than life amongst us transcend mortal limitations.
With another cover from blues legend Burnside, Williams’ Georgia Women premiered with Tennessean, sharing “Bocephus achieves tapping into the spirit of his father's iconic teacher Rufus ‘Tee Tot’ Payne, and a century of other blues legends.”
Released alongside the announcement of Rich White Honky Blues, album opener .44 Special Blues (Williams’ take on Robert Johnson’s 32-20 Blues) was dubbed by Rolling Stone as “a lonesome, acoustic blues number,” while Consequence shared “the spry solo track digs into the County Music Hall of Famer’s bluesy roots, with its vintage-style refrain, ‘Baby where’d you stay last night,’ pairing perfectly to his well-worn wail.”
“You bring who you are,” Williams says. “All that... all... of... that... is where my music comes from. When we got into the studio, the more we played, the deeper we got – and the deeper we got, the harder I wanted to go.”
“It’s that rawness, and how real it is,” shares producer Auerbach. “I was always searching for the rawness, the darkest stuff. Once we were in it, as soon as we started playing, Hank was invested. That lifted everybody else up, to really push each other.”
About Hank Williams Jr.
Hank Williams Jr.’s extremely impressive resume has spawned 70 million albums sold worldwide, six PLATINUM albums, 20 GOLD albums, 13 No. 1 albums and 10 No. 1 singles. Marking 58 years since his first album in 1964, Williams Jr. is preparing to release his 57th studio album Rich White Honky Blues on June 17 via Easy Eye Sound, featuring 12 songs recorded over a three-day period by GRAMMY-winning producer Dan Auerbach. 2016’s It’s About Time (Nash Icon Records) included the history-making Are You Ready for the Country, as well as tunes Dress Like an Icon, Just Call Me Hank, It’s About Time and The Party’s On in addition to re-recorded versions of classics Mental Revenge and Born to Boogie with Brantley Gilbert, Justin Moore and Brad Paisley on guitar. Following It’s About Time, Williams Jr. has released several compilations, including All My Rowdy Friends Are Coming Over: Great Tailgating Songs, A Country Boy Can Survive (Box Set), Hank Jr. Sings Hank Sr. and 35 Biggest Hits. He continues to add accolades to an extremely impressive resume, which includes ACM Entertainer of the Year, CMA Entertainer of the Year and BMI Icon, in addition to a GRAMMY win and coveted inductions into the Nashville Songwriters Hall of Fame and Country Music Hall of Fame.
DOWNLOAD - Single Art | DOWNLOAD - Press Photo
DOWNLOAD - Rich White Honky Blues Art
NEW ALBUM SOMETIMES, FOREVER
PRODUCED BY DANIEL LOPATIN (ONEOHTRIX POINT NEVER) OUT JUNE 24
TOURING FOREVER DATES ON SALE NOW
INCLUDING VANCOUVER STOP IN DECEMBER
PLAYING AT GOVERNOR'S BALL ON SUNDAY
"Soccer Mommy, continues to stretch beyond the sparse indie-rock
of her early songs." - The New York Times
"Allison’s ear for vocal and guitar tones remains impeccable...Allison is thriving, equipped with the tools to make a record as bombastic as the ones that first fueled her nostalgic ’90s alt rock dreams." - Pitchfork (Best New Track)
"’Shotgun’ [features] steadfast synths, airtight guitar, and a robust thwunk of a bassline. The mix sounds cleaner and more assertive…a very promising start to Soccer Mommy’s next era, one that we’ll keep on loop for a while."
- Rolling Stone (Song You Need To Know)
"Soccer Mommy recaptures some of the bleary grace of certain mid-’90s alt-rock-radio outliers, and 'Shotgun' has a head-nod beat that gives me flashbacks to Folk Implosion’s 'Natural One'... ...there’s some dizzy romanticism in the way the song explodes, again and again. " - Stereogum (#1 Best Song of the Week)
"sharp indie rock." - Vulture
"Unholy Affliction delves into a grimy, methodical space with textured instrumentals and unsettling vocals. Soccer Mommy continues to push the boundaries of her ’90s alt-rock-inspired music." - SPIN
The weightless song spins delicately layered harmonies and mystical synths into an end-of-the-world reverie; the impending apocalypse has never sounded so jaw-droppingly beautiful. “I didn't want to make something super depressing without any sense of magic,” Sophie explains. “We played around with the space to make the song feel vast, so newdemo had a huge transformation in the studio. It’s one of my favorites off of the record.” The song premiered today alongside a conversation with Zane Lowe on Apple Music - listen to the interview now here and listen to newdemo here.
Sometimes, Forever is Sophie Allison’s boldest and most aesthetically adventurous work yet, and cements her status as one of the most gifted songwriters making rock music right now. It sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever. The album is available to pre-order here.
Soccer Mommy released the critically-acclaimed, GRAMMY-nominated sophomore album, color theory, in 2020. Following the release of the album, Allison earned mass acclaim, with performances opening for Bernie Sanders, numerous headline dates sold out months in advance, festival slots at the likes of Glastonbury, and her late-night debut on Jimmy Kimmel Live!. The album made its AAA Top 20 debut after release, was #1 NACC Top 200 for four weeks running, and debuted on the following Billboard charts: #1 Top New Artist Albums, #1 Alternative New Artist Albums, #4 Current Alternative Albums, #4 LP Vinyl Albums, #6 Current Rock Albums, #16Top Current Albums and in the Billboard Top 200.
UPCOMING TOUR DATES:
6/10/22 - New York, NY @ Bowery Ballroom - SOLD OUT
6/12/22 - New York, NY @ Governors Ball Festival
6/24/22 - Margate, UK @ Leisure Festival
6/27/22 - Bristol, UK @ Canons Marsh Amphitheater %
6/28/22 - Dublin, Ireland @ Trinity College *
6/30/22 - Vilanova i la Geltru, Spain @ Vida Festival
8/12/22 - Seattle, WA @ Day In Day Out Festival
8/31/22 - Nottingham, UK @ Rescue Rooms
9/01/22 - Brighton, UK @ Chalk
9/01/22-9/04/22 - Salisbury, UK @ End of the Road Festival
9/03/22 - Bristol, UK @ Trinity
9/05/22 - Köln, DE @ Bumann & Sohn
9/06/22 - Hamburg, DE @ Molotow
9/08/22 - Stockholm, SE @ Slaktkyrkan
9/09/22 - Oslo, NO @ John Dee
9/10/22 - Copenhagen, DK @ Loppen
9/12/22 - Berlin, DE @ Frannz Club
9/13/22 - Bremen, DE @ Lagerhaus
9/15/22 - Amsterdam, NL @ Bitterzoet
9/16/22 - Nijmegen, NL @ Merleyn
9/17/22 - Brussels, BE - Rotonde @ Botanique
9/18/22 - Paris, FR @ Petit Bain
9/20/22 - Manchester, UK @ O2 Ritz
9/21/22 - Cardiff, UK @ Tramshed
9/22/22 - London, UK @ O2 Forum
9/23/22 - Birmingham, UK @ The Castle & Falcon
9/24/22 - Glasgow, UK @ Queen Margaret Union
10/28/22 - Indianapolis, IN @ Hi-Fi Annex &
10/29/22 - Madison, WI @ Majestic Theatre &
10/30/22 - Minneapolis, MN @ First Avenue &
11/01/22 - Chicago, IL @ Metro &
11/04/22 - Buffalo, NY @ Town Ballroom &
11/05/22 - North Adams, MA @ Mass MOCA &
11/06/22 - Boston, MA @ House of Blues &
11/11/22 - Philadelphia, PA @ Franklin Music Hall ^
11/12/22 - Washington, DC @ 9:30 Club ^
11/14/22 - Saxapahaw, NC @ Haw River Ballroom ^
11/16/22 - Charlotte, NC @ Neighborhood Theatre ^
11/17/22 - Atlanta, GA @ Masquerade Heaven Stage ^
11/18/22 - Birmingham, AL @ Saturn ^
11/19/22 - Nashville, TN @ Brooklyn Bowl ^
11/30/22 - St. Louis, MO @ Pageant #
12/02/22 - Ft. Collins, CO @ Washington's #
12/03/22 - Denver, CO @ Ogden Theatre #
12/04/22 - Salt Lake City, UT @ The Depot #
12/07/22 - Vancouver, BC @ Commodore #
12/08/22 - Portland, OR @ Crystal Ballroom #
12/10/22 - Oakland, CA @ Fox Theater #
12/11/22 - Santa Ana, CA @ The Observatory #
12/13/22 - Los Angeles, CA @ The Wiltern #
12/14/22 - Phoenix, AZ @ The Van Buren #
12/16/22 - Austin, TX @ Emo's East #
12/17/22 - Dallas, TX @ House of Blues #
% with The War On Drugs
* with Haim
& with support from Lightning Bug
^ with support from Helena Deland
# with support from TOPS
CELEBRATING THE 20th ANNIVERSARY OF THE AWARDS AND BREAKOUT WEST FESTIVAL & SHOWCASE THIS YEAR
VOTING NOW OPEN TO MEMBERS
UNTIL WEDNESDAY, JUNE 22
WINNERS TO BE ANNOUNCED IN THE FALL
CALGARY, AB – June 8, 2022 – Today, the Western Canadian Music Alliance happily announces the nominees for the 2022 Western Canadian Music Awards. The Awards are thrilled to be celebrating their 20th anniversary this year, along with BreakOut West, which heads back to Calgary in the fall for the annual conference and showcase festival. Please see below for the full list of nominees in both the Artistic and Industry categories, and stay tuned for more announcements about this year’s specialty award recipients, as well as details on the winner reveal celebrations that will take place around BOW.
Voting is now open to members of all western Provincial and Territorial Music Industry Associations. Only MIA members will be sent an email regarding login information to vote (beginning today – Wednesday, June 8). If any members do not receive an email, please check your junk/spam folder and then contact their Music Association regarding their membership. Voting will conclude at 11:59 p.m. Pacific Time, on Wednesday, June 22. Stay tuned for more details around member voting and the Western Canadian Music Awards winners this fall.
In partnership with Tourism Calgary, the Province of Alberta and the National Music Centre, BreakOut West 2022 is thrilled to be returning to Calgary, AB after having previously celebrated there in 2004 and 2013. The festival and conference will take place from September 28 – October 2, with venues throughout Calgary’s downtown core and in the Music Mile welcoming musicians from across western Canada and internationally, and the Marriott Downtown transforming into home-base as the host hotel. Registration is now open, with passes available here.
Congratulations to the 2022 Western Canadian Music Award nominees!
2022 WESTERN CANADIAN MUSIC AWARDS ARTISTIC NOMINEES
Blues Artist of the Year
Brandon Isaak - BC
David Gogo - BC
Kenny 'Blues Boss' Wayne - BC
Son Of Dave - MB
The Harpoonist & The Axe Murderer - BC
BreakOut Artist of the Year, Sponsored by FACTOR
Boy Golden - MB
Haley Blais - BC
Kyle McKearney - AB
Leith Ross - MB
The Garrys - SK
Children’s Artist of the Year
Beppie - AB
Music with Mandy - AB
Smilin' Rylan - AB
The Oot n' Oots - BC
Will's Jams - BC
Classical Artist or Ensemble of the Year, Sponsored by Canadian Music Centre (CMC)
Aventa Ensemble - BC
Christopher Tyler Nickel - BC
Mark Takeshi McGregor - BC
Standing Wave - BC
Tom McCaslin - AB
Classical Composer of the Year
Dorothy Chang - "Soaring Spirits" - BC
Edward Top - "Donemus Records" - BC
Fred Stride - Saskatchewan All Star Big Band "Saskatchewan
Suite" - BC
Jordan Nobles - "Chiaroscuro" - BC
Stephen Chatman - "Stephen Chatman" - BC
Country Artist of the Year
Dan Davidson - AB
Hailey Benedict - AB
Jess Moskaluke - SK
Nice Horse - AB
Tyler Joe Miller - BC
Electronic & Dance Artist of the Year
OBLVYN - AB
Elazion - BC
Gl0bal - BC
Rumpus - SK
Sabai - BC
Takis - BC
Francophone Artist of the Year, Sponsored by APCM (Association des professionnels de la chanson et de la musique)
Étienne Fletcher - SK
Jocelyne Baribeau - MB
Matt Stern - BC
Ponteix - SK
The Pxrtals - SK
Global Artist of the Year
Aasiva - NV
Andino Suns - SK
Notas de 4 - AB
Will TOA - BC
Omianan – BC
Indigenous Artist of the Year
Cassidy Mann - MB
Jessica McMann - AB
Jade Turner - MB
Kyle McKearney - AB
Snotty Nose Rez Kids - BC
Instrumental Artist of the Year
Astrocolor - BC
Casimiro Nhussi - MB
Keanu Ienco - BC
Mohamed Assani - BC
Waxwing - BC
Jazz Artist of the Year
Al Muirhead Quintet - AB
Erin Propp & Larry Roy - MB
Esteban Herrera Quintet - AB
Ryan Oliver - BC
Winnipeg Jazz Orchestra - MB
Metal & Hard Music Artist of the Year
Archspire - BC
Before & Apace - SK
Flash Back - SK
Osyron - AB
Trench – AB
Pop Artist of the Year
Field Guide - MB
Haley Blais - BC
Mathew V - BC
Nuela Charles - AB
Velours - SK
Producer of the Year
Factor Chandelier - SK
Liam Duncan - MB
Megan Nash, Dana Rempel, Darnell Stewart, Tanner Wilhelm Hale - SK
Ryan Worsley - BC
Zach Gray, James Younger - BC
R&B Artist of the Year
Katie Tupper - SK
NADUH - BC
Sargeant X Comrade - AB
TOVA - SK
Uyemi - AB
Rap & Hip Hop Artist of the Year
Anthony OKS - MB
Def3 & Late Night Radio - BC
K-Riz - AB
Mouraine - AB
Snotty Nose Rez Kids - BC
Recording of the Year
Ariel Posen - MB
Megan Nash - SK
Samantha Savage Smith - AB
Snotty Nose Rez Kids - BC
The Dead South - SK
Rock Artist of the Year
Ariel Posen - MB
Dear Rouge - BC
King of Foxes - AB
New Wales - MB
Royal Canoe - MB
Roots Artist of the Year
Ben Sures - AB
Del Barber - MB
John Wort Hannam - AB
Maria Dunn - BC
Sweet Alibi - MB
Songwriter(s) of the Year Sponsored by The Society of Composers, Authors and Music Publishers of Canada (SOCAN)
Grant Davidson - Slow Leaves "Stick Around" - MB
Katie Tupper - "How Can I Get Your Love?" - SK
Mathew van Vooght - Mathew V "Healing" - BC
Sam Lynch - "Keeping Time" - BC
Tim Buckley - T. Buckley "Holding My Place" - AB
Spiritual Artist of the Year
Amanda Hagel - SK
Danny Floyd Cole - AB
Elenee - SK
fonzdot - AB
Two Late To The Party - AB
Video Director of the Year Sponsored by Manitoba Film & Music
Amy Mantyka - Megan Nash "Chew Quietly / Clean Slate " - SK
Brandi Sidoryk & Krista Wodelet - Nice Horse "High School" - AB
Eva Dominelli - Gentle Party "God Complex" - BC
Landon Lake - Don Amero "My Poor Mama" - MB
Martin LaFrenière - Boy Golden "Church of Better Daze" - MB
Visual Media Composer of the Year
Alfredo Santa Ana - Chained - BC
Jesse Zubot - ANCiEnT SkY - BC
Jesse Zubot, Pura Fé - Spirit Emulsion - BC
Jesse Zubot, Russell Wallace - Monkey Beach - BC
Mahogany Frog - Faust - MB
2022 WESTERN CANADIAN MUSIC AWARDS INDUSTRY NOMINEES
Audio Engineering Award
Andy Schichter - BC
Dan Davidson - AB
Ryan Worsley - BC
Scott Franchuk - AB
Sheldon Zaharko - BC
Community Excellence Award
Curbside Concerts - AB
Nation Music Centre - AB
Red Tie Productions - MB
Sakamoto Agency - BC
The Happy Nun Café - SK
Excellence in Visual Design
Bronwin Parks - Feisty Creative - BC
Shalom Toy - Cosmic Cavern - AB
Kenton Doupe - Factor Eight - SK
x/o & Venom–s Studios - BC
Angie C, David MacKenzie, Kristen Carleton & LK Visuals - BC
Impact in Artist Development
Birthday Cake Records - MB
Cordova Bay Entertainment Group, Inc. - BC
Curbside Concerts - AB
National Music Centre - AB
Tiny Kingdom - BC
Impact in Live Music Sponsored by Canadian Live Music Association
Curbside Concerts - AB
Folk On The Rocks - NT
King Eddy - AB
National Music Centre - AB
Times Change(d) High & Lonesome Club - MB
Impact in Music Marketing
Birthday Cake Records - MB
Chronograph Records - AB
Curbside Concerts - AB
Fallen Tree Records - AB
National Music Centre - AB
About the Western Canadian Music Alliance / BreakOut West:
The Western Canadian Music Alliance is a pan western organization created by the Alliance Member Music Industry Associations (MIA’s) of British Columbia, Alberta, Saskatchewan, Manitoba, The Northwest Territories, the Yukon Territory, and in partnership with Nunavut, to promote and celebrate western Canadian music. WCMA, with the financial support of each provincial and territorial government partner, FACTOR, the Government of Canada and of Canada's private radio broadcasters, WCMA annually hosts their core artist and industry development event, BreakOut West. The event is held in a different western Canadian city on a rotational basis and is the prime music industry event in western Canada. BreakOut West 2022 will be held in Calgary, AB from September 28 – October 2. The 2022 Western Canadian Music Awards and Industry Awards will be announced in fall 2022.
WCMA’s head office is in Winnipeg. We recognize the ancestral lands, from Treaty One Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and the homeland of the Métis Nation.
Use #BREAKOUTWEST and join in the conversation!
Facebook | Instagram | Twitter
DOWNLOAD – BreakOut West 2022 / WCMAwards logos
"TRANSCENDENT” (NPR) CONGOLESE-AMERICAN MILOE RELEASES LUSH NEW SINGLE FLOATING VIA LOMA VISTA
HEAR THE DEFTLY-PRODUCED, RICHLY TEXTURED SINGLE HERE
WATCH THE EERIE VIDEO FILMED IN THE TUNNEL OF TERROR HERE
“Transcendent” - NPR, Slingshot’s 2022 Artists to Watch
“The kind of music you can imagine beaming out from a festival stage during the twilight time slot” - GQ AU’s 21 Breakout Musicians to Know in 2021
"Upbeat, effervescent track that celebrates love and joy" - Teen Vogue
"'Apt for dancing on a rooftop in Brooklyn as it is for sailing off the coast of Djerba" - MTV
“Blissed out” - The FADER
"Indie rocker Miloe has been turning heads recently with his sun-soaked music"
- UPROXX
“Pure bliss” - Alt Press
“Lovely” - DORK
“Sublime” - Cool Hunting
“Standout” - Stereogum
“Exciting, emotional” - Paste
TORONTO, ON – June 8, 2022 - Today, Congolese-American singer-songwriter, Miloe, who makes deftly-produced tracks uniting traditional Congolese beats with American bedroom-pop releases single, floating, a plush, expertly-layered and synth heavy track about infatuation, via Loma Vista. It’s accompanied by a black and white video directed by Samson Melkamu that sees Miloe in the Tunnel of Terror caves in St. Paul , with his guitar and fuzzed-out synths providing a fitting soundtrack for the eerie backdrop. Listen to floating hereand watch floating here.
floating follows singles, elastic, which UPROXX described as “flittering [and] intimate” and “where u are” which received critical praise from Teen Vogue and MTV, and hit single “Winona” that was later reimagined featuring Jamila Woods and Vagabon.
Miloe is the musical project of Bob Kabeya, a 21-year old artist based in Minneapolis. Growing up in the Democratic Republic of Congo, the sonic imprint of Miloe’s days there stayed palpable when his family made the 7000 mile journey to Minneapolis to join their father, who had been granted asylum three years prior. Suddenly dropped into the land of such punk legacies as Husker Dü, The Replacements, and Soul Asylum and Prince, Bobby’s musical destiny had perhaps unwittingly been cut out for him. While working his way through the Twin Cities’ basement show circuit, Kabeya chipped away at Miloe’s debut EP. After a member of Beach Bunny discovered his music, Miloe was asked to open for the skyrocketing Chicago band at a Minneapolis gig. Following a marathon three-day studio session with Hippo Campus’ Jake Luppen transformed a handful of demos Kabeya had stashed away into the Greenhouse EP, which was eventually released in October 2020. The project showcased a sunnier, pop-oriented side to Miloe. He nabbed a hit with lead single Winona, which was later gilded with vocals from Jamila Woods and Vagabon on a 2021 remix.
Tour Dates:
6/12 - The Basement East - Nashville, TN*
6/13 - Variety Playhouse - Atlanta, GA*
6/16 - Bonnaroo - Manchester, TN
6/19 - Afropunk - Minneapolis, MN
7/8 - Subterranean Downstairs - Chicago, IL
7/9 - 80/35 Music Festival - Des Moines, IA
9/20 - The Fillmore - Detroit, MI^
9/21 - Old National Creature - Indianapolis, IN^
9/23 - MGM Music Hall At Fenway - Boston, MA^
9/24 - The Dome @ Oakdale Theatre - Wallingford, CT^
9/26 - The National - Richmond, VA^
9/27 - The Norva - Norfolk, VA^
9/28 - Greenfield Lake Amphitheater - Wilmington, NC^
9/30 - The Ritz - Raleigh, NC^
10/1 - The Fillmore - Charlotte, NC^
10/4 - Jannus Live - St Petersburg, FL^
10/6 - Revolution Live - Fort Lauderdale, FL^
10/7 - Hard Rock Live Orlando - Orlando, FL^
*w/ Goth Babe
^w/ COIN
DOWNLOAD - Hi Res Press Photo
DOWNLOAD - Hi Res floating Single Art
Miloe on TikTok
UPCOMING TOUR DATES WITH INDIGO DE SOUZA & MEN I TRUST INCLUDING TORONTO AND MONTREAL THIS MONTH
NEW EP THE CEILING COULD COLLAPSE OUT JULY 15 VIA FANTASY
TORONTO, ON – June 7, 2022 – Emerging Toronto-based artist, Rachel Bobbitt, shares What About The Kids, the outstanding new single from her recently announced upcoming EP, The Ceiling Could Collapse, out July 15th on Fantasy Records.
“What About The Kids is about navigating familial loss,” says Bobbitt. “Sometimes, in traumatic situations, parents naturally want to shield their children from the ugliness of the world. While this is a completely understandable reaction, it can create a feeling of isolation within the family. There’s truly no right or wrong way to grieve, the only thing we can try to do is grieve together.”
The Ceiling Could Collapse, which Bobbitt co-produced with Justice Der and was mixed by GRAMMY-nominee, Jorge Elbrecht, was a long time coming. Bobbitt made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired.
“It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” She soon found herself at a jazz program, before leaving it during the pandemic to focus on her own music.
The EP centres on the cycles of life and how we find meaning in extremes: pain, joy, wonder, love. “Every woman I’ve ever talked to is in some amount of pain almost all the time,” she says. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.” In addition to music, Bobbitt draws those same feelings from horror films—and actually pulled the title to this EP while reading the script to 2018’s Hereditary. A deleted scene offered a revelation: “We need to accept that we can’t have our minds fixated on all these things that could happen, and we need to move on—but also the ceiling could just collapse,” Bobbitt says and laughs. More than unpredictability, it’s the endless repetition of life that suggests both things are true, that there’s no reason to worry and something terrible is about to happen. The ceiling collapse may be inescapable, but once it’s gone, there’s just more room for the sunrise to peek through.
Bobbitt is hitting the road this summer supporting Indigo De Souza and Men I Trust. All dates below.
TOUR DATES:
6/24 - Montreal, QC @ L’esco ^
6/25 - Toronto, ON @ Velvet Lounge ^
8/4 - Woodstock, NY @ Colony *
8/6 - New York, NY @ Mercury Lounge ~
8/7 - S. Burlington, VT @ Higher Ground Ballroom *
^ w/ Indigo De Souza
* w/ Men I Trust
~ w/ Bad Bad Hats
ABOUT RACHEL BOBBITT:
Life runs in rhythmic loops, from the endless rotations of the earth to the running of tides and yearly rebirth of spring. Rachel Bobbitt knows that the bottom of those cycles can feel pretty chaotic. “Every woman I’ve ever talked to is in some amount of pain almost all the time,” the emerging singer-songwriter says. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.” On her penetrating and profound new EP, The Ceiling Could Collapse, Bobbitt picks through the dizzying rubble of folk and indie rock for moments of resonant emotion and frames them in heartbreaking lyrics and openhearted expanses.
After refining the six songs of The Ceiling Could Collapse on her own, Bobbitt brought together collaborator and co-producer, Justice Der, and drummer, Stephen Bennett, to record the EP at Bennett’s studio in Brampton, ON. The trio spent ten days cracking open Bobbitt’s compositions, leaving space to experiment on different vocal takes and sonic palettes. Throughout the EP, Bobbitt and Der’s arrangements strike into the deep waters of Phoebe Bridgers, Bon Iver, and Big Thief, and Grammy-nominated mixer, Jorge Elbrecht, rounds everything to a glacial shine.
SONG APPEARS ON FORTHCOMING JAZZ ALBUM NIKKI BY STARLIGHT SET FOR RELEASE THIS FALL ON MNRK MUSIC GROUP
TORONTO, ON – JUNE 3, 2022 – Nikki Yanofsky is getting back to where it all started. Not just in her own life, as a prolific and beloved vocalist who began her career in the jazz world, but in a bigger sense, too. Today, the award-winning multi-genre singer shares the news of her upcoming album, Nikki by Starlight, set for release this fall (via MNRK Music Group), and kicks things off with a gorgeous modern reimagining of Comes Love. Listen to the song here.
Many listeners might be familiar with Yanofsky, who has worked with and received accolades from genre icons like Quincy Jones, Herbie Hancock, and Stevie Wonder. With this latest record, Yanofsky has created a time capsule in which she imagines how she would have recorded these standards, had she been an artist in the times in which they were originally written and shared.
Co-produced with Paul Shrofel, Yanofsky describes the process of recording this album as an invigorating and joyful time that allowed her to tap into the purest part of herself again. Ultimately, this can’t-miss release from Nikki Yanofsky is a celebration of jazz for purists and for the new generation alike.
Stay tuned for more from Nikki Yanofsky over the coming months, and immerse yourself in Comes Love today!
DOWNLOAD – single artwork | DOWNLOAD – press photo
https://www.tiktok.com/@nikkiyanofsky |
LISTEN HERE
The album follows recent singles, YouYouYou, Hardcore, Show Me Love and Start Walking and her US, European and UK tour dates supporting MARINA.
The new album is made with producers/co-writers like Elvira Anderfjärd (a Max Martin protégé known for her work with Taylor Swift and Ed Sheeran), Jakob Jerlström (Lorde, MARINA), Oscar Scheller (Ashnikko, Rina Sawayama), and Elof Loelv (Rihanna, Katy Perry).
Tove brings her fiercely intimate lyrics to a truly visionary sound, spiked with elements of everything from left-of-centre club music to experimental art-pop to early-’60s girl-group records. At turns explosive, poetic, and transcendent, the result is Tove Styrke’s most electrifying work to date, fully embodying the ineffable wildness of romantic love itself. With its exploration of desire and obsession and delirious longing, HARD closely examines the savage complexity of love, a quality referenced in its title.
Tove says: “‘I need something more than my imagination, even if it breaks my heart,’ is a line from Show Me Love that I think sums up a lot of what this record is about. Putting yourself and your heart at risk for a chance to feel something real. Life, feelings, bodies. Everything’s hard. This album is about the pleasure and the pain, the euphoria and the misery, the love stories and the heart breaks. The contrasts. And it’s about the liberation in being a free, flawed and beautiful human.”
“With this album I really pushed myself to stray from the pop formula and get as creative as possible, while also making something that’s unapologetically fun and joyous. It’s very much all over the place, which is what I envisioned from the beginning. To me it feels so alive.”
HARD Track list
About Tove Styrke:
A platinum-selling, Grammy-nominated, and national radio P3 Guld ‘Pop Artist of the Year’ recipient in her native Sweden, Tove Styrke has been on a meteoric rise since the release of her 2015 album, Kiddo, led by singles Borderline, Ego, and Number One. Since then, Tove has embarked on multiple headline tours, made SXSW appearances, performed on Late Night with Seth Meyers, and has received vocal support from artist peers such as Sam Smith, Tove Lo, and Shawn Mendes. She has also released several collaborations including Cheat Codes & Travis Baker (All Things $ Can Do), ALMA (Good Vibes), NOTD (Been There Done That), Clean Bandit (Last Goodbye), and Lost Kings (Stuck).
Tove Styrke's 2018 album, Sway, a project which solidified her place among the top rising forward-thinking pop artists. The album was bolstered by iconic tracks such as Sway, Mistakes and fan-favourite, Say My Name, which Rolling Stone named to its #11 spot on its 'Top Songs of 2017' list. The album has since garnered 120M+ combined streams, drawing widespread critical praise from outlets including Pitchfork (7.5 review), The FADER (Gen F), NME (5 stars), as well as support from Zane Lowe/Apple Music and BBC Radio 1. The album also launched a run of 7 tours, including support for Lorde and Katy Perry and sold-out headline tours in North America, UK, Australia and Scandinavia.
LISTEN TO JUNO-NOMINATED ALBUM
SMS FOR LOCATION, VOL. 4 HERE
SMS FOR LOCATION, VOL.5 DUE FALL 2022
Toronto, ON – June 3, 2022 – Today, Montreal’s JUNO Award-nominated, Moonshine Collective, shares their latest offering, Obomi Nga. The track highlights frequent collaborator, Brooklyn producer/DJ, Uproot Andy, and Kinshasa's MC Redbul with a feature from MC Azas. Composed and recorded between Kinshasa, Montreal and New York, Obomi Nga is an amapiano-flavoured tune grounded in its bassline, percussive rhythm and call-and-response lyrics in Lingala and French that is set for dance floors worldwide, be it your own, or those Moonshine is currently rocking on tour - listen to Obomi Nga, read the lyrics and find Moonshine in your city below.
Obomi Aga is Moonshine Collective's first preview of their forthcoming, SMS For Location Vol.5, set for release this fall. It follows their celebrated 2021 album, SMS For Location Vol. 4, nominated for a 2022 JUNO Award (Global Music Album of the Year). The project is a massive collection of songs recorded in studios from Montreal to Lisbon to Kinshasa. It features collaborations with Georgia Anne Muldrow, Sango, Florentino, Ase Manuel, and many others. Listen here.
Last summer the group dropped a fantastic video for album highlight, Malembe, with a hybrid live performance video directed by Jessamine Fok (Paper Magazine, Clipped.TV, Toronto Short Film). Malembe marks the first collaboration between friends, Pierre Kwenders and Boddhi Satva, who craft a lithe melody that rapidly explodes with heavy bass and commanding vocals. Dropping MC RedBul’s energetic, booming voice into the mix alongside Kwenders’ lyrical resonance turns Malembe into a multi-layered musical conversation fit for pulsing dancefloors. Watch Malembe here.
From deep underground in Montreal to under the Congo sun, the Moonshine party returns with its Afro-futuristic, bass-heavy, electro-funk sound. A curatoration of Pan-African dance/electronic music, Moonshine’s latest SMS for Location album fuses levity and acumen, inventive electronic production with traditional instrumentation, all the while intensifying a collaboration between artists from around the world. SMS for Location Vol. 4 crosses genres and continents to follow the producers, DJs and MCs from Montreal’s legendary Moonshine parties to underground UK clubs, Parisian Afro-beat soirées to Kinshasa’s booming electronic scene. A month after its release, SMS for Location Vol 4 has drawn international praise from Rolling Stone, The FADER, Complex, Vice France, Exclaim!, Le Monde France, and many others.
Stay tuned for more Moonshine as the phases wax and wane in the months ahead and learn more about the collective below.
Moonshine On Tour: une 3 - London, United Kingdom - Secret location
June 9 - Barcelona, Spain - Primavera Festival (Spain)
June 10 - Amsterdam, Netherlands - Garage Noord
June 11 - Montreal, Canada - Mural Festival
July 9 - Calvi, France - Calvi on the Rocks Festival
DOWNLOAD – Obomi Nga Art
DOWNLOAD – Moonshine logo
DOWNLOAD – Moonshine Press Photo
www.moonshine.mu
OUT TODAY VIA TEXT ME RECORDS - LISTEN
"Sellout is a confident collection of glitched-out tracks that roar
with a well-earned sense of confidence." - Edmonton Journal
Guided by an instinctual process, hill worked closely with frequent collaborator and producer, Mike Schlosser. While hill focused on the lyric and melody writing, Mike was behind the music. Mike and hill created Sellout pre-pandemic in hill's downtown Los Angeles loft, where she was living at the time. Amidst endless noise, sirens, people moving and voices all around, the team tracked all of the vocals in the living space, with emphasis on ensuring they were real rather than pristine.
"Sellout has a very focused intention and a clear concept both in the lyrics and the production but we weren't taking the process of making it too seriously. We had a lot of fun and just tried to push ourselves and do some weird things we hadn't heard before and break as many rules as we could," Mike adds. "We talked a lot about making sure the album had a self-contained world to live in because all great albums do that, they sort of transport you somewhere. And then when people arrived in this world we created of course we had something important but also ridiculous to say. Basically we made some very clever music that sounds super dumb. That's kind of what pop-art is all about."
A multimedia artist extraordinaire, hill created unique visualizers to embody Sellout's aesthetic and messages, giving audiences a true feel of the content and context through imagery with statements that range from poignant to satirical.
Previous singles include, KonMari, a tongue-and-cheek ode to the method of the same name, Fat Free, featuring Dallas, TX group, Cure For Paranoia, inspired by Munchausen syndrome by proxy, and Side D, a dark, energizing jam written about a woman’s right to explore her own sexual freedom and options. I Need To Cry not only expresses human desires, but sheds light on adverse affects of pharmaceuticals.
Earlier this year, hill dropped an acoustic version of her previous single, Side D, in NFT format. This radically-different version was arranged by hill of iamhill and mixed by Mike Schlosser, and the artwork created by Caitlin Boyle. This is not the first NFT hill has worked on, but it is the first NFT of her own music, under her own name. While the technology that allows artists to “mint” (in other words, create a new block on the chain with your file’s information/data) their work is still emerging, hill has grown passionate about the NFT community and its intrinsic potential.
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. Upon releasing her debut album as ‘iamhill’ in 2018, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. hill released her 2019 EP, Gimme My Life Back, on Antifragile Records out of NYC. In 2021, she released an album that was deconstructed and distributed as a sound pack by Black Octopus Sounds, who launched their adjacent record label Black Octopus Music in order to release the source album, Nobody Wants to Be My Friend.
Spin Sellout everywhere you enjoy music, see the full tracklist and learn more about hill's incredible career to date below.
Sellout - Tracklist
1.Sellout
2.Side D
3.I Need To Cry
4.KonMari
5.Run featuring Zeale
6.It's A Privilege featuring Swim & John Orpheus
7.Look Like That
8.Fat Free featuring Cure For Paranoia
9.Brought 2 U By
DOWNLOAD - Hi Res Album Art
DOWNLOAD - Hi Res Press Photo (by Travis Nesbitt | @travisnesbitt)
About hill of iamhill
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. She grew up in the Canadian North, where winter reigns for 8 months a year. Before cultivating her specific taste for alternative pop music, her urge to create alternate universes was already thriving. She was regularly scolded growing up for daydreaming incessantly, but may never have fully landed in “reality." Music was always her way of escaping into the current moment while simultaneously holding life at arm’s length. hill began playing piano by ear as a kid, and had picked up guitar and drums to accompany her obsession with singing by the time she was 14. Songwriting followed not long after, which began as an exercise in catharsis for hill and remains that way whenever she gets an opportunity to work on her passion project.
What appears to be the result of spending most of your life longing for a different one is the universe hill has been building since the genesis of iamhill in 2018. Upon releasing her debut album as ‘iamhill’, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. During this time, she drew inspiration from artists like Frank Ocean, James Blake, Kanye West, and queen of sad-core Lana Del Rey. Informed directly by her eagerness to embrace darkness and her constant yearning for the future, the environment hill has developed over time is increasingly futuristic and industrial.
This seminal album, Give it a Rest, went on to be nominated for a Juno in 2019 (Electronic Album of the Year), while hill finally accomplished her lifelong dream of moving to California to live under the sun and find her full artistic expression among so many fellow creatives. That year, hill released her sophomore EP, Gimme My Life Back, on Antifragile Records out of NYC. The visuals that accompanied the EP were shot in Thailand, with the city filth of Bangkok front and centre.
Since the beginning of the pandemic, hill of iamhill has leaned into her fascination with technology. As the clubs she used to perform in closed their doors, she began diving into frontend web development and landed a job as a contracted engineer with a startup out of California called Pex. Pex is a digital rights technology company that enables fair and transparent use of copyrighted content at the scale and speed of the internet. Their mission is to empower creators, platforms, and rightsholders alike, which is perfectly aligned with hill’s vision for the future of the global creator’s landscape. Spending five years in a Publishing deal with Ultra Music, a Sony subsidiary, left hill with a new appreciation for creative autonomy and IP ownership. More to that end, in the fall of 2021, hill co-produced and co-released her first audio-visual NFT with a team of creatives out of Los Angeles and the Bay Area, and has already onboarded to platforms such as Catalog, which prioritize the minting of music NFTs.
Over the past year, hill also found the time to release an album she co-produced and wrote with her now-counterpart in the iamhill project, Mike Schlosser. What made this album unique is that it was also deconstructed and distributed as a sample pack by Black Octopus Sounds, who launched their adjacent record label, Black Octopus Music, in order to release the source album, Nobody Wants to Be My Friend.
hill is currently working with an independent label, Text Me Records, out of San Francisco to release her forthcoming album (also co-created by Mike Schlosser). The project will see iamhill diving deeper into how "our lives are increasingly non-human." Says hill: "We were not built - nor have we evolved - to manage this shift."
OUT JULY 22 ON FANTASY RECORDS
TORONTO, ON – June 1, 2022 – Zooey Deschanel (She) & M. Ward (Him) today released the second single, Wouldn’t It Be Nice, off their upcoming album, Melt Away: A Tribute to Brian Wilson via Fantasy Records, out on July 22. Wouldn’t It Be Nice was the opening track off the Beach Boys’ 1966 album, Pet Sounds.
Watch the visualizer for She & Him’s Wouldn’t It Be Nice here. Listen to Wouldn’t It Be Nice and pre-order Melt Away: A Tribute To Brian Wilson here.
She & Him’s seventh studio album is a loving, LP-length tribute to one of the greatest living American songwriters and singers, Brian Wilson. Melt Away: A Tribute to Brian Wilson finds Zooey Deschanel and M. Ward diving deep into the legendary artist’s extensive songbook, offering fascinating and delectable new spins on time-honoured classics and overlooked gems alike. These fourteen covers are infused with the familiar magic that She & Him fans know and love, opening a new window into Wilson’s iconic catalog. Wilson even features on a song with Zooey and M. Ward for the album, Do It Again. The band have enjoyed a friendship, and mutual appreciation, with Wilson over the years and She & Him was previously a guest vocalist on his 2015 album, No Pier Pressure. Recently, the band released Darlin’, the lead track and video from Melt Away, listen/watch here.
“In the spring of 2020, we started a list of our favorite Brian songs — a very long list,” the duo explains. “We chose songs without any regard to their chart performance. The obscure ones hit us just as hard as the more popular songs — and all are ripe for re-imagining, re-interpreting, and re-inventing. Brian writes songs of beauty and loneliness and vulnerability better than anyone — and by sequencing them next to popular songs of confidence and love and fun, it creates a more complete picture of life on earth.”
Brian Wilson comments on Melt Away: “Zooey and Matt did such mind-blowing versions of our songs. The harmonies are beautiful and right on. I love this record!”
TRACK LIST:
1.Darlin’
2.Wouldn’t It Be Nice
3.Til I Die
4.Deirdre
5.Melt Away
6.Good To My Baby
7.Don’t Talk (Put Your Head On My Shoulder)
8.Don’t Worry Baby
9.This Whole World
10.Kiss Me, Baby
11.Do It Again ft. Brian Wilson
12.Heads You Win, Tails I Lose
13.Please Let Me Wonder
14.Meant For You
Melt Away is Deschanel and Ward’s follow-up to 2016’s holiday album Christmas Party, and it marks their second record of non-holiday covers since 2014’s Classics, which topped Billboard’s U.S. Folk Albums chart on release. It’s the latest display of remarkable talent from She & Him, who have wowed listeners for over 15 years with their gorgeous and warm indie-pop. As Deschanel’s maintained a successful acting career and Ward’s continued his own singular solo career as a producer and singer-songwriter, the duo continues to sound like the perfect match in the studio—with Zooey’s dramatic vocals excellently pairing with Matt’s textured, tuneful arrangements and production.
Tickets for She & Him’s upcoming tour are available at sheandhim.com.
TOUR DATES:
6/13 Denver, CO @ Paramount Theatre
6/14 Salt Lake City, UT @ Red Butte Garden Amphitheatre
6/16 Forest Grove, OR @ Grand Lodge Hotel and Property
6/17 Woodinville, WA @ Chateau Ste. Michelle Winery
6/24 San Diego, CA @ Humphrey’s
6/25 Los Angeles, CA @ The Ford
9/9 Vienna, VA @ Wolf Trap
9/16 Grand Rapids, MI @ Frederik Meijer Gardens
SHARE FIRST SINGLE CEMETERY BLUES
WATCH THE MUSIC VIDEO HERE
CANADIAN TOUR DATES KICK OFF JUNE 10
The A Family Curse collaboration began a few years ago when Neil and fellow songwriter, Danny Michel, recorded some instrumental jams together. But due to their busy schedules, the songs were left to collect dust until one lonely Christmas, Neil sent them to Kandle who then brought newfound inspiration with fresh new melody and lyrics. From there, Kandle and Neil decided to complete a whole DIY album where the two played and recorded everything at home.
“I gave Kiz (Kandle) a nice chord progression with just three major chords. Just three. C, G and F,” explains Neil on Cemetery Blues. “Cousin Danny (Michel) and I whipped up a drum - bass - piano and guitar track. I told Kiz – ‘now sing something nice, you know, happy like’ - and she comes up with Cemetery Blues.”
On their overall sound, Kandle describes: "Diving into a fantasy world of Americana and fuzz driven blues rock, this father daughter duo take you on a journey from robbing banks to getting stranded in the desert and catching fire!"
Their live show dialogue and antics play out the millennial version of “A Father Knows Best” story that reveals their creative infection and family affection. A Family Curse is often joined on stage by a support cast of various cousins, uncles and aunts of the Osborne clan which leads to their A Family Curse recipe…
Tour dates:
June 10 – Toronto, ON - El Mocambo - CMW Showcase
June 11 - Fenelon Falls, ON - The Grove Theatre
June 13 - Owen Sound, ON - Heartwood Hall
June 14 - Toronto ON - Lemmon Stage @ El Mocambo
June 15 - Blue Mountains, ON - Studio 79
Stay tuned for more from A Family Curse as their journey unfolds this summer!
About Neil Osborne:
As lead singer and chief songwriter of 54•40, Neil Osborne has achieved critical acclaim, released more than a dozen albums and weathered the fickle music business for more than four decades. As a songwriter, Osborne has penned such fabulous signature 54•40 songs as I Go Blind, One Day In Your Life, One Gun, Since When and Ocean Pearl, which have crossed from the realm of rock to a broader base.
About Kandle Osborne:
Kandle has established a strong independent career and has made her mark as a powerful songwriter as evidenced on her latest album, Set The Fire. Her Bond-inspired masterpiece for Lock and Load was nominated for a Canadian Independent Video Award. Her debut album, In Flames, was an instant success and went on to gain a JUNO nomination and win a Prism Prize Award.
MELT MY EYEZ SEE YOUR FUTURE
OUT NOW VIA LOMA VISTA RECORDINGS
2022 WORLD TOUR CURRENTLY UNDERWAY
WITH SHOW AT FESTIVAL D'ETE DE QUEBEC ON JULY 10
“He deserves your undivided attention” - Complex
“Denzel Curry is ready to make 2022 his best year yet”- HotNewHipHop
“Cutthroat lyricism over head-nodding percussion continues
to be Curry's bread and butter” - Miami New Times
"Any excuse to hear Denzel rapping.. is a good one" - Pitchfork
"Melt My Eyez See Your Future is a sprawling, ambitious record that makes good on Denzel Curry’s vision" - Stereogum
“A consistently intriguing presence” - The New Yorker
TORONTO, ON – June 1, 2022 – Following the release of his highly anticipated new album Melt My Eyez See Your Future, Denzel Curry shares an official remix for the album's lead single Walkin, featuring an additional verse from Memphis rapper, Key Glock. The new version of the song arrives in the midst of the European leg of his sold out World Tour alongside an Unkle Luc-created visualizer that sees live footage of Denzel performing the track. Before heading to Europe, the ferocious performer wrapped the first leg of his North American tour and dominated the Coachella stage accompanied by a life size X-Wing spaceship on stage. Listen here and watch the visualizer here.
Speaking on the new remix track, Denzel says: “Tomorrow's never certain and we all go through different obstacles everyday. The objective is to keep on walkin, or keep pushing forward. I reached out to Glock because I felt like he’s the perfect example of Walkin. Based on everything he been through & also being independent, it hasn’t stopped his grind. I’ve always been a fan of Memphis hip hop so it just felt right.”
Melt My Eyez See Your Future is the sound of the mercurial Miami rapper leveling up. His fifth album features singles, Troubles with T-Pain, the samurai film-inspired Zatoichi and Walkin, which arrived with an epic Sci-Fi Western. The album was a communal effort featuring contributions from the likes of Thundercat, Kenny Beats, Robert Glasper, JPEGMAFIA, slowthai, J.I.D, 6LACK, Rico Nasty, 454 and more. On each of the fourteen sumptuous tracks, Denzel is operating with the force of a full Jedi master, slicing through bars with dexterity, magic and control. Throughout the project, he processes internal and external conflicts in brave, boundary-breaking detail. To his growing legions of fans, the intrepid soul-searching of this record will come as no surprise – after all, Curry’s music has always been confessional. From tracks like its eponymous opener, on which he pain-stakingly explores his own sex addictions, to the more outward-facing, John Wayne, which addresses “gun violence in America and [his] community,” this is hip-hop truth-telling at its finest and most potent.
Listen to Walkin remix featuring Key Glock and Melt My Eyez See Your Future above, see full album details and upcoming tour dates below and stay tuned for more from Denzel Curry soon.
Upcoming Tour Dates North America
6/11 - Queens, NY @ The Governor's Ball Music Festival
06/14 & 15 - Denver, CO @ Red Rocks Amphitheatre
06/17 - Manchester, TN @ Bonnaroo Festival
06/18 - Atlanta, GA @ Tabernacle
6/19 Washington DC @ Something in the Water
06/21 - Orlando, FL @ House of Blues
06/22 - Miami, FL @ Fillmore
06/24 - New Orleans, LA @ Fillmore
06/25 - Houston, TX @ Bayou Music Center
06/26 - Austin, TX @ Stubb's
06/28 - Dallas, TX @ Southside Ballroom
06/30 - Albuquerque, NM @ El Rey
07/1 - Phoenix, AZ @ The Van Buren
7/10 - Quebec City, QC @ Festival D'Ete de Quebec
7/29 San Bernadino, CA @ Hard Summer
7/31 Chicago, IL @ Lollapalooza
9/18 Atlanta, GA @ Music Midtown
DOWNLOAD - Walkin Remix featuring Key Glock Art
DOWNLOAD - Melt My Eyez See Your Future Art
DOWNLOAD - Hi Res Press Photo
"MOONLESS is about the anxiety that can take place when strong feelings come up," says J3M of the song, which he wrote on piano, and later co-produced with Mike Tompa. "In AFRONAUT’s case, the Alien he’s fallen in love with gets cold feet and disappears overnight. In a panicked whirlwind, the force and sudden speed of the Alien’s ship pulls the moon and stars right out of the sky. Alone and enveloped in the earth's darkness, AFRONAUT climbs up onto his roof each night. He sings to the sky, hoping the alien will hear, return the stars and moon and come back to earth."
To follow and sing along, check out the MOONLESS lyric video, created by Gabriel Altrows and Gergana Peeva, here.
AFRONAUT is a space-themed concept album that takes the listener through each stage of a failed relationship and the love for oneself that is found through the grieving process, as told through the perspective of its protagonist, AFRONAUT, and a bond with his lover, the Alien.
Toronto audiences can get an exclusive preview of AFRONAUT this Thursday, June 2 at Hail Mary Bar, where J3M will be hosting an album listening party and performing a set of songs. Find tickets and details here.
J3M describes AFRONAUT's creation happening by accident, as he started another project that had a completely different sound, but it didn’t feel right.
"Super disappointed and confused, I put that project on hold. I went to the UK on a songwriting mission just before the pandemic. That didn’t work out either. But in a way it did, because I ended up writing several songs with some very talented friends while out there," J3M expands.
Toronto audiences can get an exclusive preview of the album this Thursday, June 2 at Hail Mary Bar, where J3M will be hosting an AFRONAUT listening party and performing a set of songs. Find tickets and details here.
AFRONAUT marks an evolution from J3M's previous work with more intricate production and a clearer vision. The pop-driven EP is abundant with piano, synthesizers, guitar, bass and even live strings. On one occasion, J3M and producer, Mike Tompa, traveled to Chalet Studios in Uxbridge, ON to find the perfect piano (a Yamaha C3) to have on select tracks, which is the same piano J3M used for his 2019 standout single, Stuck To My Heart. Other tracks feature a vintage John Brinsmead piano from Miloco Studios in London, UK, The Roland Juno 106 synth and the Prophet Rev 2.
J3M's previous single, Show Me, was the catalyst for J3M to realize he had other songs and fragments of ideas that mirrored the same sound, theme and concept. Alas, space was made for AFRONAUT to fully soar.
Show Me, another retro-synth ballad in its own right (co-produced by Matthew Fudge), sees AFRONAUT getting into his ship and leaving earth, embarking on a mission to find the Alien. Upon finding them, a confession is given from the Alien to AFRONAUT. The Alien explains that they are having a hard time connecting and communicating, and this has nothing to do with AFRONAUT. Space and Time is a straight up disco-funk banger with dark pop elements ready for the dance floor. This track marks the story's chapter where AFRONAUT decides that he needs to take a step back from his relationship with the Alien, analyzing the root of conflict and reinforcing the importance of self love.
Tune in as the rest of the AFRONAUT EP story unfolds with more on the way in the coming months!
Get to know J3M (he/they):
Blending pop, disco, soul and R&B, J3M is ready to paint pictures, tell stories, and share melodies that will live in your head rent-free. The award-winning singer/songwriter/pianist has backed powerhouse artists such as Tanika Charles, TiKA, Zaki Ibrahim, Amaal, The OBGMs, James Baley and more, both locally and internationally. Sharing stages with Kehlani, Weezer, Brandy, July Talk and the Arkells (just to name a few), J3M is no stranger to the industry. He's played everywhere from POP Montreal, Toronto Pride, Afropunk Paris, Osheaga, SXSW and even on Carnival cruise lines.
Based in Toronto, but born in Ottawa with Guyanese roots, J3M has been playing and singing for as long as he can remember. So, whether it’s lighting up rooms with his sharp writing, production and arranging skills or bringing down the house with a vivacious live performance, the queer artist is aimed and ready to take the world by storm!
DOWNLOAD - MOONLESS Single Art | DOWNLOAD - J3M Press Photo
Connect with J3M below and on TikTok
22 TRACK EXPANDED VERSION DUE JULY 1, 2022
INCLUDING 5 PREVIOUSLY UNRELEASED NEW TRACKS
SHARES NEW SINGLE LEECH
WATCH/LISTEN HERE
SEETHER ON TOUR THIS SUMMER
Toronto, ON – May 27, 2022 - Today, Seether announced the Deluxe Edition release of their acclaimed 2020 album, Si Vis Pacem, Para Bellu - 22 tracks in all, five of which are previously unreleased, which will be available on July 1, 2022. Listen to the set’s lashing first single Leech, and pre-order the collection here.
Teeming with the band’s signature combination of melody and cathartic release, the wealth of exceptional songs that encompasses the expanded Deluxe Edition bolsters Seether leader Shaun Morgan’s status as one of rock’s most prolific and successful songwriters. It includes all 21 songs recorded during the SVPPB sessions along with the alternate version of Wasteland that was originally featured on last year’s The Purgatory EP.
Produced by Shaun Morgan and engineered and mixed by Matt Hyde (Deftones, AFI), the acclaimed Si Vis Pacem, Para Bellum, (“If you want peace, Prepare for war”) was released in August 2020, spawned three #1 singles on the Billboard Mainstream Rock Chart and at Active Rock radio and garnered some of the best reviews of the band’s storied career.
Shaun Morgan on the brand-new track, Leech: "This song is a generalized reflection on abusive relationships and how they shape the way we see the world. Those are most often personal, but more often these days they are social. There is so much digital noise surrounding us all that we choose to ignore, at the peril of our kids and our collective wellbeing. We are slaves to smart phones and the absolute cancer that is social media, and it will not end well. Different viewpoints that stray from the echo chambers that people choose to live in result in public crucifixion and irrational hatred that is driven by a powerful propaganda force that spoon feeds our opinions to us. Turn off the fucking TV, delete your social media and read a goddamn book or spend some time with your neighbors. We need to stop living in this procured vapid digital universe where we are merely products to enrich assholes and live more in the real world. I say that as an introvert, but even I can see the impending downfall of decency and morality."
Since forming in Pretoria, South Africa in 1999, Seether (Shaun Morgan, Dale Stewart, John Humphrey, and Corey Lowery) has amassed a global, devoted fan base with an unbroken sense of purpose and commitment. Their impressive sales and chart history includes three platinum and two gold albums, 18 #1 singles, 21 Top 5 multi-format hits, single sales topping 17 million and over 2 billion streams worldwide across all platforms. SEETHER is Billboard’s #8 All-Time Mainstream Rock Artist, which covers the over 40-year history of the chart’s existence.
Seether just finished a US arena tour as special guests of Breaking Benjamin. Summer headline dates are listed below.
Si Vis Pacem, Para Bellum Deluxe Edition track list:
1. Dead and Done
2. Bruised and Bloodied
3. Wasteland
4. Dangerous
5. Liar
6. Can't Go Wrong
7. Buried in the Sand
8. Let It Go
9. Failure
10. Beg
11. Drift Away
12. Pride Before the Fall
13. Written in Stone
14. What Would You Do?
15. Will It Ever End?
16. Feast or Famine
17. Wasteland (alternate version)
18. Leech*
19. Deliver Me*
20. On My Way*
21. Leave Me Be*
22. Crossed The Line*
*Previously unreleased
Seether On Tour:
May 27: Concrete Street Amphitheater - Corpus Christi, TX
May 28: BuzzFest 2022 - The Woodlands, TX
May 29: BFD 22 - Dallas, TX
July 16: Q Casino - Dubuque, IA
July 17: Inkcarceration Festival 2022 - Mansfield, OH
July 22: Fond Du Lac County Fair - Fond Du Lac, WI
July 23: Waukesha County Fair - Waukesha, WI
August 19: Brown County Fairgrounds - Aberdeen, SD
September 11: Blue Ridge Rock Festival 2022 - Alton, VA
Aug 19 Brown County Fairgrounds - Aberdeen, SD
Sep 11 Blue Ridge Rock Festival 2022 - Alton, VA
DOWNLOAD - Press Photo | DOWNLOAD - Si Vis Pacem, Para Bellum Deluxe Artwork
www.seether.com
SEETHER on TikTok
LISTEN TO BEASTMODE
FIRST SAMPLE OF NEW ALBUM DUE LATE SUMMER 2022
FOLLOWS PREVIOUS SINGLE MESSENGER FEATURING
ERICK SERMON, SAUKRATES AND OUTLAW BY NATURE
TORONTO, ON – May 27, 2022 – Renowned Canadian-Indigenous artist, record producer and engineer, David Strickland, has been keeping busy. From his hustle in studios across North America, working with industry greats, to exploration in the world of NFTs, and giving back to Indigenous communities through charitable endeavours, David's first single of the year is a mirror for this drive. Today, he shares Beastmode, featuring Juno Award-winning R&B/Soul singer and theatre performer, Divine Brown, and Alberta-based Indigenous artist, model and actress, Pooky G. The three come together to create a soundtrack piece to life's A-game moments and when you need an extra boost. Listen to Beastmode here.
David says of the track, "Beastmode is about unapologetically asserting your sense of self with little concern of what those around you and the society, at large, have to say about who you are, because you know yourself best. Within marginalized communities, due to colonialism, people have been encouraged to 'humble themselves' in order to serve the needs of the powers that be. Humility is one of the seven Grandfather teachings, yet sometimes, people can be too humble. Hip Hop, on the contrary, has always had a competitive ethos - on Beastmode, we merge the two to inspire others in asserting themselves, like the stance of an MC and going for it! Hip-hop is both direct and yet deeply coded in subtext, artists are elevated and respected for their prowess with words. Having a strong sense of identity within all of our many complex identities has never been intrinsically a male nor a colonist experience, it is a human experience. Knowing who you are; being aware that you have the capacity to evolve and change; truly allows you to conduct yourself with the highest esteem while allowing others to do the same."
Rapper Pooky G classifies Beastmode as “pure therapy," noting, "It is about releasing thoughts, something for people to relate to even if they may not feel bold enough to state themselves. It represents who I am as an artist, I don’t care to fit into what society tries to mold me into. The My truth is my truth; I am an individual, this is me, a Northside Queen.”
Acclaimed singer, Divine Brown, adds: "Everyone has to get into ‘Beastmode,’ in their lives, especially if they are driven. Pooky eloquently expressed that in the song. It’s not always important that people see your worth.. As long as YOU ‘inner’ stand your worth, you are golden. To all the fearless queens out in the world doing your thing…wear your crown with pride…I do.”
Learn more about Divine Brown and Pooky G's incredible careers in their bios below.
Last year, David and rap legend, Erick Sermon, teamed up with The NFT Agency to release an official non-fungible token (NFT) collection celebrating the hip-hop luminary’s esteemed career. On October 20, 2021 the six-piece collection featuring original artwork by Strickland — highlighting moments from Sermon’s career as a member of EPMD, the founder of Def Squad and as a solo artist— saw 291 NFTs sold within 24 hours as a curated drop at Crypto.com/NFT, the global cryptocurrency platform’s NFT marketplace. Erick and David donated $10K of the net sales to Indian Residential School Survivors Society. The collection was released in promotion of Strickland’s latest single, Messenger, a collaboration with Sermon, Toronto rap veteran, Saukrates, and Outlaw by Nature — a supergroup consisting of Treach from Naughty by Nature and the late Hussein Fatal of the Outlawz, a collective famously founded by Tupac Shakur.
A Grammy-winning engineer who has worked on projects by artists including Sermon, EPMD, Drake, Method Man, Redman, Pete Rock and Keith Murray as well as a who’s who of both the Toronto and Indigenous hip-hop communities, Strickland is also an accomplished visual artist who connects with his Mi'kmaq ancestry — as well as his passion for music and hip-hop culture — to create works that have been displayed at major galleries including the McMichael Canadian Art Collection. In 2021, Strickland won three International Indigenous Hip Hop Awards for his acclaimed 2020 album, Spirit Of Hip Hop. The album brought together artists from various North American hip-hop communities while continuing to champion Indigenous hip-hop artists.
Learn more about David's career below, and stay tuned for more music this summer.
DOWNLOAD – Press Photo | DOWNLOAD – Beastmode Art
DOWNLOAD - Pooky G Press Photo
DOWNLOAD - Divine Brown Press Photo
About David Strickland
David "Gordo" Strickland is an Indigenous, Toronto born and based award-winning engineer, mixer, producer and DJ. Known for being behind the boards on iconic Hip-Hop and R&B records for over two decades, his work has graced seminal tracks by the likes of Pete Rock, Erick Sermon, EPMD, Keith Murray, Redman and Method Man, to records by ground-breaking Toronto hip-hop acts, including k-os, Ghetto Concept, Jelleestone, Kardinal Offishall, Jully Black, Choclair and Drake.
David's album, Spirit Of Hip Hop (June 29, 2020, Entertainment One), highlights some of North America's Hip Hop progenitors and innovative Indigenous artists alike to share an embodiment of the teachings, art, traditions, and music of the community, aligned with his Indigenous heritage. Spirit Of Hip Hop (Remixes) arrived on November 20, 2020 as a follow-up featuring fresh takes on the album tracks by Gordo himself, and some of his esteemed colleagues. From control room to canvas, David is also a prolific visual artist that has been featured at many galleries across Canada. He continues to be a positive force in music, the arts and an inspiration to First Nations Youth across North America.
About Divine Brown
A rare gift to have, Divine Brown’s five-octave vocal range makes everybody stand up and pay attention. Her versatility as a performer both musically and vocally has found her manifesting success in the music industry. She placed three top 10 singles on CHR, AC and Hot AC radio in Canada, and her hit single, Sunglasses, reached number 14 on the U.S. Billboard Dance Chart in 2010. Divine first captured the heart of the public after she earned a Certified Gold Album for her debut self-titled project in 2005 (Universal Music), a JunoAward her sophomore project, The Love Chronicles, which won R&B Album of the Year in 2009, as well as a SOCAN #1 Award for her Soul/R&B classic, Old School Love. Divine recently worked with Chicago house music producer Terry Hunter in late fall of 2021, on his first single called Angel, off his new project, Imagine No Music.
About Pooky G
POOKY G is a multitalented artist, musician, model and actress born and raised in Treaty 6 Territory Amiskwaciwâskahikan (Edmonton). She spends her days working as a DJ, hosting indigenous hip hop at two radio stations, Cuzin Radio & Raven Radio, both broadcast through Windspeaker Media. Developing entertainment projects and filming is a favourite of hers, recording music is her passion, performing arts is also one of her many skills. If it’s Art? Pooky G is no stranger. She has grown up in and around the Indigenous entertainment scene for over 30 years. You can find her album, So Far So Hood, on many platforms. Pooky also freelances as an Aboriginal Family and Youth support worker through Indigenous organizations by facilitating empowerment workshops & performing live. Pooky recently finished filming her first lead role in the film, Abducted.
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. www.mnrk.com.
NEW SINGLE FROM UPCOMING EIGHTH STUDIO ALBUM
JOINED BY OFFICIAL PERFORMANCE VIDEO – WATCH
LIVE SCHEDULE INCLUDES HEADLINE DATES,
FESTIVAL PERFORMANCES, AND SUMMER TOUR WITH
THE HEAD AND THE HEART
MISADVENTURES OF DOOMSCROLLER ARRIVES FRIDAY, JULY 22
TORONTO, ON - May 27, 2022 - Acclaimed Los Angeles-based rockers, Dawes, have shared Comes In Waves, available now via Rounder Records at all DSPs and streaming services. An official performance video – directed by Caitlin Gerard at Hollywood, CA’s historic EastWest Studios – premieres today as well via YouTube.
Comes In Waves marks the latest single from Dawes’ upcoming eighth studio album, MISADVENTURES OF DOOMSCROLLER, arriving everywhere on Friday, July 22. Pre-orders are available now. In addition, a number of exclusive bundles – including Limited Edition Preferred Pink Vinyl w/Optional Exclusive 11x11 Signed Band Photo, Turntable Slipmat, Black Hoodie, White Pocket T, and Socks – are available now at the official Dawes webstore here.
“I had this riff and one of the verses for a while,” says Dawes frontman Taylor Goldsmith. “Griffin, Wylie and Mike Viola came over to my backyard – this was peak Covid – to just play music together for one of the first times since lockdown. I started sharing the song and Griffin and Mike started singing their background parts you hear on the choruses on the record immediately. It inspired me to finish writing it.
“The lyric is about the arbitrary demands I make on myself. I want to perceive me or my life a certain way but I make no exceptions for an off day or a misstep. Whether it’s a win or a loss, it’s all transient, and only when I can live in some version of that awareness – which is itself transient – am I able to bat away any fears or anxieties or the consequences of an over indulged ego.”
Listen to Comes In Waves and watch the official performance video. Pre-order MISADVENTURES OF DOOMSCROLLER.
Produced by longtime collaborator, Jonathan Wilson (Billy Strings, Father John Misty, Angel Olsen), MISADVENTURES OF DOOMSCROLLER represents an adventurous new turn for Dawes, evincing a more ambitious, exploratory approach towards recording than ever before.
“We’ve always prided ourselves on being minimalists. With this record we set out on being MAXIMALISTS,” says Goldsmith. “Still a quartet. Still not letting these songs hide behind any tricks or effects. But really letting the songs breathe and stretch and live however they want to. We decided to stop having any regard for short attention spans. Our ambitions go beyond the musical with this one.
“We also wanted to honor the traditional length of a vinyl record – 40-45 minutes – but disregard any concern for numbers of tracks. The way Miles or Herbie often did. Documenting the songs is only half of the picture. For this record, they’re also the platform for us to jump off from and get lost in. I think the best way I can say it is - we wanted this record to be less a collection of songs and more a collection of music.”
“We wanted a musical drama, an ensemble cast with linked arms kicking highly; a transcription of a band meeting we haven’t even had yet,” adds bassist Wylie Gelber. “Eight legs and eight arms, in a room, stretching deeper than we ever knew we could…The Intros have Outros. The Outros have Bridges.”
MISADVENTURES OF DOOMSCROLLER was first heralded earlier this month by the album’s epic opening track, Someone Else’s Café / Doomscroller Tries to Relax, available now at all DSPs and streaming services. An official performance video is streaming now via YouTube.
Listen to SOMEONE ELSE’S CAFÉ / DOOMSCROLLER TRIES TO RELAX and watch the official performance video here.
Dawes will mark the arrival of MISADVENTURES OF DOOMSCROLLER with a wide-ranging international live schedule, including headline shows, festival performances, and a summer tour with The Head and The Heart. Highlights include a very special Independence Day event with Phil Lesh & Friends, set for Monday, July 4 at Asbury Park, NJ’s Stone Pony Summer Stage. Additional dates will be announced. For complete details and ticket availability, please visit dawestheband.com/tour.
DAWES TOUR 2022
July 4 – Asbury Park, NJ – Stone Pony Summer Stage †
July 29 – Yuzawa, JP – Fuji Rock Festival *
August 1 – Austin, TX – ACL Live at The Moody Theater ^
August 2 – Austin, TX – ACL Live at The Moody Theater ^ (SOLD OUT)
August 4 – Houston, TX – Lawn at White Oak ^
August 5 – Dallas, TX – The Pavilion at Toyota Music Factory ^
August 6 – Oklahoma City, OK – The Criterion ^
August 7 – Arvada, CO – Arvada Center for the Arts
August 8 – Salt Lake City, UT – Red Butte Garden Amphitheatre ^
August 9 – Boise, ID – Outlaw Field at the Idaho Botanical Garden ^
August 11 – Missoula, MT – KettleHouse Amphitheater ^
August 12 – Seattle, WA – Marymoor Park ^ (SOLD OUT)
August 13 – Seattle, WA – Marymoor Park ^
August 16 – Portland, OR – McMenamins Edgefield Amphitheater ^
August 18 – Santa Barbara, CA – Santa Barbara Bowl ^
August 19 – Berkeley, CA – Greek Theatre ^
August 20 – Los Angeles, CA – Greek Theatre ^
August 22 – San Diego, CA – Humphreys Concerts By The Bay ^ (SOLD OUT)
August 23 – San Diego, CA – Humphreys Concerts By The Bay ^
August 27 – Tisbury, MA – Beach Road Weekend *
August 28 – Bridgeview, IL – Sacred Rose *
September 3-4 – Indianapolis, IN – All In Music & Arts Festival *
September 16 – Toronto, ON - Phoenix Concert Theatre
September 24-25 – Franklin, TN – Pilgrimage Music & Cultural Festival *
* Festival Performance
† w/Phil Lesh & Friends
^ Supporting The Head and The Heart
Tracklist:
1. Someone Else’s Café / Doomscroller Tries To Relax
2. Comes In Waves
3. Everything Is Permanent
4. Ghost In The Machine
5. Joke In There Somewhere
6. Joke In There Somewhere (Outro)
7. Sound That No One Made / Doomscroller Sunrise
About Dawes:
MISADVENTURES OF DOOMSCROLLER marks Dawes’ first new LP following 2020’s Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it “their liveliest, most visceral set yet.” Dawes celebrated with a range of high profile TV appearances, including ABC’s Jimmy Kimmel Live! and CBS’ The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.
Dawes is: T.Z. Goldsmith (guitar, primary vocal), W.Q. Gelber (handmade bass), G.W. Goldsmith (drums, percussion, background vocals), and L.M. Pardini (piano, organ, synthesizers, clavinet, Wurlitzer, guitar, background vocals).
PERFORMING AT DO WEST FEST IN TORONTO ON JUNE 3
PREVIEW BRUNO'S CAPTIVATING STAGE PRESENCE WITH LIVE RENDITION OF MEU PRETO
Toronto, ON – May 27, 2022 – The long-awaited album of internationally acclaimed dynamic Toronto-based singer-songwriter, Bruno Capinan (Broo-noh Cap-ee-nan, they/them), is out now. Tara Rara (Portuguese for 'Rare Desire') is a full circle, spiritual collection of songs, resonant with sonic elements embedded with Bruno's Brazilian heritage. Listen to the album via all streaming platforms and Bandcamp.
Tara Rara is timely for both its summer-ready sounds and aligned in its story as we near Pride month celebrations. The title takes reference from childhood memories, at times reflecting on Bruno's experiences of bullying and discrimination, while growing up in Brazil. Bruno’s nickname as a child, given to them by their father, was “buddha." In coming into their identity as a non-binary person, Bruno realized they are also “tara," which in Buddhism represents the feminine counterpart of the bodhisattva (“buddha-to-be”), and the Portuguese word for “desire." The word “rara” translates to "rare" in Bruno's mother language, and represents their signature voice and is a celebration of their power.
Bruno's live performance is captivating and abundant with raw energy and storytelling through rhythm and movement. Toronto audiences can hear Tara Rara live at Do West Fest on Friday, June 3, where Bruno will take to an open air stage for a free show at the Lulaworld Stage (set time to be announced). Bruno previously had a stunning, intimate set at BSMT254 alongside special guests, Brazil's Bem Gil (son of Gilberto Gil) and Domenico Lancellotti (Portugal).
For a preview of Bruno's live show, check out their stunning performance for album highlight, Meu Preto. The song is a sombre, yet romantic, ode about two Black lovers delivered with lingering prose. Watch Bruno's captivating performance here, and read the lyrics (with English translation) here. Meu Preto follows the stunning visual for Qualquer Lugar, filmed in Brazil. Watch the video here, and read the lyrics for Qualquer Lugar, in English and Portuguese, here.
Bruno will tour Africa for the first time, performing in Cape Verde on June 15. Stay tuned for tour dates in Brazil to be announced.
More About Tara Rara
Tara Rara encompasses Bruno’s deep exploration of some of their two greatest influences; Afro-Sambas and reinterpretations of Bossa Nova. While all tracks are performed in Portuguese, they are accompanied by lush arrangements made for dancing and movement. Tara Rara is a mix of vocal layers, percussive Brazilian instruments, acoustic guitar, synthesizers, programming, and a string orchestra composed of four violins, two cellos and one viola, as well as trombone, trumpet, French horn, flutes and sax.
As a non-binary person, Bruno ensured gender and racial justice was in focus when cultivating the stellar personnel lineup for Tara Rara. The album highlights an orchestra of seven string musicians, 90% BIPOC and LGBTQI+, an elder percussionist, and musicians from different cultural backgrounds.
Working with acclaimed Ukrainian-Brazilian producer and songwriter, 17-year-old, Vivian Kuczynski (Pabllo Vittar, SCALENE, Alice Caymmi) the album was recorded from July 2021 until December 2021, primarily in Toronto (at Union Sound Company), with additional recordings in Rio de Janeiro, São Paulo, Bahia and Melbourne. Vocals were recorded in Bahia overlooking the ocean, and brass in Melbourne, Australia. Bruno worked with guitarist Bem Gil (son of Brazilian singer Gilberto Gil), percussionist Marcelo Costa, a string orchestra from Toronto, arranger Graham Campbell, and others.
Learn more about Bruno's stellar career to date below and stay tuned for more shows to be announced!
TOUR DATES
Friday, June 3 - Do West Festival at Lulaworld Stage - Toronto, ON - INFO
Wednesday, June 15 - Atlantic Music Expo, Praia, Cape Verde
DOWNLOAD - Tara Rara Album Cover (by Daryan Dornelles)
Tara Rara Tracklisting
1.Ode ao Povo Brasileiro
2.Deuses Deusas
3.Qualquer Lugar
4.Meu Preto
5.Mafuá
6.Tara Rara
7.Possíveis Possibilities
8.Na Moral
9.Comigo Não
10.Do Mais Secreto Desejo
11.Bahia Brasil
DOWNLOAD - Press Photos (by RONCCA)
About Bruno Capinan
“Acrobatic, sensual, both angelic and profane” is how The Guardian describes Brazilian-born, Canadian singer-songwriter Bruno Capinan. The Toronto based queer artist has released five albums in their decade long music career and performed to audiences in Canada, Japan, Brazil, Argentina and the United States; fusing bossa-nova inspired music and an extravagant performance as an act of LGBTQI+ resistance.
A fierce performer, Bruno Capinan’s approach to music making is rooted in the Brazilian tropicalia influence, which is to embrace all the vast possibilities of sound. Their music beautifully blends traditional Brazilian sounds, also known as MPB, with many other global influences, and features Portuguese lyrics that are both personal and conversational.
Bruno Capinan gained international recognition with the release of Divina Graça (2016), including reviews in French newspaper Libération, as well as Brazil’s largest publications O Globo, Folha de São Paulo, and Rolling Stone Brazil. They have collaborated with artists around the globe, including Japanese composer Jun Miyake.
Most recently, Capinan released Leão Alado Sem Juba, recorded remotely between Canada, France, Portugal and Brazil, receiving two nominations to the prestigious APCA (São Paulo Association of Art Critics). In April of 2020, they were scheduled to showcase at Atlantic Music Expo 2020 in Cape Verde, but the performance was canceled due to the pandemic.
About Lulaworld Records
Bridging the contemporary and the traditional, Lulaworld Records brings the Latin, Brazilian and global roots sounds of the most diverse city in the world to music adventurers around the globe.
Having grown out of the vibrant live music scene at the Toronto venue Lula Lounge and the associated Lulaworld Festival, the label's debut release by Mexican Canadian singer songwriter Quique Escamilla won the 2015 JUNO Award in the world music category and the Canadian Folk Music award. Subsequent releases by OKAN have also earned Independent Music Awards and JUNO wins and nominations.
With a focus on salsa, tropical and Latin jazz, the label is now expanding its scope to include artists from beyond Toronto, including Brazilian, spoken word and Indigenous artists.
Like the venue that inspired its creation, the Lulaworld Records has a musical range that spans Mexican reggae, Cuban jazz folk fusion, New Orleans inspired funk, classic Tumbao and electro samba. Stay tuned for single, albums and compilation releases coming soon. www.lulawordrecords.ca
We acknowledge the financial support of Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and FACTOR.
FEATURED ON COVERAMA COMPILATION ALBUM OUT NOW VIA THE CONFIDENCE EMPERORS
PERFORMING WITH THE ROLLING SKY
AS PART OF POPGURU REVUE: UNPLUGGED, A LIVESTREAM CONCERT SERIES ON SATURDAY, MAY 28
TUNE IN AT 9 PM EST!
Toronto, ON – May 27, 2022 – Today, UK-based, Surrey, BC-born singer-songwriter, Chloe Kay, shares her version of When Doves Cry, as a stunning presentation of her rendition of the Prince classic. The song is featured on Coverama - a fantastic new compilation filled with creative, fun and innovative renditions of classic pop and indie rock songs by Canadian artists, out now via Popguru Sound & Vision's boutique label, The Confidence Emperors. Listen to When Doves Cry and watch the video here.
Working with producer, Mike Schlosser, Chloe honoured one of her greatest influences by creating a signature approach on the arrangement while embodying the icon's delivery of emotion, prose and production.
Under The Cover - what inspired the track:
“I've always been a massive fan of Prince and When Doves Cry is one of my favourite songs. I love the sparseness of the song and the poetry in the lyrics. I worked with producer Mike Schlosser to come up with the arrangement. Our goal was to create our own version while still capturing the essence of the original.”
You can experience Chloe's special live performance alongside her bandmates, Juliana Eye and Sam Casey, in powerful transatlantic pop group, The Rolling Sky, this Saturday, May 28 at 9:00 p.m. EST as part of The Popguru Revue: Unplugged, A Livestream Concert Series. The session was captured at Crouch End Studios in London U.K. and Revolution Recording in Toronto. Stream the free concert via the Popguru Sound & Vision YouTube channel here and check out Part 1 of their live show from May 21 here.
On Coverama, you can hear John Orpheus cover Radiohead’s House Of Cards, Alex Exists’ take on David Essex’s Rock On, Juliana Eye’s stunning rendition of Blondie’s Dreaming, Sam Casey’s powerful interpretation of Etta James' I'd Rather Go Blind, and Canadian icons Martha and the Muffins’ chiming electric 12 string version of The English Beat's Save It For Later, and rising Toronto duo, TANDM, as they covered Counting Crows' Accidentally In Love, Will Whitwham (of The Wilderness of Manitoba) covering The Beach Boys' classic, God Only Knows, and a bonus track from Martha and the Muffins as they deliver their rendition of For What It’s Worth (Buffalo Springfield). Listen to the project here.
About Chloe Kay
Chloe Kay is a singer/songwriter with a unique capacity for crafting pop gems who is currently based in Brighton, UK. She first moved from her hometown in Surrey to Toronto with the goal of developing her music further. “I had just finished studying music in London and felt it would be helpful for my creative process to get out of my usual environment and be somewhere different.” As a member of electronic duo This Sound Will Save You, Chloe wrote songs that blended “unexpected electronic arrangements with epic pop adventures.” She has created toplines for producers worldwide including Dante Rose, Pure State, Day Din, Chrone & Bale, The Head, Clyde Rivers and Lucian among others. In 2021 alone, she collaborated on 12 singles. As a solo artist, she released the singles Let Me In and Fall Into U through UK label frtyfve records under her artist name of Chloe Kay. Both songs were featured on BBC Music Introducing. Chloe recently teamed up with producer/songwriter Mike Schlosser to create the single Fiction as well as her version of the Prince song When Doves Cry for the COVERAMA album. In addition, electronic artist NICOLAAS has remixed her track Beautiful Lie which will be included on The Confidence Emperors compilation album The International Sound System Party, Volume II in 2022.
DOWNLOAD - When Doves Cry Single Art
DOWNLOAD - Chloe Kay Press Photos
DOWNLOAD - Coverama Artwork
About Popguru Sound & Vision:
Founded in 1998 by A&R maverick Graham Stairs, Popguru Sound & Vision is a fully integrated music company that makes a difference. Its core business is artist management, but, as a diversified company, Popguru is involved in music publishing, two record label imprints and providing music for film, television and other media.
Prior to starting his own company, Stairs was a partner in Intrepid management and did A&R for Intrepid Records, Latitude Records and EMI Music Canada. He was involved with such seminal Canadian artists as Martha and the Muffins, the Rheostatics, National Velvet, Chalk Circle, Damhnait Doyle and Sandbox. He was also behind the soundtrack album for the film, Highway 61, and the Bruce Cockburn tribute album that gave the Barenaked Ladies their first national hit with Lovers In A Dangerous Time. To this day, it is still one of the most played songs on Canadian radio. More recently, Stairs did A&R for True North Records where he signed Catherine MacLellan, Hunter Valentine and Australian band, the Audreys.
The strength of any company is its artists and repertoire. Popguru subscribes to the philosophy of building a community and long-term careers for its artists. The company’s mandate is to develop content for the Canadian and international marketplaces. The business model uses diversification as a strategy to create and monetize content for the existing and next generation uses of music. Since reactivating Popguru in 2009, Stairs has signed Martha and the Muffins, Odario, Grand Analog, the Wilderness of Manitoba, John Orpheus, Ghost Caravan, producer/songwriter, Mike Schlosser, and Sam Casey for management. Stairs’ vision of the interdependencies between record labels, music publishers, management companies and licensing agencies is the reason that Popguru organizes all of them within the same company. This is Popguru’s response to the needs of artists today and into the future.
FINAL PREVIEW OF NEW ALBUM INSIDE PROBLEMS
OUT JUNE 3rd
OUTSIDE PROBLEMS TOUR KICKS OFF AT LA’S GREEK THEATRE ON JUNE 15 INCLUDING 25+ SHOWS WITH IRON & WINE, SOLD OUT DATES AT RED ROCKS & PIER 17, PLUS FRENCH ORCHESTRAL PERFORMANCES AND MORE
“Andrew Bird’s ‘Inside Problems’ tackles the demons that even Headspace can’t deter” – Document Journal
TORONTO, ON – May 25, 2022 – Today, with the release of new single and cat-filled music video, Make a Picture, Andrew Bird shares the final preview of his most lush and rousing album yet. Out June 3rd, on Loma Vista Recordings, Inside Problems is a collection of 11 original songs about the complex thoughts, questions and middle-of-the-night obsessions swirling around in each of us. Delivering his signature synthesis of unforgettable melodies, magnetic energy and inventive turns of phrase, Make a Picture extends a lineage of exhilarating hits like Sisyphus, Roma Fade and more, injected with the inner demons and uncanny imagery that uniquely defines the world of Inside Problems. Listen to Make a Picture here and watch the video here.
On Make a Picture, Andrew Bird describes scenes of running through streets like feral cats, defying the impossible and rising above cries of a wounded metropolis and pliable populace, as he refers to himself as an irrepressible optimist working with a fatal flaw. Directed by Matthew Daniel Siskin, the music video manifests the track eccentrically, capturing Bird in the midst of a photoshoot with a pack of felines, in between shifts at a lone hospital desk, where he performs a minor surgery to extract frames of film from beneath his skin.
Andrew Bird says, "Make a Picture is about digesting images from historic events and constituting a narrative for your memory. ‘Tell us what you think you saw. Make a picture.’ We saw a lot of horror and darkness and a lot of inspiring bravery. So, what’s the story we tell after digesting? What’s the synapses’ synopsis?”
Make a Picture is the latest in a recent streak of stirring new singles and striking visuals to emerge from Inside Problems, following album opener, Underlands, the Joan Didion-inspired Atomized, and an enigmatic short film that took viewers deeper into the abstract mindset and curious quandaries behind the album. As Document Journal says, "Inside Problems tackles the demons that even Headspace can’t deter...in its 11 songs, the album explores the inevitable presence of thresholds, whether they emerge in mundane moments, like standing in a doorway, or more substantial ones, like crossing state lines."
Like all of Inside Problems, Make a Picture was produced by Mike Viola and recorded live and straight to tape by Andrew Bird and his four-piece band. With nearly no overdubs, the music "transports listeners to a lush musical world" (NPR Music), and starting on June 15th at Los Angeles' Greek Theatre, Bird will play the songs live on his first tour in nearly three years. Co-headlined with Iron & Wine, the extensive run of Outside Problems shows will stretch from coast to coast, including sold-out stops at Colorado's Red Rocks, NYC's Pier 17 and Chicago's brand new Salt Shed, as well as performances at Nashville's Ryman Auditorium and more, with support from Allison Russell, Meshell Ndegeocello and Neko Case.
Andrew Bird - 2022 Tour Dates
6/15 - Los Angeles, CA - Greek Theatre*
6/17 - Berkeley, CA - Greek Theatre*
6/18 - Portland, OR - Pioneer Courthouse Square*
6/19 - Seattle, WA - Woodland Park Zoo* - SOLD OUT
6/21 - Salt Lake City, UT - Red Butte Garden Amphitheatre* - SOLD OUT
6/22 - Morrison, CO - Red Rocks Amphitheatre^ - SOLD OUT
6/23 - Aspen, CO - Belly Up Aspen
6/24 - Fort Collins, CO - New Belgium Brewery
7/10 - Paris, FR - Days Off Festival w/ L'Orchestre national d'Île-de-France
7/12 - Lyon, FR - Les Nuits de Fourvières Festival w/ L'Orchestre national de Lyon
7/14 - Munich, DE - Neue Theaterfabrik
7/15 - Berlin, DE - Metropol
7/16 - Utrecht, NL - TivoliVredenburg Grote Zaal
7/17 - Köln, DE - Gloria Theater
7/19 - London, UK - O2 Shepherd's Bush Empire
7/22 - Atlanta, GA - Pullman Yards#
7/23 - Asheville, NC - Rabbit Rabbit#
7/24 - Nashville, TN - Ryman Auditorium#
7/25 - Cary, NC - Koka Booth#
7/27 - Charlottesville, VA - Ting Pavilion#
7/28 - Vienna, VA - Wolf Trap#
7/29 - New York, NY - Pier 17# - SOLD OUT
7/30 - New Haven, CT - Westville Bowl#
7/31 - Bethlehem, PA - Steel Stacks#
8/02 - LaFayette, NY - Beak & Skiff#
8/04 - Cincinnati, OH - PNC Pavilion at Riverbend#
8/05 - Grand Rapids, MI - Frederik Meijer Gardens# - SOLD OUT
8/06 - Indianapolis, IN - TCU Amphitheater#
8/08 - Pittsburgh, PA - Stage AE#
8/09 - Columbus, OH - KEMBA Live!#
8/10 - St Louis, MO - Chesterfield Amphitheater#
8/12 - Chicago, IL - Salt Shed# - SOLD OUT
8/13 - Minneapolis, MN - Surly#
9/7-9/10 - Park City, UT - Park City Song Summit
9/22 - El Cajon, CA - The Magnolia!
9/23 - Phoenix, AZ - The Van Buren!
*w/ Iron & Wine and Allison Russell
^w/ Iron & Wine and Neko Case
#w/ Iron & Wine and Meshell Ndegeocello
!w/ Iron & Wine
DOWNLOAD – single artwork | DOWNLOAD – press photo
DOWNLOAD – album artwork
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SONG APPEARS ON DEBUT SELF-TITLED ALBUM
OUT NOW ON VAIN MINA RECORDS
ONTARIO TOUR DATES TO BE ANNOUNCED SOON
TORONTO, ON – May 25, 2022 – What is love? In Avalon Tassonyi’s ballad, What Love Is, they examine just that – the confusing and sometimes painful nature of romance – and with today’s release of the song’s accompanying music video, they put those emotions on beautiful display. Following a clown-painted Tassonyi, the video showcases the joy and sadness that rings through on What Love Is. Watch the heartstring-pulling visual here.
“My brother, Sandy Rossignol, and I shot this video together. He’s a very talented filmmaker based in Victoria, BC, where we filmed,” says Tassonyi. “Before I became a musician, I always dreamed of being a comedian. Clowns used to scare me when I was a kid but now I find them fascinating. Clowning is a very liberating experience… to be a child, to fail, to tap into human experiences without the need to say a word.”
What Love Is appears on Tassonyi’s captivating debut self-titled album – released on March 25th via Vain Mina Records. A collection of songs in adjacent genres, all tethered by Avalon’s charming vocals and lyrical storytelling, the record sees the folk singer, songwriter and multi-instrumentalist re-emerging to share music under their own name for the very first time. Folk stylings of the likes of Nick Drake run clean through the album’s track-list. Other apparent influences include Springsteen’s Nebraska, early Wilco, Lucinda Williams, My Morning Jacket, John Prine and Joni Mitchell. From protest songs, to piano ballads, to alt-country barn burners, Avalon appears poised throughout, playing nearly every instrument on the record and coming off as believable while holding the tune in a wide vocal range.
ABOUT AVALON TASSONYI
Born and raised in Toronto’s west end, Avalon Tassonyi (TAH-show-nee, they/them) grew up tinkering on the family piano, learned to play guitar and soon began writing songs from a young age. At 17, they moved to Montréal to pursue music, playing in a number of bands over the better part of a decade. During this time, they explored different styles from jazz to indie rock to country, ran DIY shows and released music independently at a high volume. Their longstanding former moniker, Inland Island, is most noted for the album Zsa Zsa’s Window Opens Slowly (2016, Egg Paper Factory), which was an exploration of trans femininity, radical softness and Hungarian cultural diaspora.
Avalon has come full circle, now living in Niagara-on-the-Lake on the peach farm where their maternal family has been rooted since immigrating to Canada. With that, they’ve come to embrace the acoustic, folk and country sounds that they grew up on. Avalon Tassonyi’s songs are grounded in lyrical prowess, self-assuredness, an embrace of simplicity, and a love for all human emotion, from its silliest to most sombre elements.
DOWNLOAD – hi-res press photo | DOWNLOAD – album cover artwork
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NEW SINGLE GEMINI TIES OUT TODAY
ROLLING STONE TWITCH PERFORMANCE & INTERVIEW TOMORROW – MAY 25 @ 5:00 P.M. ET – TUNE IN HERE
UPCOMING TOUR DATES WITH MEN I TRUST & SUNFLOWER BEAN
INCLUDING TORONTO STOP THIS THURSDAY AT LEE’S PALACE
TORONTO, ON – May 24, 2022 – Today, Nova Scotia-born, and Toronto-based artist, Rachel Bobbitt, announces The Ceiling Could Collapse, her brand new six-track EP and debut for Fantasy Records. The EP, which Bobbitt co-produced with Justice Der and was mixed by GRAMMY-nominee, Jorge Elbrecht, will be released on July 15, 2022. To mark the occasion, she has also released a new single.
Following the previously released opening, More, which NPR Music’s Bob Boilen called "striking" and "poignant,” is the exquisite Gemini Ties, a vivid, inquisitive look at the deep experiences Bobbitt shares with her twin brother. “My brother and I have that inseparable connection, and it manifests in me wanting to shelter him from every bad thing, even though he’s more than capable of doing that himself,” she says. Listen to Gemini Ties here and pre-order The Ceiling Could Collapse here.
The Ceiling Could Collapse, was a long time coming. Bobbitt made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired. “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” She soon found herself at a jazz program, before leaving it during the pandemic to focus on her own music, which is when The Ceiling Could Collapse began to take form.
Tomorrow (Wednesday, May 25), Bobbitt will perform a stripped-down set on Rolling Stone’s Twitch channel. Tune in at 5:00 p.m. ET here. See below to find upcoming shows supporting Men I Trust and Sunflower Bean, including a Toronto stop this Thursday (May 26) at Lee’s Palace.
TRACK LIST:
1. More
2. Watch and See
3. Gemini Ties
4. Bandages
5. What About The Kids
6. For Keeps
TOUR DATES:
May 26 - Toronto, ON @ Lee’s Palace - with Sunflower Bean
August 4 - Woodstock, NY @ Colony - with Men I Trust
August 7 - S. Burlington, VT @ Higher Ground Ballroom - with
Men I Trust
ABOUT RACHEL BOBBIT AND THE CEILING COULD COLLAPSE:
Life runs in rhythmic loops, from the endless rotations of the earth to the running of tides and yearly rebirth of spring. Rachel Bobbitt knows that the bottom of those cycles can feel pretty chaotic. “Every woman I’ve ever talked to is in some amount of pain almost all the time,” the emerging singer-songwriter says. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.” On her penetrating and profound new EP, The Ceiling Could Collapse, Bobbitt picks through the dizzying rubble of folk and indie rock for moments of resonant emotion and frames them in heartbreaking lyrics and openhearted expanses.
After refining the six songs of The Ceiling Could Collapse on her own, Bobbitt brought together collaborator and co-producer, Justice Der, and drummer, Stephen Bennett, to record the EP at Bennett’s studio in Brampton, ON. The trio spent ten days cracking open Bobbitt’s compositions, leaving space to experiment on different vocal takes and sonic palettes. Throughout the EP, Bobbitt and Der’s arrangements strike into the deep waters of Phoebe Bridgers, Bon Iver, and Big Thief, and Grammy-nominated mixer, Jorge Elbrecht, rounds everything to a glacial shine.
The Ceiling Could Collapse centres on the cycles of life and how we find meaning in extremes: pain, joy, wonder, love. In addition to music, Bobbitt draws those same feelings from horror films—and pulled the title to this EP while reading the script to 2018’s Hereditary. A horror fan as inspired by the genre’s cavernous emotions as its artful mechanisms, Bobbitt was so enamored by Ari Aster’s film that she needed to dig into its architecture. She focused on a deleted scene, in which one-character attempts to comfort another in a time of trauma by reminding them that the world is chaotic, that questioning why bad things happen is pointless in a world where the roof could just fall on you at any moment. “We need to accept that we can’t have our minds fixated on all these things that could happen, and we need to move on—but also the ceiling could just collapse,” she laughs. More than unpredictability, it’s the endless repetition of life that suggests both things are true, that there’s no reason to worry and something terrible is about to happen. The ceiling collapse may be inescapable, but once it’s gone, there’s just more room for the sunrise to peek through.
DOWNLOAD – press photo | DOWNLOAD – album cover artwork
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8 UK Top 10 Singles
7 global Platinum Singles
9 global Gold Singles
7 Million UK sales
10 Million worldwide sales
3.5 Billion audio streams
Over 1 Billion video views
TORONTO, ON – May 20, 2022 – British DJ, producer and artist, Sigala, returns with all-new banger, Stay The Night, released globally via Ministry Of Sound.
Stay The Night is the embodiment of summer, featuring breezy, infectious beats, stunning vocals, and a ferocious energy. It’s pure pop-perfection, something Sigala masters effortlessly with each and every release.
Sigala is king of providing us with our buoyant blue-skied summer soundtracks, and Stay The Night remains true to form. Packed with high-octane energy, Talia Mar’s vocals are perfectly paired to create a real standout pop moment that is set to soundtrack sunsets and sunrises, festivals, house parties and dancefloors across the globe.
“I’ve loved working with Sigala on this song, we had so much fun in the studio together and I’m so excited to hear what people think!” Talia adds.
Having attended the prestigious BRIT School, an institution long associated with producing generational cultural talent, Talia Mar is a multi-disciplined artist, creator, and performer. With an impressive array of talents seemingly spanning the entire creative spectrum, it’s no surprise that she has amassed an audience of 3.6 million loyal followers - better known as the ‘Martians’ - across the social media landscape. With a clear talent for performance, it wasn’t long before she signed her first record deal with Sony’s RCA in the summer of 2021. Powerful pop releases such as Good on You, Better, Diamonds, and Jack have seen her grow her Spotify audience significantly, with 150K monthly listeners streaming her music. Alongside her musical talents, Talia is an avid gamer and streamer. As well as a dedicated YouTube channel for her gaming, she regularly hosts watching parties to her Twitch account. Whether playing games such as Valorant, chatting with the Martians, or hosting the Amazon Music Pop Culture show, Talia has firmly established her reputation on the platform.
Stay The Night comes as Sigala’s second release of the year, steadily following on from the successful release of all-star tune, Melody. This continues on from a busy 2021, which saw his triumphant return to the live scene. After a summer of festival sets, which included headlining the dance stage at Boardmasters, Sigala went on to play to thousands of fans across his sold-out North American tour, stopping off for shows at New York’s Marquee and completing a residency at Elia Beach Club in Las Vegas. He returned to continue his ever-popular UK tour of “Sigalaland” shows, which culminated in a Christmas special at Ministry of Sound.
Stay The Night leaves us on the brink of Sigala’s banger-filled, highly anticipated sophomore album, which is set to be the soundtrack of the summer. His debut album, Brighter Days, was the highest charting dance debut album of 2018, making it a BRIT certified breakthrough record with 140k+ sales in the UK alone.
2022 is set to be another standout year for Sigala, who is looking forward to reengaging with his global fans and bringing the Sigala experience to more live electrifying shows for what is set to be an unforgettable summer. He is set to perform at Capital’s Summertime Ball on June 12 alongside Harry Styles, Aitch, Ed Sheeran + others.
Sigala on TikTok: @sigalamusic
DOWNLOAD - Single Art
LISTEN & WATCH THE VIDEO HERE
Toronto, ON – May 20, 2022 –Today, genre-bending singer/songwriter and multi-instrumentalist, Fousheé, releases her new track and music video for i’m fine via Trackmasters Entertainment/RCA Records (listen/watch here). The track is written by Fousheé and produced by BNYX. The music video sees Fousheé behind the lens once again as director and showcases the emotion and feelings behind the meaning of the song.
“i’m fine was the first song I wrote for this new project,” says Fousheé. “During the span of time between the last project to when i’m fine was written there was a lot being suppressed. It’s highlighting the contrast of a pretty exterior with a chaotic interior. This contrast ultimately inspired the entire project.”
She just released her track, double standard, which addresses outdated gender roles that she has experienced in past relationships and rebelling against them.
About Fousheé
Born and raised in New Jersey, Fousheé grew up with music in the forefront her entire life. Writing her first song at age six and performing with different girl groups created with childhood friends throughout her formative years, Fousheé always knew that she wanted to pursue a career in music seriously. After living in NYC and experiencing the music scene there, she set her sights on LA where she was embraced by the music community of creators and began to pursue her dream, honing her craft and learning to play the guitar most recently.
Last year, Foushee released her debut project time machine which spawned the hit single, deep end, which has over 350 million streams worldwide and landed in the Top 10 at Alternative Radio. This feat marked Fousheé as the first black female artist to hit the top 10 in 32 years. The last artist to achieve this status was Tracey Chapman in 1989 with Crossroads. She was Apple’s Up Next Artist in July 2021, performed on Jimmy Kimmel Live!, Billboard’s R&B/Hip-Hop Rookie of The Month, and has worked with artists including Lil Wayne, Vince Staples, Lil Yatchy, James Blake, King Princess and more.
SPECIAL LIVESTREAMED PERFORMANCES OF THE POWER OF THE HEART TO TAKE PLACE ON SUNDAY, MAY 22
TUNE IN HERE
LISTEN TO THE POWER OF THE HEART HERE
TORONTO, ON – May 20, 2022 - Today, Montreal alternative, independent DIY artist, Alex Henry Foster, shares the conceptual music video for his cover of Lou Reed's The Power of The Heart. Released on May 6 via Hopeful Tragedy Records, the single has already amassed over 20K streams and was hailed as a "dreamlike and intense cover" by Rolling Stone, while Louder/Prog Magazine called the cover "essential listening" and praised Foster for his "ambition to breathe new life into Lou's work." Watch The Power of The Heart video here.
To celebrate the release, Foster - along with his band, The Long Shadows - will be giving two special livestreamed performances of The Power of The Heart on Sunday, May 22. Audiences will get to hear the song in a slightly reimagined style, as Foster also shares some of his other music, including some potentially unreleased new material. Tune in here at 2:00pm ET and 8:00pm ET on Sunday.
The track can be heard at all digital and streaming platforms, in both a four-minute radio-ready mix and an eight-and-a-half minute version. Foster is also offering the song on limited-edition lathe-cut vinyl, individually printed and silkscreen-printed one-by-one, signed and numbered. Pre-orders for the vinyl are available here as of today.
Perhaps Reed’s most underrated song, The Power of the Heart was also a favourite of creative pioneer, Laurie Anderson, who was Reed's longtime partner and wife until his death in 2013. Foster, who brings his own signature, dense sonic texture to the song, recorded The Power of the Heart in part at his Virginia studio, where he currently resides, along with a grandiose orchestration captured live in his Quebec-based, The Upper Room Studio.
“I’ve been a fan of Lou Reed’s music ever since I found that strange-sounding LP titled Transformer in the prime section of my father’s vinyl collection when I was a kid,” shares Foster. “It took me years, streaming into the bleakest turbulences of my own inner voyage, to envision the prospect of making a monument of sincerity such as The Power of the Heart’mine.”
Read more about Foster's connection to Lou Reed and The Power of the Heart here.
U.S. TOUR BEGINS MAY 21st AT NASHVILLE’S 3rd & LINDSLEY
DATES INCLUDE NEW YORK’S LPR AND L.A. TROUBADOUR
ADDITIONAL TOUR DATES ANNOUNCED THROUGH SEPTEMBER, NOVEMBER AND DECEMBER WITH STOPS IN TORONTO AND MONTREAL
TORONTO, ON – May 20, 2022 – Rising singer-songwriter, Avi Kaplan, today released his highly anticipated debut solo album, Floating On A Dream, via Fantasy Records. Listen and purchase here.
Produced by GRAMMY Award-winner Shooter Jennings, (Brandi Carlile, Tanya Tucker, American Aquarium), and mixed by Trina Shoemaker, (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow), Floating On A Dream is beautifully rendered in long shadows and moody high relief reflecting Kaplan’s Californian roots and fascination with the American West.
The album has already received an abundance of early buzz, among them No Depression: “a successful debut LP that establishes him as a burgeoning country talent,” FLOOD: “Sounds trailblazed by artists like Lee Hazlewood, Ray LaMontagne, and Shooter Jennings,” PopMatters: “They choose to see the heavens and sonically take us with them,” the Tennessean: “a powerful confession driven by his warm, deep-voiced delivery,” American Songwriter: “makes you remember you have a heart, literally and metaphorically,” and country tastemaker Holler: who gave the album an 8.5/10 album review stating, “As its name and imploring title track implies, there truly is a sense of ‘Floating on a Dream’ throughout this unforgettable introduction to an artist whose initial offering will be tough to better.” Additionally, NPR’s Weekend Edition is set to profile Kaplan tomorrow, Saturday, May 21.
Kaplan explores matters of the heart, truth, morality, and the search for relevance across the album’s 11 original tracks. There’s country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock but at the core there is that voice. From a haunting falsetto to its deepest bass tones, Kaplan’s instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplan’s departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.
This week, Under The Radar was the latest to premiere a track, the revealing “When I’m A Fool,” listen here. Of the track, Kaplan stated, “The production and instrumentation of “When I’m A Fool" was greatly inspired by one of my favorite bands in the world, Tinariwen. The electric guitar and tribal drums are an homage to the unbelievable sound they’ve created. When I’m A Fool is about admitting when you’re wrong. It sheds light on the idea that when you’re in the heat of the moment, you don’t always say or do the things that are truly in your heart. Sometimes the fire inside of you can burn the ones that you love but owning up to it and learning from that mistake can soothe the wound that it created.”
Deepening a musical evolution that began with 2020’s, I'll Get By EP and carried through last year’s single, Song for the Thankful, Floating On A Dream explores Kaplan’s wide sonic palette and rootsy influences and broadens his artistry into thrilling new territory. Throughout the LP’s soaring choruses and deep valley passages, Shooter Jennings’ steadfast musical foundation helps keep Kaplan’s amazing voice, which has drawn comparisons from classic country crooner Lee Hazelwood to folk legend Richie Havens, firmly in place.
Watch All Is Well video feat. Joy Williams here. Kaplan also announced a headline tour across the U.S. Find the full routing below.
TOUR DATES:
May 21 - Nashville, TN - 3rd & Lindsley
May 23 - Washington, DC - The Miracle Theatre
May 24 - Philadelphia, PA - World Café Live
May 25 - New York, NY - LPR
May 27 - Cleveland, OH - Beachland Ballroom
May 28 - St. Louis, MO - Delmar Hall
May 29 - Minneapolis, MN - The Cedar Cultural Center
June 1 - Chicago, IL - Lincoln Hall
June 2 - Kansas City, MO - Knuckleheads
June 4 - Ft. Collins, CO - Aggie Theatre
June 6 - Denver, CO - Bluebird Theater
June 8 - Phoenix, AZ - Crescent Ballroom
June 9 - West Hollywood, CA - Troubadour
September 9 - Pittsburgh, PA - Thunderbird Music Hall & Cafe
September 10 - Ferndale, MI - Magic Bag
September 12 - Toronto, ON - The Velvet Underground
September 13 - Montreal, QC - Petit Campus
September 14 - Cambridge, MA - The Sinclair
September 16 - Charlottesville, VA - The Southern Cafe & Music Hall
September 17 - Raleigh, NC - Lincoln Theatre
September 18 - Charlotte, NC - Visulite Theatre
September 20 - Atlanta, GA - Terminal West
September 22 - Houston, TX - The Heights Theater
September 23 - Dallas, TX - The Kessler Theater
September 24 - Austin, TX - The 04 Center
November 29 - Ventura, CA - Ventura Music Hall
November 30 - Berkeley, CA - Cornerstone Berkeley
December 2 - Portland, OR - Revolution Hall
December 3 - Seattle, WA - The Crocodile
December 5 - Salt Lake City, UT - The Commonwealth Room
December 6 - Boulder, CO - Fox Theatre
December 8 - Omaha, NE - Slow Down
December 9 - Des Moines, IA - Wooly's
December 10 - Indianapolis, IN - Hi-Fi
December 11 - Louisville, KY - Headliners Music Hall
Avi Kaplan – vocals, guitar
Aubrey Richmond – violin
Chris Masterson – guitars
Daniel Ellsworth – piano, organ, synthesizer
Jamie Douglass – drums, percussion
John Schreffler, Jr. – pedal steel
Joy Williams – vocals on All Is Well
Kaleb Jones – guitar
Smith Curry – pedal steel
Ted Russell Kamp – bass
DOWNLOAD - hi res album art | DOWNLOAD - press photo
Avi Kaplan on TikTok
LISTEN HERE
THREE STRAIGHT SHOWS AT HISTORIC DURHAM ATHLETIC PARK BEGIN TONIGHT FEATURING GUS DAPPERTON, VAGABON, YO LA TENGO, INDIGO DE SOUZA, LITTLE BROTHER & MR TWIN SISTER, PLUS AFTERPARTIES, PSYCHIC HOTLINE POPUPS & MORE THROUGHOUT THE CITY
CURRENT TOUR INCLUDES APPEARANCES AT NEWPORT FOLK FESTIVAL, WILCO'S SOLID SOUND, ELECTRIC FOREST, LIFE IS BEAUTIFUL AND 30+ AMPHITHEATER DATES WITH ODESZA
CANADIAN TOUR DATES INCLUDE STOPS IN TORONTO, MONTREAL, AND VANCOUVER
TORONTO, ON – May 18, 2022 – Today, Sylvan Esso surprise fans with Sunburn: a concise, cathartic pop song that captures the moment when delight bleeds into discomfort. Written on a warm January evening in Los Angeles earlier this year, the three-minute single is the band’s first new music since the release of their GRAMMY-nominated Free Love LP in 2020, marking both an aftermath and a new beginning for Amelia Meath and Nick Sanborn. Listen to Sunburn, out now via Loma Vista Recordings, and watch the visual here.
The chorus of Sunburn came to Amelia Meath as she sat on the front porch of a house in LA, with the smoggy cityscape sprawled out ahead. Banging with a blistering beat and vivid descriptions of sensory overload, Sunburn is not, however, tied to any specific time or place, but the sting that comes from too much of a good thing. As Meath and Nick Sanborn explain:
Sunburn is:
eating candy til you’re sick
riding your bike too fast down a hill
when you're five years old and don't want to get out of the water, and by the end you're shivering and all your fingers are pruney and your lips are turned purple
an undertow that sneaks up unsuspectingly
the painful pulsing pink of swollen eyelids leftover after a day lying in the sun
plunging forward without time for second-guessing
produced by Sylvan Esso
for you
Sylvan Esso recorded Sunburn at both their Betty’s studio in Chapel Hill, NC, and Dahlia Ave in Los Angeles, CA. Last week, the band performed it for the very first time during their debut taping of Austin City Limits, and beginning tonight, they will bring it to three headlining, career-spanning sets at the Historic Durham Athletic Park. From May 19-21, the largely sold-out series of baseball stadium shows are Meath and Sanborn’s biggest hometown performances to date, featuring support from Gus Dapperton & Vagabon on May 19, Yo La Tengo & Indigo De Souza on May 20, plus Little Brother & Mr Twin Sister on May 21. Find the final few tickets, as well as information on multiple afterparties, pop-up shops, late-night DJ sets and more at sylvanesso.com/ballpark.
Between earning a GRAMMY nomination and presenting at the awards, performing on Jimmy Kimmel Live!, making their daytime TV debut on Ellen, and announcing dozens of more tour dates, festival slots and 30+ amphitheater shows with ODESZA (including Canadian stops in Toronto, Montreal and Vancouver), Sylvan Esso’s 2022 is a whirlwind that’s still just getting started. See below for the full list of upcoming dates, now on sale here.
Sylvan Esso 2022 Tour Dates
5/19 - Durham, NC - Durham Athletic Park +
5/20 - Durham, NC - Durham Athletic Park # SOLD OUT
5/21 - Durham, NC - Durham Athletic Park @ SOLD OUT
5/23 - Richmond, VA - The National!
5/24 - Ithaca, NY - Beak and Skiff Apple Orchard%
5/26 - Portland, ME - Thompson's Point%
5/27-29 - North Adams, MA - Solid Sound Festival
6/23-26 - Rothbury, MI - Electric Forest Festival
7/24 - Newport, RI - Newport Folk Festival
7/29 - Seattle, WA - Climate Pledge Arena* SOLD OUT
7/30 - Seattle, WA - Climate Pledge Arena* SOLD OUT
7/31 - Seattle, WA - Climate Pledge Arena* SOLD OUT
8/17 - Phoenix, AZ - Ak-Chin Pavilion*
8/19 - Austin, TX - Germania Insurance Amphitheater* SOLD OUT
8/20 - Dallas, TX - Dos Equis Pavilion* SOLD OUT
8/21 - Dallas, TX - Dos Equis Pavilion*
8/23 - Atlanta, GA - Lakewood Amphitheater*
8/25 - Columbia, MD - Merriweather Post Pavilion*
8/26 - New York, NY - Forest Hills Stadium* SOLD OUT
8/27 - New York, NY - Forest Hills Stadium*
8/30 - Philadelphia, PA - TD Pavilion at the Mann*
9/1 - Toronto, ON - Budweiser Stage*
9/2 - Montreal, QC - Parc Jean-Drapeau*
9/3 - Gilford, NH - Bank of New Hampshire Pavilion*
9/4 - Boston, MA - Xfinity Center*
9/7 - Cincinnati, OH - The ICON Festival Stage at Smale Park*
9/8 - Detroit, MI - Pine Knob Music Theatre*
9/9 - Chicago, IL - Huntington Bank Pavilion* SOLD OUT
9/10 - Chicago, IL - Huntington Bank Pavilion*
9/14 - St. Louis, MO - Hollywood Casino Amphitheatre*
9/16 - Denver, CO - Fiddler’s Green Amphitheatre* SOLD OUT
9/17 - Denver, CO - Fiddler’s Green Amphitheatre*
9/18 - Las Vegas, NV - Life is Beautiful Festival
9/20 - Salt Lake City, UT - USANA Amphitheatre*
9/22 - Ridgefield, WA - RV Inn Style Resorts Amphitheater*
9/23 - Vancouver, BC - PNE Amp* SOLD OUT
9/24 - Vancouver, BC - PNE Amp*
9/26 - Bend, OR - Hayden Homes Amphitheater*
9/27 - Boise, ID - Fort Idaho Center Amphitheater*
9/29 - Sacramento, CA - Heart Health Park*
9/30 - San Francisco, CA - Shoreline Amphitheatre*
10/1 - San Francisco, CA - Shoreline Amphitheatre* SOLD OUT
^w/ Palehound
! w/ Benét
% w/ Samia
+ w/ Gus Dapperton and Vagabon
# w/ Yo La Tengo and Indigo De Souza
@ w/ Little Brother and Mr. Twin Sister
*w/ ODESZA
DOWNLOAD – press photo | DOWNLOAD – single artwork
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Facebook
YouTube
WATCH NEW VISUALIZER FOR ALBUM STANDOUT, MY HEART
WATCH ONE MORE DAY IN LOVE
PERFORMING AT CLOUD 9 MUSIC FESTIVAL IN SEPTEMBER
“For Flostate, as long as time is on their side, they figured they can't lose. For listeners growing restless for more tunes, patience will soon be rewarded.” – CBC Music
"..entwining captivating soundscapes with spell-binding vocal lines... the airy guitar lines and decisive percussion build a contrasting sonic support that ebbs and flows like a midnight dance between two free-spirited souls." – This Song Is Sick
"Flõstate create a mesmerizing downtempo number with Home Ground. Beginning with gentle chimes and warm piano tones, the song seduces from the get-go, as Florence's sultry and sinuous vocals enter into the mix alongside mellow beats." – Pop Matters
"Creating music building out from intimate jam sessions, Flõstate create songs which “happen in the moments that we’re not looking." - Live In Limbo
Toronto, ON – May 19, 2022 – Canadian fantasy R&B duo, Flõstate, release their debut full-length album, Moments Of Feeling, today via Lekker Collective. Moments Of Feeling is inspired by connecting with others, connection to self, romance, surrealism and etherealism, being in a flow state, as a muse spirit while navigating life experiences. Blending chill, washed-out, electronic, R&B, dream pop, psychedelic pop with meaningful lyrics, the collaborative album uses themes of escapism to in fact, return to our natural state as humans in the universe, taking you through a dream before returning to reality. Listen to Moments Of Feeling here.
"Moments of Feeling aims to capture the depth of our internal world as it’s influenced by the external world we each navigate. Each song embodies it’s own world of emotion, a snapshot of a feeling we try to hold onto, grasping at its depth, only to feel it fade away into memory. The album is a reflection; inner thoughts from a non-egoistic state. The musicality and production of the album breathes a deep sense of aliveness," says group members, Avery Florence and MKSTN. "This album is an exploration of our emotional worlds. Through the lyrics and sound, our music evokes our internal world to the external, the only way to connect deeply with ourselves & those around us."
To celebrate the album release today, Flõstate share a beautiful new visualizer for standout track, My Heart. The textures, images and emotions of the song are mirrored in the visualizer; evoking the song's essence of contrast within soft and gentle between hard and raw.
This fall, the group will perform at Cloud 9 Music Festival in Rideau Lakes, Ontario. Their set is on September 10. Cloud 9 is hosted by No.9 Gardens, Canada’s First Cultural Center for Sustainability and Reconciliation, and celebrates art, food, music, and community with a dedication to a sustainable future. More tickets and info can be found here.
Last month, the group released One More Day In Love, a synth-heavy, fluid and nostalgic piece centred on gaining clarity in solitude. Listen to the song and watch the beautiful visualizer here.
On the inspiration for the track, Flostate adds: “Alone, with only your memories and regrets, vivid in the night. It can be painful when we finally gain clarity on something from within our memory. It lies plainly in front of us, what it could have meant for our present if we had known. It’s so visceral, it opens a door flooding in with fantasies; regrets that paralyze you, eyes wide open in the dark.”
For more on Flostate, see the full tracklist, connect with them online at the links below.
Moments Of Feeling - Tracklisting
1.Moments
2.Time
3.One More Day In Love
4.Home Ground Interlude
5.Home Ground
6.Dream Dance
7.My Heart
8.So It Goes (Bonus Track)
DOWNLOAD – Hi Res Press Photos
DOWNLOAD – Hi Res Album Artwork
ANNOUNCES MASSIVE NORTH AMERICAN TOUR
WITH STOP IN VANCOUVER ON DECEMBER 7
NEW ALBUM SOMETIMES, FOREVER
PRODUCED BY DANIEL LOPATIN (ONEOHTRIX POINT NEVER) OUT JUNE 24
"Soccer Mommy, continues to stretch beyond the sparse indie-rock of her early songs" - The New York Times
"Allison’s ear for vocal and guitar tones remains impeccable...Allison is thriving, equipped with the tools to make a record as bombastic as the ones that first fueled her nostalgic ’90s alt rock dreams." - Pitchfork (Best New Track)
"’Shotgun’ [features] steadfast synths, airtight guitar, and a robust thwunk of a bassline. The mix sounds cleaner and more assertive…a very promising start to Soccer Mommy’s next era, one that we’ll keep on loop for a while." - Rolling Stone (Song You Need To Know)
"Soccer Mommy recaptures some of the bleary grace of certain mid-’90s alt-rock-radio outliers, and “Shotgun” has a head-nod beat that gives me flashbacks to Folk Implosion’s “Natural One”... ...there’s some dizzy romanticism in the way the song explodes, again and again. " - Stereogum (#1 Best Song of the Week)
"sharp indie rock" - Vulture
TORONTO, ON – May 18, 2022 – Next month, Soccer Mommy will release her new full-length album, Sometimes, Forever, produced by Daniel Lopatin of Oneohtrix Point Never, and today she shares another single off of the forthcoming record. Following lead single, Shotgun, and the spellbinding Unholy Affliction, is the heart-bursting album opener, Bones. Listen here.
Originally written for a rom com, Bones is a track that Sophie Allison loved so much she decided not to submit it to the film and keep it for this album instead, and it’s clear why. Bones is quintessential Soccer Mommy, featuring sparkling production that highlights the strength of the band as they tear through a dynamic breakdown that nods to the 90s.
“Bones is a song about struggling with the parts of yourself that you don’t like in a relationship,” Allison explains. “It’s about wanting to become better for someone and feeling like you’re standing in your own way.”
Alongside the single is a new music video from director, Alex Ross Perry (Her Smell, Golden Exits), who also directed a Soccer Mommy video for color theory album highlight, yellow is the color of her eyes. Listen to Bones and watch the new video here.
Soccer Mommy also announces a massive North American tour in support of Sometimes, Forever, including a stop in Vancouver later this year. Presale for the tour, which is aptly titled, Touring, Forever, starts Thursday, May 19 at 10:00 a.m. local, with general on-sale starting Friday, May 20 at 10:00 a.m. local. Sign up for the code now on soccermommyband.com. A portion of proceeds from pre-sale tickets sold via the band website will be donated to Planned Parenthood. See below to find a show near you, and, for a taste of what to expect on the road, watch the band’s performance on The Tonight Show Starring Jimmy Fallon from last month here.
Sometimes, Forever is Sophie Allison’s boldest and most aesthetically adventurous work yet, and cements her status as one of the most gifted songwriters making rock music right now. It sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever. The album is available to pre-order here.
Soccer Mommy released the critically-acclaimed, GRAMMY-nominated sophomore album, color theory, in 2020. Following the release of the album, Allison earned mass acclaim, with performances opening for Bernie Sanders, numerous headline dates sold out months in advance, festival slots at the likes of Glastonbury, and her late-night debut on Jimmy Kimmel Live!. The album made its AAA Top 20 debut after release, was #1 NACC Top 200 for four weeks running, and debuted on the following Billboard charts: #1 Top New Artist Albums, #1 Alternative New Artist Albums, #4 Current Alternative Albums, #4 LP Vinyl Albums, #6 Current Rock Albums, #16Top Current Albums and in the Billboard Top 200.
UPCOMING TOUR DATES:
6/10/22 - New York, NY @ Bowery Ballroom
6/12/22 - New York, NY @ Governors Ball Festival
6/24/22 - Margate, UK @ Leisure Festival
6/27/22 - Bristol, UK @ Canons Marsh Amphitheater %
6/28/22 - Dublin, Ireland @ Trinity College *
6/30/22 - Vilanova i la Geltru, Spain @ Vida Festival
8/12/22 - Seattle, WA @ Day In Day Out Festival
8/31/22 - Nottingham, UK @ Rescue Rooms
9/01/22 - Brighton, UK @ Chalk
9/01/22-9/04/22 - Salisbury, UK @ End of the Road Festival
9/03/22 - Bristol, UK @ Trinity
9/05/22 - Köln, DE @ Bumann & Sohn
9/06/22 - Hamburg, DE @ Molotow
9/08/22 - Stockholm, SE @ Slaktkyrkan
9/09/22 - Oslo, NO @ John Dee
9/10/22 - Copenhagen, DK @ Loppen
9/12/22 - Berlin, DE @ Frannz Club
9/13/22 - Bremen, DE @ Lagerhaus
9/15/22 - Amsterdam, NL @ Bitterzoet
9/16/22 - Nijmegen, NL @ Merleyn
9/17/22 - Brussels, BE - Rotonde @ Botanique
9/18/22 - Paris, FR @ Petit Bain
9/20/22 - Manchester, UK @ O2 Ritz
9/21/22 - Cardiff, UK @ Tramshed
9/22/22 - London, UK @ O2 Forum
9/23/22 - Birmingham, UK @ The Castle & Falcon
9/24/22 - Glasgow, UK @ Queen Margaret Union
10/28/22 - Indianapolis, IN @ Hi-Fi Annex &
10/29/22 - Madison, WI @ Majestic Theatre &
10/30/22 - Minneapolis, MN @ First Avenue &
11/01/22 - Chicago, IL @ Metro &
11/04/22 - Buffalo, NY @ Town Ballroom &
11/05/22 - North Adams, MA @ Mass MOCA &
11/06/22 - Boston, MA @ House of Blues &
11/11/22 - Philadelphia, PA @ Franklin Music Hall ^
11/12/22 - Washington, DC @ 9:30 Club ^
11/14/22 - Saxapahaw, NC @ Haw River Ballroom ^
11/16/22 - Charlotte, NC @ Neighborhood Theatre ^
11/17/22 - Atlanta, GA @ Masquerade Heaven Stage ^
11/18/22 - Birmingham, AL @ Saturn ^
11/19/22 - Nashville, TN @ Brooklyn Bowl ^
11/30/22 - St. Louis, MO @ Pageant #
12/02/22 - Ft. Collins, CO @ Washington's #
12/03/22 - Denver, CO @ Ogden Theatre #\
12/04/22 - Salt Lake City, UT @ The Depot #
12/07/22 - Vancouver, BC @ Commodore #
12/08/22 - Portland, OR @ Crystal Ballroom #
12/10/22 - Oakland, CA @ Fox Theater #
12/11/22 - Santa Ana, CA @ The Observatory #
12/13/22 - Los Angeles, CA @ The Wiltern #
12/14/22 - Phoenix, AZ @ The Van Buren #
12/16/22 - Austin, TX @ Emo's East #
12/17/22 - Dallas, TX @ House of Blues #
% with The War On Drugs
* with Haim
& with support from Lightning Bug
^ with support from Helena Deland
# with support from TOPS
DOWNLOAD – press photo | DOWNLOAD – album artwork
DOWNLOAD – tour poster
BELOVED DUO’S FIRST NEW ALBUM IN SIX YEARS
WATCH THE VIDEO FOR FIRST SINGLE DARLIN’
ON TOUR THIS SUMMER WITH VANCOUVER STOP ON JUNE 18
TORONTO, ON – May 18, 2022 – Ahead of the release of Zooey Deschanel (She) & M. Ward (Him)’s Melt Away: A Tribute to Brian Wilson, via Fantasy Records on July 22, the duo has premiered a charming rendition of Darlin’, the hit single from The Beach Boys’ 1967 album, Wild Honey. Listen to Darlin’ here and watch the video here. Pre-order Melt Away: A Tribute To Brian Wilson here.
She & Him’s seventh studio album is a loving, LP-length tribute to one of the greatest living American songwriters and singers – Brian Wilson. Melt Away: A Tribute to Brian Wilson finds Zooey Deschanel and M. Ward diving deep into the legendary artist’s extensive songbook, offering fascinating and delectable new spins on time-honoured classics and overlooked gems alike. These 14 covers are infused with the familiar magic that She & Him fans know and love, opening a new window into Wilson’s iconic catalog. Wilson even features on Do It Again with Zooey and M. Ward for the album. The band has enjoyed a friendship, and mutual appreciation, with Wilson over the years and She & Him was previously a guest vocalist on his 2015 album, No Pier Pressure.
“In the spring of 2020, we started a list of our favourite Brian songs — a very long list,” the duo explains. “We chose songs without any regard to their chart performance. The obscure ones hit us just as hard as the more popular songs — and all are ripe for re-imagining, re-interpreting, and re-inventing. Brian writes songs of beauty and loneliness and vulnerability better than anyone — and by sequencing them next to popular songs of confidence and love and fun, it creates a more complete picture of life on earth.”
Brian Wilson comments on Melt Away, “Zooey and Matt did such mind-blowing versions of our songs. The harmonies are beautiful and right on. I love this record!”
The album’s first single, Darlin’, comes replete with a QVC-inspired video directed by Lara Jean Gallagher. A perfect intro to the album, the Darlin’ clip finds the pair trading lead vocals while doing their best to sell nail polish to the masses.
Melt Away is Deschanel and Ward’s follow-up to 2016’s holiday album, Christmas Party, and it marks their second record of non-holiday covers since 2014’s Classics, which topped Billboard’s U.S. Folk Albums chart on release. It’s the latest display of remarkable talent from She & Him, who have wowed listeners for over 15 years with their gorgeous and warm indie-pop.
As Deschanel has maintained a successful acting career and Ward continued his own singular solo career as a producer and singer-songwriter, the duo continues to sound like the perfect match in the studio—with Zooey’s dramatic vocals excellently pairing with Matt’s textured, tuneful arrangements and production.
The band is on tour this year across North America, including a stop at the Vogue Theatre in Vancouver on June 18. Tickets for the tour are available at sheandhim.com.
TRACK LIST:
1. Darlin’
2. Wouldn’t It Be Nice
3. Til I Die
4. Deirdre
5. Melt Away
6. Good To My Baby
7. Don’t Talk (Put Your Head On My Shoulder)
8. Don’t Worry Baby
9. This Whole World
10. Kiss Me, Baby
11. Do It Again ft. Brian Wilson
12. Heads You Win, Tails I Lose
13. Please Let Me Wonder
14. Meant For You
TOUR DATES:
6/13 Denver, CO @ Paramount Theatre
6/14 Salt Lake City, UT @ Red Butte Garden Amphitheatre
6/16 Forest Grove, OR @ Grand Lodge Hotel and Property
6/17 Woodinville, WA @ Chateau Ste. Michelle Winery
6/18 Vancouver, BC @ Vogue Theatre
6/20 Jacksonville, OR @ Britt Festival Pavilion
6/22 Paso Robles, CA @ Vina Robles Amphitheatre
6/23 Saratoga, CA @ The Mountain Winery
6/24 San Diego, CA @ Humphrey’s
6/25 Los Angeles, CA @ The Ford
9/9 Vienna, VA @ Wolf Trap
9/16 Grand Rapids, MI @ Frederik Meijer Gardens
DOWNLOAD – album cover artwork | DOWNLOAD – press photo
Keep up with She & Him:
Web/ Instagram/ YouTube/ Twitter/ Facebook
TORONTO'S MIXTO FESTIVAL TRAVELS ACROSS COMMUNITIES WITH EXPANSIVE LINEUP OF MUSIC FROM JULY 7 TO 10
INTERNATIONAL PERFORMANCES BY XENIA FRANCA (BRAZIL), GHETTO KUMBE (COLOMBIA), BOMBINO (NIGER),
CEU (BRAZIL), FRANCISCO, EL HOMBRE (BRAZIL), UPROOT ANDY (NYC-VIA-TORONTO)
PEFORMANCES BY STELLAR CANADIAN ARTISTS INCLUDE TRP.P, BANGERZ BRASS WITH SPECIAL GUEST NARCY, TARA MONEKA, NEW CHANCE AND MORE
Everything begins on Thursday July 7 at Lula Lounge, doors opening at 8:00 p.m. with Xenia França(Brazil), Trp.p and General Eclectic. Festival programming will follow at a transformed parking lot of Lynx Music (260 Emerson Avenue) on Friday, July 8, Saturday, July 9 and Sunday, July 10. See below for daily performance schedules, with more updates on Facebook and Instagram. The entire festival can also be streamed at www.mixtofestival.com.
Mixto's 2022 poster was created by Toronto-based, queer, Mestizx/Latinx multidisciplinary artist, Vivian Rosas, based on the original Mixto 2019 design by Uma Nota co-founder, Jason Sanders.
Learn more about Mixto Festival's ethos and the expansive history of Uma Nota Culture below, and don't miss this incredible event - whether in your own backyard or on the web.
For media accreditation, more information, and to request interviews with any of the performing artists, please reach out to ola@indoorecess.com.
MIXTO FESTIVAL 2022 PERFORMANCE SCHEDULE
Thursday July 7 - Lula Lounge - doors at 8 p.m.
Xenia França (Brazil)
Trp.p
General Eclectic
Friday July 8 - Lynx Music - doors at 6 p.m.
Tamar Ilana - festival host
Ghetto Kumbé (Colombia)
Tush
Sofia Fly
Mosamba
New Chance
Saturday July 9 - Lynx Music - 3 p.m.
Aline Morales - festival host
Bombino (Niger) co-presented by Wavelength and Small World Music
Bangerz Brass with special guest Narcy (Montreal)
Tara Moneka
Uproot Andy (New York)
Young Teesh
Me Time
Jerus Nazdaq
Sunday July 10 - Lynx Music - doors at 3 p.m.
MC Abdominal - festival host
Céu (Brazil)
Francisco, el Hombre (Brazil)
Reggaddiction
T.dot Batu
Ana Luisa
Ensoul
Selectress Sunshine
DOWNLOAD - Mixto Festival Image and Social Media Assets
About Mixto Festival:
Mixto Festival celebrates a truly intercultural city. It brings together communities, cultures and contemporary experiences in a uniquely celebratory format that avoids presenting “world music” as a static or exotic experience. Instead, cultural diversity is treated as an intuitive and integral part of the city’s multicultural fabric.
About Uma Nota Culture:
Uma Nota is a reference point for world citizens and lovers of music and culture.
Uma Nota Culture is a registered not-for-profit whose mandate is to foster the landscape for diverse music in Canada, and provide creative avenues for expression for both artists and revellers. UNC events are designed to be safe, accessible, friendly, and fun, broadening the audience of under-represented artists, especially those performing music in languages other than English, giving a platform for cross-cultural understanding, and cross-genre experimentation.
UNC was founded in 2007 as a unique monthly event series in west-end Toronto, focusing on Afro-Brazilian, Latin, Caribbean, funk and soul music provided by both live acts and DJs. Uma Nota hosts concerts, festivals, block parties, film screenings, panel discussions, and workshops. Unpretentious, open-minded, lively and fun, Uma Nota is a place where people come together to dance, united by a polyrhythmic, tropical vibe.
Since its inception, UNC has valued community co-presentations, diligently building and maintaining relationships with Toronto’s most important cultural producers. Notable past and current partners include Aga Khan Museum, Luminato, Harbourfront Centre, Lula Music and Arts, Music Gallery, Small World Music, Batuki Music Society, Revolutions Per Minute,Ashkenaz, Manifesto, Tawoos Initiative, Untold Stories, Koffler Centre, Toronto Palestinian Film Festival, and CIUT.
Past presentations include: Liniker e os Caramelows, Luedji Luna, Casuarina, Mundo Livre S/A, Seun Kuti, Teto Preto, Bruno Capinan, Vox Sambou, and M.A.K.U. Sound System.
Mixto Festival is produced by Uma Nota Culture and funded
by Government of Canada, Canada Arts Council, FACTOR,
Ontario Arts Council, and Ontario Creates.
LISTEN TO THE KING | WATCH THE KING
STANDOUT PERFORMANCES AT SXSW AND THE GREAT ESCAPE WITH NEW UK SHOWS AND FESTIVAL DATES
IN WESTERN CANADA ANNOUNCED
TORONTO, ON – May 17, 2022 – Sharing a message of love through creative narratives of intentional songwriting, intelligent melody and hypnotic production, rising, Vancouver, BC / London, UK singer-songwriter, Mauvey, continues to blaze his path. Today, Mauvey launches The King, an uplifting, vibrant track with empowering prose about equality, respect and the inherent value within us all. Listen to The King and watch the video here.
Mauvey adds: “Throughout history ‘Kings’ (men) have been the most important people, the most protected people and the most respected people. I wanted to write a song tearing that apart. THE KING is a redistribution of power and respect to everyone, especially the immensely powerful women we have in our world.”
The video for The King was produced by Mauvey, and co-directed by Mauvey and Andrew Huculiak. Breeanne Brereton stars as The King, while Mauvey takes stage as The Martian. See below for a full list of personnel behind the production.
The King is Mauvey's first new single since the his 2021 mixtape, The Florist, released on December 10 via 604 Records. The release marked Mauvey's directorial debut with a short film, of the same title, accompanying the mixtape. Comprised of cinematic videos for standout tracks, The Florist can be watched here and listened to here.
The King received support from BBC 6 Music yesterday, and will be featured as BBC Introducing's Record of the Week on Saturday, May 21. The Florist has made waves on radio, landing at #21 on the Earshot Top 50 Chart, #27 on the NACC Top 200 Chart, #8 on NACC Electronic Chart, #17 on NACC Hip Hop Chart.
Mauvey says of The Florist: “I wanted to deliver something human with this mixtape. Love, at the end of the day, is real and unpredictable. My debut mixtape is a declaration of unpredictable, desperate love and self love. There’s some happy, there’s some sad, there’s some sad that sounds happy and there’s some happy that sounds sad. It’s human, it’s love, it’s real.”
In March, Mauvey made his debut at SXSW in Austin, Texas, cited as an 'Artist To Watch' by the revered festival itself, delivered five energetic showcases (including Range Magazine, Breakout West and M for Montreal). In Vancouver, Mauvey recently rocked support sets for Easy Life at Vancouver's Fortune Sound Club, and Snotty Nose Rez Kids at Commodore Ballroom. He returned to the UK this month, making his debut at The Great Escape Festival in Brighton. Tonight, he connects with Newport audiences at Le Pub and tomorrow (Wednesday, May 18), Mauvey will perform for fans in his hometown of Southampton at The Brook. The summer is looking hot, too; Mauvey will play Laketown Shakedown in Duncan, BC in June, and Constellation Festival in Squamish, BC in July. See all details below.
Mauvey's live set is not to be missed - stay tuned for more dates to be announced and sonic affirmations of love this year.
Upcoming Tour Dates:
May 17: Newport, UK – Le Pub
May 18: Southampton, UK – The Brook
May 28: London, UK – The Grace
June 30: Duncan, BC - Lakedown Shakedown
July 22: Squamish, BC – Constellation Festival
DOWNLOAD –The King Artwork | DOWNLOAD – Hi Res Press Photo
TikTok: @lovemauvey
About Mauvey
A highly energized and articulate emotional wreck on stage, Mauvey’s raison d’être is to create and generate love, both on and off stage. “My message will always be Love” says Mauvey, who has designed his projects of Love through his creative narratives which use intentional songwriting, intelligent melody, and hypnotic beat. “My mission is to distribute Love, and there’s no better way to do that than through music”.
Born in Ghana, West Africa, Mauvey grew up in the UK and Vancouver, Canada. An artist, performer and songwriter, Mauvey creates his own unique sound and style of alternative pop music, with reflective influences of Michael Jackson, Kanye West, Oumou Sangaré, Prince, Childish Gambino and Labrinth.
In Spring 2021, Mauvey proudly signed with the fiercely independent label, 604 Records. After three double single releases, Mauvey’s mixtape, The Florist, dropped in December 2021. The tracks have been received tremendous praise from worldwide press, radio, music fans and industry alike.
The project has been championed by BBC Introducing on Radio 1, Exclaim!, Range Magazine and climbing on Earshot, NACC’s Top 200 and Electronic Radio Charts. Mauvey has taken stages with a vengeance including performances at SXSW, support slots for easy life and Snotty Nose Rez Kids, BBC Radio 1’s Big Weekend & Isle of Wight Festival, a 20 date UK headline Tour, plus showcase sets at M for Montreal and Focus Wales.
Mauvey’s latest single, THE KING, is an empowering alt-pop anthem that floods listeners with melodic lyrism, razor-sharp production and mesmerizing bass and drums. Mauvey shares, "Throughout history ‘Kings’ (men) have been the most important people, the most protected people and the most respected people. I wanted to write a song tearing that apart. THE KING is a redistribution of power and respect to everyone, especially the immensely powerful women we have in our world." Stay tuned for the debut full length album coming in Fall 2022.
CALL ME LITTLE SUNSHINE #1 AT ROCK RADIO
FEATURING SPECIAL GUESTS MASTODON WITH STOPS IN
QUEBEC CITY, LAVAL AND TORONTO
TICKETS ON SALE MAY 20 AT 10 AM LOCAL TIME HERE
NEW GHOST WEBISODE CHAPTER 11: FAMILY DINNER LIVE NOW
TORONTO, ON – May 17 2022 - Children of North America, rejoice… GHOST will once again bring the “euphoric spectacle”(ROLLING STONE) of its live ritual to North America for the next leg of its globally dominating IMPERATOUR. The North American IMPERATOUR will see the GRAMMY® Award-winning Swedish theatrical rock band headlining 19 arenas across the U.S. and Canada (plus an appearance at Virginia's Blue Ridge Rock Fest), kicking off August 26 at San Diego’s Pechanga Arena, with stops in Quebec City on September 15 at Videotron Centre, Laval's Place Bell on September 16 and in Toronto at Coca Cola Coliseum on September 17, concluding on September 23 at the Resch Center in Green Bay.
The newly announced dates will comprise Ghost’s first North American run since the March 11, 2022 release of its fifth album IMPERAvia Loma Vista Recordings. Call Me Little Sunshine has broken into the top 10 at Canadian Active Rock radio, currently sitting at #7. As reported by THE LOS ANGELES TIMES in a Calendar cover story, Ghost "conquered metal and the charts” as IMPERA debuted at #1 in a sweep of the U.S. album charts, entering the BILLBOARD 200 at #2 with first week sales of nearly 70,000. Internationally, IMPERA bowed at #1 in the band's native Sweden as well as Germany and Finland, while cracking the top 5 in the UK (#2), Netherlands (#2), Belgium (#2), Canada (#3), Australia (#3), France (#5), Ireland (#5), and more.
Produced by Klas Åhlund and mixed by Andy Wallace — and featuring Spillways—hailed as a “sweetly constructed rock tune” by THE NEW YORK TIMES, the Billboard Rock Chart (BDS) #1 charting, Call Me Little Sunshine, and Active Rock #1 radio single, Hunter’s Moon — IMPERA finds Ghost transported centuries forward from the Black Plague era of its previous album, 2018 Best Rock Album GRAMMY® nominee Prequelle—or as ROLLING STONE put it, “Ghost predicted the pandemic, Now the metal band is foretelling the fall of empires." The result is the most ambitious and lyrically incisive entry in the Ghost canon: Over the course of IMPERA’s 12-song cycle, empires rise and fall, would-be messiahs ply their hype (financial and spiritual alike), prophecies are foretold as the skies fill with celestial bodies divine and man-made… All in all, the most current and topical Ghost subject matter to date is set against a hypnotic and darkly colorful melodic backdrop making IMPERA a listen like no other — yet unmistakably, quintessentially Ghost.
The announcement of IMPERATOUR’s North American swing coincides with the unveiling of Chapter 11: Family Dinner, the newest installment of Ghost’s long-running narrative series of webisodes. In this next chapter, we find Papa Emeritus IV, having returned to the Ministry, joining Sister Imperator, Mr. Saltarian, and the spirit of Papa Nihil for a meal of Chinese takeout. To take your seat at the reunion dinner, visit here.
Support on all dates (with the exception of Green Bay which will feature support from Carcass, and the Blue Ridge Rock Fest) will come from GRAMMY® Award-winning band Mastodon, who have quietly evolved into one of the most influential, inimitable, and iconic rock bands of the modern era. Since emerging in 2000, the Atlanta quartet have defied both sonic and thematic boundaries with an uncategorizable, undeniable, and uncompromising vision unlike anything else in music. This vision manifested over the course of canonical albums such as Leviathan, which landed on Rolling Stone’s coveted The 100 Greatest Metal Albums of All Time. Following the seminal Crack The Skye [named one of the best albums of 2009 by Time], they earned three consecutive Top 10 debuts on the Billboard Top 200 with The Hunter [2011], Once More ‘Round the Sun [2014], and Emperor of Sand [2017].
Out of six career nominations, they received a GRAMMY® Award in the category of “Best Metal Performance” for Sultan’s Curse. They are the rare creative force whose music can be felt everywhere from Game of Thrones, Adult Swim, The History Channel, and DC comics films to Coachella and Bonnaroo. They notably supported the Hirschberg Foundation For Pancreatic Cancer Research with a rendition of Stairway To Heaven in honour of late manager, Nick John. The group reached another critical high watermark via their ninth full-length, Hushed and Grim. Featuring the GRAMMY® Award-nominated Pushing The Tides, it marked the band’s third straight #1 bow on the Billboard Hard Rock Albums Chart. It concluded 2021 on over a dozen year-end lists with Rolling Stone raving, “we get everything from some of the band’s hookiest rockers to date to some of their most awe-inspiring epics.” Evolving as they usher rock into new realms, they forever remain the same unpredictable trailblazing beast—Mastodon.
Tickets for Ghost's North American IMPERATOUR will be on sale from May 20 at 10am local time at found.ee/Ghost_Tour. American Express® Card Members can purchase tickets in select markets before the general public beginning Wednesday, May 18 at 12 pm local time through Thursday, May 19 at 10 pm local time.
See below for a complete list of dates. For more information, including details re: limited VIP packages, go to www.ghost-official.com
GHOST IMPERATOUR
North America 2022
Fri Aug 26 - San Diego, CA - Pechanga Arena San Diego
Sat Aug 27 - Tucson, AZ - Tucson Convention Center Arena
Tue Aug 30 - Austin, TX - Moody Center
Wed Aug 31 - Corpus Christi, TX - American Bank Center Arena
Fri Sep 2 - Huntsville, AL - Von Braun Center’s Propst Arena
Sat Sep 3 - Duluth, GA - Gas South Arena
Sun Sep 4 - Asheville, NC - ExploreAsheville.com Arena
Tue Sep 6 - Tampa, FL - Yuengling Arena
Thu Sep 8 - Danville, VA - BLUE RIDGE ROCK FEST*
Fri Sep 9 - Trenton, NJ - CURE Insurance Arena
Sat Sep 10 - Belmont Park, NY - UBS Arena
Mon Sep 12 - Providence, RI - Dunkin Donuts Center
Tue Sep 13 - Bangor, ME - Cross Insurance Center
Thu Sep 15 - Quebec City, QC - Videotron Centre
Fri Sep 16 - Laval, QC - Place Bell
Sat Sep 17 - Toronto, ON - Coca Cola Coliseum
Mon Sep 19 - Saginaw, MI - Dow Event Center
Tue Sep 20 - Youngstown, OH - Covelli Centre
Wed Sep 21 - Peoria, IL - Peoria Civic Center Arena
Fri Sep 23 - Green Bay, WI - Resch Center*
*Carcass will replace Mastodon as support on the Green Bay show
DOWNLOAD - hi-res tour poster | DOWNLOAD - hi-res press photo
VIDEO FOR NEW SINGLE ESHU OUT TODAY CREATED BY NIGERIA'S SPOOF ANIMATION
SUPPORT AMAI KUDA ET LES BOIS’
SANKOFA MAROON VILLAGE INITIATIVE HERE
"Eshu is the Orisha (deity) of the crossroads in the Yoruba pantheon and all its descendant traditions (Santeria, Candomble, etc.). As such, he embodies the meeting of the material and spiritual realms and is the messenger between humans and Orishas, and requires propitiation at the start of all ceremonies," says Amai Kuda et Les Bois of the song's inspiration. "He is a 'trickster' figure, neither good nor bad, and he is a ruler of time, decisions and changing our luck either for the better or for the worse. This song in his honour calls upon him to transform negative into positive, invoking an ancestral voice to illustrate the humour and playfulness that are often part of his nature as he teaches lessons to humanity through his tricks."
The animated video brings this powerful West African and diasporic character to life. Created in collaboration with rising Nigerian animators, Spoof Animation, the film is intended to help address the need for more Black animation, and the need for more popular media dealing with African Spirituality and mythology in positive ways.
The music video for Eshu is the first of three teaser videos for the pilot episode of EmUrgency!, an animated series based on the album. Each teaser will be soundtracked to a song from EmUrgency!, and the release of the pilot episode will introduce the full EP to the world. Amai Kuda et Les Bois are tapping into a rising animation community evolving in Africa and the world as a result of the pandemic. Both the album and show, EmUrgency!, speak to the times we're in while addressing timeless themes contained in traditional mythology.
EmUrgency! was recorded, mixed and mastered at Quantum Vox Music with co-producer, Jimmy Kiddo, and reflects Amai’s vast influences: Afrohouse, Motown, alt rock, hip hop and downtempo, with inflections of Amai’s Trinidadian heritage and Toronto upbringing in the mix. The album speaks to the struggles, wisdoms, and joys of Amai’s journey, being guided by ancestors and Orishas, and staying true to her calling as mother, healer, warrior and artist, despite the many obstacles facing Black, queer women in the music industry and society at large. On the songs, Amai delves into African Indigenous spiritual traditions, connecting with gods and deities of Yoruba cosmology, the anti-colonial war for survival, unconditional love, honouring elders, as well as the inner child and how to preserve it in times of struggle.
Learn more about Amai Kuda et les Bois below, find a limited edition copy of EmUrgency! on vinyl here, and stay tuned for more episodes to be released this summer.
Amai Kuda et Les Bois don’t fit into the usual boxes. Breaking boundaries is part of their superpower. Not a band or a solo act, they prefer to call themselves ‘a movement.’ Led by Amai Kuda, their shows and albums always begin with the pouring of libations and the invocation of ancestors. This spiritual element weaves its way throughout all their music, whether that be soothing acoustic ballads, dancy electronic grooves or alt-rock-hip-hop-infused political tracks. Ecouché, for example, the “stunning new single” (Indie88) off the new album EmUrgency! is sung entirely in a language of ancestral communication and can’t be delivered the same way twice. It embodies what NOW magazine has called the group’s “tantalizing Afro-soul” fusion sound, "earthy and rootsy and good for your ears" (Errol Nazareth CBC in reference to AfroSoul Volume II: MaZai). Indeed, it is the genre-defying nature of their work which led their debut album, Sand from the Sea, to be named “one of the year's most exciting discoveries” (Nicholas Jennings - Canada's foremost music journalist).
Since that early accolade Amai Kuda et Les Bois have slogged away in Toronto’s music scene, performing at venues like the Jane Mallett Theatre, Harbourfront, The Rivoli, and festivals such as Luminato, Kultrun, and Small World, as well as at venues and community centres on four continents. Amai Kuda et Les Bois have certainly paid their dues, and they haven’t gone unnoticed. They’ve been featured in NOW magazine and on CBC’s Canada Live and Big City Small World, while a single from their 2019 release with Version Xcursion, Holding Back, premiered on Strombo Show. The group also won the Best Folk/Roots award as well as placing second for the Best Song at the Toronto Independent Music Awards. They’ve opened for Joel Plaskett, Kellylee Evans and Sarah Slean, and collaborated with M1 of the legendary Hip-Hop duo, Dead Prez on a call-to-action song called We Can Do It.
All that said, the group is acutely aware of, and quite angered by, the glass ceiling in the music industry that keeps artists like themselves from reaching wider audiences. Their new album, EmUrgency! is largely about pushing back against this, and in the coverage it’s received thus far (The Strombo Show, CTV National News, RX Music Live, UMFM and CJRU), they’ve made a point of talking about it. For Amai Kuda et Les Bois, music is about healing - ourselves, our society and the earth, and that can’t happen unless we listen to the voices that have for too long been ignored. It is truly a ‘listening EmUrgency!’
WATCH LIVE RENDITION OF STANDOUT MEU PRETO
Toronto, ON – May 13, 2022 – The long awaited album of internationally acclaimed dynamic Toronto-based singer-songwriter, Bruno Capinan (Broo-noh Cap-ee-nan, pronouns: they/them), arrives today. Tara Rara (Portuguese for 'Rare Desire') is a full circle, spiritual collection of songs, resonant with sonic elements embedded with Bruno's Brazilian heritage, on a quest to connect listeners to the roots of their ancestors by weaving a tale of love and pain, travelling from Africa to Brazil in its storylines. On the new album, Bruno goes back to their birthplace of Bahia to reclaim the painful past of the Atlantic Slave Trade by honouring their true selves through music. While the songs are sung in Portuguese, they are made for dancing and radiant energy - all of which embody a universal language. Listen to the album via all streaming platforms here.
In addition, Bruno shares a live rendition today for highlight track, Meu Preto. The song is a sombre, yet romantic, ode about two Black lovers delivered with lingering prose. Watch Bruno's captivating performance here, and read the lyrics (with English translation) here. Meu Preto follows the stunning visual for Qualquer Lugar, filmed in Brazil. Watch the video here, and read the lyrics for Qualquer Lugar, in English and Portuguese, here.
Toronto audiences can hear Tara Rara live at Do West Fest on Friday, June 3, where Bruno will take to an open air stage and deliver their unparalleled live performance. Bruno previously had a stunning, intimate set at BSMT254 alongside special guests, Brazil's Bem Gil (son of Gilberto Gil) and Domenico Lancellotti (Portugal).
About Tara Rara
The title takes reference from childhood memories, at times reflecting on Bruno's experiences of bullying and discrimination, while growing up in Brazil. Bruno’s nickname as a child, given to them by their father, was “buddha." In coming into their identity as a non-binary person, Bruno realized they are also “tara”, which in Buddhism represents the feminine counterpart of the bodhisattva (“buddha-to-be”), and in Portuguese mean “desire." The word “rara” which means "rare" in Portuguese, and represents Bruno’s signature voice and is a celebration of their power.
Tara Rara encompasses Bruno’s deep exploration of some of their two greatest influences; Afro-Sambas and reinterpretations of Bossa Nova. While all tracks are performed in Portuguese, they are accompanied by lush arrangements made for dancing and movement. Tara Rara is a mix of vocal layers, percussive Brazilian instruments, acoustic guitar, synthesizers, programming, and a string orchestra composed of four violins, two cellos and one viola, as well as trombone, trumpet, French horn, flutes and sax.
As a non-binary person, Bruno ensured gender and racial justice was in focus when cultivating the stellar personnel lineup for Tara Rara. The album highlights an orchestra of seven string musicians, 90% BIPOC and LGBTQI+, an elder percussionist, and musicians from different cultural backgrounds.
Working with acclaimed Ukrainian-Brazilian producer and songwriter, 17-year-old, Vivian Kuczynski (Pabllo Vittar, SCALENE, Alice Caymmi) the album was recorded from July 2021 until December 2021, primarily in Toronto (at Union Sound Company), with additional recordings in Rio de Janeiro, São Paulo, Bahia and Melbourne. Vocals were recorded in Bahia overlooking the ocean, and brass in Melbourne, Australia. Bruno worked with guitarist Bem Gil (son of Brazilian singer Gilberto Gil), percussionist Marcelo Costa, a string orchestra from Toronto, arranger Graham Campbell, and others.
Learn more about Bruno's stellar career to date below and stay tuned for more shows to be announced!
TOUR DATES
Friday, June 3 - Do West Festival - Toronto, ON - INFO
DOWNLOAD - Tara Rara Album Cover (by Daryan Dornelles)
Tara Rara Tracklisting
1.Ode ao Povo Brasileiro
2.Deuses Deusas
3.Qualquer Lugar
4.Meu Preto
5.Mafuá
6.Tara Rara
7.Possíveis Possibilities
8.Na Moral
9.Comigo Não
10.Do Mais Secreto Desejo
11.Bahia Brasil
DOWNLOAD - Press Photo (by RONCCA)
About Bruno Capinan
“Acrobatic, sensual, both angelic and profane” is how The Guardian describes Brazilian-born, Canadian singer-songwriter Bruno Capinan. The Toronto based queer artist has released five albums in their decade long music career and performed to audiences in Canada, Japan, Brazil, Argentina and the United States; fusing bossa-nova inspired music and an extravagant performance as an act of LGBTQI+ resistance.
A fierce performer, Bruno Capinan’s approach to music making is rooted in the Brazilian tropicalia influence, which is to embrace all the vast possibilities of sound. Their music beautifully blends traditional Brazilian sounds, also known as MPB, with many other global influences, and features Portuguese lyrics that are both personal and conversational.
Bruno Capinan gained international recognition with the release of Divina Graça (2016), including reviews in French newspaper Libération, as well as Brazil’s largest publications O Globo, Folha de São Paulo, and Rolling Stone Brazil. They have collaborated with artists around the globe, including Japanese composer Jun Miyake.
Most recently, Capinan released Leão Alado Sem Juba, recorded remotely between Canada, France, Portugal and Brazil, receiving two nominations to the prestigious APCA (São Paulo Association of Art Critics). In April of 2020, they were scheduled to showcase at Atlantic Music Expo 2020 in Cape Verde, but the performance was canceled due to the pandemic.
About Lulaworld Records
Bridging the contemporary and the traditional, Lulaworld Records brings the Latin, Brazilian and global roots sounds of the most diverse city in the world to music adventurers around the globe.
Having grown out of the vibrant live music scene at the Toronto venue Lula Lounge and the associated Lulaworld Festival, the label's debut release by Mexican Canadian singer songwriter Quique Escamilla won the 2015 JUNO Award in the world music category and the Canadian Folk Music award.Subsequent releases by OKAN have also earned Independent Music Awards and JUNO wins and nominations.
With a focus on salsa, tropical and Latin jazz, the label is now expanding its scope to include artists from beyond Toronto, including Brazilian, spoken word and Indigenous artists.
Like the venue that inspired its creation, the Lulaworld Records has a musical range that spans Mexican reggae, Cuban jazz folk fusion, New Orleans inspired funk, classic Tumbao and electro samba. Stay tuned for single, albums and compilation releases coming soon. www.lulawordrecords.ca
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WATCH BLACK MAN | LISTEN TO BLACK MAN
TORONTO, ON – May 13, 2022 – Richmond-based five-piece collective, Butcher Brown, return to offer the first look at their new single, BLACK MAN, featuring fellow Richmond rapper and songwriter Michael Millions, by sharing the song's accompanying visual. Directed by award-winning producer, cinematographer and director Shirod Greene, the raucous video for BLACK MAN finds the band back in school, rallying the rest of the class to join them for an impromptu show of the track, culminating in a show-stopping sax solo. BLACK MAN is available across streaming platforms today.
Describing how the song came together, Butcher Brown says, "For 'BLACK MAN', Corey came in with the demo for the original blueprint. During that same time, different people in the band had begun to tap in with Michael Millions because he has many different skill sets that bring lots of value to lots of people, he is a legendary hip hop artist in RVA and he is one of the coolest people in the world. We teamed up to bring this sound to the ground level so that everyone has access to it."
Speaking on his lyrical inspiration, Millions says, "I was thinking about cycles when I wrote this. Life, death and all points in between. About how things change and how things seem to just stay the same. The only thing I want to stay the same is my family, so that what I wrote about. I recorded it straight thru too, no cutting up the vocals because Butcher Brown cut they demos straight through, that was the only way to do it. This whole collaboration has been a gem and I’m excited to share this music."
The song marks Butcher Brown's first bit of new music since they graced NPR's Tiny Desk (At Home) series with a performance straight from a Richmond rooftop last year, and collaborated with Alex Isley on a cover of Patrice Rushen's Remind Me. Following a tour run supporting Kamasi Washington in 2019, Butcher Brown released their eighth album #KingButch in 2020, which features the stand-out track Tidal Wave, and received praise from the likes of Bandcamp, OkayPlayer and NPR, which described the album as "a great marriage of hip-hop and jazz." More recently, they wrapped up a European tour to end 2021 and will be touring throughout the US this year, including a set at this year's Blue Note Jazz Festival in Napa in July.
Watch the video for BLACK MAN, and pre-save the single above, and stay tuned for more from Butcher Brown soon.
More about Butcher Brown:
Butcher Brown is five groove merchants delivering a heady home-brew of jams and jazz, rhymes and beats—a funky, musical mix that makes one question why great music needs to be labeled as this category or that. The hybrid moniker “jazz/hip-hop” only begins to cover it. Their balance of raw energy and smooth sophistication, edgy improvisation with a generous dose of Southern roots reveals how equal opportunity they are in employing a wide range of musical styles, and how authentically they’ve absorbed it all.
Individually, they are: producer/keyboardist DJ Harrison; drummer Corey Fonville; bassist Andrew Randazzo; trumpeter/saxophonist/MC Marcus “Tennishu” Tenney; and guitarist Morgan Burrs.
Starting in 2013, Butcher Brown began to release a series of recordings on their own imprint, and other independent labels as well, helping to spread the word of the group’s groove-driven consistency. On September 18, 2020, Butcher Brown released their full album #KingButch, a major label debut on Concord Records, on the Concord Jazz imprint. Their eighth album was the culmination of twelve years of dedicated focus, and commitment. Following this album, the band released ENCORE, a five track EP featuring musical gems from their #KingButch recording session.
DOWNLOAD - hi res single art | DOWNLOAD hi res press photo
DOWNLOAD - Michael Millions press photo, by Deandre Jamaal
LISTEN AND WATCH HERE
THE MOON AND THE STARS:
PRESCIPTIONS FOR DREAMERS DELUXE EDITION OUT NOW
TORONTO, ON – May 12, 2022 – Following the release of her critically acclaimed album, The Moon & Stars: Prescriptions For Dreamers, in March 2021, GRAMMY-nominated artist, Valerie June, embarked on a highly anticipated U.S. tour that kicked off in March and continues through May. Now the celebrated singer, songwriter and multi-instrumentalist is releasing a dazzling cover (and accompanying performance video) of one of the most achingly romantic songs of the 90s, Mazzy Star’s Fade into You. While the track has been covered many times since its initial release in 1993, it should come as no surprise that Valerie pulls in her exquisitely tender balance of modern and traditional sonic influences to create something between otherworldly and positively human.
The emotional honesty and deeply meditative spirit that the Memphis-born artist consistently delivers in all her original work is certainly not lost in this cover. Valerie takes the immediacy that Hope Sandoval (Mazzy Star’s lead singer) originally brought to the track and molds it into something entirely her own. Listen and watch Fade Into You here.
Valerie June’s album The Moon and Stars: Prescriptions For Dreamers was one of 2021’s most celebrated releases. Produced by June and Jack Splash, the album is “a psychedelic tour de force” that is “powerfully, elegantly subversive” (UNCUT) and “a stunning song cycle of redemption and reclamation” (Rolling Stone). June’s spellbinding vocals and infectious sense of wonder ground the record, and “her every quiver bespeaks emotional honesty” (New Yorker).
The follow-up to her 2013 breakthrough, Pushin’ Against A Stone, and the widely adored, The Order of Time — a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists — The Moon and Stars: Prescriptions For Dreamers is a landmark work for the Memphis-born, Brooklyn-based auteur. The recently released special digital Deluxe Edition features 23 tracks in all: The Moon and Stars’ 14 original tracks, six reimagined, acoustic versions plus three brand-new covers that align with the album’s theme: Nick Drake’s Pink Moon, John Lennon’s Imagine and Stephen Foster’s Beautiful Dreamer. Buy/Stream The Moon And Stars: Prescriptions for Dreamers Deluxe Edition here.
The album’s Call Me A Fool, featuring Stax legend Carla Thomas, was nominated for Best American Roots Song at this year’s GRAMMY Awards, the first nomination of June’s illustrious career.
You and I, the gorgeous lead track from The Moon and Stars: Prescriptions For Dreamers was featured in Apple’s latest #ShotOniPhone Holiday ad. The poignant short film is called Saving Simon and was directed by Oscar® Nominee Jason Reitman and his father, Oscar® Nominee the late Ivan Reitman. Watch the full-length version here.
June’s tour is wrapping up on a sold-out date at Ram's Head On Stage in Annapolis, MD. Catch the end of her 2022 headlining tour while some tickets are still available. Full routing is below. For more information visit valeriejune.com/#tour.
Upcoming The Moon & Stars 2022 Tour Dates
Fri May 13 – Cleveland, OH – Beachland Ballroom
Sat May 14 – Columbus, OH – The Athenaeum Theatre
Sun May 15 – Indianapolis, IN – HI-FI Annex
Mon May 16 – Bloomington, IL – The Castle Theatre
Wed May 18 – Chicago, IL – Old Town School EARLY SHOW SOLD OUT
Thu May 19 – Milwaukee, WI – Turner Hall
Fri May 20 – Minneapolis, MN – Pantages Theatre
Sat May 21 – Iowa City, IA – Englert Theatre
Sun May 22 – St. Louis, MO – Delmar Hall
Tue May 24 – Louisville, KY – Paristown Hall
Wed May 25 – Cincinnati, OH – Memorial Hall
Fri May 27 – Harrisburg, PA – Harrisburg Midtown Arts Center
Sat May 28 – Annapolis, MD – Ram's Head On Stage SOLD OUT
Sun July 10 – Big Sur, CA – Henry Miller Memorial Library
Thu August 4 – August 7 - Happy Valley, CA – Pickathon
Fri August 19 – August 21 – Crickhowell, UK – Green Man 2022
Fri September 2 – George, WA – The Gorge Amphitheatre
DOWNLOAD – Hi Res Press Photo | DOWNLOAD – Fade Into You Art
Valerie June on TikTok
FEATURED ON COVERAMA COMPILATION ALBUM OUT MAY 20 VIA THE CONFIDENCE EMPERORS
COVERAMA ALBUM RELEASE CELEBRATION AT
THE DRAKE UNDERGROUND IN TORONTO ON MAY 21
TICKETS ON SALE NOW
Toronto, ON – May 12, 2022 – Today, rising Toronto duo, TANDM, release an infectious cover of Counting Crows' tune, Accidentally In Love. The antidote for post-lockdown blues and a perfect entry to the spring season, the original was a frequent spin on the stereos of band members, vocalist-guitarist Maxine Beck-Sinderby and drummer Thomas Franklin (listeners might be familiar of its inclusion in the soundtrack for Shrek 2!). With bright, poppy production and catchy riffs, the song is featured on Coverama, a compilation filled with creative, fun and innovative renditions of classic pop and indie rock songs. It will be released via Popguru Sound & Vision's boutique label, The Confidence Emperors, on May 20. The group will perform alongside the project's featured artists and label mates on May 21 at Drake Underground in Toronto for the celebration concert. Listen to Accidentally In Love, and watch the video here.
The stop-motion video was directed and animated by Akash Jones, and written and art directed by Bronte Brazier. The two dolls were named after the band members (Maxine and Thomas) in the video script.The LEGO flowers used are a reference to TANDM's last LEGO music video for their single, Warm Me Up. The video uses strawberry ice cream in reference to the lyric as well as a way to show time passing throughout the song. Akash delivered something fun and fresh to pair with the song's focus on the exciting unknowns of newfound love.
Under The Cover - what inspired the track:
"When Thomas and I were approached by Graham Stairs of Popguru Sound & Vision to cover a song for his Coverama album, we spent hours digging through songs that we had considered covering in the past. The one that stuck out to us the most was a track from Shrek 2, which we had both listened to frequently as children. The song is full of sunshine and happiness, and currently (with COVID-19’s never-ending misery) we decided that Accidentally In Love would make for a very optimistic and hopeful cover that could brighten up our lives as well as others," says the duo. "The initial demo was recorded in our apartment, and because we used the bass line from the demo in the final product, technically the track was recorded in more than one place by more than one person. I recorded the bass line that Thomas played at our apartment, but the rest of the instruments were performed by Thomas and I, and recorded and mixed by Timothy Abraham in Gus van Go’s studio. The track was then mastered by João Carvalho at João Carvalho Mastering."
In the series so far, we’ve heard John Orpheus cover Radiohead’s House Of Cards, Alex Exists’ take on David Essex’s Rock On, Juliana Eye’s stunning rendition of Blondie’s Dreaming, Sam Casey’s powerful interpretation of Etta James' I'd Rather Go Blind, and Canadian icons Martha and the Muffins’ chiming electric 12 string version of The English Beat's Save It For Later. The Coverama album also includes tracks by UK-based alt pop singer-songwriter Chloe Kay; Will Whitwham (leader of The Wilderness of Manitoba) and collaborative project, Ghost Caravan.
While Coverama will see its release on May 20, celebrations will follow the next day (Saturday, May 21) at The Drake Underground in Toronto. John Orpheus, Alex Exists, Sam Casey, Ghost Caravan, TANDM, and Juliana Eye will take to the stage to share their eclectic renditions with live energy. Find all info and tickets here.
About TANDM:
Vocalist and guitarist Maxine Beck-Sinderby and drummer Thomas Franklin met serendipitously at a music studio in high school. Maxine’s undeniable musical talent runs in her family: her uncles are Grammy-winning Canadian musician Jason Beck known to the world as Chilly Gonzales and prolific Hollywood film composer Christophe Beck, known for his Emmy-award winning work on Buffy the Vampire Slayer, and blockbuster films Frozen, Frozen II and Ant-Man. Thomas honed his craft first with international touring jazz drummer Bill Ransom in the US, and then with renowned Toronto musician Anthony Michelli. Both classically and jazz-trained in multiple instruments, Thomas and Maxine started writing and performing their music in Canada and Sweden; and have performed with Swedish guitarist and songwriter Janne Schaffer of ABBA fame.
In early live performances their instrumentation was minimal, and they soon developed a signature sound marked by Maxine’s silky vocals and catchy reverb-filled guitar riffs, driven forward by the energy of Thomas’s drum flourishes. Drawing inspiration from the likes of ALVVAYS, The Black Keys, Foals, Of Monsters and Men, and Daughter, TANDM’s music weaves stories around the complexities of life. From personal pleasures and conflicts to the flaws in society encountered in young adulthood, TANDM’s upbeat sounds, vivid narratives and captivating melodies create a bittersweet and memorable experience for the audience that echoes long after a first listen.
DOWNLOAD - Accidentally In Love Single Art
DOWNLOAD - TANDM Press Photo by Valentina Caballero
DOWNLOAD - Coverama Artwork
DOWNLOAD - Coverama Album Release Celebration Image Assets
About Popguru Sound & Vision:
Founded in 1998 by A&R maverick Graham Stairs, Popguru Sound & Vision is a fully integrated music company that makes a difference. Its core business is artist management, but, as a diversified company, Popguru is involved in music publishing, two record label imprints and providing music for film, television and other media.
Prior to starting his own company, Stairs was a partner in Intrepid management and did A&R for Intrepid Records, Latitude Records and EMI Music Canada. He was involved with such seminal Canadian artists as Martha and the Muffins, the Rheostatics, National Velvet, Chalk Circle, Damhnait Doyle and Sandbox. He was also behind the soundtrack album for the film, Highway 61, and the Bruce Cockburn tribute album that gave the Barenaked Ladies their first national hit with Lovers In A Dangerous Time. To this day, it is still one of the most played songs on Canadian radio. More recently, Stairs did A&R for True North Records where he signed Catherine MacLellan, Hunter Valentine and Australian band, the Audreys.
The strength of any company is its artists and repertoire. Popguru subscribes to the philosophy of building a community and long-term careers for its artists. The company’s mandate is to develop content for the Canadian and international marketplaces. The business model uses diversification as a strategy to create and monetize content for the existing and next generation uses of music. Since reactivating Popguru in 2009, Stairs has signed Martha and the Muffins, Odario, Grand Analog, the Wilderness of Manitoba, John Orpheus, Ghost Caravan, producer/songwriter, Mike Schlosser, and Sam Casey for management. Stairs’ vision of the interdependencies between record labels, music publishers, management companies and licensing agencies is the reason that Popguru organizes all of them within the same company. This is Popguru’s response to the needs of artists today and into the future.
LISTEN HERE AND ON NPR MUSIC’S ALL SONGS CONSIDERED
RACHEL BOBBITT TO PERFORM IN TORONTO ON MAY 26
AT LEE’S PALACE SUPPORTING SUNFLOWER BEAN
TORONTO, ON – May 10, 2022 – Nova Scotia-born and Toronto-based artist, Rachel Bobbitt, today shares a remarkable new song entitled More (via Fantasy Records), alongside an accompanying cinematic visual. Featuring gorgeous and tightly woven layers of vocals, and a warmly arcing electric guitar, More is a timely song about “navigating the medical system as a woman whose pain is often disregarded as inevitable,” Bobbitt explains. She sings, “They say the body’s just a thing to house the mind / But mine keeps betraying me night after night.”
Bobbitt explains further, “It’s all about this body that I have, suffering from the migraines I’ve inherited from my mom, but it’s also about how some people see women as being made for having children, something I don’t even necessarily want at this point.”
Produced by Bobbitt and Justice Der, and mixed by GRAMMY-nominated engineer, Jorge Elbrecht, the single can also be heard via NPR Music’s All Songs Considered here. The stunning accompanying video was directed by Justin Singer (Daniela Andrade, ellis, Harrison, Wild Pink) and can be viewed here.
Bobbitt made a name for herself on Vine as a teenager, uploading covers of pop hits and all-time classics to the now-defunct social media site. As her profile rose, Bobbitt found herself overwhelmed rather than inspired. “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.”
She found herself in a serious cycle of introspection during the pandemic, having just decided to leave the jazz program at Humber College and focus on her own music. She holed up in Saskatoon to write, the negative temperatures seeping their way into the compositions even while her indelible warmth radiates throughout.
More is the first taste of what’s to come from Bobbitt – stay tuned for more soon.
DOWNLOAD – single artwork | DOWNLOAD – press photo
Website | Instagram | YouTube | Twitter | TikTok | Spotify | Apple Music
LISTEN TO I NEED TO CRY | WATCH I NEED TO CRY
hill adds: "Sometimes pharmaceuticals have the opposite effect of what’s desired. Sometimes being numb is not better. Written from the perspective of wanting to let love in."
The production on I Need To Cry is a strong example of how hill and producer Mike Schlosser worked on the project. Sonically, Sellout has a signature rawness, complimented by hill and Mike's alt approach to songwriting, never colouring within the lines when it comes to production; from the Wurlitzer used in the intro to I Need to Cry, to utilizing an Oberheim analog synthesizer, and creating their own samples (which can be found in their signature sample pack).
The video for I Need To Cry was created by Travis Nesbitt, song written and produced by hill of iamhill and Mike Schlosser, mixed by Brad Smith (Velveteen Music) and mastered by Reuben Ghose (Mojito Mastering).
The intro to I Need to Cry was a first for hill, recorded with a room mic and hill playing a wurli and making up a goofy song on the fly. "We kept it and formant-ed the audio to create a strange effect...Aside from that, I think the rawness of the album is different for me. I’m less poetic and more direct in the lyrical content."
Collaborating with an instinctual process, hill works on the lyric and melody writing, while Mike is the brains behind the music. Mike and hill created the album pre-pandemic in hill's downtown Los Angeles loft, where she was living at the time. Amidst endless noise, sirens, people moving and voices all around, the team tracked all of the vocals in the living space, with emphasis on ensuring they were real rather than pristine.
Previous singles include, KonMari, a tongue-and-cheek ode to the method of the same name, Fat Free, featuring Dallas, TX group, Cure For Paranoia, inspired by Munchausen syndrome by proxy, and Side D, a dark, energizing jam written about a woman’s right to explore her own sexual freedom and options.
Earlier this year, hill dropped an acoustic version of her previous single, Side D, in NFT format. This radically-different version was arranged by hill of iamhill and mixed by Mike Schlosser, and the artwork created by Caitlin Boyle. This is not the first NFT hill has worked on, but it is the first NFT of her own music, under her own name. While the technology that allows artists to “mint” (in other words, create a new block on the chain with your file’s information/data) their work is still emerging, hill has grown passionate about the NFT community and its intrinsic potential.
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. Upon releasing her debut album as ‘iamhill’ in 2018, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. hill released her 2019 EP, Gimme My Life Back, on Antifragile Records out of NYC. In 2021, she released an album that was deconstructed and distributed as a sound pack by Black Octopus Sounds, who launched their adjacent record label Black Octopus Music in order to release the source album, Nobody Wants to Be My Friend.
Sellout - Tracklist
1.Sellout
2.Side D
3.I Need To Cry
4.KonMari
5.Run featuring Zeale
6.It's A Privilege featuring Swim & John Orpheus
7.Look Like That
8.Fat Free featuring Cure For Paranoia
9.Brought 2 U By
DOWNLOAD - I Need To Cry Artwork
DOWNLOAD - Hi Res Album Art
DOWNLOAD - Hi Res Press Photo (by Travis Nesbitt | @travisnesbitt)
About hill of iamhill
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. She grew up in the Canadian North, where winter reigns for 8 months a year. Before cultivating her specific taste for alternative pop music, her urge to create alternate universes was already thriving. She was regularly scolded growing up for daydreaming incessantly, but may never have fully landed in “reality." Music was always her way of escaping into the current moment while simultaneously holding life at arm’s length. hill began playing piano by ear as a kid, and had picked up guitar and drums to accompany her obsession with singing by the time she was 14. Songwriting followed not long after, which began as an exercise in catharsis for hill and remains that way whenever she gets an opportunity to work on her passion project.
What appears to be the result of spending most of your life longing for a different one is the universe hill has been building since the genesis of iamhill in 2018. Upon releasing her debut album as ‘iamhill’, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. During this time, she drew inspiration from artists like Frank Ocean, James Blake, Kanye West, and queen of sad-core Lana Del Rey. Informed directly by her eagerness to embrace darkness and her constant yearning for the future, the environment hill has developed over time is increasingly futuristic and industrial.
This seminal album, Give it a Rest, went on to be nominated for a Juno in 2019 (Electronic Album of the Year), while hill finally accomplished her lifelong dream of moving to California to live under the sun and find her full artistic expression among so many fellow creatives. That year, hill released her sophomore EP, Gimme My Life Back, on Antifragile Records out of NYC. The visuals that accompanied the EP were shot in Thailand, with the city filth of Bangkok front and centre.
Since the beginning of the pandemic, hill of iamhill has leaned into her fascination with technology. As the clubs she used to perform in closed their doors, she began diving into frontend web development and landed a job as a contracted engineer with a startup out of California called Pex. Pex is a digital rights technology company that enables fair and transparent use of copyrighted content at the scale and speed of the internet. Their mission is to empower creators, platforms, and rightsholders alike, which is perfectly aligned with hill’s vision for the future of the global creator’s landscape. Spending five years in a Publishing deal with Ultra Music, a Sony subsidiary, left hill with a new appreciation for creative autonomy and IP ownership. More to that end, in the fall of 2021, hill co-produced and co-released her first audio-visual NFT with a team of creatives out of Los Angeles and the Bay Area, and has already onboarded to platforms such as Catalog, which prioritize the minting of music NFTs.
Over the past year, hill also found the time to release an album she co-produced and wrote with her now-counterpart in the iamhill project, Mike Schlosser. What made this album unique is that it was also deconstructed and distributed as a sample pack by Black Octopus Sounds, who launched their adjacent record label, Black Octopus Music, in order to release the source album, Nobody Wants to Be My Friend.
hill is currently working with an independent label, Text Me Records, out of San Francisco to release her forthcoming album (also co-created by Mike Schlosser). The project will see iamhill diving deeper into how "our lives are increasingly non-human." Says hill: "We were not built - nor have we evolved - to manage this shift."
UPCOMING ALBUM HARD RELEASED ON JUNE 3
LISTEN HERE | WATCH HERE
TORONTO, ON – May 6, 2022 – Ahead of her new album release, HARD, on June 3, Tove Styrke has released her passionate lead single, YouYouYou, alongside a new video.
New track YouYouYou is an instant pop song with romantic lyrics backed by retro-tinged 80s-esque synths that bring an overall drama to the song. Tove says: “It’s the sunrise and the sunset. It’s the drama, the romance, the big bang of the album. To me it’s an instant classic and it got all the elements that I love in a big pop song. I love the analog vibes, it almost sounds like the music on a VHS tape that you’ve recorded on over and over.”
The impassioned video was shot entirely on film, which echoes the analog sound of the track, and was directed by Cornelia Wahlberg. Tove says: "I knew right away that the video was gonna have to be a dramatic portrayal of passion. I wanted to interact with people that kept changing throughout the song. I wanted it to be steamy, sexual and I also wanted to incorporate dance and use the body and movement as an expression as much as the music. We shot the whole thing on film, only using analog tricks for the effects. I think that approach fits the sound perfectly."
Tove recently announced the release of her fourth album HARD on June 3. She says: “I’m releasing my fourth album - HARD. I can’t wait to show you this music, I think it’s the best project to date that I’ve created both as a singer, songwriter and artist.”
”Life, feelings, bodies. Everything’s hard. This album is about the pleasure and the pain, the euphoria and the misery, the love stories and the heart breaks. The contrasts. And it’s about the liberation in being a free, flawed and beautiful human.”
Tove will continue to support MARINA on her upcoming already sold-out European tour in May. Full tour dates are below:
May 9 - Copenhagen, Denmark (Vega)
May 12 - The Hague, Netherlands (Amare)
May 14 - Brussels, Belgium (La Madeleine)
May 15 - Paris, France (Bataclan)
May 17 – Edinburgh (Corn Exchange)
May 20 – Manchester (O2 Apollo)
May 21 - Leeds (Refectory)
May 22 - London (O2 Brixton Academy)
May 25 – Dublin (Olympia Theatre)
About Tove Styrke:
A platinum-selling, GRAMMY-nominated, and national radio P3 Guld ‘Pop Artist of the Year’ recipient in her native Sweden, Tove Styrke has been on a meteoric rise since the release of her 2015 album, Kiddo, led by singles Borderline, Ego, and Number One. Since then, Tove has embarked on multiple headline tours, made SXSW appearances, performed on Late Night with Seth Meyers, and has received vocal support from artist peers such as Sam Smith, Tove Lo, and Shawn Mendes. She has also released several collaborations including Cheat Codes & Travis Baker (All Things $ Can Do), ALMA (Good Vibes), NOTD (Been There Done That), Clean Bandit (Last Goodbye), and Lost Kings (Stuck).
Tove Styrke's 2018 album, Sway, a project which solidified her place among the top rising forward-thinking pop artists. The album was bolstered by iconic tracks such as Sway, Mistakes and fan-favourite, Say My Name, which Rolling Stone named to its #11 spot on its 'Top Songs of 2017' list. The album has since garnered 120M+ combined streams, drawing widespread critical praise from outlets including Pitchfork (7.5 review), The FADER (Gen F), NME (5 stars), as well as support from Zane Lowe/Apple Music and BBC Radio 1. The album also launched a run of 7 tours, including support for Lorde and Katy Perry and sold-out headline tours in North America, UK, Australia and Scandinavia.
DOWNLOAD - single art work | DOWNLOAD - press photo
Tove Styrke on TikTok
PREMIERED WITH FLOOD MAGAZINE
LISTEN HERE
KAPLAN'S FULL-LENGTH DEBUT SOLO ALBUM FLOATING ON A DREAM - PRODUCED BY SHOOTER JENNINGS - DUE MAY 20 VIA FANTASY RECORDS
WATCH ALL IS WELL VIDEO FEAT. JOY WILLIAMS HERE
HEADLINING TOUR ANNOUNCED, DATES INCLUDE NEW YORK’S LPR AND LA’S TROUBADOUR
“'[On My Way]' finds Kaplan wrestling with time away from family in a powerful confession driven by his warm, deep-voiced delivery.”
THE TENNESSEAN
“Comfortably furthering the folk sounds trailblazed by artists like Lee Hazelwood, Ray LaMontagne, and Shooter Jennings.”
FLOOD MAGAZINE
TORONTO, ON – May 6, 2022 – Rising singer-songwriter, Avi Kaplan, recently announced the upcoming release of his debut solo album, the Shooter Jennings produced Floating On A Dream, due May 20, 2022 via Fantasy Records. Pre-order it here. Today, he shares a new track from the LP, I’m Only Getting Started, a heartfelt message of self-reliance and rebirth. Listen and watch the lyric video here.
“My journey has taken many twists and turns,” Kaplan revealed. “It’s been a battle at times, but the completion of this album is a huge step towards the things I hope to achieve as an artist. I’ve been waiting a long time for this chance to give people my music, and to give people myself through my music.”
Produced by GRAMMY Award-winner Shooter Jennings, (Brandi Carlile, Tanya Tucker, American Aquarium) and mixed by Trina Shoemaker, (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow,) Floating On A Dream is rendered in long shadows and moody high relief reflecting Kaplan’s Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.
With country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock, he explores matters of the heart, truth, morality, and the search for relevance across the album’s 11 original tracks. At the core though there is that voice. From a haunting falsetto to its deepest bass tones, Kaplan’s instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplan’s departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.
Deepening a musical evolution that began with 2020’s, I'll Get By EP and carried through last year’s single, Song for the Thankful, Floating On A Dream explores Kaplan’s wide sonic palette and rootsy influences. Throughout the LP’s soaring choruses and deep valley passages, Jennings’ steadfast musical foundation helps keep Kaplan’s amazing voice, which has drawn comparisons from classic country crooner Lee Hazlewood to folk legend Richie Havens, firmly in place.
Kaplan also announced a headline tour across the U.S. Find the full routing below.
TOUR DATES:
April 8 - Munich, Backstage Werk- Germany
April 10 - Zurich, Plaza, Switzerland
April 11 - Paris, Alhambra - France
May 21 - Nashville, TN - 3rd & Lindsley
May 23 - Washington, DC - Sixth & I
May 24 - Philadelphia, PA - World Café Live
May 25 - New York, NY - LPR
May 27 - Cleveland, OH - Beachland Ballroom
May 28 - St. Louis, MO - Delmar Hall
May 29 - Minneapolis, MN - First Avenue
June 1 - Chicago, IL - Lincoln Hall
June 2 - Kansas City, MO - Knuckleheads
June 4 - Ft. Collins, CO - Aggie Theatre
June 6 - Denver, CO - Bluebird Theater
June 8 - Phoenix, AZ - Crescent Ballroom
June 9 - West Hollywood, CA - Troubadour
Avi Kaplan – vocals, guitar
Aubrey Richmond – violin
Chris Masterson – guitars
Daniel Ellsworth – piano, organ, synthesizer
Jamie Douglass – drums, percussion
John Schreffler, Jr. – pedal steel
Joy Williams – vocals on All Is Well
Kaleb Jones – guitar
Smith Curry – pedal steel
Ted Russell Kamp – bass
DOWNLOAD - hi res album art | DOWNLOAD - press photo
Avi Kaplan on TikTok
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GUESTS INCLUDE WILLIE NELSON, AARON NEVILLE
AND LUKAS NELSON & PROMISE OF THE REAL
SPELLBINDING NEW RENDITION OF I WALK ON GUILDED SPLINTERS OUT TODAY
2022 NEW ORLEANS JAZZ & HERITAGE FESTIVAL HONOURS
SIX-TIME GRAMMY WINNER AND ROCK & ROLL
HALL OF FAMER'S RICH MUSICAL LEGACY
TORONTO, ON – May 6, 2022 – Over the course of his six-decade-long career, Dr. John embodied a near-mythic multitude of musical identities: global ambassador of New Orleans funk and jazz and R&B, visionary bluesman, rock and roll innovator, one-time top 10 hitmaker, self-anointed and massively revered high priest of psychedelic voodoo. On Things Happen That Way, due September 23, 2022, the six-time Grammy-winning Rock & Roll Hall of Famer otherwise known as Malcolm John “Mac” Rebennack Jr. reveals yet another dimension of his cosmically vast musicality: a lifelong affinity for classic country & western music. Things Happen That Way arrives as the latest and final studio album from an artist who remained wholly unpredictable, alchemizing the charmed simplicity of traditional country into a wildly enchanting body of work.
The first single from the album – a haunting and hypnotic new rendition of I Walk on Guilded Splinters (which originally appeared on Dr. John’s groundbreaking 1968 debut Gris- Gris) – is released today. Listen to it here. Country-rock powerhouse Lukas Nelson & Promise of the Real joined Dr. John for the newly recorded version of the classic track. “It’s a great honor to attempt to interpret the work of Dr. John,” says Lukas. “His music has inspired me since childhood. He was a friend to many, and we all miss him dearly. His music is medicine.”
Things Happen That Way marks the fulfillment of a longtime goal of the legendary singer/songwriter/pianist, who first began plotting a country inspired album decades ago. In bringing his album’s songs to life, Dr. John drew on a lineup of musicians befitting of a universally beloved luminary. Along with an elite cadre of New Orleans session players, the album’s personnel include icons Willie Nelson and Aaron Neville, and rising stars Lukas Nelson & Promise of the Real.
Things Happen That Way opens on the delicate surrender of the Willie Nelson-penned, Funny How Time Slips Away, a track whose soulful harmonies and smoldering horns never overpower the sheer vulnerability of Dr. John’s performance on piano and vocals. A co-conspirator of Rebennack’s for countless years, Nelson shares a warm remembrance that perfectly encapsulates the album’s transportive power: “Dr. John had the most unique musical style and language that would take me to another time and place whenever I heard him play or sing.” Spotlighting his endless ingenuity as a song interpreter, Dr. John also masterfully reimagines Hank Williams’ Ramblin’ Man and I’m So Lonesome I Could Cry. Elsewhere on the album, Aaron Neville joins in for a joyfully brass-heavy take on The Traveling Wilburys’ End of the Line, while Willie Nelson lends his balm-like vocals and signature guitar work to a soul-stirring rendition of the traditional gospel song Gimme That Old Time Religion.
Though much of Things Happen That Way bears an exquisitely reflective mood, the album also offers up several new uptempo originals from Dr. John: Holy Water (a savvy and poignant look back at his early-’60s criminal charge for narcotics and subsequent two-year prison sentence, with backing vocals by Katie Pruitt), Sleeping Dogs Best Left Alone (a swinging and self-aware piece that knowingly speaks to the danger in playing with proverbial dynamite), and Give Myself A Good Talkin To (a world-weary but high-spirited reflection on the vicissitudes of human nature).
With each track once again illuminating his outsize imagination and idiosyncratic yet profoundly insightful storytelling, the album then closes out with a captivating cover of Guess Things Happen That Way. In a departure from the buoyant determination of Johnny Cash’s version, Dr. John delivers an aching expression of grief and quiet hope, imbuing every line with so much unvarnished emotion. At turns devastating and triumphant, elegant and raw, with his unexpected passing, this album serves as a glorious farewell from one of the most singular, essential, and infinitely fascinating figures in music history.
The album’s liner notes, penned by Rebennack’s longtime friend, renowned television producer Ken Ehrlich (creator of PBS’ groundbreaking music series Soundstage, and producer of the GRAMMY Awards for four decades) offer the sage observation that Things Happen That Way is “the most personal and intimate journey into his soul that has ever been put on tape.”
On May 8, the New Orleans Jazz & Heritage Festival – now in its 52nd year – will celebrate Dr. John’s vast musical legacy with a tribute concert featuring performances by Irma Thomas, Cyril Neville, Davell Crawford, John Boutté, Ivan Neville, Jon Cleary, and Papa Gros. Last weekend, the festival honored Dr. John with a second line jazz funeral procession gloriously led by the Young Fellaz brass band.
Things Happen That Way Track Listing:
1.Funny How Time Slips Away
2.Ramblin’ Man
3.Gimme That Old Time Religion (feat. Willie Nelson)
4.I Walk On Guilded Splinters (feat. Lukas Nelson & Promise of The Real)
5.I’m So Lonesome I Could Cry
6.End Of The Line (feat. Aaron Neville)
7.Holy Water
8.Sleeping Dogs Best Left Alone
9.Give Myself A Good Talkin’ To
10.Guess Things Happen That Way
WATCH HERE AND BUY/STREAM HERE
TORONTO, ON – May 5, 2022 – Today, twin ARIA-nominated duo, Cosmo’s Midnight, return with their latest single and video, Bang My Line, featuring Tkay Maidza, out now in Canada via Sony Music.
A silken and smooth slice of West-Coast funk, Bang My Line will transplant you directly to the hazy glitz of a palm-tree lined LA. A slapping bass line calls for a subtle head nod, as a falsetto of ooh’s serenade the chorus. Tkay Maidza’s unmistakable flow coolly enters to effortlessly match the energy drummed up by the twins, atop a pastiche of live instrumentation and an organic peachy beat. Today’s accompanying video, directed by Harry Scott, sees Cosmo’s Midnight grooving beachside. Walkie talkie in hand, Cosmo waits for a call from his crush. Tkay Maidza next appears as a stylistic vision, lime green eyeshadow matching a technicolour array of effects as she seamlessly delivers her verses.
Cosmo’s Midnight say of the track, “We started writing 'Bang My Line' back in 2020, and finished it last year with Winston Surfshirt in his poolside studio/house that feels like it was transplanted straight out of LA. In between playing darts, swimming and a few drinks we came up with this sunny, cruisey west coast-inspired jam. It’s about waiting for your crush to ‘Bang Your Line’ because you're too spooked to make the first move. It’s so fitting that Tkay was keen to hop on this track as it feels like the stars were totally aligned with her moving to LA and her LYWW mixtapes stylistically blending perfectly with us.”
Bang My Line featuring Tkay Maidza, follows the duo’s previous triple j #1 Most Played hit, Can’t Do Without (My Baby), which recently received remixes from David Penn and Tseba, alongside their debut Best Dance Release nomination at the 2021 ARIA Awards for Yesteryear. As the pair continue to perfect their masterful production chops and cultivate a sound that’s instantly recognizable, they simultaneously celebrate reaching over 377M worldwide streams to their discography. The duo recently secured a gold certification for their singles Down For You with Ruel, Have It All feat. Age.Sex.Location and Talk To Me feat. Tove Styrke, as well as career-first platinum certifications for History, Get To Know feat. Winston Surfshirt and triple j Hottest 100-placed favourite, C.U.D.I (Can U Dig It). Having already worked with the likes of BTS, Asta and more across their career, in 2021 Cosmo’s Midnight further cemented their place as one of Australia’s most sought-after production acts. Before the year was out, the duo worked with a laundry list of artists to craft a slew of irresistible releases, including Feel Good with Jitwam, How Does It Feel with BAYNK, another triple j 1# Most Played cut Straight Up Relaxin with Yung Bae, and their outstanding disco-infused collaboration with Jessica Mauboy on Glow. The pair also co-produced on Wollongong multi-instrumentalist Stevan's Mr. Pants, which followed their lone solo release of the year, Titanic.
Since making serious waves in the Australian music scene in 2018 with their widely appraised, triple J Feature Album debut, What Comes Next, the multi-instrumentalist, songwriting and production act continue to sell out shows at home and around the globe. After closing 2021 with sets at Wildlands Festival, Beyond the City on NYE, Lost Disco on NYD, and South Korea’s virtual Busan International Rock Festival in October, the pair last month expanded their impressive resume with electrifying live shows around Australia in support of Flight Facilities on their FOREVER Tour. Next, they travel to London for a highly awaited reunion with UK fans, performing on July 14.
Groove along today as Cosmo’s Midnight resume play on their fun-loving hits, and collaborate on Bang My Line with fellow Aussie beloved music star, Tkay Maidza.
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Cosmo's Midnight on TikTok
TORONTO, ON – May 5, 2022 – Toronto soul-pop singer, songwriter, producer and director, Domanique Grant,releases the first instalment of her double-EP, QUEEN/DOM, today. Titled Chapter 1: Queen, the songs on the EP deliver an array of sonic elements, infectious production and introspective, inspiring lyrics about the human journey to generational healing, forgiveness, worthiness and ultimately claiming your crown. Listen to QUEEN/DOM Chapter 1: Queen here.
On the inspiration behind the project, Domanique adds: "I wrote this project to claim my own narrative and to own the fact that the process to learning self-love and to claiming your crown is complicated."
Chapter 1: Queen was written and co-produced by Domanique Grant, with collaborators including Jarrel The Young, Joshua Sadler-Brown (co-production and mixing on Save Me), Marc Koecher (production on 723 and Undressing, mixing on 723, Undressing and Real Me) and Michael Hammer (mixed Moving On), with additional writing by Kiki Rowe. The EP was mastered by Phil Demetro.
EP track, Save Me, premiered on CBC Radio q this morning, where Domanique spoke about the song in length. Real Me, 723, and Moving On mark some of the most personal songs Domanique has shared to date, while Undressing, will be a bonus single released this summer. See a full track listing below.
In April, Domanique introduced the EP with standout track, Real Me, a song about being worthy of love despite our imperfections, and arrives with a stunning self-directed video - listen to Real Me and watch the video here. Real Me [produced by GRAMMY-nominated Jarrel The Young (Drake) and co-written by Domanique Grant and Kiki Rowe) continues Domanique's journey of sharing the power of being your true self in song, as explored in her previous single, Airbrush.
Last year, Airbrush, made waves for its bold, tell-it-like-it-is multi-layered take on how colourism, shadeism, gender norms, narcissism, and self-esteem unfold and impact digital culture. Listen to Airbrush here and watch the video here. Domanique partnered with Ensemble and RBCxMusic for the project and launched an intimate in-studio preview of the track you can check out here. Take a listen to the acoustic rendition, with revitalized lyrics here and watch Domanique's performance here.
The Airbrush campaign featured a Cosplay series on Instagram, showcasing Domanique's re-creations of Marvel and DC superheroes, in collaboration with Toronto body paint artist, Alchemy Center. As the song champions every shade and gender, Domanique launched the series to inspire new perspectives around gender and beauty norms online. Get a glimpse of Domanique's take on X-Men's Mystique here, and her latest reimagination of Wonder Woman here.
Domanique hasn't slowed down amidst a time of worldwide change. In 2020, Domanique’s craft made global headlines through Till We See The Sun, her stunning, uplifting track that spread joy at the height of the first pandemic lockdown. Since then, she has cultivated a partnership with RBCxMusic, as featured in their Grammy Awards campaign, Fuelling Firsts, which aired during the 2021 awards ceremony broadcast. She delivered presentations, performances and numerous public speaking engagements. Most recently, Domanique performed at the Humber River Heroes benefit concert by the Humber River Hospital Foundation, the Canadian Nurses Foundation Maskerade Gala hosted by etalk's Traci Melchor, and Toronto International Film Festival, opening the screening of the documentary, Listening To Kenny G.
In addition, Domanique produced RBC's The Imagine Summit, supporting artist-entrepreneurs in imagining beyond the limitations of the current global climate, by offering exclusive access to industry leaders, mindfulness training and financial resources.
Stay tuned for more sonic self-love from Domanique as she prepares to release QUEEN/DOM and learn about Domanique’s incredible career to date below.
QUEEN/DOM Chapter 1: Queen Tracklisting
1.Save Me
2.Real Me
3.Undressing - to be released Summer 2022
4.723
5.Moving On
DOWNLOAD – Press Photo
DOWNLOAD – QUEEN/DOM Chapter 1: Queen Cover Art
TikTok: @domaniquegrant
About Domanique Grant
(pronunciation: DOM-AH-NEEKE GRANT, pronouns: she/her)
You may call her QueenDom. Her mom did when she was a child, and now Toronto soul-pop singer, songwriter, producer and director Domanique Grant is claiming it in adulthood, as the title of her forthcoming double EP (the first chapter out on May 5, 2022), for which she opens up some tough conversations — of worthiness, forgiveness, self love, notions of beauty and Internet culture.
Fresh off of her collaboration with the Grammy Awards and RBCxMusic, Domanique Grant is a Pop/Soul, Singer-Songwriter from Toronto, named one of Buzzfeed’s Top 20 Artists to Watch from Canada.
With a live show that’s been praised by Ted Talk, recent collaborations with Grammy nominated producer Jarrel ‘The’ Young (Drake 2021, The Weeknd 2020, Fall out Boyz 2019) and a Pandemic-song that went viral worldwide, 2022 is set to be a big year for the teal haired powerhouse.
“I want to create music that reminds people to be authentic, especially when the world tells you that you don’t fit," Domanique says.
The release of Domanique’s upcoming EP album QUEEN/DOM, exploring self-love and authenticity in a digital age; does that and more. With a milky vocal tone, paired with a praised, rap-singing versatility, echoing influences as diverse as Lauren Hill, Lisa Left-Eye Lopes, Rihanna, Sza and Chance the Rapper, combined, Domanique’s music straddles the lines of modern Pop and R&B, with elements of Electronic and Hip Hop that can’t be ignored.
QUEEN/DOM is a double EP release with the first chapter out now, and the second to come in late 2022. Introspective yet relatable, on the project, Domanique shows both a bold and vulnerable side. Like many of us, she shifted her focus during the Covid Pandemic towards further growth and self-care. And for her, that meant creating more music. She spent the last year reflecting, writing and recording.
NEW FULL-LENGTH TO SEE RELEASE LATER THIS YEAR
TORONTO, ON – May 4, 2022 - Iberian black/death metal outfit, NOCTEM, has joined the MNRK Heavy roster with plans to release their sixth full-length later this year!
Comments the band, “Brothers and sisters, this is a new beginning and a big step forward on the ungodly path that NOCTEM has been following for the last twenty years. We walk this path of thorns with joy and armed with faith and fury. And now, everything is ready, we are ready, more avid for blood and lust than ever. Today we rise once again without redemption, with our arms open to embrace fate and these chaotic times. We are eager to share this new work with you who have chosen us. Soon we have more news… until then, stay true, stay wild, stay impenitent.”
MNRK Heavy’s Scott Givens, SVP, Rock & Metal, Music says, “NOCTEM have long been an artist I have had great respect for and when the opportunity came to join forces with them, MNRK Heavy seized it without question."
Based out of Valencia, Spain, NOCTEM has a vast career spanning more than two decades with an impressive discography consisting of five full-length studio albums, two demos, and one live LP, all centred on topics of ancient civilizations, mythology, and misanthropy. The band has previously worked with the likes of Prosthetic and Metal Blade Records.
Standing among the most active metal acts in Spain, the band has toured relentlessly over the years sharing stages with such metal luminaries as Marduk, Batushka, Napalm Death, Immolation, and many others throughout Europe, Asia, Russia, and North America, as well as having appeared at numerous major metal festivals around the globe.
In 2016, the band released its Haeresis full-length through Prosthetic Records with an exclusive CD edition that was limited to just 666 copies. The fittingly titled "Death Scent Edition” bore the scent of rotten meat and sold out in less than a week! The following year saw NOCTEM release a homemade beer aptly named "A Cruce Salus" coinciding with the release of Codex Ante-Mortem, a philosophical book written by singer Beleth.
In 2019, the band unveiled its fifth full-length studio release titled, The Black Consecration. New Transcendence championed a, “superb album, littered with secrets and enticing riffs.” Dutch Metal Maniac lauded as “enormously overwhelming and crushing album,” while V13 wrote, “NOCTEM successfully marry the Swedish guitar fury of Marduk with the misanthropic virulence of Immolation in an orgy of evil savagery and destruction not entirely unlike that of Watain.”
Further info on the band’s upcoming new full-length will be unveiled in the coming weeks. You have been warned.
NOCTEM:
Beleth - vocals
Varu - bass
Voor - drums
Moss - guitars
Tobal - guitars
DOWNLOAD: press photo
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market around the world. MNRK is committed to discovering and guiding top music creators and artists and is home to some of the greatest music talent in the world, including The Lumineers and Ricky Martin as well as the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.
I JUST CAME HOME TO COUNT THE MEMORIES PERFORMED BY GILLIAN WELCH & DAVID RAWLINGS OUT TODAY
NEW ALBUM PRODUCED BY DAN AUERBACH AND
DAVID FERGUSON FEATURING BROTHERS OSBORNE,
TYLER CHILDERS, ERIC CHURCH, BRENT COBB, LUKE COMBS, SIERRA FERRELL, SIERRA HULL, JAMEY JOHNSON,
ASHLEY McBRYDE, DEL McCOURY, JOHN PRINE,
NATHANIEL RATELIFF, STURGILL SIMPSON AND
GILLIAN WELCH & DAVID RAWLINGS
TORONTO, ON – May 4, 2022 – A new tribute album celebrating the songs and career of legendary country artist , John Anderson, Something Borrowed, Something New: A Tribute to John Anderson, will be released August 5 via Easy Eye Sound (pre-order here).
Produced by Dan Auerbach and David Ferguson, the record features new versions of some of Anderson’s most beloved songs, performed by Brothers Osborne, Tyler Childers, Eric Church, Brent Cobb, Luke Combs, Sierra Ferrell, Sierra Hull, Jamey Johnson, Ashley McBryde, Del McCoury, John Prine, Nathaniel Rateliff, Sturgill Simpson and Gillian Welch & David Rawlings. In advance of the release, I Just Came Home to Count the Memories, performed by Gillian Welch & David Rawlings, is out today—watch the official music video here.
Of the record, Anderson shares, “Listening to everybody do their own takes on the songs shows how the songs really come through. And I thought to myself, ‘You might have been young and foolish back then, but you sure did pick some good songs.’ It’s very gratifying to know that some things really do not change, and a great country song remains a great country song. Any one person on the record would be a real tribute, but all of them together? It’s a pretty big deal for me personally.”
Additionally, Auerbach reflects, “We weren’t trying to piddle around and make the normal tribute record. It had to be the best singers with the best songs and the best arrangements, and they all had to come into the studio. This wasn’t like, ‘Mail me the song, and we’ll put it together.’ Everybody had to come here and do their thing. I think it makes this record unique. I don’t think most tribute records are done like this. I think that's why it sounds like a cohesive album. It feels like an amazing mix tape.”
Something Borrowed, Something New further celebrates a triumphant career for Anderson, who is one of country music’s most respected and beloved figures. Most recently, Anderson released his 22nd studio album, Years, in April of 2020 (stream/purchase here). Also produced by Auerbach and Ferguson, the record was created in the midst of a serious health crisis and is the testimony of his remarkable recovery.
Released to overwhelming critical acclaim, Rolling Stone praised, “Years finds Anderson at his most convincing, and moving, since his hit-making heyday. It’s the type of record that should cast his entire discography in a new light, an inspired offering that shows a forgotten legend pulling off a new trick just as effectively as his old ones,” while Billboard declared, “Years is putting Anderson firmly in the spotlight again” and The Tennessean proclaimed, “With his warming baritone—familiar to four decades of country music listeners—Years plays like a soundtrack to creative deliverance; sincere messages that often sounds resilient and at times tender-hearted.”
A Nashville Songwriters Hall of Fame inductee, Anderson has enjoyed 60 charting singles in four consecutive decades including five No. 1 songs: Wild and Blue, Swingin’, Black Sheep, Straight Tequila Night and Money in the Bank. Originally from Apopka, Florida, Anderson now lives outside of Nashville with his wife of over 25 years, with whom he shares two daughters.
SOMETHING BORROWED, SOMETHING NEW: A TRIBUTE TO JOHN ANDERSON TRACK LIST
1. 1959 performed by John Prine
2. Years performed by Sierra Ferrell
3. Wild and Blue performed by Brent Cobb
4. Low Dog Blues performed by Nathaniel Rateliff
5. Mississippi Moon performed by Eric Church
6. I Just Came Home to Count the Memories performed by Gillian Welch & David Rawlings
7. Shoot Low Sheriff! performed by Tyler Childers
8. Seminole Wind performed by Luke Combs
9. When It Comes to You performed by Sturgill Simpson
10. You Can’t Judge A Book (By The Cover) performed by Brothers Osborne
11. Would You Catch A Falling Star performed by Del McCoury feat. Sierra Hull
12. Straight Tequila Night performed by Ashley McBryde
13. I’m Just An Old Chunk of Coal (But I’m Gonna Be a Diamond Some Day) performed by Jamey Johnson
WATCH THE VIDEO FOR LEAD SINGLE MADE UP MIND HERE
LISTEN TO THE JUST LIKE THAT... HERE
THIRD RELEASE FROM HER INDIE LABEL
REDWING RECORDS CAPTURES ATTENTION
TORONTO, ON – May 3, 2022 – Music legend, Bonnie Raitt’s, newly-released (and 21st) album, Just Like That…, is capturing the attention of fans and critics alike while it scores on sales charts, radio airplay and DSP playlists nationwide. Billboard chart positions include #1 Current Album, #1 Current Rock Album, #1 Americana / Folk Album, #1 Blues Album, #1 Internet Album and #1 Independent Record Label Current Albums.
The album reached #2 on the iTunes U.S. Top Albums chart just behind the #1 Billboard 200 top album of the week, Pusha T’s, It’s Almost Dry. At Amazon, Just Like That… was the #1 New Release before the album was even available.
Debuting at #3 on the Americana Radio Albums Chart, its first single, Made Up Mind, remained at the #1 spot on the Americana Radio Singles Chart for four weeks, with the track also making it on top Spotify and Apple Music playlists including Rockin’ Vibes, Americana Icons, Got Blues, Grade A, Made for Spatial Audio, New Music Daily, and New In Rock & Roadhouse.
Bonnie was recently featured on Spotify’s Time Square billboard, and earned praise from the likes of the NY Times ("brings new depth to songs of love and loss"), NPR ("she's carried on in the groove that she established"), NPR Fresh Air (“That is a voice of compassion and generosity, qualities many of us encounter all too rarely these days.”) and Wall Street Journal ("a potent reminder that she’s still here, and still vital”) while her intimate conversation with Apple Music’s Zane Lowe unlocked the stories behind the four self-penned tracks.
The 10-track album is the latest milestone in an already magnificent year following being awarded the Lifetime Achievement Award at this year’s GRAMMY Awards, receiving the Icon Award at the Billboard Women in Music, and her iconic album, Nick of Time, being inducted into the Library of Congress’s National Recording Registry.
The mix of sounds and approaches on Just Like That… reveals how, 50 years after the release of her debut album, Raitt continues to personify what it means to stay creative, adventurous, and daring over the course of a life’s work. “On this record, I wanted to stretch,” she says. “I always want to find songs that excite me, and what’s different this time is that I’ve tried some styles and topics I haven’t touched on before.”
Like the rest of the musicians around the world, sidelined for two years from their livelihood and great joy—touring and performing live—Raitt and her band finished the first leg of their current eight-month US tour and will be embarking on the second leg joined by Lucinda Williams and longtime friend, Mavis Staples, on various dates throughout the run. The full tour schedule with info on Special Benefit Seats, is listed at www.bonnieraitt.com
ABOUT BONNIE RAITT
Bonnie Raitt is a singer, songwriter and guitarist whose unique style blends blues, R&B, rock, and pop. After 20 years as a cult favourite, she broke through to the top in the early 90s with her GRAMMY-award winning albums, Nick of Time and Luck of the Draw, which featured hits, Something To Talk About and I Can't Make You Love Me, among others. The ten-time Grammy winner was inducted into the Rock & Roll Hall of Fame in 2000 and Rolling Stone named the slide guitar ace one of the “100 Greatest Guitarists of All Time” and one of the "100 Greatest Singers of All Time.”
Raitt’s widely-acclaimed 2012 independent release, Slipstream, sold over a quarter-million copies, making it one of the top selling independent albums, and earned Raitt her 10th Grammy Award (Best Americana Album). In February 2016, Raitt released her highly-anticipated 20th album, Dig In Deep (Redwing Records.) On tour for much of 2017-2019, Raitt and her band performed overseas in Australia, New Zealand as well as Canada before spending the summers touring as support for James Taylor in stadiums and arenas across the U.S., United Kingdom and Europe.
As known for her lifelong commitment to social activism as she is for her music, Raitt has long been involved with the environmental movement, performing concerts around oil, nuclear power, mining, water and forest protection since the mid 70's. She was a founding member of MUSE (Musicians United for Safe Energy) which produced the historic concerts, album and movie, NO NUKES, and continues to work on safe energy issues in addition to environmental protection, social justice and human rights, as well as creator’s rights and music education.
DOWNLOAD – hi-res press photo
WATCH THE SHORT FILM SPIRIT CROCODILE DIRECTED BY JASON GOLDWATCH
LISTEN TO THE ALBUM
LEG 2 OF NBA LEATHER TOUR FT. EARL SWEATSHIRT AND THE ALCHEMIST KICKS OFF NEXT WEEK WITH STOPS IN VANCOUVER, EDMONTON, CALGARY,
TORONTO AND MONTREAL
TORONTO, ON – April 29, 2022 – Action Bronson has released a new album, Cocodrillo Turbo, via Loma Vista Recordings and along with, it an eleven-minute short film titled Spirit Crocodile.
Directed by Jason Goldwatch (Pusha T, Jay Z, Kid Cudi, Nas, The Roots), the short film digs into the essence of Cocodrillo Turbo and why the reptile is important to Bronsolino’s process. The images and footage are filtered through the lens of psychedelia as music from the album soundtracks it. Watch here.
Cocodrillo Turbo includes features from Conway The Machine, Roc Marciano, Hologram, Meyhem Lauren with production from The Alchemist, Daringer, Roc Marciano, and Action Bronson. The album has a physical release date of October 7. Click here for more details.
Action Bronson isn’t anyone’s idea of an underdog with a slew of critical acclaim, a New York Times bestseller, successful TV shows; a decade+ long career where he’s proved time and time again why he is one of the best MCs of our time. And yet, on his brilliant new album, Cocodrillo Turbo, he sets out to prove that his lingual versatility is stronger than it’s ever been. “I don't feel like I'm given the fucking respect that I deserve,” Bronson explains. Cocodrillo Turbo is Bronson demanding that respect. Cocodrillo Turbo a record that hits immediately, but rewards deep listening and close readings.
Check out the previously released video for Subzero.
NBA LEATHER LEG 2 DATES
May 1 - Vancouver, BC - Harbour Event and Convention Centre
May 3 - Edmonton, AB - Union Hall
May 4 - Calgary, AB - Macewan Hall
May 6 - Milwaukee, WI - The Rave
May 8 - Detroit, MI - Fillmore
May 9 - Toronto, ON - History
May 11 - Montreal, QC - MTELUS
May 13 - Worcester, MA - Palladium
NBA LEATHER LEG 3 DATES
May 24 - Dublin, Ireland - The Academy
May 30 - Manchester, UK - Manchester Academy
May 31 - London, UK - O2 Academy Brixton
June 1 - Birmingham, UK - O2 Academy Birmingham
June 5 - Paris, France - Bataclan
June 8 - Stockholm, Sweden - Annexet
June 9 - Kobenhavn, Denmark - TAP1
DOWNLOAD - Hi Res Album Art | DOWNLOAD - Hi Res Press Photo
LISTEN HERE AND WATCH THE VIDEO FOR ALBUM TRACK
GET OUT OF TOWN
TORONTO, ON – April 29, 2022 – Today, Toronto-based singer-songwriter, Teagan Johnston (formerly known as Little Coyote), celebrates the release of her debut full-length album, Sentimental Ballad. A gorgeous collection of 12 new originals, Sentimental Ballad is a raw expression of heartache, told through minimalistic piano and lyrically driven songs, accentuated by Johnston’s stunning vocals. Listen here.
A deeply personal record, Sentimental Ballad is perhaps Johnston’s most honest artistic expression that she has ever been able to share. The songs are both strong and powerful while also holding space for softness and vulnerability. Combining Johnston’s delicately detailed piano playing with lyrics full of love and longing, she seeks to explore human darkness and the fabric of our dreams.
The album was created and released entirely independently, and exactly the way she has always wanted – free from the opinions and agendas of anyone but Johnston. Playing every part in creating the record, she teaming up with friend and recording engineer, Devon Lougheed, to help mix and produce. Fully taking the reins, Johnston produced and engineered the album’s latest single, Get out of town – which is the first song of that nature that she has ever released.
“Get out of town was written about my urge to leave Toronto after going through a breakup,” reflects Johnston. “Since writing the song though, I’ve realized how much I love this city. I moved here when I was 19 and this place has really given me everything, so many of things that I dreamed would be possible when I moved here have come true.”
Highlighting the song and the album’s release, Johnston shared the video for Get out of town last week. She adds, “The video for Get out of town is a love letter to the city, it’s an expression of how even when things get hard here and I want to leave, I know I will always be connected to Toronto.” Watch the video here.
Dive in to Sentimental Ballad today and hear how Teagan Johnston’s songs will haunt you in a way that soothes your soul.
ABOUT TEAGAN JOHNSTON
Formerly known as Little Coyote, Teagan Johnston (she/they), is a singer-songwriter who drives the genre beyond its current borders, bringing a radical rawness to her work that hits you in your heart. Born in the Yukon, raised between South Africa, Spain, Switzerland and the West Coast of Canada, Teagan brings a vast and ever layered perspective to her work.
Compared to the likes of Fiona Apple, Regina Spektor, and Nick Cave, Tegan’s debut ‘The Trouble with Teeth’ was released in October 2017 with the enthusiastic support of EggHunt Records. Her following 2019 EP, Stay Gold, received many accolades and acclaims from various media outlets, such as VICE’s Noisey, PopMatters & more. A seasoned and experienced live performer, at home playing solo or backed by a band, Teagan has toured North America and Europe, including performing a special set at David Lynch’s prestigious private Paris nightclub Silencio.
Teagan partakes in several art forms outside of music as a means of communication and creative expression. She has modelled for Canadian fashion designer Evan Biddell, and written OP ED articles for The Toronto Star and She Does The City. In 2019 Teagan played her breakout acting role as Catherine in a Canadian Indie Horror movie The Strings as well as composing original music for the film. Outlets such as The New York Times, The A.V. Club, Bloody Disgusting and more have called Johnston’s performance and music in the film “commanding” and “magnetic.”
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teaganjohnston.com
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facebook.com/teagsjohnston
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spotify.com/artist/0RHysVgRczmEPciDxfOG3
After relocating home to Zambia during the pandemic, Sampa reconnected with a different side of herself, one closer to the younger artistry that was nourished growing up in Africa. Now, in an age of authenticity, meet a 360 Sampa, a higher version of herself. No mask on, or role to play, Lane is Sampa The Great’s call out to create and explore her own lanes, and go beyond what’s prescribed without judgment. A vocoded voice leads the track, to the tune of jilted organs and choral harmonies. A trap beat with a rolling bass melody sets the pace for Sampa the rap in defiance of being shoved in a box, calling out for courage to try willingly and freely. Denzel Curry’s verse is a powerful statement of similar essence, further adding to the gravity of Lane's message.
Accompanying the song is a video directed by Rochelle Rhembard and Imraan Christian. A long-form piece, book-ended and balanced with the spoken-word piece, Origin, is a fitting reintroduction. From the depths of an underground cave, we are first introduced to Eve: the persona and blueprint of Sampa’s highest version of self. From a juxtaposition of four-walled concrete rooms to Sampa’s younger self, to children in black suits running through nature with automatic weapons in hand, we follow the story of Sampa’s newest journey. Denzel Curry completes the narrative in a virtual reality headset, rapping in time to spell out a dynamic ending.
Sampa The Great says of Lane: "We’re not going to stay in one lane, we’re going to create multiple ones... My truest self encourages me to explore different lanes, and go beyond what I think I know of myself.”
Sampa The Great has spent much of the past two years writing and recording while home in Zambia during the pandemic. In 2020, Sampa The Great took home three ARIA Awards for her debut album The Return, including Best Independent Release, Best Female Artist and Best Hip Hop Release before executing a thrilling live performance filmed from a rooftop in Botswana. Later that same month, the Music Victoria Awards saw Sampa take home four wins, including Best Album, Best Solo Artist, Best Soul, Funk, Gospel or R&B Album and Best Song, to cap off a year that included becoming the first solo artist and female musician to win Best Live Act at the National Live Music Awards and BET Amplified’s first-ever global artist. As a highly applauded live performer, Sampa has entertained audiences across the globe with appearances at festivals like Glastonbury, Splendour in the Grass and Laneway, alongside virtual sets for AFROPUNK, Black August and the Roots Picnic, as well as support slots for artists including Kendrick Lamar and Ms Lauryn Hill. Last weekend, Sampa The Great performed for the first time at Coachella 2022 and gave fans a taste of what to expect during her US festival run this summer at Lollapalooza, Pickathon and Outside Lands this July and August.
In 2019, Sampa took home Best Hip Hop Release for Final Form at the 2019 ARIA Awards, alongside multiple other wins at the annual J Awards, including Video of the Year and Double J’s Artist of the Year, Best Hip Hop Act at the Music Victoria Music Awards and broke industry records by winning the prestigious Australian Music Prize twice in her career. The Return LP received praise from the likes of The Guardian, NPR, Pitchfork, The FADER, Billboard, OkayAfrica and countless others. Sampa then re-released The Return track, Time’s Up, with new verses from New York rapper Junglepussy, collaborated with the likes of The Avalanches, Denzel Curry & Tricky, as well as featured on Michelle Obama’s esteemed playlist.
Today marks the arrival of Sampa The Great’s newest form and music ahead of a thrilling run of live performances in Australia for An Afro Future 2022 with a full band. Don’t miss absorbing the message of Lane to stick yourself in the present, and find your own highest version of self, before securing your ticket to witness the track live below.LAUNCHING SATURDAY, MAY 7 WITH PERFORMANCE
BY THE WILDERNESS OF MANITOBA
LINEUP FEATURES GHOST CARAVAN, THE ROLLING SKY
(GROUP PROJECT WITH CHLOE KAY, JULIANA EYE & SAM CASEY) LIVE OFF THE FLOOR FROM STUDIOS IN CANADA AND THE UK
TORONTO, ON - April 25, 2022 - Following the success of their original uplifting Saturday night sessions - The Popguru Revue: A Livestream Digital Concert Series - last fall, fully-integrated Toronto music company, Popguru Sound & Vision, shares a new project as we flow into spring with a new livestream concert series.
Titled The Popguru Revue: Unplugged, A Livestream Concert Series, everything will kick off on Saturday, May 7 via the Popguru Sound & Vision YouTube channel with an intimate performance with strings by Toronto band, The Wilderness of Manitoba. The band shared their acclaimed new album, Farewell To Cathedral, last fall. New fans and longtime listeners alike will be able to experience fresh tunes and old favourites. Mark your calendars and tune in here.
For this edition, of the Revue, audiences will be able to tune into the sounds of Brighton, UK singer-songwriter Chloe Kay, and Toronto pop artists, Sam Casey and Juliana Eye, in the form of their new group project, The Rolling Sky; JUNO nominated band, The Wilderness of Manitoba, and Toronto based anthemic pop group, Ghost Caravan. Performances were filmed at Crouch End Studios, London UK and Revolution Recording in Toronto. See below for a complete schedule.
It has been a busy 2022 for Popguru! On May 20, Popguru’s boutique label, The Confidence Emperors, will unveil Coverama - a compilation of creative, fun and innovative renditions of classic pop and indie rock songs. The tracks on Coverama include interpretations by Toronto artist/producer, Alex Exists; author/musical artist, JOHN ORPHEUS, UK-based pop singer-songwriter, Chloe Kay; Will Whitwham (leader of The Wilderness of Manitoba), Ghost Caravan, Canadian icons Martha and the Muffins, artist/producer Juliana Eye, indie pop duo, TANDM, and new signing, Sam Casey. Learn more about the project here.
The roster will celebrate with a live show at The Drake Underground in Toronto, on Saturday, May 21, where John Orpheus, Alex Exists, Sam Casey, Ghost Caravan, TANDM, and Juliana Eye will take to the stage to share their eclectic renditions with live energy. Find all info and tickets here.
In Fall of 2021, Popguru Sound & Vision delivered an engaging livestream concert series, the Popguru Revue. The fully integrated, Toronto-based music company shared an immersive high-production season of free programming, featuring performances from an array of the company’s diverse and dynamic artist roster. You can watch all of the sets on the Popguru video channel.
Learn more about Popguru Sound & Vision's extensive industry history and evolution to date below and stay tuned for more creative covers ahead of Coverama's spring release.
Popguru Revue Livestream Concert Series - Spring 2022
*Saturdays May 7 through 28 at 9:00 p.m. ET*
Saturday, May 7 - The Wilderness of Manitoba
Saturday, May 14 - Ghost Caravan
Saturday, May 21 - The Rolling Sky - part 1
Saturday, May 28 - The Rolling Sky - part 2
TUNE in on YouTube
DOWNLOAD - Popguru Revue: Unplugged Image Assets
About Popguru Sound & Vision:
Founded in 1998 by A&R maverick Graham Stairs, Popguru Sound & Vision is a fully integrated music company that makes a difference. Its core business is artist management, but, as a diversified company, Popguru is involved in music publishing, two record label imprints and providing music for film, television and other media.
Prior to starting his own company, Stairs was a partner in Intrepid management and did A&R for Intrepid Records, Latitude Records and EMI Music Canada. He was involved with such seminal Canadian artists as Martha and the Muffins, the Rheostatics, National Velvet, Chalk Circle, Damhnait Doyle and Sandbox. He was also behind the soundtrack album for the film, Highway 61, and the Bruce Cockburn tribute album that gave the Barenaked Ladies their first national hit with Lovers In A Dangerous Time. To this day, it is still one of the most played songs on Canadian radio. More recently, Stairs did A&R for True North Records where he signed Catherine MacLellan, Hunter Valentine and Australian band, the Audreys.
The strength of any company is its artists and repertoire. Popguru subscribes to the philosophy of building a community and long-term careers for its artists. The company’s mandate is to develop content for the Canadian and international marketplaces. The business model uses diversification as a strategy to create and monetize content for the existing and next generation uses of music. Since reactivating Popguru in 2009, Stairs has signed Martha and the Muffins, Odario, Grand Analog, the Wilderness of Manitoba, John Orpheus, Ghost Caravan, producer/songwriter, Mike Schlosser, and Sam Casey for management. Stairs’ vision of the interdependencies between record labels, music publishers, management companies and licensing agencies is the reason that Popguru organizes all of them within the same company. This is Popguru’s response to the needs of artists today and into the future.
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The Wilderness of ManitobaThe Wilderness of Manitoba
After a three year hiatus, The Wilderness of Manitoba returned in 2021 with a new line-up and a new album entitled Farewell To Cathedral. Founding member and singer/multi-instrumentalist Will Whitwham was joined by Victoria Carr on vocals and acoustic guitar, Tavo Diez de Bonilla (Jenn Grant) on bass and vocals, and Adam Balsam (The Most Serene Republic) on drums and vocals for the recording of the album. The group prefers to characterize itself as an evolving entity. Whitwham says, “I've always been a believer in fresh collaborations because everyone you meet influences your creative process in some way. It's up to you to decide whether they fuel it or stagnate it. In this particular case, the four of us together was the best fit for the current batch of songs. Adam, Victoria and Tavo all brought something very unique to the table with their voices and playing styles.” From the band’s inception, it has redefined itself with every new release; from Hymns of Love and Spirits through When You Left The Fire, Island of Echoes, Between Colours, Across The Dark and various EPs. The evolution of their sound has run the gamut from four part harmonies and its initial chamber folk sound to duo lead vocals and an expanded sonic palette ranging from cinematic indie pop to anthemic folk rock.
When asked about his songwriting process and the title of the group’s current album, Whitwham replies, “At times, when you're working on a record, the songs get trapped in your head as you walk and carry them around. They then start to form various connections with your recurrent surroundings and, in this case, there was this beautiful Ukrainian cathedral I would always see from my window. The cathedral became a symbol to me of something I was leaving behind when I decided to move out of that house. It was the longest place I'd lived in my entire life and leaving was hard in some ways. The cathedral was a symbol of a safe place that I was constantly able to return to and I think that we all need some kind of version of that; whether it’s tangible, literal or metaphorical. Many of the album’s songs deal with loss through the eyes of hope and I've always believed in the hope one can find through melancholy. Farewell To Cathedral is about leaving your safe place in order to move forward and grow.” For this band, recording the whole album over a mere two days at Revolution Recording in Toronto was completely unprecedented. In the past, Whitwham feels he has laboured over a lot of the sonic details, adding overdub after overdub. For this album, the songs were captured at their most live and purest stage. The results show that, at the end of the day, the quality of the songs is not necessarily contingent on the recording process.
In its thirteen year existence, the Wilderness of Manitoba’s strengths come as a direct result of the wealth of traveling and playing the group has done. They have played the End of the Road Festival and Peter Gabriel’s WOMAD Festival in the UK and toured the UK, US, Netherlands, Canada and Germany with such artists as Aimee Mann, The Low Anthem, Lord Huron and Other Lives among others. “The live show,” says Whitwham, “is an in-the-moment portrait of the band and its efforts.” Those efforts were recognized when the Wilderness of Manitoba was nominated for a JUNO and two Canadian Folk Music Awards. Summing things up, Whitwham says, “My eventual hope is that we are able to embark on a proper live tour for the Farewell To Cathedral album.” Unfortunately, friend and bandmate, Adam Balsam, passed away before the band was able to play the songs live and the album has been dedicated to his memory.
DOWNLOAD - The Wilderness Of Manitoba Press Photos
About Ghost Caravan
Ghost Caravan is a group of collaborators lead by singer/actress Shaina Silver-Baird. On her debut album and various singles released since, Silver-Baird has collaborated with members of Martha and the Muffins, Grand Analog and the Weeknd. Silver-Baird says, “My music is about finding the light, the moment when you realize your own strength and ability to move forward. I want to be proud to share our songs with young women. There are so many voices in the world telling women how to think and feel about themselves. I want to be the voice that celebrates women. I want to empower and uplift people.”
The music itself is anthemic pop with a hint of electronica. The Ghost Caravan live show mixes electronic elements with live instruments creating a sound that is cinematic and invigorating. Silver-Baird elaborates, “I want to continue to push in the direction of upbeat lyrics coupled with musically compelling tracks. It’s such an exciting sound – very contemporary and yet derived from something deeper and older. I love how celebratory it is. It’s as if I get to see the world through glasses that make the colours a bit more vibrant and the moments a bit more joyous.”
Silver-Baird is currently collaborating on songs for her next EP to be released in 2022 with UK producer Joe Thompson and Canadian songwriters Sarah Boulton and Suzy Wilde. Ghost Caravan has also recorded a version of the Elvis Costello song Girl Talk for the Popguru covers album, Coverama, scheduled for a May 2022 release.
DOWNLOAD - Ghost Caravan Press Photos
About The Rolling Sky (Chloe Kay, Juliana Eye, Sam Casey)
Meanwhile, Sam Casey had been signed to Popguru Sound & Vision and was about to perform her first live show. She needed a band and one of the musicians that Popguru recommended was keyboardist Juliana Eye who was accompanying recording artists such as CARYS and AMAAL. Sam and Juliana hit it off and became a mutual admiration society. Popguru also managed John Orpheus and Mike had produced and co-written all of his albums and mixtapes to date. Mike was introduced to Sam and Sam flew out to Edmonton where Mike was now based after being kicked out of the Hive building when it was sold out from under him by the owner. In a creative burst of energy, Sam and Mike co-wrote seven songs including one with Chloe who, by now, was living in Brighton, England. At this point, work began on COVERAMA, an album of favourite cover songs recorded by various artists on the Popguru roster. Mike and Chloe collaborated on a version of When Doves Cry by Prince, and Juliana produced, recorded and performed a version of the Blondie song Dreaming that Mike mixed. The circle was now complete. Chloe, Juliana and Sam had now all worked together in one capacity or another. The next logical step was to work together as well as individually and they started writing songs together as The Rolling Sky.
Chloe Kay is a singer/songwriter with a unique capacity for crafting pop gems who is currently based in Brighton, UK. She first moved from her hometown in Surrey to Toronto with the goal of developing her music further. “I had just finished studying music in London and felt it would be helpful for my creative process to get out of my usual environment and be somewhere different.” As a member of electronic duo This Sound Will Save You, Chloe wrote songs that blended “unexpected electronic arrangements with epic pop adventures.” She has created toplines for producers worldwide including Dante Rose, Pure State, Day Din, Chrone & Bale, The Head, Clyde Rivers and Lucian among others. In 2021 alone, she collaborated on 12 singles. As a solo artist, she released the singles Let Me In and Fall Into U through UK label frtyfve records under her artist name of Chloe Kay. Both songs were featured on BBC Music Introducing. Chloe recently teamed up with producer/songwriter Mike Schlosser to create the single Fiction as well as her version of the Prince song When Doves Cry for the COVERAMA album. In addition, electronic artist NICOLAAS has remixed her track Beautiful Lie which will be included on The Confidence Emperors compilation album The International Sound System Party, Volume II in 2022.
JULIANA EYE is an alt-pop artist, songwriter and multi-instrumentalist based out of Toronto. Her obsession with pop melodies, 90s & early-00s guitar tones, paired with her mesmerizing voice has given EYE’s sound a unique blend of nostalgia and melancholy. Her latest single, “Dreaming” is a lush and evocative rendition of the 1970’s Blondie hit; fusing subtle hints of new wave synth textures, dreamy guitars, and alluring vocals.
Born and raised in the Toronto suburb of North York, JULIANA took to music obsessively at the early age of thirteen as an act of teenage rebellion and an outlet for finding herself. She spent the majority of her adolescence playing guitar and writing songs in her bedroom, jamming in basements with her friends’ obscure bands, and venturing to downtown clubs to watch local artists perform. While attending University for art & graphic design, EYE toured and recorded with indie-rock band, The Ruby Spirit, as a backup vocalist and self-taught keyboard player. JULIANA has since pursued a career as a live support musician and performed with a number of artists including CARYS (Warner Music/Atlantic Records), Juno-nominated AMAAL (Universal Canada), and LØLØ (APG) to name a few.
JULIANA EYE will be releasing more singles this year as well as an EP in late 2022.
When Toronto based artist Sam Casey was fifteen or sixteen years old, there were a bunch of guys that she didn’t know hesitating at the top of a super high rock face overlooking the lake near her cottage. Already a force of nature, she climbed up there, walked right past them and just jumped. It was probably a fifty feet drop. Nicknamed “The General” by her family, Sam established her girl boss credentials from that point forward.
"As a young female artist, I believe that many people expect certain social norms or points of view from me that I consistently disagree with or can’t provide.”
She was into music at a young age and took piano lessons like her older sisters, but never really liked it. So, she made a deal with her parents. They would let her switch to guitar if she would stay with the piano until grade six. This led her to a music school called Beyond The Beat which had great teachers, encouraged its students to produce original music and, unusually, emphasized artist development. Quintessentially Canadian, Sam played hockey for most of her life until music eventually took over. Her team used to play her songs in the dressing room to get pumped up for the game! She loves dancing because it instantly changes peoples’ moods.
Sam began her songwriting as journal entries. In high school, she was never truly on the inside nor an outcast. She felt like she was the only person around her who was being honest about what they were feeling. Later on in life, she realized that this lack of capacity to filter her ideas and “inside thoughts” in order to please others was a strength and how the universe wanted her to be. Her songs are about her experiences with toxic relationships, struggles with mental illness and the relatable feeling of things slipping in and out of control in your life that you always have to be ready to fight and push through.
Since being recommended to Popguru Sound & Vision by a friend of a friend in the music business, Sam has filmed and recorded a performance for the Popguru Revue livestream concert series and worked with UK producer Joe Thompson on a version of the Etta James song, I’d Rather Go Blind, for the soon to be released COVERAMA album. She has also co-written an EP of songs with Thompson and a second EP of songs with Canadian producer/songwriter Mike Schlosser (John Orpheus/IAmHill). If that wasn’t enough, she collaborated with Martha and the Muffins’ Martha Johnson and Mark Gane on a song for their Dazzlefield project. More recently, Sam has been writing with UK based Chloe Kay and fellow Torontonian Juliana Eye for a collective project they are calling The Rolling Sky.
FEATURING PREVIOUSLY UNHEARD SONGS, COVERS OF BOBBIE GENTRY, LESLEY GORE & LINDA RONSTADT, AND MORE
UPCOMING TOUR DATES INCLUDE STAGECOACH FESTIVAL
AND SHOWS WITH CHRIS STAPLETON
DEBUT MEMOIR OUT THIS FALL
TORONTO, ON – April 22, 2022 – Today, Margo Price releases the deluxe edition of That’s How Rumors Get Started, adding eight new recordings to the 2020 album hailed as her “most soaring and chugging” (Wall Street Journal), “most stirring and affecting” (Variety), “most raucous, and rocking, work yet” (Esquire). Alongside all ten of the record’s original songs, the expanded collection now features the previously unheard, Goin’ To The Country, resurrected from the LP’s early sessions led by Price, David Ferguson and producer, Sturgill Simpson. Bonus tracks also include the 2021 single, Long Live The King, covers of Linda Ronstadt’s You’re No Good, Lesley Gore’s You Don’t Own Me and Bobbie Gentry’s He Made a Woman Out Of Me, as well as Price’s own Hitman, Later On (feat. The Band of Heathens) and more that her record club subscribers will recognize. Listen to That’s How Rumors Get Started (Deluxe), out on digital platforms via Loma Vista Recordings, here.
Since welcoming That’s How Rumors Get Started into the world, Margo Price has remained as busy and bold as ever. Earlier this spring, she earned a nomination for the A2IM Humanitarian Award at the 2022 Liberas, honouring her work as the first-ever female artist on the Farm Aid Board of Directors. She also debuted a new song written for the latest season of Netflix series, Big Mouth, paid tribute to Tina Turner on her Live From The Other Side EP, featuring Adia Victoria, Allison Russell, Kam Franklin and Kyshona Armstrong, raised funds for reproductive justice via Noise For Now, and launched her mail-order vinyl record club called A Series of Rumors, where songs like Better Than Nothin’ and others on That’s How Rumors Get Started (Deluxe) were initially pressed as limited edition 7” singles. Today’s release brings them to DSPs for the very first time.
In recent months, Margo Price has taken her unbeatable live show back on the road, sharing stages with the likes of Bob Weir, Brandi Carlile, Lucinda Williams, Nathaniel Rateliff and Tyler Childers, playing festivals such as Farm Aid, Ohana, Newport Folk and more. Later this month, Price and her band will return to Stagecoach, before heading out on a run of amphitheatre and arena dates with Chris Stapleton. Find tickets and information here.
Margo Price’s first book, Maybe We’ll Make It: A Memoir, will be released on October 4, 2022, by the University of Texas Press. “It’s a love story about loyalty, loss, grief and forgiveness,” says Price. “It’s about finding freedom from substance abuse and addiction and fighting for the freedom to be myself in the music business.”
THAT'S HOW RUMORS GET STARTED (DELUXE) TRACKLIST:
1. That's How Rumors Get Started
2. Letting Me Down
3. Twinkle Twinkle
4. Stone Me
5. Hey Child
6. Heartless Mind
7. What Happened To Our Love?
8. Gone To Stay
9. Prisoner Of The Highway
10. I'd Die For You
11. Goin' To The Country
12. Long Live The King
13. You Don't Own Me (Lesley Gore cover)
14. Hitman
15. He Made a Woman Out Of Me (Bobbie Gentry cover)
16. Later On (feat. The Band of Heathens & Nicki Bluhm)
17. You're No Good (Linda Ronstadt cover)
18. Better Than Nothin'
2022 TOUR DATES:
4/24 - Boulder, CO - Bluebird Music Festival
4/25 - Aspen, CO - Belly Up Aspen
4/26 - Salt Lake City, UT - The Commonwealth Room
4/30 - Indio, CA - Stagecoach Music Festival
5/1 - Spicewood, TX - To Willie: A Birthday Celebration
5/21 - Bentonville, AR - FreshGrass
6/2 - Nampa, ID - Ford Idaho Center*
6/3 - Ridgefield, WA - RV Inn Style Resorts Amphitheater
6/4 - George, WA - Gorge Amphitheatre*
6/5 - Bend, OR - Oregon Spirit Distillery\
6/16 - Bakersfield, CA - Mechanics Bank Arena*
6/17 - Wheatland, CA - Toyota Amphitheatre*
6/18 - Mountain View, CA - Shoreline Amphitheatre*
7/15-7/17 - Whitefish, MT - Under The Big Sky
7/30 - Chesterfield, MO - Open Highway Music Festival
8/13 - Bellevue, NE - Outlandia Festival
8/26 - Bridgeview, IL - Sacred Rose Festival
9/2-9/4 - Weston, CO - Caveman Music Festival
10/7-10/8 - York, PA - White Rose Music Festival
12/2 - Lake Wales, FL - Orange Blossom Revue
*with Chris Stapleton
Follow Margo Price
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LISTEN HERE
“On “Just Like That,” Raitt calls for compassion, consolation and perseverance to get through with grace.” - New York Times
"...epitomizes steady rockin' and shows that the 72-year-old blues-rock treasure is the master of the form.” - NPR
“On Just Like That…, Raitt certainly sounds like the best version of herself. Her voice has only become richer and more nuanced over the years, her range spanning a low purr all the way up to a floating falsetto, her ability to effortlessly bend a lyric to her will as supple as ever.” - Billboard
“““Just Like That . . .” is a potent reminder that she’s still here, and still vital.” - WSJ
“..it is also a reminder of her songwriting talent, a muscle she flexed from the very beginning..” - The Guardian
“From track one, "Made Up Mind," through track 10, "Down The Hall," the album is Raitt at her best — heartfelt, moving, rocking, bluesy, vibrant, life affirming. It is an eclectic mix of songs that remind again why Raitt is a musical institution.” - Forbes
“Just Like That,” another soul-stirring mixture of greasy good-time blues rock and heart-rending state-of-the-world balladry."- Variety
“Just Like That… has plenty of funky joy and, as is often said of the best blues music, it makes you feel better when you’re down.”- Pollstar
“(Raitt) is a true artist the industry has ever known for the last five decades. She is a supreme songwriter, bull’s-eye vocalist, all-star level Delta blues guitar mastery— as far as I’m concerned, the greats are trying to hang with her.” - Questlove Supreme podcast
TORONTO, ON – April 22, 2022 – Bonnie Raitt’s 21st album Just Like That…, is out now via Redwing Records on all formats, including an indie exclusive teal LP and immersive audio formats Dolby Atmos and 360 Reality Audio. She is also teaming up again with distributor, ADA, globally and new partner, Sub Pop, for the physical album release in the United States. Listen to Just Like That… here.
Raitt has had a magnificent year: In addition to the new album, she received the Lifetime Achievement Award at this year’s GRAMMY Awards, was awarded the Icon Award at the Billboard Woman in Music, and her album, Nick of Time, was inducted into the Library of Congress’s National Recording Registry.
The 10-track album’s title comes from a line in one of Raitt’s new original songs: “Just like that, your life can change.” The record features several songs Raitt has been wanting to record for years, including Made Up Mind by Winnipeg’s own, The Bros. Landreth, Something’s Got a Hold of My Heart by NRBQ’s Al Anderson (NRBQ joins the first leg of Raitt’s tour), and Toots and the Maytals’ Love So Strong, which Bonnie had intended as a duet with her dear friend, Toots Hibbert. Sadly, the reggae giant passed away in 2020; Raitt has included the track as a tribute.
The album has four songs written by Raitt. Living for the Ones, co-written with her longtime guitarist George Marinelli, is a rocking dedication to the friends and family she has lost in recent years, while the funky and sardonic Waitin’ for You to Blow—about the devil on Recovery’s shoulder—is equal parts Mose Allison, Eddie Harris, and ‘70s funk.
Two of the original songs came out of real-life scenarios: Down the Hall was inspired by a New York Times story about a prison hospice program, while the album’s title track was sparked by a news segment about two families deeply impacted on both sides of an organ donation. The power of writing about the life-changing personal experiences of others resonates deeply with Raitt. “I’ve always loved the early guitar songs of Dylan, Jackson Browne, Paul Brady, and especially John Prine,” she says. “With songs like Angel from Montgomery and Donald and Lydia, John was able to just climb inside and sing these people’s deepest lives. With his passing last year, finishing these songs has meant even more.”
Just Like That… was recorded in the summer of 2021 in Sausalito, CA. The players include two veteran members of Raitt’s band, bassist James “Hutch” Hutchinson and drummer Ricky Fataar, as well as two new musicians, Canadian Glenn Patscha on keyboards and backing vocals and Nashville guitarist Kenny Greenberg. Raitt’s frequent guitarist/songwriting partner George Marinelli also joined in, playing and singing on Livin’ for the Ones. Once again, Bonnie took the producer reins, reuniting with her favorite recording and mixing engineer, Ryan Freeland, for their third collaboration (they each earned GRAMMY Awards for Raitt’s 2012 release, Slipstream).
The mix of sounds and approaches on Just Like That… reveals how, 50 years after the release of her debut album, Raitt continues to personify what it means to stay creative, adventurous, and daring over the course of a life’s work. “On this record, I wanted to stretch,” she says. “I always want to find songs that excite me, and what’s different this time is that I’ve tried some styles and topics I haven’t touched on before.”
Like the rest of the musicians around the world, sidelined for two years from their livelihood and great joy—touring and performing live—Raitt and her band and crew are thrilled to hit the road in April for an eight-month U.S. tour. The tour’s special guests include NRBQ (from April 12—23), followed by Lucinda Williams and longtime friend, Mavis Staples, on various dates throughout the run. The full tour schedule, with info on Special Benefit Seat information, can be found at www.bonnieraitt.com
Bonnie Raitt has never felt more grateful that she can continue making music, contributing to causes, keeping her crew working, and connecting with her audience. “I’m really aware of how lucky I am,” she says, “and I feel like it’s my responsibility to get out there and say something fresh and new—for me and for the fans. But I need to have something to say or I won’t put out a record.”
ABOUT BONNIE RAITT:
Bonnie Raitt is a singer, songwriter and guitarist whose unique style blends blues, R&B, rock, and pop. After 20 years as a cult favorite, she broke through to the top in the early 90s with her GRAMMY-award winning albums, Nick of Time, and Luck of the Draw, which featured hits, Something To Talk About and I Can't Make You Love Me, among others. The ten-time Grammy winner was inducted into the Rock & Roll Hall of Fame in 2000 and Rolling Stone named the slide guitar ace one of the 100 Greatest Guitarists of All Time and one of the 100 Greatest Singers of All Time.
Raitt’s widely-acclaimed 2012 independent release, Slipstream, sold over a quarter-million copies, making it one of the top selling independent albums, and earned Raitt her 10th Grammy Award (Best Americana Album). In February 2016, Raitt released her highly-anticipated 20th album, Dig In Deep (Redwing Records). On tour for much of 2017-2019, Raitt and her band performed overseas in Australia, New Zealand as well as Canada before spending the summers touring as support for James Taylor in stadiums and arenas across the U.S., United Kingdom and Europe.
As known for her lifelong commitment to social activism as she is for her music, Raitt has long been involved with the environmental movement, performing concerts around oil, nuclear power, mining, water and forest protection since the mid 70's. She was a founding member of MUSE (Musicians United for Safe Energy) which produced the historic concerts, album and movie NO NUKES and continues to work on safe energy issues in addition to environmental protection, social justice and human rights, as well as creator’s rights and music education.
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res photo
BONNIE RAITT ON THE WEB
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM
FEATURING SETS BY ERIK LAAR, ORI SHALVA AND DJ BUNCHA WITH VIRTUAL PERFORMANCES BY ONUKA AND MARYNA KRUT
TICKETS ON SALE HERE
NEW INTERNATIONAL BALAKLAVA TOUR DATES ANNOUNCED
TORONTO, ON – April 21, 2022 – Second Front Ukraine Foundation, Lighthouse Immersive and Blok Music Inc. will co-host SHELTER OUR SKY: an immersive fundraiser in support of Ukraine on Wednesday, April 27, at Lighthouse Immersive in Toronto. The cabaret style show will be headlined by Balaklava Blues, the Ukrainian folk-noir band that met and fell in love during the Revolution of Dignity and east Ukrainian war that acted as a precursor to Russia's recent full scale invasion. To date, they have helped to raise over $500,000 with concerts in Toronto, New York, Chicago, and Miami as well as with their ONLY FARE refugee aid campaign with Toronto photographer, Peter Lusztyk. Tickets are on sale here.
The exclusive 250 tickets are by donation on Eventbrite with a $50 minimum and 100% of proceeds will go to Second Front Ukraine Foundation. Members of Balaklava Blues are personally delivering all donations and humanitarian aid collected as they embark on their European tour via Warsaw on May 2.
Balaklava Blues will be joined virtually by Ukrainian icons, Onuka and Maryna Krut, who will transmit exclusive sets from the embattled territories of Ukraine onto the 40 foot walls of the Toronto venue made famous by its Van Gogh exhibit.
Also performing live are Baltic folk hop producer Erik Laar, traditional Georgian polyphonic ensemble, Ori Shalva and DJ Buncha, who has put together a special VJ set of Ukrainian hits (i.e. popular music videos on a cinema-size screen with a banging sound system) including songs that have gone viral since the onset of the war like Pink Floyd's Hey Hey, Rise Up featuring Andrij Hlyvniuk, lead singer of the popular rock band, Boombox.
In March, Balaklava Blues shared a timely new single called Shelter Our Sky. It arrived in tandem with their announcement of a collaborative NFT project that seeks to raise funds in support of COME BACK ALIVE, a Ukrainian NGO that helps Ukrainian military, volunteers, and their families on the basis of crowdfunding, inviting artists to contribute works inspired by the song, and its powerfully moving video. Listen to, and watch, Shelter Our Sky here and learn more about the campaign here.
Balaklava Blues' repertoire and live show is motivated and inspired by a deep connection of Ukrainian roots and its relationship to/reaction against Russian aggression. They recently won a Stingray Rising Star Award for best showcase at Mundial Montreal and enjoyed 4 sold out shows at the Barbican Centre in London, where they wrote and performed the live score to Belarus Free Theatre's Dogs of Europe, a dystopian epic based on a scenario not dissimilar to what has been unfolding in Ukraine.
The duo will take their music on the road for an international tour through May - see below for all dates and don't miss them when they perform in your city!
In March, Balaklava Blues shared a timely new single called Shelter Our Sky. It arrived in tandem with their announcement of a collaborative NFT project that seeks to raise funds in support of COME BACK ALIVE, a Ukrainian NGO that helps Ukrainian military, volunteers, and their families on the basis of crowdfunding, inviting artists to contribute works inspired by the song, and its powerfully moving video. Listen to, and watch, Shelter Our Sky here and learn more about the campaign here.
Balaklava Blues' repertoire and live show is motivated and inspired by a deep connection of Ukrainian roots and its relationship to/reaction against Russian aggression. They recently won a Stingray Rising Star Award for best showcase at Mundial Montreal and enjoyed 4 sold out shows at the Barbican Centre in London, where they wrote and performed the live score to Belarus Free Theatre's Dogs of Europe, a dystopian epic based on a scenario not dissimilar to what has been unfolding in Ukraine.
The duo will take their music on the road for an international tour through May - see below for all dates and don't miss them when they perform in your city!
Balaklava Blues Tour Dates
April 27 - Toronto, ON - Lighthouse Immersive
April 29 - Kitchener, ON - Neruda Arts Centre
May 4 - Vijandi, Estonia - Estonian Traditional Music Centre
May 6 - Tallinn, Estonia - Folktronica Stage, Tallinn Music Week
May 6 - Tallinn, Estonia - Made In Canada Stage, Tallinn Music Week
May 8 - Riga, Latvia - Kenepes Kulturas
May 9 - Vilnus, Lithuania - Polish Cultural Centre
May 10 - Kaunas, Lithuania - Dainavos Kino Teatras
May 11 - Liepaja, Latvia - WISE
May 13 - Miami, USA - Lauderhill Performing Arts Centre
DOWNLOAD - Balaklava Blues Press Photos by Zahra Saleki (@zahrasaleki)
DOWNLOAD - Shelter Our Sky Image Assets
About Mark & Marichka Marczyk - Balaklava Blues
Balaklava Blues is the brainchild of Mark and Marichka Marczyk, creators of the multi-award winning guerrilla-folk-opera Counting Sheep and leaders of the mighty Lemon Bucket Orkestra – Canada’s notorious 12 piece balkan-party-punk-massive. Falling somewhere between a traditional song cycle and a full blown multimedia techno show, the duo fuses Ukrainian polyphony and other folk traditions with EDM, trap, dub step, and more as a launching pad to explore the seemingly never-ending blues that have long emanated from the Ukrainian steppe.
The two met there during the 2014 revolution of dignity and ever since, have dedicated their creative energy to telling the stories of their home country to the world. Their 2015 play Counting Sheep garnered major critical acclaim winning several awards at the 2016 Edinburgh Fringe – including a Fringe First award and Amnesty International’s Freedom of Speech award. It has since had multiple successful runs in The US, UK and Germany and is currently in the middle of a 2 month run headlining the Vault Festival in London until March 17th.
Mark and Marichka composed all the music for Counting Sheep – a story of love and revolution – and four of the songs are on this debut release. “Balaklava Blues music is a reclamation of the violence perpetrated on my home country,” says Mark Marczyk, who spent years back and forth between Ukraine and Canada before meeting Marichka there. “We want to redesign and remix physical and psychological oppression and question how and why it continues to inform who we are and what we can become.”
BRINGING NEW TUNES TO THE ROAD THIS MAY
Toronto, ON – April 20, 2022 – Canadian indie-rockers, Current Swell, are hitting the road this spring for a North American tour and are kicking things off May 5 in Kingston at The Mansion. The tour will see the Victoria B.C. three-piece rip through southern Ontario, parts of Quebec, and northeast U.S.A., before heading back to Canada. Current Swell will be bringing some new tunes to the road that they’ve been working on the past few years, as well as playing hits from their latest full-length, Buffalo, among other favourites.
"Can't wait to get back on the road and see everyone out east!,” offers the band. “Davers can't make this tour but we're so lucky to have our best pal Jesse to step in and slay. We'll be rocking hard with all our favourite songs and maybe some surprises in there to keep things interesting. We’ve been working on some new material and the tour life always inspires so be ready for anything and everything this time around. It's been wayyyy too long!"
Like all other bands, Current Swell had to adjust their touring plans over the last few years but that didn’t stop them from headlining the All Ways Home festival in Victoria in 2021 and being the first band to play for a live audience (in over 500 days) at the Commodore in Vancouver in November 2021.
Offers Jesse Roper, “It was kind of a surreal moment getting the call asking if I could fill in on the tour. The answer was an obvious yes. I’m so ready to leave my house for anything music and for it to be a cool new experience like this, I was stoked. It’s also been really interesting digging into learning these tunes and seeing how Scotty and Davers write. When you just listen it, it all floats by in a nice package. I’ve enjoyed dissecting the music a bit and letting it influence my writing at the same time. Super cool. Hopefully I can do Davers justice up there and nail the parts and the vibe.”
More information on tour dates and tickets can be found here and full tour dates are listed below.
Current Swell North American Tour 2022
May 5 - The Mansion - Kingston, ON
May 6 - Observatory - Ottawa, ON
May 7 - L'Anti Bar & Spectacles - Quebec City, QC
May 8 - Petit Campus - Montreal, QC
May 10 - Brighton Music Hall - Allston, MA
May 11 - Knitting Factory - Brooklyn, NY
May 12 - DC9 Nightclub - Washington, DC
May 13 - World Cafe Live - Philadelphia, PA
May 14 - The Opera House - Toronto, ON
May 15 - London Music Hall - Rum Runners London, ON
Current Swell:
Scott Stanton (vocals and guitar)
Louis Sadava (bass and vocals)
Marcus Manhas (drums)
Phil Hamelin (trumpet and keys)
Dave St. Jean (trombone)
Jesse Roper (vocals and guitar)
I AM THE MOON: 4 ALBUMS AND 4 COMPANION FILMS
1ST FILM DEBUTS TUESDAY MAY 31ST
FOLLOWED BY FIRST ALBUM RELEASE, FRIDAY JUNE 3RD
TORONTO, ON – April 20, 2022 – Today, Tedeschi Trucks Band - the revered 12-piece collective founded by husband-and-wife duo, guitarist Derek Trucks and singer-guitarist Susan Tedeschi - announces the most ambitious studio project of their storied career: I Am The Moon, an epic undertaking in four albums with 24 original songs. Inspired by a mythic Persian tale of star-crossed lovers, and emotionally driven by the isolation and disconnection of the pandemic era, the thematic I Am The Moon totals more than two hours of music, unfolding across a robust tapestry of genre-defying explorations that propel the treasured American ensemble into new and thrilling creative territory.
The four albums that comprise I Am The Moon — I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — will be released in successive months beginning with I. Crescent, available digitally and on CD, Friday, June 3. (All vinyl configurations, including individual LPs and the 4-LP I Am The Moon Deluxe Box will be available on September 9). Pre-order I AM THE MOON here and watch the project trailer here.
The decision to sequence and release I Am The Moon in four distinct episodes came "when we started thinking of records we love," Trucks says, citing Axis: Bold as Love, the 1967 LP by the Jimi Hendrix Experience. "It's 36 minutes long. That's the way to digest a record." With that approach in mind, TTB will present I Am The Moon: The Film, immersive visual companions to each album. The corresponding films will debut three days prior to each audio release, offering fans an early opportunity to digest each album in its entirety as a communal listening and viewing experience via the band’s YouTube channel. Directed by Alix Lambert, the films combine studio and performance footage with atmospheric photography and imagery beautifully capturing the music’s kaleidoscopic textures. The project launches with the first episode: I Am The Moon: The Film - I. Crescent on Tuesday, May 31 at 6:00pm Pacific/9:00pm ET. Release dates for each I Am The Moon album and companion film can be found below.
The concept behind I Am The Moon, the GRAMMY-winning band’s fifth studio recording, was suggested by TTB vocalist Mike Mattison in May 2020, two months after the band was forced off the road by the pandemic. The 12th century poem Layla & Majnun by Persian poet, Nizami Ganjavi, was the title inspiration for Eric Clapton’s 1970 double-LP with Derek and the Dominos, Layla and Other Assorted Love Songs – an influential album for TTB. But Ganjavi’s source material resonated with Mattison and the rest of the band in an altogether different way. Finding complex themes and storylines that inspired their creative process, they forged a new, modern interpretation of the vast 100-page poem. I Am The Moon was written collectively and collaboratively, with band members contributing their own unique perspectives on the work. By January 2021 the band was recording at Tedeschi and Trucks' home studio, Swamp Raga, in Jacksonville, FL, with Derek behind the soundboard as producer and long-time studio engineer, Bobby Tis, in charge of recording and mixing.
Operatic in scope, Tedeschi Trucks Band explores romantic relationships, collective struggle, faith, and the human experience on I Am The Moon. "It's amazing," Trucks says, "because we wrote most of this music in a pretty short time span. There are even chord changes that mirror other tunes on the albums – themes and variations, lyrical allusions, that pop back up." He continues: "You always want to do something bigger and thematic. This is the first time it happened naturally."
Tedeschi Trucks Band have extensive tour dates planned for 2022. See list of dates below.
Watch the I Am The Moon Trailer: here
Pre-order I Am The Moon: here
The limited-edition, I Am The Moon Deluxe Box Set, each individually-numbered, includes all four albums in the I Am The Moon series on 180g black vinyl, plus additional special items will be available September 9, 2022 - order EXCLUSIVELY through the TTB store and the Fantasy Records store.
TEDESCHI TRUCKS BAND - I AM THE MOON: ALBUM + FILM RELEASE DATES:
I Am The Moon: I. Crescent
Film Premiere: May 31
Album Release: June 3
I Am The Moon: II. Ascension
Film Premiere: June 28
Album Release: July 1
I Am The Moon: III. The Fall
Film Premiere: July 26
Album Release: July 29
I Am The Moon: IV. Farewell
Film Premiere: August 23
Album Release: August 26
I Am The Moon – All Vinyl Configurations: individual LPs + the 4-LP Deluxe Box available September 9.
Tedeschi Trucks Band tour:
June 24 - Jacksonville, FL - Daily’s Place Amphitheater
June 25 - Mobile, AL - Mobile Civic Center
June 26 - Tuscaloosa, AL - Tuscaloosa Amphitheater
June 28 - Indianapolis, IN - The Amphitheater at White River State Park
June 29 - Detroit, MI - Fox Theatre
July 1 - Canandaigua, NY - Constellation Brands - Marvin Sands Performing Arts Center
July 2 - Gilford, NH - Bank of New Hampshire Pavilion
July 3 - Saratoga Springs, NY - Saratoga Performing Arts Center
July 6 - New Haven, CT - Westville Music Bowl
July 8 - Philadelphia, PA - The Mann Center
July 9 - Essex Junction, VT - Midway Lawn at Champlain Valley Expo
July 10 - Patchogue, NY - Great South Bay Music Festival
July 12 - Lewiston, NY - ArtPark
July 13 - Cincinnati, OH - PNC Pavilion at Riverbend
July 15 - 16 - Atlanta, GA - Fox Theatre
July 19 - Vienna, VA - Wolf Trap
July 20 - Richmond, VA - Virginia Credit Union LIVE!
July 21 - Raleigh, NC - Coastal Credit Union Music Park
July 23 - Charlotte, NC - PNC Music Pavilion
July 24 - Huber Heights, OH - Rose Music Center at The Heights
July 26 - Aurora, IL - RiverEdge Park
July 27 - St. Louis, MO - Fabulous Fox Theatre
July 29 - 30 - Morrison, CO - Red Rocks Amphitheatre
August 18 - San Diego, CA - Cal Coast Credit Union Amphitheater
August 19 - Los Angeles, CA - The Greek Theatre
August 20 - Berkeley, CA - The Greek Theatre
August 23 - Sacramento, CA - Sacramento Memorial Auditorium
August 24 - Eugene, OR - Cuthbert Amphitheater
August 26 - Auburn, WA - White River Amphitheater
August 27 - Bend, OR - Hayden Homes Amphitheater
August 28 - Reno, NV - Grand Sierra Resort & Casino
August 31 - Boise, ID - Outlaw Field at the Idaho Botanical Garden
September 1 - Bonner, MT - Kettlehouse Amphitheater
September 3 - Moorhead, MN - Bluestem Center for the Arts Amphitheater
October 17 - Copenhagen, DK - Amager Bio
October 18 - Copenhagen, DK - Amager Bio
October 20 - Randers, DK - Vaerket
October 21 - Oslo, NO - Sentrum Scene
October 22 - Stockholm, SE - Cirkus
October 25 - Berlin, DE - Verti Music Hall
October 26 - Hamburg, DE - Edel-optics.de Arena
October 27 - Prague, CZ - Forum Karlin
October 30 - Rotterdam, NL - RTM Stage
November 2 - Dublin, IE - The Helix
November 4 - London, UK - The London Palladium
November 5 - London, UK - The London Palladium
November 6 - London, UK - The London Palladium
November 9 - Manchester, UK - Manchester Academy
November 10 - Glasgow, UK - O2 Academy Glasgow
November 12 - Paris, FR - Le Trianon
November 13 - Paris, FR - Le Trianon
November 15 - Paris, FR - Bataclan
Tedeschi Trucks Band:
Susan Tedeschi: Guitar and Vocals
Derek Trucks: Guitar
Gabe Dixon: Keys and Vocals
Brandon Boone: Bass Guitar
Tyler Greenwell: Drums and Percussion
Isaac Eady: Drums and Percussion
Mike Mattison: Guitar and Vocals
Mark Rivers: Vocals
Alecia Chakour: Vocals
Kebbi Williams: Saxophone
Ephraim Owens: Trumpet
Elizabeth Lea: Trombone
DOWNLOAD - album art | DOWNLOAD - press photo
Tedeschi Trucks Band TikTok: @tedeschitrucksband
ANNOUNCES PERFORMANCE ON
THE TONIGHT SHOW STARRING JIMMY FALLON
NEW ALBUM SOMETIMES, FOREVER
PRODUCED BY DANIEL LOPATIN (ONEOHTRIX POINT NEVER) OUT JUNE 24
"Soccer Mommy, continues to stretch beyond the sparse indie-rock of her early songs" - The New York Times
"Allison’s ear for vocal and guitar tones remains impeccable...Allison is thriving, equipped with the tools to make a record as bombastic as the ones that first fueled her nostalgic ’90s alt rock dreams." - Pitchfork (Best New Track)
"’Shotgun’ [features] steadfast synths, airtight guitar, and a robust thwunk of a bassline. The mix sounds cleaner and more assertive…a very promising start to Soccer Mommy’s next era, one that we’ll keep on loop for a while." - Rolling Stone (Song You Need To Know)
"Soccer Mommy recaptures some of the bleary grace of certain mid-’90s alt-rock-radio outliers, and “Shotgun” has a head-nod beat that gives me flashbacks to Folk Implosion’s “Natural One”... ...there’s some dizzy romanticism in the way the song explodes, again and again. " - Stereogum (#1 Best Song of the Week)
"sharp indie rock" - Vulture
TORONTO, ON – April 20, 2022 – Soccer Mommy recently announced her new full-length album, Sometimes, Forever, produced by Daniel Lopatin of Oneohtrix Point Never, and today she shares another single off of the forthcoming record. Following lead single, Shotgun, is the spellbinding Unholy Affliction. Showcasing Allison’s appreciation for textures that are at once pretty and unsettling, Unholy Affliction highlights the masterful collaboration between Allison and Lopatin. Listen to the track now here and watch the accompanying video here. Soccer Mommy also announces that she will perform on The Tonight Show Starring Jimmy Fallon on Monday, April 25th.
Sometimes, Forever is boldest and most aesthetically adventurous work yet, and cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. It sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever. The album will be released on June 24th via Loma Vista, and can be pre-ordered here.
Some international dates in support of Sometimes, Forever have already been announced, with more coming soon. See below to find a show near you, and get your tickets here.
Soccer Mommy released the critically-acclaimed, GRAMMY-nominated sophomore album, color theory, in 2020. Following the release of the album, Allison earned mass acclaim, with performances opening for Bernie Sanders, numerous headline dates sold out months in advance, festival slots at the likes of Glastonbury, and her late-night debut on Jimmy Kimmel Live!. The album made its AAA Top 20 debut after release, was #1 NACC Top 200 for four weeks running, and debuted on the following Billboard charts: #1 Top New Artist Albums, #1 Alternative New Artist Albums, #4 Current Alternative Albums, #4 LP Vinyl Albums, #6 Current Rock Albums, #16 Top Current Albums and in the Billboard Top 200.
UPCOMING TOUR DATES:
4/30/22 - Memphis, TN @ Beale Street Music Festival
5/14/22 - Salt Lake City, UT @ Kilby Block Party
6/12/22 - New York, NY @ Governors Ball Festival
6/24/22 - Margate, UK @ Leisure Festival
6/28/22 - Dublin, Ireland @ Trinity College *
6/30/22 - Vilanova i la Geltru, Spain @ Vida Festival
8/12/22 - Seattle, WA @ Day In Day Out Festival
8/31/22 - Nottingham, UK @ Rescue Rooms
9/1/22 - Brighton, UK @ Chalk
9/1/22-9/4/22 - Salisbury, UK @ End of the Road Festival
9/3/22 - Bristol, UK @ Trinity
9/5/22 - Köln, DE @ Bumann & Sohn
9/6/22 - Hamburg, DE @ Molotow
9/8/22 - Stockholm, SE @ Slaktkyrkan
9/9/22 - Oslo, NO @ John Dee
9/10/22 - Copenhagen, DK @ Loppen
9/12/22 - Berlin, DE @ Frannz Club
9/13/22 - Bremen, DE @ Lagerhaus
9/15/22 - Amsterdam, NL @ Bitterzoet
9/16/22 - Nijmegen, NL @ Merleyn
9/17/22 - Brussels, BE - Rotonde @ Botanique
9/18/22 - Paris, FR @ Petit Bain
9/20/22 - Manchester, UK @ O2 Ritz
9/21/22 - Cardiff, UK @ Tramshed
9/22/22 - London, UK @ O2 Forum
9/23/22 - Birmingham, UK @ The Castle & Falcon
9/24/22 - Glasgow, UK @ Queen Margaret Union
* with Haim
DOWNLOAD – album cover artwork | DOWNLOAD – press photo
soccermommyband.com
instagram.com/soccermommyband
twitter.com/sopharela
facebook.com/soccermommymusic
youtube.com/channel/UC180845j-9D20NXXB6R6GY
MUSIC VIDEO FOR OPENING TRACK UNDERLANDS OUT NOW
LISTEN HERE & WATCH HERE
WATCH THE INSIDE PROBLEMS PRESENTATION FILM HERE
OUTSIDE PROBLEMS TOUR INCLUDES SOLD OUT RED ROCKS PLUS GREEK THEATRE, RYMAN AUDITORIUM AND MORE WITH IRON & WINE THIS SUMMER
TORONTO, ON – April 19, 2022 – On his brand new album, Inside Problems, announced today, Andrew Bird acknowledges all of the complex thoughts, questions and middle-of-the-night obsessions swirling around in each of us. Arriving June 3rd via Loma Vista Recordings, Inside Problems is a collection of eleven original songs that take on those inner demons that run amok when things get especially quiet. It’s a lush and rousing entry to his acclaimed, constantly evolving and perennially curious career.
For Bird, the idea that kept coming back to haunt him was the unavoidable presence of thresholds: the moment when something becomes something else, when somewhere becomes somewhere else. The phenomenon appears in endless aspects of daily life, from the process of projecting internal feelings and dialogue to the outside environment, or the seemingly mundane experience of standing in the frame of the doorway, crossing state lines or any place where one is neither here nor there, but in between. These are the questions that course through the Inside Problems - where is the threshold, who are we during the moments in between?
Out now, album opener and new single, Underlands, follows the recently released Atomized, introducing the record’s recurring theme with allusions to Icarus and Orpheus that are delivered in Bird’s singularly chic yet inquisitive demeanor. Listen to Underlands and watch the music video, directed by Matthew Daniel Siskin, here.
“You just don’t know what’s under the surface, be it the land, the sea, our skin,” says Bird. “You could be whistling away, projecting contentedness, when really there’s a swirling twisted mess underneath. Looking up, there’s the knowable universe but unless you get into astrology, you’ll find the stars don’t owe us anything and you’re left less assured than when we thought gods threw down lightning bolts. Underlands introduces an album that deals with the unseen underneath and the membrane that separates your outside problems from your inside problems.”
Dive deeper into Bird’s mind in an enigmatic album presentation film, shared with fans late last night.
Produced by Mike Viola and recorded live by Bird and his four-piece band - some of the only overdubs being additional vocals from Madison Cunningham - Inside Problems “transports listeners to a lush musical world” (NPR Music). From cracking the Billboard Top 10 on Break It Yourself, to earning his first Grammy nomination for 2019's My Finest Work Yet, to acting in Fargo, scoring Judd Apatow’s new Netflix film, The Bubble, and more, Bird's career has been defined by a relentless pursuit of salvaging perfection from spontaneous decisions. Inside Problems extends that arc, manifesting not only the questions that keep him from his sleep, but the radical fight against stasis. The spirit is reflected in the method of tracking the music all together and straight to tape, when creative decisions and the crossing of thresholds are captured in real time, creating a sonic energy that is intimate, visceral and unpredictable.
Bird adds: “I have so much fun taking my ideas apart before they really have defined themselves as distinct songs, when they’re still in that amoeba-like state. I love the feeling of chasing ideas and having them split off and go hang out with another idea and then butting them up against each other to see if they talk to each other.”
Bird can also be seen in new documentary, Really Good Rejects, which premiered at SXSW and follows LA luthier, Reuben Cox, who made the rare, rubber-bridged guitar that begins Underlands, influencing much of Inside Problems with an indescribable sound.
Following the release of Inside Problems, Bird will embark on Outside Problems, his first full-band tour in nearly three years. Co-headlined with Iron & Wine, the extensive run of shows will stretch from coast-to-coast, including sold out stops at Colorado’s Red Rocks and Chicago’s brand new Salt Shed, as well as performances at Los Angeles' Greek Theatre, Nashville's Ryman Auditorium, New York City's Pier 17 and more, with support from Allison Russell, Meshell Ndegeocello and Neko Case.
INSIDE PROBLEMS TRACKLIST
1. Underlands
2. Lone Didion
3. Fixed Positions
4. Inside Problems
5. The Night Before Your Birthday
6. Make a Picture
7. Atomized
8. Faithless Ghost
9. Eight
10. Stop n’ Shop
11. Never Fall Apart
UPCOMING TOUR DATES
6/12 - Phoenix, AZ - The Van Buren*
6/13 - San Diego, CA - The Magnolia*
6/15 - Los Angeles, CA - Greek Theatre*
6/17 - Berkeley, CA - Greek Theatre*
6/18 - Portland, OR - Pioneer Courthouse Square*
6/19 - Seattle, WA - Woodland Park Zoo* - SOLD OUT
6/21 - Salt Lake City, UT - TBA*
6/22 - Morrison, CO - Red Rocks Amphitheatre^ - SOLD OUT
6/23 - Aspen, CO - Belly Up Aspen
7/10 - Paris, FR - Days Off Festival w/ L'Orchestre national d'Île
de-France
7/12 - Lyon, FR - Les Nuits de Fourvières Festival w/ L'Orchestre
national de Lyon
7/14 - Munich, DE - Neue Theaterfabrik
7/15 - Berlin, DE - Metropol
7/16 - Utrecht, NL - TivoliVredenburg Grote Zaal
7/17 - Köln, DE - Gloria Theater
7/19 - London, UK - O2 Shepherd's Bush Empire
7/22 - Atlanta, GA - Pullman Yards#
7/23 - Asheville, NC - Rabbit Rabbit#
7/24 - Nashville, TN - Ryman Auditorium#
7/25 - Cary, NC - Koka Booth#
7/27 - Charlottesville, VA - Ting Pavilion#
7/28 - Vienna, VA - Wolf Trap#
7/29 - New York, NY - Pier 17#
7/30 - New Haven, CT - Westville Bowl#
7/31 - Bethlehem, PA - Steel Stacks#
8/02 - LaFayette, NY - Beak & Skiff#
8/04 - Cincinnati, OH - PNC Pavilion at Riverbend#
8/05 - Grand Rapids, MI - TBA#
8/06 - Indianapolis, IN - TCU Amphitheater#
8/08 - Pittsburgh, PA - Stage AE#
8/09 - Columbus, OH - KEMBA Live!#
8/10 - St Louis, MO - Chesterfield Amphitheater#
8/12 - Chicago, IL - Salt Shed# - SOLD OUT
8/13 - Minneapolis, MN - Surly#
*w/ Iron & Wine and Allison Russell
^w/ Iron & Wine and Neko Case
#w/ Iron & Wine and Meshell Ndegeocello
DOWNLOAD – press photo | DOWNLOAD – album artwork
DOWNLOAD – Underlands single art
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WATCH VIDEO AND LISTEN NOW ON DSPS
SUMMER HEADLINING TOUR KICKS-OFF JUNE 23
WITH SPECIAL GUESTS ZILLION AND OXYMORRONS
POP EVIL WILL JOIN SHINEDOWN ON THEIR SUMMER 2022
CANADIAN TOUR JULY 19 THROUGH AUGUST 3
Toronto, ON - April 21, 2022 - Hard rock group, Pop Evil, has released their gritty single, Eye of the Storm, today with an accompanying video directed by Sam Shapiro. The rock track is a powerful number that conveys the chaos of a hurricane through dark, electric instrumentals with a pummeling, chaotic metal maelstrom that contains an uplifting message at its centre. The video is an allegory of the song’s meaning and paints a picture of the storm with rapid, flashing lights and rain flooding the scene. Watch here and stream it here.
As for the song’s lyrical plea, the band explains: “It doesn’t matter who you are or where you come from, at some point we all face a situation beyond our control. The wind howls at your door as darkness fills the sky and everything you know is being tested. You don’t know if you can survive it. At times, it feels hopeless, but it’s not. There is a path through the chaos and a way out of the confusion. You are stronger and closer than you think you are. The storm will pass. Don’t let it bury you.”
The band will begin their headlining tour on June 23 in Milwaukee at Summerfest concluding on August 14 in Wichita at The Cotillion with special guests, ZILLION and Oxymorrons. The band will be supporting Shinedown on their Summer 2022 Canadian tour starting on July 19 in Quebec City at Centre Videotron ending on August 3 in Abbotsford at Abbotsford Centre.
2022 North American Summer Tour Dates:
6/23 – Milwaukee, WI @ Summerfest
6/24 – Grand Rapids, MI @ Rock The Lot @ The Intersection*^
7/8 – Bay City, MI @ Wenonah Park World Friendship Shell*^
7/9 – Green Bay, WI @ Epic Events Center*^
7/12 – Springfield, MO @ Gillioz Theater*^
7/15 – Indianapolis, IN @ The Vogues^
7/16 – Stroudsburg, PA @ Sherman Theater^
7/17 – Laconia, NH @ Granite State Music Hall^
7/19 – Quebec City, QC @ Centre Videotron#
7/20 – Montreal, QC @ L’Olympia#
7/22 – Toronto, ON @ History#
7/23 – Windsor, ON @ The Colosseum at Caesars Windsor#
7/25 – Minot, ND @ The Original Bar & Nightclub+
7/26 – Winnipeg, MB @ Burton Cummings Theatre#
7/27 – Moose Jaw, SK @ Mosaic Place#
7/29 – Saskatoon, SK @ TCU Place#
7/30 – Calgary, AB @ Grey Eagle Resort & Casino#
7/31 – Edmonton, AB @ Edmonton Convention Centre#
8/2 – Penticton, BC @ South Okanagan Events Centre#8/03 – Abbotsford, BC @ Abbotsford Centre#
8/5 – Roseville, CA @ Goldfield Trading Post^
8/6 – Boise, ID @ Knitting Factory^
8/7 – Seattle, WA @ Crocodile Showroom^
8/8 – Spokane, WA @ Knitting Factory^
8/10 – Colorado Springs, CO @ Black Sheep^
8/12 – Sturgis, SD @ Buffalo Chip
8/13 – Omaha, NE @ Slowdown^
8/14 – Wichita, KS @ The Cotillion^
* support from Oxymorrons
^ support from ZILLION
+ local support
# supporting Shinedown
Pop Evil has massive anthems and built a new rock’n’roll institution on a foundation of showmanship, raw relatability, and hard rock hooks, both forward-thinking and timeless from frontman, Leigh Kakaty, lead guitarist Nick Fuelling, rhythm guitarist Dave Grahs, bassist Joey "Chicago" Walser and drummer Hayley Cramer. No matter the headline-grabbing declarations from legendary icons, lamenting the changing of the guard, the slow-burning success of Pop Evil demonstrates the hunger for hard-hitting honest music persisting worldwide.
Their 2011 album, War of Angels, debuted at #8 on Billboard Top Rock Albums with three singles landing on Billboard’s Mainstream Rock Top 10 including Last Man Standing, Monster You Made and Boss’s Daughter. The momentum continued with their 2013 album Onyx, landing them on the Top 40 of the Billboard 200 for the first time, plus it was #9 on the Billboard Independent Albums in America and #25 on the Billboard 200. The album included three #1 Billboard Mainstream Rock singles with Trenches, Deal with the Devil and Torn to Pieces. In 2015, the band released their album, UP, which would make its way to #1 on Billboard Independent Albums, with four Top 5 Billboard Singles such as Ways to Get High, Take It All, and If Only for Now. The hit single, Footsteps is still one of the biggest songs to date and returned Pop Evil to Billboard’s #1 spot for four weeks. Their 2018 self-titled album landed three singles on Billboard Mainstream Rock, Waking Lions at #1 with Be Legendary peaking at #2, and A Crime to Remember, peaking at #7. Pop Evil just celebrated their 7th career #1 single in late 2021 with Survivor on Billboard’s Mainstream Rock Chart marking a historic milestone. Survivor joins the previous Top 10 single, Work, and #1 single Breathe Again, from their album, VERSATILE, out now via MNRK Heavy. Over the course of their career, the band has achieved four gold singles with Torn to Pieces, and Trenches from Onyx, Footsteps from UP and, 100 in a 55 from their debut studio album, Lipstick on the Mirror.
DOWNLOAD – Hi Res Press Photo | DOWNLOAD – Hi Res Eye of The Storm Art
About MNRK Music Group:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market. MNRK is committed to discovering and guiding leading music creators and talent, and is home to numerous top tier artists, the iconic Death Row Records and the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum selling hits. To learn more visit mnrk.com.
PRE-SALE BEGINS TODAY WITH PUBLIC ON-SALE FRIDAY
DOOM CREW INC. ALBUM OUT NOW!
TORONTO, ON – April 18, 2022 – Black Label Society and Anthrax will bring the finest thrash and heavy metal to 24 North American cities on their co-headlining tour this summer with killer special guest, Hatebreed kicking off July 26 in Phoenix at The Van Buren concluding August 28 in Philadelphia at The Fillmore, with a show in Toronto at History on August 23 and Trois Rivière/Montréal, QC at Amphithéâtre Cogeco on August 24.
Citi is the official card of the Anthrax and Black Label Society Tour. Citi cardmembers will have access to presale tickets beginning Monday, April 18, at 12:00 p.m. ET until Thursday, April 21 at 10:00 p.m. local time through the Citi Entertainment program. For complete presale details, visit www.citientertainment.com. All other pre-sales also begin today with the public on-sale starting Friday at 10 a.m. local time. For tickets, visit: www.blacklabelsociety.com and www.anthrax.com/tour; Full pre-sale details are below.
Both Black Label Society and Anthrax have shared festival stages and one-off shows numerous times, but this marks the very first time these two bands will tour together. Zakk Wylde said, "ANTHRAX is one of The BESTEST LEGENDARY METAL/THRASH BANDS of ALL TIME - I have been buds with SCOTTY, CHARLIE, FRANKIE & JOEY for over 3O years & they are some of the BESTEST people you will meet. JON is The BESTEST new addition ANTHRAX could ask for - HATEBREED are The BESTEST HARDCORE/EXTREME METAL band & BESTEST friends w/ANTHRAX & BLACK LABEL SOCIETY. The ANTHRAX + BLACK LABEL SOCIETY & HATEBREED TOUR is going to be one of the BESTEST TOURS EVER!!”
Anthrax's Scott Ian said, “Zakk has been a friend and an inspiration to me as a guitar player, songwriter, and beard grower since we met in 1988,” said Anthrax’s Scott Ian. “We’ve had the privilege to share festival stages with Zakk and BLS around the world, and it’s always been a head-banging mutual admiration society between the two bands. Now we get to share the stage every night on what is easily going to be the heaviest tour of 2022 - the ultimate pounding one-two combination of bands. Oh, and did I mention we’ve got fucking Hatebreed with us as our special guests? Holy crap, it’s going to be the night of 1000 crushing riffs. I can’t wait to see you all on the road.”
Black Label Society Headlining Tour Dates
4/30 – San Diego, CA @ House Of Blues
5/1 – Reno, NV @ Virginia Street Social Outdoors
5/3 – Casper, WY @ Gaslight Social Outdoors
5/5 – Belvidere, IL @ Apollo Theater
5/6 – Sault Ste. Marie, MI @ Kewadin Casino
5/7 – Bowler, WI @ North Star Mohican Gaming & Resort
5/9 – Lexington, KY @ Manchester Music Hall
5/10 – Raleigh, NC @ The Ritz
5/11 – Chattanooga, TN @ The Signal
5/13 – Fayetteville, AR @ JJ’s Live
5/14 – Tyler, TX @ Country River Club
5/15 – New Orleans, LA @ Fillmore
5/17 – Birmingham, AL @ Iron City
5/18 – Mobile, AL @ Soul Kitchen*
5/19 – Daytona Beach, FL @ Welcome To Rockville
5/20 – Myrtle Beach, SC @ House Of Blues#*
5/21 – Inwood, WV @ Shiley Acres#*
* Nita Strauss will not appear on these dates
# with Black Stone Cherry only
Summer Co-Headline with Anthrax
Special guest, Hatebreed
7/26 – Phoenix, AZ @ The Van Buren
7/28 – Las Vegas, NV @ Brooklyn Bowl
7/29 – Los Angeles, CA @ The Palladium
7/30 – Sacramento, CA @ Heart Health Park
8/1 – Denver, CO @ Fillmore Auditorium
8/2 – Kansas City, MO @ Midland Theatre
8/4 – Gary, IN @ Hard Rock Live Northern Indiana
8/5 – Oshkosh, WI @ Oshkosh Arena
8/6 – Minneapolis, MN @ The Fillmore
8/8 – Dallas, TX @ South Side Ballroom**
8/9 – Austin, TX @ Stubb's Waller Creek Amphitheater
08/11 – Atlanta, GA @ The Tabernacle
8/12 – Orlando, FL @ House of Blues
8/13 – Charlotte, NC @ The Fillmore
8/15 – Cincinnati, OH @ The Andrew J Brady Music Center
8/16 – Nashville, TN @ Ryman Auditorium
8/18 – Silver Spring, MD @ The Fillmore
8/19 – Rochester, NY @ Main Street Armory
8/20 – Detroit, MI @ Fillmore**
8/22 – Pittsburgh, PA @ StageAE Outside
8/23 – Toronto, ON @ History
8/24 – Trois Rivière/Montréal, QC @ Amphithéâtre Cogeco
8/26 – Brooklyn, NY @ Coney Island Amphitheater
8/28 – Philadelphia, PA @ The Fillmore**
** Hatebreed will not appear on these dates
TICKET PRESALE DETAILS:
Citi Presale: Monday, April 18 at 12:00 PM Eastern Time
Live Nation Presale: Tuesday, April 19 at 10:00 AM Local Time
Spotify Presale: Tuesday, April 19 at 2:00 PM Eastern Time
Ticketmaster Presale: Wednesday, April 20 at 10:00 AM Eastern Time
Blabbermouth Presale: Wednesday, April 20 at 10:00 AM Eastern Time
Knotfest Presale: Wednesday, April 20 at 10:00 AM Eastern Time
Nederlander Presale: Thursday, April 23 at 10:00 AM Local Time
Venue Presales: Thursday, April 21, 2022, at 10:00 AM Local Time
All Presale end: Thursday, April 21, 2022, at 10:00 PM Local Time
Everything about Black Label Society begins with the riff from their debut studio album, Sonic Brew (1999) to their critically acclaimed eleventh studio album, Doom Crew Inc. (2021). A dedicated disciple of Zeppelin, Sabbath and Deep Purple, frontman Zakk Wylde looks to the massive guitar hooks in classics as guiding lights.
Their latest album, Doom Crew Inc. finds larger than life guitarist Zakk trading solos and twin-guitar parts with guitarist Dario Lorina, backed by the rumble of longtime bassist John “J.D.” DeServio and powerhouse drummer Jeff Fabb. The GRAMMY-winning frontman has been featured on the cover of Guitar World more than a dozen times in recognition of his work on multi-platinum albums with the iconic Ozzy Osbourne and two decades with Black Label Society and their chart-topping albums and singles. The stomping, heavy bluesy, recklessly unhinged hard-rock-metal quartet are part invading horde and part traveling carnival, summoning caffeine-fueled cacophony on records and the stage.
DOWNLOAD - Tour Poster
DOWNLOAD - Anthrax Press Photo
SECOND RELEASE FROM UPCOMING NEW ALBUM
BAND TO BRING THEIR HIGH-OCTANE LIVE SHOW
TO TORONTO AND MONTREAL THIS SPRING – WITH MORE TOUR DATES TO BE ANNOUNCED SOON
TORONTO, ON – April 15, 2022 – Following the release of their lead single and title track from their upcoming new album – Free Livin – The Flamingos Pink return with their next offering: I Don’t Care. A punchy, stripped-back rock anthem, I Don’t Care perfectly encapsulates the groove-laden rock ‘n’ roll style that runs through the new record. Listen to the track here and watch the retro home video-inspired visual here.
While the band’s undeniable sound shines through out speakers and headphones, the true magic happens when Julien “Julz” Corrado (drums) and Sacha Gubany (guitar/vocals) take to the stage. The duo bring their songs to life in concert with an insanely high-energy live show that immediately captivates audiences and feeds back in to the band.
"There is nothing better than playing for our fans and new audiences,” Sacha and Julz exclaim. “The exchange of energy is intense and beautiful. People dance and rock out. Our shows are a complete party and that is exactly what everyone needs right now."
Toronto concert-goers will get a taste of the new songs in their live format, including Free Livin and I Don’t Care, when The Flamingos Pink hit The Handlebar next week, followed by a hometown Montreal show on May 26th, and more tour dates to be announced soon. After being named one of Montreal’s Best Bands last year in Cult MTL, The Flamingos Pink are truly a can’t-miss!
UPCOMING TOUR DATES:
April 22 / Toronto / The Handlebar
May 26 / Montréal / Le Ministère (w/ Les Shirley)
ABOUT THE FLAMINGOS PINK & FREE LIVIN:
Best friends, brothers and bandmates, Montreal rock ‘n roll disruptors, The Flamingos Pink, do what they do best – make good rock ‘n’ roll music.
Embracing the chaos that is life today, The Flamingos Pink regained control of their own music and their own destiny. The result is Free Livin, an anthem to living your life the way you want to.
Think The New York Dolls meets Iggy and the Stooges. A White Stripes / The Hives’ sound partying with The Stones in the 70s. Picture WolfAlice and The Kills drag racing to AC/DC. Hi-def grittiness, imperfect emotional vulnerability on a knife’s edge. The special balance that occurs through the interdependence of two personalities rocking out in real time. Synergy and smiles. No fades. Only hard cuts.
Recorded in four days in Montreal at Studio Latraque, the new album – set for release later this year on LL Artists – was mixed and engineered by David Laurendeau and produced by The Flamingos Pink.
DOWNLOAD – hi-res press photo | DOWNLOAD – single artwork
BLEED-ABIDE FULL-LENGTH NEARS RELEASE VIA MNRK HEAVY
TORONTO, ON – April 15, 2022 – Florida deathcore outfit, BODYSNATCHER, will drop their punishing new full-length, Bleed-Abide, April 22 through MNRK Heavy. In advance of the record’s official release, today the band unleashes a raucous new video for Behind The Crowd, now playing at Decibel Magazine.
Callously grim, ferocious, and threatening, crackling beneath the weight of its own fury and power, BODYSNATCHER’s Bleed-Abide puts the “core” back in deathcore. An epic demonstration of aggression and brawn, the Melbourne quartet’s third album is a sound born from the burden of struggle and an unwavering commitment to continued survival against all obstacles. Unquestionably their darkest offering to date, Bleed-Abide burns with an intensity derived from a further focus on sonic pummeling and truth-telling narratives.
Elaborates guitarist Kyle Carter on their latest single, “‘Behind The Crowd’ stirs up some serious emotion in me any time I listen to it, or read it because it’s so full of self-doubt. There’s a line in the song – ‘abide by nothing but my own lies’ – that to me was kind of a standout line because I consciously know and realize that I’m not alone and I’m loved by my friends and family, but it doesn’t stop those feelings at the moment. This song describes how I feel most of the time in any social gathering, or even in personal relationships with people. It’s a work in progress and writing this song was a definite step in the right direction for me."
Adds Decibel, “BODYSNATCHER are clearly gifted with the power of the pummeling riff and hard-hitting, hardcore-infused lyrical prowess.”
Watch BODYSNATCHER’s unapologetically brutal Behind The Crowd video, courtesy of Decibel Magazine, here.
Bleed-Abide was recorded by the band’s Chris Whited at 1776 Recordings with drums engineered by Neil Westfall and Bud Phillips at The Unicorn Room, and guitars reamped by Phil Pluskota at Sonic Assault Studio. The record comes cloaked in the cover art of Adam Burke. Bleed-Abide will be available on CD, LP, cassette, and digital formats. Find preorder options here. Watch BODYSNATCHER’s previously released videos for Wired For Destruction video here, Absolved Of The Strings And Stone here, and E.D.A. here.
Coinciding with the release of Bleed-Abide, BODYSNATCHER will join Dying Fetus for a month-long Spring tour. The journey runs from April 29 through June 5. Additional support will be provided by Chelsea Grin, Frozen Soul, and Undeath. See all confirmed dates below.
BODYSNATCHER w/ Dying Fetus, Chelsea Grin, Frozen Soul, Undeath:
4/29 Baltimore Soundstage - Baltimore, MD
4/30 The Canal Club - Richmond, VA
5/01 Hooligans Music Hall - Jacksonville, NC
5/03 The Underground - Charlotte, NC
5/04 The Masquerade - Atlanta, GA
5/05 Underbelly - Jacksonville, FL
5/06 Jannus Live - St Petersburg, FL
5/07 Revolution Live - Ft. Lauderdale, FL
5/09 Warehouse Live - Houston, TX
5/10 Amplified Live - Dallas, TX
5/11 Come And Take It Live - Austin, TX
5/13 The Nile Theater - Phoenix, AZ
5/14 Regent Theater - Los Angeles, CA
5/15 The Observatory - Santa Ana, CA
5/16 House Of Blues - San Diego, CA
5/17 The UC Theatre - Berkeley, CA
5/18 Goldfield Trading Post - Roseville, CA
5/19 Bossanova Ballroom - Portland, OR
5/20 Modified Ghost Festival - Vancouver, BC
5/21 El Corazon - Seattle, WA
5/23 Metro Music Hall - Salt Lake City, UT
5/24 Summit Music Hall - Denver, CO
5/25 Granada Theater - Lawrence, KS
5/26 The Lyric At Skyway Theater - Minneapolis, MN
5/27 Pops - Sauget, IL
5/28 Concord Music Hall - Chicago, IL
5/29 The Crofoot Ballroom - Pontiac, MI
5/31 The Opera House - Toronto, Ontario
6/01 Imperial Bell - Quebec City, QC
6/02 Corona Theatre - Montreal, QC
6/03 Gramercy Theatre - New York, NY
6/04 Theatre Of The Living Arts - Philadelphia, PA
6/05 The Palladium - Worcester, MA
DOWNLOAD - press photo | DOWNLOAD - album art
DOWNLOAD - tour poster
PREMIERES VIA LIVE IN LIMBO
LISTEN | WATCH ONE MORE DAY IN LOVE
DEBUT FULL-LENGTH ALBUM MOMENTS OF FEELING
OUT ON MAY 19 VIA LEKKER COLLECTIVE
LISTEN TO STUNNING LIVE RENDITION OF LEAD SINGLE TIME
“For Flostate, as long as time is on their side, they figured they can't lose. For listeners growing restless for more tunes, patience will soon be rewarded.” – CBC Music
"..entwining captivating soundscapes with spell-binding vocal lines... the airy guitar lines and decisive percussion build a contrasting sonic support that ebbs and flows like a midnight dance between two free-spirited souls." – This Song Is Sick
"Flõstate create a mesmerizing downtempo number with Home Ground. Beginning with gentle chimes and warm piano tones, the song seduces from the get-go, as Florence's sultry and sinuous vocals enter into the mix alongside mellow beats." – Pop Matters
Toronto, ON – April 14, 2022 – As spring sets in, Canadian fantasy R&B duo, Flõstate, share a new single, One More Day In Love, from their forthcoming debut full-length album, Moments Of Feeling, out on May 19 via Lekker Collective. The song is a synth-heavy, fluid and nostalgic piece centred on gaining clarity in solitude. Listen to One More Day In Love here.
On the inspiration fo the track, Flostate adds: “Alone, with only your memories and regrets, vivid in the night. It can be painful when we finally gain clarity on something from within our memory. It’s so clear, the memory of the feeling, and now too, the understanding of what it meant. It lies plainly in front of us, what it could have meant for our present if we had known. It’s so visceral it opens a door flooding in with fantasies; regrets that paralyze you, eyes wide open in the dark.”
Themes on Moments Of Feeling include connection to others, connection to self, romance, surrealism and etherealism, being in a flow state, as a muse spirit while navigating life experiences. Blending chill, washed-out, electronic, R&B, dream pop, psychedelic pop with meaningful lyrics, the collaborative album uses themes of escapism to in fact, return to our natural state as humans in the universe, taking you through a dream before returning to reality.
For more on Flostate, see the full tracklist, connect with them online at the links below, and stay tuned for more music as they prepare to share Moments Of Feeling with the world.
LISTEN TO QUALQUER LUGAR | WATCH QUALQUER LUGAR
PRE-ORDER TARA RARA ON ALL PLATFORMS
LISTEN ON BANDCAMP
Toronto, ON – April 13, 2022 – Today, dynamic Toronto-based, Brazil-born singer-songwriter, Bruno Capinan (Broo-noh Cap-ee-nan, pronouns: they/them), shares their stunning new single and video for Qualquer Lugar. Highlighting Bruno's roots in their native Brazil, it marks the first single to be featured on Bruno's forthcoming album, Tara Rara, set for release May 13 (via Lulaworld Records in Canada). Listen to Qualquer Lugar here and watch the video here. You can read the lyrics for Qualquer Lugar, in both English and Portuguese, here.
"I wrote Qualquer Lugar during the pandemic, in a moment that we were all looking to escape reality. It’s a song about finding that special place where you can be true to who you are, but also where you can be reminded of the good in the world and in humanity," Bruno says.
The video for Qualquer Lugar was filmed in Chapada Diamantina, Bahia by Jones Films. On the process and inspiration behind the piece, Bruno adds:
"For the music video I wanted to go to a place bigger than life, to be surrounded by the power of nature. When we got to Chapada Diamantina, to the top of the cliff you see me dancing with my friend, Douglas, we found out that a French tourist had jumped off the same cliff a week before we arrived. There was something so intriguing about that story, at least to me as an artist, while I was standing at that very same spot, that it made me realize that life is what you make of it, while reality is predetermined by one’s circumstances."
Qualquer Lugar was written by Bruno Capinan, mixed and produced by Vivian Kuczynski, mastered by Carlos Freitas with flute performed by Bem Gil, trumpet and trombone performed by Adrian Perger. The music video was directed by Igor Jones and filmed in Chapada Diamantina, Brazil.
DOWNLOAD - Qualquer Lugar Artwork
About Tara Rara
Tara Rara (Portuguese for 'Rare Desire') is a full circle, spiritual collection of songs, resonant with sonic elements embedded with Bruno's Brazilian heritage, on a quest to connect listeners to the roots of their ancestors by weaving a tale of love and pain, travelling from Africa to Brazil in its storylines. On the new album, that follows their 2020 release, Leão Alado Sem Juba, Bruno goes back to their birthplace of Bahia to reclaim the painful past of the Atlantic Slave Trade by honouring their true selves through music.
The title takes reference from childhood memories, at times reflecting on Bruno's experiences of bullying and discrimination, while growing up in Brazil. Bruno’s nickname as a child, given to them by their father, was “buddha." In coming into their identity as a non-binary person, Bruno realized they are also “tara”, which in Buddhism represents the feminine counterpart of the bodhisattva (“buddha-to-be”), and in Portuguese mean “desire." The word “rara” which means "rare" in Portuguese, and represents Bruno’s signature voice and is a celebration of their power.
Tara Rara encompasses Bruno’s deep exploration of some of their two greatest influences; Afro-Sambas and reinterpretations of Bossa Nova. While all tracks are performed in Portuguese, they are accompanied by lush arrangements made for dancing and movement. Tara Rara is a mix of vocal layers, percussive Brazilian instruments, acoustic guitar, synthesizers, programming, and a string orchestra composed of four violins, two cellos and one viola, as well as trombone, trumpet, French horn, flutes and sax.
As a non-binary person, Bruno ensured gender and racial justice was in focus when cultivating the stellar personnel lineup for Tara Rara. The album highlights an orchestra of seven string musicians, 90% BIPOC and LGBTQI+, an elder percussionist, and musicians from different cultural backgrounds.
Working with acclaimed Ukrainian-Brazilian producer and songwriter, 17-year-old, Vivian Kuczynski (Pabllo Vittar, SCALENE, Alice Caymmi) the album was recorded from July 2021 until December 2021, primarily in Toronto (at Union Sound Company), with additional recordings in Rio de Janeiro, São Paulo, Bahia and Melbourne. Vocals were recorded in Bahia overlooking the ocean, and brass in Melbourne, Australia. Bruno worked with guitarist Bem Gil (son of Brazilian singer Gilberto Gil), percussionist Marcelo Costa, a string orchestra from Toronto, arranger Graham Campbell, and others.
Learn more about Bruno's history to date below and stay tuned for more on Tara Rara as we move into Spring.
please reach out to ola@indoorrecess.com
1.Ode ao Povo Brasileiro
2.Deuses Deusas
3.Qualquer Lugar
4.Meu Preto
5.Mafuá
6.Tara Rara
7.Possíveis Possibilities
8.Na Moral
9.Comigo Não
10.Do Mais Secreto Desejo
11.Bahia Brasil
“Acrobatic, sensual, both angelic and profane” is how The Guardian describes brazilian-born, canadian singer-songwriter Bruno Capinan. The Toronto based queer artist has released five albums in their decade long music career and performed to audiences in Canada, Japan, Brazil, Argentina and the United States; fusing bossa-nova inspired music and an extravagant performance as an act of LGBTQI+ resistance.
A fierce performer, Bruno Capinan’s approach to music making is rooted in the Brazilian tropicalia influence, which is to embrace all the vast possibilities of sound. Their music beautifully blends traditional Brazilian sounds, also known as MPB, with many other global influences, and features Portuguese lyrics that are both personal and conversational.
Bruno Capinan gained international recognition with the release of “Divina Graça” (2016), including reviews in French newspaper Libération, as well as Brazil’s largest publications O Globo, Folha de São Paulo, and Rolling Stone Brazil. They have collaborated with artists around the globe, including Japanese composer Jun Miyake.
Most recently, Capinan released “Leão Alado Sem Juba”, recorded remotely between Canada, France, Portugal and Brazil, receiving two nominations to the prestigious APCA (São Paulo Association of Art Critics). In April of 2020, they were scheduled to showcase at Atlantic Music Expo 2020 in Cape Verde, but the performance was canceled due to the pandemic.About Lulaworld Records
Bridging the contemporary and the traditional, Lulaworld Records brings the Latin, Brazilian and global roots sounds of the most diverse city in the world to music adventurers around the globe.
Having grown out of the vibrant live music scene at the Toronto venue Lula Lounge and the associated Lulaworld Festival, the label's debut release by Mexican Canadian singer songwriter Quique Escamilla won the 2015 JUNO Award in the world music category and the Canadian Folk Music award.Subsequent releases by OKAN have also earned Independent Music Awards and JUNO wins and nominations.
With a focus on salsa, tropical and Latin jazz, the label is now expanding its scope to include artists from beyond Toronto, including Brazilian, spoken word and Indigenous artists.
Like the venue that inspired its creation, the Lulaworld Records has a musical range that spans Mexican reggae, Cuban jazz folk fusion, New Orleans inspired funk, classic Tumbao and electro samba. Stay tuned for single, albums and compilation releases coming soon. www.lulawordrecords.ca
SET FOR RELEASE MAY 6 ON ALL STREAMING PLATFORMS
AND LIMITED EDITION LATHE CUT VINYL
ALEX HENRY FOSTER & THE LONG SHADOWS
ON TOUR ACROSS THE UK AND EUROPE THIS SUMMER
TORONTO, ON – April 12, 2022 - Ahead of his upcoming UK and Europe summer Not All Wonders Have Been Lost tour, Montreal musician, Alex Henry Foster, is set to release The Power of the Heart - a cover version of one of Lou Reed's most underrated songs, yet a favourite for Laurie Anderson.
Set for release on on May 6th, the four-minute radio edit of the single will also be accompanied by an eight-and-a-half minute version and music video. Faithful to his signature dense sonic texture with a grandiose orchestration recorded live in his church studio, The Upper Room Studio, Foster will also offer the song on limited-edition lathe-cut vinyl, individually printed and silkscreen-printed one-by-one, signed and numbered. Foster will also give a special live streamed performance of the song following its release.
After mentioning that Reed's authentic endeavour has always been one of his core inspiration, Foster says:
"It took me years, streaming into the bleakest turbulences of my own inner voyage, to envision the prospect of making a monument of sincerity such as The Power of the Heart mine. Self-acceptance in an age of make-believes is what allows someone to find themselves, and it’s once emancipated from the self-preservative escapism that one can navigate amongst the vestiges of their existence, which in turn leads one to simply be, as an individual and originator.
Being liberated from the anguish to be seen for who I am is the reason why I didn’t feel the pressure to mimic Reed’s incarnation of the song nor was I constrained by the burden of having to emulate his intimate intent. If my initial appropriation of the song stood as a homage to Lou Reed and Laurie Anderson’s love and respective creative expression, it would grow beyond its conceptualized embodiment as I began to enfranchise myself through it. It is in that moment that it wasn’t a revision process anymore but the result of a total abandonment designed by my own instinctive drift and surrendering.
Noises became sounds, and musical arrangements evolved into some sort of spiritual uplift for me, turning it all into a celebration of what can’t be owned, measured, or defined, a boundless and infinite transformative ascension that can only be experienced once shared and given away. That is for me the true everlasting nature that is the power of the heart.
Liberating in its contemplation. Compassionate in its acceptance. Transformative in its incarnation."
Read more about Foster's connection to Lou Reed and The Power of the Heart here.
In other non-Reed-related news, Foster will be giving a special live streamed performance on Saturday, April 23 to help raise funds for Ukraine relief aid. The 'All The Violence in the World' broadcast will benefit Music Saves UA, with viewers able to make donations directly to the organization, while all proceeds from a direct-to-vinyl recording of the performance to be donated as well. Audiences can tune in on the 23rd here.
Stay tuned for more to come soon from Alex Henry Foster, and get ready for his stirring rendition of The Power of the Heart on May 6th!
DOWNLOAD - single artwork | DOWNLOAD - press photo
DOWNLOAD - Ukraine relief event poster
SHOWS ACROSS WESTERN CANADA AND ONTARIO THROUGH APRIL AND MAY WITH ADDITIONAL
STOPS IN THE FALL
NEW ALBUM MAKE A SCENE OUT NOW
Toronto, ON – April 12, 2022 – Following the release of their electrifying new album, Make A Scene, award-winning roots-pop outfit, Sweet Alibi, are thrilled to be hitting the road, bringing their songs to life on stages across Canada.
Kicking off with a hometown Winnipeg show on April 24th at The Park Theatre, the band will travel across western Canada through to the end of the month, before heading east to Ontario for a run of concerts through May. The band will then hit the Main Stage at the Winnipeg Folk Festival this summer, then head back west for stops in Saskatchewan and Alberta in the fall.
Live in concert is the perfect way to experience the songs from Make A Scene, as the album’s themes delve heavily into life on the road. Audiences are sure to be delighted by the band’s signature soulful roots-pop sound, elevated by Jess Ray Ayre, Amber Nielsen and Michelle Anderson’s luminous vocal harmonies.
Sweet Alibi’s shows are a must-see for this season – don’t miss them when they hit your town!
UPCOMING CANADIAN TOUR DATES:
April 24 – The Park Theatre – Winnipeg, MB
April 27 – Maury Young Centre – Whistler, BC
April 29 – A.C.T. Centre – Maple Ridge, BC
April 30 – Fanny Bay Community Centre – Fanny Bay, BC
May 1 – Hermann’s Jazz Club – Victoria, BC
May 18 - Melville White Church – Caledon, ON
May 19 – Monarch Tavern – Toronto, ON
May 20 – Grove Theatre – Fenelon Falls, ON
May 21 – Cultivate Festival (Daytime Show) – Port Hope, ON
May 21 – Mule Spinner – Hamilton, ON
May 22 – Stone Crop Acres Winery and Vineyard – Morrisburg, ON
July 7–10 – Winnipeg Folk Festival – Winnipeg, MB
September 23 – The Artesian on 13th – Regina, SK
September 24 – The Bassment – Saskatoon, SK
September 30 – New Moon Folk Club – Edmonton, AB
October 1 – The Ironwood – Calgary, AB
TICKETS
ABOUT SWEET ALIBI:
Known for their soulful three-part harmonies, Western Canadian Music Award winners, Sweet Alibi, have shared their folk roots-pop infused music with listeners across North America and Europe since 2009. They are the distinct and complementary voices of Jess Rae Ayre, Amber Nielsen and Michelle Anderson, joined by Alasdair Dunlop on bass and Sandy Fernandez on drums. Their music has garnered national accolades and awards, has been featured on MTV U.S., CMT, and has received major radio play on college/community and satellite radio, with several songs reaching the top 20 of CBC Music’s national charts.
Their latest album, Make A Scene – produced by Matt Peters and Matt Schellenberg (a.k.a. members of indie-pop squad, Royal Canoe, who produce under the Deadmen moniker) – weds rich lyrical themes to wildly accessible songs such as the propulsive Confetti (which occupied CBC Music’s Top 20 for an impressive eight weeks) building on previous airplay Sweet Alibi enjoyed on satellite and terrestrial radio. Bassist Alasdair Dunlop and drummer Sandy Fernandez round out the acclaimed Western Canadian Music Award winners.
DOWNLOAD – tour poster
DOWNLOAD – hi-res press photo | DOWNLOAD – album cover art
sweetalibi.com
facebook.com/SweetAlibi
www.instagram.com/sweetalibi
youtube.com/user/SweetAlibi
SIGNS TO NEW LABEL ARISTA RECORDS
PERFORMS AT COACHELLA ON APRIL 15 AND APRIL 22
WATCH THE VIDEO FOR HIGH WATER HERE
AND LISTEN TO BOTH SINGLES HERE
TORONTO, ON - April 8, 2022 - Today, multi-platinum singer-songwriter, Bishop Briggs, returns with two new emotionally charged singles entitled High Water and Art of Survival via Arista Records. Listen to the singles here and watch the video for High Water here.
Writing both songs as an ode to her late sister Kate, Bishop notes: "I feel really grateful that I am here wide-eyed sharing new music with all of you. I can’t say that I knew if that was going to be possible for me after my sister Kate passed away in January of 2021. With all soulmates there is an unbreakable bond and energy that ties the relationship so closely that nothing can break it. Although I feel broken, I know our bond will surpass the concept of time and healing. High Water was written from the depths of my despair as a love letter to my best friend who I miss so dearly. Whereas Art of Survival is from a place of choosing to keep fighting to live fully and I firmly believe this is where she would hope to find me. I felt deeply I couldn’t release one without the other. So here, in my rawest form, I give you my soul on a platter. Thank you for being here."
Lithely plucked guitar cuts through the tides of airy production on High Water. Her voice barely breaks a whisper on the verses before it climaxes on an earthquaking chorus uplifted by her stunning range. The accompanying visual, directed by Tim Mattia [Twenty One Pilots, The Killers, Halsey], centres on a closeup of Bishop as she sings to the camera and wears the piercing emotion of each ebb and flow perfectly matching the spirit of the track. On Art of Survival, she carefully bares her teeth in this powerful track where the beat cracks beneath breathy vocals before another unshakable chorus.
Bishop is also excited to exclusively break the news of her pregnancy in a stunning photo shoot with PAPER Magazine today. Check it out here. Additionally, she will donate 10% of the proceeds of a sweatshirt she has launched in tandem with High Water to Andrew McMahon’s Dear Jack Foundation. The Dear Jack Foundation provides quality of life programming that directly benefits young adult cancer patients, survivors and their families.
Next up, Bishop will perform at Coachella on April 15 and 22 and is planning to release more new music this year via Arista Records.
ABOUT BISHOP BRIGGS:
Bishop Briggs is known for emotional and cathartic songs that blur the boundaries between alternative, pop, and electronic. Born in London to Scottish parents, Bishop grew up in Japan and Hong Kong. Days after graduating high school, she moved to Los Angeles where, after years of performing at any venue that would have her, she was discovered in a small hole-in-the-wall by a former-A&R rep and the rest was history. The music of Bishop Briggs transcends the limitations of singular genres, blending folk, pop and electronic music into a wholly unique sound. Her debut track Wild Horses reached #1 on Spotify's US Viral Chart and #2 on Spotify’s Global Viral 50 charts, with airplay on Sirius XM’s Alt Nation, Zane Lowe’s Beats 1 Show and a prized spot in Acura’s 2016 TLX and ESPN’s NFL Playoffs ads. She followed up with the 3x Canadian Platinum single, River, a searing and cathartic track that captured the attention of tastemakers and gatekeepers and rose to #3 on the Alternative chart with over 680 million global streams while Bishop’s videos have 524M overall views on YouTube and she has 1 million YouTube subscribers. After her critically acclaimed debut album Church of Scars, multiple sold-out tours, live performance slots opening for Coldplay, Kaleo, alt-J, and Bleachers, and with more music on the way, Bishop Briggs is set to have her most incredible year yet.
Toronto, ON – April 8, 2022 – Multi-award-winning singer-songwriter, Ozuna and Latin GRAMMY® nominated breakout artist, Boza, unite their talents in a new single titled, Apretaito, which promises to become another reggaeton classic due to its catchy rhythm and its crafty lyrics. Apretaito is now available on all digital streaming platforms and its music video on Ozuna’s YouTube video channel. Watch the video here.
In this new collaboration, Ozuna, the global reggaeton icon native of Puerto Rico with Dominican roots, joins Panama’s most popular and hottest new export Boza, to delight both fans with a danceable and refreshing sound.
Directed by Nuno Gomes, the Apretaito music video shows the scene of a club where both urban performers are surrounded by women enjoying a night full of music, dance, and fun between them and friends. Breaking molds and stereotypes while celebrating diversity and female empowerment, who take over the dance floor to dazzle with their charms, glamour, and charisma, to the rhythm of Apretaito.
Apretaito was written by Ozuna and Boza and was produced by Chris Jedai and Gaby Music, among others.
Ozuna has been actively releasing new music since the beginning of 2022. After starting the year with an explosive collaboration, SANTO, with international superstar Christina Aguilera, he released DEPRIMIDA, whose music video has 57 million views on YouTube within a month of its release. On the other hand, his most recent release, G-WAGON, premiered three weeks ago and has already reached 9.1 million views.
About Ozuna
The multi-award winning Puerto Rican singer and songwriter OZUNA is one of Latin music’s most iconic and listened-to artists around the world. Since launching his career in 2015, Ozuna has won countless accolades, including making Time Magazine’s Most Influential People list (2019), and winning BMI’s Contemporary Latin Songwriter of the Year (2019, 2021) and Contemporary Latin Song of the Year Taki Taki (2020). He won his first two Latin GRAMMYs® in November 2020, for his collaboration, Yo x Ti, Tú x Mí, with ROSALÍA. He also took home the Extraordinary Evolution Award at the 2021 Latin American Music Awards. In the Dominican Republic, Ozuna recently received the Soberano Solidario award at the 2021 edition of Premios Soberano for his humanitarian work. In addition, he holds four Guinness World Records™.
About Boza
The Panamanian singer and composer Boza is positioned as one of the most outstanding artists of the new urban music generation. After becoming known internationally with his multi-platinum song, Hecha Pa’ Mí, he released his second big hit, Ella, receiving multiple certifications such as Platinum Record in Central America and the Caribbean, Colombia, Spain, Peru, and now the United States. After this success, he released Ella Remix, which received a Platinum Record in the United States, Gold in Central America, Spain and Mexico, and reached the Spotify Global Top 200. Thanks to all the accumulated success, Boza was awarded at the Heat Awards as Revelation Artist, was nominated for the Latin Grammy 2021 as Best New Artist and began 2022 with his first nomination for Premios Lo Nuestro in the category Male Revelation Artist. The new artist has more than one billion total views on digital music platforms and recently released his most recent studio album, titled BUCLE. BUCLE has, thus far, earned a combined 450 million streams and views globally, and his latest single, Tick Tock and the global viral hit, Ella Remix, have surpassed 120K user-created videos and generated approximately 72 million views with the #EllaRemix hashtag on the social media platform, TikTok.
"...a powerful confession driven by his warm, deep-voiced delivery." - Tennessean
ACCLAIMED VOCALIST AND SONGWRITER OFFERS A MESSAGE OF RESILIENCE AND HOPE WITH ON MY WAY: LISTEN HERE
FLOATING ON A DREAM, FULL-LENGTH DEBUT SOLO ALBUM - PRODUCED BY SHOOTER JENNINGS - DUE MAY 20
VIA FANTASY RECORDS
WATCH ALL IS WELL VIDEO FEAT. JOY WILLIAMS HERE
HEADLINING TOUR ANNOUNCED
TORONTO, ON – April 8, 2022 - Rising indie singer-songwriter, Avi Kaplan, recently announced the upcoming release of his debut solo album, the Shooter Jennings produced, Floating On A Dream, due May 20, 2022 via Fantasy Records. Today, he shares a new track, On My Way, with Kaplan’s deeply resonant vocal reclaiming the yearn and heartbreak of family separation into a message of resilience and hope. Listen/watch here.
Kaplan stated, “Over the course of my life I’ve spent a lot of time away from my family. I miss them deeply always, but sometimes it hits me harder than others. It was one of those days when I wrote ‘On My Way.’ Oftentimes when I’m feeling something intensely, I’ll grab my guitar and see what comes out. This song flowed out of me quicker than most. Each verse is a letter to my family. My mother, father, sister, and brother. This song is very dear to my heart and I’m so happy to be able to share it with the world.”
In addition, Kaplan recently shared the anthemic and haunting new single, All Is Well, featuring Joy Williams. Watch their video and pre-order the album here. Atwood Magazine featured the track, and stated, “‘All Is Well’ is exquisitely beautiful. The harmonies Kaplan and Williams create together are heavenly and the whole song feels like a dreamy mantra. A place to retreat, rebuild and renew yourself.” Read Atwood’s interview with Kaplan and Williams here.
Produced by GRAMMY Award-winner Shooter Jennings, (Brandi Carlile, Tanya Tucker, American Aquarium) and mixed by Trina Shoemaker, (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow,) Floating On A Dream is rendered in long shadows and moody high relief reflecting Kaplan’s Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.
With country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock, he explores matters of the heart, truth, morality, and the search for relevance across the album’s 11 original tracks. At the core though there is that voice. From a haunting falsetto to its deepest bass tones, Kaplan’s instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplan’s departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.
Deepening a musical evolution that began with 2020’s, I'll Get By EP and carried through last year’s single, Song for the Thankful, Floating On A Dream explores Kaplan’s wide sonic palette and rootsy influences. Throughout the LP’s soaring choruses and deep valley passages, Jennings’ steadfast musical foundation helps keep Kaplan’s amazing voice, which has drawn comparisons from classic country crooner, Lee Hazelwood, to folk legend, Richie Havens, firmly in place. Jennings’ influence can be heard in Floating On A Dream’s cinematic production using piano, pedal steel, varied guitars, and verbed-out layered harmonies, contributing to the album's spacious western scope.
Jennings stated, “I always know it’s going to be a good process in the studio when I’m working with somebody who really loves music, but also really adores the music that has come before. We both collect music and we’re inspired by it. Avi is an amazing singer and songwriter, this album is Ennio Morricone meets Bill Withers.”
Many of the new tracks draw on Kaplan’s heartache following the separation he endured from his family due to excessive touring, and then continued through much of the pandemic.
Avi stated, adding, “My journey has taken many twists and turns. It’s been a battle at times, but the completion of this album is a huge step towards the things I hope to achieve as an artist. I’ve been waiting a long time for this chance to give people my music, and to give people myself through my music,” he added. “It’s time to make that dream that I'm floating on a reality.”
Kaplan also announced a headline tour across the U.S. Find the full routing below.
TOUR DATES:
March 20 - Manchester, Band On The Wall - United Kingdom
March 21 - London, Lafayette United Kingdom (SOLD OUT)
March 23 - Leuven, Het Depot Belgium
March 24 - Luxembourg, Den Atelier - Luxembourg
March 26 - Cologne, Essigfabrik -Germany
March 27 - Nijmegen, Doornroosje - Netherlands
March 29 - Utrecht, TivoliVredenburg - Netherlands
March 30 - Hamburg, Grunspan - Germany
March 31 - Copenhagen, Lille Vega - Denmark (SOLD OUT)
April 1 - Berlin, Heimathafen - Germany
April 3 - Warsaw, Proxima - Poland
April 4 - Krakow, Kwadrat - Poland
April 5 - Vienna, Arena Wien (Grosse Halle) - Austria
April 7 - Prague, Palac Akropolis - Czech Republic
April 8 - Munich, Backstage Werk- Germany
April 10 - Zurich, Plaza, Switzerland
April 11 - Paris, Alhambra - France
May 21 - Nashville, TN - 3rd & Lindsley
May 23 - Washington, DC - Sixth & I
May 24 - Philadelphia, PA - World Café Live
May 25 - New York, NY - LPR
May 27 - Cleveland, OH - Beachland Ballroom
May 28 - St. Louis, MO - Delmar Hall
May 29 - Minneapolis, MN - First Avenue
June 1 - Chicago, IL - Lincoln Hall
June 2 - Kansas City, MO - Knuckleheads
June 4 - Ft. Collins, CO - Aggie Theatre
June 6 - Denver, CO - Bluebird Theater
June 8 - Phoenix, AZ - Crescent Ballroom
June 9 - West Hollywood, CA - Troubadour
Avi Kaplan – vocals, guitar
Aubrey Richmond – violin
Chris Masterson – guitars
Daniel Ellsworth – piano, organ, synthesizer
Jamie Douglass – drums, percussion
John Schreffler, Jr. – pedal steel
Joy Williams – vocals on All Is Well
Kaleb Jones – guitar
Smith Curry – pedal steel
Ted Russell Kamp – bass
DOWNLOAD - hi res album art | DOWNLOAD - hi res press photo
Avi Kaplan on TikTok
FEATURED ON COVERAMA COMPILATION ALBUM
OUT MAY 20 VIA THE CONFIDENCE EMPERORS
COVERAMA ALBUM RELEASE CELEBRATION AT
THE DRAKE UNDERGROUND IN TORONTO ON MAY 21
TICKETS ON SALE NOW
"I tried to imagine what it would sound like if you were dozing off into a daydream, and pictured a very euphoric / head-in-the-clouds feeling, especially in the hook," Juliana says. “Dreaming is one of my favourite Blondie songs and I’ve always wanted to cover it. My version takes some of the new wave elements of the original, but slows it down and gives the track a very lush & dreamy treatment (lots of pad synths and spacey guitars). I also really connect with the idea of ‘dreaming is free’ as a reminder that our imaginations are boundless and we have a built-in space to go to whenever we want to escape reality.”
Dreaming marks Juliana's second release, having shared her debut single, U SUCK, in 2021, and is working on new music to be released this year. Most of the track was recorded in Juliana's home studio except for vocals (recorded at Revolution Recording). The song was mixed by Mike Schlosser and mastered by Joao Carvalho. As a big fan of Blondie for a long time, this is something Juliana and Popguru Founder, Graham Stairs have in common, so it was a natural fit.
While Coverama will see its release on May 20, celebrations will follow the next day (Saturday, May 21) at The Drake Underground in Toronto. John Orpheus, Alex Exists, Sam Casey, Ghost Caravan, TANDM, and Juliana Eye will take to the stage to share their eclectic renditions with live energy. Find all info and tickets here.
Under The Cover - what inspired the track:
In the Coverama track sequence Dreaming follows the rambunctious reimagination of David Essex's classic, Rock On, by Alex Exists - an incredible artist, producer and songwriter based in Toronto. Listen to Rock On and watch the video here. Coverama kicked off with John Orpheus' cover of Radiohead's iconic House Of Cards. John worked with longtime collaborator and producer, Mike Schlosser, to deliver a danceable, soulful take layered by graceful harmonies, soulful choruses and verses with his signature Caribbean flair. It is accompanied by a stunning video highlighting couples of all identities, depicting grace and strength in vulnerability - check it out here.
The songs on Coverama include interpretations by Toronto artist/producer, Alex Exists; UK-based pop singer-songwriter, Chloe Kay; Will Whitwham (leader of The Wilderness of Manitoba), Ghost Caravan, Canadian icons Martha and the Muffins, artist/producer Juliana Eye, indie pop duo, TANDM, and new signing, Sam Casey. Stay tuned for more music as the roster rolls into its grand release in May.
About Juliana Eye
JULIANA EYE is an alt-pop artist, songwriter and multi-instrumentalist based out of Toronto. Her obsession with pop melodies, 90s & early-00s guitar tones, paired with her mesmerizing voice has given EYE’s sound a unique blend of nostalgia and melancholy. Her latest single, “Dreaming” is a lush and evocative rendition of the 1970’s Blondie hit; fusing subtle hints of new wave synth textures, dreamy guitars, and alluring vocals.
Born and raised in the Toronto suburb of North York, JULIANA took to music obsessively at the early age of thirteen as an act of teenage rebellion and an outlet for finding herself. She spent the majority of her adolescence playing guitar and writing songs in her bedroom, jamming in basements with her friends’ obscure bands, and venturing to downtown clubs to watch local artists perform. While attending University for art & graphic design, EYE toured and recorded with indie-rock band, The Ruby Spirit, as a backup vocalist and self-taught keyboard player. JULIANA has since pursued a career as a live support musician and performed with a number of artists including CARYS (Warner Music/Atlantic Records), Juno-nominated AMAAL (Universal Canada), and LØLØ (APG) to name a few.
JULIANA EYE will be releasing more singles this year as well as an EP in late 2022.
DOWNLOAD - Dreaming Single Art
DOWNLOAD - Juliana Eye Press Photos
DOWNLOAD - Coverama Artwork
TikTok: @julianaeye
DOWNLOAD - Coverama Album Release Celebration Image Assets
About Popguru Sound & Vision:
Founded in 1998 by A&R maverick Graham Stairs, Popguru Sound & Vision is a fully integrated music company that makes a difference. Its core business is artist management, but, as a diversified company, Popguru is involved in music publishing, two record label imprints and providing music for film, television and other media.
Prior to starting his own company, Stairs was a partner in Intrepid management and did A&R for Intrepid Records, Latitude Records and EMI Music Canada. He was involved with such seminal Canadian artists as Martha and the Muffins, the Rheostatics, National Velvet, Chalk Circle, Damhnait Doyle and Sandbox. He was also behind the soundtrack album for the film, Highway 61, and the Bruce Cockburn tribute album that gave the Barenaked Ladies their first national hit with Lovers In A Dangerous Time. To this day, it is still one of the most played songs on Canadian radio. More recently, Stairs did A&R for True North Records where he signed Catherine MacLellan, Hunter Valentine and Australian band, the Audreys.
The strength of any company is its artists and repertoire. Popguru subscribes to the philosophy of building a community and long-term careers for its artists. The company’s mandate is to develop content for the Canadian and international marketplaces. The business model uses diversification as a strategy to create and monetize content for the existing and next generation uses of music. Since reactivating Popguru in 2009, Stairs has signed Martha and the Muffins, Odario, Grand Analog, the Wilderness of Manitoba, John Orpheus, Ghost Caravan, producer/songwriter, Mike Schlosser, and Sam Casey for management. Stairs’ vision of the interdependencies between record labels, music publishers, management companies and licensing agencies is the reason that Popguru organizes all of them within the same company. This is Popguru’s response to the needs of artists today and into the future.
RELEASE NO ESCAPE VIDEO FEATURING
THE NEIGHBOURHOOD’S JESSE RUTHERFORD
CONFIRMING NORTH AMERICAN HEADLINE TOUR WITH SHOWS IN VANCOUVER, MONTREAL AND TORONTO
"...the record not only captures a cross-section of alternative music's current zeitgeist, but also the neurotic paranoia of the near-dystopian times we're living in." - Kerrang!
“…HEALTH’s music blurs the boundaries between noise-rock, industrial, electronic rock and more in a sonically confrontational way that speaks eloquently to
headbangers and heshers.” - Revolver (Feature)
"... while these tracks are a testament to how well the LA trio can build an astronomical sense of atmosphere, they can create icy harshness with equal brilliance."
- DIY, 4/5 stars
"Collaboration in music has become increasingly common across all genres, but HEALTH have gone above and beyond what this typically looks and sounds like. Their series of DISCO albums were previously companion remixes to their full-lengths, but now, they’ve reimagined them as massive collaborative efforts, with each song melding a different artist’s style with HEALTH’s visceral electronic sound... with HEALTH choosing to only work with artists they personally enjoy listening to, the results are exceeding expectations.” - Alternative Press
TORONTO, ON – April 8, 2022 – HEALTH’s latest collaborative album, DISCO4 :: PART II, is out today via Loma Vista Recordings to praise and features via Kerrang! (digital cover story), Revolver, Brooklyn Vegan, Metal Injection, DIY Magazine, Treble, and more. The 12-song LP featuring Nine Inch Nails and Lamb of God arrives with six previously unreleased collaborations–including NO ESCAPE, with The Neighbourhood (watch its new video featuring the band's Jesse Rutherford here), as well as The Body, Backxwash, and Perturbator, among others–and a new original HEALTH single, THESE DAYS 2.0.2.1. Directed by Patrick Lascu, the NO ESCAPE video mimics the cult classic video game Metal Gear Solid and features rendered characters of the band members. Stream and purchase DISCO4 :: PART II at all DSPs here.
The band of Jacob Duzsik, John Famiglietti, and Benjamin Miller also announced the initial headlining U.S. shows of a 2022 world tour that includes European dates with Peturbator, Youth Code, and Maenad Veyl; a full itinerary is listed below and tickets are on-sale now.
Three years after VOL.4 :: SLAVES OF FEAR, the L.A. trio’s ferocious entry into the world of heavy music, HEALTH return with the second half of their DISCO4 series. A whole lot went to hell in the world in the meantime, forcing the band to re-invent how they wrote music together. For DISCO4 :: PART II they cut it fast and mean, recruiting both legends and nascent contenders of heavy music and its many peripheral genres.
DISCO4 :: PART II Tracklist:
1. HEALTH x Poppy - DEAD FLOWERS
2. HEALTH x Nine Inch Nails - ISN’T EVERYONE
3. HEALTH x Ada Rook x PlayThatBoiZay - MURDER DEATH KILL
4. HEALTH x Maenad Veyl - IDENTITY
5. HEALTH x Lamb of God - COLD BLOOD
6. HEALTH x The Body - AD 1000
7. HEALTH x Backxwash x HO99O9 - GNOSTIC FLESH/MORTAL HELL
8. HEALTH x Street Sects - THE JOY OF SECT
9. HEALTH x EKKSTACY - STILL BREATHING
10. HEALTH x The Neighbourhood - NO ESCAPE
11. HEALTH x Perturbator - EXCESS
12. HEALTH - THESE DAYS 2.0.2.1.
HEALTH 2022 Tour Dates:
4/18 - Glasgow, UK @ Stereo
4/19 - Manchester, UK @ The White Hotel
4/20 - Birmingham, UK @ Castle and Falcon
4/21 - London, UK @ Studio 9294
4/22 - Tilburg, NL @ Roadburn
4/26 - Vilnius, LT @ Kablys Club
4/27 - Tallinn, ES @ Sveta Baar
4/28 - Helsinki, FI @ Ääniwalli
6/09 - Bucharest, RO @ Control Club
6/11 - Budapest, HU @ A38
6/12 - Vienna, AT @ Arena
6/13 - Poznań, PL @ Klub U Bazyla
6/14 - Krakow, PL @ Zaścianek
6/15 - Kosice, SK @ Tabačka Kulturfabrik
6/16 - Bratislava, SK @ Fuga
6/17 - Zagreb, HR @ Klub Mochvara
6/18 - Ljubljana, SI @ Kino Siska
6/20 - Dortmund, DE @ Junkyard
6/21 - Zurich, CH @ Bogen F
6/22 - Wiesbaden, DE @ Schlachthof
6/24 - Clisson, FR @ Hellfest
6/29 - Portland, OR @ Hawthorne Theatre
6/30 - Seattle, WA @ Mechanismus Festival Stronghold
7/1 - Vancouver, BC @ Biltmore Cabaret
7/12 - Utrecht, NL @ De Helling
7/13 - Esch-sur-alzette, LU @ Kulturfabrik Asbl Cultural Centre
7/13 - Ostrava CZ @ Colours of Ostrava 2022
7/15 - Athina, GR @ Death Disco
8/24 - Phoenix, AZ @ Crescent Ballroom
8/25 - Tucson, AZ @ 191 Toole
8/27 - Dallas, TX @ Granada Theater #
8/28 - Austin, TX @ Elmo’s #
8/30 - Tampa, FL @ The Ritz Ybor #
8/31 - Orlando, FL @ The Plaza Live #
9/1 - Atlanta, GA @ The Masquerade #
9/03 - Baltimore, MD @ Baltimore Soundstage #
9/4 - New York, NY @ Irving Plaza #
9/6 - Philadelphia, PA @ Theatre of Living Arts #
9/7 - Boston, MA @ Paradise Rock Club #
9/8 - Montreal, QC @ Club Soda #
9/9 - Toronto, ON @ The Danforth Music Hall #
9/11 - Detroit, MI @ El Club #
9/12 - Chicago, IL @ Park West #
9/13 - Minneapolis, MN @ Skyway Theatre #
9/15 - Denver, CO @ Gothic Theatre #
9/17 - Los Angeles, CA @ The Belasco #
9/18 - San Francisco, CA @ August Hall
10/6 - Lille, FR @ Aereonef %
10/7 - Paris, FR @ Olympia %
10/12 - Bordeaux, FR @ Krakatoa %
10/13 - Toulouse, FR @ Bikini %
10/14 - Madrid, ES @ Sala Cool %
10/15 - Barcelona, ES @ Razzmatazz 2 %
10/16 - Nantes, FR @ Stereolux %
10/18 - Lyon, FR @ Transbordeur %
10/19 - Strasbourg, FR @ La Laiterie %
10/20 - Lausanne, CH @ Les Docks %
10/21 - Munich, DE @ Freiheiz %
10/22 - Vienna, AT @ Arena %
10/23 - Budapest, HU @ Akvarium NagyHall %
10/25 - Prague, CZ @ Lucerna Music %
10/26 - Wroclaw, PL @ Zaklete Rewiry %
10/27 - Warsaw, @ PL Progresja %
10/28 - Berlin, DE @ Heimathafen %
10/29 - Göteborg, SE @ Tradga’n %
10/30 - Stockholm, SE @ Bern %
11/1 - Helsinki, FI @ Tavastis %
11/3 - Oslo, NO @ Vulkan Arena %|
11/04 - Copenhagen, DK @ Pumpehuset %
11/5 - Hamburg, DE @ Uebel & Gefährlich %
11/6 - Utrecht, NL @ Tivoli %
11/8 - Cologne, DE @ Kantine
11/9 - Esch-sur-Alzette, LU @ Rockhal
11/10 - Bruxelles, BE @ Ancienne Belgique
11/12 - Dublin, IE @ Academy
11/13 - Bristol, UK @ SWX
11/15 - Glasgow, UK @ St. Lukes
11/16 - Manchester, UK @ Academy 2
11/17 - London, UK @ Electric Brixton
# w/ Street Sects
% w/ Author & Punisher
DOWNLOAD - DISCO4 :: PART II Art | DOWNLOAD - STILL BREATHING Single Art
DOWNLOAD - HEALTH Press Photo, credit Daniel Roland Tierney
WATCH THE INCREDIBLE VIDEO FOR FIRST SINGLE SUBZERO
ON TOUR NOW WITH STOPS IN VANCOUVER, EDMONTON, CALGARY, TORONTO AND MONTREAL
Toronto, ON – April 7, 2022 –Action Bronson has announced a new album, Cocodrillo Turbo, for release April 29 via Loma Vista. The album will include features from Conway The Machine, Roc Marciano, Hologram, Meyhem Lauren with production from The Alchemist, Daringer, Roc Marciano and Action Bronson. Bronson has found unending inspiration in the water, which is where the title comes from. “I first came up with this album while in the water. I’ve spent many lifetimes in the water. I'm just a water man. I was born in the water, I'm a water sign,” he explains. It’s also the basis of his incredible new, James Larese directed video for first single, Subzero. In it a tsunami hits New York where Bronson waits ready, bodyboard in hand to ride the wave through the streets as he raps about dropping a nine in the snow like a long lost Sopranos character before inserting a line about eschewing knives when ripping his bread. The short film takes him to the desert as The Alchemist drives a Mad Max styled vehicle and then back to the ocean where he is king of the crocodiles.
Action Bronson isn’t anyone’s idea of an underdog with a slew of critical acclaim, a New York Times best seller, successful TV shows; a decade + long career where he’s proved time and time again why he is one of the best MCs of our time. And yet, on his brilliant new album, Cocodrillo Turbo, he sets out to prove that his lingual versatility is stronger than it’s ever been. “I don't feel like I'm given the fucking respect that I deserve,” Bronson explains. Cocodrillo Turbo is Bronson demanding that respect. Cocodrillo Turbo a record that hits immediately, but rewards deep listening and close readings.
Cocodrillo Turbo Tracklisting
1.Hound Dog
2.Tongpo ft. Conway the Machine
3.Estaciones ft. Hologram
4.Jaws
5.Subzero
6.Turkish ft. Meyhem Lauren
7.Jaguar prod by Roc Marciano
8.Zambezi ft. Roc Marciano
9.Ninety One
10.Storm of the Century
Canadian Tour Dates:
May 1 - Vancouver, BC - Harbour Events Center
May 3 - Edmonton, AB - Union Hall
May 4 - Calgary, AB - Macewan Hall
May 9 - Toronto, ON - History
May 11 - Montreal, QC - MTelus
QUEEN/DOM CHAPTER 1: QUEEN IS OUT ON MAY 5 TO MARK FIRST INSTALMENT OF FORTHCOMING DOUBLE EP
|
DOWNLOAD – Real Me Artwork
DOWNLOAD – Press Photo
DOWNLOAD – QUEEN/DOM Chapter 1: Queen Cover Art
TikTok: @domaniquegrant
About Domanique Grant
(pronunciation: DOM-AH-NEEKE GRANT, pronouns: she/her)
You may call her QueenDom. Her mom did when she was a child, and now Toronto soul-pop singer, songwriter, producer and director Domanique Grant is claiming it in adulthood, as the title of her forthcoming double EP (the first chapter due April 21, 2022), for which she opens up some tough conversations — of worthiness, forgiveness, self love, notions of beauty and Internet culture.
Fresh off of her collaboration with the Grammy Awards and RBCxMusic, Domanique Grant is a Pop/Soul, Singer-Songwriter from Toronto, named one of Buzzfeed’s Top 20 Artists to Watch from Canada.
With a live show that’s been praised by Ted Talk, recent collaborations with Grammy nominated producer Jarrel ‘The’ Young (Drake 2021, The Weeknd 2020, Fall out Boyz 2019) and a Pandemic-song that went viral worldwide, 2022 is set to be a big year for the teal haired powerhouse.
“I want to create music that reminds people to be authentic, especially when the world tells you that you don’t fit," Domanique says.
The release of Domanique’s upcoming EP album QueenDom, exploring self-love and authenticity in a digital age; does that and more. With a milky vocal tone, paired with a praised, rap-singing versatility, echoing influences as diverse as Lauren Hill, Lisa Left-Eye Lopes, Rihanna, Sza and Chance the Rapper, combined, Domanique’s music straddles the lines of modern Pop and R&B, with elements of Electronic and Hip Hop that can’t be ignored.
QueenDom is a double EP release with the first chapter coming in April and the second to come in late 2022. Introspective yet relatable, on the project, Domanique shows both a bold and vulnerable side. Like many of us, she shifted her focus during the Covid Pandemic towards further growth and self-care. And for her, that meant creating more music. She spent the last year reflecting, writing and recording.
SHARE STANDOUT TRACK NEGATIVE THOT
SPECIAL GUESTS TO JESUS JONES ON MAY 15 IN TORONTO AT THE EL MOCAMBO
“Straight up vulnerability. Straight up honesty. A real
human experience.” – George Strombo
“ …catchy songs with biting lyrics and titles that tickle my fancy…” – 3am Revelations
TORONTO, ON – APRIL 1, 2022 – Today, Toronto’s 80s-inspired modern synth-pop band, Common Deer, release their debut full-length album, MAXIMALIST, and share album standout track, Negative Thot. Check out the driving and undeniable earworm here and stream the empowering and bold debut album here. To further celebrate the record the band will be playing a hometown Toronto show, as special guests to Jesus Jones, on May 15 at the El Mocambo – get your tickets here.
“A 'maximalist' is someone who holds strong opinions and is unwilling to waver on them, which is the larger theme of this album and the circumstances surrounding its recording. MAXIMALIST is Common Deer without concession or compromise,” offers the band. “Contrary to the past releases, a lot of the themes come from a place of anger, rather than joy or optimism, and that’s reflected in the lyrics. Lyrically, the album addresses mental illness, addiction, abuse, the music industry, and intimate relationships with raw vulnerability.”
Mostly completed before the pandemic, the four-piece band - comprised of two sets of siblings: Sheila Hart (vocals), Adam Hart (guitar, synthesizer), Liam Farrell (percussion, samples), and Connor Farrell (bass) - created MAXIMALIST with producer, Luke Roes, at his “small but mighty studio” in London, Ontario. A close friend of Adam’s since his band, Ivory Hours, shared a bill with Common Deer in 2016, Sheila says, “We had a great personal relationship, and he’s really pushed me as a songwriter.”
This bounds-pushing songwriting style is especially prevalent on the deeply personal tracks Fuckboi, Guts and LonelyFans. Fuckboi is a diss to a guy Sheila dated who ghosted her - but after her BPD diagnosis she realized “girl, maybe you’re the problem.” Guts is about being disrespected as a young woman in the music industry; and LonelyFans is a reflection of how she might have spent time during the pandemic had she been born just a few years later.
On the album standout, Negative Thot, Sheila says: “This track is a twisty look at reveling in your absolute worst. Just because I’m mentally ill, doesn’t mean I’m always miserable – sometimes you have to have fun with it.”
"MAXIMALIST is a celebration of excess and a refusal to compromise, however misguided that might be.”
Dive in to Common Deer's MAXIMALIST world and stay tuned for more to come from the band this year!
LISTEN TO KONMARI | WATCH KONMARI HERE
SELLOUT TO BE RELEASED JUNE 3, 2022 VIA TEXT ME RECORDS
"The video is obviously not meant to be considered in its literal sense; there are no references to toilets in KonMari. However, dragging something that heavy (that toilet was really heavy) across some barren wasteland did feel a bit similar to hauling all the “stuff” you’ve bought from one place to another when you relocate. I’ve moved many times in the last five or six years, and each time, my load gets significantly lighter. And honestly, I barely notice what I leave behind," says hill. "Does this item bring you joy? When you’re broke it’s hard to tell."
The song takes its title from the minimalism-inspired approach, the KonMari Method, founded by pro-organizer, Marie Kondo. The process assists in organizing items category-by-category rather than room-by-room, including six basic rules, ranging from the commitment to the act of tidying, to acknowledging an object's purpose in your life, asking if it continues to fulfill that purpose (or rather, cultivate joy) before surrendering it.
KonMari was written and produced by iamhill and Mike Schlosser (John Orpheus, Arlo Maverick, Kendal Thompson, Curtis Santiago), mixed by Brad Smith (aka Mr Smith), and mastered by Reuben Ghose at Mojito Mastering. The visual was filmed and edited by Travis Nesbitt (@travisnesbitt).
hill has always used music creation as a means of catharsis and Sellout is no different, standing as the most aggressive collection of songs she has made to date. Sellout is centred around the way our lives have become increasingly non-human. The idea that humans were not built - nor have we evolved - to manage this shift around human life intermixed with western values is a driving force behind the sound and story. The album embodies her anger and frustration in one place, while centred on a relevant, timely subject matter with full agency and a dash of good humour.
Sonically, Sellout has a signature rawness, complimented by hill and Mike Schlosser's alt approach to songwriting, never colouring within the lines when it comes to production; from the Wurlitzer used in the intro to I Need to Cry, to utilizing an Oberheim analog synthesizer, and creating their own samples (which can be found in their signature sample pack available anywhere you source individual samples, such as Splice, Reverb, etc.).
Collaborating with an instinctual process, hill works on the lyric and melody writing, while Mike is the brains behind the music. Mike and hill created the album pre-pandemic in hill's downtown Los Angeles loft, where she was living at the time. Amidst endless noise, sirens, people moving and voices all around, the team tracked all of the vocals in the living space, with emphasis on ensuring they were real rather than pristine.
Previous singles include, Fat Free, featuring Dallas, TX group, Cure For Paranoia. The song was inspired by an episode of Sharp Objects, based around Munchausen by proxy, where a mother figure is seeking attention/validation via the sickness/care of her daughters (and is poisoning them to keep things this way). Sellout kicked off with Side D, a dark, energizing jam written about a woman’s right to explore her own sexual freedom and options. While the title is literal, it's not meant to be taken seriously, or for the faint of heart. Listen to Side D here and watch the visualizer here, created by Taylor Oakes: (aka "Tiny Taylor").
Last month, hill dropped an acoustic version of her previous single, Side D, in NFT format. This radically-different version was arranged by hill of iamhill and mixed by Mike Schlosser, and the artwork created by Caitlin Boyle. This is not the first NFT hill has worked on, but it is the first NFT of her own music, under her own name. While the technology that allows artists to “mint” (in other words, create a new block on the chain with your file’s information/data) their work is still emerging, hill has grown passionate about the NFT community and it’s intrinsic potential.
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. Upon releasing her debut album as ‘iamhill’ in 2018, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. hill released her 2019 EP, Gimme My Life Back, on Antifragile Records out of NYC. In 2021, she released an album that was deconstructed and distributed as a sound pack by Black Octopus Sounds, who launched their adjacent record label Black Octopus Music in order to release the source album, Nobody Wants to Be My Friend.
Stay tuned for more audio and visual from hill as she prepares to release her next album.
DOWNLOAD - KonMari Artwork
Photo by Travis Nesbitt | @travisnesbitt
DOWNLOAD - Hi Res Press Photo
About hill of iamhill
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. She grew up in the Canadian North, where winter reigns for 8 months a year. Before cultivating her specific taste for alternative pop music, her urge to create alternate universes was already thriving. She was regularly scolded growing up for daydreaming incessantly, but may never have fully landed in “reality." Music was always her way of escaping into the current moment while simultaneously holding life at arm’s length. hill began playing piano by ear as a kid, and had picked up guitar and drums to accompany her obsession with singing by the time she was 14. Songwriting followed not long after, which began as an exercise in catharsis for hill and remains that way whenever she gets an opportunity to work on her passion project.
What appears to be the result of spending most of your life longing for a different one is the universe hill has been building since the genesis of iamhill in 2018. Upon releasing her debut album as ‘iamhill’, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. During this time, she drew inspiration from artists like Frank Ocean, James Blake, Kanye West, and queen of sad-core Lana Del Rey. Informed directly by her eagerness to embrace darkness and her constant yearning for the future, the environment hill has developed over time is increasingly futuristic and industrial.
This seminal album, Give it a Rest, went on to be nominated for a Juno in 2019 (Electronic Album of the Year), while hill finally accomplished her lifelong dream of moving to California to live under the sun and find her full artistic expression among so many fellow creatives. That year, hill released her sophomore EP, Gimme My Life Back, on Antifragile Records out of NYC. The visuals that accompanied the EP were shot in Thailand, with the city filth of Bangkok front and centre.
Since the beginning of the pandemic, hill of iamhill has leaned into her fascination with technology. As the clubs she used to perform in closed their doors, she began diving into frontend web development and landed a job as a contracted engineer with a startup out of California called Pex. Pex is a digital rights technology company that enables fair and transparent use of copyrighted content at the scale and speed of the internet. Their mission is to empower creators, platforms, and rightsholders alike, which is perfectly aligned with hill’s vision for the future of the global creator’s landscape. Spending five years in a Publishing deal with Ultra Music, a Sony subsidiary, left hill with a new appreciation for creative autonomy and IP ownership. More to that end, in the fall of 2021, hill co-produced and co-released her first audio-visual NFT with a team of creatives out of Los Angeles and the Bay Area, and has already onboarded to platforms such as Catalog, which prioritize the minting of music NFTs.
Over the past year, hill also found the time to release an album she co-produced and wrote with her now-counterpart in the iamhill project, Mike Schlosser. What made this album unique is that it was also deconstructed and distributed as a sample pack by Black Octopus Sounds, who launched their adjacent record label, Black Octopus Music, in order to release the source album, Nobody Wants to Be My Friend.
hill is currently working with an independent label, Text Me Records, out of San Francisco to release her forthcoming album (also co-created by Mike Schlosser). The project will see iamhill diving deeper into how "our lives are increasingly non-human." Says hill: "We were not built - nor have we evolved - to manage this shift."
IN-PERSON JUNE 7 - 10 & ONLINE JUNE 20 - 22
WITH SHOWCASES, NETWORKING OPPORTUNITIES, PANEL DISCUSSIONS, WORKSHOPS AND MORE
LOCAL, DOMESTIC, INTERNATIONAL PARTNERSHIPS
ON PROGRAMMING INCLUDE FLUVIAL (CHILE),
INTERNATIONAL INDIGENOUS MUSIC SUMMIT,
ROYAL CONSERVATORY OF MUSIC, AND MORE
SEE REGISTRATION AND TICKET INFO HERE
GLOBAL TORONTO 2022 PROGRAMMING TO BE GUIDED BY THEME OF:
RE: claiming our future
RE: connecting our community
RE: building our industry
TORONTO, ON – March 31, 2022 – Today, Small World Music (SWM) announces the details for their annual Global Toronto conference, held online from June 20-22, with pre-conference activities being held in Toronto in person from June 7-10, including a diverse selection of international and cross-country delegates.
Global Toronto is a music showcase and conference rooted in re-imagining a sustainable, equitable, and accessible future for the music sector, and a platform to create connections and professional contacts, while building community and creating a space to discuss and make change. More than just a marketplace, Global Toronto is also a meeting place, a global gathering in the tradition of SWM, which has been a site of coming-together for millennia.
Registration is now open and available on the Global Toronto website. Watch the official launch announcement live-streamed earlier today here.
“From our many community consultation sessions, through working with the Jury, who chose the Spotlight Artists, and the Programming Committee, who established the theme upon which Global Toronto 2022 (GT22) will be built and the conversations and sessions to come, GT22 is truly a team effort,” says SWM Head of Programs, Mercedes Caxaj. “We think that GT22 is going to be a fantastic experience on the artistic front, and will continue to move the music sector forward. After asking, last year, 'Now What?' this year, we dig into the ways that we don’t just re-build: We drop the 're' and get to work on something new, together.”
“Partnerships remain at the heart of GT. The local partners that created the 2018 foundation: Royal Conservatory of Music, Lula Lounge, Aga Khan Museum and others. The international organizations enabling international Spotlight Artist performances: Fluvial (Chile), Wind Music (Taiwan), Planea Musica (Paraguay), ASEAN Music Showcase (SE Asia) and International Indigenous Music Summit (IIMS),” says Jonathan Campbell, Head of Programming Operations at SWM. “GT22 is where we show the world not just the diversity of music onstage here at home and around the world, but champion and learn from those folks behind the scenes pointing the way forward.”
The in-person conference (June 7-10) will provide an opportunity to experience a plethora of showcases, and networking amongst delegates through a variety of informal, engaging gatherings. See below for a full list of the Canadian and international Spotlight Artists.
From June 20-22, online panels, keynote addresses, Organizational and Regional Spotlights, workshops and conversations will take place online on the Minode’e (the Anishinaabe word for "good-hearted") platform, which was created with Small World Music's partner, IIMS. The online element includes broadcasts of edited versions of the showcases alongside the probing conversations for which GT is well known.
During the official media launch at Small World Music Centre in Toronto, the team unveiled all of the exciting news, including the much-anticipated reveal of the GT22 Spotlight Artists, theme, partners, and more. In addition, the GT22 Jury was announced, comprising five music professionals who underwent a long, difficult, amazing, and intense selection process, through over 200 applications: Chris Wilson (Drake Hotel/Somewherelse - Toronto, Canada), Kim Temple (High Priestess Publishing/Six Shooter Records - Toronto, Canada), Maria Carrascal (Agitando Cultura - Buenos Aires, Argentina), Reem Kassem (Cultural Foundation/Basita.live/Agora - Abu Dhabi, United Arab Emirates), Vox Sambou(Artist - Montreal, Canada). Head to the website to learn more about each member.
GT21 was an immense success. Held online, in June, 2021, the conference welcomed 1100+ Participants from over 70 countries, nearly half of whom reported they were experiencing their first Canadian music industry event. You can read a full recap of the events here.
“We’re proud of the way our role has evolved from being among GT’s founding partners to leading the production of the event for the last three years, and growing things online during the most challenging period in recent history,” says SWM Executive Director, Umair Jaffar. “GT is where our organization’s mission to break down walls through the power of music, and our work with and for equity-deserving communities onstage and behind the scenes, has local and global impact. We know that this will continue at GT22 – and beyond.”
Behind the GT22 theme in Small World Music's own words
After an early-pandemic pause at GT20 to acknowledge opportunity and envision the future, in 2021, we asked “Now What?”, looking to artists and arts organizations’ approaches to making space and enacting change. But sustainability remains out of reach across the sector. As a post-pandemic near-future emerges, glimmers of hope for the return of live music are clouded by the old structures and practices that are once again establishing themselves as the norm.
With GT22 we emphasize forward momentum, transcending what came before. Words matter in this project: We are wary of calls to simply rebuild, as it gives power to models that even before the pandemic weren’t working for most of us. To interrogate the idea of “re-”anything, we’re dropping the prefix. We choose to claim our future, connect our community, build our industry. Together.
See below for the complete lineup details and stay tuned for more information by connecting with Small World Music online.
Find the Global Toronto 2022 Showcase Lineup here.
About Global Toronto:
Global Toronto is an online music conference and in-person showcase & networking event based in Toronto and delivered in a hybrid manner. We are a hub for high artistic quality, a platform to create connections and professional contacts, while building community and creating a space to discuss and make change. Global Toronto is produced by Small World Music.
Who we cater to:
We serve the music network/ecosystem of artists, arts professionals and leaders who want to learn, discover, grow and connect in the global music industry so that together we can create change to build an equitable, sustainable and accessible music sector.
What we do:
Global Toronto creates a hub of artistic/high quality content, a platform to create connections, a community of music business professionals, and a space to discuss and make change guided by the principles of equity, sustainability and accessibility.
About Small World Music (SWM):About Small World Music (SWM):
Since 1997, SWM has been celebrating cultural diversity and showcasing a range of local, domestic, and international talent to audiences across Toronto, and beyond. More than just presenting culturally-diverse artists, SWM works with, showcases, and supports equity-deserving professionals onstage and behind the scenes to encourage sustainable careers and industry-wide evolution. SWM encourages human connection through musical experiences: through public-facing programming (the annual Small World Music Festival and hundreds of year-round concerts), industry initiatives (Global Toronto music conference and showcase event), artist-driven projects (eMERGEnce Music Incubator), and more.
INCLUDES TWO LIVE RECORDINGS
NEW ACOUSTIC RENDITION OF BLACK MYSELF FEATURED IN UPCOMING DOCUMENTARY FOR LOVE & COUNTRY AVAILABLE AS AMAZON ORIGINAL
TORONTO, ON – March 31, 2022 – Today, Amythyst Kiah announces the release of Wild Turkey – Live, a three-song digital EP that features two previously unreleased live recordings of the song as well as the original track that appears on her groundbreaking and celebrated album, Wary + Strange, released last June. Listen to Wild Turkey – Live here. Watch the performance from Studio 615 here, and watch the performance from the Gibson Garage here.
Wary + Strange has been widely hailed as one of the best releases of the past year. Wild Turkey, a stark recounting of her mother’s death and its aftermath, has been singled out for its unflinching honesty and heartbreaking beauty. Writing in Pitchfork, Maura Johnson noted, “Kiah’s independent spirit, vast talent, and musical savvy yield dazzling results on this, her Rounder debut: Wary + Strange is a rock album that doesn’t play by anyone’s rules but her own.” Zeroing in on Wild Turkey, she observes, “When Kiah asks, ‘Oh Lord, will I ever feel right again?,’ the song breaks open in a surfeit of complex emotions.”
“As I reflect on this song, I realize now more than ever that while my traumatic experience doesn't define me: it's taught me an important lesson. In order to have more patience and compassion for other people, I have to also give that to myself,” said Kiah. “That is of course easier said than done, but I believe it is worth the effort to try. The fact that this song has connected with so many people dealing with something similar – or just dealing with a trauma that's taken years to shake out – has been a humbling reminder of the importance of remembering our collective humanity, and to not lose yourself to what's happened in the past, whatever that may be. If you are lucky enough to survive, take what you learned and continue this wild journey called life.”
Kiah is among the artists who appear in the upcoming documentary, For Love & Country. The film, which examines country music’s evolution through the lens of a new generation of Black artists, will be available globally April 7 via Amazon Music and Prime Video. Kiah recorded an acoustic version of her Grammy-nominated song, Black Myself, for the film, which is available as an Amazon Original here.
Late last year, the Americana Music Association marked the 20thanniversary of its annual Honors & Awards program with a concert event at Nashville’s historic Ryman Auditorium. On Saturday, April 2, PBS stations nationwide will premiere a special edition of Austin City Limits, featuring highlights from that concert, including Kiah’s performance of Fancy Drones (Fracture Me). The special will be available to stream online beginning Sunday, April 3 at pbs.org/austincitylimits
This spring and summer, Kiah is slated to perform at a number of music festivals including High Water, Stagecoach, FreshGrass, Palomino, and FloydFest. On May 10, she will join Brent Cobb, Amy Ray, and friends for the 9th annual, Georgia on My Mind benefit concert at Nashville’s historic Ryman Auditorium. A full list of confirmed dates is below. New dates will be announced in the coming weeks.
Wild Turkey – Live Track Listing
1.Alt Version / Live at Studio 615 / May 2021
2.Solo Acoustic / Live at Gibson Garage / October 2021
3.Album track from Wary + Strange
Amythyst Kiah Tour Dates:
4/24 High Water Music Festival, N. Charleston, SC
4/27 Tempe Center for the Arts, Tempe, AZ
4/29 Stagecoach Festival, Indio, CA
5/05 UCSB Arts and Lectures, Santa Barbara, CA
5/08 Scissortail Park, Oklahoma City, OK
5/10 Ryman Auditorium, Nashville, TN
5/13 Door Community Auditorium, Fish Creek, WI
5/21 FreshGrass Festival, Bentonville, AR
5/27 Straz Center for the Performing Arts, Tampa, FL
5/29 Pensacola Unleasehd, Pensaclola, FL
6/19 Hill Center at the Old Naval Hospital, Washington, DC
7/09 Palomino Festival, Pasadena, CA
7/28 FloydFest, Floyd, VA
8/06 Magic City Blues Festival, Billings, MT
8/13 On the Ocean, Portland, ME
Photo by Sandlin Gaither
DOWNLOAD – Hi Res Press Photo | DOWNLOAD - Artwork
TikTok: www.tiktok.com/@amythystkiah
“Beyond the fact that every show is a high-energy explosion of pop and positivity, Wannabe's five members, made up of talented writers, actors, singers and choreographers, have tapped into something that had a huge emotional impact on a whole generation of people during their adolescence… By bringing girl power to a whole new generation and time in history, Wannabe isn't going anywhere.” – blogTO
TORONTO, ON – March 29, 2022 – People of the world, spice up your life!
In 2012, Wannabe – Canada’s premier Spice Girls tribute band – performed their first ever show to a sold-out crowd at Toronto’s legendary El Mocambo. Without immediately realizing it, the group quickly saw that they had tapped into something incredibly special, and over the course of the next decade, Wannabe grew to become one of the most sought-after acts in North America.
On Friday, April 1, the group will celebrate their milestone 10-year anniversary at the Opera House, and once again bring their larger-than-life epic show to the stage; dazzling fans with their giant personalities, mega-watt singing voices, top-notch choreography and powerhouse performance. A night that is truly not to be missed, tickets can be purchased here.
"Wannabe shows are famous for not only being a massive party with live music but also a celebration of love, friendship and Girl Power,” exclaims the band.
Conceived of by Toronto-based performers/musicians Barbara Johnston and Suzy Wilde, who star in the group alongside Anika Johnson, Jaz Fairy-J and Cat Merriam, Wannabe has been thrilling audiences and blowing the roof off of concert venues across North America for the past ten years. With spot-on performances, costume changes, English accents and platform shoes, the women have brought Girl Power into the 21st century.
“One of the first things people want to know about Wannabe is if we ACTUALLY sing…The answer is yes! We actually sing, and we actually dance and wear the platforms and do the accents. We also have an incredible backing band made up of some of the top musicians in the city.”
The idea for Wannabe was born one summer when the girls were crammed in a house together performing in a musical, right around the start of 90s nostalgia. After an intense period of ‘Spice Girls Training’, which included studying concert footage and music videos, creating choreography, arranging songs and harmonies, assembling a six-piece backing band (aptly dubbed the Spice Boys), and rehearsing for several months, Wannabe was ready to hit the stage for what they thought would be a one-off concert for friends and family. They were wrong. The show sold out and the band hasn’t looked back since.
As the band has gained popularity, the shows have expanded to include not only Spice Girls songs, but hits from other 90s superstars, including Brittany Spears, Janet Jackson, and Madonna. The girls have appeared on stages alongside legendary 90s acts including TLC, The Goo Goo Dolls, Aqua, 98 Degrees, O-Town, Lance Bass (N’Sync) and Aaron Carter.
“Our ten-year anniversary show will be jam-packed with the biggest Spice Girls hits plus some of our favourite 90’s tracks from some of the best 90’s artists,” the girls add. “After the last two years, this is the show you want to be at. Dress up, bring your mates and get ready to Spice Up Your Life!”
Wannabe 10th Anniversary
Date: Friday, April 1
Doors: 7:00pm | Show: 8:00pm
Venue: Opera House
TICKETS
Upcoming Tour Dates:
May 6 – Oshawa, ON – The Biltmore Theatre
May 7 – Hamilton, ON – Bridgeworks
May 27 – St. Catharines – Warehouse Concert Hall
May 28 – London, ON – London Music Hall
DOWNLOAD – hi-res photo
SHARES VIDEO FOR HOOCHIE MAMA
"One of this year's brightest insurgents" – The New Yorker
"Buddy is crossing generations, building new paths" – The New York Times
"an emerging artist to be reckoned with" – NPR
"Buddy's knack for filling up empty space in bursts like this shows he can more than carry a song all his own" – Pitchfork
TORONTO, ON – March 29, 2022 – Buddy has released his sophomore album, Superghetto, via Cool Lil Company / RCA Records. The ten-song project arrives alongside a new visual for the album track, Hoochie Mama, and includes the previously released single, Wait Too Long featuring Blxst, which was performed on The Tonight Show Starring Jimmy Fallon last night. With additional appearances from Tinashe, T-Pain, and Ari Lennox, Superghetto, finds Buddy continuing to expand his uniquely eclectic sound, utilizing his unusual blend of experiences and influences to tap into a wide swath of moods as diverse and expansive as the Los Angeles area itself.
Buddy last released the deluxe edition of his critically-acclaimed album, Harlan & Alondra, in 2020 before teaming up with fellow LA rapper, Kent Jamz, for the release of their joint project, Janktape Vol.1, which NPR called "one of the best collab tapes" to be released that year. Amidst those efforts, he also joined Vince Staples on an explosive North American tour, performed at NPR's Tiny Desk, The Late Late Show with James Corden and The Tonight Show with Jimmy Fallon that same year. Buddy also played a major role in the Grammy-nominated Revenge of the Dreamers III album, featuring on seven tracks on the Director's Cut version including fan favorites Costa Rica and 1993.
Listen to Superghetto here and stay tuned for more from Buddy coming soon.
TRACKLIST:
1. Hoochie Mama
2. Ghetto24 feat. Tinashe
3. Wait Too Long feat. Blxst
4. Black 2
5. High School Crush
6. Happy Hour feat. T-Pain
7. Coolest Things feat. Ari Lennox
8. Ain't Fair
9. Bad News
10. Super Ghetto
DOWNLOAD – album artwork | DOWNLOAD – press photo
ABOUT BUDDY:
Born and raised in Compton, California, Buddy seemed destined for greatness at an early age. He was just 15 years old when he had his first brush with stardom, signing to Pharrell's Star Trak imprint and releasing his first viral single, Awesome Awesome. A few short years later, he had delivered on that promise with the soulful, autobiographical RCA Records debut, Harlan & Alondra, in 2018.
A stark departure from the G-funk sounds listeners might have expected given Buddy's origins, Harlan & Alondra was instead an eclectic collection of sun-soaked styles influenced by Buddy's experiences. After years playing within LA's flourishing underground scene, he'd developed relationships with prominent musicians, adding his own church-honed flair, and come up with a unique style that brought critical acclaim to his major-label debut and a hunger to see what he would come up with next.
After detours through J. Cole's vaunted Revenge of the Dreamers III recording sessions and releasing the Jank Tape, Vol. 1 mixtape alongside Los Angeles native, Kent Jamz, Buddy builds even more on his debut's sonic experimentation with its follow-up, Superghetto. Again, Buddy utilizes his unusual blend of experiences, tapping into moods as diverse and expansive as the L.A. area itself. On album opener Hoochie Mamas, he delves into the party-rap ratchet-style that has been the backbone of the city’s underground scene for years for comic tales of racy mischief.
Then, he turns on a dime to relay recollections of life at the bottom of America’s totem pole on the moody title track, laying bare the lows he’s survived as readily as he celebrates the highs on Black 2, the spiritual successor to his pride anthem, Black. “I was talking about different Black things that we just self proclaim,” he says of his decision to revisit the track, “And just that Black pride that we have, I was putting all that on the mic. The second one is a cool vibe record, but it still has that prolific message about just Black pride and just being Black.”
He truly breaks out of the box with HSC, taking on the loose-limbed energy of an indie garage band while putting his own sly twist on the formula. He continues that upbeat, pop-rock vibe on Bad News, spinning a “gangster” narrative over a backing beat that wouldn’t be out of place on a Beach Boys compilation. Taken, together, these tracks highlight his philosophy for this album – and really, for his life.
LISTEN/BUY HALF RIGHT HERE
WATCH THE LIVE IN-STUDIO VIDEO HERE
TORONTO, ON – March 29, 2022 - Today, rising Canadian indie singer-songwriter, Rachel Bobbitt shares an exquisite cover of Heatmiser’s enduring, poignant Half Right. The harrowing, beautifully tender track, written by Elliott Smith and Neil Gust was first released in 1996 on Heatmiser’s third and final LP, Mic City Sons.
"The song is masterful in its simplicity. It paints the universal feeling of heartbreak in such a devastatingly pointed way,” said Bobbitt. “The lyrics deliver gut punches while the instrumentation marches on, steady and constant. One of those few truly ‘perfect’ songs.”
Half Right was produced by Rachel Bobbitt and features close collaborators: Justice Der (electric guitar), Stephen Bennett (drums), Isaac Teague (bass) and Bobbitt (electric guitar and vocals.) Listen and buy Half Right here. Watch the striking black and white in-studio performance video here.
In 2019, Bobbitt and Der released the LP, When This Plane Goes Down, and in November 2020, Bobbitt self-released her debut solo EP, And It’s the Same. Organic editorial playlisting across Spotify (NMF Canada, Outliers, Indie All Stars, Fresh Finds) helped spread the word further. In 2021, Bobbitt was named one of RADAR US’s Artist to Watch and signed to Los Angeles based Fantasy Records.
DOWNLOAD - Hi Res Single Artwork | DOWNLOAD - Hi Res Press Photo (by Paige Paton)
Rachel Bobbitt on TikTok: @rachelbobbittmusic
A BRIEF ARTICLE REGARDING TIME LOOPS VIDEO
NOW PLAYING AT BROOKLYNVEGAN
TOUR DATES ANNOUNCED
Toronto, ON – March 29, 2022 – Atlanta, Georgia mathcore upstarts, THE CALLOUS DAOBOYS, have joined MNRK Heavy, together with Modern Static Records, for the release of their impending new full-length.
A recklessly free-spirited collective, THE CALLOUS DAOBOYS is made of six members, featuring a violinist and multiple vocal contributions. Together they deliver a vibrant combination of mathcore, sasscore, and post-hardcore - a sound that is at once abrasive, chaotic, and classy. Reveling in high-strung extremity their music is dense, impenetrable, and chaotic yet confusingly inviting as each song deliriously swerves across stylistic lines. The band Kill Your Stereo called “insane, intricate, and impressive” introduced themselves to the underground with 2019’s Die On Mars. Invisible Oranges championed the band’s, “rapid-fire tempo and time changes, leftfield genre swaps, and sardonic lyrics,” while Metal Injection insisted the group’s riotously explosive debut would, “make you punch everyone ever in the face,” and they meant it in the best way possible.
In celebration of THE CALLOUS DAOBOYS’ union with MNRK Heavy, today the band unveils their new single and video, A Brief Article Regarding Time Loops. Now playing at BrooklynVegan, the track marks a triumphant return and artistic leap forward from their previous material, careening through fractures of abstract and heavy, flaunting their unhinged chaos without sacrificing accessibility. The band’s use of expanded soundscapes is complimentary to their spastic, hook-driven approach to writing, creating a truly unique style of mathcore.
Elaborates vocalist, Carson Pace, of the track, “Capturing your first experience of Déjà vu? Have you heard this breakdown before? Does it matter? What are the intentions of man’s best friend? Start over.”
Adds BrooklynVegan, “With three minutes of shapeshifting metalcore that sounds even more chaotic than anything on Die On Mars, ‘A Brief Article Regarding Time Loops’ already proves that the wait has been worth it. It continues the Daoboys' knack for fusing Botch/Converge-style mathcore with Every Time I Die/The Chariot-style theatrics, but even that description can't prepare you for this beast, which also incorporates white noise, a spoken word head trip, a deathcore-ish breakdown, and a complete disregard for traditional song structure.”
View THE CALLOUS DAOBOYS’ A Brief Article Regarding Time Loops video here or stream it here.
Catch THE CALLOUS DAOBOYS live this June on tour with Limbs and Greyhaven. The journey will commence on June 3 in Amityville, New York and run through June 24 in Chicago, Illinois. See all confirmed dates below. Stand by for more news on THE CALLOUS DAOBOYS to be revealed in the weeks to come.
THE CALLOUS DAOBOYS:
5/29/2022 So What?! Music Festival - Arlington, TX w/ The Ghost Inside, Alexisonfire, The Devil Wears Prada, more
w/ Limbs, Greyhaven:
6/03 Amityville Music Hall - Amityville, NY
6/04 Knitting Factory Brooklyn - Brooklyn, NY
6/05 Kungfu Necktie - Philadelphia, PA
6/07 Preserving Underground - New Kensington, PA
6/08 Big Room Bar - Columbus, OH
6/10 The Masquerade - Atlanta, GA
6/11 HENAO Contemporary - Center Orlando, FL
6/12 Archetype - Jacksonville, FL
6/14 Empire Control Room & Garage - Austin, TX
6/17 Downtown Underground Mesa - Mesa, AZ
6/18 Chain Reaction - Anaheim, CA
6/19 Goldfield Trading Post - Sacramento, CA
6/21 The Beehive - Salt Lake City, UT
6/22 Lost Lake - Lounge Denver, CO
6/24 Beat Kitchen - Chicago, IL
THE CALLOUS DAOBOYS:
Carson Pace – vocals
Maddie Caffrey – guitar
Adam Collins – guitar
Jack Buckalew – bass
Amber Christman – violin
Sam Williamson – drums
DOWNLOAD - press photo | DOWNLOAD - tour poster
PERFORMANCE TO BE LIVE STREAMED APRIL 8-17
TICKETS AVAILABLE HERE
“With folk tunes that will squeeze your heart, Kelly is bound to become an artist that will have you falling in love with her songs.” – eTalk
TORONTO, ON – March 28, 2022 – On April 6, Jadea Kelly will celebrate the release of her stunning new record, Roses, with a special live performance at LA’s Desert 5 Spot. Taped in front of a live audience, the concert will then be available for audiences worldwide to tune in and stream virtually from April 8-17. Tickets to the event can be purchased here.
“The Roses album release will be my first full band public performance in over two years. A celebration of pandemic proportions!” exclaims Jadea. “So excited to perform this album live with my LA friends and fans and share it virtually with my international fans via live stream.”
Released on March 4th, Roses – Jadea’s fourth studio album – has been warmly embraced by fans, with nearly 2 million streams across all platforms. The record made its way on to the cover of Spotify’s Renegade Folk playlist, and the heartwarming single, Any Old Boat, has seen over 860K streams to-date.
With the album having been composed between Ontario, Nashville and Los Angeles, and recording completed both in person and virtually, it seems perfectly fitting for Jadea to be sharing the news songs in a live format of this nature – both in her newfound home of LA, and virtually for all those who cannot join in person. Be sure to tune in and see the songs from Roses brought to life!
DOWNLOAD – Roses cover artwork | DOWNLOAD – hi-res press photo
DOWNLOAD – album release show poster
ABOUT JADEA KELLY
Described by CBC as “one of the shining jewels in the crown of Canadian songwriters” (Tom Power, CBC) Jadea Kelly spends her time writing and living between rural Ontario Canada and Los Angeles CA.
She has co-written and toured (as opener and backing vocalist) with the likes of Justin Rutledge, Whitehorse, Judy Collins, Catherine MacLellan, Royal Wood, Kelly Prescott, Sweet Alibi, Peter Katz, The Digging Roots, Leela Gilday and Joey Landreth. She has also performed and showcased her music across Canada, The United States and Europe, performing at the likes of Americana Fest (Nashville TN), Winnipeg Folk Festival, Calgary Folk Festival, Edmonton’s Interstellar Rodeo, Metal Toronto and Peterborough Folk Festival. Despite her Americana influence, she is also the featured vocalist with JUNO award winning metal group Protest the Hero (Kezia, Scurrilous and Volition).
In 2016 Jadea was awarded 'Contemporary Singer of the Year' at the Canadian Folk Music Awards for her 2016 release 'Love & Lust'. Its featured single 'Beauty' was placed on the Lifetime Network feature 'No One Would Tell' and the 2017 CBC Rio Paralympics, a viral opening montage portraying the life and struggle of Terry Fox. Her most recent EP (MWI / 2019) received 'Best Score & Music' accolades from the Hollywood Independent Documentary Awards. MWI is the official soundtrack for 'Met While Incarcerated the Film', which aired on the Documentary Channel and CBC in March 2019.
She spearheaded the 2018 collective, Canada Covers Tom Petty, featuring an impressive collection of tributes from Matt Mays, Terra Lightfoot, Dwayne Gretsky, Molly Brown and the Redhill Valleys. She also hosts a semi-annual Canadian songwriter showcase in Los Angeles through the celebrated Hotel Café, Monday Monday, concert series.
Following a pandemic pause, Jadea returned triumphantly in 2022 with her long-awaited fourth studio album – Roses (released March 4 on Darth Jadea Music / Tonetree). The album was produced by a collection of artists, including Aaron Goldstein (Matt Mays / Daniel Romano), Joel Schwartz (Dionne Taylor), Rich Jacques (Lisa Loeb), Joe Moralez (Skyler Day) and Tim Abraham (Royal Wood).
“I ended up tracking a majority of the album in Toronto with my Canadian friends and bandmates, in person and virtually. It felt full circle to record in Canada after 4 exploratory years in the US. I love California with all my heart. It is my new found home and has provided a playground to rediscover my confidence, my freedom, my voice and a collection of songs that truly reflects my journey to health.
I composed these songs between Ontario Canada, Nashville TN and Los Angeles CA over the past four years. A massive musical delay and musical pause but a necessary one. Life, happiness and health came first. Including the pandemic. Feeding money and time into artistic pursuits can often feel like feeding coins into a broken parking metre. I hold so many incredible musical memories in my heart but it also took its toll. I therefore took my time with these songs, the production and processing of the emotions. Roses was a complete joy to compose and truly reflects my journey to a conscious and balanced state. To me, Los Angeles is a gift I gave myself. It was a blank slate to finally confront my emotional, physical and financial health. The result is Roses. The result is abundance and joy. I’m holding the light up now, and roses are falling all around.”
OUT NOW ON VAIN MINA RECORDS – LISTEN HERE
ALBUM RELEASE SHOWS NEXT MONTH
IN TORONTO, OTTAWA AND MONTREAL
TORONTO, ON – March 25, 2022 – Right in time with the turning of the seasons, Avalon Tassonyi (TAH-show-nee), welcomes their captivating debut self-titled album – out today on Vain Mina Records. A collection of songs in adjacent genres, all tethered by Avalon’s charming vocals and lyrical storytelling, the record sees the folk singer, songwriter and multi-instrumentalist re-emerging to share music under their own name for the very first time. Listen today on all streaming platforms.
“I'm thrilled to finally get this album out there; it's been nearly 3 years in the making!” exclaims Avalon. “I've released plenty of music with various projects in the past but this is the first time I can honestly say I'm fully content with each and every song on the record from front to back.”
In celebration of the release, Avalon will be giving special performances in Toronto, Ottawa and Montreal in early April, bringing their songs to life on stage. See below for full details.
“The band is back together and I'm really excited to bring the new show around Ontario and Québec,” Avalon remarks. “We've got members of Eliza Niemi, Little Kid and Jaunt in the lineup and it's going to be a really lively concert experience.”
Immerse yourself in the debut from Avalon Tassonyi and don’t miss them live in concert next month!
TOUR DATES:
April 7 – Toronto, ON – The Monarch Tavern TICKETS
April 8 – Ottawa, ON – Happy Goat TICKETS
April 9 – Montreal, QC – Quai des Brumes TICKETS
DOWNLOAD – hi-res press photo | DOWNLOAD – album cover artwork
ABOUT AVALON TASSONYI
Born and raised in Toronto’s west end, Avalon Tassonyi (they/them) grew up tinkering on the family piano, learned to play guitar and soon began writing songs from a young age. At 17, they moved to Montréal to pursue music, playing in a number of bands over the better part of a decade. During this time, they explored different styles from jazz to indie rock to country, ran DIY shows and released music independently at a high volume. Their longstanding former moniker, Inland Island, is most noted for the album Zsa Zsa’s Window Opens Slowly (2016, Egg Paper Factory), which was an exploration of trans femininity, radical softness and Hungarian cultural diaspora.
Avalon has come full circle, now living in Niagara-on-the-Lake on the peach farm where their maternal family has been rooted since immigrating to Canada. With that, they’ve come to embrace the acoustic, folk and country sounds that they grew up on, re-emerging to share music under their own name for the very first time. Avalon Tassonyi’s songs are grounded in lyrical prowess, self-assuredness, an embrace of simplicity, and a love for all human emotion, from its silliest to most sombre elements.
Folk stylings of the likes of Nick Drake run clean through the album’s track-list. Other apparent influences include Springsteen’s Nebraska, early Wilco, Lucinda Williams, My Morning Jacket, John Prine and Joni Mitchell. From protest songs, to piano ballads, to alt-country barn burners, Avalon appears poised throughout, playing nearly every instrument on the record and coming off as believable while holding the tune in a wide vocal range.
BIG ENERGY REMIX WITH SURPRISE GUEST FEATURES OUT MONDAY, MARCH 28 HEADLINING 777 TOUR UNDERWAY
Toronto, ON – March 25, 2022 – Today, ATL-based Queen Of Da Souf rapper, Latto, releases her highly anticipated new album, 777, via RCA Records – click here to listen. Her latest project includes her previously released tracks – the electric single, Wheelie, featuring 21 Savage, her top 20 Billboard hit single, Big Energy, and her melodic track, Soufside, which paid homage to her roots in ATL. Additionally, the album has guest features such as Lil Wayne, Childish Gambino, Nardo Wick and more, plus a Big Energy (Remix) bonus track with surprise features coming out Monday, March 28. You can hear Latto’s new album live on her headlining 777 Tour that’s currently underway – click here to purchase tickets. Listen to 777: Latto.lnk.to/777.
For the past two years and counting, Latto’s made it known that she’s "the one you bitches hate, but they can't get past." To start off 2021 , Latto released The Biggest, the first official release under her new moniker, which explained the 23-year-old rapper’s reasoning for the stage name change, her intentions and moving forward with this new phase of her career. Following that with the release of her hit single, Big Energy, in September 2021 has made Latto inescapable. The Tom-Tom Club-sampled Genius of Love single cracked top 20 on the Billboard Hot 100 chart, currently seated at #14, and is now RIAA-certified Gold. It’s also been dominating all radio platforms – reaching top 5 at Pop and #1 at both Urban and Rhythm. In November, Latto had her late-night television debut on Late Night With Seth Meyers performing the certified smash hit.
With this new chapter of her career, Latto’s star continues to rise. She received her first-ever nominations for Best New Artist, and Best Female Hip-Hop Artist at the 2021 BET Awards. She followed that with performances at the 2021 BET Hip Hop Awards and 2021 MTV Video Music Awards (VMAs). She performed a medley of Big Energy and Soufside at the BET Hip Hop Awards and at the VMA’s she gave fans a sneak peek snippet of Big Energy prior to its release along with performances of her RIAA-certified Platinum singles, Bitch From Da Souf and Muwop, on their Extended Play Stage. In addition to her VMAs performance debut, she received her first VMA nomination for MTV Push Performance of the Year for Sex Lies. She was also nominated for two 2021 Soul Train Awards and one 2022 NAACP Image Award for Chris Brown’s Go Crazy (Remix) with Young Thug, Lil Durk and Future.
From her appearances on LA Leakers and Funk Flex with her viral freestyles to her feature on soundtracks for Halle Berry’s Bruised and F9: Original Motion Picture Soundtrack to her energetic appearances and sets at festivals – her elevation to the top remains unmatched. With over 880 million streams worldwide across all platforms and accolades continuing to rack up from her success, it’s clear that Latto has set the stage to become a global superstar.
Check out her new album 777 out now via RCA Records and stay tuned for more coming soon.
777 Tracklist:
1. 777 Pt.1
2. 777 Pt.2
3. Wheelie feat. 21 Savage
4. Big Energy
5. Sunshine feat. Lil Wayne & Childish Gambino
6. Like A Thug feat. Lil Durk
7. It's Givin
8. Stepper feat. Nardo Wick
9. Trust No Bitch
10. Bussdown feat. Kodak Black
11. Soufside
12.Sleep Sleep
13. Real One
Bonus Track – out 3/28
Big Energy (Remix)
Buy/Stream 777 Album: Latto.lnk.to/777
Watch Wheelie featuring 21 Savage
Watch Soufside
DOWNLOAD - Album Art
Raised in Atlanta, GA, 23-year-old rising rapper Latto has been making a name for herself since she was eight years old. The Rap Game Season One winner has continually released music since 2016 and signed with RCA Records in 2020. In June 2019, Latto released her EP, Big Latto, which included her breakout-hit song Bitch From Da Souf. The December 2019 release of her follow-up project, Hit The Latto, contained the remix version of the track featuring Saweetie & Trina, the accompanying video has been viewed over 86 million times. Prior to this, her impressive catalog of music includes Miss Mulatto (2016), Latto Let ‘Em Know (2017) and Mulatto (2018).
As part of the elite new wave of female rappers, such as Megan Thee Stallion, City Girls, Saweetie and more, Latto has proven that her pen game, replete with witty and raw verses, is unmatched. Her track, Bitch From Da Souf (Remix) featuring Saweetie and Trina went RIAA-certified Platinum, making Latto the first solo female rapper from Atlanta to accomplish this feat. She was also one of only two women inducted into the XXL 2020 Freshman Class, earning her another major milestone in her burgeoning career. In August 2020, Latto released her major label debut project Queen of Da Souf and later that year also released of the extended version of the project. It included multiple standout tracks such as “In n Out” feat. City Girls, Sex Lies ,featuring Lil Baby and the now RIAA-certified Platinum track, Muwop feat. Gucci Mane. In addition to her own music, Latto has been inescapable; from her cameo in Cardi B’s iconic WAP video featuring Megan Thee Stallion, to countless features including Chris Brown & Young Thug’s Go Crazy (Remix) with Future and Lil Durk, Chloe & Halle’s Do It (Remix) with Doja Cat and City Girls, NLE Choppa’s Make Em Say and more, she’s proven that Big Latto is bigger and better than ever before.
Latto’s first official release of 2021, The Biggest, was the introduction to her new moniker that explained her reasoning for the name change, her intentions and moving forward into the next stage of her career. To start off the new chapter, Latto received her first-ever nominations for Best New Artist and Best Female Hip-Hop Artist” at the 2021 BET Awards followed by performances at the 2021 MTV Video Music Awards (VMAs) on their Extended Play Stage where she gave fans a sneak peek snippet of Big Energy prior to its release along with performances of Bitch From Da Souf and Muwop. In addition to her VMAs performance debut, she received her first VMA nomination for MTV Push Performance of the Year for Sex Lies. She was also nominated for two 2021 Soul Train Awards and one 2022 NAACP Image Award for Chris Brown’s Go Crazy (Remix) with Young Thug, Lil Durk and Future.
From her appearance on LA Leakers with her viral freestyle to her feature on soundtracks for Halle Berry’s Bruised and F9: Original Motion Picture Soundtrack to her energetic appearances and sets at festivals, she continues to elevate. Latto’s latest singles, Big Energy and Soufside are on her newly released album 777, and the new project demonstrates that point further. Most recently, Big Energy has proven to be a certified smash-hit making it into the top 20 on Billboard’s Hot 100 chart (#14 currently), becoming RIAA-certified Gold, and dominating radio (cracking top 5 at Pop radio and was #1 at Urban and Rhythm). The track shows Latto embracing this new phase in her career – manifesting good fortune and hitting bar after bar with witty, captivating lyrics, but staying true to herself and her roots. Big Latto’s ‘got that real big energy’ and shows no signs of stopping.
POLARIS MUSIC PRIZE WINNER CADENCE WEAPON RELEASES PARALLEL WORLD (DELUXE EDITION)
TODAY VIA MNRK MUSIC GROUP
COLLABORATIONS WITH LOGAN, LORAINE JAMES, CIEL, MARTYN BOOTYSPOON, CFCF, AND HARRISON CREATE
NEW VERSIONS OF TRACKS FROM 2021 POLARIS MUSIC
PRIZE-WINNING ALBUM PARALLEL WORLD
DEBUT MEMOIR BEDROOM RAPPER OUT MAY 31
NEW NORTH AMERICAN TOUR DATES ANNOUNCED
SUPPORTING JULY TALK IN CALGARY & EDMONTON NEXT MONTH
“I was searching for producers who I feel like are really groundbreaking and pushing barriers. That’s the thing I’m always attracted to musically,” Cadence says of Parallel World (Deluxe Edition). “My initial thought was, ‘How can I help give a bigger platform to these artists who I know personally, but who are some of the most innovative artists in Canada?’”
Last month, trailblazing London, UK producer, Loraine James, delivered a fresh take on album standout, On Me (featuring Manga Saint Hilare & Strict Face). Listen to On Me (Loraine James Remix) and watch the Scott Pilgrim-directed visualizer here. The original version of the song arrived last summer with a cross-the-pond video including Manga Saint Hilare in the frame. Watch it here.
In addition to speaking truths on topics, such as those highlighted in On Me, Cadence is an active advocate in many communities; both in the arts and in the cities he calls home. He recently announced his debut memoir, Bedroom Rapper, set for release May 31 (McClelland & Stewart). For more writing and observations, check out his Substack newsletter.
Parallel World (Deluxe Edition) is an eclectic blend of offerings that pulls Cadence Weapon's music into new, curious shapes and continues the conversation that he started with Parallel World. There’s a Chicago acid house-inspired reprise from Martyn Bootyspoon (Montreal), a surreally off-kilter 'Renoviction Refix' from Ciel (Toronto), an optimistically dystopian track from CFCF (Montreal), and left-field funk from Harrison (Toronto). As a nod to his affinity for UK grime and club culture, as well as his desire to showcase Black talent across the diaspora, Pemberton also enlisted the two London up-and-comers, grime MC Logan and experimental club producer, Loraine James.
Parallel World has been heralded has Cadence’s most politically charged album to date. The songs are what Cadence quips Truth in Jest to narrate realities of the world at present and touch on themes of systemic racism, structural inequality, police profiling, gentrification, the internet’s pervasive effects on our lives and the surveillance state that disproportionately punishes Black people. Using elements of trap, drill, grime and acid house, Parallel World is the soundtrack for the dystopian future the world is facing, as society deals with these issues. It is a sonic space where Cadence distills these experiences for all.
Cadence performed his first show of the year in his home province at Alberta for Block Heater Festival in Calgary, before rocking SXSW's epic in-person return with three shows in Austin, Texas last week. Next month, he'll hit Mission Creek Festival in Iowa City, before supporting July Talk on west coast dates in Calgary and Edmonton, with a stop at Regina Folk Festival in August. More dates will be announced.
Listen to the original version Parallel World here, learn more about Cadence Weapon and find details on his North American tour dates below.
TOUR DATES:
April 8 - Mission Creek Festival in Iowa City
April 28 - Grey Eagle Resort and Casino in Calgary (with July Talk)
April 30 - Northern Alberta Jubilee Auditorium in Edmonton (with July Talk)
August 6 - Regina Folk Festival
DOWNLOAD – Hi Res Album Art
Read Cadence Weapon’s Newsletter
Follow Cadence Weapon on Twitch
Find Cadence Weapon’s music on Bandcamp
DOWNLOAD – Hi Res Press Photo (by Mat Dunlap)
Listen to Parallel World (Deluxe Edition) here
Buy Parallel World (Deluxe Edition) on Bandcamp
Listen to Parallel World here
About Cadence Weapon
Cadence Weapon is the Edmonton-born, Toronto-based rapper, producer, writer, poet, and activist Rollie Pemberton. Throughout his work, the multidisciplinary artist aims to preserve and resurrect Black cultural memory by forging connections between personal, local, and collective histories. Pemberton received the 2021 Polaris Music Prize for his fifth and latest album, Parallel World, an incisive project that uncovers the splintering realities both created and hidden by modern systems of inequality, atop blistering production that draws from UK grime, trap, and acid house.
Raised by a pioneering New York radio DJ father and piano playing mother, Pemberton started rapping at age 13. He cut his teeth performing live with his uncle’s funk band as a teen, but as one of the only rappers in Edmonton, he found endless outlets for his creativity on the internet, where there were no limits on discovering music. Pemberton thrived online finding samples, remixing songs, and battling rap strangers on message boards. As a university student, Pemberton penned alternative hip-hop reviews while crafting his debut album, 2005’s Breaking Kayfabe, the first of five albums that have been nominated for the Polaris Prize.
A scholar and entertainer with many hats, Pemberton has also done narration work for VICELAND TV shows, hosted lectures for Red Bull Music Academy, conducted live interviews for CBC, and acted in Sean Nicholas Savage’s debut musical, Please Thrill Me. In 2020, he launched his ongoing self-titled newsletter, where he shares personal essays about being an artist, essays of music and cultural criticism, and behind-the-scenes posts into his work and creative process. Pemberton’s debut book, Bedroom Rapper, a personal account of his life in music as an artist, critic, and fan amid a changing digital landscape, arrives later this year (McClelland & Stewart).
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market. MNRK is committed to discovering and guiding leading music creators and talent, and is home to numerous top tier artists, the iconic Death Row Records and the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum selling hits. To learn more visit www.mnrk.com.
.44 SPECIAL BLUES OUT NOW
PRE-ORDER THE ALBUM ON EASY EYE SOUND HERE
“It was always there. We just had to set the right trap…” – Dan Auerbach
With Rich White Honky Blues – set for release on June 17 – the second-generation Country Music Hall of Famer makes good on his legacy with a turpentine and rough wood take on the hill country blues that informed his father’s raw-boned style of putting his pain out there. GRAMMY-winning Producer of the Year Dan Auerbach recorded the set live, with a dozen songs reprising classics from Robert Johnson, Lightnin’ Hopkins, R.L. Burnside, Muddy Waters, Big Joe Turner and a few from Bocephus himself.
“The blues is where it all comes from,” concedes Williams. “It’s the start of everything musical in my family; everything starts with Tee-Tot and flows from there. I’ve always flirted with this stripped back blues – all the way back to the ‘80s. But I finally made an album that’s just that, and I like it.”
Blame it on the owner of Easy Eye Sound. Auerbach went straight to the essence. Assembling a wicked core band of electric slide guitarist Kenny Brown, claimed as “my adopted son” by R.L. Burnside, bassist Eric Deaton, who first toured with Fat Possum’s Juke Joint Caravan, backing up T-Model Ford and Paul “Wine” Jones, plus drummer Kinney Kimbrough, son of North Mississippi blues legend Junior Kimbrough, they tapped into the lifeblood of the blues at its most randy.
It started with a phone call, discussing what these sessions could be. Nothing definitive, no commitments made. But then Auerbach started receiving text messages the week leading up to the dates: pictures of Hank Williams, Jr. stationery, each with the title of a song he wanted to sing. Back and forth. Songs. Influences. Touchstones to draw upon.
And then it was Day One.
“First thing he said to me when he walked in was, ‘I don’t really feel like fucking with this shit!’,” Auerbach recalls. “And he walked into another room.”
Undaunted, the producer had the band start playing; grindhouse blues, sweltering hill country shuffles, juke joint altar calls. Before too long, the man whose alter-ego is Thunderhead Hawkins emerged, curious and hungry.
“If you wanted to play this kind of music, you couldn’t have better players,” Auerbach explains. “The first time I ever saw Hank Jr. on TV, I was a kid raised on Robert Johnson and Hank Williams, Sr. records, and those things came through so clearly watching him. So, I tried to assemble the right parts to just sit in that piece of who he is.”
Over the course of just three days, Rich White Honky Blues was done, with Williams punctuatingly declaring “I hope you got all of that. I bet YOU did. I’m going to listen – and smoke...”
As Williams prepares for the release of his 57th studio album, his family has been struck by tragedy with the sudden passing of his wife of 31 years, Mary Jane Thomas. While Williams considered delaying the project’s announcement, time with his family led to one conclusion: music offers solace in the most difficult times.
In this sense, it seems almost predestined that Rich White Honky Blues ends with a prayer for redemption as Williams invites the Savior to bring whatever grace He might have, to sow solace and forgiveness, suggesting the larger than life amongst us transcend mortal limitations. After all, Country blues informed his father’s raw-boned style of putting his pain out there, epitomizing the unquestionable truth that there is always a time for music in moments of need.
Rich White Honky Blues Track List
1..44 Special Blues
2.Georgia Women
3.My Starter Won’t Start
4.Take Out Some Insurance
5.Rich White Honky Blues
6.Short Haired Woman
7.Fireman Ring the Bell
8.Rock Me Baby
9.I Like It When It’s Stormy
10.Call Me Thunderhead
11.TV Mama
12.Jesus Will You Come By Here
About Hank Williams Jr.
Hank Williams Jr.'s extremely impressive resume has spawned 70 million albums sold worldwide, six PLATINUM albums, 20 GOLD albums, 13 No. 1 albums and 10 No. 1 singles. Marking 58 years since his first album in 1964, Williams Jr. is preparing to release his 57th studio album Rich White Honky Blues on June 17, featuring 12 songs recorded over a three-day period by GRAMMY-winning producer Dan Auerbach. 2016’s It’s About Time (Nash Icon Records) included the history-making “Are You Ready for the Country,” as well as tunes “Dress Like an Icon,” “Just Call Me Hank,” “It’s About Time” and “The Party’s On” in addition to re-recorded versions of classics “Mental Revenge” and “Born to Boogie” with Brantley Gilbert, Justin Moore and Brad Paisley on guitar. Following It’s About Time, Williams Jr. has released several compilations, including All My Rowdy Friends Are Coming Over: Great Tailgating Songs, A Country Boy Can Survive (Box Set), Hank Jr. Sings Hank Sr. and 35 Biggest Hits. He continues to add accolades to an extremely impressive resume, which includes ACM Entertainer of the Year, CMA Entertainer of the Year and BMI Icon, in addition to a GRAMMY win and coveted inductions into the Nashville Songwriters Hall of Fame and Country Music Hall of Fame.
DOWNLOAD - .44 Special Blues Art
DOWNLOAD - Rich White Honky Blues Art
LISTEN HERE AND WATCH THE VIDEO HERE
NEW TOUR DATES CONFIRMED
TORONTO, ON – March 25, 2022 – Today, Caroline Spence releases The Gift, the latest track from her forthcoming album, True North, set to drop on April 29. Alongside the release of the single, Caroline shares the video for The Gift. Listen to the single here and watch the video here.
The song – a deeply moving meditation on the passage of time and the healing power of grief after a monumental loss – came to life during a writing session with Matt Koziol.
Caroline recalls, “I had recently lost my grandmother when we wrote this, and we bonded over how we were both privileged to truly know them, even being let in on the harder parts of aging and time passing. We spent the morning sharing stories about them and we almost called it a day after getting stuck at the end of the chorus.”
But as any creative person can tell you, inspiration often comes from the most unlikely sources. “Then I remembered this card on my grandmother’s fridge — a quote from Eleanor Roosevelt.”
In a moment of kismet, she realized, “That same card hangs on my office wall, and I had seen it just that morning — ‘Yesterday is history. Tomorrow is a mystery. Today is a gift.’ An idea sparked and I told Matt to hold tight as I untangled my thoughts and melodies and landed on the last line of the chorus — where the title came from. Then the rest of the song poured out of us.”
The heart-rending but ultimately hopeful lyrics reflect on the fleeting nature of time and the enduring power of love.
I still know your old landline
Called to say you’re on my mind
It’s a long-distance call to the phone hung on the wall
Inside the house that doesn’t change at all
Usual questions overdue
It’s not where your mind’s running to
You say all your favourite days are forever flown away
It’s hard to hear you say that
Time isn’t always what you thought
But you’re gonna leave this place
with it written on your face
It’s the only thing that we’ve got
And the only thing worth spending in the end
It’s the present, that’s the gift
The follow-up to 2019’s critically acclaimed, Mint Condition—hailed by Rolling Stone as a “gorgeous reflection on finding peace amid upheaval”—True North took shape from a deeply collaborative process between Spence and producer, Jordan Lehning (Rodney Crowell, Andrew Combs). The album features 12 brand new songs written or co-written by Spence that explore the full spectrum of the human experience: love, growth, grief, and the endless complexities of human nature.
Spence has added new dates to her spring tour and has confirmed appearances at a number of festivals taking place this summer and fall. A full list of confirmed dates is below, and more shows will be announced in the coming weeks.
UPCOMING TOUR DATES
3/25 - The Burl, Lexington, KY (w/Ian Noe) SOLD OUT
3/26 - The Burl, Lexington, KY (w/ Ian Noe) SOLD OUT
4/26 - Milkboy, Philadelphia, PA
4/27 - Rockwood Music Hall, New York City, NY
4/28 - The Loft @ City Winery, Washington, DC
4/29 - The Southern, Charlottesville, VA
4/3 - The Evening Muse, Charlotte, NC
5/6 - Off Broadway, St. Louis, MO
5/7 - Fitzgerald’s, Berwyn, IL
5/8 - Turf Club, St. Paul, MN
5/11 - Basement East, Nashville, TN
5/12 - Princess Theater, Decatur, AL (solo acoustic)
5/18 - Mercury Lounge, Tulsa, OK
5/19 - The Post at River East, Fort Worth, TX
5/20 - Saxon Pub, Austin, TX Saxon Pub
5/21 - Green Apple Arts Center, Eden, TX
5/22 - Dosey Doe, The Woodlands, TX
5/24 - Fayetteville Roots HQ, Fayetteville, AR
5/27 - Eddie’s Attic, Decatur, GA
6/10 - Stockholm Americana, Stockholm, Sweden
6/11 - Ideal Bar, Copenhagen, Denmark
6/12 - Oslo Americana, Oslo, Norway
6/17 - Black Deer Festival, Tunbridge Wells, United Kingdom
8/12 - Outlandia Music Fest, Bellevue, NE
9/30-10/2 - Sisters Folk Festival, Sisters, OR
BLEED-ABIDE FULL-LENGTH TO SEE RELEASE
APRIL 22 ON MNRK HEAVY
TORONTO, ON – March 24, 2022 – Florida deathcore practitioners, BODYSNATCHER, today unleash their brutalizing new video for Wired For Destruction. Now playing at BrooklynVegan, the track comes off the band’s impending full-length, Bleed-Abide, set to drop April 22 via MNRK Heavy.
An epic demonstration of aggression, BODYSNATCHER’s Bleed-Abide puts the “core” back in deathcore. The Melbourne quartet’s third album is unapologetically grim, ferocious, and threatening, crackling with fury and power. It’s a sound born from the burden of struggle and an unwavering commitment to continued survival against all obstacles. Unquestionably their darkest offering to date, Bleed-Abide burns with an intensity derived from a further focus on sonic pummelling and truth-telling narratives.
Elaborates guitarist, Kyle Carter, of the band’s latest bruiser, “‘Wired For Destruction’ lyrically was inspired by our drummer Chris Whited and expanded on by me. For me, it represents the common fear of being forgotten after death. It also touches on the fear of not having control and doubting every action you take. The name says it all really. Death, sickness, and most fears hold a lot of us back from living our life how we really want to, so we thought it was an important topic to talk about."
Adds BrooklynVegan, “BODYSNATCHER has no reservations about being called a deathcore band, but if the word makes you shudder, BODYSNATCHER’s version of deathcore might make you change your tune. They're very in touch with the genre's hardcore roots, and ragers like ‘Wired For Destruction’ fit nicely next to plenty of today's hardcore and death metal bands. You don't need to be nostalgic for the Myspace era to get into this; it rips and feels refreshing for heavy music in general.”
View BODYSNATCHER’s Wired For Destruction video here. View the band’s previously released video for Absolved Of The Strings And Stone here and E.D.A. here.
Bleed-Abide’s thirteen furious tracks were recorded by Chris Whited at 1776 Recordings with drums engineered by Neil Westfall and Bud Phillips at The Unicorn Room, and guitars re-amped by Phil Pluskota at Sonic Assault Studio. The record comes cloaked in the cover art of Adam Burke.
Bleed-Abide will be available on CD, LP, cassette, and digital formats. Find preordering options here.
Coinciding with the release of Bleed-Abide, BODYSNATCHER will join Dying Fetus for a month-long Spring tour. The journey runs from April 29 through June 5. Additional support will be provided by Chelsea Grin, Frozen Soul, and Undeath.
See all confirmed dates below.
BODYSNATCHER w/ Dying Fetus, Chelsea Grin, Frozen Soul, Undeath:
4/29 Baltimore Soundstage - Baltimore, MD
4/30 The Canal Club - Richmond, VA
5/01 Hooligans Music Hall - Jacksonville, NC
5/03 The Underground - Charlotte, NC
5/04 The Masquerade - Atlanta, GA
5/05 Underbelly - Jacksonville, FL
5/06 Jannus Live - St Petersburg, FL
5/07 Revolution Live - Ft. Lauderdale, FL
5/09 Warehouse Live - Houston, TX
5/10 Amplified Live - Dallas, TX
5/11 Come And Take It Live - Austin, TX
5/13 The Nile Theater - Phoenix, AZ
5/14 Regent Theater - Los Angeles, CA
5/15 The Observatory - Santa Ana, CA
5/16 House Of Blues - San Diego, CA
5/17 The UC Theatre - Berkeley, CA
5/18 Goldfield Trading Post - Roseville, CA
5/19 Bossanova Ballroom - Portland, OR
5/20 Modified Ghost Festival - Vancouver, BC
5/21 El Corazon - Seattle, WA
5/23 Metro Music Hall - Salt Lake City, UT
5/24 Summit Music Hall - Denver, CO
5/25 Granada Theater - Lawrence, KS
5/26 The Lyric At Skyway Theater - Minneapolis, MN
5/27 Pops - Sauget, IL
5/28 Concord Music Hall - Chicago, IL
5/29 The Crofoot Ballroom - Pontiac, MI
5/31 The Opera House - Toronto, Ontario
6/01 Imperial Bell - Quebec City, QC
6/02 Corona Theatre - Montreal, QC
6/03 Gramercy Theatre - New York, NY
6/04 Theatre Of The Living Arts - Philadelphia, PA
6/05 The Palladium - Worcester, MA
DOWNLOAD - press photo | DOWNLOAD - album art
DOWNLOAD - tour poster
The alligator-filled swamps and burned-out tourist beaches of Florida were fertile ground for death metal when the late/great Chuck Schuldiner took his love of heavy thrash and crushed it into a new subgenre. The Sunshine State gave gruesome birth to genre pioneers like Death, Morbid Angel, Obituary, and Deicide. Morrisound Recording became the site where legendary bands summoned essential albums. Florida claims almost as many crucial hardcore, punk, and powerviolence bands, including Poison The Well, Shai Hulud, Brethren, Assück, and Strongarm.
Kyle Medina (vocals), Kyle Carter (guitar), Kyle Shope (bass), and Chris Whited (drums) embody the hardcore spirit and cut their teeth in the tight-knit community. They are monikered after the nickname of one of history’s most notorious serial killers, Ed Gein, and represented by a triangular symbol steeped in alchemy and the occult. But BODYSNATCHER lyrics owe more to the horrors of domestic strife than the gore of their Florida-based forebearers in Cannibal Corpse.
The inception point came with the purest of intentions. “I was around seventeen,” Medina explains. “We were just going to be a band that was basically a ‘breakdown band’ for my friends to mosh to.” Eventually stabilizing with a lineup that overlapped at various points with beloved groups like King Conquer and Dealey Plaza, BODYSNATCHER released a quick succession of albums and EPs, most notably Abandonment (2015), Death Of Me (2017), and the utterly crushing This Heavy Void (2020). Combined with a blistering live show, this led to a deal with the MNRK Heavy label and the forthcoming Bleed-Abide.
All members contribute to the lyrics, resulting in multiple points of view and diverse insights anchored by common themes of catharsis and resistance, adding further weight to their already crushing hymns. Absolved Of The Strings And Stone is a battle cry against the gaslighting and emotional abuse of toxic people. Hollow Shell delves into strained familial dynamics, where some family members live as virtual prisoners to others. Wired For Destruction confronts death anxiety. Even amidst the uncertainty and darkness however, there’s an underlying positivity to be mined within. Value Through Suffering takes a proactive stance on hardship, a way to rebuild from the wreckage.
And while many bands resist genre classification in an aloof effort to distinguish themselves from every other band, inadvertently consigning themselves to talking points that sound like everyone else, BODYSNATCHER is, without apology, a deathcore band. There is no compromise in the cards.
“Deathcore kicks ass. A lot of bands shy away from labels they don’t deem ‘cool’ enough. But we don’t give a fuck,” vocalist Kyle Medina says proudly. “We like what we like, and we play what we play. We all love hardcore and metal, so we’re going to play hardcore, play metal, and play breakdowns. And that’s how the band is going to be, forever.”
Kyle Medina – vocals
Kyle Carter – guitar
Kyle Shope – bass
Chris Whited – drums
LEAD SINGLE SHOTGUN + MUSIC VIDEO OUT NOW
LISTEN / WATCH HERE
ON TOUR NOW WITH CANADIAN DATES
IN MONTREAL AND TORONTO THIS MONTH
NEW UK/EU DATES ANNOUNCED
TICKETS FOR ALL TOUR DATES AVIALABLE HERE
TORONTO, ON – March 23, 2022 – Today, Soccer Mommy announces her new full-length album, Sometimes, Forever. Produced by Daniel Lopatin of Oneohtrix Point Never, this album cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. It sees Allison once again tapping into the turn-of-the-millennium sensibilities she’s known for, as she advances her self-made sonic world beyond the present and into the future with experimental-minded production, an expanded moodboard of vintage touchstones, and some of her most sophisticated songwriting to date. Inspired by the concept that neither sorrow nor happiness is permanent, Sometimes, Forever is a fresh peek into the mind of an artist who synthesizes everything — retro sounds, personal tumult, the relatable disorder of modern life — into original music that feels built to last a long time. Maybe even forever.
Sometimes, Forever will be released on June 24 via Loma Vista and is available to pre-order here.
The first peek into Sophie Allison’s boldest and most aesthetically adventurous work yet is the compulsively replayable and consummate banger, Shotgun, which likens romance to a chemical high without the gnarly comedown. “Shotgun is all about the joys of losing yourself in love,” explains Allison. “I wanted it to capture the little moments in a relationship that stick with you.” Sometimes, Forever is partly inspired by the push and pull between Allison’s desire to make meaningful art and her skepticism about the mechanics of careerism, as well as the artless administrative chaos that comes with it. The Kevin Lombardo-directed video depicts this struggle beautifully – watch it and listen to the ultra-catchy track now here.
Soccer Mommy also announces the first Sometimes, Forever tour dates in the UK/EU, with U.S. dates soon to follow. She is on tour now throughout North America in support of her critically-acclaimed, GRAMMY-nominated sophomore album, color theory – including stops in Montreal and Toronto at the end of this month (see below for full details). Tickets are available here.
Following the release of color theory, Allison earned mass acclaim, with performances opening for Bernie Sanders, numerous headline dates sold out months in advance, festival slots at the likes of Glastonbury, and her late-night debut on Jimmy Kimmel Live!. The album made its AAA Top 20 debut after release, was #1 NACC Top 200 for four weeks running, and debuted on the following Billboard charts: #1 Top New Artist Albums, #1 Alternative New Artist Albums, #4 Current Alternative Albums, #4 LP Vinyl Albums, #6 Current Rock Albums, #16 Top Current Albums and in the Billboard Top 200.
SOMETIMES, FOREVER TRACKLIST:
1. Bones
2. With U
3. Unholy Affliction
4. Shotgun
5. newdemo
6. Darkness Forever
7. Don’t Ask Me
8. Fire in the Driveway
9. Following Eyes
10. Feel It All The Time
11. Still
UPCOMING TOUR DATES:
3/23 - Baltimore, MD @ Rams Head Live!
3/25 - Asbury Park, NJ @ The Stone Pony
3/26 - New Haven, CT @ College Street Music Hall
3/27 - Providence, RI @ Fete Music Hall
3/28 - Woodstock, NY @ Colony Woodstock
3/30 - Montreal, QC @ L’Astral
3/31 - Toronto, ON @ The Phoenix Concert Theatre
4/1 - Detroit, MI @ The Eastern
4/2 - Pittsburgh, PA @ Mr. Smalls Theatre
4/4 - Columbus, OH @ The Athenaeum
4/5 - Louisville, KY @ Headliners Music Hall
4/7 - Bloomington, IN @ The Bluebird
4/8 - Milawukee, WI @ Turner Hall Ballroom
4/9 - Iowa City, IA @ Mission Creek Festival
4/10 - Lawrence, KS @ Granada Theater
6/28 - Dublin, Ireland @ Trinity College *
6/30 - Vilanova i la Geltru, Spain @ Vida Festival
8/31 - Nottingham, UK @ Rescue Rooms
9/1 - Brighton, UK @ Chalk
9/3 - Bristol, UK @ Trinity
9/5 - Köln, UK @ Bumann & Sohn
9/6 - Hamburg, DE @ Molotow
9/8 - Stockholm, SE @ Slaktkyrkan
9/9 - Oslo, NO @ John Dee
9/10 - Copenhagen, DK @ Loppen
9/12 - Berlin, DE @ Frannz Club
9/13 - Bremen, DE @ Lagerhaus
9/15 - Amsterdam, NL @ Bitterzoet
9/16 - Nijmegen, NL @ Merleyn
9/17 - Brussels, BE - Rotonde @ Botanique
9/18 - Paris, FR @ Petit Bain
9/20 - Manchester, UK @ O2 Ritz
9/21 - Cardiff, UK @ Tramshed
9/22 - London, UK @ O2 Forum
9/23 - Birmingham, UK @ The Castle & Falcon
9/24 - Glasgow, UK @ Queen Margaret Union
* with Haim
DOWNLOAD – album cover artwork | DOWNLOAD – press photo
ABOUT SOCCER MOMMY & SOMETIMES, FOREVER:
Sophie Allison was only 20 when she put out Clean, her arresting studio debut, which became one of the most beloved coming-of-age albums of the 2010s. Its bigger-sounding follow-up, color theory, brought more acclaim and continued to win her fans far outside of the lo-fi bedroom pop scene she cut her teeth playing in. But with all the highs came inevitable lows. Navigating young adulthood is often spiritually draining, to say nothing of the artless administrative chaos associated with being a popular full-time musician. And yet she never stops writing, consistently transforming bouts of instability into emotionally generous music. The latest culmination of that process is Sometimes, Forever.
Packed with clever nods to synth-filled subgenres like new wave and goth, the album finds Allison broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that make Soccer Mommy songs so easy to obsess over. Sometimes, Forever is a mesmerizing collection that feels both informed by the past and explicitly of the moment.
To support her vision, Allison enlisted producer, Daniel Lopatin (a.k.a Oneohtrix Point Never), whose recent behind-the-boards credits include the Uncut Gems movie score and The Weeknd’s chart-topping, Dawn FM. While the pairing might seem unexpected, active listening reveals a kindred creativity; both artists are interested in utilizing memory-triggering sounds and melodies to make invigorating music that transcends its influences. On Sometimes, Forever, Lopatin employs his boundless synth vocabulary and knack for meticulous arrangements to complement Allison’s well-crafted compositions. The result is an epic-feeling mix of raw-edged live takes and studio wizardry.
Sometimes, Forever fixates on those sorts of contradictory forces: desire and apathy, ecstasy and misery, good and evil, self-control and wildness. Straight-up love songs rub up against much gloomier fare. Allison understands that Sometimes, Forever is lyrically dark, with macabre imagery haunting even its most upbeat passages. But because she’s in a better place than when she wrote the songs, she has no trouble luxuriating in the moments of uncomplicated bliss that coexist alongside the bleakness. She says, “I didn't want to make something super depressing without any sense of magic.”
The title Sometimes, Forever refers to the idea that both good and bad feelings are cyclical. “Sorrow and emptiness will pass, but they will always come back around — as will joy,” Allison says. “At some point you’re forced to say, ‘I'll just have to take both’.”
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twitter.com/sopharela
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NEW ORIGINAL TRACK PREVIEWS THE FIRST-TIME
GRAMMY NOMINEE’S U.S. TOUR
THE MOON AND STARS: PRESCRIPTIONS FOR DREAMERS
DELUXE EDITION OUT NOW
TICKETS ON SALE NOW FOR JUNE’S 2022 HEADLINING TOUR INCLUDING STOPS IN VANCOUVER AND TORONTO
TORONTO, ON – March 18, 2022 – Just ahead of her eagerly awaited U.S. tour, GRAMMY-nominee, Valerie June, has shared Use Me, the first new original track from the celebrated singer-songwriter since the release of her widely acclaimed 2021 LP, The Moon And Stars: Prescriptions For Dreamers. Co-written by Valerie and noted songwriter and producer, Jennifer Decilveo (Miley Cyrus, Demi Lovato, Andra Day), Use Me is an irresistible slice of Memphis soul that once again affirms Valerie’s powerful ability to connect. “We've made a sphere from a circle unbroken,” sings Valerie. “We've got true love, not just three words spoken.” Listen to and purchase Use Me here and watch the Use Me lyric video here.
“As a bridge between modern music and traditional songs, Use Me vacillates between upbeat pop and weaves in the old, familiar hymn, Will the Circle Be Unbroken,” says June. “Coming full circle, this represents multiple layers of how through love, families, and communities, whether publicly or personally, in life and beyond death, we can use each other to create gorgeously positive changes. Oftentimes, the voices of encouragement are from the women in our lives. We use the guidance of mothers, sisters, aunts, and daughters. I’m thrilled to release this song in celebration of International Women’s Month because it was my very first time working with a female producer, Jennifer Decilveo. Female producers are not easy to come by in the music industry, so this collaboration was extra special.”
Valerie June’s album, The Moon and Stars: Prescriptions For Dreamers, was one of 2021’s most celebrated releases. Produced by June and Jack Splash, the album is “a psychedelic tour de force” that is “powerfully, elegantly subversive” (Uncut) and “a stunning song cycle of redemption and reclamation” (Rolling Stone). June’s spellbinding vocals and infectious sense of wonder ground the record, and “her every quiver bespeaks emotional honesty” (New Yorker). The follow-up to her 2013 breakthrough, Pushin’ Against A Stone, and the widely adored, The Order of Time — a 2017 effort that earned the admiration of Bob Dylan and landed on best-of-the-year lists — The Moon and Stars: Prescriptions For Dreamers is landmark work for the Memphis-born, Brooklyn-based auteur.
The album’s Call Me A Fool, featuring Stax legend, Carla Thomas, was nominated for Best American Roots Song at the upcoming 64th GRAMMY Awards, the first nomination of June’s illustrious career.
You and I, the gorgeous lead track from The Moon and Stars: Prescriptions For Dreamers was featured in Apple’s latest #ShotOniPhone Holiday ad. The poignant short film is called Saving Simon and was directed by Oscar® Nominee Jason Reitman and his father, Oscar® Nominee the late Ivan Reitman. Watch the full-length version here.
Tickets are on sale now for June’s 2022 headlining tour which kicks off on March 31 and includes Canadian stops in Vancouver and Toronto. Full routing is below, for more information visit here.
Use Me
Written by Valerie June and Jennifer Decilveo
Produced by Jennifer Decilveo
Mixed by Sean Cook
The Moon & Stars 2022 Tour Dates:
March 31 – Seattle, WA – The Showbox
April 1 – Vancouver, BC – The Commodore Ballroom
April 2 – Portland, OR – Aladdin Theater SOLD OUT
April 3 – Portland, OR – Aladdin Theater
April 5 – San Francisco, CA – The Fillmore
April 6 – Berkeley, CA – The UC Theatre
April 8 – Los Angeles, CA – The Fonda Theatre
April 9 – San Diego, CA – Belly Up
April 22 – Kennett Square, PA – Longwood Gardens Open Air Theatre SOLD OUT
May 3 – Northampton, MA – Academy of Music Theatre
May 4 – New York, NY – Town Hall
May 5 – Silver Spring, MD – The Fillmore
May 6 – Munhall, PA – Carnegie Music Hall at Homestead
May 7 – Ithaca, NY – State Theatre
May 10 – Toronto, ON – Danforth Music Hall
May 11 – Ferndale, MI – Magic Bag
May 13 – Cleveland, OH – Beachland Ballroom
May 14 – Columbus, OH – The Athenaeum Theatre
May 15 – Indianapolis, IN – HI-FI Annex
May 16 – Bloomington, IL – The Castle Theatre
May 18 – Chicago, IL – Old Town School SOLD OUT
May 19 – Milwaukee, WI – Turner Hall
May 20 – Minneapolis, MN – Pantages Theatre
May 21 – Iowa City, IA – Englert Theatre
May 22 – St. Louis, MO – Delmar Hall
May 24 – Louisville, KY – Paristown Hall
May 25 – Cincinnati, OH – Memorial Hall
May 27 – Harrisburg, PA – Harrisburg Midtown Arts Center
May 28 – Annapolis, MD – Ram's Head On Stage SOLD OUT
DOWNLOAD – hi-res press photo | DOWNLOAD – single artwork
Follow Valerie June:
valeriejune.com
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OUT TODAY – LISTEN HERE
RELEASES VIDEO FOR LEAD SINGLE THE OLD ME
TORONTO, ON – March 18, 2022 – Today, acclaimed pop artist, Ria Mae, celebrates the release of her deeply personal new EP, Therapy. A curated batch of six swelling anthems that are both conversational and confessional, Therapy sees Mae opening up through song with a vulnerability that will instantly connect with listeners. The EP is available now, along with a captivating music video for the lead single, The Old Me.
Home is somewhere that we often run away from, but it’s also the place that tends to know who we really are, at our core. Something the last two years has taught a lot of us, is that retreating from the hectic busy outside world can unearth who we are, without all of the trappings. For the Halifax, Nova Scotia born-and-raised musician, it took a mid-pandemic visit home to her old neighbourhood to bring it all back. She was staying right across the street from where she lived in her early twenties.
“The hardest thing to do once you have a few fans, or have picked a particular path, is to step out and say ‘I kinda want to try this other thing…’ but I think it’s important for me in this journey of rediscovering myself after the pandemic. It’s important to stay true to yourself, and for me that means being vulnerable, not being afraid to be exposed.”
After a first listen to the entire EP you find yourself wondering – who is Ria Mae talking to in these songs? Each track seems targeted, in a way that most can relate, towards one person. You’re just not sure if it’s someone she’s driving to, or away from, but her lyrics are clearly a roadmap to the person Ria Mae is today.
Thomas ‘Tawgs’ Salter came on board to produce For Your Love, as well as the album’s title track. For Your Love, co-written with Tawgs and Simon Wilcox, was featured in network television series, The L Word, in late 2021. Therapy also brought Joceyln Alice to the process – the song serving as Mae’s first collab with the Calgary born critically acclaimed songwriter. Inspired by Mae’s fear of being completely consumed by a relationship, the lyrics on Therapy describe this exact sentiment: “Ten years of therapy, to try to get your feel off of me”.
Swoon, also co-written and performed with Jocelyn Alice, was produced by east coaster, Corey Lerue (Neon Dreams). A pop song with an undeniable strut of a beat and deep funk bass, reminiscent of Chromeo, Swoon also touches on the fear of letting your love show. JUNO Award winner, Serena Ryder, teamed up with Mae and pop powerhouse producer, Ryan Stewart, for The World Is Falling Apart. In keeping with the theme of letting go in order to let something in, it’s no coincidence that Mae chose to include a cover of Lose You To Love Me (Selena Gomez). Mae wrangled two immensely talented songstresses, Rose Cousins and Breagh Isabel (Port Cities), to join her on the song, which she says blew her mind the first time she heard the original. Breagh Isabel and Mae wrote The Old Me together, which stylistically is a nod to confessional power pop trailblazers like Paula and Janet.
Dive in with Ria Mae and feel all of the emotions of Therapy – out now!
THERAPY EP TRACKLIST:
1. For Your Love
2. The World Is Falling Apart
3. Therapy
4. Swoon
5. The Old Me
6. LYTLM (Lose You To Love Me)
Bonus tracks:
For Your Love (Outdoors Mix)
Swoon (B-side)
Listen to the Therapy EP here
Watch The Old Me here
DOWNLOAD – album cover art | DOWNLOAD – hi-res photo
ABOUT RIA MAE:
Since the June 2016 release of Mae’s full length, self-titled debut album, the three-time JUNO nominee has toured Europe with Tegan & Sara, North America with Dido, and Canada with Scott Helman and many other incredible musicians. She has performed with k.d. lang, Melissa Etheridge, Elle King, Xavier Rudd, Shawn Hook, Family of the Year, Francesco Yates, Coleman Hell and more. She has performed at various PRIDE festivals and events in Halifax, Vancouver, Calgary, Ottawa, and Montreal.
Mae, whose songs have been streamed over 70 million times worldwide, has climbed the radio charts in Canada numerous times, with platinum certified singles, Clothes Off, Ooh Love, Too Close and Bend. A proud member of the LGBTQ2S+ community, Mae was recently nominated for a Queerty Award for Best New Artist by Queerty Media.
NEVER-BEFORE-HEARD MUSIC BY LEGENDARY FATHER OF DELTA BLUES SON HOUSE FOREVER ON MY MIND DISCOVERED AND RELEASED TODAY ON EASY EYE SOUND
ALBUM WAS RECORDED IN THE FALL OF 1964 (AHEAD OF 1965 'REDISCOVERY' ALBUM) AND NEVER RELEASED
FEATURES FIRST-TIME-ON-RECORD TITLE TRACK
FOREVER ON MY MIND PLUS NEVER-HEARD RECORDINGS
OF DEATH LETTER AND PREACHIN' BLUES
"The Son House who is heard on Forever On My Mind is clearly intent on delivering his repertoire with both fire and precision.” —Living Blues
“In 1964, they were already calling [Robert] Johnson, long gone, the king of the Delta blues singers. [House] was the living royalty.” —MOJO
"House conveys as much joy on these songs as he does pain, telling us so many years after his death that we can not experience one without the other.” —Uncut
Toronto, ON – March 18, 2022 – On the evening of June 23, 1964, a red Volkswagen Beetle bearing three blues enthusiasts arrived in Rochester, N.Y. The young men were following a trail of clues in their search of a legend, and they found him sitting on the steps of an apartment building at 61 Greig Street. “This is him,” Son House said.
Born Eddie James House, Jr. in Lyon, Mississippi in 1902, Son House at that time had not played music for more than two decades. But the re-release of his early work — commercial 78s issued by Paramount Records in 1930 and two field recordings by Alan Lomax for the Library of Congress in 1941-42 — by Origin Jazz Library and Folkways Records had excited fresh interest in a growing community of blues aficionados.
Within months of his rediscovery by Dick Waterman (who became House’s manager and handler), Nick Perls and Phil Spiro, the once-obscure 62-year-old musician was thrust into the public eye by a story in Newsweek magazine and a series of performances at folk music festivals and college campuses around the country.
Forever On My Mind, the new album of previously unreleased Son House recordings from Easy Eye Sound, the independent label operated by Dan Auerbach of The Black Keys, is the premiere release from Waterman’s personal cache of ’60s recordings by some of the titans of Delta blues. His collection of quarter-inch tapes — which are being restored to remarkable clarity by Easy Eye Sound — have gone unreleased until now. The collection hits the streets today, March 18, 2022.
Waterman says, “I always knew that I wanted this body of tape that I had to come out together, as The Avalon Collection or The Waterman Tapes, as sort of my legacy. They were just here at my home, on a shelf. I had made a few entrees to record companies, but nothing had really come through. I thought that Dan Auerbach would treat the material with reverence and respect.”
Auerbach says, “Easy Eye Sound makes blues records, and not many people make blues records anymore. This record continues where we started off, with our artists Leo Bud Welch and Jimmy ‘Duck’ Holmes and Robert Finley. It also is part of my history — some of the first blues music I heard was Son House. I was raised on his Columbia LP, Father of Folk Blues. My dad had that album and would play it in the house when I was a kid, so I know all those songs by heart.”
Forever On My Mind is the earliest issued full-length House solo performance recorded after his rediscovery, at an appearance captured on November 23, 1964 at Wabash College, a small men’s school in Crawfordsville, Indiana. In terms of power and intensity, it rivals, and in some cases surpasses, the Columbia album, cut five months later in a New York City studio. It also reflects a sharp musical focus that diminished in House’s later concert appearances and recordings.
“As he toured in ’65 and ’66 and ’67,” Waterman notes, “he developed stories — they were self-deprecating stories, with humor and things like that. So, he became sort of an entertainer. But these first shows in ’64 were the plain, naked, raw Son House. This was just the man and his performance. He didn’t have any stories or anything to go with it.”
In the wake of his rediscovery in Rochester, House — who had labored as a foundry worker, railroad porter and cook, among other jobs, after moving from Mississippi to New York in 1943 — decided to make a return to music at the urging of his enthusiastic young fans. Waterman explains, “He had been living in a [retirement] home with his wife, and they weren’t doing anything but living on Social Security. So, it was the opportunity to make some money that put us out on tour.”
House was outfitted with a new steel-bodied National resonator guitar, the instrument he had played on his early recordings, and Alan Wilson, later famous as the guitarist and singer of the Los Angeles blues-rock band Canned Heat, gave the sexagenarian musician a refresher course in his own music.
“Son and Al would play knee to knee with the guitar,” Waterman says. “Al would say, ‘This is what you called “My Black Mama” in 1930,’ and would play it for him. And then he would say, ‘This is what you called “My Black Woman” for Lomax 12 years later,’ and he would play that, and Son would play along with him until the two of them were really rollicking along. And Son would say, ‘I got my recollection now, I got my recollection now.’”
House, who to date had only performed before Black audiences in Southern juke houses, would now be introduced to a young and entirely new group of listeners. Waterman says, “He hadn’t played in front of white people at all.”
After some initial appearances that summer at the Unicorn coffeehouse in Cambridge, Mass., then a center of the American folk music renaissance of the ’60s, and an August 1964 set at the Philadelphia Folk Festival, House and Waterman set off on a modest tour of Midwestern campuses in November in the manager’s new Ford Mustang.
The manager recalls, “I wrote letters to [university] student activities committees, one after the other after the other. So we went out, and the first date, I remember, was at Antioch in Yellow Springs, Ohio, and then Wabash was one of the first ones after that.”
The college engagements included Oberlin College in Ohio, Shimer College in Mt. Carroll, Illinois, and the University of Chicago, where local blues fan Norman Dayron recorded at least part of the November 21, 1964, show; a single track later surfaced on the 1980 Takoma Records LP Rare Blues. But the Wabash College appearance two days later was caught on tape in full.
“Wabash did the taping, and then they later gave me the reel-to-reel tape,” Waterman remembers. “The show was held in kind of an assembly hall. There were a few dozen [in the audience] — there may have been up to 50 people, something like that. They were quiet and polite during the performance … There were no barriers, there were no filters between him and the audience. He was just giving them the plain, unvarnished Delta material, as he knew it and as he sang it.”
Five of the eight songs heard on Forever On My Mind were later released in studio versions on House’s Columbia LP. Another two songs that he played at Wabash College, renditions of his Delta contemporary Charley Patton’s Pony Blues and the gospel blues standard, Motherless Children, were recorded by the label but went unreleased until 1992.
The first number heard on the Easy Eye Sound release, the titular Forever On My Mind, was never attempted in a recording studio, but it would be essayed from time to time in House’s concert performances; there is film footage of him playing it at the 1966 Newport Folk Festival. On the present album, the song, which contains snatches of his friend Willie Brown’s classic. Future Blues and his own Louise McGhee, serves as a living lesson in the improvisatory Delta blues tradition.
“There are certain songs that he would play, go into an open G tuning,” Waterman says, “and just play things in a certain meter. And some of these songs borrowed verses from each other.”
House’s 1964-65 live appearances and his Columbia album placed him in the pantheon of such other great, recently rediscovered Delta blues musicians as Skip James, Mississippi John Hurt, Bukka White, and Rev. Robert Wilkins. Forever On My Mind now re-introduces House at the height of his renewed powers in an essential, previously unheard document of unique force and sonic clarity.
Says Auerbach, “He sounds like he’s in a trance, and his singing is so nuanced here. He’s very playful with his phrasing, just right on the money with his singing and playing. It sounds so right to me — top form Son House.”
“The late-’64 stuff is as good as it’s going to get,” Waterman says. “I have great love and great respect for Mr. House, and I hope that this legacy stands up, for all that he meant to me and all that he meant to the music.”
For more information on House and his music, see Preachin’ the Blues: The Life and Times of Son House by Daniel Beaumont (Oxford University Press).
DOWNLOAD - Hi Res Press Photos | DOWNLOAD - Hi Res Album Artwork
SUMMER TOUR INCLUDES SOLD OUT RED ROCKS AMPITHEATRE, GREEK THEATRE, RYMAN AUDITORIUM AND MORE WITH IRON & WINE, NEKO CASE,
ALLISON RUSSELL, MESHELL NDEGEOCELLO
WATCH VIDEO FOR ATOMIZED
Toronto, ON – March 17, 2022 – In 1967, Joan Didion wrote that she “had dealt directly and flatly with the evidence of atomization, the proof that things fall apart.” Today, Andrew Bird updates her observation with the release of Atomized, his first new single and video of 2022. Listen to Atomized, out now here and watch the video here.
“Start making your apologies, blaming technology,” he sings. “They’re gonna try to get a rise to unseat you, they’ll demagnetize your poles and you know they’re gonna try to delete you…Here’s what I say to them: things fall apart.”
“Didion was updating W.B. Yeats for the fractious 60s,” Andrew Bird observes, by way of explanation. “This song takes it to the pixelated present where it’s not just society that is getting atomized but the self that is being broken apart and scattered.”
Recorded live by Andrew Bird and his four-piece band of bassist Alan Hampton, drummer Abe Rounds and guitarist-producer Mike Viola, the loose and tantalizing groove of Atomized is overlaid not only with hypnotically-plucked violin and seamless, sudden interludes, but sharp affirmations delivered with an effortless cool.
In the accompanying music video, directed by Matthew Daniel Siskin, Bird stands at the center of a surreal world split between light and dark. Chased by a version of himself, he studies his shadow, searches for meaning and sends warnings as his mind and body begin to operate separately. But while he teeters on the edge of sanity - singing, playing, sitting and standing - the rhythm stays steady.
Though the past three years have seen Andrew Bird busier than ever - between his acting debut in FX limited series Fargo, a long-awaited collaborative LP with Jimbo Mathus, an instant-classic Christmas record, a nonstop series of live streams, an original score for acclaimed PBS documentary Storm Lake, and more - Atomized picks up where he left off with 2019’s GRAMMY-nominated album, My Finest Work Yet.
This summer, Andrew Bird will debut the song live on his co-headline Outside Problems tour with Iron & Wine. From June through August, stretching from coast to coast, the extensive run will bring the two artists to more than 25 shows at such storied venues as Los Angeles’ Greek Theatre, Nashville’s Ryman Auditorium, New York City’s Pier 17 and Colorado’s Red Rocks, as well as Chicago’s brand new Salt Shed and more listed below. Following a select number of appearances at Newport Folk Festival and Ravinia Festival in 2021, “Outside Problems” will mark Bird’s first full-band tour in nearly three years, featuring support from Allison Russell and Meshell Ndegeocello. Tickets are on-sale now at andrewbird.net/#tour, including a recently-announced leg of European dates.
Atomized Lyrics
They’re gonna try to get a rise
To unseat you
They’ll demagnetize your poles
And you know they’re gonna try to delete you
So now you’re atomized unwhole
You know better start making your apologies
Stop blaming technology
May you please start making your apologies
Blaming technology
We’re only human that’s what they tell us
Here’s what I say to them what is your point
Is each of us an island or more like Finland
Here’s what I say to them:
Things fall apart
Now there’s something in her eyes that completes you
Everyime she cries it brings you low
And just the merest sigh can defeat you
How can you be so wise and still not know?
Andrew Bird - 2022 Tour Dates
June 12 - Phoenix, AZ - The Van Buren*
June 13 - San Diego, CA - The Magnolia*
June 15 - Los Angeles, CA - Greek Theatre*
June 17 - Berkeley, CA - Greek Theatre*
June 18 - Portland, OR - Pioneer Courthouse Square*
June 19 - Seattle, WA - Woodland Park Zoo*
June 21 - Salt Lake City, UT - TBA*
June 22 - Morrison, CO - Red Rocks Amphitheatre^
June 23 - Aspen, CO - Belly Up Aspen
July 10 - Paris, FR - Days Off Festival w/ L'Orchestre national d'Île-de-France
July 12 - Lyon, FR - Les Nuits de Fourvières Festival w/ L'Orchestre national de Lyon
July 14 - Munich, Germany - Neue Theaterfabrik
July 15 - Berlin, Germany - Metropol
July 16 - Utrecht, NL - TivoliVredenburg Grote Zaal
July 17 - Köln, Germany - Gloria Theater
July 19 - London, UK - O2 Shepherd's Bush Empire
July 22 - Atlanta, GA - Pullman Yards#
July 23 - Asheville, NC - Rabbit Rabbit#
July 24 - Nashville, TN - Ryman Auditorium#
July 25 - Cary, NC - Koka Booth#
July 27 - Charlottesville, VA - Ting Pavilion#
July 28 - Vienna, VA - Wolf Trap#
July 29 - New York, NY - Pier 17#
July 30 - New Haven, CT - Westville Bowl#
July 31 - Bethlehem, PA - Steel Stacks#
August 2 - Lafayette, NY - Beak & Skiff#
August 4 - Cincinnati, OH - PNC Pavilion at Riverbend#
August 5 - Grand Rapids, MI - TBA#
August 6 - Indianapolis, IN - TCU Amphitheater#
August 8 - Pittsburgh, PA - Stage AE#
August 9 - Columbus, OH - KEMBA Live!#
August 10 - St Louis, MO - Chesterfield Amphitheater#
August 12 - Chicago, IL - Salt Shed#
August 13 - Minneapolis, MN - Surly#
*w/ Iron & Wine and Allison Russell
^w/ Iron & Wine and Neko Case
#w/ Iron & Wine and Meshell Ndegeocello
LATEST COLLABORATION FROM HEALTH’S NEW LP
DISCO4 :: PART II OUT APRIL 8 VIA LOMA VISTA RECORDINGS
2022 TOUR INCLUDES ALBUM RELEASE SHOW AT LA'S 1720 ON APRIL 6
TORONTO, ON – March 17, 2022 – Today, HEALTH released STILL BREATHING, a collaboration with teenage post-punk experimentalist, EKKSTACY, from the band’s forthcoming album, DISCO4 :: PART II, due out on April 8 via Loma Vista Recordings. The taut and simmering track demonstrates the breadth of HEALTH’s sonic palette and follows COLD BLOOD, HEALTH’s thunderous first collaboration with metal titans, Lamb of God.
The band of Jacob Duzsik, John Famiglietti, and Benjamin Miller are set to play an album release show at L.A.’s 1720 on April 6, featuring EKKSTACY as support, ahead of a run of European dates with Peturbator, Youth Code, and Maenad Veyl on select dates; a full itinerary is listed below and tickets are on-sale now. Pre-order DISCO4 :: PART II here.
Three years after VOL.4 :: SLAVES OF FEAR, the L.A. trio’s ferocious entry into the world of heavy music, HEALTH return with the second half of their DISCO4 series. A whole lot went to hell in the world in the meantime, forcing the band to re-invent how they wrote music together. For DISCO4 :: PART II they cut it fast and mean, recruiting both legends and nascent contenders of heavy music and its many peripheral genres.
HEALTH are not only making the heaviest, most genre-obliterating music of their career. They’re documenting just how insane it feels to be alive right now.
DISCO4 :: PART II Tracklist:
1. HEALTH x Poppy - DEAD FLOWERS
2. HEALTH x Nine Inch Nails - ISN’T EVERYONE
3. HEALTH x Ada Rook x PlayThatBoiZay - MURDER DEATH KILL
4. HEALTH x Maenad Veyl - IDENTITY
5. HEALTH x Lamb of God - COLD BLOOD
6. HEALTH x The Body - AD 1000
7. HEALTH x Backxwash x HO99O9 - PAGAN ICONZ
8. HEALTH x Street Sects - THE JOY OF SECT
9. HEALTH x EKKSTACY - STILL BREATHING
10. HEALTH x The Neighbourhood - NO ESCAPE
11. HEALTH x Perturbator - EXCESS
12. HEALTH - THESE DAYS 2.0.2.1.
HEALTH 2022 Tour Dates:
April 6 - Los Angeles, CA @ 1720
April 18 - Glasgow, UK @ Stereo
April 19 - Manchester, UK @ The White Hotel
April 20 - Birmingham, UK @ Castle and Falcon
April 21 - London, UK @ Studio 9294
April 22 - Tilburg, NL @ Roadburn
April 24 - Gdansk, PL @ Drizzly Grizzly
April 26 - Vilnius, LT @ Kablys Club
April 27 - Tallinn, ES @ Sveta Baar
April 28 - Helsinki, FI @ Ääniwalli
June 9 - Bucharest, RO @ Control Club
June 11 - Budapest, HU @ A38
June 12 - Vienna, AT @ Arena
June 13 - Poznań, PL @ Klub U Bazyla
June 14 - Krakow, PL @ Zaścianek
June 15 - Kosice, SK @ Tabačka Kulturfabrik
June 16 - Bratislava, SK @ Fuga
June 17 - Zagreb, HR @ Klub Mochvara
June 18 - Ljubljana, SI @ Kino Siska
June 20 - Dortmund, DE @ Junkyard
June 21 - Zurich, CH @ Bogen F
June 22 - Wiesbaden, DE @ Schlachthof
June 24 - Clisson, FR @ Hellfest
DISCO4 :: PART II Tracklist:
1. HEALTH x Poppy - DEAD FLOWERS
2. HEALTH x Nine Inch Nails - ISN’T EVERYONE
3. HEALTH x Ada Rook x PlayThatBoiZay - MURDER DEATH KILL
4. HEALTH x Maenad Veyl - IDENTITY
5. HEALTH x Lamb of God - COLD BLOOD
6. HEALTH x The Body - AD 1000
7. HEALTH x Backxwash x HO99O9 - PAGAN ICONZ
8. HEALTH x Street Sects - THE JOY OF SECT
9. HEALTH x EKKSTACY - STILL BREATHING
10. HEALTH x The Neighbourhood - NO ESCAPE
11. HEALTH x Perturbator - EXCESS
12. HEALTH - THESE DAYS 2.0.2.1.
HEALTH 2022 Tour Dates:
April 6 - Los Angeles, CA @ 1720
April 18 - Glasgow, UK @ Stereo
April 19 - Manchester, UK @ The White Hotel
April 20 - Birmingham, UK @ Castle and Falcon
April 21 - London, UK @ Studio 9294
April 22 - Tilburg, NL @ Roadburn
April 24 - Gdansk, PL @ Drizzly Grizzly
April 26 - Vilnius, LT @ Kablys Club
April 27 - Tallinn, ES @ Sveta Baar
April 28 - Helsinki, FI @ Ääniwalli
June 9 - Bucharest, RO @ Control Club
June 11 - Budapest, HU @ A38
June 12 - Vienna, AT @ Arena
June 13 - Poznań, PL @ Klub U Bazyla
June 14 - Krakow, PL @ Zaścianek
June 15 - Kosice, SK @ Tabačka Kulturfabrik
June 16 - Bratislava, SK @ Fuga
June 17 - Zagreb, HR @ Klub Mochvara
June 18 - Ljubljana, SI @ Kino Siska
June 20 - Dortmund, DE @ Junkyard
June 21 - Zurich, CH @ Bogen F
June 22 - Wiesbaden, DE @ Schlachthof
June 24 - Clisson, FR @ Hellfest
DOWNLOAD - EKKSTACY Press Photo
DOWNLOAD - DISCO4 :: PART II Art | DOWNLOAD - STILL BREATHING Single Art
Photo by Daniel Roland Tierney
DOWNLOAD - HEALTH Press Photo
LISTEN TO STUNNING LIVE RENDITION OF LEAD SINGLE TIME
“For Flostate, as long as time is on their side, they figured they can't lose. For listeners growing restless for more tunes, patience will soon be rewarded.” – CBC Music
"..entwining captivating soundscapes with spell-binding vocal lines... the airy guitar lines and decisive percussion build a contrasting sonic support that ebbs and flows like a midnight dance between two free-spirited souls" – This Song Is Sick
"Flõstate.. create a mesmerizing downtempo number with "Home Ground". Beginning with gentle chimes and warm piano tones, the song seduces from the get-go, as Florence's sultry and sinuous vocals enter into the mix alongside mellow beats." – Pop Matters
Toronto, ON – March 16, 2022 – Fantasy R&B duo, Flõstate, are soundtracking Moments Of Feeling – the title of their debut full-length album, set to release May 19 via Lekker Collective. Today, they share the live version of their sedated downtempo R&B offering, Time, which introduced listeners to the Canadian act in 2020. Creating music building out from intimate jam sessions, Flõstate create songs which "happen in the moments that we’re not looking.' Listen toTime (Live) here.
"Performed live on a sunny Toronto rooftop last year, the song is about time as a tangible object. This song feels like floating - it evokes the feeling of being in a timeless state. I see the themes of this song as an introduction to what Flostate means," says the duo.
Experience Time through a visual of the live rooftop performance of the song here, and a music video for the original version here.
Flõstate is a fantasy R&B duo from Canada. Consisting of producer MKSTN and songwriter/multi-instrumentalist Avery Florence, two worlds collide creating multi-instrumental soundscapes and virtuous vocals. Inspired by a wide variety of artists and genres, the duo site acts such as Beach House, Galimatias, Tame Impala, Jimi Hendrix, Lana Del Rey, Bon Iver, Enya, Jeff Buckley and Pink Floyd as key influences to their sound.
For more on Flostate, see the full tracklist, connect with them online at the links below, and stay tuned for more music as the months progress.
Moments Of Feeling - Tracklist
1. Moments
2.Time
3.One More Day In Love
4.Home Ground Interlude
5.Home Ground
6.Dream Dance
7.My Heart
8.So It Goes
DOWNLOAD – Time (Live) Single Artwork
DOWNLOAD – Hi Res Press Photos | DOWNLOAD – Hi Res Album Artwork
WATCH GHOST ON JIMMY KIMMEL LIVE! MARCH 16
LISTEN TO IMPERA
“A Ghost concert is the aural equivalent of an amusement park visit.”—BRAVE WORDS
"Ghost has always enjoyed counterbalancing their memorable melodies with meaty riffs, their sweet side with a more nutritious one, like a good ol’ Mini-Wheat." - RUE MORGUE
"This album has something for everyone, the rocker, the heavy metaller, and everyone in-between, don't miss your chance to get lost in the intoxicating feeling of their infectious melodies and dark undertones." - METALTITANS
"Impera is an exceptional album and continues to demonstrate that Ghost can write the most bombastic-sounding tunes and, despite my minor nitpicking flaws (brought on by the record’s exceptional first half), should be hailed as the masterpiece it is." - V13
" It’s refreshing to see how he continues to find new ways to reinvent the band and make it palatable to the masses while still managing to stay true to that unmistakable Ghost sound."
- LIVE IN LIMBO
TORONTO, ON – March 11 2022 - IMPERA, the fifth album from GRAMMY-winning Swedish theatrical rock outfit, GHOST, is out today, March 11 2022, via Loma Vista Recordings.
IMPERA’s arrival coincides with the conclusion of Ghost’s recent 26-date U.S. arena tour — a resounding triumph of the Ghost live experience that recently moved ROLLING STONE to rave "Their concerts are euphoric spectacles of fire, smoke, and confetti, with Forge changing costumes regularly — out of Papa’s pope get-up and into sequined sportcoats. Onstage he shimmies like an old-time vaudeville star. It can be mesmerizing.”
Ghost will soon take that “euphoric spectacle” from America’s arena stages to its living rooms: On March 16, the band will make its long awaited first appearance as musical guest on JIMMY KIMMEL LIVE!. Check local listings for further information, or visit here.
Produced by Klas Åhlund and mixed by Andy Wallace — and featuring the apocalyptically prophetic banger, Twenties, the #7 YouTube trending, Call Me Little Sunshine, and Active Rock #1 radio single, Hunter’s Moon — IMPERA finds Ghost transported literally centuries forward from the Black Plague era of its previous album, 2018 Best Rock Album GRAMMY nominee Prequelle. The result is the most ambitious and lyrically incisive entry in the Ghost canon: Over the course of IMPERA’s 12-song cycle, empires rise and fall, would-be messiahs ply their hype (financial and spiritual alike), prophecies are foretold as the skies fill with celestial bodies divine and man-made… All in all, the most current and topical Ghost subject matter to date is set against a hypnotic and darkly colorful melodic backdrop making IMPERA a listen like no other — yet unmistakably, quintessentially Ghost.
DOWNLOAD - hi-res single and album art
DOWNLOAD - hi-res press photo
OTHERWORLDLY VOCALIST AND RISING SINGER-SONGWRITER SHARES SOULFUL FOLK POP TRACK – LISTEN HERE
FULL-LENGTH DEBUT SOLO ALBUM, FLOATING ON A DREAM, PRODUCED BY SHOOTER JENNINGS DUE MAY 20 VIA FANTASY RECORDS
WATCH ALL IS WELL VIDEO FEAT. JOY WILLIAMS HERE
HEADLINING TOUR ANNOUNCED
FLOATING ON A DREAM PRE-ORDER AVAILABLE HERE
TORONTO, ON – Friday March 11, 2022 - Rising indie singer-songwriter and performer, Avi Kaplan, recently announced the upcoming release of his debut solo album, Floating On A Dream, on May 20, 2022 via Fantasy Records. Today, he shared a new track, the moody and driving, I Can’t Lie. Kaplan multi-tracked his vocals to create an ethereal backing choir underscoring the song’s heartfelt, resonant lyrics.
Kaplan stated, “‘I Can’t Lie’ was the last song we recorded for the album when it turned out we had a little extra time to lay down one more track. The song came alive in the studio, and it took on this groovy 70’s vibe which ended up shaping the overall sound of the record.”
In addition, Kaplan recently shared the anthemic and haunting new single, All Is Well, featuring Joy Williams. Watch their new video and pre-order the album here.
Produced by GRAMMY Award-winner, Shooter Jennings, (Brandi Carlile, Tanya Tucker, American Aquarium) and mixed by Trina Shoemaker, (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow,) Floating On A Dream is rendered in long shadows and moody high relief reflecting Kaplan’s Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.
With country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock, he explores matters of the heart, truth, morality, and the search for relevance across the album’s 11 original tracks. At the core though there is that voice. From a haunting falsetto to its deepest bass tones, Kaplan’s instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplan’s departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.
Deepening a musical evolution that began with 2020’s, I'll Get By EP and carried through last year’s single, Song for the Thankful, Floating On A Dream explores Kaplan’s wide sonic palette and rootsy influences. Throughout the LP’s soaring choruses and deep valley passages, Jennings’ steadfast musical foundation helps keep Kaplan’s amazing voice, which has drawn comparisons from classic country crooner Lee Hazelwood to folk legend Richie Havens, firmly in place. Jennings’ influence can be heard in Floating On A Dream’s cinematic production using piano, pedal steel, varied guitars, and verbed-out layered harmonies, contributing to the album's spacious western scope.
Jennings stated, “I always know it’s going to be a good process in the studio when I’m working with somebody who really loves music, but also really adores the music that has come before. We both collect music and we’re inspired by it. Avi is an amazing singer and songwriter, this album is Ennio Morricone meets Bill Withers.”
Many of the new tracks draw on Kaplan’s heartache following the separation he endured from his family due to excessive touring, and then continued through much of the pandemic.
“I spent a lot of time touring away from my family and then I moved to Tennessee. I find myself missing them a lot,” he says. “The album’s “On My Way” is a letter to each person in my family. I have a brother, a sister, and a mother and father, and I wrote a specific verse for each one of them. It’s not always the songs dearest to your heart that the world gets to hear, but when that does happen, it's a beautiful thing.”
Avi stated, adding, “My journey has taken many twists and turns. It’s been a battle at times, but the completion of this album is a huge step towards the things I hope to achieve as an artist. I’ve been waiting a long time for this chance to give people my music, and to give people myself through my music,” he added. “It’s time to make that dream that I'm floating on a reality.”
Kaplan also announced a headline tour across the U.S. Find the full routing below.
Floating On A Dream - Track List:
1. First Place I Go
2. Floating On A Dream
3. I'm On My Way
4. He Don't Love You Right
5. I'm Only Getting Started
6. Try To Get It Right
7. I Can't Lie
8. All Is Well (feat. Joy Williams)
9. Into The Blue
10. When I'm A Fool
11. My Queen
TOUR DATES:
March 20 - Manchester, Band On The Wall - United Kingdom
March 21 - London, Lafayette United Kingdom (SOLD OUT)
March 23 - Leuven, Het Depot Belgium
March 24 - Luxembourg, Den Atelier - Luxembourg
March 26 - Cologne, Essigfabrik -Germany
March 27 - Nijmegen, Doornroosje - Netherlands
March 29 - Utrecht, TivoliVredenburg - Netherlands
March 30 - Hamburg, Grunspan - Germany
March 31 - Copenhagen, Lille Vega - Denmark (SOLD OUT)
April 1 - Berlin, Heimathafen - Germany
April 3 - Warsaw, Proxima - Poland
April 4 - Krakow, Kwadrat - Poland
April 5 - Vienna, Arena Wien (Grosse Halle) - Austria
April 7 - Prague, Palac Akropolis - Czech Republic
April 8 - Munich, Backstage Werk- Germany
April 10 - Zurich, Plaza, Switzerland
April 11 - Paris, Alhambra - France
May 21 - Nashville, TN - 3rd & Lindsley
May 23 - Washington, DC - Sixth & I
May 24 - Philadelphia, PA - World Café Live
May 25 - New York, NY - LPR
May 27 - Cleveland, OH - Beachland Ballroom
May 28 - St. Louis, MO - Delmar Hall
May 29 - Minneapolis, MN - First Avenue
June 1 - Chicago, IL - Lincoln Hall
June 2 - Kansas City, MO - Knuckleheads
June 4 - Ft. Collins, CO - Aggie Theatre
June 6 - Denver, CO - Bluebird Theater
June 8 - Phoenix, AZ - Crescent Ballroom
June 9 - West Hollywood, CA - Troubadour
Avi Kaplan – vocals, guitar
Aubrey Richmond – violin
Chris Masterson – guitars
Daniel Ellsworth – piano, organ, synthesizer
Jamie Douglass – drums, percussion
John Schreffler, Jr. – pedal steel
Joy Williams – vocals on All Is Well
Kaleb Jones – guitar
Smith Curry – pedal steel
Ted Russell Kamp – bass
DOWNLOAD - hi res album art | DOWNLOAD - hi res press photo
Avi Kaplan on TikTok
THE TITLE TRACK FROM UPCOMING NEW FULL-LENGTH
DUE OUT LATER THIS YEAR
VIDEO FOR THE TRACK PAYS HOMAGE TO ROCK ‘N ROLL ANIMATION
ON TOUR THROUGH THE SPRING INCLUDING TORONTO STOP NEXT WEEK AT THE HORSESHOE TAVERN
TORONTO, ON – March 11, 2022 – Today, Montreal rock ‘n roll disruptors, The Flamingos Pink, release Free Livin, the first single and title track from their upcoming album on LL Artists. Recorded in four days in Montreal at Studio Latraque, the new album – set for release later this year – was mixed and engineered by David Laurendeau and produced by The Flamingos Pink. Have a listen to Free Livin here.
Thwarted at every turn over the last year, Julien “Julz” Corrado (drums) and Sacha Gubany (guitar/vocals) took control of their own destiny and fought through the impact of the pandemic, battled their former label and tried their hardest to not overindulge in drugs and alcohol, all while the pressures of not having a 9-to-5 paycheque piled up.
Surrendering to the chaos, The Flamingos Pink and their intrepid manager regained control of their own music and their own destiny. The result is Free Livin – the band’s hardest rocking, groove-laden record to date and an anthem to living your life the way you want to. Think Iggy Pop and The Stooges meets AC/DC, The White Stripes and The Black Keys.
“In this digital reality, it’s easy to get caught up in the fake surface level bullsh*t of it all and find a real, deep connection to anything it seems,” says Julz. “Free Livin is a verb. Much like love and self-respect, you have to fight to keep it alive.”
Adds Sacha: “Keep it real. Speak your truth. Face yourself. Take a breather. Light your ass on fire. It's nice to see you try.”
The Free Livin video is a nod to classic animation stylings, blending the nostalgic with the cutting-edge. The video is fast-paced and action-packed, like a mix of Masters of the Universe, Heavy Metal (the quintessential animated Rock film of all time) and Star Wars. Director, animator, illustrator and tattoo artist, Paul Cristo Williams – a Harley riding, Canadian expat based in Florence, Italy – produced the video. Have a look here.
The band is gearing up for their spring 2022 tour, starting with dates in Toronto and Montreal (see below for full details) and with more to be announced soon.
Stay tuned for more coming soon from The Flamingos Pink!
UPCOMING TOUR DATES:
March 16 / Toronto / The Horseshoe Tavern
April 22 / Toronto / The Handlebar
May 26 / Montréal / Le Ministère (w/ Les Shirley)
DOWNLOAD – hi-res press photo | DOWNLOAD – single artwork
Instagram: https://www.instagram.com/theflamingospink/
TikTok: https://vm.tiktok.com/ZMLyQdSaD/
Facebook: https://www.facebook.com/theflamingospink
Spotify: https://open.spotify.com/artist/1dJYorjSU8iQdH8hDNpEwF?si=UPGAcmQRReCrGvHgfYGzIA
WATCH ANIMATED VIDEO BY JACK HARRISON
PREMIERES VIA COMPLEX CANADA
TORONTO, ON – March 10, 2022 – Toronto producer and musical polymath, Harrison, emerges from the studio to share Outta This World - a fitting title for this collaborative song with Juno Award-winning and fellow Toronto artist, TOBi - out today via Last Gang Records/MNRK Music Group. A groovy, alluring production, the track lives up to its name, grounded by Harrison's signature keys blended with TOBi's soulful chorus and verse reflecting on nostalgic moments and hints of romance with a melody that keeps those memories close. It arrives with an incredible Jack Harrison-produced animated visual of Harrison and TOBi venturing on a journey "outta this world" to cook up the track in perfect camaraderie. Listen to Outta This World here, and watch the video here.
“As soon as I finished this joint, I immediately thought of TOBi," says Harrison. "I knew he would deliver and he did. He floated on it. Always happy to be collaborating with him.”
On the collaboration, TOBi adds: "Since Harrison and I did 'Beige' a couple years ago, we’d been trying to get another joint in. A lot has happened in those few years, good and bad, so I wanted to capture that in the song on our second go around. Growth, friendship, moving through the music world, increasing my love for art, culture and of course pretty girls. The beat Harrison sent felt like I was right at home with the jazzy melody and the smooth drums. This time I’m making sure that I celebrate every moment."
Harrison is a JUNO, Polaris, UK MVA + Prism Prize nominated artist with a combined 1.1M + global streams on his recent instrumental singles, Around You and Like When We Were Kids. In addition to TOBi, he has production and writing credits for tracks by DijahSB, Sean Leon, Steve Aoki, numerous syncs with Apple, Nestle, Absolut Vodka, Netflix, Pokémon GO.
Harrison developed an aesthetic signature influenced by Samurai Champloo, J Dilla, Nujabes, Nintendo and Parliament that was first floated on the 2013 Analogue Dreams EP and refined by the arrival of his critically-acclaimed 2016 JUNO-nominated debut album, Checkpoint Titanium, which followed his signing to Last Gang Records after a brief stint in college. Graduating from sample-based production to full-fledged composition and instrumental arrangement in subsequent years, Harrison returned with Apricity, which FADER dubbed “his best album yet,” while KEXP applauded “a vibrant record that places him nicely alongside Ryan Hemsworth, Sango, Kaytranada and Onra."
A new album will be released in 2022. Stay tuned for more.
Last Gang is a music company founded in 2003 and credited with launching the careers of Metric, Death From Above 1979, MSTRKRFT and Crystal Castles. The company is also well known for its work with Arkells, Ryan Hemsworth, Purity Ring, Lights, and Chromeo. Last Gang is a MNRK Music Group company. www.lastgang.com
FATHER I HAVE SINNED VIDEO FEATURING BEFOULED PRIEST NOW PLAYING
Shrouded in mystery, draped in black cloaks and corpse paint, this dark force known as DOGMA has risen. The four enigmatic nuns behind the hook-heavy, classic, power-inspired melodic metal use their music to propagate a powerfully anti-dogmatic idea of free thought. Their debut single, Father I Have Sinned, serves as the group’s official introduction to the world. The track’s stadium-ready riffs and anthemic choruses are in stark contrast to the group’s unearthly, gothic appearance. Is DOGMA a cult? A sect? Whatever they may be, they are here to take over.
“We are united but free,” notes the collective. “We want to detach people from dogmas and useless norms, which only anchor the life of each one instead of giving freedom. We do not preach anarchism, we preach true liberation. Nuns follow a god. They live without enjoyment and claim to abstain from sexual encounters. We subvert the iconography of nuns because they represent the exact opposite of what we preach. They are not free. Like many characters in the human race, they deprive themselves of the richness of a full life.”
More on DOGMA:
DOGMA beckons like a mythological siren calling all travelers adrift on the seas of conformity. Is DOGMA a band? A cult? A way of life? DOGMA is whatever the forces of nature demand — four women united by melody, ideology, and chaos, sharpening hard rock and metal into weapons.
They possess an unapologetic reverence for human nature and independence. DOGMA adopts the monikers of powerful feminine entities - Lilith, Lamia, Nixe, Abrahel – embraced by diverse, ancient cultures. They draw upon legend to refashion the empty modern world, against the cruel rule of superstition. Wielding creative passion, empowered sensuality, and freedom, DOGMA stands in opposition to ignorance, institutions, dominion, and all suffocating limitations.
As a nun represents abstinence and repression, DOGMA champions unbridled desire and freedom, with theatricality as timeless as Kiss or Alice Cooper, and music as timely as The Pretty Reckless or In This Moment, DOGMA subverts all expectations with delicious vocal hooks, conceptually driven storytelling, and hard-charging heavy metal/hard rock anthems armed with big riffs and rhythm.
For DOGMA, true blasphemy is to deny one’s self. They take furious aim at religious hypocrites and oppressive systems, summoning a cult of like-minded iconoclasts with songs of joyous rebellion. Sexuality without compulsion, speaking out without fear: DOGMA implores listeners to abandon the false reality of modern culture (with its deceitful posturing) and reclaim themselves. DOGMA demands nothing less than your full attention.
For merch, visit here. Stay tuned for additional missives on DOGMA to be unveiled in the weeks to come.
DOGMA:
Lilith – vocals
Lamia – guitar
Nixe – bass
Abrahel – drums
DOWNLOAD - hi res press photo
About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market. MNRK is committed to discovering and guiding leading music creators and talent, and is home to numerous top tier artists, the iconic Death Row Records and the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum selling hits. To learn more visit mnrk.com.
FOLLOWS INFERNO VISUAL ALBUM RELEASED IN THE FALL FEATURING STUNNING SHORT FILMS SET TO THE SONGS FROM LATEST RELEASE SET THE FIRE
ON TOUR THIS SPRING
WITH SUMMER DATES TO BE ANNOUNCED SOON
TICKETS AVAILABLE HERE
Toronto, ON – March 9, 2022 – On March 18, Kandle Osborne will release Inferno – an EP featuring re-imaginings of select songs from her critically-acclaimed debut independent record, Set The Fire (May 2021). Inferno completes Kandle’s powerful cinematic music video series while recreating the songs in a darker and sexier trip hop style, as well as stripped down versions featuring nothing but her haunting, timeless voice and an acoustic guitar. Listen to the lead single, No Good, here for a sneak peek at this new project which truly shines a light on Kandle’s stunning genre-bending sound.
“These are not live versions, nor are they covers of previously released songs from Set The Fire,” comments Kandle. “The artistic goal and challenge was to take the same lyrics and produce entirely different musicality to essentially show how powerful interpretation, through music and production, can be. I changed the key, the melody and the tempo to tell the same stories in 100% new ways. If you listen to the Set The Fire version and then the Inferno version, you will find that the songs are very unrecognizable, which I believe is what makes this project so unique and powerful.”
The Inferno EP follows the November release of its companion short film and visual album of the same name. With a passion for storytelling, (Kandle studied at the Western Academy of Film Photography, and releases feminist visual art with an ongoing ‘women in music’ cartoon series), the Inferno visual album was a natural step in bringing the stories of Set The Fire to life – after earning a nomination for a 2021 Prism Prize for Set The Fire’s lead single, Lock and Load, (her second nomination for the award following Not Up To Me), as well as an earlier nod for a Canadian Independent Video Award in 2020. Starring Keenan Tracey and James Neate, alongside some of Canada’s top musical talent, Louise Burns, Kendel Carson and Debra-Jean Creelman, the visual album was directed by long-time collaborator, Brandon William Fletcher, and features a stunning interwoven series of music videos – some audiences have seen before, some they have not – as well as a little new footage that landed on the cutting room floor, and some live videos for various version of the reimagined songs. Watch here.
While bringing her music to life on record and in film, Kandle is thrilled to also be bringing the songs to the live stage this year. Dates kick off on March 17th, including a Vancouver stop with 54.40, dates across Quebec, and back to BC for a performance in Victoria with July Talk (see below for full details and find tickets here). Stay tuned for more shows to be announced soon.
INFERNO EP TRACKLIST:
1. Dream Amnesia
2. No Good Inferno
3. Fuel for Lust Interlude
4. Boss Inferno
5. Vampire ft. Still Eye (Keenan Tracey)
6. Sweet Boy ft. Kendel Carson
UPCOMING TOUR DATES:
March 17 – Vancouver, BC – The Commodore Ballroom (w/54.40)
March 21 – Québec, QC – L'Anti (w/Hey Major)
March 24 – Montréal, QC – Petit Campus (w/Patrick Krief)
March 26 – Chicoutimi, QC – Bistro café Summum (w/Hey Major)
March 31 – Sherbrooke, QC – La Petite Boîte Noire (w/Hey Major)
April 2 – Gatineau, QC – Le Minotaure (w/Patrick Krief)
May 2 – Victoria, BC – The Royal Theatre (w/July Talk)
* more to be announced soon
About Kandle:
Once again, Kandle stands out from the pack and shows us that nobody sounds quite like her. On Set The Fire, she seamlessly marries her adoration for 60s girl group soul and the 90s rock she grew up on. The tracks buzz with a retro feel but the dark, no holds barred songwriting is what we've come to love from Kandle. Tales of toxicity, manipulation and heartbreak are delivered with stark, striking honesty over a captivating array of sonic influences. Sparkling piano, distorted guitars, dynamic horns and doo-wop backups make you (almost) forget you're deep diving into her darkest secrets.
Kandle’s mastery of music comes as no surprise, having collaborated with some of Canada’s finest songwriters, including Sam Roberts, Coeur de pirate, Peter Dremanis (July Talk) and Devon Portielje (Half Moon Run), in her impressive career to date — which also includes a Video of the Year JUNO nomination. Kandle also starred in Jack White’s 2018 video for Corporation, and her music was recently featured in Netflix's, Tiny Pretty Things. Growing up in the music industry as the daughter of Canadian rock royalty Neil Osborne of 54-40 has provided Kandle’s artistry with a unique insight. She brings a seasoned performance to every line and every word, channeling over a decade of touring the globe into music that’s familiar yet undeniably her own.
With strong influences from the fierce female greats of a bygone era (Nancy Sinatra, Billie Holiday and Shirley Bassey, to name a few), Kandle writes and sings exclusively with her heart; something so often void in the modern era of overproduced perfection. She sings honest and raw, vulnerable yet empowered, never afraid to pen even life’s heaviest moments. This is an artist at her most empowered and authentic – an artist who by sharing her own story of healing, can help us all do the same.
DOWNLOAD – Inferno album cover art | DOWNLOAD – Set The Fire album artwork
DOWNLOAD – hi-res press photo
NEXT-GENERATION COUNTRY ARTIST
IS CMT MUSIC’S NEXT UP NOW ARTIST OF THE MONTH
WATCH CMT’S EXCLUSIVE WORLD PREMIERE OF
MISERY AND GIN HERE
TORONTO, ON – March 9, 2022 – Today, emerging country artist, Layla Tucker, CMT Music’s NEXT UP NOW Artist of the Month for March, premieres the video for her striking cover of Merle Haggard’s classic ballad, Misery and Gin. Produced by country music veteran, Keith Thomas, Misery and Gin showcases the rising 22-year-old singer-songwriter’s exquisite vocal ability and remarkable interpretation skills. Indeed, as the daughter of legendary country music icon, Tanya Tucker, and renowned songwriter, Jerry Lasseter, Layla’s connection to Merle Haggard is a deeply personal one. The country music giant was a close family friend who inspired Layla to work hard, find her voice and blaze her own musical trail. Listen to Misery and Gin here and watch CMT’s exclusive world premiere of the video here.
“It’s shocking how many people I've met throughout the years who don't know who Merle Haggard is,” Layla said. “It’s been a really cool experience getting to record this song, like so many others, his music changed my life.”
Misery and Gin is a stunning introduction for the Tennessee native. Layla’s gorgeous bourbon ‘n honey vocals inform Haggard’s melancholy 1980 hit with equal parts reverence and attitude, a restrained, entrancing performance that reveals an artistic sophistication well beyond her years. The accompanying music video, directed by Casey Pierce and shot at The Underdog bar in Nashville beautifully captures the song’s essential loneliness as the camera encircles Layla at the same table, singing the song night after night.
Memories and drinks don't mix too well / Jukebox records don't play those wedding bells / Looking at the world through the bottom of a glass / All I see is a man who's fading fast
Expressing conviction and heartache, Layla’s performance flips the song’s narrative from the rugged, western male archetype to a women’s perspective. As a teenager, Layla remembers how she rebelled against country music and pushed it out of her life. But when she was around 15 years old, the family moved to a new house in tiny Thompson’s Station, Tennessee, and country music served as a solace for her loneliness.
“I didn't have any friends because we just moved out there, so all I really had was my dog, my record player and my guitar,” she remembers. “I could hook my phone up and I would sit in my room next to my window with my ear up to the speaker. That's where I fell in love with country music again because it was kind of my only friend at the time. One of the first songs that really changed how I felt about country music was one of Merle’s.”
Layla promises to carry on his story while forging her own. Look for more music from Layla later this year; her journey is just beginning.
Follow Layla Tucker:
TikTok
Instagram
Twitter
YouTube
Facebook
Website
INCLUDES HEADLINE PERFORMANCES ACROSS WESTERN CANADA
THE FUTURE OUT NOW
TORONTO, ON – March 8, 2022 — Nathaniel Rateliff & The Night Sweats will take their lauded live show back on the road this summer with an extensive run of North American dates. The shows kick off in Tulsa, OK on April 21 and include debut performances at New York’s Radio City Music Hall, Los Angeles’ Hollywood Bowl and Berkeley’s Greek Theatre as well as multiple dates at Denver’s Red Rocks Amphitheatre and stops across western Canada. Joining Rateliff and his band on tour at different stops will be Mavis Staples, Zach Bryan, Hiss Golden Messenger, Bahamas, Guster, Allison Russell, Celisse, Durand Jones & The Indications and more. General on-sale begins Friday, March 11 at 10:00 a.m. local time at nathanielrateliff.com — full tour routing can be found below.
In addition, Rateliff is slated to speak at SXSW in Austin, TX on March 17. Moderated by Ash-Lee Woodard Henderson of Highlander Center, the 60 minute featured session will revolve around Rateliff's music, social activism and his foundation, The Marigold Project, which is dedicated to economic, racial and social justice. The North American tour is in support of the band’s third studio album, The Future, which is out now on Stax Records to widespread critical praise. Last year, Rateliff and the band performed Survivor and Baby I Got Your Number on The Tonight Show Starring Jimmy Fallon and The Future on The Late Show With Stephen Colbert while also playing their tracks Survivor, Love Don’t and Face Down In The Moment on CBS This Morning: Saturday.
These performances follow numerous career milestones for Rateliff and the band who made their debut on Saturday Night Live with the premiere performance of Redemption, written for and featured in the film, Palmer, starring Justin Timberlake. In addition, the group appeared on CMT Crossroads with country singer/songwriter, Margo Price, while Rateliff’s Tiny Desk (Home) Concert premiered at NPR Music. Rateliff also released a new live album, Red Rocks 2020, which was recorded at Red Rocks Amphitheatre during Rateliff’s mid-September run of socially distanced shows.
UPCOMING TOUR DATES:
April 21—Tulsa, OK—Cain’s Ballroom*
April 22—Rogers, AR—Walmart Amphitheater*
April 23—Oklahoma City, OK—The Criterion*
April 25—San Antonio, TX—Tobin Center*
April 26—Houston, TX—713 Music Hall*
April 28—New Orleans, LA—Mardi Gras World+
April 29—Dallas, TX—Toyota Pavilion*
April 30—Austin, TX—Moody Amphitheater*
June 21—St. Augustine, FL—The St. Augustine Amphitheatre^
June 22—Charleston, SC—Credit One Stadium^
June 28—Lewiston, NY—Artpark#
June 29—Lafayette, NY—Beak and Skiff#
July 1—Asbury Park, NJ—Stone Pony Summer Stage#
July 3—Gilford, NH—Bank of New Hampshire Pavilion**
July 29—Winnipeg, MB—Burton Cummings Theater
July 30—Regina, SK—Conexus Arts Center
July 31—Saskatoon, SK—Coors Event Centre
August 2—Calgary, AB—Grey Eagle Events Centre
August 9—Vancouver, BC—PNE Amphitheater++
August 10—Redmond, WA—Marymoor^^
August 11—Troutdal, OR—Edgefield^^
August 13—Berkeley, CA—The Greek Theatre^^
August 14—Los Angeles, CA—Hollywood Bowl##
August 18—Phoenix, AZ—Arizona Federal Theatre
August 23—Denver, CO—Red Rocks Amphitheatre***
August 24—Denver, CO—Red Rocks Amphitheatre***
September 13—Boston, MA—Leader Bank Pavilion^^^
September 15—New York, NY—Radio City Music Hall^^^
September 21—Washington, DC—The Anthem+++
September 23—Wilmington, NC—Live Oak Bank Pavilion+++
*w/ Devon Gilfillian
+w/ Mavis Staples and Devon Gilfillian
^w/ Zach Bryan
#w/ Antibalas
**w/ Guster
++w/ Mt. Joy
^^w/ Bahamas
##w/ Durand Jones & The Indications and Celisse
***w/ Caroline Rose
^^^w/ Allison Russell
+++w/ Hiss Golden Messenger
“Nathaniel Rateliff & The Night Sweats’ glorious new vintage R&B album, bursting at the seams with fresh coolness. It has a sound grounded in the past but not mimicking it, a fresh, modern-retro vibe that makes sense once you listen.” – Associated Press
“That mix of Sixties groove workouts and Seventies singer-songwriter truth-seeking pays off on their third album, The Future. The title track kicks off sounding like the Bob Dylan of Desire if he’d recorded that album at Muscle Shoals.” – Rolling Stone
“…a giant leap forward…” – Mojo
“The Future goes wider stylistically and deeper thematically, embedding Rateliff’s devastating lyrics in taut arrangements that stand alongside their sources of inspiration...Instant Classic”
– Uncut
“The Future showcases Rateliff and The Night Sweats playing at the top of their game with a blend of passionate songwriting, raw and towering vocals, and infectious soul rock vibes.”
– No Depression
“Nathaniel Rateliff has become a consistently shining purveyor of classic tunes.” – San Francisco Chronicle
“...a style that brings to mind the vintage sounds of the ‘60s and ‘70s as generated from such diverse locales as Woodstock, Stax, and Muscle Shoals…while still sophisticated enough to make an emphatic impression.” – American Songwriter
“The band reveals a greater artistic depth on their third studio album.” – Consequence
“The Future effectively combines provocative lyrics married to the Sweats’ trademarked attack; one that’s successful, even triumphant, and paves the way for more of the same in forthcoming endeavors.” – Holler.
DOWNLOAD - hi-res press photo | DOWNLOAD - album cover artwork
SHARES VIDEO FOR NEW SINGLE
SLASH TO HURT, STAB TO KILL
SET TO PERFORM AT SXSW ON MARCH 18th
TORONTO, ON – March 8, 2022 – Today, Toronto-based singer-songwriter, Tegan Johnston (formerly known as Little Coyote), is thrilled to announce the upcoming release of her debut full-length record – Sentimental Ballad. Arriving April 29th, the album is a raw expression of heartache through minimalistic piano and lyrically driven songs. Listeners were treated to a taste of the new music with the deeply personal lead single, Blue Monday (released in January), and latest release, Slash to hurt, Stab to kill, which dropped this past Friday. A gut-punch of a breakup song, Slash to hurt, Stab to kill is accompanied today by a stunning music video – watch here. Teagan will also be bringing the new songs to life on stage next week, with a showcase at SXSW on March 18th. See show details here.
The songs found on Sentimental Ballad are strong and powerful while also holding space for softness and vulnerability. Combining Teagan’s delicately detailed piano playing with lyrics full of love and longing, she seeks to explore human darkness and the fabric of our dreams.
“Slash to hurt, Stab to kill is a sonic attempt at glittering optimism on a sad subject of wanting a relationship to end but not being able to end it,” says Teagan. “It’s about knowing someone has hurt you and will continue to hurt you, but not being quite hurt enough to turn away.”
Directed by Teagan, the Slash to Hurt, Stab to Kill video was filmed by her friend, Dzesika Devic, at a motel in the Poconos. “We drove to an old 80s love motel in the Poconos that I had seen online and filmed in the motel room for two days straight,” Teagan reflects. “The story I hoped to tell through this video is one of a person trying their best to reconnect with themselves and their romantic side after a breakup. Through multiple outfits, activities and performances we attempted to show stages of grief and what the exploration of heartache and romantic pain could look like in a confined space.”
With Sentimental Ballad, Teagan Johnston weaves intricately dynamic songs that are sure to haunt you in a way that soothes your soul and provokes warm memories of long-lost romances.
SENTIMENTAL BALLAD TRACKLIST
1. I just wanna look through the eyes of love again=
2. Blue Monday
3. High Arctic
4. Nineteen
5. Faster
6. Slash to hurt, Stab to kill
7. Get out of town
8. I've got a good joke, if you've got a quarter
9. Dirty God
10. Sun Come
11. Holy, not ready to hide
12. The (Never) End
ABOUT TEAGAN JOHNSTON
Formerly known as Little Coyote, Teagan Johnston (she/they), is a singer-songwriter who drives the genre beyond its current borders, bringing a radical rawness to her work that hits you in your heart. Born in the Yukon, raised between South Africa, Spain, Switzerland and the West Coast of Canada, Teagan brings a vast and ever layered perspective to her work.
Compared to the likes of Fiona Apple, Regina Spektor, and Nick Cave, Tegan’s debut ‘The Trouble with Teeth’ was released in October 2017 with the enthusiastic support of EggHunt Records. Her following 2019 EP, Stay Gold, received many accolades and acclaims from various media outlets, such as VICE’s Noisey, PopMatters & more. A seasoned and experienced live performer, at home playing solo or backed by a band, Teagan has toured North America and Europe, including performing a special set at David Lynch’s prestigious private Paris nightclub Silencio.
Teagan partakes in several art forms outside of music as a means of communication and creative expression. She has modelled for Canadian fashion designer Evan Biddell, and written OP ED articles for The Toronto Star and She Does The City. In 2019 Teagan played her breakout acting role as Catherine in a Canadian Indie Horror movie The Strings as well as composing original music for the film. Outlets such as The New York Times, The A.V. Club , Bloody Disgusting and more have called Johnston’s performance and music in the film “commanding” and “magnetic.”
DOWNLOAD – album cover artwork | DOWNLOAD – hi-res photo
teaganjohnston.com
instagram.com/littlecoyotemusic
facebook.com/teagsjohnston
twitter.com/teagsjohnston
spotify.com/artist/0RHysVgRczmEPciDxfOG3H
WOMEN IN MUSIC CANADA
LAUNCHES THE FIRST CANADIAN MUSIC INDUSTRY DATABASE FOR WOMEN AND UNDER REPRESENTED
GENDER IDENTIFYING PEOPLE
TORONTO, ON - March 8, 2022 - It’s been proven: increased gender diversity in the Canadian music industry brings in more money. Last year, Women in Music Canada commissioned a study to show the effects of increased gender diversity on corporate performance. Prepared in collaboration with PwC Canada, and generously funded by FACTOR, the Government of Canada and Ontario Creates’ Business Intelligence Program (BIP), the study determined that just a 10% increase in gender diversity can lead to an 18% increase in revenue per employee. Read the study here.
The latest study also showed that the top three barriers for women-identifying, non-binary, gender fluid and gender diverse people in the music industry are lack of access to mentors, lack of gender balance in senior management and lack of overall balance in the workplace. Yet excuses are still being made as to lack of ability to find diverse professionals to increase workplace diversity. What if there was a tool that could make engaging gender diverse folks in your workplace or program easier to achieve right now? Now there is one. Today, the Canadian nonprofit organization dedicated to fostering gender equality in the music industry is announcing the public launch of The Women in Music Canada Directory.
The Women in Music Canada Directory will address the industry need of sourcing gender diverse talent by creating a central place for those seeking performers, industry team, suppliers, speaking and panel programming, as well as employment vacancies and board positions. The directory will engage participants to upload their personal and professional details, representing a variety of fields to showcase individuals’ skills, talents and accomplishments. All information will be self-administered: it’s up to each individual user, to share as much or as little about themselves as they like. Once populated, this directory will connect participants through direct messaging options and will provide a mechanism for the Canadian music industry to easily empower female and underrepresented gender identifying talent for opportunities that arise.
With the launch of the directory, now up and running at Womeninmusic.ca, Women in Music Canada is calling all female-identified Canadian individuals in all areas of the Music Industry to join now by creating their own personalized profiles. Beginning March 8th (International Women’s Day), WIMC will be launching a series of giveaways to encourage sign ups, including products from female owned Canadian brands and $1,000 cash. Five lucky members will be selected from the Database on March 18th, so members should create their profiles before then to ensure they are considered for the giveaway. Those who have already created profiles will also be entered automatically.
"Our organization's mission is to work toward gender equity in all aspects of the music industry," says Samantha Slattery, Executive Director, WIMC. "With the Women in Music Canada directory, we hope to enrol as many music industry members into the database as possible to ensure that it’s a comprehensive and diversely populated resource for the entire music industry to utilize. There should be no excuses when it comes to gender diversity and parity across our industry and now, with our Database, there won’t be.”
Whether it’s programming a festival, seeking panelists for an important discussion, or looking for new talent to work on an upcoming album, a plethora of qualified diverse folks can be found, with just the click of a mouse. When it comes to gender diversity, Women in Music Database will be the gateway. No excuses, just equality. #noexcuses
ABOUT THE WOMEN IN MUSIC CANADA DIRECTORY
The Women in Music Canada directory is a legacy project that has created the ultimate resources for supporting the advancement of women, female identifying and non-binary individuals in the Canadian music industry. The database is the concept of award-winning multi-platinum artists Tegan and Sara, who found it challenging to find women and gender diverse individuals to work with themselves. Our community populated database will allow for personal information, professional details, and additional fields to communicate experience and skills – providing a mechanism for the Canadian music industry to easily source female talent. Our database will address the industry need of sourcing gender diverse talent by creating a central place for those seeking individuals, suppliers, speaking and panel programming, as well as employment vacancies and board positions. The WIMC Database was built with support from FACTOR Canada, Ontario Creates and Slaight Music.
ABOUT WIMC
Women in Music Canada is a registered non-profit organization and one of the largest music industry associations in Canada, with over 2,000 members nationally. The organization is dedicated to fostering gender equality in the music industry through the support and advancement of female identifying professionals and creatives at every stage of their career. The goal is to strengthen the social-economic balance of the music industry by providing professional development, support and resources for our community. For media inquiries please contact: Nadia Elkharadly nadia@ccstrategies.ca
FROM UPCOMING DEBUT SELF-TITLED ALBUM ARRIVING MARCH 25
PRE-ORDER THE VINYL/DIGITAL RECORD HERE
TORONTO, ON – March 4, 2022 – The release of the debut self-titled album from Avalon Tassonyi (TAH-show-nee) is right around the corner, and today, the folk singer, songwriter and multi-instrumentalist shares another taste of the new music. A protest song at its very core, Peace Time brings a stark anti-war message, speaking to environmental racism, and pointing to the pitfalls of having awareness without taking action. Listen to Peace Time here.
"In 2018, legendary songwriter, Buffy Sainte-Marie, was quoted saying, ‘I constantly ask myself: where are the great protest songs today?’” reflects Avalon. “Peace Time encourages you to not shy away. The oldest problems can be the hardest to resolve, and there are no simple solutions but carrying on business as usual isn’t it. No one person is responsible, but we all have responsibilities; that’s the way I see it."
A fitting accompaniment to the song, the video for Peace Time feels at-once calm but unsettled. The song’s lyrics are felt in full against a backdrop of dissonant landscapes, letting the viewer feel the weight of each word. Watch the video here.
There’s a drought, there’s a famine
And the bombs keep on coming
Oh and arms that we keep selling
But don’t worry, we’ll be fine
Don’t ya know they say this is peace time
There’s a thousand missing women
Sacred waters don’t dare to swim in
Let alone think of drinking
Just keep boiling off the slime
Don’t ya know they say this is peace time
There are tankers, so keep on drilling
And a plastic swallowed ocean
In the midst a mass extinction
Just ignore it, that ain’t a crime
Don’t ya know they say this is peace time
No don’t worry, we’re in our prime
Don’t ya know they say this is peace time
ABOUT AVALON TASSONYI
Born and raised in Toronto’s west end, Avalon Tassonyi (they/them) grew up tinkering on the family piano, learned to play guitar and soon began writing songs from a young age. At 17, they moved to Montréal to pursue music, playing in a number of bands over the better part of a decade. During this time, they explored different styles from jazz to indie rock to country, ran DIY shows and released music independently at a high volume. Their longstanding former moniker, Inland Island, is most noted for the album Zsa Zsa’s Window Opens Slowly (2016, Egg Paper Factory), which was an exploration of trans femininity, radical softness and Hungarian cultural diaspora.
Avalon has come full circle, now living in Niagara-on-the-Lake on the peach farm where their maternal family has been rooted since immigrating to Canada. With that, they’ve come to embrace the acoustic, folk and country sounds that they grew up on, re-emerging to share music under their own name for the very first time. Avalon Tassonyi’s songs are grounded in lyrical prowess, self-assuredness, an embrace of simplicity, and a love for all human emotion, from its silliest to most sombre elements.
Folk stylings of the likes of Nick Drake run clean through the album’s track-list. Other apparent influences include Springsteen’s Nebraska, early Wilco, Lucinda Williams, My Morning Jacket, John Prine and Joni Mitchell. From protest songs, to piano ballads, to alt-country barn burners, Avalon appears poised throughout, playing nearly every instrument on the record and coming off as believable while holding the tune in a wide vocal range.
Pre-order Avalon Tassonyi here (out March 25 via Vain Mina Records)
Listen to Peace Time here
Watch Peace Time here
Listen to Outside here
Watch Outside video here
DOWNLOAD – hi-res press photo | DOWNLOAD – album cover artwork
linktr.ee/avalontassonyi
instagram.com/avalontassonyi
twitter.com/avalontassonyi
facebook.com/avalontassonyi
FROM UPCOMING NEW ALBUM SHOCKWAVE
SET FOR RELEASE LATER THIS YEAR ON MNRK MUSIC GROUP
“Pretty Little Broken Thing is a punk rock love story about two people living on the edge, teetering towards a very dangerous life, who for better or worse, realize their only hope is to rely on one another in order to survive their tango through a world of sin and depravity,” says Jonny Fox (vocals/guitar)
Produced by Neil Sanderson, from Three Days Grace, and mixed by two-time GRAMMY Award-winner, Howard Benson (My Chemical Romance, Papa Roach, Daughtry), Pretty Little Broken Thing blends immediately accessible choruses with magnetic layers of depth revealed in repeated listens.
"Working with Neil Sanderson was a revolutionary and rewarding experience,” adds Fox. “He is undoubtedly one of the most talented and successful artists we know, and as a producer he brought a fresh perspective to our body of work. Neil really put a lot of time and love into this record with us and was so encouraging throughout the entire process. We had a blast making this record together. Having Howard and Joe mix our record was such an honour as well. They were pivotal at bringing our recorded performances to life. An album can only be as good as the people that you work with, and we are grateful to have put together the best team possible.”
Fox and Renee Couture (drums/vocals) spent the better part of 2020-21 sequestered while writing, recording and redefining their sound for the upcoming album release, Shockwave, due out later this year. “We’ve completely opened and exposed who we are in a way that we’ve never done before,” Fox reflects.
The Standstills’ guitar-driven outlaw rock n’ roll first emerged on a pair of indie releases, the 2015 EP, Devil’s Porch, and 2019 LP, Badlands. The duo’s hard rock stomp owes as much to the sonic landscapes of Ennio Morricone and the squinty-eyed attitude of Clint Eastwood as the thick grooves of Queens Of The Stone Age or noisy grunge.
Stay tuned for more coming from The Standstills this year!
DOWNLOAD – single artwork | DOWNLOAD – hi-res press photo
www.thestandstills.com
The Standstills on TikTok
LISTEN HERE
"The first four songs on Zero And Below are up-tempo, heavy, and full of ultra-thick riffs. Then track five, “Denial Of The Truth”, is almost like an intermission. And it seems to be a song of hope, emitting positive vibes." - Brave Words
“...as dark and heavy as a midnight avalanche.” – Decibel Magazine
“It's slow (but not too slow) and dark and heavy as the swamps are deep. Their music makes you feel like you're trudging in the marshlands around Lake Martin in the middle of the night while being slowly pursued by some deviously hungry gators.” – Metal Injection
“Heavy times demand heavy music. CROWBAR continues to be among the heaviest ever.”
– Blabbermouth
“...heavy enough for the metalheads, raw enough for the punks,
and catchy enough for straight-up rock fans." – BrooklynVegan
“Windstein and co. have delivered another platter of tar-thick despondency and desolation that only upholds and strengthens their already mighty stature.” – Distorted Sound
"Worship the riff lord….31 years after their debut - CROWBAR still sounds like a ten ton hammer.”
– KNAC.com
“...a driving slice of combative up-tempo sludge metal wrapped up in that deep blues heritage…”
– The Sleeping Shaman
TORONTO, ON – March 4, 2022 – Today marks the official unveiling of Zero And Below, the quaking new full-length from New Orleans, Louisiana sludge metal trailblazers, CROWBAR, out now on MNRK Heavy. Zero And Below is available on CD, LP, cassette, and digitally. Preview and purchase the record here. View the band’s previously-released video for Chemical Godz here and Bleeding From Every Hole here.
Produced, mixed, and mastered by Duane Simoneaux at OCD Recording And Production in Metairie, Louisiana, Zero And Below is reverently old-school, counterbalanced by a resonant melodicism that’s stunningly mature. The record, which cements the band’s dense catalog exactly one dozen studio albums deep, is the most unforgivably doom-driven CROWBAR record since their 1998 landmark effort, Odd Fellows Rest.
The moment you hear it, you know it’s CROWBAR. Led by riff lord/vocalist Kirk Windstein, with guitarist Matt Brunson, bassist Shane Wesley, and drummer Tommy Buckley, songs like Chemical Godz, It’s Always Worth The Gain, and Bleeding From Every Hole, are unapologetic emotional outpourings, with a bare-knuckle resolve alongside its soul-searching vulnerability, reliably delivered with crushing heaviness.
A genuine band’s band, with a wide-ranging influence across multiple genres, CROWBAR “helped draw up the sludge metal blueprints” (Kerrang!).
Writes Blabbermouth of Zero And Below in part, “'The Fear That Binds You’ is just the oppressive, riff-driven tonic that CROWBAR fans have come to expect. Huge of riff and insistent of groove, it's as brutish and unforgiving as anything in the band's repertoire, and Windstein sounds newly engaged, clearheaded,and seriously pissed off. ‘Her Evil Is Sacred’ turns up the doom and the tempo, and it's CROWBAR in their absolute element: riffs that just won't quit, and an incensed, near-feral vocal from the man himself. ‘Confess To Nothing’ and ‘Chemical Godz’ both deliver the classic Windsteinian goods: the former is a slithering, swamp-dwelling thing, propelled forward on waves of unease; the latter is a turbulent, soul-sapping monolith to its creators' original blueprint, with Sabbath-ian rumble and woozy, tripped out terror equally integral to its impact.”
Decibel Magazine hails a record that’s, “...as dark and heavy as a midnight avalanche,” further noting, “The band balances their signature grimy groove with scrumsof hardcore punk while nodding to Carnivore’s Retaliation. It’s intentionally old school through and through down to the influences that helped chisel Obedience Through Suffering out of pure granite.” Adds Metal Injection, “It's slow (but not too slow) and dark and heavy as the swamps are deep. Their music makes you feel like you're trudging in the marshlands around Lake Martin in the middle of the night while being slowly pursued by some deviously hungry gators…besides the songcraft and the heaviness, the one thing that CROWBAR has just so much of is soul. Windstein's voice is so real, approachable and downright soulful. You feel what he's feeling…”
Zero And Below is available on CD, LP, cassette, and digitally. Preview and purchase the record here.
View the band’s previously-released video for Chemical Godz here and Bleeding From Every Hole here.
In conjunction with the release of Zero And Below, CROWBAR will join Sepultura and Sacred Reich for the North America Cuadra Tour 2022. Initially scheduled as a 2020 run, the journey kicks off TONIGHT, March 4th, in Sacramento, California and runs through April 9th in Berkeley, California. Additional support will be provided by Art Of Shock. All tickets previously purchased for the 2020 dates will be honored. In May, the band will join Gwar for another run of US dates set to commence May 23rd in Colorado Springs, Colorado and run through June 17th in Reading, Pennsylvania. Additional support will be provided by The Native Howl, and Nekrogoblikon. See all confirmed dates below.
CROWBAR w/ Sepultura, Sacred Reich, Art Of Shock:
3/04/2022 Ace Of Spades - Sacramento, CA
3/05/2022 The Depot - Salt Lake City, UT
3/06/2022 Oriental Theater - Denver, CO
3/08/2022 Wildwood - Iowa City, IA
3/09/2022 Varsity Theater - Minneapolis, MN
3/10/2022 Rave II - Milwaukee, WI
3/11/2022 Harpo's - Detroit, MI
3/12/2022 The Forge - Joliet, IL
3/13/2022 Thunderbird Music Hall - Pittsburgh, PA
3/15/2022 Irving Plaza - New York, NY
3/16/2022 Lost Horizon - Syracuse, NY * CROWBAR only
3/17/2022 Rec Room - Buffalo, NY * CROWBAR only
3/18/2022 Big Night Live - Boston, MA
3/19/2022 Theatre Of Living Arts - Philadelphia, PA
3/20/2022 Soundstage - Baltimore, MD
3/21/2022 House Of Blues - Cleveland, OH
3/23/2022 Blind Tiger - Greensboro, NC
3/24/2022 Masquerade - Atlanta, GA
3/25/2022 Culture Room – Ft. Lauderdale, FL
3/26/2022 The Orpheum - Tampa, FL
3/28/2022 Southport Music Hall - New Orleans, LA
3/29/2022 Come And Take It Live - Austin, TX
3/31/2022 Diamond Ballroom - Oklahoma City, OK
4/01/2022 Warehouse Live - Houston, TX
4/02/2022 GMBG - Dallas, TX
4/03/2022 Rockhouse - El Paso, TX
4/05/2022 The Nile Theater - Phoenix, AZ
4/06/2022 House Of Blues - San Diego, CA
4/08/2022 Belasco Theater - Los Angeles, CA
4/09/2022 UC Theatre - Berkeley, CA
w/ Gwar, The Native Howl, Nekrogoblikon:
5/23/2022 The Black Sheep - Colorado Springs, CO
5/24/2022 Mesa Theater - Grand Junction, CO
5/26/2022 Ace Of Spades - Sacramento, CA
5/27/2022 Senator Theatre - Chico, CA
5/28/2022 House of Blues - San Diego, CA
5/29/2022 The Marquee - Tempe, AZ|
5/31/2022 Vibes Event Center - San Antonio, TX
6/2/2022 Club LA - Destin, FL
6/03/2022 The Signal - Chattanooga, TN
6/04/2022 Music Farm - Charleston, SC
6/05/2022 The Underground - Charlotte, NC
6/07/2022 The Forge - Joliet, IL
6/08/2022 EPIC Event Center - Green Bay, WI
6/10/2022 9:30 Club - Washington, DC
6/11/2022 Starland Ballroom - Sayreville, NJ
6/12/2022 Empire Live - Albany, NY
6/14/2022 Wally’s - Hampton Beach, NH
6/15/2022 Higher Ground - Burlington, VT
6/16/2022 The Strand - Providence, RI
6/17/2022 Reverb - Reading, PA
Kirk Windstein – vocals/guitar
Matt Brunson – guitar
Shane Wesley – bass
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market. MNRK is committed to discovering and guiding leading music creators and talent, and is home to numerous top tier artists, the iconic Death Row Records and the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum selling hits. To learn more visit mnrk.com.
NEW ALBUM TRUE NORTH SLATED FOR RELEASE APRIL 29
SPRING TOUR DATES ANNOUNCED
TORONTO, ON - March 4, 2022 – Self-reflection can be uncomfortable, but the insight and clarity that comes from it can spark tremendous creativity. Though singer-songwriter, Caroline Spence, typically spends much of her time on the road – a lifestyle that doesn’t allow for much self-reflection – the lockdown provided her with an unexpected gift of time that ultimately enabled her to create the 12 new songs that make up her forthcoming album, True North, scheduled for release on April 29. The album is now available for pre-order here.
Today, she releases Clean Getaway, the first single from the album. Listen to it here.
Spence observes, “This song is meant to be a cathartic, windows-down, feel-good and feel-bad anthem to sing at the top of your lungs as a way to honor yourself while owning your flaws --- it's for those folks that are still working through their baggage and might need a little help celebrating who they are in the meantime.”
She continues, “This song absolutely came out of the lockdown in 2020, a time when none of us had the luxury of being able to hide from ourselves. I think I thought that time off the road would make me a different person in a certain way, but things didn’t get easier with more time, they just got pulled more into focus because you are all that is left when everything else falls away.”
The accompanying video, released today, captures the feelings of jubilation and freedom that come from hard-won wisdom and self-acceptance. View the video for Clean Getaway here.
She explains, “In the video, we wanted to show the light-hearted part of my experience with my Saturn Return — entering a new phase of adulthood where you can actually make space for your inner child instead of running from them. We used home movies of me as a kid to show this.” Reconnecting with videos of her childhood proved to be a revelatory experience. “I got to see that my interests and personality really haven’t changed much at all. I think I thought I’d be different by the time I hit 30 and the Saturn Return ended, but it left me exactly where I started, with just with more acceptance of who I am deep down.”
The follow-up to 2019’s critically acclaimed Mint Condition—hailed by Rolling Stone as a “gorgeous reflection on finding peace amid upheaval”—True North took shape from a deeply collaborative process between Spence and producer Jordan Lehning (Rodney Crowell, Andrew Combs). The album features 12 brand new songs written or co-written by Spence that explore the full spectrum of the human experience: love, growth, grief, and the endless complexities of human nature.
Spence has announced a run of tour dates for this spring. A full list of confirmed dates is below, and more shows will be announced in the coming weeks.
True North Track Listing:
1. Mary Oliver
2. The Gift
3. Clean Getaway
4. Blue Sky Rain
5. Scale These Walls
6. Walk the Walk
7. I Know You Know Me
8. Icarus
9. True North
10. The Next Good Time
11. I Forget the Rest
12. There’s Always Room
Spring Tour Dates:
3/18/2022 - Tyler, TX, Stanley’s
3/19/2022 - Fort Smith, AR, Majestic
3/20/2022 - Tulsa, OK, Mercury Lounge
3/21/2022 - Columbia, MO, Rose Music Hall
3/22/2022 - Bloomington, IL, Stable Music Hall & Lounge
3/23/2022 - Cincinnati, OH, Ludlow’s / Ludlow Garage
3/24/2022 - Nashville, TN, Mercy Lounge
4/26/2022 - Philadelphia, PA, MilkBoy
4/27/2022 - New York City, NY, Rockwood Music Hall
4/28/2022 - Washington, DC, The Loft @ City Winery
4/29/2022 - Charlottesville, VA, The Southern
4/30/2022 - Charlotte, NC, The Evening Muse
5/6/2022 - St. Louis, MO, Off Broadway
5/7/2022 - Berwyn, IL, Fitzgerald’s
5/8/2022 - St. Paul, MN, Turf Club
5/11/2022 - Nashville, TN, Basement East
5/12/2022 - Decatur, AL, Singer Songwriter Series @ Princess Theatre
5/18/2022 - Tulsa, OK, Mercury Lounge
5/19/2022 - Fort Worth, TX, The Post at River East
5/20/2022 - Austin, TX, Saxon Pub
5/21/2022 - Eden, TX, Green Apple Arts Center
5/22/2022 - The Woodlands, TX, Dosey Doe
5/24/2022 - Fayetteville, AR, Fayetteville Roots HQ
5/27/2022 - Decatur, GA, Eddie’s Attic
PRODUCED BY DAN AUERBACH OUT TODAY VIA EASY EYE SOUND
PERFORMING AT SXSW 2022 NORTH AMERICAN TOUR SUPPORTING THE BLACK KEYS
Today, Ceramic Animal have released their new album Sweet Unknown, via Easy Eye Sound. The album was produced by Dan Auerbach. “It is a glorious meeting of homegrown, down-to-earth garage rock and unbridled, sexy confidence,” says No Depression. “Though the boys of Ceramic Animal have been cutting their teeth on sold-out shows at small venues, with Sweet Unknown, the realm of possibility grows to include arenas, bigger rooms for an even bigger following.” FLOOD says, “The twanging heartland rock of Ceramic Animal invokes a long history of the genre from contemporaries like The War On Drugs and Kurt Vile to the wave of artists that inspired that sound half a century ago. Sweet Unknown, falls directly in line with this tradition, pitting its crushed-dreams up against its warmly comforting instrumentation.”
Prior to today’s album release, Ceramic Animal have debuted four songs off the full length and four remarkable and varied companion videos. The album’s title track, “Sweet Unknown” directed by Ford Fairchild; “Tangled” directed by Andy M. Hawkes; the hilarious 80’s throwback “Valerie” directed by Perry Shall and Bob Sweeney and the contemplative love note to their up town, “Up in Smoke” also directed by Sweeney.
Ceramic Animal will make their SXSW debut playing multiple parties across the week including spots at Floodfest, Jam In The Van’s party and more to be announced soon. The band is currently on a headlining tour and will stop in Philly on Sunday for their sold-out show at Johnny Brenda’s, and recently announced a major North American summer tour supporting The Black Keys. The dates will kick off in Las Vegas on July 9th, and Ceramic Animal will continue on through July 30th. Sweet Unknown will be the first release for new label home Easy Eye Sound. Sweet Unknown was produced by Dan Auerbach.
Ceramic Animal hails from historic Doylestown, Pennsylvania, about an hour north of Philadelphia. The band features a trio of brothers—Chris Regan (vocals, guitar), Erik Regan (drums) and Elliott Regan (vocals, keys)—along with childhood friend Anthony Marchione (guitar) and Dallas Hosey (vocals, bass).
Before reaching the ears of Easy Eye Sound owner, producer and The Black Keys front man, Dan Auerbach, the band had found critical and commercial success on their own terms. Ceramic Animal funded, produced and self-released three albums and attracted a large and far-flung fan base. They never made a conscious decision to keep things ruggedly DIY; instead, they just felt their way in the dark and did what five boys from Doylestown, PA would do - work hard.
Lively and imaginative, Ceramic Animal’s music highlights a very real and relatable strain of emotional alienation coursing through the lyrics, where people leave you with holes in your life, where flickering memories of brighter times offer the only comfort. The three Regan brothers lost their father - their greatest influence and biggest fan - just before the making of this album. It makes for a more reflective record, but not one devoid of hope or warmth.
Ceramic Animal will be on tour throughout 2022. A full list of tour dates are below.
SXSW SCHEDULE:
March 16 - FLOODfest - Mohawk (Indoor)
March 19 - Jam In The Van - Armadillo Den
TOUR DATES:
Mar 6: Philadelphia, PA - Johnny Brenda’s - SOLD OUT
Mar 12: Savannah, GA - Savannah Stopover
Mar 20: Dallas, TX - New New Festival
Supporting The Black Keys
July 9: Las Vegas, NV – MGM Grand Garden Arena
July 11: Salt Lake City, UT – USANA Amphitheater
July 13: Denver, CO – Red Rocks Amphitheater
July 15: St. Louis, MO – Hollywood Casino Amphitheater St. Louis
July 16: Indianapolis, IN – Ruoff Music Center
July 17: Chicago, IL – Hollywood Casino Amphitheater Tinley Park
July 20: Saratoga Springs, NY – Saratoga Performing Arts Center
July 22: Jones Beach, NY – Northwell Health at Jones Beach Theater
July 23: Holmdel, NJ – PNC Bank Arts Center
July 25: Columbia, MD – Merriweather Post Pavilion
July 27: Charlotte, NC – PNC Music Pavilion
July 29: Boston, MA – Xfinity Center
July 30: Philadelphia, PA – Waterfront Music Pavilion (formerly BB&T Pavilion)
WATCH VISUALIZER FOR FAT FREE HERE
NEW ALBUM TO BE RELEASED SUMMER 2022
hill met Cure For Paranoia while living in Texas, and after seeing them perform a standout set at SXSW one year, she felt compelled to collaborate. The concept for Fat Free came to mind when hill was watching an episode of Sharp Objects, based around Munchausen by proxy, where a mother figure is seeking attention/validation via the sickness/care of her daughters (and is poisoning them to keep things this way).
"It got me to thinking about a relationship I’ve had (maybe more than one) where there were petty or avoidable problems, but because of my life-long mild anxiety disorder combined with emo being 'cool'/the stereotype of the suffering artist, among other 'reasons', I not only tolerated those problems, but I felt empty without them," hill says. "I’ve also been on the flip side of this coin. It’s easy to forget that adrenaline and noradrenaline are drugs that can be addictive, and perpetuating negative scenarios in your life can be a crutch to help you feel like a more interesting person. Relieved to have left these toxic relationships in the past."
Fat Free was written and produced by iamhill and Mike Schlosser (John Orpheus, Arlo Maverick, Kendal Thompson, Curtis Santiago), mixed by Brad Smith aka Mr Smith, and mastered by Reuben Ghose at Mojito Mastering. hill was at the helm for producing the video, which was filmed and edited by Travis Nesbitt (@travisnesbitt) and animated by Jacob Reamer (@jreams).
Last week, hill dropped an acoustic version of her previous single, Side D, in NFT format. This radically-different version was arranged by hill of iamhill and mixed by Mike Schlosser, and the artwork created by Caitlin Boyle. This is not the first NFT hill has worked on, but it is the first NFT of her own music, under her own name.
While the technology that allows artists to “mint” (in other words, create a new block on the chain with your file’s information/data) their work is still emerging, hill has grown passionate about the NFT community and it’s intrinsic potential.
“Aside from the fact that NFTs allow artists to redefine their personal creative worth - which has the power to be an invaluable paradigm shift for our culture - I think the humans behind the technology who are holding the vision of Web3 are worth investing in."
‘Decentralization’ may be a trendy word in 2022, but hill of iamhill feels the trend is important and has staying power. “I’m confident that I’m not just speaking for myself when I say I’m exhausted by the web2 paradigm. I’m tired of everything being about numbers, big data, advertisement, shameless self-promotion. This exhaustion is the core theme of the Sellout album. So even if we’re still in the early days, I believe the movement needs to happen one way or another."
Side D, is a dark, energizing jam written about a woman’s right to explore her own sexual freedom and options. While the title is literal, it's not meant to be taken seriously, or for the faint of heart. Side D intends to make listeners move, punch things, jump around, laugh, or at the very least, raise an eyebrow. The song will be featured on her forthcoming full-length project (out Summer 2022 via Text Me Records). Listen to Side D here and watch the visualizer here, created by Taylor Oakes: (aka "Tiny Taylor").
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. Upon releasing her debut album as ‘iamhill’ in 2018, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. hill released her 2019 EP, Gimme My Life Back, on Antifragile Records out of NYC. In 2021, she released an album that was deconstructed and distributed as a sound pack by Black Octopus Sounds, who launched their adjacent record label Black Octopus Music in order to release the source album, Nobody Wants to Be My Friend.
Her forthcoming album will be centred around the way our lives have become increasingly non-human. We were not built - nor have we evolved - to manage this shift around human life intermixed with western values.
Stay tuned for more hill as we get into 2022 and learn about her layered career to date below.
Photo by Travis Nesbitt | @travisnesbitt
DOWNLOAD - Hi Res Artwork | DOWNLOAD - Hi Res Press Photo DOWNLOAD - Side D Acoustic Artwork
About hill of iamhill
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. She grew up in the Canadian North, where winter reigns for 8 months a year. Before cultivating her specific taste for alternative pop music, her urge to create alternate universes was already thriving. She was regularly scolded growing up for daydreaming incessantly, but may never have fully landed in “reality”. Music was always her way of escaping into the current moment while simultaneously holding life at arm’s length. hill began playing piano by ear as a kid, and had picked up guitar and drums to accompany her obsession with singing by the time she was 14. Songwriting followed not long after, which began as an exercise in catharsis for hill and remains that way whenever she gets an opportunity to work on her passion project.
What appears to be the result of spending most of your life longing for a different one is the universe hill has been building since the genesis of iamhill in 2018. Upon releasing her debut album as ‘iamhill’, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and traveling around the globe to write songs with new producers and artists. During this time, she drew inspiration from artists like Frank Ocean, James Blake, Kanye West, and queen of sad-core Lana Del Rey. Informed directly by her eagerness to embrace darkness and her constant yearning for the future, the environment hill has developed over time is increasingly futuristic and industrial.
This seminal album, Give it a Rest, went on to be nominated for a Juno in 2019 (Electronic Album of the Year), while hill finally accomplished her lifelong dream of moving to California to live under the sun and find her full artistic expression among so many fellow creatives. That year, hill released her sophomore EP, Gimme My Life Back, on Antifragile Records out of NYC. The visuals that accompanied the EP were shot in Thailand, with the city filth of Bangkok front and centre.
Since the beginning of the pandemic, hill of iamhill has leaned into her fascination with technology. As the clubs she used to perform in closed their doors, she began diving into frontend web development and landed a job as a contracted engineer with a startup out of California called Pex. Pex is a digital rights technology company that enables fair and transparent use of copyrighted content at the scale and speed of the internet. Their mission is to empower creators, platforms, and rights holders alike, which is perfectly aligned with hill’s vision for the future of the global creator’s landscape. Spending five years in a Publishing deal with Ultra Music, a Sony subsidiary, left hill with a new appreciation for creative autonomy and IP ownership. More to that end, in the fall of 2021, hill co-produced and co-released her first audio-visual NFT with a team of creatives out of Los Angeles and the Bay Area, and has already onboarded to platforms such as Catalog, which prioritize the minting of music NFTs.
Over the past year, hill also found the time to release an album she co-produced and wrote with her now-counterpart in the iamhill project, Mike Schlosser. What made this album unique is that it was also deconstructed and distributed as a sample pack by Black Octopus Sounds, who launched their adjacent record label, Black Octopus Music, in order to release the source album, Nobody Wants to Be My Friend.
hill is currently working with an independent label, Text Me Records, out of San Francisco to release her forthcoming album (also co-created by Mike Schlosser). The project will see iamhill diving deeper into how "our lives are increasingly non-human." Says hill: "We were not built - nor have we evolved - to manage this shift."
WATCH THE VIDEO FOR THE TITLE TRACK HERE
“…one of the shining jewels in the crown of Canadian songwriters…” – Tom Power, CBC
TORONTO, ON – March 4, 2022 – Today, award-winning singer-songwriter, Jadea Kelly, celebrates the long-awaited release of her fourth studio album, Roses (out via Darth Jadea Music / Tonetree). Listen here.
“The Roses album release feels like a wedding and a birth all in one,” exclaims Jadea. “Celebratory and four years in the making. I'm so incredibly proud of these songs. It was an absolute joy to create this album and the act of creating it provided me with an unwavering sense of artistic purpose.”
To mark the release, Jadea also shares a beautiful music video for the record’s title track – filmed by francophone videogrpaher, Gaelle Legrand, on Jadea’s parents’ property in Ontraio, Canada. Watch here.
“We wanted to film a collection of vignette memories of a past love, mixed with images that represented a triumphant return to joy, power, independence and abundance,” adds Jadea. “I bought five bouquets of roses, drenched most of them in gasoline and we burnt them in slow motion.”
Produced by a collection of artists, including Aaron Goldstein (Matt Mays / Daniel Romano), Joel Schwartz (Dionne Taylor), Rich Jacques (Lisa Loeb) and Joe Moralez (Skyler Day), the record reflects Jadea’s journey to a more conscious and balanced state. Featuring 13 new original tracks – which were composed between Ontario, Nashville and L.A. over the past four years – Roses perfectly showcases Jadea’s heartstring-tugging songwriting, all highlighted by Jadea’s stunning vocals.
DOWNLOAD – Roses cover artwork | DOWNLOAD – hi-res press photo
ABOUT JADEA KELLY
Described by CBC as “one of the shining jewels in the crown of Canadian songwriters” (Tom Power, CBC) Jadea Kelly spends her time writing and living between rural Ontario, Canada and Los Angeles, CA.
She has co-written and toured (as opener and backing vocalist) with the likes of Justin Rutledge, Whitehorse, Judy Collins, Catherine MacLellan, Royal Wood, Kelly Prescott, Sweet Alibi, Peter Katz, Digging Roots, Leela Gilday and Joey Landreth. She has also performed and showcased her music across Canada, The United States and Europe, performing at the likes of Americana Fest (Nashville TN), Winnipeg Folk Festival, Calgary Folk Festival, Edmonton’s Interstellar Rodeo, Metal Toronto and Peterborough Folk Festival. Despite her Americana influence, she is also the featured vocalist with JUNO award-winning metal group, Protest the Hero (Kezia, Scurrilous and Volition).
In 2016 Jadea was awarded Contemporary Singer of the Year at the Canadian Folk Music Awards for her 2016 release, Love & Lust. Its featured single, Beauty, was placed on the Lifetime Network feature, No One Would Tell, and the 2017 CBC Rio Paralympics in a viral opening montage portraying the life and struggle of Terry Fox. Her most recent EP, MWI (2019), received Best Score & Music accolades from the Hollywood Independent Documentary Awards. MWI is the official soundtrack for Met While Incarcerated the Film, which aired on the Documentary Channel and CBC in March 2019.
Jadea spearheaded the 2018 collective, Canada Covers Tom Petty, featuring an impressive collection of tributes from Matt Mays, Terra Lightfoot, Dwayne Gretsky, Molly Brown and the Redhill Valleys. She also hosts a semi-annual Canadian songwriter showcase in Los Angeles through the celebrated Hotel Café, Monday Monday, concert series.
www.darthjadea.com
facebook.com/darthjadea
twitter.com/jadeakelly
instagram.com/jadeakelly
youtube.com/channel
AN OPEN CALL FOR ARTISTS TO REDRAW HISTORY THROUGH CONTRIBUTING IMAGES INSPIRED
BY THE HASHTAG #SHELTEROURSKYNFT
LEARN MORE ABOUT CAMPAIGN HERE
SUPPORT AND STAY UPDATED WITH BALAKLAVA BLUES HERE
PERFORMING AT FREE THEATRE'S DOGS OF EUROPE AT THE BARBICAN IN LONDON MARCH 10-12
"When I go up the hill
to look at the stars
they shine but
my mother scolds me
she doesn't let me out
doesn't let me out
she doesn't let me
let me out"
- Balaklava Blues - Shelter Our Sky
TORONTO, ON – March 3, 2022 – Toronto-based Ukrainian Canadian duo, Balaklava Blues, have released a timely new single called Shelter Our Sky. It arrives in tandem with their announcement of a collaborative NFT project that seeks to raise funds in support of COME BACK ALIVE, a Ukrainian NGO that helps Ukrainian military, volunteers, and their families on the basis of crowdfunding, inviting artists to contribute works inspired by the song, and its powerfully moving video. Listen to, and watch, Shelter Our Sky here and learn more about the campaign here, with further details below.
“It has become our daily prayer,” says Mark Marczyk. “We sing it every day during rehearsals for a show about the EXACT situation that is now unfolding… with a cast of refugees who can no longer return to their country because it would mean attacking ours… while we anxiously text our families to see if they have made it to the border yet.”
Shelter Our Sky is more than just prayer. The video includes a clear political message at its unexpected climax and includes information and links to resources for supporting Ukraine in concrete ways.
Balaklava Blues are adding a collaborative approach to the NFT world to not only raise money that can be directly transferred to Ukrainian crypto-wallets immediately and safely, but to create a kind of social capital that allows people to share their support on their social media platforms.
More on the process:
Step 1: draw/design yourself or someone you love in the SHELTER OUR SKY
Step 2: upload or send the photo to shelterourskynft@gmail.com
Step 3: wait for the team to send you a link to your opensea NFT auction
Step 4: promote to your friends and family on your socials and use the hashtag #shelterourskynft
If you don’t have a crypto wallet, visit Balaklava Blues' website for instructions on how to do this. All proceeds - 100% - will be directly deposited into the crypto wallet of COME BACK ALIVE.
Balaklava Blues' intention is to create a virtual flashmob with concrete goals and results: to stop Putin’s invasion of Ukraine, to shelter the sky that unites us all as human beings on the planet earth, and to redraw history together.
It’s no surprise to those that know them; Mark and Marichka Marczyk have been engaged in protesting Russian aggression with their music for the better part of a decade. Shelter Our Sky was originally written for Dogs of Europe, a play written and directed by the infamous Belarus Free Theatre to premiere in London at the Barbican Centre March 10, where Balaklava Blues will be performing the score live. It was also the title track of Courage, a documentary film about the Belarusian Revolution that won best feature documentary at the Berlinale and was Belarus’ submission to the Oscars.
Self-described as “Ukrainian folk-noir,” Balaklava Blues is the musical child of real-life couple Mark and Marichka Marczyk, who cinematically met and fell in love on the barricades of the 2014 Revolution of Dignity in Kyiv. Their collective artistic career has since been based on expressing and exploring front line trauma and bringing attention to Ukraine politically and culturally via various projects including Lemon Bucket Orkestra, Counting Sheep, BLOK: Slavic Music Meet, the Folk Songs of Ukraine project, and their wedding, an open invitation 5,000-person world music potluck at Dufferin Grove Park in Toronto, attended by the likes of Reuters.
Audiences are encouraged to learn more about how they can support, stay engaged and tune into further updates with Balaklava Blues online and across social media - see below for details.
#ShelterOurSkyNFT - Details
DOWNLOAD - Balaklava Blues Press Photos by Zahra Saleki (@zahrasaleki)
About Mark & Marichka Marczyk - Balaklava Blues
Balaklava Blues is the brainchild of Mark and Marichka Marczyk, creators of the multi-award winning guerrilla-folk-opera Counting Sheep and leaders of the mighty Lemon Bucket Orkestra – Canada’s notorious 12 piece balkan-party-punk-massive. Falling somewhere between a traditional song cycle and a full blown multimedia techno show, the duo fuses Ukrainian polyphony and other folk traditions with EDM, trap, dub step, and more as a launching pad to explore the seemingly never-ending blues that have long emanated from the Ukrainian steppe.
The two met there during the 2014 revolution of dignity and ever since, have dedicated their creative energy to telling the stories of their home country to the world. Their 2015 play Counting Sheep garnered major critical acclaim winning several awards at the 2016 Edinburgh Fringe – including a Fringe First award and Amnesty International’s Freedom of Speech award. It has since had multiple successful runs in The US, UK and Germany and is currently in the middle of a 2 month run headlining the Vault Festival in London until March 17th.
Mark and Marichka composed all the music for Counting Sheep – a story of love and revolution – and four of the songs are on this debut release. “Balaklava Blues music is a reclamation of the violence perpetrated on my home country,” says Mark Marczyk, who spent years back and forth between Ukraine and Canada before meeting Marichka there. “We want to redesign and remix physical and psychological oppression and question how and why it continues to inform who we are and what we can become.”
FEATURES SPECIAL COLLABORATIONS AND REIMAGINED VERSIONS OF TRACKS FROM 2021 POLARIS MUSIC PRIZE-WINNING ALBUM PARALLEL WORLD
PERFORMING AT SXSW 2022
On this remix, Cadence says, “Loraine James is one of my favourite artists so I was overjoyed when she said she was down to do a remix for me. She's one of the most innovative electronic musicians in the UK. Loraine’s interpretation of 'On Me' brings out the warped paranoia of targeted surveillance in a more trippy way than on the original.”
The original version of the song arrived last summer with a cross-the-pond video including Manga Saint Hilare in the frame. Watch it here.
In addition to speaking truths on topics, such as those highlighted in On Me, Cadence is an active advocate in many communities; both in the arts and in the cities he calls home. He recently announced his debut memoir, Bedroom Rapper, set for release May 31 (McClelland & Stewart). For more writing and observations, check out his Substack newsletter.
Parallel World (Deluxe Edition) features reimagined versions of standout tracks from his 2021 Polaris Music Prize-winning album, Parallel World. Last month, Cadence kicked things off with a remix of SENNA featuring Jacques Greeneand UK artist, Logan. Take a listen and pre-order Parallel World (Deluxe Edition) on all streaming platforms here and via Bandcamp. Watch the visualizer here.
For the expansive project, Cadence handpicked a collection of friends, collaborators, and rising artists from across Canada and London, UK, who respectively forge their own sound to provide the remixes. This eclectic blend of offerings pulls his music into new, curious shapes and continues the conversation that he started with Parallel World. There’s a Chicago acid house-inspired reprise from Martyn Bootyspoon (Montreal), a surreally off-kilter “Renoviction Refix'' from Ciel(Toronto), an optimistically dystopian track from CFCF (Montreal), and left-field funk from Harrison (Toronto). As a nod to his affinity for UK grime and club culture, as well as his desire to showcase Black talent across the diaspora, Pemberton also enlisted the two London up-and-comers, grime MC Logan and experimental club producer, Loraine James.
“I was searching for producers who I feel like are really groundbreaking and pushing barriers. That’s the thing I’m always attracted to musically,” Cadence says of Parallel World (Deluxe Edition). “My initial thought was, ‘How can I help give a bigger platform to these artists who I know personally, but who are some of the most innovative artists in Canada?’”
Cadence just - fittingly - performed his first show of the year in his home province at Alberta for Block Heater Festival in Calgary on February 19. He will be performing at SXSW in Austin, Texas on March 16 at Swan Dive Patio and March 18 at The Drafting Room. Find all details here.
On the road, Cadence has opened for the likes of Public Enemy, De La Soul, Mos Def, Kool Keith, Busdriver, Questlove, and others, but has continued to honour his hometown in both his music and writing; in 2009, he was appointed the Poet Laureate of Edmonton and spent two years forging a new legacy for his city as its representative rapper-poet. While his debut poetry collection, Magnetic Days, was published in 2014, Cadence's debut book, Bedroom Rapper, a personal account of his life in music as an artist, critic, and fan amid a changing digital landscape, arrives later this year (McClelland & Stewart).
Now based in Toronto, Cadence has reported on the gentrification of the city’s Little Jamaica neighbourhood and the migration of Black Canadian communities, but still holds pride for the Canadian Prairies he hails from. At the end of his Polaris Music Prize victory speech, Cadence declared: “The Prairies got something to say.”
Listen to the original version Parallel World here, pre-order Parallel World (Deluxe Edition) here and learn more about Cadence Weapon below and stay tuned for more North American tour dates to be announced soon.
Listen to Parallel World here
Pre-order Parallel World (Deluxe Edition) here
Pre-order Parallel World (Deluxe Edition) on Bandcamp
Read Cadence Weapon’s Newsletter
Follow Cadence Weapon on Twitch
Find Cadence Weapon’s music on Bandcamp
Cadence Weapon is the Edmonton-born, Toronto-based rapper, producer, writer, poet, and activist Rollie Pemberton. Throughout his work, the multidisciplinary artist aims to preserve and resurrect Black cultural memory by forging connections between personal, local, and collective histories. Pemberton received the 2021 Polaris Music Prize for his fifth and latest album, Parallel World, an incisive project that uncovers the splintering realities both created and hidden by modern systems of inequality, atop blistering production that draws from UK grime, trap, and acid house.
Raised by a pioneering New York radio DJ father and piano playing mother, Pemberton started rapping at age 13. He cut his teeth performing live with his uncle’s funk band as a teen, but as one of the only rappers in Edmonton, he found endless outlets for his creativity on the internet, where there were no limits on discovering music. Pemberton thrived online finding samples, remixing songs, and battling rap strangers on message boards. As a university student, Pemberton penned alternative hip-hop reviews while crafting his debut album, 2005’s Breaking Kayfabe, the first of five albums that have been nominated for the Polaris Prize.
A scholar and entertainer with many hats, Pemberton has also done narration work for VICELAND TV shows, hosted lectures for Red Bull Music Academy, conducted live interviews for CBC, and acted in Sean Nicholas Savage’s debut musical, Please Thrill Me. In 2020, he launched his ongoing self-titled newsletter, where he shares personal essays about being an artist, essays of music and cultural criticism, and behind-the-scenes posts into his work and creative process. Pemberton’s debut book, Bedroom Rapper, a personal account of his life in music as an artist, critic, and fan amid a changing digital landscape, arrives later this year (McClelland & Stewart).
About MNRK Music GroupMNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing and management divisions operating in every major music market. MNRK is committed to discovering and guiding leading music creators and talent, and is home to numerous top tier artists, the iconic Death Row Records and the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum selling hits. To learn more visit www.mnrk.com.
NEW MUSIC FROM THE FLAMINGOS PINK, CINZIA & THE ECLIPSE AND BLESS TO BE RELEASED THIS SPRING
TORONTO, ON – March 2, 2022 – LL Artists is proud and excited to announce a new distribution partnership with The Orchard / Sony. With this partnership, music and works from artists, producers and creators signed to LL Artists will be available to music lovers worldwide. It will also create unique opportunities to develop and promote diverse Canadian talent domestically and internationally.
LL Artists was founded in the summer of 2020 by music industry veteran, Lenny Levine. Blending his years of executive experience in various key areas of the industry (as former president of Last Gang Records and EVP at The Donald K Donald Group), Levine provides his artists with insight and infrastructure that generate greater opportunity to monetize their music in both the conventional and new, non-traditional marketing strategies, platforms and technologies. With LL Artists, Levine has created a modern, hybrid artist management company and record label for today’s dynamic and expanding music landscape.
“I am very excited and incredibly grateful to The Orchard and my artists for this unique opportunity and partnership,” says Levine. “My objective is to help and enable artists to reach their fullest potential and to be able to do so internationally. Our partnership with The Orchard is perfect because it allows LL Artists to tap into an incredibly vast distribution network and a deep analytical dashboard that will greatly benefit our roster. This wouldn’t have been possible without Lisa Logentenkow – my sincerest thanks to her, Karine Lafleur and Brooke Morgan at The Orchard for their amazing support of LL Artists.”
First to be released on the LL Artists label imprint, distributed by The Orchard, will be Montreal rock ‘n’ roll disruptors, The Flamingos Pink. Free Living is their highly-anticipated first single from their upcoming sophomore album, coming out on March 11. Cinzia & the Eclipse will release her new single in April – a global introduction to the songstress ahead of the release of her full-length album later this year. LL Artists will round out the first half of 2022 with the long-awaited return of Canada’s hip-hop OG and Guru’s protégé, Bless, with new music dropping in May. One to watch for in late 2022 is hip-hop upstart, Hayden Marcus.
“We are really happy about LL Artists joining The Orchard family,” says Lisa Logutenkow, Vice President, The Orchard. “Lenny is an insightful music business vet that combines his experience and knowledge with his great love of artist development. Having been directly involved in the career development of such great acts like SUM 41, Metric and Death From Above, Lenny has a proven track record of success. We are looking forward to a long and abundant partnership with LL Artists, helping them break great, new Canadian artists on a worldwide level.”
LL Artists is actively involved in creating synergies with other music and event-based entertainment companies, based in both Canada and the U.S. More details and announcements coming soon.
About LL Artists:
LL Artists, also known as Lenny Levine Artist Management, is a hybrid music and entertainment company that blends artist management and record label skillsets. By working directly with artists, producers and creators, LL Artists assists artists in the creation and of their music and in the cultivation of their artistic careers. For more information, please contact lenny.levine13@gmail.com
About The Orchard:
The Orchard, now in its 25th year, is a full-service music distribution company operating in more than 45 cities worldwide. The Orchard’s comprehensive artist & label services offering harnesses innovative technology, transparent data analysis, and expertise to reach fans and grow audiences. Offerings include digital and physical sales and marketing, advertising, sync and brand partnerships, rights management, video monetization, collaborator splits and royalty accounting, publishing administration and more. The Orchard empowers creators and entrepreneurs to grow and adapt in the dynamic, global industry. For further information, visit www.theorchard.com
NEW SINGLE AND LYRIC VIDEO LIVE NOW
IMPERA OUT MARCH 11 ON LOMA VISTA RECORDINGS
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DOWNLOAD - hi-res single and album art | DOWNLOAD - hi-res press photo
www.ghost-official.com
RELEASES SHIMMERING NEW SINGLE where u are VIA LOMA VISTA
WATCH ACCOMPANYING VIDEO THAT CAPTURES THE IMMIGRANT EXPERIENCE HERE
"Transcendent” - NPR, Slingshot’s 2022 Artists to Watch
“The kind of music you can imagine beaming out from a festival stage during the twilight time slot"
- GQ AU’s 21Breakout Musicians to Know in 2021
“Blissed out” - The FADER
“Pure bliss” - Alt Press
“Lovely” - DORK
“Sublime” - Cool Hunting
“Standout” - Stereogum
“Exciting, emotional” - Paste
where u are is a glittering, bouncy track, accompanied by a video directed by Samson Melkamu. The beautiful new video captures the immigrant experience, it opens with footage of Miloe, his three brothers and mother being reunited (under the Family Reunification Act) with his father at Minneapolis St. Paul Airport after three years apart due to political conflict in the Congo. The heart-rending video is a stunning reflection on Miloe’s family life in America, and how it has affected his work as a musician.
Miloe is the musical project of Bob Kabeya, a 21-year old artist based in Minneapolis. Growing up in the Democratic Republic of Congo, Bobby was raised by musical parents who met through the church choir during college and taught him to play the piano at the age of six.
When he was eight years old Bobby traveled over 7,000 miles with his mother and three younger brothers to reunite with their father, a journalist who was granted asylum in Minneapolis three years prior. Once in the US, Bobby began to pick-up more instruments through the local art and after-school programs, eventually beginning to jam with friends outside of school in his early teens.
March 3 - San Francisco, CA - August Hall w/ The Walters
March 5 - Los Angeles,CA - The Wiltern w/ The Walters
March 7 - Los Angeles, CA - School Night @ Bardot Hollywood
March 1 - Marquette, MI - Northern Michigan University - University Center Ballroom w/ Vundabar
March 25 - Minneapolis,MN - Cedar Cultural Center
April 3 - Minneapolis, MN - First Avenue w/ Golden Smog
July 9 - Des Moines, IA- 80/35 Music Festival
www.miloemusic.com | Miloe on TikTok
TORONTO, ON – Monday, February 28, 2022 – The Polaris Music Prize, presented by CBC Music, has revealed its plans for 2022.
We are excited to announce the much-anticipated return of the Polaris Music Prize Event Season for 2022.
The 2022 Polaris Event Season will kick-off with the Prize’s 40 album Long List on June 14, followed by the 10 album Short List on July 14. This year’s winning album reveal will once again take place during the Polaris Gala presented by long-time partner, CBC Music, happening September 19 at The Carlu in Toronto, Ontario.
The Polaris Music Prize awards $50,000 to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. Winning the Polaris Prize is validation of an artist’s vision, and tangible proof that they’ve created something important and magical. It also comes with a financial windfall that’s often life-changing. Winning Polaris can mean paying off debts, supporting worthy causes, and quite frequently, providing the financial security to continue pursuing their craft and to do even greater things.
“Lifting up artists is more important than ever and we are proud to support the groundbreaking music the Polaris nominees create,” said Gary Slaight, president and CEO of Slaight Communications.
The Event Season will come to a close with the announcement of two new Slaight Family Polaris Heritage Prize-winning albums on Friday, October 21. The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. The most recent Heritage Prize inductees include Nomeansno’s Wrong and Faith Nolan’s Africville albums. Past winners include the likes of Leonard Cohen, Dream Warriors, Lhasa, Jean-Pierre Ferland, Peaches and k-os.
Polaris continues to explore new and innovative ways of supporting Canada’s arts and culture community. The Polaris award-winning Poster program will be expanding to include additional artist commissions and showcase opportunities as part of the official Event Season lineup. Polaris is also proud to be working with an independent artist to develop its annual creative direction in 2022. Polaris has debuted “The Garden,” its themed look for the season. Designed by Toronto-based artist, Alex McLeod, the look of The Garden will grow and evolve throughout Polaris season and will be integrated in the stage design and environment at the Polaris Gala. McLeod has been a part of creating visuals for Lido Pimienta, Gord Downie and Mutek. Watch a CBC Arts profile on McLeod.
“Polaris is dedicated to ensuring we are supporting Canada’s arts and culture community through every resource we have available. The team is energized and excited to create an Event Season that expands our impact and celebrates our communities’ achievements. We hope you will join us,” said Amber Moyle, Executive Director of Polaris Music Prize.
Albums eligible for 2022 Polaris Music Prize consideration must be released between May 1, 2021 and May 31, 2022. An independent jury of music media from across Canada determines the Long List and Short List. Eleven people from the larger jury pool are then chosen to serve on the Grand Jury. This Grand Jury convenes at the Polaris Gala to select the Polaris Music Prize winner.
The past winners are Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) and Final Fantasy / Owen Pallett (2006).
We’re looking forward to kicking off another incredible year thanks to our staff, jury, board of directors, artists, sponsors, and community stakeholders.
Polaris Music Prize 2022 Event Season
June 14 – Long List Announcement: The Long List is where Polaris reveals the 40 nominated albums that will be considered for a given year’s Prize.
July 14 – Short List Announcement: Selected from the 40 album Long List, the Short List is where Polaris reveals the 10 finalist albums that will be considered for a given year’s Prize.
September 19 – Polaris Gala: Our prestige winner reveal event, the Polaris Gala features live musical performances from the nominated acts on the Polaris Short List. The Polaris Prize winner is determined day-of at the Gala by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.
October 21 – Slaight Family Polaris Heritage Prize: The Heritage Prize is a hall of fame-minded critics prize/public polling campaign meant to celebrate classic Canadian albums created before Polaris began in 2006. Like the Polaris Music Prize, winners and nominees of the Heritage Prize are albums of the highest artistic distinction, without regard to sales or affiliations.
We acknowledge the financial support of FACTOR, the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.†
About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. polarismusicprize.ca
Polaris Fast Facts:
40 Long List nominees
10 Short List nominees
1 Polaris Music Prize winner of the $50,000 prize
9 runner-up winners of $3,000 courtesy of Slaight Music
2 Heritage Prize winners
196 Polaris Posters commissioned by visual artists across the country
200+ annual jury participants
1,000 annual Gala guests
$831,000 in prize money given to musicians
160 Short List nominees have been provided with in-kind media
attention
20 Not-for-Profit and charity partners supported through the Community Development Program
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages. We also deliver content in Spanish, Arabic Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
About CBC Music
CBC Music is the leading curator of emerging and diverse Canadian music talent across platforms, playing the most Canadian artists and genres on radio, CBC Listen and cbcmusic.ca. We prioritize Canadian artists in a wide variety of genres on over 200 playlists available on CBC Listen, and publish daily national music coverage. CBC Music Live features live music recordings from across the country. Our music partnerships and events include The JUNOS, the Polaris Music Prize, Searchlight, the CBC Music Festival, The Canadian Music Class Challenge and Canada Listens. www.cbcmusic.ca
Media Contacts:
Polaris Music Prize media:
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
Polaris Music Prize media (Quebec):
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Media assets (Polaris logos, album covers, bios, photos, streams):
polarismusicprize.ca/media
Pw: m3d1a
* * *
ANNONCE DE LA SAISON 2022 DES ÉVÈNEMENTS DU PRIX DE MUSIQUE POLARIS
TORONTO, ON – lundi 28 février 2022 – Le Prix de musique Polaris, présenté par CBC Music, a révélé ses plans pour 2022.
Le Polaris est ravi d’annoncer le retour très attendu de la saison 2022 des évènements du Prix de musique Polaris.
La saison 2022 des évènements du Polaris débutera le 14 juin avec la longue liste de 40 albums, suivie de la courte liste de 10 albums le 14 juillet. Le dévoilement de l’album gagnant de cette année aura lieu une fois de plus lors du Gala Polaris présenté par son partenaire de longue date CBC Music, le 19 septembre au Carlu à Toronto (Ontario).
Le Prix de musique Polaris remet 50 000 $ à l’artiste ayant créé l’album canadien de l’année, jugé uniquement sur sa valeur artistique et sans considération pour le genre musical ou la popularité commerciale. La remise du Prix Polaris valide la vision d’un.e artiste et constitue une preuve tangible qu’il ou elle a créé quelque chose d’important et de magique. Elle s’accompagne également d’une récompense financière qui change souvent la vie de l’artiste. Remporter le Prix Polaris peut également permettre à l’artiste de rembourser des dettes, de soutenir des causes nobles et, très souvent, offre la sécurité financière nécessaire pour poursuivre la pratique de son art et faire des choses encore plus grandes.
« Il est plus important que jamais d’encourager les artistes, et c’est avec fierté que nous soutenons la musique novatrice mise à l’avant par le Prix Polaris », a déclaré Gary Slaight, président et directeur général de Slaight Communications.
La saison des évènements s’achèvera avec l’annonce, le vendredi 21 octobre, des deux albums lauréats du Prix du patrimoine Polaris de la famille Slaight. Le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Les plus récents lauréats du Prix du patrimoine sont les albums Wrong de Nomeansno et Africville de Faith Nolan. Leonard Cohen, Dream Warriors, Lhasa, Jean-Pierre Ferland, Peaches et k-os figurent parmi les artistes ayant déjà remporté ce prix.
Le Polaris continue d’explorer des moyens novateurs pour soutenir la communauté artistique et culturelle du Canada. Le programme primé d’affiches du Polaris sera élargi pour inclure des commandes supplémentaires à des artistes et des occasions de présentation dans le cadre de la programmation officielle de la saison des évènements. Le Polaris est également fier de travailler avec un artiste indépendant pour développer sa direction artistique annuelle en 2022. La saison aura ainsi lieu sous le thème du « jardin ». Conçu par l’artiste torontois Alex McLeod, le look du « jardin » grandira et évoluera tout au long de la saison du Polaris et sera intégré à la scénographie et à l’environnement du Gala du Polaris. McLeod a participé à la création d’éléments visuels pour Lido Pimienta, Gord Downie et Mutek. Visionnez le profil de McLeod sur CBC Arts.
« Le Polaris s’engage à soutenir la communauté artistique et culturelle du Canada avec toutes les ressources dont il dispose. L’équipe est très enthousiaste à l’idée de créer une saison évènementielle qui élargit son impact et célèbre les réalisations de nos communautés. Nous espérons que vous vous joindrez à nous », a déclaré Amber Moyle, qui assure la direction générale du Prix de musique Polaris.
Les albums admissibles au Prix de musique Polaris 2022 doivent être parus entre le 1er mai 2021 et le 31 mai 2022. Un jury indépendant composé de membres des médias musicaux de tout le Canada détermine la longue et la courte liste. Onze personnes parmi les membres du jury sont ensuite choisies pour faire partie du grand jury. Ce grand jury se réunit lors du Gala du Polaris pour choisir l’album lauréat du Prix de musique Polaris.
Les gagnant.e.s antérieur.e.s sont Cadence Weapon (2021), Backxwash (2020), Haviah Mighty (2019), Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007) et Final Fantasy / Owen Pallett (2006).
Nous avons hâte de donner le coup d’envoi d’une nouvelle année incroyable grâce à notre personnel, notre jury, notre conseil d’administration, nos artistes, nos commanditaires et les membres de la communauté.
Saison 2022 des évènements du Prix de musique Polaris
14 juin – Annonce de la longue liste : la longue liste du Polaris comprend les 40 albums sélectionnés qui seront pris en considération pour le prix d’une année donnée.
14 juillet – Annonce de la courte liste : à partir de la longue liste de 40 albums, le Polaris dévoile les 10 albums finalistes qui seront pris en considération pour le prix d’une année donnée.
19 septembre – Gala Polaris : notre prestigieux évènement de révélation des albums lauréats, le Gala Polaris, propose des performances musicales en direct des artistes figurant sur la courte liste du Polaris. L’album lauréat du Prix de musique Polaris est désigné le jour même du gala par un grand jury de 11 membres sélectionné.e.s parmi l’ensemble du jury du Polaris.
21 octobre – Prix du patrimoine Polaris de la famille Slaight : le Prix du patrimoine est un prix de la critique et une campagne de sondage publique qui vise à célébrer les albums canadiens classiques créés avant la première édition du Polaris en 2006. Comme pour le Prix de musique Polaris, les albums candidats et gagnants du Prix du patrimoine sont des albums de la plus haute distinction artistique, sans égard aux ventes ou aux affiliations.
Nous reconnaissons l’appui financier de FACTOR, du gouvernement du Canada par l’entremise du ministère du Patrimoine canadien (Fonds de la musique du Canada) et des radiodiffuseurs privés du Canada.
À propos du Prix de musique Polaris
Le Prix de musique Polaris est une organisation à but non lucratif qui honore et récompense annuellement les artistes ayant créé des albums de musique canadienne de grande qualité. Un groupe sélectionné de critiques de musique jugent et décernent le Prix sans considération pour le genre musical ou la popularité commerciale. polarismusicprize.ca/fr
Le Polaris en quelques chiffres :
1 longue liste de 40 albums
1 courte liste de 10 albums
1 Prix de musique Polaris de 50 000 $
9 gagnant.e.s du prix secondaire de 3 000 $ offert par Slaight
Music
2 gagnant.e.s du Prix du patrimoine
196 affiches Polaris créées par des artistes visuels partout au pays
Plus de 200 participant.e.s au jury annuel
1 000 invité.e.s au gala annuel
831 000 $ en prix remis aux musicien.ne.s
160 nommé.e.s de la courte liste bénéficient d’une attention médiatique
20 partenaires à but non lucratif et caritatif bénéficient du soutien du programme de développement communautaire
À propos de CBC/Radio-Canada
CBC/Radio-Canada est le diffuseur public national du Canada. Grâce à notre mandat de renseigner, d’éclairer et de divertir, nous jouons un rôle central pour renforcer la culture canadienne. En tant que source d’information de confiance au pays, nous proposons un point de vue typiquement canadien sur les nouvelles, affaires publiques et affaires internationales. Notre programmation de divertissement, distinctive et créée par les talents d’ici, rassemble de larges auditoires partout au pays. Profondément enracinée dans les communautés, CBC/Radio-Canada offre des contenus diversifiés en français, en anglais et en huit langues autochtones. Nous présentons aussi des contenus en espagnol, en arabe, en chinois, en punjabi et en tagalog, en plus des deux langues officielles, par le biais de Radio Canada International (RCI). Nous demeurons à l’avant garde du changement pour répondre aux besoins des Canadien.ne.s à l’ère numérique.
À propos de CBC Music
CBC Music est le plus important curateur de musique canadienne émergente et diversifiée sur toutes ses plateformes et le plus grand diffuseur d’artistes du Canada de tous genres musicaux par le biais de la radio, de CBC Listen et cbcmusic.ca. Nous mettons l’accent sur un vaste éventail d’artistes canadien.ne.s dans plus de 200 listes de lecture offertes par CBC Listen, en plus de couvrir quotidiennement l’actualité musicale. CBC Music Live offre des captations de concerts musicaux réalisés dans toutes les régions du pays. La liste de nos partenaires musicaux et évènementiels comprend les Prix JUNO, le Prix de musique Polaris, Searchlight, le CBC Music Festival, le Canadian Music Class Challenge et Canada Listens. www.cbcmusic.ca
Contacts médias :
Prix Polaris (Québec) :
Magali Ould
(514) 994-6295
magali@polarismusicprize.ca
Prix Polaris (Canada) :
Amanda McCauley
(905) 926-6440
amanda@indoorrecess.com
CBC
Teaghan Hawke
teaghan.hawke@cbc.ca
Matériel promo (Logos du Polaris, pochettes d’albums, biographies, photos, audio) :
polarismusicprize.ca/media
Mot de passe : m3d1a
WATCH VIDEO FOR ALBUM STANDOUT
ELECTION NIGHT HERE
PLAYING TORONTO’S LEE’S PALACE TONIGHT - TICKETS HERE
"... the album’s earnest posture is undeniable but, on that same first listen, each of those ten songs register very well in the running and listeners will find that they’re hooked early before being pulled along happily by what they hear... a series of really good songs. It might sound odd, but that’s rare – and exciting, in its own way." - Ground Control Magazine
"Known for their commanding arena-sized sound, the five-piece find a compelling middle ground on the new single (Half Speed), as they balance longing nostalgia with an uplifting, heartfelt melody." - Dusty Organ
TORONTO, ON – February 25, 2022 – Today, Toronto five-piece indie-rock outfit, Long Range Hustle, release their long awaited and much anticipated new album, I am alive, but only if you say I am [Sans Shoes (Canada), AntiFragile Music (Rest Of World)]. The 10-track record is jam packed with melodic earworms and thought-provoking lyrics that explore themes of self-reflection, human connection, and vulnerability in a time when it’s needed most. Produced virtually from Scotland by Tony Doogan (Hey Rosetta!, Wintersleep), the album is available to purchase and stream everywhere now. You can also watch the visually striking and emotionally moving music video for the album standout track, Election Night (directed and edited by the band’s AJ Fisico), here. And to further celebrate the release, Long Range Hustle will be playing tonight in Toronto at Lee’s Palace. You can get your tickets here.
“No one lives in a vacuum,” says the band’s, Paul Brogee, on the album. “We are all products of our communities, and of our interactions within them. This new album is a deeply personal one, exploring how (for good or ill) our own visions of ourselves are so frequently defined by our connections to others.
“The stories told are framed by our interactions with others, or lack-there-of. There are difficult late-night conversations, persistent imaginary friends, vacant living rooms, locked doors, and ex-lovers seen in new colours through the lens of a camera. As each song works towards its climax, it also works towards vulnerability and clarity. And this is where you come in. For the music only exists when it is listened to. The stories only matter when they are heard. Like it says on the front of the album… I am alive, but only if you say I am.”
The accompanying album standout track, Election Night, is all about the price of ambition and dedication. It follows a politician and his wife as his campaign reaches the finish line. It is a story about two people who realize that their lives and priorities are simply incompatible. The music video follows this young couple’s journey, as their relationship crumbles under the weight of ambition.
“It is certainly the most ambitious video project we’ve attempted to date,” reflects the band. “With AJ (drummer/director/editor) working with cinematographer, Jack Hawley, they really created a visually striking and emotionally moving piece to recreate, very faithfully, the song’s narrative.”
The album was recorded during the summer of 2020 at Kingston's Bathouse studio, where, isolated from the rest of the world, Long Range Hustle was able to take the time to disassemble and assess every little detail of instrumentation and arrangement for the record. Half Speed, the latest single from the album, was included in Indie 88's Your First Listen: 13 songs you need to discover this week, while other singles Comeback Kid, American Cash, Wait Up For Me, Beeswax, Used To Call and Love Yourself also appear on the album, having received play on CBC shows, Here & Now, Fresh Air, In The Key of C, and All In A Day.
Long Range Hustle have also received Spotify editorial playlist support on: Rockin’ Vibes, Folk Rock Favourites, Rock Your Block, Fresh Finds: Rock, Ready To Rock, New Music Friday Canada. As well, they've been featured on Amazon’s Music Canada’s Finely Tuned and YouTube Music’s New CanRock and Cantemporaries.
Long Range Hustle will be taking the album, as well as their irresistibly fun and intimate live show, to the road this spring. You can find more details on shows below and here.
2022 Tour Dates:
February 25 – Toronto, ON – Lee’s Palace
April 7 – New York City, NY – Rockwood Music Hall
April 9 – Barrie, ON - Rec Room
April 22 – Burnstown, ON – Neat Café
April 23 – Montreal, QC - Verre Bouteille
May 27 – Quebec City, QC – Bar De La Source
June 18 – Syracuse, NY – Funk N’ Waffles
DOWNLOAD - hi res press photo
DOWNLOAD – I am alive, but only if you say I am album art
Paul Brogee (co-lead vocals, guitars, violin)
Jay Foster (co-lead vocals, keys, synths)
AJ Fisico (drums, vocals)
Mike Brogee (bass, vocals)
Ryan Pritchard (guitars)
STREAM/DOWNLOAD SILENCED
THE SINGLE PRECEDES A STRING OF SOLD-OUT HEADLINE SHOWS INCLUDING OVO WEMBLEY ARENA ON APRIL 9
TORONTO, ON – February 25, 2022 – Multi-platinum producers, CamelPhat, have unveiled their club-ready new single, Silenced. Destined for dancefloors and festivals alike, out today, and is yet another master-crafted display of CamelPhat’s signature melodic sound.
The single follows the pairs’ Silver certified album, Dark Matter, which showcased the Liverpool producers’ sonic diversity and featured anthemic hits including, Cola, Breathe, and Panic Room.
Pulling in a host of A-list guest features as well as new and upcoming artists, the album included collaborations with the legendary Noel Gallagher, Jake Bugg, Foals’ frontman Yannis Philipakkis, Maverick Sabre as well as tracks with Skream, Eli & Fur and Will Easton.
With their status secured as one of the most in-demand dance acts around, CamelPhat have been consistently championed by tastemaker heavyweights such as Zane Lowe, Danny Howard and Pete Tong. The duo have fast become major festival mainstays with huge slots at Glastonbury, Coachella, Reading & Leeds, Creamfields, Warehouse Project and Parklife under their belts.
Silenced arrives just in time for the duo's biggest ever UK headline tour to date in March/April. The Grammy-nominated pair will bring their genre defying sound across the UK with stops in Liverpool, Bristol, Glasgow, Newcastle and Leeds before rounding the tour off with a mammoth sold out performance at the iconic OVO Wembley Arena, London on April 9, 2022. This year also sees the duo making heavily anticipated festival appearances at Snowbombing, Creamfields, Lost & Found, Parklife, and a headline slot at Ultra Miami, with more shows to be announced.
Silenced is out on now and is set to further solidify the pairs’ status as one of the biggest dance acts in the world.
Dark Matter UK Tour Dates
March 10 - Digital, Newcastle
March 11 - Digital, Newcastle
March 18 - o2 Academy, Leeds
March 19 - Motion, Bristol
April 1 - Bramley Moore Dock, Liverpool
April 2 - Bramley Moore Dock, Liverpool
April 8 - OVO Hydro, Glasgow
April 9 - OVO Arena Wembley, London
WATCH ROBERT GLASPER’S INTERVIEW & PERFORMANCE OF HEAVEN’S HERE ON THE DAILY SHOW WITH TREVOR NOAH & MLK DAY TRIBUTE PERFORMANCE OF BLACK SUPERHERO ON THE TONIGHT SHOW STARRING JIMMY FALLON
LISTEN TO BLACK RADIO III FEATURING KILLER MIKE,
TY DOLLA $IGN, H.E.R., Q-TIP, ESPERANZA SPALDING, JENNIFER HUDSON, COMMON AND MORE OUT NOW ON LOMA VISTA RECORDINGS
MULTI-GRAMMY & EMMY WINNING ARTIST AND PRODUCER PARTNERS WITH RECORD STORE DAY & FAMS COALITION TO LAUNCH “A DAY OF ACTION”, SUNDAY FEBRUARY 27th, IN SUPPORT OF BLACK OWNED INDEPENDENT RECORD STORES
GLASPER TO HOST BLACK RADIO III RELEASE SHOWS MARCH 4 IN LOS ANGELES AND MARCH 15-20 IN NEW YORK CITY
“No one has shaped the resurgence of jazz in Black music more than Robert Glasper ” - NPR
"Robert Glasper has established himself as a master of the territory where jazz,
hip-hop and R&B overlap" – ROLLING STONE
"It’s in those moments, where the freewheeling live energy is tangible on tape, that Black Radio III really shines. III sutures together the disparate threads of Black expression, driven by fragments of pop, soul, jazz and rap as well as spoken word and memoir" - RANGE
TORONTO, ON – February 25, 2022 – 2022 not only marks the 10 year anniversary of Robert Glasper’s era-defining, Grammy-winning album, Black Radio, but also Glasper’s solo return as he today releases the highly anticipated third instalment, Black Radio III. Glasper’s contribution to music and culture spans over two decades, forming an exceptional legacy that permeates throughout contemporary art and advocacy. A project brought together by both new and old friends further proves Glasper to be one of the most respected collaborators of his generation and Black Radio III to be a masterclass in hip-hop, R&B and jazz fusion that will sonically define the next decade. Listen to Black Radio III here.
Like its predecessors, the new studio album celebrates Black joy, love and resilience and features the Grammy-winning single, Better Than I Imagined, with H.E.R and Meshell Ndgeocello. Killer Mike, BJ The Chicago Kid, and Big K.R.I.T. unify in Black Superhero, a track that lifts up real-life Black heroes, while Lalah Hathaway and Common put a fresh spin on Everybody Wants To Rule The World, a nod to the Tears For Fears classic. Glasper also creates space on BR3 for songs like Q-Tip and Esperanza Spalding’s versatile and driving, Why We Speak and Over, Yebba’s sweet-winded plea to a fleeting love. Black Radio III’s guests also include Jennifer Hudson, Ty Dolla $ign, Ant Clemons, India.Arie, Musiq Soulchild, PJ Morton and more. Since announcing the album in early 2022, Glasper has joined Trevor Noah for an interview and performance of Heaven’s Here with Ant Clemons on The Daily Show and was backed by The Roots on The Tonight Show Starring Jimmy Fallon for a special MLK Day performance of In Tune, and Black Superhero, featuring Rapsody, DJ Jazzy Jeff, BJ The Chicago Kid and Amir Sulaiman.
Glasper has also partnered with Record Store Day and FAMS, the coalition of Black-owned independent US record stores, as an ambassador for A Day of Action, Sunday February 27th. Accounting for less than 2% of all indie owned stores, today an estimated 30 Black-owned independent record stores still exist nationwide. While the industry annually comes together to encourage purchasing physical product to support a struggling sector of music retail, never before has the spotlight been put on the few remaining Black-owned independent stores. As Black History Month comes to a close, A Day of Action is a call to consciousness for consumers to support Black-owned independent record stores- more information can be found at blackownedrecordstores.com.
The 4x Grammy and Emmy winning artist, composer and producer made history a decade ago with the release of Black Radio as the first album to debut in the top 10 of 4 different genre charts simultaneously: Hip Hop, R&B, Urban Contemporary, Jazz and Contemporary Jazz, as did the follow-up album, Black Radio 2. The ongoing Black Radio brand has become synonymous with Black music culture and has placed Glasper alongside some of music’s most legendary- from early days with J Dilla, Bilal and Yasiin Bey to playing alongside Kendrick Lamar, Kanye West, Herbie Hancock, Erykah Badu, Snoop Dogg, Jill Scott, Brandy and more.
Glasper is nominated for two 2022 Grammys, including Best Progressive R&B Album for Dinner Party (Robert Glasper, Terrace Martin, Kamasi Washington and 9th Wonder) and Best Traditional R&B Performance forBorn Again with Leon Bridges.
Black Radio lll is available now on all formats- digital, CD, and 2xLP vinyl (exclusive to Glasper’s webstore) via Loma Vista Recordings. In support of today's album release, Glasper is also hosting Black Radio III release shows in Los Angeles on March 4 at The Vermont Hollywood and in New York City on March 15-20 at Blue Note Jazz Club.
BLACK RADIO lll TRACKLIST
1. In Tune [featuring Amir Sulaiman]
2. Black Superhero [featuring Killer Mike + BJ The Chicago Kid + Big K.R.I.T.]
3. Shine [featuring D Smoke + Tiffany Gouché]
4. Why We Speak [featuring Q-Tip + Esperanza Spalding]
5. Over [featuring Yebba]
6. Better Than I Imagined [featuring H.E.R. + Meshell Ndegeocello]